Podcast appearances and mentions of Tom Kenny

We take a trip to Bikini Bottom and revisit our interview with Tom Kenny, who plays SpongeBob on the popular Nickelodeon cartoon series, and in the new ‘Spongebob SquarePants' film. Kenny's been voicing the character since the show began in 1999. In 2004 he talked about creating the voice, including experimenting with inhaling helium.TV critic David Bianculli reviews ‘Man on the Run,' the new documentary about Sir Paul McCartney in the decade after the Beatles split up, and Justin Chang reviews the new erotic drama ‘Dreams,' starring Jessica Chastain. To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Julie Brown joined me to discuss Captain Kangaroo; being in her high school homecoming court; the scary nun's in elementary school; being funny in Van Nuys High; studying at the American Conservatory Theater in San Francisco; meeting her comedy partner Charlie Coffey; Denzel Washington being in the cast; starting a comedy team, Brown & Coffey; playing San Francisco and gay audiences; guest starring on Happy Days; doing an NBC late night pilot Road Show with John Candy; being in a slasher film, Bloody Birthday; guest starring in the pilot for Get a Life; being on two episodes of Laverne & Shirley; being in the repertory company of Evening at the Improv; performing "Homecoming Queens Got a Gun"; Newhart; Just Say Julie; her character made jokes, she didn't hate any performer; Gene Simmons; "Downtown" Julie Brown; MTV wouldn't pay for props, proper writers; Beavis & Butthead stealing her commenting on videos; her SNL audition in 1985; turning down a re-audition in 1986; Sam Kinison; SCTV; The Edge; Wayne Knight; Tom Kenny; being a fan of reality TV; her new podcast being improvised; doing improv once a week at the Groundlings

Review các phim ra rạp từ ngày 26/12/2025:NHÀ HAI CHỦ - T13Đạo diễn: Trần Duy Linh & Phạm Trung HiếuDiễn viên: Trâm Anh, Kim Hải, Tạ Lâm, Kim Phương ,Mộc Trà,…Thể loại: Kinh DịMột gia đình nhỏ vì không đủ điều kiện đã phải mua một căn nhà mà người dân xung quanh đồn đoán rằng có nhiều điều kỳ lạ tâm linh liệu gia đình sẽ đối mặt với ngôi nhà nhiều chủ sẽ như thế nào?ĐỤNG ĐỘ SIÊU TRĂN – T13Đạo diễn: Tom GormicanDiễn viên: Jack Black, Paul Rudd, Steve Zahn, Thandiwe Newton, Daniela Melchior, Selton MelloThể loại: Hài, Hành Động, Phiêu LưuDoug (Jack Black) và Griff (Paul Rudd) là đôi bạn thân từ nhỏ, họ đã luôn mơ ước được làm lại bộ phim yêu thích nhất của mình là bộ phim kinh điển Anaconda. Khi khủng hoảng tuổi trung niên thúc đẩy họ đã liều lĩnh thực hiện. Cả bọn lên đường tiến sâu vào rừng Amazon để bắt đầu quay phim. Nhưng mọi chuyện trở nên nguy hiểm khi một con trăn khổng lồ thực sự xuất hiện, biến phim trường hỗn loạn hài hước của họ thành một tình huống chết người. Bộ phim mà họ khao khát làm “gần chết” có lẽ sẽ khiến họ mất mạng thật…CHỌN CHỒNG NƠI CHÍN SUỐI – T13Đạo diễn: David FreyneDiễn viên: Miles Teller; Elizabeth Olsen; Callum TurnerThể loại: Hài, Tình cảmTại "thế giới bên kia", nơi mỗi linh hồn phải lựa chọn "người đồng hành vĩnh cửu", Joan rơi vào drama tình ái khó gỡ bậc nhất lịch sử suối vàng: Chọn người chồng đã gắn bó cả một đời, hay mối tình đầu đã chờ cô vài chục năm tại nơi đây?SPONGEBOB: LỜI NGUYỀN HẢI TẶCĐạo diễn: Derek DrymonDiễn viên: Tom Kenny, Clancy Brown, Rodger Bumpass, Bill Fagerbakke, Carolyn Lawrence, Mr. Lawrence, George Lopez, Isis “Ice Spice” Gaston, Arturo Castro, Sherry Cola with Regina Hall and Mark HamillThể loại: Hài, Hoạt Hình, Phiêu LưuSpongeBob phiêu lưu xuống đáy đại dương để đối mặt với hồn ma của Người Hà Lan bay, vượt qua thử thách và khám phá những bí ẩn dưới biển.CÔ HẦU GÁI – T18Đạo diễn: Paul FeigDiễn viên: Sydney Sweeney, Brandon Sklenar, Amanda Seyfried, ...Thể loại: Bí ẩn, Hồi hộpTừ đạo diễn Paul Feig, một thế giới hỗn loạn sẽ mở ra, nơi sự hoàn hảo chỉ là ảo giác và mọi thứ dường như đều đang che đậy một bí mật đằng sau. Để chạy trốn khỏi quá khứ, Millie (Sydney Sweeney) trở thành bảo mẫu cho gia đình Nina (Amanda Seyfried) và Andrew (Brandon Sklener), một cặp đôi giàu có. Nhưng ngay khi cô chuyển vào sống chung và bắt đầu công việc "trong mơ", sự thật dần được hé lộ.LẠC PHÀM TRẦN: HẬU DUỆ CHỨC NỮĐạo diễn: Ding ZhongDiễn viên: Xin Li, Xiaoyu Liu, Tom Fu,...Thể loại: Hoạt Hình, Khoa Học Viễn Tưởng, Phiêu LưuKim Phong, một thần nhân trẻ tuổi, hạ phàm với sứ mệnh giải cứu mẫu thân bằng cách thu phục 28 tinh linh chòm sao. Trên đường hành hiệp, anh vô tình gặp Ngọc Lộ, cô gái phàm trần quyết tâm vượt lên thần giới để tìm mẹ. Từ những hiểu lầm và ganh đua ban đầu, hai người buộc phải trở thành cộng sự.LUPIN ĐỆ TAM: LÂU ĐÀI CAGLIOSTROĐạo diễn: Miyazaki HayaoDiễn viên: Yasuo Yamada, Eiko Masuyama, Thể loại: Gia đình, Hoạt Hình, Phiêu LưuTrong hành trình đến Công quốc Cagliostro, siêu trộm Lupin III tình cờ cứu một cô dâu xinh đẹp tên Clarisse, người đang bị Bá tước Cagliostro ép cưới để chiếm đoạt quyền lực. Khi tìm cách giải cứu Clarice, Lupin phát hiện bí mật đen tối — một nhà máy sản xuất tiền giả tồn tại suốt 400 năm. BIỆT ĐỘI YOYO: GIẢI CỨU GIÁNG SINHĐạo diễn: Damjan Mitrevski, Ricard CussóThể loại: Gia đình, Hoạt Hình, Phiêu LưuNgay ngày đầu đi làm, Yoyo bàng hoàng nhận ra Bắc Cực không còn ánh sáng phép màu, mà bị thay thế bởi robot vô cảm và những dây chuyền lạnh lẽo. Khi một hacker bí ẩn chiếm quyền điều khiển xưởng quà, toàn bộ Giáng Sinh đứng trước nguy cơ bị xóa sổ, và Yoyo trở thành hy vọng cuối cùng. Cùng biệt đội của mình, cậu lao vào hành trình tìm lại ông già Noel, vượt qua bão tuyết, những cuộc đua kỳ lạ cũng như phải đối mặt với quá khứ đau lòng. ----------------------------------#8saigon #reviewphimrap #nhahaichu #dungdosieutran #chonchongnoichinsuoi #cohaugai

Min 2: ANACONDA (3 estrellas) Anaconda, dirigida por Tom Gormican (El talento de Mr. C), es una comedia metacinematográfica que toma el título del clásico de terror noventero como excusa para construir una sátira deslenguada sobre Hollywood, la nostalgia y la absurda maquinaria del remake. Protagonizada por Paul Rudd y Jack Black, la película sigue a dos profesionales en horas bajas que aceptan participar en una delirante reimaginación de Anaconda, convencidos de que puede ser su última oportunidad para volver a estar en el mapa. Min 10: BOB ESPONJA: AVENTURA PIRATA (3 estrellas) Bob Esponja: Aventura Pirata, dirigida por Derek Drymon (veterano creativo del universo Bob Esponja desde sus orígenes televisivos), devuelve al personaje al largometraje con una aventura de gran escala que recupera el espíritu gamberro y surrealista que lo convirtió en icono generacional. Con las voces originales encabezadas por Tom Kenny, junto a Bill Fagerbakke, Rodger Bumpass y Clancy Brown, la película sitúa a Bob y sus inseparables amigos en una travesía marítima marcada por mapas imposibles, piratas extravagantes y una amenaza que pone en jaque el equilibrio de Fondo de Bikini. Min 15: FATHER MOTHER SISTER BROTHER (4 estrellas) 'Father Mother Sister Brother', escrita y dirigida por Jim Jarmusch (Paterson, Only Lovers Left Alive), es una obra episódica, minimalista y profundamente humana que articula tres historias independientes unidas por los vínculos familiares, la soledad y el paso del tiempo. Protagonizada por un reparto coral que incluye a Cate Blanchett, Adam Driver, Tom Waits, Mayim Bialik y Charlotte Rampling, la película se despliega en distintos lugares y tonos, manteniendo siempre el pulso contemplativo y el humor seco característico del cineasta. Jarmusch observa a sus personajes con distancia afectuosa, dejando que los silencios, los gestos mínimos y las conversaciones aparentemente intrascendentes revelen heridas emocionales y tensiones soterradas entre padres, madres, hermanos y hermanas que apenas saben comunicarse. Min 21: HOMO ARGENTUM (3 estrellas) Homo Argentum, dirigida por Mariano Cohn y Gastón Duprat (El ciudadano ilustre, Competencia oficial), es una sátira feroz y elegante que radiografía, a través del humor incómodo, las contradicciones morales y sociales de la Argentina contemporánea. Protagonizada por un camaleónico Guillermo Francella, la película se articula en episodios autónomos que retratan a distintos personajes unidos por una misma pulsión: el individualismo extremo, la picaresca elevada a norma y la supervivencia como único código ético. Cohn y Duprat utilizan el formato fragmentado para multiplicar puntos de vista y situaciones, construyendo un espejo deformante en el que la risa nace del reconocimiento y la incomodidad. Min 28: LA PELÍCULA DE TU VIDA, CON ROBERTO LANCHA A las puertas del nuevo año, casi sobre la campana, llega el turno de conocer la confesión cinéfila del director de Estamos de Cine. El periodista de Radio Castilla-La Mancha y crítico especializado, Roberto Lancha, desvela en pleno Filtro Liuchini por qué "El Padrino 1 y 2", entendidas como un todo, es el título que marcó su adoelscencia y, por extensión, su amor por el cine y por la comunicación vinculada al Séptimo Arte. Min 38: BSO ESPECIAL BSO EL PADRINO Y dado que la elección del director de Estamos de Cine enlaza con una de las bandas sonoras más celebradas de la historia del cine, la cita con Ángel Luque en la finca familiar de Los Corleone -en un entorno privilegiado de Long Island- se convierte en todo un homenaje musical a una de las mejores películas de todos los tiempos.

