Podcast appearances and mentions of franchot tone

Rosa de medianoche (Midnight Mary, 1933, EE. UU.), de William A. Wellman, con Loretta Young, Ricardo Cortez y Franchot Tone. Presentación: Manuel Gutiérrez Aragón A la espera de recibir el veredicto de culpabilidad por asesinato, Mary Morton (Loretta Young) rememora los episodios que han forjado su destino. Tras la amoralidad que destila su imagen pública, afloran los matices: la falta de oportunidades y el protagonismo recurrente de la fatalidad, la ayuda de un gangster (Ricardo Cortez) y de un príncipe azul (Franchot Tone), el deseo de vivir con honradez y la imposibilidad de dejar atrás el hampa. Mary Morton es, hasta entonces, el personaje más rico de Loretta Young, que colabora por tercera vez con el director William A. Wellman. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

Jaume Segalés y su equipo hablan de cine clásico y de la obra La Norma. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos: "La Norma", espectáculo de poesía clown En Km0 damos cabida a las Artes Escénicas asiduamente, repasando la cartelera madrileña. Pero hoy vamos a hablar de una obra programada en la Ciudad Condal: "La Norma". Este fin de semana, sábado y domingo (24 y 25 de mayo) a las 20:30 en el Espai Piluso (Carrer de Salvà, 68 bajos – Barcelona), Metro Paral.lel. Jaime, el único personaje en escena, regresa al adorable patio de su abuela en el que pasó su niñez. Recuerda cómo allí los trapos colgaban al sol y el perfume de las flores se mezclaba con el eco de un tango lejano. Busca un adiós que no duela, una despedida que transforme o que modifique la muerte. "La Norma", mediante el universo poético y simbólico del clown, nos invita a acompañar al protagonista en este viaje tan especial. Entrevistamos al encargado de la dramaturgia, Ramiro Sureda Muñoz, que también es el actor que interpreta a Jaime, y a la directora de la obra, Soledad Cardigni. Sección de cine clásico "Es sesión continua" Antolín de la Torre hoy nos habla sobre El hombre de la torre Eiffel (The Man on the Eiffel Tower). Película estadounidense de 1949 dirigida por Burgess Meredith y protagonizada por Charles Laughton, Franchot Tone, Burgess Meredith, Belita y Robert Hutton. La inspectora de policía francesa Maigret investiga la muerte de una acaudalada viuda de París y termina persiguiendo al asesino en las vigas de la Torre Eiffel.

“OLD HOLLYWOOD's TOXIC TRIANGLE” - 5/19/2025 (088) Hollywood in the mid-20th century was a world of glitz and glamour, a realm where dreams could be made or destroyed in an instant. It was an era when the silver screen crafted illusions of romance and perfection, yet behind the scenes, the personal lives of its stars often unraveled into chaos, scandal, and tragedy. Few stories exemplify this dark side of Hollywood better than the volatile love triangle involving actress BARBARA PEYTON and actors FRANCHOT TONE and TOM NEAL. What began as a passionate romance descended into obsession, violence, and ultimate ruin—forever marking the three as cautionary tales of unchecked desire and self-destruction. In this episode, we explore this explosive love triangle and its aftermath. SHOW NOTES:  AVA GARDNER MUSEUM: If you would like to make a donation to help support the Ava Gardner Museum in Smithfield, N.C. (Ava'a hometown!), please click on the following link: https://ava-gardner-museum.myshopify.com/products/donations Sources: Kiss Tomorrow Goodbye: The Barbara Payton Story (2012), by John O'Dowd; I Am Not Ashamed (1963), by Barbara Payton; “Tone, Payton, & Neal: Hollywood's Most Toxic Triangle,” January 29, 2022, by Burt Kearns, legsville.com; “Blazing Blonde Bombshell: Barbara Payton's Boulevard of Broken Dreams,” January 6, 2021, by Hadley Hall Meares, Vanity Fair; “The Bottle and Barbara Payton,” November 16, 2018, Travelanche.com; “Notes From The Unashamed,” May 19, 2016, by Kim Morgan, sunsetgun.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Once More My Darling (1949), starring Robert Montgomery & Ann Blyth; Trapped (1949), starring Lloyd Bridges & Barbara Payton; Kiss Tomorrow Goodbye (1950), starring James Cagney & Barbara Payton;  Dallas (1950), starring Gary Cooper, Ruth Roman, Steve Cochran, & Barbara Payton; Only The Valiant (1951), starring Gregory Peck & Barbara Payton; Dancing Lady (1933), starring Clark Gable, Joan Crawford, & Franchot Tone; Mutiny on the Bounty (1935), starring Clark Gable, Charles Laughton, & Franchot Tone; Detour (1945), starring Tom Neal & Ann Savage; Another Thin Man (1939), starring William Powell & Myrna Loy; Crime, Inc (1945), starring Tom Neal & Martha Tilton; Blonde Alibi (1946), starring Tom Neal & Martha O'Driscoll; I Shot Billy The Kid (1950), starring Don “Red” Barry, Robert Lowery, & Tom Neal; The Great Jesse James Raid (1953), starring Tom Neal & Barbara Payton; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 78 - “FILM NOIR - Part 1 - WHAT IS NOIR?” - 3/10/2025 Have you ever wondered what exactly is film noir? TCM's EDDIE MULLER describes it this way: “Film Noir is all about treachery, deceit, and paranoia. You're never quite sure what is going on, who you can trust, or what dreadful pitfall waits around the corner.” This dark and twisted film genre popped up after WWII as a quiet cynicism began to creep into the national consciousness. In film noir, there is always an underbelly of darkness that comes out to play. And within the darkness, the shadows, and the neon lights, lie many stories of crime, dishonesty, adultery, murder, and mayhem. This week, we present the first in a special three-part series that delves into the darkest of genres where crooked cops, gangsters, torch singers, barflies, and other seedy character's live, love and kill. Join us as we discuss Film Noir!  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Leave Her To Heaven (1945), starring Gene Tierney, Cornell Wilde, & Jeanne Crain; Desert Fury (1947), starring Burt Lancaster & Lizabeth Scott; Niagara (1953), starring Joseph Cotten, Jean Peters, & Marilyn Monroe; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, & Zachary Scott; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, & Ellen Drew; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Strangers On A Train (1951), starring Farley Granger, Robert Walker, & Ruth Roman; The Big Heat (1953), starring Glenn Ford & Gloria Grahame; I Wake Up Screaming (1941), starring Betty Grable, Victor Mature, Carole Landis, & Laird Cregar; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; Phantom Lady (1944), starring Ella Raines, Alan Curtis, & Franchot Tone; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Spiral Staircase (1946), starring Dorothy McGuire, George Brent, & Ethel Barrymore; Suspicion (1941), starring Cary Grant & Joan Fontaine; The Amazing Mr. X (1948), starring Turban Bay, Lynn Bari, Cathy O'Donnell, & Richard Carlson; Two O'Clock Courage (1945), starring Tom Conway & Ann Rutherford; The Letter (1940), starring Bette Davis, Herbert Marshall, & Gale Sondergaard; The Third Man (1949), starring Jospeh Cotten, Orson Welles, & Alida Valle; Kiss Me Deadly (1955), starring Ralph Meeker & Cloris Leachman; The Narrow Margin (1952), starring Charles McGraw, Marie Windsor, & Jacqueline White; The Dark Mirror (1946), starring Olivia de Haviland & Lew Ayres; The Woman In The Window (1944), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; The Lady In The Lake (1947), starring Robert Montgomery & Audrey Totter; The Lady From Shanghai (1947), starring Rita Hayworth & Orson Welles; Night of The Hunter (1955), starring Robert Mitchum, Shelley Winters, & Lillian Gish; The Naked City (1948), starring Howard Duff & Barry Fitzgerald; Pick Up On South Street (1953), starring Richard Widmark, Jean Peters, & Thelma Ritter; ‘ He Walked By Night (1948), starring Richard Basehart, Scott Brady & Jack Webb; Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; The Asphalt Jungle (1950), starring Sterling Hayden & Jean Hagen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

