Podcast appearances and mentions of Susan Howe

This week's guest on The PR Week is Susan Howe, CEO of The Weber Shandwick Collective. She talks about her first six months as Weber's chief executive after succeeding Gail Heimann, as well as her firm's award-winning bowl-game work for Pop-Tarts and the adjustment to another hectic Trump-driven news cycle. Plus, the biggest marketing and communications news of the week, including President Donald Trump's speech to Congress, financial results from Edelman and Stagwell and Finn Partners' latest acquisition.  Upcoming events!PR pros, it's time to build the future! Join PRDecoded: Comms at a Crossroads on February 4, 2025, at Convene, 237 Park Ave, NYC.Dive into the hottest trends—The White House, employee engagement, State of Mind Marketing, PE & PR, DE&I, stakeholder capitalism—and connect with industry leaders shaping what's next.Don't miss this chance to elevate your impact. Visit PRDecoded.com to register now!PRDecoded: Comms at a Crossroads. Healthcare PR pros, don't miss the PRWeek Healthcare Conference on February 4, 2025, at Convene, 237 Park Ave, NYC.Dive into health under the new administration, health equity, the latest for GLP-1s, industry innovation and best practice shaping healthcare comms. Register now at prweekushealthcare.com Follow us: @PRWeekUSReceive the latest industry news, insights, and special reports. Start Your Free 1-Month Trial Subscription To PRWeek

Humans have been throwing each other out of windows pretty much as long as humans have had windows more than one story or so off the ground, but only Prague is famous for them. Two of them actually led to wars, even. We are very happy to tell you about the famous defenestrations, wherin all sorts of officials got thrown out of windows, and Michelle is happy to tell you about the tourist trade. Oh, and also Susan Howe's poem "Defenestration of Prague," which is, of course, about Ireland. Because metaphors. 

The latest guest on The PR Week podcast is none other than Weber Shandwick Collective CEO Gail Heimann. Heimann made news of her own this week when Weber announced she will step down in November, to be replaced by agency president Susan Howe. Why is this fall the right time for a leadership transition? Heimann talks about that and much more, including the origin story of the Cannes Lions-winning Edible Mascot campaign and her thoughts on the presidential election on the latest edition of The PR Week. Plus the biggest marketing and communications news of the week, including Finn Partners' acquisition of a Paris agency and the PRWeek US Awards 2025 opening for entries.  Follow us: @PRWeekUSReceive the latest industry news, insights, and special reports. Start Your Free 1-Month Trial Subscription To PRWeek

Reimagined composition based on tannoy announcement at Boston Logan Airport. Contains excerpts of Susan Howe reading Barbara Guest's Seeking Air, recorded at the Ear Inn, January 25, 1986. [https://writing.upenn.edu/pennsound/x/Howe.php] Reimagined by Thomas Martin Nutt.

Peripheries Journal: A Journal of Word, Image, and Sound is celebrating the release of Issue 6. This 2024 edition includes work from Victoria Chang, Angie Estes, Aracelis Girmay, Joanna Klink, Sam Messer, Geoffrey Nutter, Sharon Olds, Alice Oswald, Rowan Ricardo Philips, Tracy K. Smith and many more. General pages are joined by a folio, “Anti-Letters,” that comprises the “personal” writings (ephemera, letters, lists, notes, recordings, photographs etc.) of poets such as Cody-Rose Clevidence, David Grubbs, Susan Howe, Jill Magi, and Jane Miller, among others. This year's publication featured readings from Victoria Chang, Jorie Graham, and Alice Oswald. This event took place November 30, 2023. For more information, https://hds.harvard.edu/ A transcript is forthcoming.