This week on a bump Screentime John Fardy talks to Eanna Hardwicke and Steven Coogan about their respective roles playing Roy Keane and Mick McCarthy in 'Saipan'. John also talks to Timothy Spall, Toni Collete and Andrea Riseborough about the new Christmas Drama on Netflix 'Goodbye June'. John also talks to the voices behind SpongeBob and Patrick, Tom Kenny and Bill Fagerbakke about 'The SpongeBob Movie: Search for SquarePants'. Plus, Chris Wasser reviews 'Avatar: Fire and Ash'.

Since 1999, Tom Kenny has been voicing SpongeBob SquarePants, which he thinks is the greatest job in the world. As the Bikini Bottom crew embark on a new adventure, “The SpongeBob Movie: Search for Squarepants,” Tom joins Tom Power to reminisce on 26 years of SpongeBob.

The Supreme Court on Monday heard arguments regarding a dispute over President Trump's ability to fire an FTC commissioner without cause in a major test of presidential powers. The court's conservative majority appeared open to allowing greater presidential authority. Jan Crawford reports. Airport security video and new cockpit audio has been released in a 2023 incident involving an off-duty pilot who was arrested after he tried to turn off the engines of a passenger jet in-flight while under the influence of psychedelic mushrooms. Kris Van Cleave reports. Royal Caribbean is being sued after allegedly serving a passenger 33 drinks "in a matter of hours," according to a lawsuit. The family of Michael Virgil is accusing the cruise giant of negligence. At one point on board, Virgil was tackled to the ground by security and given medication. He later died on the ship. Hollywood's awards season is underway with Golden Globe nominations announced on Monday. "One Battle After Another" was a financial flop at the box office, but it earned the most nominations. There were also a handful of first-time nominees and some surprising snubs. Winter break is almost here and for many parents, it can be tough to handle without relying too much on screens. Psychologist Dr. Sheryl Ziegler gives tips on how to start planning before break begins. Tom Kenny, the voice of SpongeBob, and Mark Hamill, the voice of the Flying Dutchman, speak with "CBS Mornings" about their new film, "The SpongeBob Movie: Search for SquarePants" and marking 26 years since the first episode aired. Lucas Bravo, who stars as Gabriel in "Emily in Paris," talks about the new season of the show, what he loves about his character and working with Lily Collins. Plus, he discusses playing a villain role in the series, "The Seduction." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Galway Talks with John Morley:  9am-10am  Tribute to Des Kenny former President of the Galway Lion's Club from his brother Tom Kenny of Kenny's Books Introduction to the Lion's Club Auction Bidding 10am-11am Bidding Margaret and Geraldine Mannion Auction Chair Caroline O'Connor Hand In Hand Bidding 11am-12pm Bidding Dr. Mary Surlis Bidding Closing remarks Galway Talks

We're joined by Helene Dick, Head of Strategy at Special LA and Tom Kenny, CSO at Courage in Toronto. We discuss new work from The Ordinary and Mother's campaign for Claude AI. Thanks to Tracksuit and System1 for supporting this series.

Tom Kenny, ó Siopa Leabhar Uí Chonnaith. Tá ceann de na siopaí leabhar is aitheanta in Éirinn, Siopa Leabhar Uí Chionnaith i nGaillimh, ag ceiliúradh 85 bliain i mbun graithe.

“Boooo! Prepare to be burdened with the haunting memory of the Hash-Slinging Slasher because we're heading down to Bikini Bottom tonight for a little haunting spree and a Golden Silent Films Podcast Halloween Spectacular!” A discussion about and look into the stories, the history and personalities that came together to make the "SpongeBob Squarepants" episode "Graveyard Shift" in 2002. Created by Stephen Hillenburg and starring Tom Kenny and Roger Bumpass.Witha special cameo from the seafood loving podcat, Sodapop. This episode is also a continuation of our ongoing "Nosferatu" series.Bluesky - @goldensilentscastInstagram - goldensilentscast Twitter/X - @goldensilents1#spongebob #spongebobsquarepants #squidward #tomkenny #nickelodeon #animation #animationhistory #nosferatu #countorlok #orlok #pittsburgh #filmpodcast #moviepodcast #cartoon #hillenburg #murnau #halloween #spooky #scary #hashslingingslasher #silentfilm #silentmovies #calssicfilm #monster # scarymovie #filmdiscussion #filmtalk #bikinibottom #spookyseason

CLL #2628 (feat. Tom Kenny) 10/25/2005 – Tuesday Night Show Source – Tucker Stream Recording (2005) This episode is 100% complete with a medium audio upgrade. Tom is making his second and final appearance of the Adam era. The Love Between The Two Hosts – CLL on Youtube, with Video for select episodes. https://adamanddrdrewshow.com/1743-loveline-nostalgia-with-superfan-giovanni/ https://account.venmo.com/u/GiovanniGiorgio Paid Link – As an Amazon Associate I earn from qualifying purchases. Music Provided by Rich Banks Check out His Website and Soundcloud to hear more of his awesome work and perhaps commission him for your next project. Venmo

Oh, I'm a goofy goober, yeah! You're a goofy goober, yeah! We're all goofy goobers, yeah! Goofy goofy goober goober, yeah!Enjoy our podcast review of THE SPONGEBOB SQUAREPANTS MOVIE (2004), directed by Stephen Hillenburg and starring Tom Kenny, Bill Fagerbakke, Clancy Brown, and Mr. Lawrence! Chris and Altaf discuss our upbringings with Spongebob, our own child-like tendencies, and what makes Spongebob and Patrick an amazing best friend duo!Support the showPodcast theme song by Jaron Jon - https://www.instagram.com/jaron.jon/VIDEO PODCAST: https://www.youtube.com/@moviesthatchangedusREACTION CHANNEL: https://www.youtube.com/nicedudemovienightMERCH: https://nicedudemovienight.com/PATREON (early access, exclusive podcasts and polls): https://www.patreon.com/moviesthatchangedusTWITTER: https://twitter.com/nicedudemoviesINSTAGRAM: https://www.instagram.com/moviesthatchangedusBUSINESS INQUIRIES: alex@risingsunsagency.com

Labhraíonn Tom Kenny le Seán faoin méid atá bainte amach aige sa spórt, buaicphointí móra mar imreoir agus a haistear go dtí seo.

Text us about this show.Los Straitjackets guitarist Eddie Angel returns to Into The Music to talk about the band's brand new album, Somos Los Straitjackets. This is Los Straitjackets' first album of all original material since 2012's Jet Set and it's one of the best albums they have released in their thirty-plus year history. Top to bottom, it's one of the best releases of 2025 and it has all the warmth, heart, and soul of some of the greatest albums of the 50s, 60s, and 70s. Eddie, Greg Townson, Pete Curry, and Chris Sprague along with guests Simon Heeran, Alex Hall, and Tom Kenny (yes, the voice of SpongeBob SquarePants) have put together an incredible collection of songs that will have you coming back again and again. Eddie's here to tell us all about it, so enjoy!"Genesee River Rock," "Polaris," "High Wire Act," "Wicker Park," "Spinout," "Catalina Farewell," "Cry For A Beatle," "April Showers," "Two Steps Ahead," and "Virgon" written and performed by Los Straitjackets℗ 2025 Pacifica Music, LLC under exclusive license to Yep Roc, LLC. Used with permission of Eddie Angel and Jake Guralnick."Spinout" performed by The Neanderthalswritten by Eddie Angel© 2002 Spinout Records. Used with permission of Eddie Angel."Catalina" performed by Los Straitjacketswritten by Eddie Angel© 2014 Yep Roc Records. Used with permission of Eddie Angel.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

Marcus and Corey What You Know 'Bout That trivia game for Wednesday July 30th 2025.

A call for pay parity for early years staff, a new digital platform offering support and advice to loved ones on the practicalities that follow a funeral, the need for an increase in funding for Meals on Wheels, former All Ireland winning Cork hurler, C103 analyst Tom Kenny joins us for a chat ahead of Sunday's final and vet Jane Piggott answers pet questions Hosted on Acast. See acast.com/privacy for more information.

Bhí iar-laoch Chorcaigh Tom Kenny ag caint le Cárthach faoi chluiche ceannais na hÉireann agus seans Chorcaigh Liam a thabhairt cois laoi don chéad uair le bliainta.

Happy Birthday to Tom Kenny, who's better known as the voice of a Cartoon character who lives in a pineapple under the sea?

National Franks & Beans day.  Entertainment from 1956.  Last woman executed in Britian, first cat show, Live Aid concerts took place.  Todays birthdays - Bob Crane, Patrick Stewart, Roger McGuinn, Harrison Ford, Cheech Marin, Didi Conn, Cameron Crowe, Tom Kenny.  George Steinbrenner died.Intro - God did good - Dianna Corcoran  https://www.diannacorcoran.com/ Franks n beans - Moes HansenThe wayward wind - Gogi GrantI want you, I need you, I love you - Elvis PresleyBirthdays - In da club - 50 Cent    https://www.50cent.com/Hogans Heroes TV themeTurn Turn Turn - The ByrdsMexican Americans - Cheech & ChongSpongebob Squarepants TV themeExit - Take it back - Chris Guenther     https://www.chrisguenthermusic.com/countryundergroundradio.comHistory & Factoids webpage

CLL #2542 (feat. Tom Kenny with Dr. Bruce) 06/27/2005 – Monday Night Show Source – Tucker Stream Recording (2025)  This episode is 100% complete with a medium audio upgrade. Tom is making his second and final appearance of the Adam era. The Love Between The Two Hosts – CLL on Youtube, with Video for select episodes. https://adamanddrdrewshow.com/1743-loveline-nostalgia-with-superfan-giovanni/ https://account.venmo.com/u/GiovanniGiorgio Paid Link – As an Amazon Associate I earn from qualifying purchases. Music Provided by Rich Banks Check out His Website and Soundcloud to hear more of his awesome work and perhaps commission him for your next project. Venmo