"MARY BETH HUGHES - CLASSIC CINEMA STAR OF THE MONTH" - 3/03/2025 For those of you who don't know the charms of MARY BETH HUGHES, when she was under contract at MGM, she was dubbed "the poor man's LANA TURNER." It was a rather unfair assessment since MGM gave Lana all the plum roles, and Mary Beth got her hand-me-downs. But still, Mary Beth had great comic chops, and no one played bitchy, hard-boiled blondes as well as she. Despite her beauty and talent, she never managed to get out of B-pictures. She did have small parts in great films like The Women (1939) and The Ox-Bow Incident (1942). She played the good girl as often as she played the bad girl, but when she played bad....you were in for a treat. Her pouty lips, snappy dialogue, and petulant attitude lit up many a lackluster production. This week, we celebrate her as our Star of the Month. SHOW NOTES:  Sources: The Official Mary Beth Hughes Website; “Mary Beth Hughes, Born in Alton, Benign Groomed for Stardom in Movies,” January 4, 1939, Alton Evening Telegraph; “Mary Beth Hughes,” October 1971, by T.P. Turton, Films in Review; “Mary Beth Hughes Stars In A New Shampoo,” December 20, 1976, People Magazine; Mary Beth Hughes: She Never Gave Up,” December 2015, by Dave White, Classic Images; “The Look of Mary Beth Hughes,” June 6, 2019, www.grandoldmovies.com; http://www.briansdriveintheater.com/marybethhughes.html Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; The Ox-Bow Incident (1942), starring Henry Fonda, Harry Morgan, Dana Andrews, MBH, & Anthony Quinn; Broadway Serenade (1939), starring Jeanette MacDonald & Lew Ayres; Dancing Co-Ed (1939), starring Lana Turner & Richard Carlson;  These Glamour Girls (1939), starring Lana Turner & Lew Ayres: Fast and Furious (1939), starring Franchot Tone & Ann Sothern; Free, Blonde & 21 (1940), starring Lynn Bari, MBH, & Joan Davis; Star Dust (1940), starring Linda Darnell & John Payne; Four Sons (1940), starring Don Ameche, Alan Curtis, Eugenia Leontivich, & MBH; Lucky Cisco Kid (1940), starring Cesar Romero, Dana Andrews, & MBH; The Great Profile (1940), staring John Barrymore & MBH; Sleepers West (1941), starring Lloyd Nolan & MBH:  Ride on Vaquero (1941), starring Cesar Romero & MBHs; Charlie Chan In Rio (191410, starring Sidney Toler & MBH; Dressed To Kill (1941), starring Lloyd Nolan & MBH; Design For Scandal (1941), starring Rosalind Russell & Walter Pidgeon; The Cowboy and The Blonde (1941), starring MBH & George Montgomery; Blue, White, and Perfect, (1942), starring Lloyd Nolan & MBH; The Night Before The Divorce (1942), starring Lynn Bari, Joseph Allen, & MBH; Orchestra Wives (1942), starring Ann Rutherford & George Montgomery: Over My Dead Body (1942), starring Milton Berle & MBH; Timber Queen (1944), starring Richard Arlen & MBH; Men On Her Mind (1944), starring MBH; I Accuse My Parents, (1944), starring MBH & Robert Lowell; The Lady Confesses (1945), starring MBH & Hugh Beaumont; The Great Flamarion (1945), starring Erich von Stroheim, MBH, & Dan Duryea; Holiday Rhythm (1950), starring MBH & David Street; Young Man With A Horn (1950), starring Kirk Douglas, Lauren Bacall, & Doris Day; Highway Dragnet (1954), starring Richard Conte & Joan Bennett; Loophole (1955), starring Barry Sullivan, Charles MacGraw, & Dorothy Malone; Gun Battle At Monterey (1957), starring Sterling Hayden & MBH; How's Your Love Life? (1971), starring John Agar, Leslie Brooks, Grant Willians, & MBH; The Working Girls (1974), starring Sarah Kennedy, Laurie Rose, & Cassandra Peterson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 59 - "POLITICS: THROUGH THE LENS OF CLASSIC CINEMA" - 10/28/2024 As we all get ready to go to the polls and vote in what might be the most important election of our lives, we wanted to take a look at politics in the films of old Hollywood. This week, we explore the movies that reflected the politics and the issues of the day and left an indelible mark on cinema. From labor wars in New Mexico to a mayor's race in New England to the early years of Abraham Lincoln, join us as we take a look at some great political movies.  SHOW NOTES:  Sources: Hearst Over Hollywood (2002), by Louis Pizzitola; Pictures at A Revolution: Five Movies and the Birth of a New Hollywood (2008), by Mark Harris;  Hollywood's White House (2010), by Peter C. Rollins and John E. O'Connor; The Great Depression on Film (2022), by David Luhrssen;   “The Best Man Took On Cutthroat Campaigning,” August 21, 2024, The Hollywood Reporter; “How Blacklisted Hollywood Artists Joined Forces to Make a Truly Subversive film,” June 6, 2024, forward.com; “Subversives: Salt of the Earth,” UCTV TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Gabriel Over the White House (1933), starring Walter Huston, Karen Morely, Franchot Tone, Dickie Moore, David Landau, Arthur Byron, Jean Parker, and C. Henry Gordon; Salt of the Earth (1954), starring Juan Chacón, Rosaura Revueltas, Mervin Williams, Henrietta Williams, and Virginia Jencks; The Great McGinty (1940), starring Brian Donlevy, Muriel Angelus, Akim Tamiroff, William Demarest, Allyn Joslyn, Louis Jean Heydt, Thurston Hall, Jimmy Conlin, and Arthur Hoyt; The Best Man (1964), starring Henry Fonda, Cliff Robertson, Edie Adams, Margaret Leighton, Ann Sothern, Lee Tracy, Shelley Berman, Kevin McCarthy, and Gene Raymond; The Last Hurrah (1958), starring Spencer Tracy, Jeffery Hunter, Dianne Foster, Pat O'Brien, Basil Rathbone, Donald Crisp, James Gleason, John Carradine, Willis Bouchey, Ricardo Cortez, Ken Curtis, Frank Albertson, Anna Lee, and Jane Darwell; The Parallax View (1974), starring Warren Beatty, Paula Prentiss, William Daniels, Walter McGinn, and Hume Cronyn; Three Days of the Condor (1975), starring Robert Redford, Faye Dunaway, Cliff Robertson, Max von Sydow, John Houseman, Addison Powell, Tina Chen, Walter McGinn, Michael Kane, Carlin Glynn, and Hank Garrett; Abe Lincoln in Illinois (1940), starring Raymond Massey, Ruth Gordon, Gene Lockhart, Mary Howard, Minor Watson, Howard Da Silva, and Alan Baxter; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

