1964
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Cushing is back! The creature is back!But, how does this compare to the two previous times Hammer studios have attempted this?More importantly, do the lads manage to pronounce the name correctly?“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard WellsAll the links you think you'll need & more!https://linktr.ee/househammerpod
It's more monochrome madness as Freddie Francis returns to direct another of Jimmy Sangster's thrillers and guess what? It's even more gaslighting. But this time, there's a twist!It seems to be all about bad weather and bad dreams so the lads decide to raid Philip's Negroni stash in an attempt to brighten things up. This may or may not have been a good idea. It's up to you to decide...“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod
Unlock the transformative power of prioritizing relationships with both God and your spouse, as we explore how these connections can profoundly elevate your everyday life. Guaranteed to offer insights and guidance, this episode promises to deepen your faith through acts of prayer and scripture study while revealing the impact of small, loving gestures towards your partner. By examining Proverbs 13, we uncover the virtues of discipline and truthfulness, encouraging you to integrate these values into your daily routine for a more fulfilling existence.Journey with us into the insightful analysis of Paul Harvey's "If I Were the Devil," where we dissect the gradual shift away from traditional values and its repercussions on society. With Harvey's timeless warnings about the manipulations within education, religion, and media, we assess the pressing need for vigilance against moral decline. The conversation extends to the current political landscape, highlighting the ongoing battle to preserve the foundational values that form the core of America's soul. Together, we strive to recognize and address the cultural changes that challenge our way of life, advocating for a return to principles that sustain a healthy society.Support the showThe American Soul Podcasthttps://www.buzzsprout.com/1791934/subscribe
Remontez le temps jusqu'en 1964 et revivez l'arrivée fracassante des Beatles sur la scène mythique de l'Olympia à Paris ! Dans cet épisode des 'Enfants d'Europe 1', plongez-vous dans les coulisses de cette soirée historique qui a marqué à jamais l'histoire de la radio et de la musique.Laissez-vous emporter par l'ambiance électrique qui régnait à l'extérieur de l'Olympia, alors que des milliers de fans en délire attendaient impatiemment l'arrivée des quatre garçons de Liverpool. Découvrez les témoignages émus de ces admirateurs, dont la ferveur n'a d'égale que leur fascination pour ce nouveau phénomène musical.Une fois à l'intérieur, revivez les moments-clés de cette soirée exceptionnelle : l'ouverture de la soirée par le chanteur Trini Lopez, suivie de la prestation de Sylvie Vartan, avant que les Beatles ne fassent leur entrée sur scène, sous les acclamations d'un public en transe. Écoutez les commentaires enthousiastes des journalistes d'Europe 1, qui retransmettent en direct cette performance unique.Vous aurez également l'occasion d'entendre les confidences de Paul McCartney lui-même, qui partage ses influences musicales et son processus de création. Et cerise sur le gâteau, vous pourrez écouter les Beatles improviser un jingle pour l'émission 'Salut les copains', un moment inoubliable qui n'a malheureusement pas été retenu.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.
Am 14. Februar 1967 gibt Manfred Müller seinem erkälteten Arbeitskollegen Albert Blumoser einen Enzianschnaps aus, den er ein paar Tage zuvor von einer ihm unbekannten Person per Post erhalten hatte. Albert Blumoser stirbt unmittelbar nachdem er den Enzianschnaps getrunken hatte. Im Zuge der Ermittlungen geraten Manfreds Ehefrau Christel Müller und Wilhelm Leinauer aus Kempten in Verdacht den Schnaps vergiftet zu haben.
The cast is joined by Allan Kozinn and Adrian Sinclair, authors of 'The McCartney Legacy Volume 2 1974-80'.
durée : 00:30:02 - Les Nuits de France Culture - par : Christine Goémé - France Culture vous propose une archive exceptionnelle diffusée dans son intégralité : le discours d'André Malraux lors du transfert des cendres du résistant Jean Moulin au Panthéon, le 19 décembre 1964. - réalisation : Virginie Mourthé - invités : André Malraux Écrivain et homme politique français
The cast discusses the 2024 documentary 'Beatles '64'.