What is it to write? What roles do ceremony, beauty, and material play in the act of writing? Not only is The Pillow Book of Sei Shōnagon  an early classic of Japanese literature, written in the 10th century by a lady of the Heian-era court, it is also—five hundred years before Montaigne— the world's first sustained portrayal of an individual self as she lives, thinks, and feels from day to day. A genre-bending mix of poems, lists, essays, and anecdotes, Shōnagon's original work was composed on Empress-provided fine paper and expresses as much delight in the materials and physical activity of writing as in the human dramas and exquisite moments of courtly life. In this episode, Santa Fe host Krishnan Venkatesh and tutor Ron Wilson explore the power of the material conditions of writing—the handmade ink, the rare pens, the costly paper, the social culture of the highly insular court—in energizing and focusing the creator's mind. They explore the writer's love of writing as ceremonial beyond Shōnagon to Emily Dickinson, Virginia Woolf, and poet Susan Howe, writers for whom the material conditions of writing are essential for their work. From this arises a pressing contemporary question: what has been lost in today's digital world, where few material limitations exist? 

Ben Luke talks to Joan Jonas about her influences—including those from the worlds of literature, film, music and, of course, art—and the cultural experiences that have shaped her life and work.Jonas, who was born in 1936 in New York and still lives in the city today, is one of the most significant and pioneering artists in the history of video and performance. She draws inspiration from a wealth of cultures and traditions, alluding to everything from fairy tales to ancient myths, scientific study and art history, and brings them together in multidisciplinary installations involving live action, drawing, spoken word, music, sound and video. She discusses her early interest in Minoan culture and Renaissance depictions of space, life-changing visits to Japan and Iceland, and writers as diverse as Jorge Luis Borges, Halldór Laxness, and Susan Howe. Plus, she gives insights into her studio life and has a stirring answer to the ultimate question: what is art for?Joan Jonas: Moving off the Land, Walther König, 272 pp, €25. Drawing in Circles, with Eiko Otake, Castelli Gallery, New York, 14 March-1 April; Joan Jonas, Haus der Kunst, Munich, Germany, until 26 February. Joan Jonas, Dia Art Foundation, Beacon, NY, US, until 13 March. Her retrospective at the Museum of Modern Art, New York, opens in spring 2024 Hosted on Acast. See acast.com/privacy for more information.