A film made at the height of Joan Crawford's bank-ability at MGM, SADIE McKEE (1934) is a quintessential Crawford tale of social climbing, dancing, and a working girl who makes good. SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

Immerse yourself in the opulent yet tragic world of Edith Wharton's "The House of Mirth," brought to you by Vintage Classic Radio's "Sunday Night Playhouse." This captivating radio adaptation, originally presented by The Theater Guild on the Air and sponsored by US Steel, first graced the Broadway stage at the Guild Theatre on December 14, 1952. This week, journey back in time to explore the rise and fall of Lily Bart, a woman caught in the whirlwind of New York's high society at the turn of the century. As Lily navigates through social scandals and financial precarity, her pursuit of happiness leads to unforeseen consequences. This production features a stellar cast including Joan Fontaine delivering a poignant performance as Lily Bart, Sidney Greenstreet's commanding presence as Gus Trenor, and Martha Sleeper's compelling portrayal of Judy Trenor. Franchot Tone joins as Laurence Selden, adding depth and nuance to this complex tale. Also featuring Anne Revere as Bertha Dorset, each member of the cast adds emotional gravity to this classic drama. Tune in to Vintage Classic Radio this Sunday evening to experience the poignant elegance and dramatic intricacies of "The House of Mirth."

This week the docs take a brief jaunt OUT of Los Angeles to the sunny and gorgeous sands of Hollywood's Desert Playground - aka  Palm Springs. Although a year round destination for relaxation and glamour, there are dark aspects among the glittering sapphire pools of the Oasis of the Desert's past. After all, a place with golden age ties to Hollywood is bound to have some sordid stories to tell - case in point: the tumultuous life of Tom Neal, a promising Hollywood actor in the late 1930s, groomed to be the next Clark Gable. Neal's career, however, was overshadowed by scandalous affairs and headline-grabbing incidents that eventually derailed his success. Despite a brief resurgence as a leading man in the 1940s, his off-screen behavior, including a notorious altercation with actor Franchot Tone, led to his downfall. By the 1950s, Neal struggled to find work, relegated to minor roles on local soap operas, where he continued to clash with colleagues. Despite several attempts to reinvent himself over the years, his desperation and addiction led to business failures, scandal and a brutal murder.CrimeCon UK September 2024: Tickets Berkshire Podcast Festival October 2024: Tickets Join our Patreon family! You can find all of our resources on our website: https://www.la-not-so-confidential.com/  L.A. Not So Confidential is proud to be part of the Crawlspace Media Network

Tonight on "Friday Night Noir" on Vintage Classic Radio, we bring you a captivating episode from the "Lux Radio Theatre," titled "Dark Waters." Originally broadcast on November 27th, 1944, this thrilling noir drama stars the enchanting Merle Oberon in a tale of suspense and mystery. Set in the eerie backwaters of the Louisiana bayous, "Dark Waters" follows the story of Leslie Calvin, a woman who barely survives a U-boat attack, only to find herself entangled in a web of lies and danger at her aunt's plantation home. Struggling with her traumatized memories and surrounded by strangers she cannot trust, Leslie must uncover the sinister secrets lurking beneath the surface before it's too late. Alongside Merle Oberon, the episode features a stellar cast including Thomas Mitchell as the benevolent but mysterious Mr. Sydney, and Franchot Tone as the charming Dr. George Grover who becomes Leslie's ally in her quest for truth. Join us for an evening of dark twists and turns in "Dark Waters," right here on Vintage Classic Radio.