Lisbeth Bischoff hat als Gesellschaftsjournalistin den Sänger Udo Jürgens vierzig Jahre lang begleitet. Noch zu Lebzeiten veröffentlichte sie ihr Buch "Merci" beim Amalthea Verlag, das sie 2024 - zu seinem 90. Geburtstag und seinem 10. Todestag - mit einem Update vorgesehen hat. Sonja, Alkis und Marco lassen mit Frau Bischoff Udo Jürgens drei (eigentlich vier) Eurovision-Auftritte Revue passieren und beleuchten noch einmal diese unglaubliche Karriere.Es ist wieder einmal soweit. Der Eurovision-Podcast "Merci, Chérie" und die OGAE Austria bitten um eure 12 Punkte! Welcher Beitrag der Schweiz ischt dr Beschte aller Zeiten? Eure Votes sind wieder gefragt – traditionell zum Jahresende. Wer wissen will, wer alles für die Schweiz angetreten ist: Hier ist eine Youtube-Playlist. Hier gehts zum Abstimmungsformular. Wir freuen uns natürlich auch über Sprachnachrichten, wir sind schließlich ein Podcast.Deutschland sucht einen neuen Act für den Song Contest - und fand ein neues Format. Altmeister Stefan Raab und sein Haussender RTL stehen der ARD zur Seite und unsere Kollegen vom NDR-Podcast "ESC Update" haben das Prozedere mal genauer angeschaut. Sonja Riegel hat ihre Meinung zu “Chefsache ESC 2025 - Wer singt für Deutschland?” schon mal aufgeschrieben. Auf ihrem Blog "Bleistiftrocker.de" kann man die nachlesen.Mit Lisbeth Bischoff sprechen wir über Udos verschiedene Songs, über seine Karriere und über seine Auftritte beim Eurovision Song Contest, bekanntich waren es drei vor Ort und einer als Komponist: "Warum nur warum" wurde ein Welthit in der englischsprachigen Version "Walk Away" von Matt Munro. In der Hommage an Udo Jürgens, ein Jahr nach seinem Tod 2015, sang Conchita ihre Version. 1965 trat er wieder an mit "Sag ihr, ich lass sie grüßen". Aber erst mit "Merci, Cherie" gewann er 1966 endlich. Lisbeth Bischoff lernte Udo Jürgens bereits als 13-Jährige kennen, Später, als sie beim ORF als Gesellschafts-Journalistin arbeitete, begleitete sie seine Karriere 40 Jahre lang fachlich.Natürlich muss sie auch die Fragen am Schluss beantworten, zum Beispiel die zum Lieblingssong aus dem Jahr 2024. Obwohl sie Nemo gut findet, liebt sie Slimane mit "Mon amour". Und ihr absoluter Lieblingssong beim Eurovision Song Contest? Weil die Performance damals so ein Aufreger war und das Lied ein Hit: Sandy Shaw mit "Puppet On A String".In der Kleinen Geschichte am Schluss erzählt Marco, was zwei Sieger von einander gehalten haben. Creators: Marco Schreuder & Alkis Vlassakakis & Sonja RiegelMerci Chérie Online:www.MerciCherie.atFacebook: MerciCheriePodcastInstagram: Merci_Cherie_PodcastTikTok: @merci_cherie_podcastx/twitter: @_Merci_Cheribluesky: @mercicherie.bsky.socialBitte bewertet uns und schreibt Reviews, wo immer ihr uns hört.
Plongez dans les coulisses de la création d'un véritable monument de la musique pop : l'album « A Hard Day's Night », sorti en 1964 et qui a propulsé les Beatles sur le devant de la scène mondiale. Alors que le phénomène Beatlemania bat son plein, le quatuor de Liverpool se lance dans la réalisation de son premier film, une comédie musicale du même nom, qui retrace 36 heures de leur vie trépidante. Dans un rythme effréné entre concerts, enregistrements et tournages, John Lennon et Paul McCartney composent les chansons originales de l'album, marquant une nouvelle étape dans leur carrière d'auteurs-compositeurs.Découvrez les anecdotes savoureuses de la genèse de ce classique de la pop, de la naissance du titre emblématique « It's Been a Hard Day's Night » aux rencontres fortuites sur le plateau de tournage.
Join us this week as we travel back to 1964 to discuss the Beatles' first feature film, *A Hard Day's Night,* and the iconic album that accompanied it. We explore how this groundbreaking film captured the height of Beatlemania, blending humor, music, and the Fab Four's undeniable charm. We'll also dive into the album's unforgettable tracks, the cultural impact of both the film and the music, and how they set the stage for the Beatles' continued dominance in the 60s. Also we don't have much fandom news, but we do have your feedback which sends us on a few tangents, and some housekeeping. Our Linktree: https://linktr.ee/FiveishFangirls #FiveishFam TIME STAMPS 00:00:14 Intro 00:01:31 News/Housekeeping 00:07:56 Feedback 00:32:02 A Hard Day's Night 01:33:16 Closing Thoughts 01:38:39 Outro Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
A postcard from 1964 and from 1984 sent from Disneyland. Some Disney and Olympic history this week, plus an incoming postcard from Moscow. Posting some links on the Patreon soon with more Eagle footage. Would love to see the character make a return to the games or to Disneyland. If Deadpool can make it maybe Sam can. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021
With Vaughn's life hanging by a thread, we're whisked to the heart of Tokyo, where love, betrayal, and a deadly virus collide. It's quiz time, and Tokyo's rich history and culture take center stage. Can Fred recall ancient capitals, fashion-forward neighborhoods, and the loyalty of the famous Hachikō? Sarah hosts trivia nights as Paris Quiz Mistress and Fred Eyangoh is a stand-up comedian based in Paris. Music by Mad98 and production by Célia Brondeau. Do you want to support us? Tip jar here : https://www.paypal.com/paypalme/ParisQuizMistress Show notes created with the help of Eddy by Headliner.
A special episode with a special gift from @caelamay This week a Disneyland and Halmark Date Book. Everything you might need to know in one handy place. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: Hipstadufus, luluvision, jlynch9923, greenmosspaper, georgemailsart, state_of_the_funyun, RussRomano2021
durée : 00:10:42 - Les Nuits de France Culture - par : Albane Penaranda - "Le Maitron" ou plus exactement le "Dictionnaire biographique du mouvement ouvrier français" est un ouvrage d'une ampleur hors norme. Le tome inaugural de cette grande somme biographique paraît en juin 1964 et à cette occasion ses auteurs viennent présenter ce travail colossal et ses enjeux. - invités : Jean Maitron historien du mouvement ouvrier
Optimistic Romanians, the oddest song, football team acrostics and the rematch of the match that wasn't as we deep dive the 1964 European Nations Cup in Spain. With James Cook and Paul Savage. Please share/like/follow/subscribe and shout it from the rooftops! Email your questions to worldcupofworldcups@gmail.com and donate at ko-fi.com/worldcupofworldcups.
Tema de abertura de Claudio Zaidan no programa Bandeirantes Acontece.
Pat welcomes Pilar to the "Rock Room" to play songs from his birth year 1964!!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"In The Early Morning Rain"Written by Gordon Meredith Lightfoot Jr. 1964Producer Renee Plays Piano + GuitarSING & DANCE ALONG !!Here are the lyrics:In the early morning rainWith a dollar in my handWith an aching in my heartAnd my pockets full of sandI'm a long way from homeLord, I miss my loved ones soIn the early morning rainWith no place to goOut on runway number nineBig 707's set to goAnd I'm stuck here in the grassWith a pain that ever growsAnd the apples tasted goodAnd the jets they all flew fastWell, there she goes my friendShe'll be rolling down at last Hear the mighty engines roarSee the silver wing on highShe's away and Westward boundFar above the clouds she'll flyWhere the morning rain don't fallAnd the sun it always shinesShe'll be flying 0'er my homeIn about three hours timeThis old airport's got me downIt's no earthly good to meAnd I'm stuck here on the groundJust as cold and sad as I can beYou can't jump a jet planeLike you can a freight trainSo I'd best be on my wayIn the early morning rainhttp://PinkieThePigPodcast.com
PINKIE SINGS: "In The Early Morning Rain"Written by Gordon Meredith Lightfoot Jr. 1964Producer Renee plays her rendition on Piano + Guitar.http://PinkieThePigPodcast.com
This week, we look at one of the most influential voting drives in American history, the Freedom Summer project of 1964. We also talk about the recent impeachment of Alejandro Mayorkas, the results of New York's 3rd congressional race, and more! If you like our podcast, make sure to leave a 5-star review! Useful links from the episode:FBI “informant” Alexander Smirnov has been charged with lying about Joe and Hunter Biden taking millions in bribes from BurismaDepartment of Homeland Security Secretary Alejandro Myorkas impeached by the HouseNY 3rd district special electionRead the special counsel's report on Biden's handling of classified documentsBiden press conferenceWisconsin maps updateConservatives were throwing out some wild conspiracies about Taylor Swift's guest (I wonder why) Ice Spice.Citizens's CouncilMississippi Burning1964 FULL SPEECH FANNIE LOU HAMER VOICE OF FREEDOMFreedom SummerStudent Nonviolent Coordinating Committee (SNCC)Freedom Summer: PBS Documentary
The Song "L O V E "Written by Milt Gabler & Bert Kaempfert 1964Producer Renee plays her rendition on Piano + GuitarSING & DANCE ALONG WITH THE MUSIC !Here are the lyrics:L is for the way you look at meO is for the only one I seeV is very very extraordinaryE is even more that anyone that you adore canLove is all that I can give to youLove is more than just a game for twoTwo in love can make itTake my heart and please don't break itLove was made for me and you (CHANGE KEY)L is for the way you look at meO is for the only one I seeV is very very extraordinaryE is even more that anyone that you adore canLove is all that I can give to youLove is more than just a game for twoTwo in love can make itTake my heart but please don't break itLove was made for me and you http://PinkieThePigPodcast.com
PINKIE SINGS The Song "L O V E "Written by Milt Gabler & Bert Kaempfert 1964Producer Renee plays her rendition on Piano + GuitarProducer Renee: Vocals/ Piano/ Guitarhttp://PinkieThePigPodcast.com
We're talking about Castle of Blood on this episode of the Fan2Fan Podcast! Bernie and Pete are joined by Nick Diak (H. P. Lovecast Podcast) to review the 1964 haunted mansion horror movie directed by Antonio Margheriti and based on an Edgar Allan Poe story. They discuss the film's production, casting, alternate versions, themes, legacy, and more. For more info about the Fan2Fan Podcast, visit fanpodcast.com
The ladies open with a quick post-break catch up and read a listener email and review! Jamie gets into the horror that is mummy brown. Alyssa digs into the modern horrors of the beauty industryWrite us some of your cringe stories at [nervouslaughterpodcast@gmail.com](mailto:nervouslaughterpodcast@gmail.com)The socials: [Instagram](https://www.instagram.com/nervouslaughterpodcast) | [Facebook](https://www.facebook.com/NervousLaughterPodcast) | [Twitter](https://twitter.com/NervouslaughPod)
"Hello Dolly" Original Music and Lyrics Written by Jerry Herman 1964Producer Renee plays her Rendition: Piano/GuitarHere are the "Lyrics" : TIME TO SING & DANCE !Hello Harry, well Hello LouieIt's so nice to be back home where I belongYou're looking swell Manny, I could tell Danny,You're still glowin' you're still crowin'You're still going strong Cause the room's swaying and the band's playin'One of my old favorite songs from way back whenSo... bridge that gap fellas, find me an empty lap fellas,Dolly'll never go away again.You're looking great Stanly and you're oh so manlyDolly's overjoyed and overwhelmed with youI hear the ice tinkle I see the lights twinkleAnd I still get glances from handsome men, just like youCause the room's swaying and the band's playin'One of my old favorite songs from way back whenSo... bridge that gap fellas, find me an empty lap fellas,Dolly'll never go away Dolly'll never go away Dolly'll never go away again.http://PinkieThePigPodcast.com
Im November 1964 verschwindet das Gaststätte-Ehepaar Paul und Else Thomschke spurlos. Nach intensiver Suche werden ihre Leichen im Brunnenschacht ihrer Gaststätte „Zum Hirsch“ in Radeburg gefunden. Der Täter Klaus Schuricht kann, dank der Mithilfe der Bevölkerung, schnell überführt werden.
Join us for a nostalgic trip down memory lane with Johnny Rabbit as he delves into the vibrant history of St. Louis during its Bicentennial year of 1964. Discover the colorful celebrations, landmarks, and vanished entertainment spots that once thrived in the city. From monumental Presidential visits to the bustling nightlife, delve into the bygone era that shaped the essence of St. Louis. Tune in tomorrow for a special show featuring uplifting thoughts and potential New Year's resolutions as we embrace the dawn of 2024. Total Information AM wishes everyone a Happy New Year filled with hope and prosperity.
"Pretty Paper"Written by Willie Nelson 1963Producer Renee: Vocal/Guitar/BlockSING ALONG Here are the lyrics:Pretty paper pretty ribbons of blueWrap your presents to your darling from youPretty pencils to write on "I Love You"Pretty paper pretty ribbons of blueCrowded streets, busy feet hustle by himDowntown shoppers, Christmas is nighAnd there he sits all alone on the sidewalkHoping that you won't pass him byShould you stop? Better not, you're much too busyYou're in a hurry, my how time does flyAnd in the distance the ringing of laughterAnd in the midst of the laughter he criesPretty paper pretty ribbons of blueWrap your presents to your darling from youPretty pencils to write on "I Love You"Pretty paper pretty ribbons of blueYes, Pretty paper pretty ribbons of blueYou can listen to any episode at any time !
durée : 00:59:37 - Bill Evans "Tales : Live in Copenhagen 1964" - par : Alex Dutilh - “Tales : Live in Copenhagen 1964” est le 11ème recueil d'enregistrements inédits de Bill Evans produit par Zev Feldman, le "détective du jazz", et entièrement autorisé par la succession de Bill Evans.
Een begenadigd lasser die in de jaren 50 op de motor door Parijs scheurde en in de leer was bij Zadkine. Wees eens eerlijk, je denkt aan een man toch? De kunstenaar Ferdi was haar tijd ver vooruit. Haar kunstwerk Wombtomb ademt de Flower Power, Rock ‘n Roll en seksuele vrijheid van de sixties. In de kunst veranderde er van alles. Kunstwerken verlieten de vitrines en vrouwelijke kunstenaars braken door het glazen plafond. Janine Abbring spreekt erover met conservator beeldende kunst 20ste eeuw, Mels Evers.Wil je weten hoe dit zeer aanraakbare object eruitziet? Ga dan naar: https://www.rijksmuseum.nl/en/collection/BK-2012-58In het Rijksmuseum is powered by ING.
“A painting means as much to you as a string of pearls to an ape.”In the early 1960s, French author Rose Valland pitched the idea for The Train to producer Jules Bricken. Valland had worked at the Jeu de Paume Museum in Paris during World War II, overseeing the Nazi looting of French art treasures. Intrigued by her true story of resisting Nazi art theft, Bricken brought in director Arthur Penn to develop the film. Penn saw it as a vehicle for his friend Burt Lancaster and got him on board to star and co-produce. But creative differences led Penn to depart the project, with action director John Frankenheimer taking over. Join us – Pete Wright and Andy Nelson – as we continue the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about The Train.Here's a hint at what we talk about:We dive into the real history behind this fictionalized account of protecting French art from the Nazis in WWII. We discuss Frankenheimer's groundbreaking filming techniques using real trains and locations. And we debate the deeper themes around valuing art over human life.Here are a few other points in our discussion: Highlighting the standout performance by Burt Lancaster Appreciating Paul Scofield as the obsessive Nazi colonel Noting the exceptional black and white cinematography Poking fun at the uneven accents Praising the thrilling climactic train yard action sequences The Train is a thoroughly engrossing WWII action-drama that also makes you think. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Learn more about CODA and how it can work for you! Check out The Next Reel's Merch Store! Want to upgrade your Letterboxd account? Use our PROMO CODE to get a DISCOUNT and help us out in the process! Visit our WATCH PAGE to rent or purchase movies we've talked about on the shows that are part of The Next Reel's family of podcasts. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. Enjoy! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
“My life is an empty place.”Harold Pinter adapted Penelope Mortimer's 1962 semi-autobiographical novel The Pumpkin Eater into a screenplay for this 1964 British drama film directed by Jack Clayton. With acclaimed performers Anne Bancroft and Peter Finch on board, Clayton and cinematographer Oswald Morris shot the black and white film partly on location in London and Shepperton Studios. Despite its downbeat subject matter, The Pumpkin Eater was considered a prestige picture with a relatively large budget upon its production. Join us – Pete Wright and Andy Nelson – as we continue the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about The Pumpkin Eater.Here's a hint at what we talk about:In this episode, we dive deep into the complex psychology of the characters and relationships in The Pumpkin Eater. We discuss how the film provides an intimate portrait of a woman struggling with depression and a crumbling marriage in 1960s England. The stellar performance by Anne Bancroft anchors the film, while the script by Harold Pinter brings emotional honesty through raw, confrontational dialogue. We also analyze how the movie explores challenging themes like women's rights, mental health, fidelity, and family.Here are a few other points in our discussion: Appreciation for Jack Clayton's skilled direction The intriguing nonlinear structure using flashbacks James Mason's supporting turn as the angry betrayed husband The Pumpkin Eater is a psychologically complex drama that impressed us both. The gorgeous black and white cinematography transports you into this intimate story. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
"Gentlemen, you can't fight in here! This is the war room!"REBROADCASTStanley Kubrick didn't do comedy often which is a shame because “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” is arguably one of the funniest films ever made. What's interesting is that Kubrick intended on making a serious film about one of his greatest fears at the time: the threat of nuclear war. But after several attempts at finding the right way to tell the story seriously (including one involving aliens watching us from above, discussing our penchant for destruction), he hit on the idea of making it funny. And his dark comedy classic was born.Join us – Andy Nelson and Pete Wright – as we wrap up our brief vacation challenge with Andy's choice of his favorite end-of-the-world comedy, Kubrick's 1964 film “Dr. Strangelove.” We talk about how we were introduced to this film and why it may not be a film that one connects to immediately but a film that one has to find the humor over time. We discuss the actors – Peter Sellers, George C. Scott, Slim Pickens, Sterling Hayden, Keenan Wynn, even James Earl Jones in his first screen role – and the level of comedy brilliance they all achieve individually and how it ties to the overall film. We single out Sellers, of course, as we discuss the three roles he played in the film and what makes them all so unique. We touch on the look of the film, shot by Gilbert Taylor with impeccable production design by Ken Adam, pointing out just what it took to make the war room one of the most iconic sets ever made. We mention the sequel that Kubrick wanted to make with the help of Terry Gilliam. And we argue about its placement on our Flickchart, as we inevitably do every week. It's one of the best films out there and well worth a discussion. Haven't seen it? Give it a try. Just be aware that you may not connect on the first viewing. This is one of those movies that may need a few shots. But it'll be well worth it. We promise you.Film Sundries Check out our Watch Page to get links to rent or buy this movie and everything else we've covered Script Transcript Original theatrical trailer Original poster artwork Art of the Title Red Alert by Peter George Flickchart Letterboxd Dr. Strangelove — Internet Movie Firearm Database Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
“But where is Becket's honour?”Before cameras could roll on Becket, the film's producers had to secure the screen rights to Jean Anouilh's original French play. Anouilh was initially hesitant to sell the rights, but the persistence of producer Hal B. Wallis convinced him to sign on. With the acclaimed playwright on board, the next task was finding a director who could bring the theatrical story to life on the big screen. The producers eventually landed on Peter Glenville, an experienced theater director who had recently made the jump to film. With Glenville set to direct, Wallis turned his attention to casting the two crucial lead roles. Several big names were considered, but it ultimately came down to Richard Burton and Peter O'Toole. The two actors had never worked together before, but their chemistry and talent made them the perfect choices to embody this complex medieval tale of friendship and betrayal. Join us – Pete Wright and Andy Nelson – as we kick off the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about Glenville's 1964 film Becket.Here's a hint at what we talk about:We dive deep into the fascinating central relationship between King Henry II and Thomas Becket. Their intimate friendship takes surprising twists and turns, and we examine how Burton and O'Toole bring nuance, humor, and gravitas to their performances. We also discuss how Becket grapples with weighty themes like loyalty, honor, and the separation of church and state. Though we take issue with some historical inaccuracies, we find the film an engrossing character study bolstered by its two talented leads.Here are a few other points in our discussion: Appreciating Becket's unexpected comedic tone and banter The riveting confrontations between Henry and Becket Questioning the importance of the Saxon/Norman divide Assessing Peter Glenville's brisk direction and Anne V. Coates' editing Burton and O'Toole's captivating performances Becket gives a revealing look at how friendship, politics, and religion collide for two powerful men. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.