In the three-part podcast series Listening to the In-Between we will put the rich practice of Deep Listening® into a broader context. In our second episode, Deep Listener Sharon Stewart invites us to participate in embodied rituals of attention, a practice of listening to or sensing aspects of power and powerlessness in the world that surrounds us. This reconnected her to the ground-breaking work of Audre Lorde, “Uses of the Erotic: The Erotic as Power”.   In 2021 we made the podcast-series Sounding Places / Listening Places, which is still available at Radio ArtEZ. In it we explored how sound and listening can contribute to realizing more sustainable and reciprocal relations with the earth. Back then, we already dipped our toes in the world of Deep Listening®. In the three-part podcast series Listening to the In-Between we will put this rich practice into a broader context.   In Part I, researcher and music journalist Joep Christenhusz explores Deep Listening, its connection to space and time, and the interrelations between the outer and the inner world the practice reveals through sonic awareness.   In this second episode, Deep Listener Sharon Stewart further connects the idea of an embodied practice with the theme of power and powerlessness by working with others through the creation of text scores, also conceptualized as rituals of attention, that offer a way of listening to or sensing aspects of power and powerlessness in an embodied way. After an open call, Laurens Krüger (student DBKV ArtEZ Zwolle) and Martine van Lubeek (graduate of BEAR ArtEZ Arnhem) participated in this process. Laurens presents her “Triangle Dance with force fields” and Martine her “Score for Thinking-Feeling with the Earth”, a score to bring us into relation with the more-than-human elements all around us.   In the final third of the podcast (from 32min on), Sharon Stewart talks about how Audre Lorde's work inspired her in creating a text score from the perspective of our theme: the Body and Power(lessness) and presents the score “Listening through connection and difference”.   In the third and last part of our podcast series we will dive deeper into theoretical concepts related to Deep Listening.   Show Notes In the podcast you hear the following audio fragments:   Pauline Oliveros, Stuart Dempster, Panaiotis, Album Deep Listening, track 1, ‘Lear', reproduced by permission of PoP and MoM Publications. (Pauline Oliveros Publications & Ministry of Maåt). All Rights Reserved. Members ASCAP Fragments from: Audre Lorde reads Uses of the Erotic: The Erotic As Power (FULL Updated) This chapter was originally a paper presented at the Fourth Berkshire Conference on the History of Women, Mount Holyoke College, August 25, 1978, and was later published as a chapter in Sister Outsider. Copyright ©1984 Audre Lorde and The Crossing Press, a division of Ten Speed Press, Berkeley, CA. Also available in a Penguin edition, 2019.   Reading and Listening   From Martine:  Kimmerer, R., Returning the Gift, 2021, from the website Humans and Nature. This essay originally appeared in Minding Nature, Vol. 7, No. 2(Spring 2014). On the more-than-human: Pathways to Planetary Health Forum: David Abram on the More-than-Human World, Garrison Institute, 15 June 2021. “The eco-phenomenologist Abram (1996) was responsible for popularizing the concept of a more-than-human world and expressing everything that encompasses terrestrial "nature" in its broadest interpretations. According to the author (ABRAM, 1996), the expression refers to a world that includes and exceeds human societies, thereby associating them with the complex webs of interdependencies between the countless beings that share the terrestrial dwelling. This approach aims to overcome the prevalent modern dichotomy between nature and culture.” Carlos Roberto Bernardes de Souza Júnior in More-than-human cultural geographies towards co-dwelling on earth. Mercator - Revista de Geografia da UFC, vol. 20, no. 1, 2021. Universidade Federal do Ceará, Brasil. (Accessed 25 Nov. 22) Kimmerer, R., YES! Magazine. (n.d.). “Nature Needs a New Pronoun: To Stop the Age of Extinction, Let's Start by Ditching ‘It'.” Escobar, A. (2016). Thinking-feeling with the Earth: Territorial Struggles and the Ontological Dimension of the Epistemologies of the South. AIBR, Revista de Antropología Iberoamericana, 11(1), pp.11–32. doi: 10.11156/aibr.110102e.    From Laurens: The article by Michel Foucault that helped me to crystallize some thoughts that fuelled me in my motion was: “The Subject and Power” in: Brian Wallis (ed), Art After Modernism: Rethinking Representation (New York, 1984) p. 417–432. Originally published under the title “Why Study Power? The Question of the Subject.” During the creation process of the score, the melody and movements of the “Ave Maria” by Schubert played an important role for me, as sung by Renée Fleming, for instance.     From Sharon:   5 Oct. 2022, ArtEZ Zwolle, Sophiagebouw and Conservatory: Extreme Slow Walk – Listening to the In-Between. Ed McKeon,“Moving Through Time,” published on APRIA in September. Anthology of Text Scores by Pauline Oliveros, 2013, Pauline Oliveros, Kingston, NY: Deep Listening Publications. The Center for Deep Listening at Rensselaer Essays and talks by Audre Lorde, from the compilation The Master's Tools Will Never Dismantle the Master's House, Penguin Books. Copyright © Estate of Audre Lorde, 2017: “Poetry is Not a Luxury” “Uses of the Erotic: The Erotic as Power” “Uses of Anger: Women Responding to Racism” “Learning from the 1960s” Most of these essays were first given as papers at conferences across the US between 1978 and 1982 Audre Lorde - To be young, lesbian and Black in the '50s. Audre Lorde describes her experiences growing up as a Black lesbian in New York City in the 1950s, touching on subjects such as frequenting gay and lesbian bars in the Greenwich Village and communal-style living experiments. She reads excerpts from her book, Zami: A new spelling of my name. Recorded at Hunter College in New York. Produced by Helene Rosenbluth. Credit To : Pacifica Radio Archives Date Recorded: at Hunter College in New York, 1982. Date Broadcast: KPFK, 28 Nov. 1982. “Audre Lorde's 87th birthday,” 18 February 2021, Google Doodles Archive. The quote mentioned as answer to the question: “Why do you write poetry? …” starts at 1m06s in the video Behind the Doodle: Audre Lorde's 87th Birthday Audre Lorde – Poetry Foundation (1934–1992) Audre Lorde, "Power" from The Collected Poems of Audre Lorde. Copyright © 1978 by Audre Lorde.  Source: The Collected Poems of Audre Lorde (W. W. Norton and Company Inc., 1997) Susan Howe's WBAI radio program "Poetry", undated (Tape 1), “Power” read by Audre Lorde at 7m45s-11m18s “What Poetry Can Teach Us About Power: Political Poems Use Language in a Way Distinct from Rhetoric" By Matthew Zapruder, 16 August 2017.

Welcome to the fourth episode of Season Seven of the Bagley Wright Lecture Series on Poetry podcast. Season Seven of the podcast includes lectures written and delivered by Douglas Kearney during his tenure as a Bagley Wright Lecturer. Today we'll hear “You Better Hush: Blacktracking A Visual Poetics.” This talk was originally given March 31, 2021, at Seattle Arts & Lectures, via Zoom. Aretha and the Iceman, J-Dilla, Susan Howe, and a bird that becomes a fish only to become a bird, flower, then a bird again meet up in this lecture about visuality/visibility (Evie Shockley) and the textual/textural. Poet Douglas Kearney will discuss what draws him to visual poetry, the disruptive pleasure of collage's cut, recognition as a strategy that places reading in tension with looking, and the genealogy of a threat from a spiritual to 1990s gangsta rap. Visit us at our website, www.bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturer's archive page, including selected writings. Douglas Kearney's book based on his BWLS lectures, Optic Subwoof (Wave Books, 2022) is forthcoming, and is available for purchase here. Music: "I Recall" by Blue Dot Sessions from the Free Music Archive CC BY NC

This week: Roxy Coss; Ava Selimi Memisi; The Pyramids; Billy Higgins;  Sabib Shihab; Shyamal Mitra; Lata Mangeshkar; Vijay Kumar Kichlu; Wadi Al Safi; George Wasouf; Billy Higgins; Rich West; Buck Hill; The Orchestra Soledad; Candido; Kunle Ayo;  Simaro; Orchestra Shika Shika; Susan Howe ;much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/16068975/Conference-of-the-Birdshttps://spinitron.com/WRFI/pl/16068975/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

The “Massachusetts Beagle Freedom Bill”, if passed, would require researchers who use animals for testing to offer them up for adoption when their tenure is done, instead of sending them directly to be euthanized. Cara Zipoli, Susan Howe of the Aisling Center, and Senate Minority Leader Bruce Tarr (R-Gloucester), come together on the show to talk with Nichole about their efforts to get this legislation passed. Cara and Susan also explain why beagles are used for testing, why research animals make great pets, and the regulations surrounding animal testing. May is American Stroke Month. Stroke is one of the leading causes of disability in the United States, and it's one of the top health conditions that can lead to death. Dr. Hugo Javier Aparicio, assistant professor of neurology at Boston University School of Medicine, joins Nichole to explain the risk factors, talk about what triggers a stroke, and ways you can spot the warning signs.

New Directions at 85: The Anniversary Celebration with Forrest Gander as MC and Rosmarie Waldrop, Susan Howe, Nathaniel Tarn, Nathaniel Mackey, Mei-mei Berssenbrugge, Sylvia Legris, Michael Palmer, Will Alexander, Eliot Weinberger, and other surprise guests. This event was originally broadcast live via zoom on Thursday, June 3, 2021 and was introduced by City Lights' Peter Maravelis and hosted by Forrest Gander. New Directions was founded in 1936 by James Laughlin, then a Harvard University sophomore, via advice from Ezra Pound to "do something useful" after finishing his studies at Harvard. The first projects to come out of New Directions were anthologies of new writing, each titled "New Directions in Poetry and Prose" (until 1966's NDPP 19). Early writers incorporated in these anthologies include Dylan Thomas, Marianne Moore, Wallace Stevens, Thomas Merton, Denise Levertov, James Agee, and Lawrence Ferlinghetti. New Directions publishing program includes writing of all genres, representing not only American writing, but also a considerable amount of literature in translation from modernist authors around the world. Among some of the writers they have published are Nobel Prize Winners: Andre Gide, Pablo Neruda, Boris Pasternak, Octavio Paz, Pulitzer Prize Winners: Hilton Als, George Oppen, Gary Snyder, Williams Carlos Williams, National Book Award Winners: Yoko Tawada, Nathaniel Mackey, Man Booker Prize Winner László Krasznahorkai, as well as many others. The current focus of New Directions is threefold: discovering and introducing to the US contemporary international writers; publishing new and experimental American poetry and prose; and reissuing New Directions' classic titles in new editions. Drawing from the tradition of the early anthologies and series, New Directions launched the Pearl series, which presents short works by New Directions writers in slim, minimalist volumes designed by Rodrigo Corral.

In our first podcast our exiting Conference director, Alan Golding, talks with our in-coming director, Matthew Biberman, offering advice along with cherished memories of several major American poets and scholars including Frank Bidart, Robert Creeley, Clayton Eshleman, Susan Howe, W. S. Merwin, Harryette Mullen, Marjorie Perloff, and Nathaniel Mackey.

In this final episode of Season One of Community Conversations, Nick Sturm, NEH Postdoctoral Fellow in Poetics at Emory's Fox Center for Humanistic Inquiry, does a deep dive into small press publishing with Maureen Owen, legendary publisher of Telephone Books and Telephone Magazine in New York from 1969-1983, bringing many then-unknown poets' books into the world, including Susan Howe, Patricia Spears Jones, and Yuki Hartman. The Raymond Danowski Poetry Library, a part of the Rose Library's literary and poetry collections, recently acquired several Telephone books and magazine issues, which completes the collection, and is the only educational institution to house the complete run.Maureen Owen, former editor and chief of Telephone Magazine and Telephone Books, is the author of Erosion's Pull from Coffee House Press, a finalist for the Colorado Book Award and the Balcones Poetry Prize. Her title American Rush: Selected Poems was a finalist for the L.A. Times Book Prize and her work AE (Amelia Earhart) was a recipient of the prestigious Before Columbus American Book Award. She has taught at Naropa University, both on campus and in the low-residency MFA Creative Writing Program, in Naropa's Summer Writing Program, and co-edited Naropa's on-line zine not enough night through 19 issues. Her newest title Edges of Water is available from Chax Press. She has most recently had work in Blazing Stadium, Positive Magnets, Posit, and The Denver Quarterly. Click here to learn about her  Poets on the Road Tour with Barbara Henning. She can be found reading her work on the PennSound website. Her manuscript titled Let the Heart hold Down the Brakage  Or The Caregiver's Log is forthcoming from Hanging Loose Press.

Thinking back, Susan Howe thinks having two sons who went to war played an important role in her resolve to start an Honor Flight Hub in Arizona. She first heard about the Honor Flight program in 2008, and was inspired by the story of the organization dedicated to honoring our nation's veterans with an all-expenses paid trip to the memorials in Washington, D.C., a trip many of our veterans may not otherwise be able to take. She took her father, a B-24 nose gunner, on an Honor Flight from Ohio and came back determined to start a hub in Arizona. True to her word, she completed the paperwork for the first Honor Flight AZ board and began fundraising. The first trip was in November 2009 with 12 veterans. To learn more about Honor Flight Arizona, click here: https://honorflightaz.org/  Original air date: April 22, 2021 See omnystudio.com/listener for privacy information.

Ett samtal om språkets användning och roll i konst utifrån fyra konstnärliga praktiker. Medverkande konstnärer: Hans Isaksson, Imri Sandström, Lisa Torell och Johanna Gustafsson Fürst. MEDVERKANDE: IMRI SANDSTRÖM är konstnär, författare, forskare och lärare. Informerad av feminism, posthumanim och dekolonialt tänkande är hon upptagen av frågor som rör ljud, översättning, språk och historia. Våren 2019 fick hon sin doktorsexamen i litterär gestaltning från Akademin Valand, Göteborgs universitet. Avhandlingen Tvärsöver otysta tider / Across Unquiet Times handlar om litterära språk och historier från nybbygarkolonier i regionerna Västerbotten och New England, nordöstra USA, tolkat genom verk av poeten och litteraturteoretiker Susan Howe. LISA TORELL arbetar i en mängd olika medier, bl a performance, installation video och text. 2018 disputerade hon med projektet "Potential of the Gap" inom ramen för konstnärlig forskning i Norge (Norwegian Artistic Research Programme). I hennes performativa platsrelaterade praktik utforskar hon frågor relaterade till samhälle och funktion med fokus på relationen mellan plats, språk och identitet. Hon har bland annat visats på Marabouparken, Nordnorsk Kunstmuseum i Tromsø, Bonniers konsthall. Lisa Torell är för närvarande postdoctoral researcher på konsthögskolan i Umeå HANS ISAKSSON arbetar med en slags förvrängd hyperrealism i olika material och metoder för att ge bortglömda eller försakade ting ett nytt tredimensionellt liv och belysa värderingar vi lägger i de saker som omger oss. Ingen form är oskyldig och ingen mening är stabil. Vad man ser och hur man uppfattar informationen blir en fråga om perspektiv. Hans Isaksson arbetar för närvarande med en separatutställning på och en publikation om arbetet med "Residence-in-Nature 3". Isaksson curerade och producerade "Residence-In-Nature 3" som tog plats i Isakssons barndomsby Lainio i Norrbotten, tillsammans med Åsa Jungnelius och Lisa Torell. Samtalet modereras av Therese Kellner, intendent på Accelerator, och spelades in 22 november 2020.

I Imri Sandströms konstnärliga forskningsprojekt Howe Across Reading korsas Västerbottens och New Englands historier och språk med texter av Susan Howe. Genom översättande skrivande och ordvitsande uppmärksammas det "oroliga/onybyggande" (unsettling) och det "otysta" (unquiet) i områdena. Som en konstnärlig utvärdering och i samma stund en fortsättning på arbetet har författare bjudits in att skriva utifrån och att svara på verket. Författarna Ida Linde och Johan Sandberg McGuinne läser ur sina svar och samtalar med Imri Sandström om översättning och flerspråkigt skrivande.
 Samtalet hölls i Rum för översättning på Bokmässan i Göteborg den 28 september 2019. Medverkande: Imri Sandström, Ida Linde och Johan Sandberg McGuinne. Arrangör: Akademin Valand. Fotograf: Naomi Aira.

A recording of Susan Howe's book Articulation of Sound Forms in Time by me, @mathildork if you have any recordings you want to contribute to the show send them in! (of yourself, of other poets, of yourself reading other poets, etc) @mathildork // @prolesound

Katie Sawyer, Executive Director of the San Diego Women’s Foundation (SDWF) and Susan Howe, President of the SDWF Board, talk about the just announced 2020-2021 grant funding cycle that will focus on Refugees, Asylees and Asylum Seekers. Sawyer and Howe discuss the Collective Philanthropy model, along with the Grants Kickoff Reception slated for Wednesday, August 28 at AMN Healthcare in Del Mar.

Award-winning American poet Susan Howe visited Harvard Divinity School on April 24 to speak about the binding together of freedom and law, spontaneity and habit, as occasions for awakening a reader to the exaltation of spirit in process. Crossing the guarded borders between image and word, individual and community, history and the present, poetry provides an opening to the transcendent order that chance makes possible. Susan Howe's collection of poems, That This, won the Bollingen Prize in 2011. In 2017 she received the Robert Frost award for distinguished lifetime achievement in American poetry. Learn more about Harvard Divinity School and its mission to illuminate, engage, and serve at http://hds.harvard.edu/.

The Joan Roth and William M. Roth Lecture Series was established in 2017 to honour the contributions made over many years by Joan and William M. Roth to the arts and culture in Ireland. This year's lecture/reading reflects the Roth's particular interest in literature, poetry and the book arts. From William Roth's bibliography of English and American first editions of W.B. Yeats's work, published in 1939, through to his establishment of the Colt Press, in the 1950s, the Roths have long been involved in promoting poetry and literature more generally in Ireland and further afield. It is particularly fitting that this year's Roth lecture will be given by the US American poet, artist, editor, writer and printmaker Erica Van Horn. Like the Roths, she has spent many years living and working in Ireland where she has enjoyed a long friendship with the Roth family. Erica was born in New Hampshire in 1954. The Book Remembers Everything: The Work of Erica Van Horn, was shown at the Beinecke Rare Book and Manuscript Library at Yale in 2010, where there is an archive of her books and papers. Among her most recent publications is Living Locally, with a foreword by Susan Howe, published by Uniformbooks in 2011/14.

Dr. Rachel Tzvia Back (https://www.wpm2011.org/node/64) presents her lecture "The Woman’s Voice in Modern Hebrew Poetry from Lea Goldberg to Efrat Mishori" before a roundtable lecture at The New Shul (http:/www.thenewshul.org/) in Scottsdale, AZ. ABOUT THIS SPEAKER: A noted translator of Hebrew, Back has translated the work of Lea Goldberg in Lea Goldberg: Selected Poetry and Drama (2005), which won a PEN Translation Prize, and On the Surface of Silence: The Last Poems of Lea Goldberg (2017). She also translated In the Illuminated Dark: Selected Poems of Tuvia Ruebner (2014), which won the TLS Risa Dobm/Porjes Translation Award in 2016 and was a finalist for the National Translation Award in Poetry. She has translated many important Hebrew writers, including Hamutal Bar-Yosef, Dahlia Ravikovitch, and Haviva Pedaya. She was the primary translator of the anthology With an Iron Pen: Twenty Years of Hebrew Protest Poetry (2009). Her critical work includes the monograph Led by Language: The Poetry and Poetics of Susan Howe (2002). She lives in Galilee and teaches at Oranim Academic College near Haifa. DONATE: bit.ly/1NmpbsP For more info, please visit: www.facebook.com/valleybeitmidrash/ www.facebook.com/The-New-Shul-207398175969503/ twitter.com/VBMTorah www.facebook.com/RabbiShmulyYanklowitz/

As a poet and translator, Dr. Back, discusses how her own poetic sensibility enables her to inhabit and translate the work of Israeli poet, Tuvia Ruebner. Rachel Tzvia Back is a poet, a translator of Hebrew poetry, a scholar and an educator. She is the recipient of numerous awards and fellowships, including a PEN Translation grant, a Dora Maar Brown Foundation Fellowship, and a Hadassah-Brandeis Research grant. In addition to five volumes of her own poetry (English) and a study of the poetics of the American poet Susan Howe (1999), Back has published important collections of Israeli poetry in translation. Her collection In the Illuminated Dark: Selected Poems of Tuvia Ruebner (Hebrew Union College Press and University of Pittsburgh Press, 2014) won the triennial Risa Domb/Porjes Prize in 2016, and was a finalist for both the National Translation Award in Poetry and the Jewish Book Council Award in Poetry in 2015. Her new translation collection On the Surface of Silence: The Last Poems of Lea Goldberg is forthcoming from Hebrew Union College Press and the University of Pittsburgh Press in Spring 2017. Her other acclaimed translation works include Lea Goldberg: Selected Poetry and Drama (2006), With an Iron Pen: Twenty Years of Hebrew Protest Poetry (2009) and Night, Morning: Selected Poems of Hamutal Bar-Yosef (2008). Back lives in the Galilee, where her great-great-great grandfather settled in the 1830s; she teaches at Oranim College, in the foothills of the Carmel Mountains. Her classes include students from Jewish, Muslim and Christian backgrounds; thus, the classroom becomes a laboratory for inter-ethnic and religious dialogue through literature among people dwelling in a political, religious, and ethnic conflict zone. Photo courtesy of David H. Aaron.

How do you tell a life story through a poem? For Jessica Wilkinson, poetry can go much further than straightforward biography. In this interview she talks about discovering Susan Howe, working with (not against) a self-confessed short attention span, and founding the fantastic Rabbit poetry journal. Show notes Beyond Facts and Accuracies in Axon Marionette and … Continue reading "Ep 33. Jessica Wilkinson on poetic biography"

Kaplan Harris is a scholar and editor who writes about a wide variety of 20th- and 21st-century poetry, including the work of Ted Berrigan, Hannah Weiner, Susan Howe, and the Flarf poets. With degrees from North Carolina State University and the University of Notre Dame, he currently teaches at St. Bonaventure University in Western New York. For the last several years, Harris has been co-editing the forthcoming Selected Letters of Robert Creeley with Peter Baker and Rod Smith. His article "The Small Press Traffic school of dissimulation" was recently published in Jacket2.

Hosted by Al Filreis and featuring Susan Howe, Dee Morris, and Nancy Kuhl.

Susan Howe, Dee Morris, and Nancy Kuhl join Al Filreis to discuss William Carlos Williams's "The Poem That Took the Place of a Mountain."

On March 14, 1979, Bruce Andrews and Charles Bernstein visited the studios of WBAI in New York and were interviewed by Susan Howe, host then of the Pacifica Radio Poetry Show. This installment in the PennSound podcast series, introduced again by Amaris Cuchanski and based on editing done by Nick DeFina, features an excerpt from that interview focusing on a discussion of opaque as distinct from transparent language and of language’s materiality.

This month, we are proud to bring you The Beast Next Door by Susan Howe, read by Daniel Barzotti. Gerald knows what was happening to his neighbour, but is he the best person to help her? The Beast Next Door was selected as Story of the Month by Circalit in April 2011 and will shortly be published as an app by Ether Books. http://www.circalit.com/suewrite/projects/the-beast-next-door/

Marcella Durand, Jennifer Scappettone, Jessica Lowenthal, and Al Filreis discuss Susan Howe's reading of Emily Dickinson's "My Life had stood - a Loaded Gun."

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Susan Howe's most recent books are The Midnight published by New Directions, and Kidnapped from Coracle Press. Two CDs in collaboration with the musician/composer David Grubbs, Thiefth, and Souls of the Labadie Tract, were released on the Blue Chopsticks label in 2005 and 2007. Her critical study, My Emily Dickinson (1986) is being re-issued by New Directions this fall, along with a new collection of poems titled Souls of The Labadie Tract. She held the Samuel P. Capen Chair in Poetry and the Humanities at the State University New York at Buffalo, until her retirement this spring. She lives in Guilford, CT and is the 2007 Sherry Memorial Visiting Poet at The University of Chicago

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Susan Howe's most recent books are The Midnight published by New Directions, and Kidnapped from Coracle Press. Two CDs in collaboration with the musician/composer David Grubbs, Thiefth, and Souls of the Labadie Tract, were released on the Blue Chopsticks label in 2005 and 2007. Her critical study, My Emily Dickinson (1986) is being re-issued by New Directions this fall, along with a new collection of poems titled Souls of The Labadie Tract. She held the Samuel P. Capen Chair in Poetry and the Humanities at the State University New York at Buffalo, until her retirement this spring. She lives in Guilford, CT and is the 2007 Sherry Memorial Visiting Poet at The University of Chicago

Charles Ruas is joined by Susan Howe to reminisce about their collaboration in the production of a 1975 WBAI radio project that celebrated the life and work of poet and playwright, V. R. "Bunny" Lang. This 2004 recording of their discussion serves as an entree to Clocktower Radio's rebroadcast of the short series of historic programs that they produced about the late writer whose "querulous warmth and astounding energy (made her a) 'queen' to her circle of friends". The original tribute consisted of a series of interviews with Lang's collaborators and contemporaries and a radio play/re-enactment of one of her works. The young Susan Howe knew Lang, her mother was a member of The Poets' Theater in Cambridge-- a collective that Lang co-founded in 1950 along with Thornton Wilder, William Carlos Williams and others. As a girl, Howe performed in some of their productions, which strongly influenced her future work. In addition to The Poets' Theater, Lang served in the Canadian Women's Army Corps during WWII and was an editor for the Chicago Review. Following this she move to New York where she became associated with the New York School of Poets and established an important friendship with Frank O'Hara. She died of Hodgkin's disease in 1956 at the age of 32. American poet and critic, Susan Howe (born 1937) is known for her work infused with historical and mythical references. She is often linked with the Postmodern Language poets. Howe has been awarded with numerous awards, such as two American Book Awards and a Guggenheim fellowship. She has taught at universities across the United States. Her published works include; Hinge Picture (1974), Articulation of Sound Forms in Time (1987), The Birth-Mark: Unsettling the Wilderness in American Literary History (1993), and Frolic Architecture (2011). Howe has two 2015 releases from New Directions, The Quarry, selections from her uncollected essays, nominated for a National Book Award and including her seminal piece, The End of Art, and a re-issue of her 1993 The Birth-mark, examining the histories of landmark works from Cotton Mather to Emily Dickinson and subsequent American writers.