Harvey Brownstone conducts an in-depth interview with Bill Mumy, Renowned Actor, Musician, Writer and Author, “Danger, Will Robinson: The Full Mumy, A Memoir” About Harvey's guest: Today's special guest, Bill Mumy, is an actor, musician and writer, who's been entertaining the world since he was 5 years old.   In fact, he was by far the most successful, recognizable and popular child star in the 60's and 70's.  He appeared in dozens of TV shows including “The Adventures of Ozzie and Harriet”, “Bewitched”, “The Twilight Zone”, “Alfred Hitchcock Presents”, “The Fugitive”, and many more.    But he's best remembered for playing “Will Robinson” on the iconic, classic TV series, “Lost in Space”, which holds a permanent place in pop culture history.   He starred in 4 Disney movies and appeared in many other films including “A Child is Waiting”, “Dear Brigitte”, “Palm Springs Weekend”,  and “Bless the Beasts & Children”.  In fact – and this is really jaw-dropping – this man worked with more legendary superstars by the time he hit puberty, than most A-list actors ever do in their entire lives.  He worked with everyone from Red Skelton, Loretta Young, Franchot Tone, June Allyson, to Bob Hope, Lucille Ball, Judy Garland, Gene Kelly, Jackie Gleason – and yes, even Brigitte Bardot.   And get this:  in a highly publicized interview, Jimmy Stewart said that our guest was the ONLY child actor he'd EVER worked with who was worth a damn.  What a compliment!   As an adult, he's appeared in many movies like “Papillon”, “Sunshine”, “The Twilight Zone movie”, “Double Trouble”, “Hard to Hold”, and the 1st “Captain America” feature film.  And on TV, he's appeared in “The Rockford Files”, “Star Trek: Deep Space 9”, “The Adventures of Superboy”, ”Matlock”, “Diagnosis Murder”, and he played “Lennier” for 5 seasons on “Babylon 5”.    And of course, EVERY “Lost in Space” fan was OVERJOYED to see him appear as “the real Dr. Smith” in the 2018 Netflix reboot of “Lost in Space”.    Throughout his life, he's been a highly accomplished and popular musician, both as a solo artist AND as a member of several bands, including “Redwood”, “The Generators”, “Action Skulls” and “Barnes & Barnes”, whose song, “Fish Heads” became a worldwide hit.  He's released over a dozen albums.  And he got an Emmy nomination for Outstanding Achievement in Music Direction and Composition.    Besides being an actor and musician, he's had a prolific voiceover career, and he narrated over 50 episodes of A & E Biography.  He was even the voice of Farmers Insurance for 11 years.  He's created and written numerous comic books, screenplays and novels.  And for 4 years, he produced, wrote and hosted his own weekly radio show.    And now, FINALLY, he's released his highly anticipated memoir entitled, “Danger, Will Robinson: The Full Mumy: A Memoir”, which gives us a very insightful, honest and entertaining look not only at his multi-faceted career, but more importantly, we get to know him as a son, grandson, husband, father, grandfather and human being. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Bill Mumy, go to:http://www.billmumy.com/https://www.facebook.com/bill.mumy/https://www.instagram.com/officialbillmumy/https://music.apple.com/ca/artist/bill-mumy/122971703 #billmumy   #harveybrownstoneinterviews

This week I look at the 1933 film Bombshell. This classic was directed by Victor Fleming and stars Jean Harlow, Lee Tracy, Frank Morgan, Franchot Tone, Pat O'Brien, Una Merkel, and Ted Healy. This movie also gives me an excuse to talk about one of the defining figures of the pre-Code era, the one and only Jean Harlow. Please join me.  You can email me at daysofcelluloid@gmail.com

Book Vs. Movie: 12 Angry MenThe 1954 Teleplay Vs. the 1957 Classic FilmThe Margos close out a month of theatre vs. films with 12 Angry Men, which began as a teleplay in 1954 and was adapted to film by Sidney Lumet, with Henry Fonda serving as the lead actor and producer of the 1957 movie. The story centers on a young man who is accused of stabbing his father to death, and a group of 12 jurors must decide if he is guilty of premeditated murder, which carries a death sentence. Writer Reginald Rose came up with the idea while serving jury duty in New York City and found the process “solemn” and “impressive.” The first airing on Studio One was September 20, 1954, with stars Robert Cummings, Franchot Tone, George Veskovec, Joseph Sweeney, and Norman Fell. Rose won an Emmy Award for his screenplay. Henry Fonda produced the wok in 1957 with Sidney Lumet, and the low-budget affair failed to make a profit. Until he died in 1982, Fonda never received any money for his work or performance. But he rightly considered it one of his best. The film stars some of the best character actors of the time and earned multiple Academy Award nominations (Best Picture, Best Director, and Best Adapted Screenplay) but competed in the same year as The Bridge on the River Kwai, which swept all of the major awards in 1957. In this episode, the Margos discuss the significant differences between the teleplay and the movie and try to decide which we like better. In this ep the Margos discuss:The backstory of the original TV productionThe strict demands of filming on one setThe case being tried and how it is picked apartThe cast: Martin Balsam (Juror 1,) John Fielder (Juror 2,) Lee J Cobb (Juror 3,) E.G. Marshall (Juror 4,) Jack Klugman (Juror 5,) Edward Binne (Juror 6,) Jack Warden (Juror 7,) Henry Fonda (Juror 8,) Joseph Sweeney (Juror 9,) Ed Begley (Juror 10,) George Voskovek, (Juror 11,) and Robert Webber as Juror 12.Clips used:The first count12 Angry Men 1957 trailer The knife sceneKids these daysThese daysMusic by Kenyon HopkinsBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: 12 Angry MenThe 1954 Teleplay Vs. the 1957 Classic FilmThe Margos close out a month of theatre vs. films with 12 Angry Men, which began as a teleplay in 1954 and was adapted to film by Sidney Lumet, with Henry Fonda serving as the lead actor and producer of the 1957 movie. The story centers on a young man who is accused of stabbing his father to death, and a group of 12 jurors must decide if he is guilty of premeditated murder, which carries a death sentence. Writer Reginald Rose came up with the idea while serving jury duty in New York City and found the process “solemn” and “impressive.” The first airing on Studio One was September 20, 1954, with stars Robert Cummings, Franchot Tone, George Veskovec, Joseph Sweeney, and Norman Fell. Rose won an Emmy Award for his screenplay. Henry Fonda produced the wok in 1957 with Sidney Lumet, and the low-budget affair failed to make a profit. Until he died in 1982, Fonda never received any money for his work or performance. But he rightly considered it one of his best. The film stars some of the best character actors of the time and earned multiple Academy Award nominations (Best Picture, Best Director, and Best Adapted Screenplay) but competed in the same year as The Bridge on the River Kwai, which swept all of the major awards in 1957. In this episode, the Margos discuss the significant differences between the teleplay and the movie and try to decide which we like better. In this ep the Margos discuss:The backstory of the original TV productionThe strict demands of filming on one setThe case being tried and how it is picked apartThe cast: Martin Balsam (Juror 1,) John Fielder (Juror 2,) Lee J Cobb (Juror 3,) E.G. Marshall (Juror 4,) Jack Klugman (Juror 5,) Edward Binne (Juror 6,) Jack Warden (Juror 7,) Henry Fonda (Juror 8,) Joseph Sweeney (Juror 9,) Ed Begley (Juror 10,) George Voskovek, (Juror 11,) and Robert Webber as Juror 12.Clips used:The first count12 Angry Men 1957 trailer The knife sceneKids these daysThese daysMusic by Kenyon HopkinsBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