Today It's an oldie but a greatie! We are talking about the Vincent Price classic 'The Last man on Earth'. We are also joined by first time guest Bonnie Marie Williams who is promoting the documentary she produced "Spooktacular" which is about America's First Horror theme park SpookyWorld. Listen in to find out more!https://www.spooktacularthemovie.com/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5685939/advertisement
Episode #498! We have a short episode this week where our focus is on two incredible comic book runs. First up, DL brings a copy of Dark Horse Comics new Creepy vol. 1 softcover. Originally published in 1964, this square-bound magazine-sized trade contains the first five issues complete with stories, ads and letter pages. After that, Scott continues his trek through Marvel Comics X-Men Epic collection vol. 5. This week he tells us about issue #96 "Night of the Demon!". Check it out!
"Harriet the Spy," chapters 8-9. Mr. and Mrs. Robinson have a 6-foot baby and the Dei Santis have some DRAAAMA. Also – Harriet gets caught! In the dumb waiter! But not before she has her iconic moment rolling around in an onion trance. Thank you, Louise Fitzhugh, for this INSANE book about a little rascal in 1964 Manhattan. Join Jody and Alison for bad Italian accents, a new drinking game, and a spliendid listener letter (thank you Blume Head Dani! It's a Judy Blume book club (sometimes). Join us every week!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3248789/advertisement
durée : 01:32:48 - Les Nuits de France Culture - par : Albane Penaranda - En 1964, les États-Unis, animés par l'élan justicier qui les caractérise, prenaient part à la guerre du Vietnam, et le Royaume-Uni connaissait une véritable révolution culturelle. Retour sur cette année de bouleversements dans ce quinzième épisode.
Brothers Phil & Warren order two martinis shaken, not stirred before deep diving into the iconic spy action classic “Goldfinger”. Topics include: making the movie & Bond's vintage gadgets (7:20), the stars of the picture (19:30), stats & accolades (29:00), best scenes & lines (35:10), Judge Bob's recasting court (50:15), and the film's legacy & lore (1:19:10), plus much more.
durée : 00:40:40 - Rendez-vous avec X... - par : Patrick PESNOT - C'était une première dans cette Afrique francophone qui venait tout juste d'accéder à l'indépendance : une intervention militaire française visant, non pas à venir en aide à un pays en proie à une agression extérieure, mais à permettre à un dirigeant mal en point de récupérer son pouvoir.
Inequality lies at the heart of contemporary American politics—from the dizzying power of corporations and the billionaire class to the racialized and gendered dimensions of wealth and income disparities. Yet the question of economic justice, as well as the struggle to attain it, also has long historical roots. Mark Paul joins The Marc Steiner Show to discuss his new book, The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights, an historical treatment of historical pursuits of economic equality in America spanning centuries.Mark Paul is an Assistant Professor of Economics at the Edward J. Bloustein School of Planning and Public Policy Rutgers University . He is a political economist working in the areas of inequality and environmental policy.Studio / Post-Production: David HebdenHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-pod-mssSign up for our newsletter: https://therealnews.com/nl-pod-stLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
Inequality lies at the heart of contemporary American politics—from the dizzying power of corporations and the billionaire class to the racialized and gendered dimensions of wealth and income disparities. Yet the question of economic justice, as well as the struggle to attain it, also has long historical roots. Mark Paul joins The Marc Steiner Show to discuss his new book, The Ends of Freedom: Reclaiming America's Lost Promise of Economic Rights, an historical treatment of historical pursuits of economic equality in America spanning centuries.Mark Paul is an Assistant Professor of Economics at the Edward J. Bloustein School of Planning and Public Policy Rutgers University . He is a political economist working in the areas of inequality and environmental policy.Studio / Post-Production: David HebdenHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-pod-mssSign up for our newsletter: https://therealnews.com/nl-pod-stLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
Sidney Lumet's 1964 Cold War brink of doom suspense film, FAIL SAFE, is our feature presentation this week. We talk the lawsuit filed by Stanley Kubrick and others over the film's perceived plagiarism on the source novel and DR. STRANGELOVE. We also touch on the blacklisted screenwriter, lack of energy, and the one-note tone of the film. There's a lot to discuss and this one may surprise you. We also pick our least favorite Sidney Lumet films in this week's SILVER SCREEN 7. Join us!
