Podcasts about Kiss Me Deadly

A little performance art, a couple of classic Los Angeles locations, happy birthday to my mom, a unforgettable glowing suitcase, a classic Los Angeles evangelist, our imperfect memories, a Matthew Perry moment, one (and I mean one) moment of insight from Trump, a mea culpa to Jai Courtney, Paul Dano still sucks, and c'mon and join our convoy. Stuff mentioned: Nadya Tolokonnikova POLICE STATE (WAREHOUSE at the Geffen Contemporary at MOCA, 152 N Central Ave, Los Angeles, CA 90012 https://www.moca.org/program/nadya-tolokonnikova-police-state), Bradbury Building (304 S Broadway, Los Angeles, CA 90013), Double Indemnity (1945), Chinatown (1974), Wolf (1994), Blade Runner (1982), Newhart (1982-1990), Angels Flight Railway (351 S Hill St, Los Angeles, CA 90013), Hill Street Blues (1981-1987), Criss Cross (1949), Kiss Me Deadly (1955), Generation X "Kiss Me Deadly" (1981), Generation X Kiss Me Deadly (1981), Pulp Fiction (1994), Repo Man (1984), Raiders of the Lost Ark (1981), Highway Patrolman (1991), La La Land (2016), Perry Mason (2020-2023), Orphan Black (2013-2017), Angelus Temple (1100 Glendale Blvd, Los Angeles, CA 90026),  Claire Hoffman Sister, Sinner: The Miraculous Life and Mysterious Disappearance of Aimee Semple McPherson (2025), Pavement Slanted and Enchanted (1992), Matt Bai The Unbearable lightness of Elon Musk (The Washington Post, June 1, 2025 https://www.washingtonpost.com/opinions/2025/06/01/musk-doge-defeat-washington-bureaucracy), A Good Day to Die Hard (2013), Terminator Genisys (2015), Die Hard (1988), Dangerous Animals (2025), The Loved Ones (2009), The Devil's Candy (2015), Dead Calm (1989), and C.W. McCall "Convoy" (1975).

Plongez dans l'un des films noirs les plus subversifs de l'histoire du cinéma américain. Découvrez l'histoire de Mike Hammer, un détective privé aussi charismatique que détestable, embarqué dans une enquête qui va le mener aux frontières du cauchemar. Au cœur de sa quête : un mystérieux trésor dont la nature même suggère l'apocalypse.Ce film, c'est « Kiss Me Deadly » (En Quatrième Vitesse) (1955), le chef-d'œuvre de Robert Aldrich qui a révolutionné les codes du film noir. À travers son héros sociopathe, il brosse un portrait glaçant de l'Amérique des années 50, hantée par le maccarthysme et l'ombre de la bombe atomique.Dans l'épisode 14 d'Emotion Side Story, consacré à cette émotion difficilement exprimable qu'est l'angoisse, nous allons décortiquer ensemble cette œuvre nihiliste qui, 70 ans après sa sortie, continue de captiver les spectateurs.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mickey Spillane (1918-2006), author of the classic crime novels, “I, The Jury” and “Kiss Me Deadly,” in conversation in 2003 with Richard A. Lupoff, introduced by Richard Wolinsky and Richard A. Lupoff. In this recently discovered recording, best-selling crime/noir novelist Mickey Spillane discusses his career as a professional writer and gives advice to writers. In the introduction, Richard A. Lupoff, the late co-host of KPFA's Probabilities, details how the interview came to be. This was the last interview conducted by Richard A. Lupoff for KPFA. The post Mickey Spillane, Tough Guy Novelist, 2003 appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Lance Gardner, Artistic Director of Marin Theatre Lance Gardner,  Artistic Director of Marin Theatre since October, 2023, in conversation with host Richard Wolinsky. A long-tme Bay Area actor, Lance Gardner came to Marin Theatre after a stint as a live event producer at KQED, and as Chair of the Board of Aurora Theatre. In this interview, he discusses the theatre's fiscal health, how he hopes to increase the audience, along with details of the various upcoming shows. Lance Gardner has earned dozens of theatre credits over the last 20 years, including six mainstage shows and a school tour at Marin Theatre Company. He has also performed in multiple shows at Berkeley Repertory Theatre, California Shakespeare Theater, Magic Theatre, TheatreWorks, and more. Complete Interview.   From the Archive: Mickey Spillane (1918-2006) Mickey Spillane (1918-2006), author of the classic crime novels, “I, The Jury” and “Kiss Me Deadly,” in conversation in 2003 with Richard A. Lupoff, introduced by Richard Wolinsky and Richard A. Lupoff. In this recently discovered recording, best-selling crime/noir novelist Mickey Spillane discusses his career as a professional writer and gives advice to writers. In the introduction, Richard A. Lupoff, the late co-host of KPFA's Probabilities, details how the interview came to be. This was the last interview conducted by Richard A. Lupoff for KPFA. Mickey Spillane Wikipedia page.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre  The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Annie, Feb. 6-9, Orpheum, Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Steel Magnolias by Robert Harling, February 14-23, 2025, Warren Theatre, Sonoma State University. Club Fugazi. SF Sketchfest, Jan. 16 – Feb. 2. Dear San Francisco resumes Feb. 7.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Daisy by Sean Devine, January 23 – February  9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. Both Eyes Open, a chamber opera on the Japanese American WWII incarceration, February 15-16, Zellerbach Hall. Oakland Theater Project.  See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO.  See website for upcoming streaming and in- theater shows. Cuckoo Edible Magic by Reed Flores, at the Magic in Fort Mason, Feb. 13 – March 8. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players.  Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown,  January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Tsar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   The post January 30, 2025: Lance Gardner – Mickey Spillane appeared first on KPFA.