The Lux Radio Theatre | Chained. This episode aired, July 27, 1936. Starring: Joan Crawford, Franchot ToneThe story is based on the 1934 MGM film. Plot: Diane Lovering is the indispensable secretary of a middle-aged, but attractive steamship magnet called Richard Fields. He is deeply in love with her, but is already married. His wife has now found out that he is having an affair. She has refused to give him a divorce so Richard has booked Diane on a steamship to Buenes Aires for a short holiday, promising that everything will be fine when she returns.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Thank you to one of our Patreon members for recommending “Bombshell” 1933 for this podcast. Director Victor Fleming has created a fast-paced comedy. Among Mr. Fleming's many successes are “The Wizard of Oz” 1939 (Episode 144) and “Gone with the Wind” 1939.The talented Jean Harlow plays Lola Burns. Lola is “fed up” with the never-ending stories orchestrated in the press by Publicist E. J. “Space” Hanlon played by Lee Tracy. Lola's father played by Frank Morgan and her brother played by Ted Healy create chaotic situations made more unpredictable by those large shaggy dogs engulfing Lola and her entourage. Then mix in Franchot Tone as the wealthy and romantic Gifford Middleton to maybe carry Lola away from this wildness. All this adds to our enjoyment of the movie. Madcap fun indeed!Here's the IMDB page for “Bombshell”Up next is “King Solomon's Mines”Support us over on Patreon!

Lux Radio Theater "Chained" July 27, 1936 CBS Starring Joan Crawford and Franchot Tone