Just a fun April Fools episode about the 1964 New York World's Fair and Disneyland. Below are some of the regulars on Art Throw Down, Follow all of them on Instagram anyway for great art and postcards in your Instagram feed: hipstadufus luluvision jlynch9923 greenmosspaper georgemailsart state_of_the_funyun RussRomano2021
A stain on Georgia history, that still impacts families and people in that area. Three Georgia Police Officers were abducted and murdered on Arc Road. In 1964, 3 Georgia Police Officers, Marvin Jesse Gravitt, Jerry Everett and Ralph Davis, were dispatched to investigate a disturbance. It was determined later to be a stolen car. During the investigation on scene, they were surprised, handcuffed together, abducted and then brutally murdered. The bodies of the three police officers were dumped in the woods. Tony Tiffin is our guest.Tony talks about the ambush, abduction and murder. Plus, the impact that the murders still have on their families and other people in the area. Even though this happened in 1964, the impact is still felt after all these years. He documented the entire incident in this book Arc Road. Background song Hurricane is used with permission from the band Dark Horse Flyer. Follow us on the MeWe social media platform. We are on Twitter, Instagram and Facebook. In the Clubhouse app look for and follow @LetRadioShow. If you enjoy the show, please tell a friend or two, or three about it. If you are able to leave an honest rating and, or, review it would be appreciated. Interested in being a guest, sponsorship or advertising opportunities send an email to the host and producer of the show jay@lawenforcementtoday.com. Be sure to check out our website. If you enjoy the show, please tell a friend or two, or three about it. If you are able to leave an honest rating and, or, review it would be appreciated. Never miss out on an episode of the Law Enforcement Today Podcast subscribe to our free email newsletter, never more than 2 issues a week sent out. Click here and scroll down about halfway. See omnystudio.com/listener for privacy information.
Early in 1966, the people of Lowndes County, Alabama formed an all-Black, independent political organization called the Lowndes County Freedom Organization (LCFO). Organized with the support of activists from the Student Nonviolent Coordinating Committee (SNCC), the LCFO fought the disenfranchisement of Black voters against the palpable threat of white violence. The LCFO was a crucial chapter in the early history of Black Power, providing not only the blueprint for Kwame Ture's theory of Black Power but also the black panther imagery that would inspire Huey P. Newton and Bobby Seale to form the Black Panther Party for Self Defense in Oakland just a few months later. Former SNCC organizers Jennifer Lawson and Courtland Cox join The Marc Steiner Show to offer an oral history of the Student Nonviolent Coordinating Committee and the Lowndes County Freedom Organization.Jennifer Lawson joined the Student Nonviolent Coordinating Committee (SNCC) in 1966 and was elected to its central coordinating committee. She designed the Black Panther symbol and campaign materials for the Lowndes Country Freedom Organization. Lawson continued her civil rights work for several more years before becoming an executive and producer in public television. She currently works with the SNCC Legacy Project to preserve the history of the movement and to encourage young activists to document their stories.Courtland Cox joined SNCC as a student at Howard University in 1960, and appeared as the representative of the organization's central committee at the 1963 March on Washington. He helped organize the 1964 Freedom Summer in Mississippi, and was also one of the organizers of the Lowndes County Freedom Organization. Later in life, he served as Secretary General of the Sixth Pan-African Congress in Tanzania, as well as on the Board of TransAfrica. He was appointed by President Clinton to serve as the Director of the Minority Business Development Agency (MBDA) at the U.S. Department of Commerce. He currently serves as board chair of the SNCC Legacy Project.Studio/Post-Production: David HebdenHelp us continue producing The Marc Steiner Show by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-pod-mssSign up for our newsletter: https://therealnews.com/nl-pod-stGet The Marc Steiner Show updates: https://therealnews.com/up-pod-stLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews
African Americans, like Native Americans, are the only ethnic and cultural groups that did not come to British North America or the United States of America in eager pursuit of the American Dream. Is it coincidental that these are the only two such groups that do not follow the typical pattern of generational immigrant assimilation into the mainstream of American society? Given all of this, what can save people so mightily plagued by persistent poverty?Would you like to share your thoughts with Ralph? Please email your comments to hello@idahospeaks.com or post your comments on @IdahoSpeaks on Twitter.Idaho Speaks is a listener supported production. Please visit idahospeaks.com/support to learn more.Do you have something so say? Interested in learning more about publishing on the Idaho Speaks Network? Our nation was built on ideas and your idea could be the next political advancement for Idaho. Call Ed at (208) 209-7170 or email hello@idahospeaks.com to start the conversation.
When the Spirit of Christ takes up residence inside of you, the Gospel message becomes personal. If you don't yet know Jesus, welcome him into your heart today!