In this episode, we dive deep into Kiss Me Deadly (1955), a cornerstone of film noir that pushes the boundaries of the genre with its hard-hitting story, morally ambiguous characters, and shocking twists. Join us as we unpack the film's atomic-age paranoia, its iconic antihero Mike Hammer, and the explosive impact it had on cinema. We'll explore its innovative storytelling, controversial themes, and lasting influence on noir and beyond. Whether you're a first-time viewer or a longtime fan, this is a conversation you won't want to miss! Noir Article https://www.criterion.com/current/posts/7734-ghost-town-nights-on-bunker-hill Where to watch https://archive.org/details/kissmedeadly1955_202001 Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid. --- Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support

It would still prove to be the American Century, but now it was overshadowed by the threat of the atom's power. Air raid shelters were built in public buildings. Families dug and poured concrete in their backyards to construct personal bomb shelters. Food was stocked, with water, batteries, Bibles, bunk beds and lawn chairs. The US government produced films on how to survive an atomic war, and what our duties as citizens were in that event. Don't believe me? Find the documentary The Atomic Café and decide what the government and military were trying to sell us. I was one of the millions of kids who learned to survive (perhaps?) an atomic blast by ducking and covering under my desk at school. At least survive the initial blast. The radiation was a different story. It was all responsible for an underlying uneasiness at all times, a subtle terror. This coupled perfectly with the feelings of unseen threat and malaise that film noir captured. The style or genre was at the end of its first and classic cycle in the US by the mid 50s and the height of anti-Communist and atomic fear. But it had a final entry that pulled it all together with a director and cast that was little equaled, then or now --- Robert Aldrich's 1955 Kiss Me Deadly, a classic film noir and fundamental influence on the French New Wave and auteurs such as Godard and Truffaut, as well as extending into the modern era, as we shall see next month. Distributed by United Artists, it had a winding path to excellence, but it's now widely acknowledged as a mainstay of noir, stuffed with talent.Website and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

Matt and Corbin talk about "Kiss Me Deadly," a film noir about a Nietzschean superman lost in an existential world... right up until the point when it turns out he's actually in a science fiction disasterpiece.  Our analysis of the election: wrong. Sorry! Corbin reccomends "BALATRO," a video game. Matt reccomends e-readers.  Next week's NOIRVEMBER selection is "STRAY DOG," which you can watch here. 

Hosts: Joe Dubs , Andy , Zac , and ChazWe enter the dark cold nights of Noir in November. Andy chooses Kiss Me Deadly . Come take a Listen

Corbin and Ellis are joined by MATEA, Portland's Elvira (Letterboxd here, subscribe today!), for a conversaion about the early indie horror touchstone "Let Scare Jessica to Death." Topics include: the shifting uses of mental health care as a literary device, the bitter end of the sixties playing out on screen, the thin line between madness and a vampire invading your mind, and the movie's wild sound design.  Corbin reccomends a movie. Matt reccomends another movie. Matea reccomends yet another movie.  Next week's episode, which i neglected to mention, will be the first in a series of NOIRVEMBER selections: Kiss Me Deadly! Watch it here. 

Stacy_Keach_reads_Kiss_Me_Deadly_by_Mickey_Spillane

Send us a textWhat Ever Happened To Baby Jane?TGTPTU Season 13's 4x4 continues with the second half of its first Robert Aldrich pairing, WHAT EVER HAPPENED TO BABY JANE? (1962). Like last week's entry, WEH2BJ is another black-and-white film adaptation of a novel, this one truer to the source material, at least to cohost Thomas who read Henry Farrell's 1960 novel of the same title (in other words no changing out a briefcase of drugs for a nuclear weapon or the star of your book series an unlikeable asshole as had happened in Aldrich's adaptation of Kiss Me Deadly). Outside minor changes in date and storytelling, both novel and film follow the story of the two sisters in their autumn years: Jane Hudson, a child actress of stage fame whose star dimmed well before her sister Blanche Hudson's movie career was on its meteoric (to keep with astronomical idioms) ascent until a car accident with a drunk Jane driving left Blanche in a wheelchair and in her sister's care. While acrimonious, their relationship turns horrific when reruns of Blanche's films lead to fan mail and her sottish sister Jane to exact a lifetime's worth of revenge on her housebound sibling. Yet the meta story of the film separates it inexorably from its source material as Aldrich casts, and to his credit completes a film, with both divas alive with both eyes, most their hair, and out of jail: Bette Davis as the nostalgic Jane and Joan Crawford as Blanche. TGTPTU hosts cover the Oscar shenanigans and personas of these two great ladies of early cinema. Speaking of, WEH2BJ was nominated for five Academy Awards. This was Davis's tenth nom, and at the time she would have had the most Oscar wins for Best Actress if the picture had won her her third. Unfortunately, the film won only for an obsolete category (Best Costume Design, Black-and-White). And (strikethrough as appropriate one of the subsequent adverbs after listening to the discussion) deservedly/somehow garnered Victor Buono a nomination as Best Supporting Actor.  Stans of the pod are forewarned that a Season 1-3 bit returns thanks to the evils of Davis's character's choice of dishes to feed her sister. Other listeners are forewarned that there will be much discussion of the can't-believe-it-exists films Trog (1970) and Who Slew Auntie Roo? (1972).  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

Send us a textKiss Me DeadlyWelcome back to TGTPTU, and welcome back in Season 13 to both former cohost Jack and to the 4x4, the latter making its third season appearance! For TGTPTU stans reading this, able to recite the following explanation by heart, go ahead and save yourself half-a-minute and skip the rest of this paragraph. But for you sad majority of population Earth, a 4x4 is where the crew of TGTPTU covers four films (two pairings) by four different creatives. Simple. And with the return of Jack and the recent promotion of (although still provisional) cohost Ryan, for this season each host will be selecting one director to (strike as appropriate: introduce to / impose upon / reunite / endear) the other three hosts (to / with).  This third iteration of the 4x4 kicks off with Ken's choice of director Robert Aldrich, pairing this episode's KISS ME DEADLY (1955) with next week's What Ever Happened to Baby Jane? (whatever happened to our style guide? should I end this sentence with a second punctuation mark after the question mark? when did “what ever” become one word? Ken, cut all this out. Thanks, buddy. Editor of the Year.). Liberally adapted from the Mike Hammer novel of identical title by A.I. Bezzerides (yes, AI was writing fiction before ChatGPT) that doesn't even include a nuclear device, Aldrich's version of KMD helped put the nail in the noir era's coffin by giving the viewing public an unsympathetic protagonist driven by greed and the need to break things. This film relatively early in Aldrich's career would earn the respect of, and help inspire, Aldrich's contemporaries in the French New Wave, although the all-American, not-quite-nepo baby Aldrich would balk at their reasoning why the film he made was important. Listen to this inaugural episode's rough start as last season's bits are retired, Thomas confronts Ryan on his pronunciation of “noir,” Ken remembers fondly when this talkie came out while Jack finishes watching the film during mic check, and Ryan lists off an impressive amount of homages to KMD before the foursome debate whether the “h” is silent.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

We're back after another hiatus! Hear us talk to classic PI movies and a recap of the 2024 Oscars. Love y'all xoxo

THE LEFT HAND ENDEAVOR, our celebration of classic noir, continues in abundance and we land on one wild flick involving another iconic private dick that isn't Philip Marlow. We're talking about Mickey Spillane's two fisted dirtbag protagonist “Mike Hammer” as played by Ralph Meeker In Robert Aldrich's 1955 genre-bending noir, “KISS ME DEADLY”. Some dame that looks a lot like a young Cloris Leachman gets picked up by a two-bit detective. Next thing he knows, she's dead and he's knocked out in a car and people seem to be real desperate to find something before he does. Also starring Maxine Cooper and Gaby Rodgers, KISS ME DEADLY is a unique and strange story adapted very loosely by screenwriter A.I. Bezzerides. This noir became wildly influential and we get to the bottom of why. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

We are joined by Clay McCormack from The Rotten Horror Picture Show for our very first guest episode. Clay's podcast experience and film knowledge is extensive, and together we discuss the nuances of an essential film noir, Kiss Me Deadly. We dive into the literary background, the adaption to the screen, the character of Mike Hammer, and several other aspects of the film. We also compare it to several other important films, and explore film noir's relationship to other areas of film history. Shadows of Noir:Patreon: patreon.com/ShadowsofNoir/Letterboxd: letterboxd.com/ShadowsofNoir/ Clay's Podcast Work:Patreon: patreon.com/thepenskyfileWebsite: thepenskyfile.com

Host Douglas Arthur is a guest on Table For One, a film show created by Los Angeles film critics Christy Lemire and Alonso Duralde to discuss the classic Robert Aldritch noir-thriller Kiss Me Deadly based on the Mickey Spillane novel of the same name. Come for the Noir, stay for the discussion about how to get to Calabasas from Wilshire Blvd before the freeway system was built! Enjoy Christy and Alonso's film show Breakfast All Day on YouTube and wherever you get podcasts! Published January 31, 2024 --- Send in a voice message: https://podcasters.spotify.com/pod/show/spacemules/message

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. With the recent release of “The Marvels” in theaters, this week we are covering songs featured on the soundtrack for “Captain Marvel” from 2019. On today's episode, Keith Langston is watching “Kiss Me Deadly” by Lita Ford from 1988. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=kIt3OGra3Lo

Hosts Josh and Jamie and special returning guest Casey (aka @MinovskyArticle) continue Noirvember 2023 with a double feature of strange, bleak, apocalyptic, and nuclear anxiety-fueled (sort of sci-fi) crime thrillers with a double feature of Robert Aldrich's masterfully blunt and nasty adaptation of Mickey Spillane's pulp paperback P.I. Mike Hammer KISS ME DEADLY (1955) and Kazuhiko Hasegawa's deranged, genre-bending mix of atomic bomb satire and hardboiled cat-and-mouse procedural THE MAN WHO STOLE THE SUN (1979). Next week's episode is a patron-exclusive bonus episode on TOUCH OF EVIL (1958) + LA CONFIDENTIAL (1998), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:19 KISS ME DEADLY // 13:19-1:39:08 MAN WHO STOLE THE SUN // 1:39:08-3:00:46 Outro // 3:00:46-3:04:22 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

I'm joined by two of my best friends in the world, Bill & Tom Will, as we discuss the 1955 film Kiss Me Deadly & the 1952 novel of the same name by Mickey Spillane. We have a lot of fun and I hope you will too. Bill on Twitter: https://twitter.com/20gaShotgun Bill on Instagram: https://www.instagram.com/20gashotgun/ Tom Will on Twitter: https://twitter.com/TomWill72550626 Tom's book, Pale Townie: https://www.amazon.com/Pale-Townie-Tom-Will/dp/B0C3Z1VBQF

We've covered several different kinds of adaptations, and the one thing that they have in common is that they're in some way faithful to their source material. This time around, not so much. And that's why this episode is titled "Subversive Adaptations." In these two films, the intent of some portion of the original story has been turned on its head to give you a similar story, but perhaps with a different point of view, or to present a different message from the source. We begin with Kiss Me Deadly, from 1955. Robert Aldrich set out specifically to attack the right-wing ethos of Mickey Spillane's story, and we benefit from a constant romp of action and intrigue from beginning to end. In Part Two, we'll look at 1997's Starship Troopers. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Picture Show is absolutely authentic, due to two behind-the-scenes craftspeople and two actors who transform the film. The story of Picture Show began with the novella of the talented, but at the time, little-known author, Texan Larry McMurtry. McMurtry worked on the screenplay with the director, who had only released one pretty good previous film, after moving on from researching and writing about film --- Peter Bogdanovich. Bogdanovich was brilliant in utilizing the talents of two disparate actors to underline the film --- an old cowboy who'd been in the John Ford film company and never stretched as an actor, Ben Johnson, and an actor who had worked primarily in TV and a few minor film roles such as in the noir Kiss Me Deadly, who would go on to a long career in film and TV, Cloris Leachman. And they were in the supporting cast!email: David@thosewonderfulpeople.comWebsite and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

What happens when a writer and a director who despise the best-selling reactionary violence of private detective Mike Hammer decide to make a Mike Hammer movie? And then the government tells them it's too violent so they cut out the entire mafia plot and replace it with a radioactive macguffin (that screams and melts your face)? Well, you get Robert Aldrich's highly influential Kiss Me Deadly (1955).

...nope, still ain't done. From Texas we come to Boston and 2003's Mystic River, directed by Clint Eastwood. It's a powerful film about a trio of boys, one of whom is caught up in a bad situation. Many years later, this event still haunts all three of them. COMING ATTRACTIONS: Join us as we take on a couple of subversive adaptations. First up is Kiss Me Deadly, from 1955. Then we jump to 1997 or, if you prefer, the far future, with Starship Troopers. Were they good? Bad? Weird? Or did you just not get the message they were sending? Stay tuned! --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Split Second (1953), The Hitch-Hiker (1953), & The Paperboy (2012) ALL MOVIES SPOILED In this film block, Alex Vlahov, the curator of OnlyFilmNoir, joins Jeremy and Brian to crank up the heat on another installment of their hot, steamy, sultry, film noir episode. This time it's not just trigger-happy psychos and sultry femme fatales, there's also a ticking atomic bomb in the mix. Follow Alex here: Instagram Medium Where to watch: Split Second (DVD) The Hitch-Hiker (Blu-Ray | YouTube) The Paperboy (Blu-Ray) Other films referenced: Wild Things (1998) Cruel Intentions Oppenheimer The Dark Knight Precious The Butler Selma Stoker The Right Stuff Bonnie and Clyde (1967) Ed Wood The Good German The Good Shepherd The Third Man Seabiscuit Bangkok Dangerous (2008) Best in Show Better Off Dead… To Kill a Mockingbird Brokeback Mountain DOA (1949) Cutter's Way Touch of Evil Reservoir Dogs The Thing (1982) Night of the Living Dead (1968) Barbie Asteroid City The Two Mrs. Carrolls Conflict The Conqueror (1956) …And Justice for All Matinee Indiana Jones and the Kingdom of the Crystal Skull The Roaring Twenties Babylon Stagecoach (1939) Ace in the Hole Caged (1950) Man with the Gun The Petrified Forest (1936) Kiss Me Deadly