Book Vs. Movie “Musicals in March” The 1931 Play Green Grow the Lilacs Vs the 1955 Musical Oklahoma!It's “Musicals in March” time here at Book Vs Movie The Margos are very excited to start our annual look at famous musicals and the inspiration for them. This episode is dedicated to one of the most successful Broadway shows of all time and the play Green Grow the Lilacs (1931) written by Oklahoma native Lynn Riggs. Riggs came up with the story of Oklahomans Curly, Laurey, and Ado Annie who live in a part of the world that will change dramatically in just a few short years. (Oklahoma became a state in 1907.) Curly is a cowboy (portrayed on Broadway by Franchot Tone) who is in love with Laurey Williams (June Walker) and the path to their relationship takes twists and turns. In this production, which takes place in 1900, American folk songs are used and sung by Tex Ritter on stage. Soon-to-be revered acting teacher Lee Strasberg played a Syrian “peddler” and just as in the musical, Curley is on trial for accidentally killing a farmhand (here his name is Jeeter.) In the early 1940s, Richard Rogers and Oscar Hammerstein took the original play and infused it with more romance, intrigue, dance, ballet, and some of the most memorable songs in Broadway history. When Oklahoma! originally opened on Broadway (March 31, 1943), it became a massive hit that ran for over 2200 performances and won a special Pulitzer Prize in 1944. Some of the actors who played in the original show include John Raitt, Florence Henderson, Alfred Molina, Celeste Holmes, and Jamie Farr. The story is funnier and more robust than the play and the history-making ballet sequence left people breathless. The 15-minuter performance was choreographed by Agnes de Mille (her first Broadway gig!) and represented the desire Laurey has between Curley and Jud Fry. After running for five years and several revivals for the last 80 years, the funny thing about Oklahoma!--because the TONY Awards did not exist until 1947, it never won any major theatrical awards for the original run. The 1955 film stars Shirley Jones, Gordon McRae, Rod Steiger, and Gloria Grahame and was directed by Fred Zinnemann in 70-mm widescreen (available on Disney+) with most of the outdoor shooting taking place in Arizona. It would go on to become a classic with several Academy Award nominations and was inducted into the National Film Registry in 2007. So, between the original play and the musical adaptation--which did we prefer? In this ep the Margos discuss:The story behind the original play and the theater world of the 1930s The impact on the culture of the musical in the 1940sThe differences between the film and stageStarring: Gordon MacRae (Curly McLain,) Shirley Jones (Laurey Willaims,) Gene Nelson (Will Parker,) Gloria Grahame (Ado Anni Cames,) Charlotte Greenwood (Aunt Eller,) Rod Steiger (Jud Fry,) Eddie Albert (Ali Hakim,) James Whitmore (Andrew Carnes,) and Barbara Lawrence as Gertie Cummings. Clips used:Oklahoma! themeOklahoma! original trailer“The Persian Goodbye” “Kansas City” Curley kisses LaureyAli Stroker “I'm Just a Girl Who Can't Say No” (2019 TONY Music by Richard RogersBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie “Musicals in March” The 1931 Play Green Grow the Lilacs Vs the 1955 Musical Oklahoma!It's “Musicals in March” time here at Book Vs Movie The Margos are very excited to start our annual look at famous musicals and the inspiration for them. This episode is dedicated to one of the most successful Broadway shows of all time and the play Green Grow the Lilacs (1931) written by Oklahoma native Lynn Riggs. Riggs came up with the story of Oklahomans Curly, Laurey, and Ado Annie who live in a part of the world that will change dramatically in just a few short years. (Oklahoma became a state in 1907.) Curly is a cowboy (portrayed on Broadway by Franchot Tone) who is in love with Laurey Williams (June Walker) and the path to their relationship takes twists and turns. In this production, which takes place in 1900, American folk songs are used and sung by Tex Ritter on stage. Soon-to-be revered acting teacher Lee Strasberg played a Syrian “peddler” and just as in the musical, Curley is on trial for accidentally killing a farmhand (here his name is Jeeter.) In the early 1940s, Richard Rogers and Oscar Hammerstein took the original play and infused it with more romance, intrigue, dance, ballet, and some of the most memorable songs in Broadway history. When Oklahoma! originally opened on Broadway (March 31, 1943), it became a massive hit that ran for over 2200 performances and won a special Pulitzer Prize in 1944. Some of the actors who played in the original show include John Raitt, Florence Henderson, Alfred Molina, Celeste Holmes, and Jamie Farr. The story is funnier and more robust than the play and the history-making ballet sequence left people breathless. The 15-minuter performance was choreographed by Agnes de Mille (her first Broadway gig!) and represented the desire Laurey has between Curley and Jud Fry. After running for five years and several revivals for the last 80 years, the funny thing about Oklahoma!--because the TONY Awards did not exist until 1947, it never won any major theatrical awards for the original run. The 1955 film stars Shirley Jones, Gordon McRae, Rod Steiger, and Gloria Grahame and was directed by Fred Zinnemann in 70-mm widescreen (available on Disney+) with most of the outdoor shooting taking place in Arizona. It would go on to become a classic with several Academy Award nominations and was inducted into the National Film Registry in 2007. So, between the original play and the musical adaptation--which did we prefer? In this ep the Margos discuss:The story behind the original play and the theater world of the 1930s The impact on the culture of the musical in the 1940sThe differences between the film and stageStarring: Gordon MacRae (Curly McLain,) Shirley Jones (Laurey Willaims,) Gene Nelson (Will Parker,) Gloria Grahame (Ado Anni Cames,) Charlotte Greenwood (Aunt Eller,) Rod Steiger (Jud Fry,) Eddie Albert (Ali Hakim,) James Whitmore (Andrew Carnes,) and Barbara Lawrence as Gertie Cummings. Clips used:Oklahoma! themeOklahoma! original trailer“The Persian Goodbye” “Kansas City” Curley kisses LaureyAli Stroker “I'm Just a Girl Who Can't Say No” (2019 TONY Music by Richard RogersBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Who’s that lady? This is what Alan Curtis and Ella Raines need to know. Alan is accused of murdering his wife, but he says he has a perfect alibi - he was spending the evening with a stranger at the time of the murder. Ella is determined to prove his innocence, and goes to great lengths to do so. Franchot Tone is along to help solve the mystery as well. It’s directed by Robert Siodmak and produced by Hitchcock collaborator, Joan Harrison. Shelly Brisbin with Erika Ensign, Nathan Alderman and David J. Loehr.

Who’s that lady? This is what Alan Curtis and Ella Raines need to know. Alan is accused of murdering his wife, but he says he has a perfect alibi - he was spending the evening with a stranger at the time of the murder. Ella is determined to prove his innocence, and goes to great lengths to do so. Franchot Tone is along to help solve the mystery as well. It’s directed by Robert Siodmak and produced by Hitchcock collaborator, Joan Harrison. Host Shelly Brisbin with Erika Ensign, Nathan Alderman and David J. Loehr.

In this episode, Jack goes all the way back to 1935 where he revisits the Best Picture winner of that year as well as the top box office smash hit, Mutiny on the Bounty.  The star power of the three leads is undeniable: Clark Gable, Charles Laughton, and Franchot Tone.  The exciting film full of action, drama, and adventure pleased audiences to no end. However, does it hold up today? Jack delves deep into the story, acting, and technical aspects of the film and compares it to all the other notable movies that came out that year to decide if it deserves his Rewatch Oscar of 1935.   SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioStitcherPodchaserPodcast AddictRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, InstagramShare your thoughts and suggestions with us through:Facebook Messanger or emailing us atjack@rewatchingoscar.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic Trailers

Welcome to It's A Wonderful Podcast!! Taking it back to the theatrical movie spectacle of the 1930s this week as Morgan and Jeannine talk not only a Best Picture winner, but the movie responsible for the introduction of the Best Supporting Acting Oscar categories; MUTINY ON THE BOUNTY (1935) starring Clark Gable, Charles Laughton (*obviously) and Franchot Tone!! The dramatic re-telling of historical events is the perfect kind of old Hollywood adventure!! It's also a week to bring in another instalment of "DejaView" where they compare this movie to its 1984 remake, The Bounty, starring Mel Gibson & Anthony Hopkins!! The It's A Wonderful Podcast Theme by David B. Music. Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST SHIRTS: https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Encore Theater, originally broadcast July 30, 1946, 75 years ago, Dark Victory starring Susan Peters and Franchot Tone. Will a dying socialite be saved by a loving brain surgeon?

The Best Picture breakdown by Worthy hosts, Ben Smith and Jon Roberts, take the high seas in this episode to explore the 8th Academy Awards and 8th Best Picture winner “Mutiny On The Bounty”. This Frank Lloyd directed epic tells the notorious tale of Captain Bligh (Charles Laughton) and the crew that abandoned him. The film also starred Clark Gable as the leader of the mutinous crew, Fletcher Christian. It also stars Franchot Tone, Herbert Mundin, Eddie Quillan, Dudley Diggs and Donald Crisp.   The film’s impressive production and design was led by legendary MGM producer, Irving Thalberg. This week’s episode dives into the appeal of villains like Captain Bligh, the expanding nature of big Hollywood productions and how the Academy Awards continues to change through the early stages.   If you like this episode and the show, please leave a review! It really does help us. Give us a follow on Instagram at WorthyPodcast and on Twitter @WorthyPod. Subscribe on Spotify, iTunes, or wherever you may get your podcasts!