Tom Kenny, the voice of SpongeBob SquarePants, was a part of Iron City Comic Con 2025 in Birmingham. We recap the event and other people we met, like 2025 WWE Hall of Fame inductee, Lex Luger! Website: http://bamageeks.com Become a Bama Geeks supporter: http://www.bamageeks.com/join Available on Apple Podcasts (iTunes), Amazon, Spotify, and YouTube. Come sit a spell on the Bama Geeks Front Porch: https://www.facebook.com/groups/bamageeksfrontporch Check out and follow our socials! Facebook: https://www.facebook.com/bamageeks Instagram: https://www.instagram.com/bamageeks Twitter: https://twitter.com/bamageeks YouTube: http://www.youtube.com/@BamaGeeks TikTok: https://www.tiktok.com/@bamageeks

WE ARE ALMOST CAUGHT UP! MARCH AND APRIL LETS GO MARCH Mickey 17- dir. Bong Joon Ho; Robert Pattinson(x17), Naomi Ackie, Steven Yeun, Mark Ruffalo, Toni Collette Plankton: The Movie- dir. Dave Needham; Mr. Lawrence, Jill Talley, Tom Kenny, Bill Fagerbakke, Rodger Bumpass, Carolyn Lawrence, Clancy Brown, Mary Jo Catlett, Lori Alan Opus- dir. Mark Anthony Green; Ayo Edibiri, John Malkovich, Juliette Lewis, Murray Bartlett, Melissa Chambers, Tony Hale, Stephanie Suganami, Mark Siversten, Amber Midthunder The Electric State- dir. Joe and Anthony Russo; Millie Bobby Brown, Crisp Rat, Ke Huy Quan, Jason Alexander, Woody Norman, Gioncarlo Esposito, Stanley Tucci, Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Hank Azaria, COLMAN DOMINGO!?!?, Alan Tudyk Ash- dir. Flying Lotus; Eiza González, Aaron Paul, Iko Uwais, Kate Elliott, Beula Koale, Flying Lotus The Woman in the Yard- dir. Jaume Collet-Serra; Danielle Deadwyler, Okwui Okpokwasili, Peyton Jackson, Estella Kahiha, Russell Hornsby Death of a Unicorn- dir. Alex Scharfman; Jenna Ortega, Paul Rudd, Will Poulter, Richard E. Grant, Téa Leoni, Sunita Mani, Steve Park, Anthony Carrigan APRIL Drop- dir. Christopher Landon; Meghann Fahy, Brandon Sklenar, Violett Beane, Jacob Robinson, Reed Diamond Sinners- dir. Ryan Coogler; Michael B. Jordan, Miles Caton, Hailee Steinfeld, Wunmi Mosaku, Jack O'Connell, Delroy Lindo, Omar Benson Miller, Jayme Lawson, Li Jun Li, Yao Until Dawn- dir. David F. Sandberg; Ella Rubin, Michael Cimino, Odessa A'Zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell, Peter Stormare MAY Thunderbolts* Another Simple Favor Rosario The Surfer Clown in a Cornfield Final Destination: Bloodlines Mission Impossible: The Final Reckoning Friendship Lilo & Stitch Karate Kid: Legends Bring Her Back --------------------------------------------------- iTunes: podcasts.apple.com/us/podcast/movi…el/id1082173626 Spotify: open.spotify.com/show/2VE15E5fS0Z…75eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

Tom Kenny, Dánlann Uí Chionnaith ag labhairt faoin taispeantas atá le feiceáil istigh ansin faoi láthair.

Known as "The Citizen Kane of Alcoholic Clown Movies", this film is full of fun surprises like baby Adam Sandler, murderer Tom Kenny and many more that you'll have fun discovering as the boys talk about Bobcat Goldthwait's Shakes the Clown!

December 9-16, 2000 This week Ken welcomes pun loving comedian behind the comedy special "Hyperbolic", Matthew Broussard. Ken and Matthew discuss Pokemon, the repressed feelings from the turn of the century, giving up video games, enjoying arts and crafts, not being into sports, swimming, genius ads, homoerotic break in fantasies used to sell breath mints, Madden, sculpting, the genius of gang signs, economy of words, living in a sponsored society, SNL, the one t-shirt that offended Ken, being polite, miss opportunities with Tony Hawk, having your own rope, naked babies on Al Roker, Braveheart, the Discover E-Book, Cartoon Cartoon, Cow and Chicken, I am Weasel, how Adventure Time might just be the greatest show of the 21st Century, Emergency Vets handle vomiting monkeys, South Park, financial struggles, Sopranos, Malcolm in the Middle, Kirk Cameron hosting Santa's Funniest Moments, Brad Pitt's early days on Growing Pains, over the top acting, the heavy drama of Hey! Arnold!, Becker, Becker's 9/11 episode, silly accents, Uma Thurman for president, The Riddler, how Tom Waits influenced the Joker, the moneyball-ificiation of America, the mixed world of childhood play, limitless imagination, Looney Tunes, being shot in front of a live audience, puns, Tom Kenny, the Ice King, old school voice over talent, Sex and the City, Will and Grave, Tom and Jerry, writing for Sean Hayes, The Real World, how Puck is an a-hole, how Carrie is the Villain, how Ferris Buheler is the villain, and the man who is married to Claire Danes. 

This week on Page 7, Jackie and MJ are joined by LPN's very own political papa Travis Irvine! MJ asks Travis how he deals with the politics right now and not wanting to die, and Travis reveals his secrets! Stanley Tucci got asked by delish if he could only dine at one chain restaurant for the rest of his life and he said "I'd rather not" cause he hates 'em all. Tina Fey was a guest on Amy Poehler's podcast and brought up how much it bothers her when rich people have side hustles that are just cash grabs and erryone is talkin' bout it. A dying man got his wish to be buried in a Snickers inspired coffin that say's "I'M NUTS" on the side, and Jackie learns of a startling new study on hot dogs. A List full of weird fears, the Blinds, AND GET YA CRUNCH ON WITH JACKIES SNACKIES! Plus so much more! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast  Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

Former Cork hurler Tom Kenny and Michael Foley of The Times look ahead to Galway's Allianz Hurling League clash with CorkThis Podcast is brought to you by Hoare Chartered Accountants. Hoare Chartered Accountants based in Galway City are a leading provider of Audit, Accountancy and Taxation services.. For more information, visit their website on www.hoarecharteredaccountants.ieSubscribe for more content!

Anne Ganguzza (00:05.233) Hey everyone, welcome to the VO Boss podcast. I'm your host, Anne Ganguzza, and today I am so excited to be with very special guest, Luanne Regis. Luanne is a veteran voiceover agent and talent agency executive with over 30 years of experience. Her career spans everything voiceover, all voiceover, including... heading up scale departments at two LA boutique agencies, running the celebrity division at a top bi-coastal theatrical and commercial agency, as well as launching her own Chicago voiceover department in 2007. After a year at Sound and Fury Casting, she now owns and operates her own talent representation agency, Regal V.O. Luanne, thank you so much for joining me today. Luanne Regis (00:57.621) and thank you for having me, Anne. Anne Ganguzza (00:59.929) I love this. So I had such a wonderful time meeting you like fleetingly at MAVO and was so excited to get the chance to talk to you and work with you as well. You're gonna be coming up soon as a guest director for me on my VO Peeps group. So I'm very excited about that. And so for bosses that don't know who you are, give us a brief, kind of a brief. Luanne Regis (01:06.115) Yes. Luanne Regis (01:16.777) I can't wait. Anne Ganguzza (01:26.981) bio of you more than what I've given in regards to your evolution through the years as a talent agent and representative. Luanne Regis (01:37.067) Sure, of course. So I'll try to be brief because it is quite a long speech. And you know, voiceover, just, people ask you, how do you get into voiceover? And I'm like, I sort of really just fell into it, which I did. You know, back in the mid nineties, I answered an ad, they were looking for a voiceover assistant, an agent, and one of the partners at a boutique agency was looking for an assistant. And I thought, this is great. Let me just try this. And I quickly liked it. I liked the fact that Anne Ganguzza (01:41.124) Ha ha ha ha! Luanne Regis (02:04.703) The voice can really be anything. It has nothing to do with your aesthetic, what you look like, how tall you are, what color your hair is. I loved that. That to me was a very creative aspect for VoiceOver. And I started there and quickly became an agent, a scale agent, and was there for about five years. I have seen the business really, really grow and change to... And right around the early 2001s when all of the theatrical agencies were getting into voiceover because they poo-pooed and they snubbed their noses at voiceover for so very long, a major theatrical agency wanted to have a voiceover department. And so they plucked our entire department from the boutique agency, which was Special Artists, which is where I worked since the mid-90s. And we took our entire business, SpongeBob and all, and set up shop at Innovative Artists, which was the Anne Ganguzza (02:56.229) Mm-hmm. Luanne Regis (02:58.751) Bicoastal theatrical agency that I was at for 16 years, including what you mentioned in my bio, starting a Chicago voiceover department for them in 2007, just after the birth of my daughter. So I was there for 16 years and you wake up one day and you have 800 clients because you represent not only, we came with not only our voiceover department intact with all of our amazing clients, but we also were there to represent. Anne Ganguzza (03:00.314) Yes. Luanne Regis (03:26.591) their clients and they have a really healthy roster, a very well known TV and film actors. And that's where I began doing celebrity and overscale voiceover and really enjoyed it. But you know, like I said, you wake up one day and you have 800 clients and that's a lot to manage, especially in the way in which I agent. I was taught voiceover agenting by one of the best, she's a mentor, Marsha Hurwitz. you know, it's... Anne Ganguzza (03:29.735) Mm-hmm. Anne Ganguzza (03:43.441) Yeah. Luanne Regis (03:52.321) All hands on, it's more like a manager. It's not just submit an audition and whatever happens happens. It's you pitch, you sell, you call producers. We don't do that anymore because the business has changed. But you're on the phone, you're calling producers, you're selling people, you're saying, I think you should really listen to Nancy Smith. She's really good on this read. That's the way I voice over agent and it's really impossible to do that with 800 people. Anne Ganguzza (03:55.589) Yeah. Luanne Regis (04:20.641) 800 clients on your roster. So I went back to my small boutique agency, Roots TGMD Talent, which is formerly Tishman Agency. the owner, Kevin Motley, who's a dear friend of mine, had recently sort of reshaped his agency, gutted all of the promo and trailer announcer type guys, which was an avenue in which advertisers weren't going down anymore. And we built a really great roster of actors, well-known actors. Anne Ganguzza (04:28.993) Yep. Luanne Regis (04:50.761) working actors, which is all I know. I know about actors in voiceover as opposed to voice actors. And was there for four years doing that until the pandemic. And then after the pandemic, I thought, you know what, I want to try my hand on the buyer's side. I always wanted to try my hand at being on the other side of the business, not just rapping. And so I worked at Sound and Fury, which is one of the, if not the top voice casting companies in the entire country, if not the world. Anne Ganguzza (05:14.928) Mm. Luanne Regis (05:18.941) And you know, really enjoyed my time with that team. They're like a family to me. And I missed representing talent and agenting. And so after a year, I decided to go back to it, but do it on my own. And believe it or not, I kept a lot of clients with me even as I left the agenting side and went over to the casting side because I have a a really lovely roster of very loyal talent. Some of them I've had since I started in the mid 90s and you know they were very sad to see me leave the agenting side. So they sort of held on to me even while I was on the casting side and once I decided to jump back they were like well we're still here for the ride let's go and that's how I sort of built my roster, my independent roster I should say and again it just they just come at me. I have agents and managers and Anne Ganguzza (05:56.687) Mm-hmm. Luanne Regis (06:13.909) theatrical agents and commercial agents just wanting to work with me and they throw all their clients my way and I don't refuse them because I love to Anne Ganguzza (06:21.827) love that, I love that. You know, it's interesting because, you know, as we're talking, you're kind of going back and forth between casting and agent and manager. And, you know, for the benefit of our boss listeners, what is your definition of the difference between the responsibilities of each? Because I think it's important for us as voice actors to know when we're trying to develop relationships, you know, to understand. what is encompassed in your job because that makes us able to communicate with you easier and help you, because I really believe it's a partnership no matter what you're really looking for. And so I think it will help us as voice actors to work with agents or casting directors better. Luanne Regis (06:57.664) It is. Luanne Regis (07:06.443) Well, the reason why, and that's a great question, and the reason why the transition from agent to casting director back to agent was such a seamless one is because a lot of what my job entails as a voiceover agent is casting. We work with casting directors, but agents also work directly with buyers and producers, and they come to us looking for talent. And we sit there and cast. Anne Ganguzza (07:22.287) Mm-hmm. Anne Ganguzza (07:28.657) Mm-hmm. Luanne Regis (07:33.555) in pretty much the same way a casting director who gets paid to do it does it. I sit there, I go through my roster, who's right for this? And I do essentially do a casting. And so a lot of my agenting is casting, but that's just sort of like the day-to-day job of a voiceover agent. Again, back in the day when we had booths and actors would come into our lobby and read and have, you'd be distributing copy, you know, back in the day, pre-pandemic and all that. Anne Ganguzza (07:41.307) Mm-hmm. Anne Ganguzza (07:48.07) Mm-hmm. Anne Ganguzza (07:58.631) Look at Luanne Regis (08:03.611) A big part of my job also was directing talent, not just sitting at a desk and agenting. I would go into the booth. I need to know what my talent does. I need to be able to sell that person. So in order to do that, I'm in the booth, I'm directing, and I really, really love that directing process because it's, again, it hinges on such creativity. It's so creative. They get to play around. I get also to play around with them in terms of what they can do, what their range is. Anne Ganguzza (08:07.974) Mm-hmm. Anne Ganguzza (08:15.109) Right. Anne Ganguzza (08:21.264) Mm-hmm. Luanne Regis (08:32.991) And that's how I know what my clients can bring to the table so I can effectively sell them. So it's casting, it's directing, it's obviously selling. It's very managerial as well because I'm, like I said, very, very hands on. you know, like for instance, many times I go into the booth with a client and we'd spend an hour in there if we have the time. And the last five minutes of that hour really is recording the copy and auditioning. Anne Ganguzza (08:46.767) Mm-hmm. Anne Ganguzza (09:02.342) Mm-hmm. Mm-hmm. Luanne Regis (09:02.561) but the previous, how many ever minutes, spent catching up. How's your wife? How are the kids? How is life? How's your mom doing? Stuff like that. That's how you get to really know clients because what they share with you in the booth, you bring that to you as you're casting. You bring that to you as you're selling them. You have to really know them inside out. That's more of a very managerial, I think, position as an agent. Anne Ganguzza (09:08.646) Right. Anne Ganguzza (09:16.238) Right. Luanne Regis (09:30.641) not all agents agent that way. I just learned to do it that way. So it's manage it's managing talent. It's selling talent, agenting obviously, but it's also casting and directing talent in the booth. And then of course your negotiations skills come into play. Your knowledge of contracts, your knowledge of legal, legal procedures, as far as contracts go. That's all encompassing as a voiceover agent. Anne Ganguzza (09:33.484) Mm-hmm. Mm-hmm. Anne Ganguzza (09:48.355) Sure. Anne Ganguzza (09:54.34) Mm-hmm. Anne Ganguzza (09:58.767) It's such a broad base of that you need to have. And you said something before that I thought was so interesting. You said you had been working with, and it really, I think it goes to show the evolution of the business. You talked about actors who did voice acting rather than voice actors. And so I caught that little tiny nuance right there, which really speaks to your amount of time and experience in the industry. Luanne Regis (10:00.82) It is. Luanne Regis (10:16.416) Yes. Yes. Luanne Regis (10:23.829) Yes, yes. Anne Ganguzza (10:25.509) Because how often, like what would you say, I guess now in your, because you've been in business for so long, you must still, I suspect, deal with actors who do voice acting, as well as voice actors. And what are your thoughts on how you work with, let's say, actors now who do voice acting, or voice actors differently? Do you spend as much time, or how does that work today? Luanne Regis (10:33.877) We will. Mm-hmm. Luanne Regis (10:53.737) The reason why for me, it's actors in voiceover, not only was I brought up in the business knowing that, because when I started at Special Artists, they were mainly a commercial, on-camera commercial agency, and this predated me, obviously, but when they started their voiceover department, they used their on-camera actors as the basis for their voiceover department. Anne Ganguzza (10:56.25) Mm-hmm. Mm-hmm. Anne Ganguzza (11:10.118) Mm-hmm. Anne Ganguzza (11:21.253) Mm-hmm. Luanne Regis (11:21.853) I come from a track record where the agents who taught me used actors and put them in voiceover and made them successful. The voice of SpongeBob, Tom Kenny, was a comedian, an actor. We put him, he made that transition because of how talented he is. So I do feel voiceover is not just a voice, you're acting. Anne Ganguzza (11:29.339) Mm-hmm. Anne Ganguzza (11:35.44) Mm-hmm. Anne Ganguzza (11:49.35) Sure. Yeah. Luanne Regis (11:50.529) You're bringing copy to life. You're selling copy, but you have to bring it to life. You have to connect with the product. You have to connect with what the words are saying. So at the end of the day, it really is about acting, which is why I favor having someone who has an acting resume, someone who's done work, because they have a certain measure of experience that they can bring to the voiceover table. Anne Ganguzza (11:59.761) Sure. Anne Ganguzza (12:08.358) Sure. Anne Ganguzza (12:15.463) Yeah, yeah, absolutely. And I love the emphasis on acting because even for something like I specialize in a lot of the corporate e-learning, the non-broadcast style stuff, but in order to really bring that material to life, and sometimes it needs a lot of help, just saying, because it can be a little bit dry and boring, you have to, I mean, every company, and I think whether you're dealing with commercial, Luanne Regis (12:27.894) Yes. Anne Ganguzza (12:41.959) Right? Any type of copy. mean, if you're dealing with a company or a client, they're ultimately, I mean, unless you're doing entertainment, right? Ultimately, they're trying to sell something. And so there's always a story. I good companies, I would say that, you know, it's marketing 101 that, you know, stories really sell better than, you know, Luanne Regis (12:49.375) Right. Absolutely. Anne Ganguzza (13:03.322) cold heart announcing facts sort of thing. And so if you can be the actor that can tell the story or understand the story that the company wants to sell or tell, that's gonna help them to sell. So I love the emphasis on acting. Luanne Regis (13:04.437) Yeah, yeah. Luanne Regis (13:14.749) Absolutely, and it really, you're absolutely right. When you say, a story, that is really what it is. I was telling actors yesterday, you have to, when you get a script, you create a narrative behind that script that those lines will support. Whether it's right or wrong, it's truthful and it's authentic. But you do have to connect with the product. You do have to connect with the lines. You do have to connect with the script. And the only way you do that is if you make it part of a story that you're telling. Anne Ganguzza (13:36.142) Mm-hmm. Anne Ganguzza (13:45.703) Yes, absolutely. And I think that's what so, at least with students when I'm working with them in the corporate narration or the e-lin, like what story? I'm delivering information. I'm like, but there is a story and you have to keep the listener's attention for longer than 30 or 60 seconds. This is not a 60 second commercial. And so even if I... Luanne Regis (13:58.849) We resist. Luanne Regis (14:04.372) You too. That's right. Anne Ganguzza (14:08.642) I think if the story doesn't make sense, right, if they're reading the words and they're like, well, I would never really say that, or you know, you have to create the scene in which those words make sense. And I guess my question to you is, what would you say is the main difference between on-camera acting and voice acting? Luanne Regis (14:17.173) That's right. Yes. Luanne Regis (14:26.939) on camera acting, you have so much more at your disposal. You have what you look like, you have the physicality of being on camera. And this is why I love voiceover, because with voiceover acting, you have to basically emit all of that just vocally. Whether you're in the booth and you're, you where you see the animation characters, they're in the booth and they're using their hands and all that, that's all well and fine, but that does not translate on camera in the way it Anne Ganguzza (14:31.59) Mm-hmm. Anne Ganguzza (14:44.708) Yeah, yeah, through your voice. Luanne Regis (14:56.417) would if you were an on-camera actor. really does have, so again, we go back to is telling that story. If you have a story to tell, it's gonna come out in the words, it's gonna come out in the smile, it's going to come out in the warmth that you bring out, or not the warmth, or the cold, or whatever it is, the stories that you're telling. But it all comes from the heart, it all comes from here. Anne Ganguzza (14:57.062) Right. Luanne Regis (15:22.313) as opposed to you being able to use your hands to gesture in a way that conveys whatever you're trying to convey in an acting, you know, when you're acting. Anne Ganguzza (15:26.49) Mm-hmm. Mm-hmm. Anne Ganguzza (15:32.231) So what would you say when you're working with talent? time is precious these days, so I imagine that you probably don't have as much time to work with talent, let's say on a job or an audition, as you would. What are the types of things that you find you're telling your talent to do most in terms of, know, either following direction better or their performance-wise? What are the kind of tips or tricks that you're speaking to most? Luanne Regis (15:40.437) Yeah. Yeah. Yeah. Luanne Regis (15:59.487) Yeah. Well, it does vary from project and script to script, obviously, but a lot of it is what I just said, you know, creating that story, creating that narrative. A lot of times, and this specifically relates to commercial copy, a lot of times you get a script and you have no idea what the storyboards are. You have no idea what the visuals are. You just have maybe two or three lines and you sort of have to put it together. At that point, you have to make a very specific creative choice. This is the story I'm going to tell. Anne Ganguzza (16:02.171) these days. Mm. Anne Ganguzza (16:18.566) Mm-hmm. Anne Ganguzza (16:25.562) Mm-hmm. Luanne Regis (16:27.957) So that's one tip and we just spoke about that. There's a lot of non-announcery, non-polish, non-slick directives nowadays and I always have to tell my clients, so here's what I want you to do. I don't want you to think about yourself on mic. I don't want you to think about yourself up there as a speaker or as an announcer saying something. I want you to sit and talk to a friend at a bar and you say what you need to say and you come from that place. so that we can get you conversational, we can get you casual, and we don't have you coming out of the box like you're making a grand announcement. A tip, a trick I use sometimes is I will have them slate their name after they've done their session, after they've done their audition, because once you slate your name, Luanne Regis, you sort of go into this, okay, I'm here, I'm announcing mode, I just want you to tell me what you have to say on your copy, you can save the slate for later. So that's just one of the tips that I use. Anne Ganguzza (17:05.296) Sure, sure. Anne Ganguzza (17:17.808) Right. Anne Ganguzza (17:25.06) Mm-hmm. Luanne Regis (17:25.375) you know, the conversational thing, just sort of like bring it back home. If it's something that I feel they need to be a little bit more intimate with, I give them situations like, I want you to read this bedtime story to your six year old, or I want you to sit with your child and have a one-on-one conversation with him or her. you know, I just give them a place from which to emote so that we can bring that emotion into the copy. Anne Ganguzza (17:48.752) Mm-hmm. Mm-hmm. Anne Ganguzza (17:52.803) Speaking of emotion, find, for me, just on longer copy, because if you have a particular energy or emotion and you continue for over a minute or two or three, with that same energy, it doesn't necessarily allow the story to flow. And I feel that people might get into the rhythm of this particular emotion or this particular... Luanne Regis (18:03.958) Mm-hmm. Anne Ganguzza (18:14.887) Energy and I feel with with any good story right energy in your story changes and evolves and it can evolve throughout like the course of one sentence even and the energy you start with in the beginning or the story that you tell in the beginning isn't necessarily the same story that's happening or evolving when you're halfway through or three-quarters of the way through and for a lot of for a lot of my students I find that you know if they're if they forget Luanne Regis (18:25.502) Absolutely. Luanne Regis (18:37.152) Right. Anne Ganguzza (18:44.119) about the story halfway through, then it starts to turn into this kind of just into this, let's news, news broadcast read or, you know, something like that. And so in the middle of the script, do you ever have to kind of redirect or give another scene to help this through? Or are you finding that for the most part, you're working with with top caliber actors that already are doing that or have done that? Luanne Regis (18:51.041) Yeah. Luanne Regis (19:09.279) Yeah, know what, an actor is gonna find his or her way, again, depending on the story that they want to tell. The seasoned actors, the really good actors understand how to flow in and out, how to make a change, or how to sort of navigate around certain things. And I'm glad you asked that question, because one point I really wanna bring to mind is sometimes when you're directing talent, I can't tell you. Anne Ganguzza (19:13.723) Mm-hmm. Anne Ganguzza (19:18.042) Yeah. Luanne Regis (19:37.663) Yes, I can give you a line reading. Yes, I can tell you how to do it. But I want you to color it the way you would color it because that brings a certain uniqueness that no one else will do. You might put a pause in the middle of the copy for effect, or you could take a beat, or you could do a slight, And someone else will not necessarily do that. that... Anne Ganguzza (19:39.748) Yeah. Anne Ganguzza (19:44.613) Right. Anne Ganguzza (19:50.395) Mm-hmm. Anne Ganguzza (20:02.822) Mm-hmm. Luanne Regis (20:02.827) Completely changes the way that copy gets conveyed to to the audience. So a lot of times it's it's what you do specifically and not me directing you into that read because I want it I sort of wanted to come from you I want you to bring that that authenticity to it because at the end of the day authenticity is what will May not book you the job, but it will have the producer go. Wait a second. What can we hear what? And that's what you want to do Anne Ganguzza (20:27.787) Mm, it might get you on the short list. Luanne Regis (20:31.357) Exactly. That's what I'm glad you said that I was seeing this exact same thing yesterday. It's like, yes, you want to book the job, but don't focus on booking the job. Focus on wowing whoever's listening, focus on making an impact. So maybe you weren't right for that job, but perhaps you bring you back in for something else. Anne Ganguzza (20:42.17) Yeah. Anne Ganguzza (20:48.133) Yeah, yeah. And also I think then you're really, especially if it's an audition that you're submitting to your agent or casting director that is very familiar with working with actors in regards to, well, okay, it can showcase right away that you're an actor. And if you're an actor, you'll be able to follow direction no matter what the direction ends up being. Cause I have a lot of times people will say to me, but that's not what I hear in the actual commercial. Luanne Regis (21:00.321) Mm-hmm. Luanne Regis (21:06.037) Yes. Anne Ganguzza (21:16.229) you know, it sounds completely different. And, you know, I'm always like, well, you know, it really depends on who's directing you at the time and what the client is listening to and what they hear in their head as being the way they want the copyright. So you have to be versatile enough to be able to take any direction. I've turned in for me as a coach, I've turned to almost saying, well, here, I'm coaching you on how to get the gig, not necessarily on the final product, because Luanne Regis (21:17.878) Thanks Luanne Regis (21:22.251) That's right. Luanne Regis (21:28.415) Yes, yes. Luanne Regis (21:45.429) Right. Anne Ganguzza (21:46.129) Coaching you to get the gig is gonna make you the most authentic actor that you can showcase in the first or second sentence. So for me, Luanne, coming in in the first or second sentence is so important with a connection to the copy. Talk to the importance of maybe that, the first few words that come out of the actor's mouth or in the copy, how important is that? Luanne Regis (21:50.145) That's right. Luanne Regis (21:58.719) Yes. Yes. Luanne Regis (22:10.145) very, very important because again, when I worked at Sound and Fury and we got 800 casting, 800 auditions from one casting, they're listening and they know right away if this person's gonna nail it or not. So you wanna come in just hitting the mark immediately. even, obviously I don't have 800 clients, but you see that process with a casting director. They don't have the time to listen to the entire script if they feel you didn't hit it within the first. Anne Ganguzza (22:24.079) Mm. Anne Ganguzza (22:28.027) Mm-hmm. Luanne Regis (22:39.929) Or maybe not even hit it if you didn't do something in the beginning that made them go. let me keep listening because time is money and they do have to get through all of these these auditions and the same to a certain extent with me I mean I listen to every single audition all the way through but I know by the second or third line if someone has nailed that piece of copy or not just because obviously I have the the experience in the years of the instinct but again, it's that You can't put your finger on it. It's that je ne sais quoi. It's like, yeah, let me keep this. wow, she did that? Okay. It really is important to nail whatever you want to nail at the beginning of the copy as opposed to saving your best for last. Anne Ganguzza (23:24.047) Yeah. Now, I love that you said you listen to the auditions all the way through. Now, why? Why do you do that? Luanne Regis (23:32.085) For several reasons. One, and you said something that I wanted to sort of bring back to the forefront, so I'm glad you asked that question. A lot of times, again, I'm a casting, I'm sort of a casting director when I age, because I'm putting people on stuff and I'm wondering, is she right for it, is he right for it? I have to listen throughout the whole thing. One, because it's my client and they've done the audition and I need to hear what they did, they may not be right for it. Anne Ganguzza (23:33.732) Mm-hmm. Anne Ganguzza (23:48.848) Mm-hmm. Anne Ganguzza (23:54.715) Mm. Luanne Regis (23:58.805) That way I know, you know what, I'm not gonna put him or her on this anymore because I don't think they're right for it. Or I hear something that they do and I think, you know what, I've got something else that, I've got a different role that I think she's right for. I don't think I put her on the right role. I think I need to get her on this other one. So it gives me a clue. It clues me into what my clients can do, what they can't do, even as well as I know them, even as much as I know their range. Anne Ganguzza (24:04.314) Mm-hmm. Anne Ganguzza (24:23.494) Mm-hmm. Luanne Regis (24:25.481) I still am learning a lot about them as we go along. So it behooves me to listen to everything that they do. Anne Ganguzza (24:33.53) so interesting. I love that you listen all the way through because it shows that you really care and that you really care about your clients and you care about making the best fit and really choosing the best person for the job. That just requires a lot of, think, integrity and I love that. I think that's amazing. Plus, I think it's so interesting because maybe even... Luanne Regis (24:36.417) Mm-hmm. It does, yeah. Yeah. Luanne Regis (24:47.359) Yeah. Luanne Regis (24:52.883) Yeah. Anne Ganguzza (24:57.946) You know, people that you've known for a long time, I mean, we continue to grow and evolve and learn and discover. I find with myself, like, I discover new things about myself and it impacts, right, my acting in the booth. And, you know, in lots of different ways where all of a sudden I'll be like, well, gosh, I've been doing it like this for years and goodness, I should have maybe thought this way. And it just will bring something different out in me, which is kind of cool. And so that's just kind of being the lifelong learner sort of. Luanne Regis (25:02.678) Yes. Luanne Regis (25:12.607) Yes. Luanne Regis (25:27.05) Yeah! Anne Ganguzza (25:27.483) you know, always trying to grow my skills and craft. And you think like, well, have I reached this point? Well, now I've done it and I'm an actor. But I feel like you never quite reach the point where you're never not learning. Luanne Regis (25:31.583) All right. Luanne Regis (25:42.129) No, you always are learning and you're always trying new things and I'm always learning things about clients. I'm like, I didn't know you did that. That's good for me. I can sell you in a different way now. it's a learning process on both ends. Anne Ganguzza (25:49.508) Mm-hmm. Anne Ganguzza (25:53.05) Yeah. Yeah. Anne Ganguzza (25:59.142) So the sell, okay? I wanna talk a little bit about the sell. When you're trying to sell a talent, what is it when you're communicating with a client for a particular spot? So what's involved in the sell of it on your end? I'm just curious because I've never, I mean, I've cast people, but I've never really been had to like, hear my choices and then the client will ultimately make the... the end result, but when you're really trying to sell a talent, like what goes, what sort of qualities are you selling in the talent? Luanne Regis (26:36.605) So you're talking about me selling to a buyer a casting director or okay? So then it would it depends on if it's the buyer's a casting director or if the buyer is the actual buyer the producer the the ad agency or something You know if it's a casting director. It's because I want that person to understand He can do this what you're asking what you're asking for me to cast for you This guy can do this so I need you to Anne Ganguzza (26:39.876) Yeah, to a buyer, yes, yeah. Anne Ganguzza (26:45.766) Mm-hmm. buyer, right, Yeah. Luanne Regis (27:05.161) I send links, send if it's stand-up comedians they're looking for, I send a link to their stand-up. One of many different ways I keep all of my auditions, so I will curate a specific sample of voices so that they can hear. For instance, if they're looking for something specific, I go back and I pull auditions that they've done for that specific character and I said, listen, here's what he's done for me in the past. That's one tool I use to sell. Anne Ganguzza (27:20.75) Mm-hmm. Anne Ganguzza (27:32.622) Mm. Mm-hmm. Luanne Regis (27:32.833) And that's to a cast director if I want to convince her that this client can audition for her on a project if it's a buyer the actual buyer the producer the ad agency or Yeah, well, it would be the producer of an ad agency because if it's animation is it's casting directors You know again, it's showcasing what they've done before showcasing the stuff that they've done showing them listen to this Anne Ganguzza (27:40.218) Got it, got it. Mm-hmm. Anne Ganguzza (27:48.357) Yeah, yeah, yeah. Anne Ganguzza (27:55.206) Mm-hmm. Luanne Regis (27:59.647) I know you're looking for a guy that can do this. Listen to him right here. He's done this before. He's auditioned for this before. He's actually booked this before. Here's a spot that he's done. And you might want to listen to this. So that is, that's what I'm pushing when I'm speaking to producers. Sadly, don't get, don't have, agents don't have that direct link to producers anymore. It's really become so remote now and remote, in the sense of remote recording, but. Anne Ganguzza (28:12.003) Mm-hmm. Mm-hmm. Anne Ganguzza (28:16.624) Got it. Luanne Regis (28:27.433) remote in the sense of we're far removed from these producers. I used to be able to pick up the phone and call a producer at Leo Burnett and say, listen to Nancy, she's really great for this. You want to hire her. And they would hire her. But they themselves, the producers, they're removed as well from their clients. Now it's the client, Walmart, that has to make the decision. The producer used to be able to make the decision before. Anne Ganguzza (28:30.181) Yeah. Anne Ganguzza (28:47.59) Sure. that's a, I'm so glad you made that distinction because I think for a lot of voice actors, they don't really know what happens once they submit that audition. then what is, like what's, how does my audition traverse, you know, to either get to the ears of the person who's hiring and who is the person that's hiring, right? You know, because I think if you're my talent agent, right, and I'm auditioning for you. Luanne Regis (29:03.478) Yes. That's right. Luanne Regis (29:11.638) Mm-hmm. Anne Ganguzza (29:17.219) What I love and what I've heard from you is that you must have a little file of me where you're keeping all my good auditions and you're keeping all the spots that I've done and I like that, right? You didn't just trash my audition if I didn't work for that particular spot, but you're like, okay, so you've got like bits and pieces of me there. And then, so if you're working with another, let's say, casting director, right? You can then send those files and sell me in that way. But then if you're actually talking to the client directly, Luanne Regis (29:22.527) Yes. Yes. Luanne Regis (29:28.619) Nope, keep everything. Luanne Regis (29:43.236) Right. Anne Ganguzza (29:47.342) Which is something I'm like, well, I've not been in this process. I speak with my clients directly, but probably not on the scale that you do because you're working on a broadcast scale. So I have a client that I've worked with for years and they'll ask me, who do you think would be good to do this for me? And I can refer, which is. Luanne Regis (29:55.937) you Luanne Regis (30:00.394) Right. Luanne Regis (30:05.569) Mm-hmm. Anne Ganguzza (30:09.817) on a small scale compared to what you do. Because you're talking to big time producers and agencies that have multiple projects going on. And so for me as an actor, I never quite know what happens once I submit that audition. So it's really nice that you just kind of explain that process. And the fact that you said you don't always get to talk to the producer like you used to be able to, which is what I sometimes I assume and I don't really know. Luanne Regis (30:11.457) Yes. Anne Ganguzza (30:36.548) you know, depending on the agency, depending on who it is and what your relationships are, which I think it comes all down to relationships. But you're right, now even the producer is removed because it really comes down to like, let's say the client Walmart or whoever that might be. So that's a very good thing to know from my perspective. Luanne Regis (30:42.518) Yes. Luanne Regis (30:53.621) And I'll tell you the reason, I'll tell you the reason for that, Anne, and I want to make sure people understand this because it was a very drastic change. think the reason that I was able to, first of all, be able to pick up the phone and call a producer and they would actually book, or the producer would call me and say, who do you have for this? We need to cast this job right away. Who do you have? book David Pasquese. He'd be great. And they would hire him. So how many ever years, 10, 15 years ago when, you know, the big Anne Ganguzza (31:09.666) Mm. Mm-hmm. Anne Ganguzza (31:15.611) Mm-hmm. Luanne Regis (31:23.113) ad agencies, the DDB Needhams, the Chiat Days, you the big ad agencies, they had the bulk of the work, they had the majority of the work. And as time went by, these smaller agencies started picking up work. So the ad agency now sort of lost the power to be able to make that decision because they themselves are trying to hold on to their accounts. So they no longer can say, I can hire you for this Walmart voiceover. Anne Ganguzza (31:25.37) Mm-hmm. Anne Ganguzza (31:29.821) mm-hmm. Anne Ganguzza (31:41.527) Mm-hmm. Yes, yes, yes. Makes sense. Luanne Regis (31:49.953) they now have to check with the head of marketing or whomever at Walmart. That never used to be the case. They used to be able to pull that trigger and go, great, let's hire him. That's no longer the case. And I do firmly believe it's because of that change over in, in work, a lot of ad agencies lost clients, a lot of ad agencies are afraid of losing their clients. So they're really at the disposal at the mercy of their clients to make every single decision. Anne Ganguzza (31:52.944) Sure. Anne Ganguzza (32:20.359) That's very interesting and that really speaks to this, think also the size of the industry over the years that has really increased greatly. Luanne Regis (32:21.248) Yeah. Luanne Regis (32:25.183) Yes, yes. It has, yeah. No, it has. You've had a lot of these smaller or maybe ad execs from ad agencies sort of offshoots and go off and start their own small companies, and they're now getting the big jobs. They're now getting the big work as opposed to those big multimedia conglomerate ad agencies that they're not really getting those accounts anymore. Anne Ganguzza (32:41.616) Sure. Anne Ganguzza (32:46.544) Right? Anne Ganguzza (32:51.686) Well, and now also I think technology, mean, gosh, technology has certainly evolved over the years. And now a lot of times, like you said, you'd meet in the, and I from back in the day when I would go to a studio for a callback, and gosh, that's almost not the case too much anymore. But I miss the days when you would see all your voiceover friends in the lobby. And even though you'd kind of be a little bit nervous, you'd all be like catching up and seeing people you hadn't seen in a while. Luanne Regis (32:55.179) Yeah. Luanne Regis (32:59.188) It has. Luanne Regis (33:09.491) I know. Luanne Regis (33:14.185) Yeah. Luanne Regis (33:19.137) Yeah. Anne Ganguzza (33:21.375) And I kind of miss that. with the digital evolution and people having their home studios and the internet and I think a lot of those agencies too, mean, went online, am I not correct? Yeah, yeah. Luanne Regis (33:23.497) Yeah. Luanne Regis (33:34.943) They sure did. They sure did. Yeah, they really did. And to speak a little bit, I'm just going to hear my pet peeve about that. Again, I remember a day when ad agency would hire a studio here, hire a studio in Chicago, hire a studio where they are, and they would connect. Now that cost, because we've had a situation like the pandemic where everyone sort of had to get set up to record from home, a lot of ad agencies haven't gone back to that, gone back to hiring studios. Anne Ganguzza (33:49.52) Mm-hmm. Anne Ganguzza (33:59.366) Mm-hmm. Yeah. Luanne Regis (34:04.277) they figured out a way, wait a second, we don't have to hire a studio. We don't have to incur that cost. We can keep that budget under control and pass that cost on to the actor. That's one of my biggest pet peeves of the consequence of the pandemic where actors have now had to become engineers, incur their own costs for studios. I'm like, wait a second, you would hire a studio in New York and Los Angeles back in the day. We're like, how is that? Anne Ganguzza (34:29.489) Yeah. Luanne Regis (34:34.37) What do I know what you're doing. Anne Ganguzza (34:36.282) Yeah, and they're not necessarily, you know, claiming, I am correct in the assumption, they're not necessarily saying, well, hey, I've got a home studio. I should be charging for that studio. I should be tired. Theoretically, right, they are, but I don't know anybody that really, like, has a line item that says, hey, this is my studio cost, right? Luanne Regis (34:45.825) No! Luanne Regis (34:53.957) No, no, the actors sadly have had to fall in line, you know, and now we've gone, it's just everyone is now remote studio required, home studio required. I'm like, wait a second, you would hire a studio back in the day. I just think it's unfair because now the actor should be concentrating on his audition and he should be concentrating on the creative aspect. He should not be asked to upload stuff. He should not be asked to be an engineer in his own session. You know, it's just the way of the world now. Anne Ganguzza (34:58.35) Yeah, it got absorbed. Anne Ganguzza (35:03.504) Yeah. Yeah. Anne Ganguzza (35:23.567) It is such a luxury to be directed even in my home studio now. It's just, and it's lovely for, I will say at least they're Source Connect so that an engineer can take what I'm doing back here in my home studio and engineer it and I don't have to upload and he can just take it. That is a luxury. And also the fact of actually having a director is a luxury these days. And I love it. And I kind of wish we went back to it. Luanne Regis (35:27.403) Yeah. Luanne Regis (35:39.711) and do his own thing. Yes. Luanne Regis (35:47.198) Yeah. Luanne Regis (35:52.757) I know. Anne Ganguzza (35:53.33) And you never know, mean, maybe that will happen, maybe that will not, but I think in the end, right, is it not all driven by the customer, right, the client, like it's Walmart, like what do they want? And so ultimately, what type of voice are they gonna look for? How are they gonna hire? And I think that's something as a voice actor, we need to consider the business aspect of it, because how are we going to kind of shine in front of all of... it seems like obstacles, maybe not obstacles, but there's so many paths to getting hired these days, you know, and yeah. Luanne Regis (36:28.031) Yes, there are. And let me go back to a question you asked earlier about what happens when that audition goes off. And it's really important for actors to understand, because you don't book a job, that doesn't mean you weren't on a short list. That doesn't mean that you weren't listened to and someone was vying for you and that just, the client or whomever came in and said, no, let's go with a woman instead of a man. doesn't, you have... Anne Ganguzza (36:53.264) Mm-hmm. Luanne Regis (36:54.205) I have no idea what happens once it leaves my, you know, my coffers because no one says anything. And then you get on a short list and you have one of five on a short list and that's great, you're excited. And then it just goes away. But for me, that's a win. Like someone listened to you and someone put you on a short list and someone considered you for this job. And even beyond the short list, you don't know who listened and went, wow, I really like him. You know what I mean? It's like, there's so many. Anne Ganguzza (36:57.574) Mm-hmm. Anne Ganguzza (37:08.42) Yeah. Mm-hmm. Anne Ganguzza (37:20.496) Sure. Yeah, yeah, yeah. I love that you brought that up. Mm-hmm. Yeah. Luanne Regis (37:23.837) intangibles and actors need to understand that just because you didn't book a job doesn't mean you weren't right for it. They could have changed their minds, changed the specs, changed the age, changed the gender. All of those things sort of are out of your control. Anne Ganguzza (37:36.432) Yeah. Anne Ganguzza (37:39.791) Yeah, there's so many aspects that are out of your control. And I think that's one of the most important things that a voice actor can also do is try to understand that and not let the mental, like, my gosh, I don't know what happened, or I'm not good enough, or that self-sabotage, get to them. And I think that's one of the biggest challenges that a lot of voice actors face is imposter syndrome that, because they didn't hear anything, they assume, right? Luanne Regis (37:53.119) I know. Yeah. Yeah. Luanne Regis (38:00.788) It is. Luanne Regis (38:06.399) Yeah, that's right. And by the way, that's another aspect of my job as an agent, to sort of manage their expectations and manage their disappointments. I had an actress tell me last night, she said, you know, I'm really just very dejected and sort of tired and fatigued with these auditions. I haven't had a callback, I haven't had this, I haven't had that. And for me, you know, I need to... Anne Ganguzza (38:15.171) Mm-hmm. Anne Ganguzza (38:19.792) Mm-hmm. Luanne Regis (38:32.841) I do need to boost her up, at the same time, I do need to understand her frustration and it's real. So, you know, my job there is to sort of maybe go, okay, let me reevaluate, reevaluate, excuse me, what I'm sending her. Maybe I'm not sending her the things that she's really gonna nail because at the end of the day, as an agent, you don't want to keep sending an actor hundreds and hundreds and hundreds of auditions and they're not booking because that debilitates them. Anne Ganguzza (38:38.63) Mm-hmm. Yeah. Luanne Regis (39:02.207) So part of my job is almost like a therapist of sorts. It's sort of like manage how they feel. Okay, let's do this then. Let's sort of reevaluate what we send you. Let me pull back a little bit so that you don't feel burnt out. How can I help you? Because obviously I believe in her. I don't want her to just go silent and not do auditions, but I have to kind of hold her hand along the way. Anne Ganguzza (39:06.086) Yeah. Yeah. Yeah. Anne Ganguzza (39:26.727) Right, Sure. Luanne Regis (39:30.187) That's another aspect of the voiceover agent's job, at least mine. Anne Ganguzza (39:31.706) Yeah. Yeah. I love it. this has been such a wonderful conversation, Luanne. thank you. Thank you. Well, it's been a pleasure. And I'll tell you what, I cannot wait to have you as a guest director for my group, for my VO Peeps guys. So make sure you take a look for that coming up soon. Luanne Regis (39:37.824) I love your questions, the way. Your questions are very pointed. Luanne Regis (39:47.711) Yes, I cannot wait. Yes. Luanne Regis (39:54.08) Yes. Anne Ganguzza (39:55.916) And with that, I will give a great big shout out to our sponsor, IPDTL. You too can connect and network like bosses. Find out more at ipdtl.com. Luanne, this has really been amazing. Thank you so much. It's been a pleasure. Luanne Regis (40:08.373) Thank you, Anne, for having me. I really do love talking about this stuff. Anne Ganguzza (40:13.146) Bosses, have an amazing week and we'll see you next week. Bye. Luanne Regis (40:16.033) Bye!  

Recorded Feb. 20th in front of a live audience at Rethink in Toronto. We talk about the rise of indie agencies with Rethink's Sean McDonald, Zulu Alpha Kilo's Heather Segal, Courage's Tom Kenny and Broken Heart Love Affair's Jay Chaney. Thanks to Tracksuit, WARC and the Effie's for sponsoring our Live Tour. Next stops are Sydney and Auckland.

This week on the podcast, Tom Kenny and Dick Byrne talk about the history of turf in Galway, including how it was harvested, and the markets where it was bought and sold.

Tom Kenny, staraí ag labhairt faoin túr tomadh na Carraige Duibhe.

On today's show:  11am-12pm The legendary Tom Kenny will tell us about Galway City in times gone by Bam Artiste and Ray Berry will help us finish off the show with a bang

An episode that dives deep!Here's what's in store for today's episode: * Recently, SpongeBob's voice actor, Tom Kenny, confirmed that SpongeBob is explicitly an autistic character—surprising absolutely no one!* Our hosts kick off the episode by exploring the autistic life and childhood of the show's creator, Stephen Hillenburg, who developed SPINs (special interests) in marine life and Jacques Cousteau as early as age six.* During Hillenburg's time at the Orange County Marine Institute, he created the character Bob the Sponge and wrote The Intertidal Zone, though he faced challenges in getting the book published.* After that, he dove headfirst into his other SPIN—animation—working as an assistant on well-known cartoons before landing a role at a then-small channel called Nickelodeon.* While working on the 90s Nicktoon Rocko's Modern Life, Hillenburg crossed paths with voice actor Tom Kenny. The two collaborated seamlessly, and as we know, Kenny would later become the iconic voice of SpongeBob.* SpongeBob SquarePants debuted as Nickelodeon's first original Saturday morning cartoon on May 1, 1999, achieving massive success. It quickly surpassed Pokémon as the top Saturday morning cartoon. By 2002, the show boasted an audience of 61 million viewers, including 20 million adults aged 18 to 49.* In 2002, Hillenburg wanted to end production of the show, but Nickelodeon saw it as far too lucrative to stop. He left after the release of The SpongeBob SquarePants Movie in 2004 but returned to work on the show from Season 9 until his passing. SpongeBob SquarePants remains a wildly successful cartoon, still airing new episodes on Nickelodeon 25 years later.* Stephen Hillenburg was known for valuing his privacy and leading a quiet life. However, his autistic sense of justice was evident through his philanthropic efforts, particularly his work with the United Plankton Charitable Trust, which supported environmental and marine conservation initiatives.* Tragically, in 2017, Hillenburg was diagnosed with ALS, a disease that has also been linked to autism.* The character of SpongeBob is like a walking DSM-5 autism diagnosis checklist. He struggles with reading social cues, doesn't realize when he's being bothersome, and while he can be annoying at times, his genuine nature makes him endearing.* SpongeBob also exhibits many other autistic traits, such as having meltdowns, struggling to learn to drive, taking things literally, and showcasing astute problem-solving skills.* SpongeBob also has a special interest in his job as a fry cook, making him the happiest workaholic on television. His passion for flipping Krabby Patties and dedication to his work shine through in every episode, showcasing his deep focus and enthusiasm for what he loves.* We then dive into the legendary career of Tom Kenny, SpongeBob's iconic voice actor. With a prolific career in voice acting, Tom has brought characters to life in cartoons like Rocko's Modern Life, Adventure Time, The Powerpuff Girls, Transformers, and many more. His versatility and talent have made him one of the most beloved figures in animation.* The autistic-coded traits that Tom Kenny exhibits have had a significant influence on his portrayal of SpongeBob, a character he has explicitly stated is autistic. Kenny's unique approach to SpongeBob's voice, humor, and mannerisms brings a depth to the character that resonates with many in the autistic community.* Sami, our Content Manager (who is autistic and dyspraxic), noticed clear traits of dyspraxia and motor skills difficulties in Patrick, especially in the episode where he's training at the Krusty Krab. Patrick struggles with tasks like mopping and opening jar lids, which reflect the challenges many with dyspraxia face. What's truly heartwarming is how SpongeBob consistently helps Patrick, never giving up on him during the training—showcasing the importance of patience, support, and friendship.* Listen to the episode for a deep dive into how SpongeBob SquarePants portrays neurodivergent traits, and how characters like SpongeBob and Patrick provide meaningful representation and support in ways that resonate with many autistic and neurodivergent viewers!“When we see someone autistic like SpongeBob, we just kind of know it. We kind of don't need to talk to SpongeBob's mom. Thanks. Got it. ” - Angela“One of the joys of being autistic is that we vibe with other people. We have a sixth sense where we are very bottom-up data processors. We do a phenomenon that is referred to as matrixing, where we unconsciously grab a whole bunch of variables and throw them together to get a picture - which is why autistic people are so easily able to identify other autistic people, but neurotypical people have no idea what to make of us and we're strange mysterious cryptids from the woods. So, yeah.” - Matt In this episode, we dive deep into the world of everyone's favorite sponge, SpongeBob, and explore how his character is an unintentionally perfect portrayal of autism. From his social struggles to his unique problem-solving skills, we examine the traits that make him both endearing and relatable to the autistic community. Join Matt and Angela as they unpack how SpongeBob's world reflects the real-life experiences of many autistic individuals, and share your thoughts with us using #AutisticCultureCatch on social media. What aspects of SpongeBob's character do you relate to? Let us know!Show Notes:The Intertidal Zone BOOK - http://www.nickalive.net/2024/04/the-intertidal-zone-by-spongebob.htmlhttps://www.eonline.com/news/1405322/spongebob-squarepants-is-autistic-actor-tom-kenny-revealshttps://x.com/ToonHive/status/1815775221724405831https://screenrant.com/spongebob-squarepants-voice-cast-tom-kenny-retire-no-explained/https://en.wikipedia.org/wiki/Tom_Kennyhttps://en.wikipedia.org/wiki/Stephen_Hillenburghttps://jamanetwork.com/journals/jamaneurology/article-abstract/2657320https://www.sbmania.net/forums/threads/is-spongebob-autistic.48958/Related Shows:Animation is Autistic Ready for a paradigm shift that empowers Autistics? Help spread the news!Follow us on InstagramFind us on Apple Podcasts and SpotifyLearn more about Matt at Matt Lowry, LPPJoin Matt's Autistic Connections Facebook GroupLearn more about Angela at AngelaKingdon.com Angela's social media: Twitter and TikTokOur Autism-affirming merch shop This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.autisticculturepodcast.com/subscribe

Nik Louis is a vegan activist who volunteers at the Common St Spiritual Center. He is also a reggae musician and is about to launch an online shop for his retro 60's vegan clothing line which has caught the attention of Tom Kenny, Ariana Grande, and The Strawberry Alam Clock. Learn more about this vegan entrepreneur in an interview with Yoga Anita. #healthylivingwithyogaanita #yogaonradio  #veganclothingline #tomkenny #strawberryalarmclock #otiswilliams #arianagrande 

Danny Giovannini, Writer, joins Susan and Ben to discuss Lu Over the Wall, a 2017 animated fantasy movie. Danny shares what it's like having a career as a writer for the SpongeBob SquarePants Universe TV shows, movies, and video games. He discusses dropping out of college to write a puppet show, moving from production assistant to writer on SpongeBob SquarePants, and voice acting with SpongeBob's Tom Kenny. Danny plays our “Creature Feature Screecher” game. Follow Danny on Instagram @dangninny or IMDb.  Watch SpongeBob SquarePants and Kamp Koral on Paramount Plus. Watch The Patrick Star Show at nick.com/shows/the-patrick-star-show. Keep up with all things SpongeBob SquarePants at nick.com/shows/spongebob-squarepants. Rate and review on Apple Podcasts to help us reach more listeners. Find out about our guests and upcoming events by following us at Facebook, Twitter, or Instagram, contribute to our Patreon, or shop at lifeinthecredits.com. Life in Our Credits Hosts: Susan Swarner and Ben Blohm Executive Producer: Michelle Levin Logo Art: Melissa Durkin Music Composer and Performer: Steve Trowbridge --- Support this podcast: https://podcasters.spotify.com/pod/show/lifeinthecredits/support

Chris and Taylor review the DC animated detective action series Batman: Caped Crusader created by Bob Kane and Bruce Timm. The series follows Bruce Wayne/Batman and his crusade for justice set in a 1920's style neo noir timeline. The voice cast includes Hamish Linklater, Mckenna Grace, Haley Joel Osment, Christina Ricci, David Krumholtz, Toby Stephens, Jamie Chung, Tom Kenny, Diedrich Bader, Jason Watkins, Michelle C. Bonilla and Krystal Joy Brown. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ X: https://x.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: Keen Go to trykeen.com/potential now! As a new customer on Keen, you can try your first 5 minute reading for $1

George caught up with the voices of Spongebob & Patrick played by Tom Kenny and Bill Fagerbakke to celebrate the 25th anniversary of the showRemember to tune in to Fun Kids Meets every week for more exclusive interviewsSee omnystudio.com/listener for privacy information.

This is our spoiler-free review for Batman: Caped Crusader. Join us as we discuss this incredibly classic yet fresh take on Gotham's iconic characters and world, its excellent voice cast, and its gorgeous and familiar animation style.All ten Batman: Caped Crusader episodes are streaming on August 1st on Prime Video. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

Daniel, Shahbaz, & Anthony review BATMAN: CAPED CRUSADER, an animated series that reimagines of the Batman mythology through the visionary lens of executive producers J.J. Abrams, Matt Reeves and Bruce Timm. The series stars Hamish Linklater as Batman/Bruce Wayne, Christina Ricci as Catwoman/Selina Kyle, Jamie Chung as Harley Quinn/Dr. Harleen Quinzel, and Diedrich Bader as Harvey Dent/Two-Face, along with a star-studded ensemble cast including: Minnie Driver, Mckenna Grace, Eric Morgan Stuart, Michelle C. Bonilla, Krystal Joy Brown, John DiMaggio, Paul Scheer, Reid Scott, Tom Kenny, Jason Watkins, Gary Anthony Williams, Dan Donohue, David Krumholtz, Haley Joel Osment and Toby Stephens. All 10 episodes of Batman: Caped Crusader will premiere Thursday, August 1, on Prime Video. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca SUPPORT THE MOVIE PODCAST ON PATREON! Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 1 - Jamie brought in a bowl of mac and cheese for breakfast this morning. Tom Kenny, the voice of Spongeob has come out saying that Spongebob is on the spectrum. A woman went viral after she ordered some mac and cheese and only received a bowl of cheese. 

Jamie brought in a bowl of mac and cheese for breakfast this morning. Tom Kenny, the voice of Spongeob has come out saying that Spongebob is on the spectrum. A woman went viral after she ordered some mac and cheese and only received a bowl of cheese. USA soccer starts their Olympic games today. A giant mansion party is happening this Saturday in Parker. It is being organized by the same person who was responsible for the house collapse at a party in Aurora a few years ago.  BJ wants to give away his BMW on the air( we are not actually giving it away). Biden will address the nation tonight for the first time since dropping out of the presidential race. Today is BJ Harris's birthday! Happy Birthday BJ!!! Someone is going to bail out Red Lobster. Jamie has the set of guidelines athletes must follow in the Olympic village. 

Tom Kenny, staraí ag labhairt faoi Richard "Humanity Dick" Martin.

When top dog Tim is away the CATS will play! Namely comedy legends Bobcat Goldthwait as our guest host and Tomcat Kenny (SpongeBob SquarePants, Mr. Show, Tom Kenny & The Hi-Seas) in the guest chair. It was a total blast from the past, present and future with stories of their time growing up together in Syracuse, Doug's Guess The Cat game, a perfect City of the Day cold read, a video report from Tim in Italy, and many mustachioed men on zoom!Watch another hour of the show with more Bobcat and Tomcat, more of YOUR great zooms, and get tons of other stuff when you subscribe to OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive.Go see Tom Kenny & The High Seas in New York on August 4th! Get tickets at shorturl.at/0h9Q7.Find everything Office Hours including the merch store at officialofficehours.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When top dog Tim is away the CATS will play! Namely comedy legends Bobcat Goldthwait as our guest host and Tomcat Kenny (SpongeBob SquarePants, Mr. Show, Tom Kenny & The Hi-Seas) in the guest chair. It was a total blast from the past, present and future with stories of their time growing up together in Syracuse, Doug's Guess The Cat game, a perfect City of the Day cold read, a video report from Tim in Italy, and many mustachioed men on zoom! Watch another hour of the show with more Bobcat and Tomcat, more of YOUR great zooms, and get tons of other stuff when you subscribe to OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive. Go see Tom Kenny & The High Seas in New York on August 4th! Get tickets at shorturl.at/0h9Q7. Find everything Office Hours including the merch store at officialofficehours.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Kenny, staraí ag labhairt faoi Ronnie O Gorman a bhásaigh i rith na seachtaine.

Steve & Izzy continue APE-RIL, a month-long celebration of the finest simians in cinema, as they are joined by author Heather Osoy & her husband Cesar to discuss 2010's "Space Chimps 2: Zartog Strikes Back" starring the voice talents of Tom Kenny, Stanley Tucci, Patrick Warburton, Cheryl Hinds & more!!! Will it matter that we know nothing of the original movie? Where can you buy Heather's amazing books? How can we make a great sequel? What new podcast will Steve & Cesar start?!? Let's find out!!! So kick back, grab a few brews, remember Blackberries, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're gossin' 'bout THE GRAMMYS DOIN' A GREAT JOB! MJ's in a Tracy Chapman hole after Tracy Chapman killed it live, congrats Miley Cyrus on getting her first Grammy, Page 7 creates their own Grammys that we can all agree would be far superior, Tay-Tay brings home best album for 'Midnights' and drops her NEW ALBUM ART AND TRACK LIST, no one can own Eras, quick Crescent City check-in: Jackie's dislocating her jaw and devouring it (MAAS BABIES RISE UP), Billy Joel premieres new song at The Grammys, T. Swift did NOT snub Celine Dion on stage, Fantasia absolutely kills Tina Turner Proud Mary tribute, Lizzo denied motion to dismiss, Jackie gushes over boygenius, Flavor Flav is charming Holden's pants off, shout outs to Phoebe Bridgers for calling out disgusting former Grammys CEO Neil Portnow, everyone's been saying Timothée (and everything else) wrong, Tom Kenny is NOT the SpongeBob shacking up with Ariana Grande, and in Celebrity Conspiracy Corner: Is Sydney Sweeney a LIAR?!?! A list to hide from actors and BLINDZ! Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast 

Today, Titan Talk goes out and touches grass! Come join us for a brief interlude at the park, followed by a much longer interlude in a hole at the dump. Points of curiosity: fine dijon mustard, five and a half pounds of baby back ribs, a nostalgic look back at Obama "scandals," and Tom Kenny in a dual role as a magical blue guy and another, less magical blue guy. And yes, we are sure it's actually him this time. Apologies for all the coughing, by the way - David and Mary were both sick when we recorded! We hope we were able to delete most of them but there were some that were talked over that we couldn't take out. (We're feeling much better!) === Follow us on Twitter at @super_nuclear, or send us your feedback at supernucleargroup@gmail.com ! Or you can support us on Patreon at https://www.patreon.com/supernucleargroup   OR! You can join us on Discord at this link: https://discord.gg/tf9m6CM   Our logo is by LovelessKia! Find more of their work at https://twitter.com/lovelesskia.   Theme song is "Jump City Rock" by Matt of Avana Music! Find more of Matt's work at https://soundcloud.com/avanamusic.

Our first guest today, Jacquie Brown, a real person not the Quentin Tarantino character played by Pam Grier, grew up in the Pacific Northwest. She didn't have it easy, in fact, I daresay she's never had it easy. Her mom was an unwed teenager fully unprepared for parenthood, and Jacquie didn't so much grow up as survive her childhood. She was, however, blessed with good genetics and decided to enter a beauty pageant. Not for the narcissistic boost, but it was a better way out of her circumstances then joining the military or worse. She ended up making it all the way to the Miss America pageant where she placed third. She then took her winnings and pursued her dream. She moved to LA... to become a comedian. This was not what Miss America, Inc envisioned she would do. What Jacquie Brown has been going through in the past couple years is fascinating, horrifying, and enraging so give it a listen and hang in there with it. Jacquie Brown, we should be as tough as she is. Link to her GoFundMe: https://www.gofundme.com/f/help-jacquie-recover-heart-attack-car-accident Then we'll rocket immediately back to being ridiculous. True Tales From Weirdsville takes a deep dive into - again - something that seemed interesting on its surface, but, when you scratch the surface, you learn of a fascinating story underneath. A story more fascinating than anyone knew. The making of Jaws 2. It's a much more interesting story than the one projected on screen.  And we'll wrap the show with a wonderful interview with spookily talented Maurice Lamarche. Maurice is one of the preeminent voice actors in animation right now, as well as being a terrific comedian and actor in his own right. Probably most known at the voice of The Brain in Pinky And The Brain, he stands along with our own announcer, Tom Kenny, as one of the giants in animation voice acting.