On this episode Phillip and his cousin Chip talk about Robert Aldrich's 1955 film noir Kiss Me, Deadly. (Kiss Me Deadly can be found here for free https://archive.org/details/kiss-me-deadly-1955 They start the show by paying respect to Linda Haynes who passed away last Friday. Then they read a review that missed being on last week's show. Phillip then reads the general information for the movie, and then it's time for Listener Opinions. The two cousins then discuss all the things in the movie; great dialogue, some surprises, and some twists and turns along the way. They individually rate the movie, and then talk about whether they would buy, rent, or find this movie for free. Phillip then reads some other reviews and then gives his Phil's Film Favorite of the Week; which is actually a tv series called Twisted Metal. It's then time for the randomizer to pick the next movie on the list, and it picks...Madman (1981). So come back on August 25th for Madman. Thanks for listening. --- Send in a voice message: https://podcasters.spotify.com/pod/show/makingtarantinothepodcast/message

On this episode Phillip and his cousin Chip start the show by talking about the passing of William Friedkin. Then Phillip reads all the general information about The Nickel Ride, and sprinkles in some facts to go with it. It's then time for Listener Opinions from Instagram and Twitter. The two then discuss this movie and have a great conversation while Phillip sprinkles in some trivia bits. They individually rate the movie and discuss whether they would buy, rent, or find the movie for free. Phillip gives his Phil's Film Favorite of the Week; Fast X (2023). Then it's time for the randomizer to pick the next movie, and it picks 1955's Kiss Me Deadly. Come back Wednesday for our final BONUS episode Once Upon A Time In Hollywood (2019). Thanks for listening. --- Send in a voice message: https://podcasters.spotify.com/pod/show/makingtarantinothepodcast/message

The B-Movie Cast is going dark again with another visit to the world of film noir with the 1955 classic “Kiss Me Deadly”. Joining Mary and Nic in the seedy underworld of 1950's LA is fan favorite Mark Mawston! So, get ready for Mike Hammer in the film that may have introduced the “anti-hero” and

Mike has been badgering Dan for years to reevaluate Kiss Me Deadly, Robert Aldrich's now-canonical 1955 noir. Mike always loved it; Dan always thought it was overrated. Does he still think so after a fresh viewing? Join them for a conversation about how the history of a film's reception may only be partly due to the film's quality, the ways in which Kiss Me Deadly works like a dream, and the degree to which the Mike Hammer Universe differs from the MCU. Va-va-voom! Interested in reading the original novel--with a different Mcguffin the the same box? Find it here. Here's a new biography of Mickey Spillane written by crime novelist Max Allan Collins. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of They Live By Film, Adam, Chris, and Zach discuss two films that sit in the grey area between noir and neo-noir, in a zone we have decided to call "post-noir". These films are Irving Lerner's cool and calculated Murder by Contract, and the only noir to directly influence Raiders of the Lost Ark, Kiss Me Deadly by Robert Aldrich. CHECK OUT OUR NEW YOUTUBE CHANNEL: https://www.youtube.com/@theylivebyfilm www.theylivebyfilm.com https://www.reddit.com/r/theylivebyfilm/ Adam's Letterboxd: https://letterboxd.com/TheOwls23/ Zach's Letterboxd: https://letterboxd.com/dharmabombs/ Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

Barrett Fisher and Sam Mulberry meet up in the video store to talk about the 1955 film Kiss Me Deadly and to get Barrett's film recommendation for next week. For more information about Video Store or to find all of our episodes, check out our website: https://videostorepodcast.wordpress.com/

Today I welcome bandleader and composer Skip Heller to the show. We talk about his new album Dark Passages by the Hollywood Film Noirchestra (Killer Kern Records) and how the project came into existence. We also chat about Louis Armstrong, Jerry Stahl, and his love for classic film. I had a blast talking to Skip. I was scrambling to write down his recommendations and interests! He is like the cool older brother that turns you onto art that will change your life. You can find the new album over on Bandcamp. Thanks for listening! Kyler --- Press Release: "Hollywood -- Bandleader/composer Skip Heller has long enjoyed a diverse career, but one close look at his resume - which includes working with Yma Sumac, Bootsy Collins, NRBQ, Lalo Guerrero, Los Lobos, the Klezmatics, Todd Rundgren, and Joe Bataan - and it becomes clear that film noir is his home base... Dark Passages (named after a David Goodis novel) takes the listener through the world of noir, largely concentrating on mid century classics (Touch of Evil, The Hustler, Kiss Me Deadly, Riffifi), B movies (Foreign Intrigue, Beat Girl), TV (Twilight Zone, Perry Mason), and two of Heller's noir originals. In addition, the first pressing features a cover by none other than Cal Schenkel, whose album covers for Frank Zappa, Captain Beefheart, and Tom Waits are (pardon the word) iconic." Episode Links: PURCHASE Dark Passages by Hollywood Film Noirchestra WhatIsSkip.net Instagram: @noirchestra323 --- SLD Podcast Info: www.saltlakedirt.com Listen on APPLE Podcasts Listen on SPOTIFY Instagram: @saltlakedirt

Welcome to your monthly worship service, where each month in this season we will be taking a look at 2 films that influenced one of Tarantino's films. Under the microscope this month is the film that not only launched Tarantino's into the stratosphere, but changed cinema forever, Pulp Fiction. The films we will be investigating to see if he simply referenced them in his films or blatantly ripped them off are, Robert Aldrich's "Kiss Me Deadly" (1955) & Stanley Kubrick's, "A Clockwork Orange" (1971). Sitting down with me this month to assist in my investigation is the host of Conversations At Jack Rabbit Slims, Mr. Craig Cohen. So join us as we get to the bottom of wether or not Quentin Tarantino is in fact a master filmmaker or just a scene stealing, glorified hack. Links to Craig Cohen's Podcasts: Conversations at Jack Rabbit Slims: podcasts.apple.com/us/podcast/conversations-at-jack-rabbit-slims/id1510259545 Slycast: goingthedistance.libsyn.com/category/SlyCast Big Screen Book Club: podcasts.apple.com/us/podcast/big-screen-book-club/id1061846792 Follow Craig on his Socials; Facebook:@craig.r.cohen Instagram & Twitter:@mrcraigcohen Bandcamp: https://craigcohen.bandcamp.com/ Become a member of The Church of Tarantino by following us on our socials: Facebook:@ChurchOfTarantino Instagram: @TheChurchOfTarantino Twitter: @TheChurchOfQTPod --- Send in a voice message: https://anchor.fm/thechurchoftarantino/message

In this episode we're discussing Robert Aldrich's film, Kiss Me Deadly (1955) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we watched the Shannen Doherty and Robert Gant gay spy thriller Kiss Me Deadly, produced for Here TV. Well, one of us did. The other two watched a straight-washed recut of this movie aired at appearing on other networks, and it takes us a really long time to figure out that we watched basically a different movie. Topics discussed: Eric is finally finished with Charmed Why do people think allergies aren't real? What exactly IS amnesia? Everything should be part of the Kenny Kwon-iverse We Read Movies This podcast is hosted by ZenCast.fm

Kiss Me Deadly has been on the Out Now bucket list for a while now. We discuss why and then dive into the 1955 noir classic that is quite punk rock for its time and genre. Age has been kind to this stylistic and highly influential pot boiler. It also features the film debut of […]

This month's Out Now with Aaron and Abe commentary is ready to get things done the Mike Hammer Way! Aaron is joined by Brandon Peters, Yancy Berns, and Scott Mendelson to discuss the classic film noir, Kiss Me Deadly, from director Robert Aldrich. Listen in to hear the group delve into their classic movie knowledge, discussing the path of noir in American cinema, what stands out about this late period entry, and what Aldrich brought to the material. There's plenty more discussion about the nature of the production, how this could play with a modern audience, and lots of fun tangents as well. So now, if you've got a couple of hours to kill… Follow all of us on Twitter: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @Cinemaxwell, @Brandon4KUHD, @YancyJack Check out all of our sites and blogs:  TheCodeIsZeek.com, Why So Blu?, The Brandon Peters Show, The Milky Way Blues, Forbes Trailer for Kiss Me Deadly #KissMeDeadly #FilmNoir #Commentary #RalphMeeker #Robert Aldrich #AlbertDekker #PaulStewart #ClorisLeachman #MickeySpillane #MikeHammer #ClassicFilms #1950s #movies #film #entertainment #outnowpodcast #outnowwithaaronandabe

This week, the dames get a little noir and talk fear in the Atomic Age, hot boxes, and impeccably made .gifs in 1955's KISS ME DEADLY! swimfanspod.com @swimfanspod

[Content/trigger warning for this episode: Discussion of sexual assault.]Join us to talk about our memories and stories connected to Lita Ford and her classic "Kiss Me Deadly." We talk about her legacy with The Runaways, the surprising all-male band who invited her to come join, and her excellent collaborations (including the Prince of Darkness himself Ozzy Osbourne). On the way, we talk about our music movie recommendations, including the award-winning music/comedy movie "Heavy Trip."Enjoying the show? Tell us what you think on the socials at @stephaniestalktunes, or give us a 5-star rating on Apple Podcasts or Goodpods! Proud member of Pantheon Podcasts. Episode sponsored by BetterHelp.

Ben and Bob talk summer entertainment (blockbuster movies, outdoor concerts) before doing a deep dive into the 1955 noir masterpiece “Kiss Me Deadly”. The film stars Ralph Meeker as private detective, Mike Hammer, investigating a shadowy conspiracy with brute force and the help of a sexy sidekick. Mike learns that both the Feds and some sort of sinister organization are racing to find a mysterious case dubbed “The Great Whatzit”. Since it must be something big, Mike wants a piece of the action but he has no clue what's in store. Even if you haven't seen this one, you've undoubtedly seen it's influence in everything from Raiders of the Lost Ark to Pulp Fiction. We invite you to stare into the blinding light with us on this episode of SSOS.

Our 50th episode. For a special milestone we wanted a special pairing, and we have one with the 1955 noir classic Kiss Me Deadly and Deep Roots Amber from @threeweavers. It's Ralph Meeker as Mickey Spillane's iconic P.I. Mike Hammer, scouring the grimy streets of L.A. for the great 'whatsit.' The beer is from one of Los Angeles's great breweries, a smooth, malty, easy drinking Amber with a ton of flavor. Thank you for joining us on the journey to 50, and cheers to the journey ahead. Thanks for listening! Check out our new website SUBSCRIBE: to the show on Apple Podcast  or Google Play. You can also find us on Audible, Stitcher, Spotify, and Listen Notes. Follow us on Instagram , Facebook, and Twitter! We'd love to hear from you, so comment on our show wherever you are listening. And always, support your local brewery.

Chloe & Samantha break down Instant Star episode 1x06, "Kiss Me Deadly". 0:00 Intro 0:26 Welcome 0:55 1x06 Recap 21:49 Likes & Dislikes 25:35 Funnies 27:30 WTF Moments 30:26 Hero/Villain 31:15 Song Review "Waste My Time" 32:03 Pop Culture 32:53 Favourite Quote(s) 33:32 #Iconic 33:51 Most Likely To 34:49 Outro 35:19 Credits Socials Instagram Twitter YouTube

In this special edition guest episode of XCU: The Viewfinder, Raymond De Felitta interviews the legendary Adell Aldrich, whose illustrious career as a script supervisor spans back to 1962 and includes notable projects like Wayne's World, Pretty Woman, The Long Goodbye, and What Ever Happened to Baby Jane?, on his podcast Movies ‘Til Dawn. Adell carried on the hardworking legacy in film of her father, Robert Aldrich, whose films include What Ever Happened to Baby Jane?, The Dirty Dozen, and Kiss Me Deadly.

In this episode, we're joined by Matt Kennedy, author of the XRadioX Podcast to discuss our favorite punk & ska cover songs! Vote now for YOUR favorite playlists, hear the results of past episodes & listen to ALL of the playlists at: http://www.playlistwarspodcast.com SONGS DISCUSSED INCLUDE The Aquabats - Holiday Road; The Ataris - The Boys Of Summer; Cartel - Wonderall; Colossus Of Rhodes - (I Just) Died In Your Arms Tonight; Down By Law - 500 Miles; Dropkick Murphys - Fortunate Son; Face To Face - Popeye The Sailor Man; Fall Out Boy (with John Mayer) - Beat It; Four Year Strong - Ironic; Goldfinger - 99 Red Balloons; Less Than Jake - Surrender; Me First & The Gimme Gimmes - Danny's Song, East Bound & Down & End Of The Road; MXPX - Kids In America; New Found Glory - Eye Of The Tiger; NOFX - Champs Elysees; Joey Ramone - What A Wonderful World; Reel Big Fish - Another Day In Paradise, Hungry Like The Wolf & Kiss Me Deadly; Rio - Goldfinger; Shades Apart - Tainted Love; Social Distortion - Ring Of Fire; Spunge - Centerfold; A Thorn For Every Heart - Dead Man's Party & Thrice - Send Me An Angel CONNECT WITH PLAYLIST WARS Facebook: https://www.facebook.com/playlistwars Twitter: http://twitter.com/playlistwars Instagram: https://www.instagram.com/playlistwarspodcast YouTube: https://www.youtube.com/channel/UCcW7NibxehYRf8_UZ88Qtbg FOR MORE ON XRADIOX Twitter: https://twitter.com/XRadioX1 --- Support this podcast: https://anchor.fm/playlistwars/support

On this Episode we are discussing Kiss Me Deadly by Generation X.  We hope you enjoy and as always thanks for listening My Swedish Friends!!! Support the show (https://www.buymeacoffee.com/MySwedishFriend)

Never you mind honey. On today's Podcast adventure, Adolfo and Mark head to Anarene, Texas to look into the lives and loves of its local citizens in Peter Bogdonavich's coming of age classic, THE LAST PICTURE SHOW. Plus: Adolfo and Mark discuss the recent AMC stock bonanza.Films Referenced:RED RIVER (1948)THE SANDS OF IWO JIMA (1949)FATHER OF THE BRIDE (1950)WINCHESTER ‘73 (1950)KISS ME DEADLY (1955)HEAD (1968)TARGETS (1968)PLANET OF THE PREHISTORIC WOMEN (1968)BUTCH CASSIDY AND THE SUNDANCE KID (1969)EASY RIDER (1969)THE MARY TYLER MOORE SHOW (Series, 1970-77)DRIVE, HE SAID (1970)FIVE EASY PIECES (1970)THE KING OF MARVIN GARDENS (1972)THE GODFATHER (1972)YOUNG FRANKENSTEIN (1974)WONDER WOMAN (Series, 1975-79)THE MUPPET MOVIE (1979)HISTORY OF THE WORLD, PART I (1981)TRADING PLACES (1983)THE SIMPSONS (Series, 1989-)TEXASVILLE (1990)THE BEVERLY HILLBILLIES (1993)BEAVIS AND BUTTHEAD DO AMERICA (1996)FAMILY GUY (Series, 1999 -)BAD SANTA (2003)TWO AND A HALF MEN (Series, 2003-2015)THE OFFICE, Episode “Stress Relief” (2009)RAISING HOPE (Series, 2010-14)BOB'S BURGERS (Series, 2011- )THE CROODS (2013)WONDER WOMAN 1984 (2020)THE TRIAL OF THE CHICAGO 7 (2020)MA RAINEY'S BLACK BOTTOM (2020)LINKS:America Lost and Found: The BBS Story (https://www.criterion.com/boxsets/769-america-lost-and-found-the-bbs-story) SOCIAL MEDIATWITTER: @EssentialFilms, @FPMoviePodcast, @Sportsguy515FACEBOOK: facebook.com/TheEssentialFilmsINSTAGRAM: https://www.instagram.com/essentialfilmspodcast

In which we get into a heated debate as to whether Mike Hammer is a good guy or not. Regardless, this movie is a must-see, if you can find it. Ralph Meeker is Mike Hammer, one of the hardest-boiled detectives you'll ever meet. Think a 23-minute egg and you'll get the idea. Also featuring the late and very great Cloris Leachman and directed by Robert Aldrich, whose hits include What Ever Happened to Baby Jane?, Hush...Hush, Sweet Charlotte, The Flight of the Phoenix, The Dirty Dozen, and The Longest Yard.

Palliative Chaplain, Shannon M. Blower, rejoins the hosts for a discussion on the interpretation of sacred texts by groups and individuals who use them to play into political and social agendas. Shannon sheds a light on what "Sin" might actually mean and how to address it for our own mental health. Does God choose the President? Are natural disasters meant to happen? Is Jesus a Browns fan? The opinions on these issues differ. LeJon shares some tunes from one of his favorite indie rock bands, Kiss Me Deadly.See omnystudio.com/listener for privacy information.

Viktor Devonne is back w/ Petra Fried, his partner in Wednesday Nights at Rockbar NYC. Petra is a drag queen who runs a full length cabaret revue as part of Petra Fried Presents. Petra has been featured on Mic.com, Mashable, and Thotyssey, been nominated for nightlife awards (Go Magazine, GLAM), and has won 2 Silver Tusk Awards from White Elephant Burlesque's audience and peers: 2017's Best Mug (makeup/look) and 2018's Chanteuse Supreme (best singer)... topics: drinking in the morning, shots to the stage, The Drowsy Chaperone after party, the Joel Grey tableau, This Club is a Haunted House at the McKittrick Hotel, Sleep No More, Drag Race queens, Roxxxy Andrews, mean people on the internet, How I Met Your Drag Queen at Rockbar, Deep Fried Tart, what are we doing, Millennials, nihilism of today, songs about love, the Joni Mitchell song, return of Saturn*, oil and vinegar, the connectedness of burlesque and drag, Kiss Me Deadly, formative body image, the bodies that we're in, innate abilities, Jenifer Lewis, Seth MacFarlane, "equal opporuntity," Amy Schumer, Rufus Wainwright, pedal pushing fetish, "Why do gay men like ______," and a lot about The Golden Girls... shoutouts: Lewd Alfred Douglas, Little Miss Rollerhoops, Sharon Needles, Emma Story, Heidi Glum, Alexis Michelle, Bob the Drag Queen, Precious Envy, Hazel Tart, Lee VaLone, Switch n' Play, Sasha Velour, Misty Meaner, Chris Harder, Stormy Leather, Holly Ween, Broody Valentino, Jack Barrow, Esmerelda May, Doll Body, ... recorded: February 18, 2018... You can see Petra Fried Presents, with Petra Fried and multiple guests throughout the month, Wednesdays at 7pm at Rockbar - 185 Christopher St in Manhattan. White Elephant Burlesque immediately follows. @petrafriedpresents.. Check out the Mashable article/video: https://mashable.com/2017/11/30/day-job-drag-queen/ ... *footnotes: • sure enough in March of 2018, we in fact cancelled the show twice due to weather... • Viktor totally calls it a "return to Saturn" repeatedly. Whoops... • watch Bea Arthur on Graham Norton here: https://youtu.be/fg3C0VGWRcY?t=5m33s ... • "Ebbtide" means the period between high tide and low tide during which water flows away from the shore, according to the American Heritage Dictionary... • Indeed, Debbie Reynolds plays Truby in "There Goes the Bride" - not to be confused with Trudy, from "From Death Do We Volley," who was played by Ann Francis. • We quote "Just Between Friends," Bea Arthur's one woman show a lot, which is available on CD and digital at Amazon: https://www.amazon.com/Bea-Arthur-Broadway-Between-Friends/dp/B00005YTRL ... intro/outro music: "On A 45" This Way to the Egress (http://www.thiswaytotheegress.com) ... used with permission ... download it at: https://www.amazon.com/This-Delicious-Cabaret-Explicit-Egress/dp/B005D1GROO ... interlude music: "Doobly Doo" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ ... Support us on Patreon at https://www.patreon.com/weburlesque

Craig is drinking whiskey, neat, Ryan claims to have an apology for Julie Andrews, and they both try to prepare you for the darker months with a Noirvember lightning round. It's 10 mins on the clock each for Red Rock West, Devil in the Blue Dress, The Prowler, and Kiss Me Deadly. Smoke if you got 'em.