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 75: Mutiny on the Bounty (1935) Released 2 December 2020 For this episode, we watched Mutiny on the Bounty, written by Talbot Jennings, Jules Furthman and Carey Wilson based on the novel by Charles Nordhoff and James Norman Hall. It was directed by Frank Lloyd and starred Charles Laughton, Clark Gable and Franchot Tone (all nominated). It was also nominated for its screenplay, its music, its editing and Lloyd as Best Director but Best Picture was its only win, making it the third and most recent Best Picture winner to win no other Oscars. Variety Speak. https://youtu.be/egpWCC2svVo Next time we will be discussing The Hurt Locker. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anna Smith, Anne Dellamaria, Annmarie Gray, Ben Squires, Blanaid O’Regan, Brad Morrison, Caroline Moyes Matheou, Catherine Jewkes, Charlotte, Claire Carr, Claire Creighton, Daina Aspin, Darren Williams, Dave Kloc, David Hanneford, Drew Milloy, Elis Bebb, Elizabeth McCollum, Eloise Lowe, Elspeth Reay, Emmet Jackson, Esther de Lange, Flora, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, James Murray, Jane Coulson, Jess McGinn, Jo B, Joanne Hayden, Johanna Commins, Jonquil Coy, Joy Wilkinson, Juan Ageitos, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kelli Prime, Kirsten Marie Oeveraas, Laura Lundy, Lawson Howling, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Martin Korshøj Petersen, Matheus Mocelin Carvalho, Michael Thomas, Michael Walker, Michael Wilson, Ms Rebecca K O’Dwyer, nötnflötn, Nick Hetherington, Olivia, Peter, Rachel Foster, Richard Ewart, Richard Puttick, Robert Kidwell, Robert Orzalli, Rohan Newton, Ruth, Sally Grant, Sam Elliott, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Vedhas Hirwe, Zarah Daniel.

Support Classic Movie Musts and get access to our Patreon exclusive podcasts, Classic Movie Musts: Double Feature and Max's Movie Musts, over at patreon.com/classicmoviemusts   In this episode we discuss themes of tyranny in Frank Lloyd's, Mutiny On The Bounty (1935), starring Clark Gable, Charles Laughton, and Franchot Tone. Timestamps: Opening Credits: 1:26 Feature Presentation: 6:39 Buzz from the Backlot: 29:42 Ending Credits: 32:59

"Phantom Lady" starring Ella Raines, Alan Curtis, Thomas Gomez, Aurora Miranda and Franchot Tone. Ella Raines stars as the plucky assistant to Alan Curtis who is wrongfully convicted of murdering his wife. She’s on the hunt to find a woman who can prove his innocence with the only lead being her unique hat.Director: Robert SiodmakCostume Designer: Vera WestHat Designer: Keneth HopkinsStudio: Universal PictureYear: 1944

We watched the 8th Academy Award winner, Mutiny on the Bounty, a historical drama based on a book based on real events from a long time ago. Maggie drops some 18th century British naval history, and Ian points out some the problematic aspects of the movies romantic subplots. Also, they're starting the hashtag #LaughtonGotRobbed, so like, get on that. Follow us on instagram and twitter @bestpicturespod or send us an email at bestpicturespodcast@gmail.com

On this episode, we are discussing the eighth Best Picture Winner: “Mutiny on the Bounty.” “Mutiny on the Bounty” follows William Bligh, the cruel captain of the HMS Bounty, a ship bound for Tahiti. When the crew-members finally tire of his abuse, Fletcher Christian leads a mutiny, resulting in Bligh's unceremonious removal from the ship. While Christian and the remaining crew sail on to Tahiti, Bligh becomes intent on exacting revenge, and he targets Roger Byam, a sailor who had actually tried to stop the mutiny. Directed by Frank Lloyd, the film stars Charles Laughton as Captain William Bligh, Clark Gable as Fletcher Christian, and Franchot Tone as Roger Byam. Here on The Envelope, we discuss & review every Best Picture Winner in the Academy Awards History. We are a Cinema Squad Production, presented on the Cinema Squad Podcast Channel. You can reach anyone here at TheCinemaSquad.com – Just go there to email us, check our bios, and keep up with the latest episode.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 75: Mutiny on the Bounty (1935) Released 2 December 2020 For this episode, we watched Mutiny on the Bounty, written by Talbot Jennings, Jules Furthman and Carey Wilson based on the novel by Charles Nordhoff and James Norman Hall. It was directed by Frank Lloyd and starred Charles Laughton, Clark Gable and Franchot Tone (all nominated). It was also nominated for its screenplay, its music, its editing and Lloyd as Best Director but Best Picture was its only win, making it the third and most recent Best Picture winner to win no other Oscars. Variety Speak. https://youtu.be/egpWCC2svVo Next time we will be discussing The Hurt Locker. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anna Smith, Anne Dellamaria, Annmarie Gray, Ben Squires, Blanaid O'Regan, Brad Morrison, Caroline Moyes Matheou, Catherine Jewkes, Charlotte, Claire Carr, Claire Creighton, Daina Aspin, Darren Williams, Dave Kloc, David Hanneford, Drew Milloy, Elis Bebb, Elizabeth McCollum, Eloise Lowe, Elspeth Reay, Emmet Jackson, Esther de Lange, Flora, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, James Murray, Jane Coulson, Jess McGinn, Jo B, Joanne Hayden, Johanna Commins, Jonquil Coy, Joy Wilkinson, Juan Ageitos, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katy Espie, Kelli Prime, Kirsten Marie Oeveraas, Laura Lundy, Lawson Howling, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Martin Korshøj Petersen, Matheus Mocelin Carvalho, Michael Thomas, Michael Walker, Michael Wilson, Ms Rebecca K O'Dwyer, nötnflötn, Nick Hetherington, Olivia, Peter, Rachel Foster, Richard Ewart, Richard Puttick, Robert Kidwell, Robert Orzalli, Rohan Newton, Ruth, Sally Grant, Sam Elliott, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Vedhas Hirwe, Zarah Daniel.

In our Joan Crawford series, we talked about Barbara Payton as the young, troubled third wife of Crawford’s ex Franchot Tone, whose inability to choose between Tone and another actor brought all three of them down into tabloid Hell. Today, we revisit Payton’s story, and expand it, to explore her rise to quasi-fame, and the slippery slope that reduced her from “most likely to succeed” to informal prostitution, to formal prostitution, and finally to a way-too-early grave.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

By the mid-1930s, Joan Crawford was very, very famous, and negotiating both an affair with Clark Gable (her most frequent co-star and the only male star of her stature), and a new marriage to Franchot Tone, who, like Joan’s first husband, was an actor who was not quite on her level of stardom. Crawford’s marriage to Tone would span the back half of the decade, as Crawford’s stardom peaked, and then began its first decline. Today we’ll talk about that, and then we’ll tell a story about what happened to Franchot Tone after Joan Crawford - particularly, the strange love triangle he entered into in the 1950s, with the gorgeous but self-destructive starlet Barbara Payton at its center. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mutiny on the Bounty is the true story of the falling out between Fletcher Christian and Captain Bligh, a falling out with disasterous results that resulted in many men fleeing England and many other without heads.  Frank Lloyd's 1935 epic was the third rendition for the big screen and was produced by MGM for a whopping record-breaking $2 million. A testament to the production values of one of Hollywood's golden ages, Mutiny on the Bounty went on to win an Academy Award for Best Picture, and was nominated for seven others: Clark Gable, Charles Laughton, and Franchot Tone were all nominated for Best Actor, and the picture was also nominted for Best Director, Best Adapted Screenplay, Best Music, and Best Film Editing. Email the host with questions or comment at 1001moviespodcast@gmail.com, follow him on Twitter via @1001moviesPC, and also look for the podcast on Facebook.

The Lux Radio Theatre. July 27, 1936. "Chained". Sponsored by: Lux. The story is based on the 1934 MGM film. Cecil B. DeMille (host), Joan Crawford, Franchot Tone, Gilbert Emery, Wally Maher, Lou Merrill (doubles), Frank Nelson (quadruples), Margaret Seddon, Leora Thatcher, Walter Soderling (doubles), Rosemary De Camp (performer, commercial spokesman), Helen Burgess (intermission guest; actress for Paramount pictures, who would die the following year), Lauretta Puck (performer, commercial spokesman), Henry Hanna, Oliver Hinsdell (intermission guest, MGM dramatic coach), John Lee Mahin (screen writer), Edgar Selwyn (author), Louis Silvers (music director), Melville Ruick (announcer), Frank Woodruff (director), Charlie Forsyth (sound effects). oldtimeradiodvd.com

The Lux Radio Theatre. July 27, 1936. The story is based on the 1934 MGM film. Cecil B. DeMille (host), Joan Crawford, Franchot Tone, Gilbert Emery, Wally Maher, Lou Merrill (doubles), Frank Nelson (quadruples), Margaret Seddon, Leora Thatcher, Walter Soderling (doubles), Rosemary De Camp audiblepodcast.com/rnn 1 Free Audiobook  oldtimeradionetwork.com   oldtimeradiodvd.com Great Deals on DVDs

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.THIS EPISODE:May 17, 1945. Mutual network. "Mr. Ten-Percent". Sustaining. A good story about a Hollywood agent who finally finds a movie star to manage...and how he contributed $1 million dollars to the war effort! Mary Jane Croft, Bob Bailey, Earle Ross, Harry Lang, Everett Allen, Arch Oboler (writer), Bruce Elliott, Roseanne Murray, Evelyn Scott. 1/2 hour.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: July 29, 1939. NBC network. "Another World". Sustaining. An eerie story about a woman's battle with the voice inside her...trying to take over her body! The story is also known as, "The Voice Within Me." Arch Oboler, Arnold Moss, Betty Garde, Frank Lovejoy, Gilbert Mack, Hester Sondergaard, John Brown. 29:28.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: June 7, 1945. Mutual network. "Night". Sustaining. An excellent, beautiful radio montage in the central theme of "night." Arch Oboler, Barney James, Bruce Elliott (narrator), David Raxon and His Orchestra, Dorothy Scott, Edmond MacDonald, Everett Allen, Frank Martin (announcer), Gloria Blondell, Griff Barnett (Swan Soap commercial), Joseph Granby, Roseanne Murray, Theodore Von Eltz, Therese Lyon. 1/2 hour.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.THIS EPISODE:April 26, 1945. Mutual network. "The House I Live In". Sustaining. A man's son is in a Japanese prison camp, and the neighborhood doesn't seem the same. Program #3 of a series of twenty six. Arch Oboler (writer, host), Raymond Massey, Mercedes McCambridge, Hester Sondergaard, Ann Shephard, Alfred Ryder, Sylvan Levin (conductor). 1/2 hour.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.THIS EPISODE:June 21, 1945. Mutual network. "The Naked Mountain". Sustaining. A melodrama about two Spanish war orphans who sabotage the jeep being driven by an American officer. "Good" propaganda for Spanish War Relief. Arch Oboler (writer, producer, director, narrator), Franchot Tone, Lurene Tuttle, Tommy Cook, Joel Davis. 1/2 hour.

Arch Oboler (December 7, 1909 - March 19, 1987) was a Chicago-born scriptwriter, novelist, producer and director who was active in films, radio and television. boler generated much attention for his radio scripts, and his work in radio remains the outstanding period of his career. Although some noted a tendency for gruesomeness, he received praise as one of broadcasting's top talents, and he is regarded today as one of the innovators of old time radio.Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Ingrid Bergman, Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Ingrid Bergman, Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast 

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast