Podcasts about taras bulba

Kriget mot det ukrainska har pågått länge. Torbjörn Elensky funderar hur språk koloniserar och frigör, men litteraturen överskrider gränserna. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ursprungligen publicerad 2022-06-07.Det är kanske svårt att tänka sig det idag, men kiltar var länge olagliga, liksom de skotskrutiga mönster, tartan, som kännetecknar dem. Den engelska lagen förbjöd dem under senare delen av 1700-talet, då de förknippades med motståndet mot engelsk övermakt och särskilt det skotska upproret 1745. Det var först 1822, då den skotske författaren Walter Scott, som sedermera blev adlad, tog emot den engelske kungen, som de skotska tygerna och traditionella plaggen blev tillåtna igen – och idag förknippar vi dem med brittisk militär, kungahuset och parader med säckpipor och virveltrummor snarare än med uppror mot centralmakten. Sir Walter Scott var från början poet, innan han tog steget över till att börja skriva något på den tiden så föraktat som historiska äventyrsromaner. I sina dikter hade han ägnat sig mycket åt traditionella skotska motiv. Dessutom samlade han in folklig diktning och var en central företrädare för den romantiska nationalismen redan innan han blev en av 1800-talet bäst säljande romanförfattare, beundrad och imiterad i hela Europa. Samtidigt som han var en skotsk nationalist var han emellertid inte för att Skottland skulle bli självständigt från England. Hans nationalism var kulturell, närmast svärmiskt idylliserande; till skillnad från på de flesta andra håll i Europa efter Napoleonkrigens upprivande av de gamla maktkonstellationerna på kontinenten, där de nationella frihetssträvandena skulle komma att prägla hela seklet.Den ryske författaren Nikolaj Gogol var en stor beundrare av Walter Scott. Eller ryske förresten. Hans förfäder var ukrainska och han debuterade med flera skildringar av ukrainskt liv och leverne, i såväl novellerna med ukrainska motiv som i den lilla historiska romanen Taras Bulba – vilken handlar om ett kosackuppror mot den tidigare polska överheten. Men han skrev på ryska och förknippas numera snarare med 1800-talets ryska nationalism än med den ukrainska. Ryska kritiker kritiserade honom för att han ägnade sig åt ett så litet, marginellt folk, medan somliga ukrainska intellektuella ifrågasatte att han skrev om Ukraina på ryska. Men vad skulle han göra? Att skriva skönlitteratur på ukrainska skulle ha dömt honom till den litterära marginalen. Ryska, fast färgad av ukrainska motiv, uttryck och talesätt, blev hans uttrycksmedel. Både Walter Scott och Nikolaj Gogol verkade som så många författare in i vår tid, i ett spänningsfält mellan språk och makt, periferi och metropol. Och precis som det skotska införlivats och blivit en del av den brittiska ikonografin så har det ukrainska kommit att förknippas med något äkta och ursprungligt ryskt.Ryssland är inte en nationalstat i vår mening. Det är ett rike, snarast, vars självbild bygger på en uppfattning om att man bär på ett ansvar som man givits av ödet, motsvarande den amerikanska idén om 'manifest destiny', att samla omgivande länder i en rysk gemenskap. En kulturell och politisk ordning med en självklar rätt till överhöghet över andra nationer. Om länderna och deras folk själva är med på saken är sekundärt. Ukraina har visserligen en komplicerad historia i relation till Ryssland och inte minst till den ryska statens historiska uppkomst. Men ukrainarnas ryskhet, som de ryska imperialisterna ser som en självklarhet idag, är inte något givet historiskt faktum. Den har tvingats fram genom att ukrainska böcker har bränts, språket har förbjudits och de folkliga sederna har förtryckts. Samtidigt som det ukrainska, inklusive de kosacker som Gogol gärna skrev om, införlivades i det ryska kulturarvet så var det också så att ukrainska skolor stängdes, predikningar på ukrainska förbjöds och ukrainsk litteratur beslagtogs och förstördes ända in på 1900-talet. Denna politik, som syftade till att utplåna all ukrainsk nationalkänsla fördes under flera hundra år, med varierande intensitet, av de ryska makthavarna under såväl kejsardömet som kommunistdiktaturen.Språket är centralt för sammanhållningen i de flesta nationalstater. Konsolideringen av de europeiska nationalstaterna sedan 1500-talet har i hög grad handlat om centralisering inte bara av makten utan minst lika mycket av språket, grammatiken, uttrycksformerna för lagar och religion.Imperier expanderar genom att breda ut sitt språk – det gäller spanska, engelska och franska såväl som ryska, arabiska och kinesiska – ofta i kombination med att personer som etniskt hör till centralmaktens nationalitet flyttar in. Den ryska inflyttningen i ockuperade och annekterade nationer har lett till att det finns betydande ryskspråkiga minoriteter i nästan alla tidigare delar av det ryska och sovjetiska imperiet. I Ukraina utgör de knappt trettio procent. Men att vara rysktalande är inte detsamma som att vara lojal mot Ryssland, lika lite som de människor, inklusive författare, forskare, journalister och intellektuella som valt att arbeta på tidigare kolonialmakters språk i Afrika, Asien och Latinamerika därför är lojala mot dem. Ändå förblir språkfrågan viktig. För hur ska ett land, som varit del av ett imperium i flera århundraden, egentligen förhålla sig om man vill bevara och kanske till och med utveckla sin särart? För utöver de inflyttade har ju vanligen även den inhemska eliten bytt till centralmaktens språk.Tänk om Gogol skrivit på ukrainska, Walter Scott på gaeliska – och tänk om alla de indiska och afrikanska författare som är så viktiga idag skulle välja sina lokala ursprungliga språk hellre än engelska eller franska. Den speciella stil, det laddade förhållande till språket, som bidrar till att göra författare med denna typ av bakgrund särskilt intressanta, skulle vi gå miste om. Men vad skulle vi vinna istället? Provinsiella konstnärskap utan större allmänmänskligt intresse eller en ökad rikedom av uttryck och tankeformer?Språket är alltid centralt för den nationella självständighetssträvan i förhållande till gamla kolonialmakter. Det gäller i Asien, Latinamerika och Afrika såväl som inom Europa. Författare är en del av denna strävan att bygga en egen kultur i resterna av kollapsade imperier. Men litteraturen överskrider också sådana språkliga uppdelningar. Nikolaj Gogol, liksom sir Walter Scott, befann sig i ett spänningsfält där litteraturen fick en särskild laddning och betydelse, just för att den skrevs på tvärs mot de gränser som utgjordes av politiska ambitioner. På det viset går deras verk att förstå som högst aktuella också för att formulera skönlitteraturens potential idag, som en konstform som kan uttrycka den mänskliga erfarenheten just så sammansatt som den verkligen är.Torbjörn Elenskyförfattare och kritikerProducent: Morris WikströmLitteraturNikolaj Gogol: Taras Bulba. Översättning av Carl Elof Svenning. Norstedts, 2015.Nikolaj Gogol: Ukrainska noveller. Översättning av Ellen Rydelius (reviderad av Staffan Dahl). Forum, 1969.Edyta M. Bojanowska: Nikolai Gogol between Ukrainian and Russian nationalism. Harvard University press, 2007.

For the third movie in our wild card sidequest, Walter Fedczuk introduces Chase Wassenar and special guest Kristen Pignuolo to the 1962 film Taras Bulba. Together, they discuss the historical context of the original novel and Russia's attempt to reclaim this important piece of Ukranian culture, how the movie embraces Cossack culture, and why Chase and Kristen could not get behind the Tony Curtis of it all. They close with a touching tribute to Walter's Ukranian heritage and how it's shaped him to this day.

En 1651, en el este de Europa, en tierras de la actual Ucrania, el pueblo cosaco se encontraba en rebeldía contra sus patronos polaco-lituanos y decidieron aliarse con sus belicosos vecinos tártaros de Crimea para formar un enorme ejército e invadir las tierras bajo soberanía polonesa. El rey polaco Casimiro no tuvo más remedio que convocar a todas las huestes disponibles y enfrentar la amenaza. El resultado fue la batalla de Berestechko, la batalla más numerosa con diferencia en la Europa del s. XVII y librada durante tres intensos días, del 28 al 30 de junio de 1651. Àlex Claramunt, director de Historia Moderna de la editorial Desperta Ferro, nos acompaña de nuevo para contarnos con todo detalle esta batalla y sus antecedentes políticos y sociales, así como la composición de tres ejércitos (polaco, cosaco y tártaro) muy diferenciados y asimétricos. Introducción histórica jugosa que nos servirá para dar entrada al último juego publicado por la editorial SNAFU que trata la batalla. Para presentar el juego y también contarnos sobre la trayectoria y filosofía de la editorial, contaremos con el alma mater de SNAFU, Oscar Oliver, que también tiene la importante función de desarrollar y perseguir el necesario testeo y mejoras de los juegos que publican. Con Agustí Barrio y Franjo haciendo las preguntas fáciles y las que no. Bibliografía mencionada: A sangre y fuego (trilogía polaca), de Henryk Sienkiewicz, Taras Bulba, de Nikolái Gógol, y películas del mismo título. Revista Desperta Ferro Historia Moderna nº 66: La revuelta de los cosacos. Ucrania entre Polonia y Rusia. Partes: 00:00:00 Presentación 00:18:00 Antecedentes políticos, geográficos y bandos contendientes 01:26:00 Desarrollo de la batalla 02:16:00 SNAFU como editorial. Análisis del juego 03:40:00 Conclusiones Tal y como se indica al final del episodio, los audios de terceros se incluyen bajo los acuerdos de ivoox con la SGAE.

Can The Undertaker break The Von Erich Curse? Join wrestling superfans Alex Doriot and Travis White on their encyclopedic exploration digging up The Dead Man as they take their time-traveling hearse back to Dallas in 1989 to cover some of the earliest footage of Mark Calaway as The Punisher facing off with The Modern Day Warrior Kerry Von Erich and many more characters from the USWA. This episode is inspired by the award-winning film "The Iron Claw" and we'll give our thoughts on the movie before discuss these "deleted scenes" and why we think The Punisher got cut out of the movie. We'll discuss some matches and characters we never thought we'd talk about on this show including Taras Bulba, Latin Lover, Uncle Elmer, Cousin Junior, Billy Toe Travis, Eric Embry, Gentleman Chris Adams, Matt Borne, and more. Along the way we'll cover The Punisher roaming free in the badlands, grown men ripping cigs in the front row of these matches, grandmas going nuts over The Von Erichs, brawls running through the fire exits, whether or not Uncle Elmer is a trained athlete, Marc Lowrance's unintentionally funny commentary, Kerry's amazing babyface promo, the pure fun of territory wrestling, the returns of Percy Pringle III and Skandor Akbar and P.Y. Chu Hi, plus a final encounter between The Undertaker and The Texas Tornado in the WWF. All that and another jam-packed edition of Undertaker Sightings for the month of March including predictions for The Dead Man at WrestleMania XL. Download, enjoy, and Taker Easy!    Today's episode is brought to you by Stubforge! Check out their ticket stub replica creation tool and share your creations with us on our social media and we'll pick one listener to receive a physical ticket replica of their choice!   Give Randy a follow over @PokeysLittleDog!   Show your P.S.K. Pride with our brand new double-sided Pod Street Krew shirt over at TeePublic.com!    Stay connected with our Creature Community by following us on Twitter, Instagram, and Facebook!   Subscribe to Travis's YouTube channel to stay connected and hear his latest release, "Bridges" - also available on Spotify and Apple Music!    Be sure to subscribe to our YouTube channel and check out our collection of figure unboxings, vlogs, video podcasts, and more!    

O posebnem glasbenem izrazu Leoša Janáčka, njegovi rapsodiji po Gogoljevi noveli in kontroverzni zgodbi Tarasa Bulbe se pred izvedbo s Simfoničnim orkestrom RTV Slovenija pogovarjamo z dirigentom Rossenom Milanovom.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Con este capítulo terminamos el libro de Danny Liska "Dos Ruedas a la Aventura". Lo estuvimos acompañando desde Alaska hasta la Tierra del Fuego y hoy, como colofón, una de las "aventuras" que él recordaba con mucho cariño: la participación en la película "Taras Bulba", rodada en Salta, Argentina. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Over the past few years, Kim has emerged as a notable presence in the underground electronic music scene. Her performances at festivals such as Waking Life and La Nature, and her appearances at iconic parties like Giegling or at legendary C12 alongside XDB and Funke with Van Ahn, have undeniably made waves on this side of the globe. Kim's dedication to the art of music curation shines through in her sets, and we are excited to showcase her latest mix exclusive for the "Delayed with..." series. Kim skillfully blends chuggy, dubby beats with uplifting breaks and deep, immersive, dark rhythms in this mix. From the very beginning, you're welcomed with vibrant pads and the distinctive spoken word of Tom Redecker from Taras Bulba, who introduces the classic track "Die Wahrheit." This track selection envelopes you in an after-hour atmosphere filled with off-kilter vibes. As the mix progresses, the breakbeat elements flow in like the first rays of sun through a dancefloor's windows – you know that moment when sunglasses appear. Yet, beneath the surface, there's a lingering uncanny quality, preserving a delicate yin-yang balance that keeps you entranced. Closing the set with Boards of Canada's "Split Your Infinities" is a true cherry on the top. https://soundcloud.com/kimkenis https://www.instagram.com/kimkenis_/ www.itsdelayed.com www.instagram.com/_____delayed/ www.facebook.com/itsdelayed

Regional Rasslin' back with Guest Co-Host Roman Gomez to continue talking 1986 in the UWF as we close out March and begin to look at early April. The Fantastics RETURN and immediately defeat The Sheepherders to become the NEW Tag Team Champions! The Rock & Roll Express take on NWA World Tag Team Champions The Midnight Express! Hacksaw Duggan throws down with Dick Slater. Jack Victory introduces us to Lady Maxine! Bill Watts continues to stick it to poor Dick Slater. The new tandem of Buzz Sawyer and Rick Steiner team up! Korchenko undergoes a name change (kinda). Terry Taylor joins the war against the Herders. Buck Robley's "Super Pro Wrestling" events taking place, somewhere?!? The Bladerunners work out. Tag action with Bill Dundee & Buddy Landel. Dr. Death battles Taras Bulba. Eddie Gilbert with another mention of the mysterious Miss Bunny. Guerreros vs. Fabs in a Cage. Find out what "Kids Free Day" entails. Plus, more Crockett Cup talk than you can shake a stick at.... whatever that means...Available everywhere your Podcast Streaming needs are met.Visit our Podcast Network https://wrestlecopia.comFollow us on Twitter @RasslinGrenadeFollow and LIKE our FACEBOOK PAGE - https://www.facebook.com/RasslinGrenadeSubscribe to our Youtube Channel at https://www.youtube.com/RasslinGrenadePlease Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes a $5 “All Access” Tier featuring our Patreon Exclusive Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare & Regional Rasslin), Early Show Releases, REMASTERED editions of the early Grenade episodes including NEW content that was originally edited out! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!Listen at your leisure and pick back up later if need be!REGIONAL RASSLIN' PODCAST EPISODE #019LOOKING AT THE UWF FOR MARCH & APRIL, 1986 (w/Guest Co-Host Roman Gomez)Regional Rasslin' back with Guest Co-Host Roman Gomez to continue talking 1986 in the UWF as we close out March and begin to look at early April. The Fantastics RETURN and immediately defeat The Sheepherders to become the NEW Tag Team Champions! The Rock & Roll Express take on NWA World Tag Team Champions The Midnight Express! Hacksaw Duggan throws down with Dick Slater. Jack Victory introduces us to Lady Maxine! Bill Watts continues to stick it to poor Dick Slater. The new tandem of Buzz Sawyer and Rick Steiner team up! Korchenko undergoes a name change (kinda). Terry Taylor joins the war against the Herders. Buck Robley's "Super Pro Wrestling" events taking place, somewhere?!? The Bladerunners work out. Tag action with Bill Dundee & Buddy Landel. Dr. Death battles Taras Bulba. Eddie Gilbert with another mention of the mysterious Miss Bunny. Guerreros vs. Fabs in a Cage. Find out what "Kids Free Day" entails. Plus, more Crockett Cup talk than you can shake a stick at.... whatever that means...  ★ Support this podcast on Patreon ★

Piše: Marija Švajncer. Bereta: Eva Longyka Marušič in Jure Franko. Knjiga Primoža Reparja Saga o prostosti duše je sestavljena iz več problemskih sklopov, in sicer: razgrnitve avtorjeve izvirne filozofije, utemeljene na Kierkegaardovi misli in personalizmu, kritičnosti do pojavov sodobnega sveta, premišljevanju o haikuju, pisanju o Gogoljevem delu Taras Bulba, skicah nove metafizike Béle Hamvasa, možnostih novega branja Ivana Cankarja in ocenjevanju pesniških zbirk. Nekatera avtorjeva stališča so oblikovana dialoško – kot odgovori na vprašanja Stanislave Chrobákove in Marjane Lavrič. Primož Repar je znan kot prevajalec Kierkegaardovih del iz izvirnikov. Spoznanja tako imenovanega očeta eksistencializma so se ga dotaknila že v zgodnji mladosti. Opus danskega misleca je izhodišče za Reparjev humanizem. Prizadeva si za novo paradigmo, sestavljeno iz nove oekonomije kot zbirne skupnosti in skupnega doma, nove pravde v pomenu pravičnosti, nove družabnosti kot prvega pogoja kakršnekoli družbe in politike ljubezni, tako rekoč edine možne rešitve v svetu. Zasnoval je humanističen projekt, v katerem so tudi prvine utopičnosti in vidiki najstva. Izhaja iz tistega, kar je v svetu in med ljudmi narobe, in se zavzema za to, kako bi moralo biti vse skupaj videti in kakšno naj bo. Poudarja pomen posamičnika in njegove odgovornosti, pristen odnos do bližnjika in dobre medčloveške odnose nasploh. Zanj sta odločilna individualizem in singularnost, tudi transcendenca je tista, ki je kot hotenje po večnosti in presežnosti neke vrste določilo minljivega človeka. Avtor je kritičen do hrematizma oziroma pohlepne ekonomije in drugih pojavnih oblik neoliberalnega kapitalizma, zlasti izkoriščanja, prekarnega dela in potrošništva. Spominja se tudi omejitev v času epidemije korona virusa. Kljub neposredni kritičnosti ohranja svojevrstni optimizem, upanje in zaupanje v ljubezen, in med drugim pravi: »Ko ljubimo, dajemo sebe transcendenci kot drugemu. Ko udejanjamo ljubezen, smo pristali v politiko ljubezni namesto sovraštva, politiko sprave z mrtvimi in pomiritve med živimi, politiko bivanjskega preobrata, se pustimo graditi gradnikom ljubezni, tako sebi, ko to dopustimo tudi drugim, izgrajujemo resnico, ki je resnica zame, ki je resnica moje samotranscendence oziroma sebetranscendence.« Politika ljubezni med drugim pomeni solidarnost in sožitje med ljudmi. Avtor si prizadeva tudi za ohranjanje narave, glede nove tehnologije pa opozarja na pasti in hkrati priznava dobre strani njene uporabe, tako pretok informacij kot povezovanje v svetu. Poznavanje haikuja in vednost o njem Primož Repar podaja v pogovoru s filozofinjo, pesnico in publicistko Stanislavo Chrobákovo, slovaško umetnico in teoretičarko, ki je v letih bivanja pri nas veliko prispevala h kulturnim in drugim stikom med Slovenijo in Slovaško ter v slovenski ustvarjalnosti zapustila pomembno in vidno sled. Založba in revija Apokalipsa s podnaslovom Revija za preboj v živo kulturo haikuju posvečata veliko pozornosti, postal naj bi celo eden zaščitnih znakov njune založniške filozofije. Haiku izraža eksistencialno odprtost za neznatne in subtilne izrazne možnosti, njegovo jedro je dogodek s posebno osvetlitvijo. Repar priznava, da se haikuji, kakršne ustvarja, nočejo držati kakih omejujočih pravil, temveč se bolj ravnajo po svojem lastnem notranjem ritmu; sam se je izvirno in inovativno domislil celo dvojnih haikujev. Avtor pravi, da se v času brezbrižnosti in vseenosti haiku kot čista poezija pojavlja kot dar opazovanja in dragoceno urjenje pozornosti. Primož Repar piše v esejističnem in literariziranem slogu, tudi poetičnem, in uporablja eksistencialije, a kljub temu je njegovo pisanje filozofsko koherentno ter zasnovano na široki in poglobljeni filozofski vednosti. Na koncu knjige je predstavljeno Reparjevo bogato literarno, filozofsko, uredniško, založniško in organizacijsko delo. Njegova doktorska disertacija o Kierkegaardu iz leta 2009 je pomenila pionirsko delo te vrste na Slovenskem. Reparjevo delovanje je odmevno tudi v mednarodnem prostoru. Kot neodvisni raziskovalec in vodja strokovnih programov pri Srednjeevropskem raziskovalnem inštitutu Sørena Kierkegaarda sodeluje na številnih evropskih univerzah in inštitutih in občasno predava na njih; tako je na primer leta 2018 v Pekingu na Kitajskem govoril o politiki ljubezni in soorganiziral predavanja na omizjih, povezanih s Kierkegaardovo mislijo. Primož Repar je tudi prejemnik več nagrad in priznanj, njegove knjige so prevedene v tuje jezike. Jurij Hudolin na zavihku platnic piše, da je Reparjeva Saga o prostosti duše avtorefleksija in tudi samokritika. Kdor pa je tega zmožen, velja za ustvarjalca, ki mu zaupamo in z radovednostjo segamo po njegovih knjigah.

Muchas bajas, quién era Kenneth Anger, "Hollywood Babilonia", Clark Gable, Fatty Arbuckle, Diego Curubeto y "Babilonia Gaucha", Lupe Vélez, el sueño de ser recordada, Rita Hayworth y "Gilda", William Hurt y su diario, el Pelado López, "Taras Bulba", Hugo Fregonese, Fernando Lamas y Esther Williams, "se quedó ciega por el cloro", Daniel Toro, los prohibidos, Daniel Toro, Spinetta y Mariano Moreno, Tina y Ike, la Diosa de las Américas, la nariz de Barry Manilow, Phil Spector, HAGAMOS ALGO, "El Gallo Cojo".

Regional Rasslin headed back to Mid-South 1986 to talk the month of MARCH with guest Roman Gomez. Dick Slater tosses the TV Title into the Arkansas River, Terry Taylor vs. Jake Roberts in a #1 Contender Match, The Blade Runners Debut, Road Warriors "sing", Slater flushes Sting, Karl Kox back, Kelly Kiniski QUITS the business, Crockett Cup around the corner, the WWF runs the Superdome, Cowboy's Commentary, The Sheepherders dominate the Bruise Brothers & Guerreros, Buzz Sawyer sends Al Perez packing, a 4 letter word that starts with "P", The Masked Superstars team up, Tracy Smothers arrives, the Gibsons reunite, Koko B. Ware delivers the most memorable dropkick in history at the expense of Gustavo Mendoza, Boogie Woogie Valiant, Houston Results, Koko vs. Hot Stuff, Buck Robley and Super Pro Wrestling. Plus, action with Murdoch, Dibiase, Dr. Death, Rock & Roll Express, Taras Bulba, Midnight Express, Korchenko, and soundbites galore! Available everywhere your Podcast Streaming needs are met.Visit our Podcast Network https://wrestlecopia.comFollow us on Twitter @RasslinGrenadeFollow and LIKE our FACEBOOK PAGE - https://www.facebook.com/RasslinGrenadeSubscribe to our Youtube Channel at https://www.youtube.com/RasslinGrenadePlease Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes a $5 “All Access” Tier featuring our Patreon Exclusive Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare & Regional Rasslin), Early Show Releases, REMASTERED editions of the early Grenade episodes including NEW content that was originally edited out! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!Listen at your leisure and pick back up later if need be!REGIONAL RASSLIN' PODCAST EPISODE #015MARCH 1986 IN Mid-South (w/Guest Co-Host Roman Gomez)Dick Slater tosses the TV Title into the Arkansas River, Terry Taylor vs. Jake Roberts in a #1 Contender Match, The Blade Runners Debut, Road Warriors "sing", Slater flushes Sting, Karl Kox back, Kelly Kiniski QUITS the business, Crockett Cup around the corner, the WWF runs the Superdome, Cowboy's Commentary, The Sheepherders dominate the Bruise Brothers & Guerreros, Buzz Sawyer sends Al Perez packing, a 4 letter word that starts with "P", The Masked Superstars team up, Tracy Smothers arrives, the Gibsons reunite, Koko B. Ware delivers the most memorable dropkick in history at the expense of Gustavo Mendoza, Boogie Woogie Valiant, Houston Results, Koko vs. Hot Stuff, Buck Robley and Super Pro Wrestling. Plus, action with Murdoch, Dibiase, Dr. Death, Rock & Roll Express, Taras Bulba, Midnight Express, Korchenko, and soundbites galore! ★ Support this podcast on Patreon ★

Regional Rasslin' returns with Guest Co-Host Roman Gomez as we continue our discussion of 1986 in Mid-South Wrestling! This week we'll finish out the month of FEBRUARY 86 as we talk two more weeks of Mid-South TV and look at a pair of cards from the Sam Houston Coliseum! Some of the topics include... The North American Title changes hands not once, but TWICE as the Dick Slater/Jake Roberts feud finishes up! Plus, we talk Jake Roberts' departure from Mid-South and everything that led up to it, a dream match between the Fabulous Ones vs. Rock & Roll Express, there are now TWO Masked Superstars in Mid-South, The Fabs vs. Guerreros blow off their feud inside a Steel Cage, Eddie Gilbert finds himself a Sugar Momma, Paul Boesch returns from Heart Surgery, the passing of Gino Hernandez, a brief tribute to Bushwhacker Butch Miller, Korchenko Debuts, Koko Ware dropkicking heads off, just not buying this Taras Bulba character, Terry Taylor in the title mix, Gustavo Mendoza continues to impress, Sheepherders dominate, the inaugural Crockett Cup is announced for the Super Dome, and a brief look at Col. Buck Robley's outlaw promotion "Super Pro Wrestling"?  Available everywhere your Podcast Streaming needs are met.Visit our Podcast Network https://wrestlecopia.comFollow us on Twitter @RasslinGrenadeFollow and LIKE our FACEBOOK PAGE - https://www.facebook.com/RasslinGrenadeSubscribe to our Youtube Channel at https://www.youtube.com/RasslinGrenadePlease Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes a $5 “All Access” Tier featuring our Patreon Exclusive Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare & Regional Rasslin), Early Show Releases, REMASTERED editions of the early Grenade episodes including NEW content that was originally edited out! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!Listen at your leisure and pick back up later if need be!REGIONAL RASSLIN' PODCAST EPISODE #012CLOSING OUT FEBRUARY 1986 IN Mid-South (w/Guest Co-Host Roman Gomez)Regional Rasslin' returns with Guest Co-Host Roman Gomez as we continue our discussion of 1986 in Mid-South Wrestling! This week we'll finish out the month of FEBRUARY 86 as we talk two more weeks of Mid-South TV and look at a pair of cards from the Sam Houston Coliseum! Some of the topics include... The North American Title changes hands not once, but TWICE as the Dick Slater/Jake Roberts feud finishes up! Plus, we talk Jake Roberts' departure from Mid-South and everything that led up to it, a dream match between the Fabulous Ones vs. Rock & Roll Express, there are now TWO Masked Superstars in Mid-South, The Fabs vs. Guerreros blow off their feud inside a Steel Cage, Eddie Gilbert finds himself a Sugar Momma, Paul Boesch returns from Heart Surgery, the passing of Gino Hernandez, a brief tribute to Bushwhacker Butch Miller, Korchenko Debuts, Koko Ware dropkicking heads off, just not buying this Taras Bulba character, Terry Taylor in the title mix, Gustavo Mendoza continues to impress, Sheepherders dominate, the inaugural Crockett Cup is announced for the Super Dome, and a brief look at Col. Buck Robley's outlaw promotion "Super Pro Wrestling"?  ★ Support this podcast on Patreon ★

NOTE: Our main Twitter account for Patrick Henningsen @21WIRE has been permanently deplatformed by Twitter's censorship department – so please follow and promote our other official media account @21stCenturyWire. This week the SUNDAY WIRE broadcasts LIVE on ACR, with host Patrick Henningsen covering the biggest stories in the US, Europe and internationally. In the first hour, Patrick is joined by the Sunday Wire's roving correspondent for culture & sport, Basil Valentine to discuss the major stories at home and away, including comments on the latest Twitter Files release, the World Cup in Qatar, and the UK'S fuel poverty epidemic which is now hitting the middle class as well. Later in the first hour, we'll hear a special interview recorded in America with author and literary scholar, Chair of Slavic Studies department at Brown University, Professor Vladimir Golstein, for a deep discussion on the Russia-Ukraine Conflict and the West's political and cultural reaction to it, and how the current western mass formation of anti-Russian hysteria mirrors many regrettable aspects of life in the former Soviet Union. Also, in the third hour, Patrick talks with Hesher host of the Boiler Room about the latest January 6th Trial escapades and the FBI's fingerprints of the pseudo-radical ‘far-right' opposition shenanigans in America. All this and much more. Russian literature recommended by Vladimir: The Master and Margarita by Bulgakov, Taras Bulba by Gogol, and The Inspector-General by Gogol. Intermission music by Peter Conway, Download it: “Modern World” Get New Dawn Magazine Nov-Dec Issue, Out Now! https://21w.co/nd195 SHOP CLIVE DE CARLE'S NATURAL HEALTH STORE HERE: https://21w.co/shop-clive JAW DROPPING DEALS ON FAST, EASY-TO-USE VPN: https://21w.co/surfshark JOIN OUR TELEGRAM CHANNEL HERE: https://t.me/My21wire   SUPPORT OUR MEDIA PLATFORM HERE: https://21w.co/support  SUBSCRIBE & BECOME A MEMBER @21WIRE.TV: https://21wire.tv The Sunday Wire with Patrick Henningsen broadcasts LIVE on Alternate Current Radio SUNDAY 5pm-8pm UK Time, 12pm-3pm EST (US), 9am-12pm PST (US) at: http://alternatecurrentradio.com  http://thesundaywire.com

Synopsis John Lennon was born on today's date in the year 1940, in Liverpool, England — during a German air raid on that city, as it happened. With three other young lads from Liverpool, Lennon would eventually become world-famous, courtesy of the band he helped formed in 1959 called the Beatles. The Beatles started out in a Liverpool nightclub called the Cavern, playing pop tunes of the day, but soon began performing original material of their own. Before disbanding in 1970, some recognizable elements of classical music were incorporated into some Beatles songs, including a string quartet, a Baroque trumpet, and even an orchestra. And it wasn't just a one-sided exchange: Leonard Bernstein played a Beatles song on one of his “Young People's Concerts” to demonstrate sonata form. Arthur Fiedler performed symphonic arrangements of Beatles tunes at his Boston Pops concerts. And decades after the Beatles disbanded, former member Paul McCartney began composing original chamber works and big concert hall pieces, including a semi-autobiographical “Liverpool Oratorio.” Not surprisingly, some young British and American composers coming of age in the 1960s and 70s credit the Beatles as an influence. One elegant set of solo guitar arrangements of Lennon-McCartney tunes even came from Japan, courtesy of the eminent Japanese composer (and Beatles fan) Toru Takemitsu. Music Played in Today's Program Lennon and McCartney (arr. Toru Takemitsu) Here, There and Everywhere John Williams, guitar Sony 66704 On This Day Births 1585 - Baptismal date of German composer Heinrich Schütz, in Bad Löstritz; 1835 - French composer, conductor and pianist Camille Saint-Saëns, in Paris; 1914 - American composer Roger Goeb, in Cherokee, Iowa; 1938 - Finnish composer Einojuhani Rautavaara, in Helsinki; 1940 - John Lennon (of the Beatles), in Liverpool, England; Deaths 1999 - Jazz vibraphone virtuoso, Milt Jackson, age 76, in New York City; He was a member of the famous Modern Jazz Quartet; Premieres 1826 - Rossini: opera, "The Siege of Corinth," at the Paris Opéra; 1891 - Dvorák: "Requiem," Op. 89, in Birmingham, England; 1896 - Dvorák: String Quartet No. 13 in G, Op. 106, in Prague, by the Bohemian Quartet; 1921 - Janácek: "Taras Bulba" (after Gogol), in Brno; 1955 - Shostakovich: Violin Concerto No. 1, by the Leningrad Philharmonic conducted by Yevgeny Mravinsky, with David Oistrakh the soloist; 1963 - Henze: Symphony No. 4 in Berlin, with the composer conducting; 1980 - Jon Deak: Concerto for Oboe d'amore and Orchestra, by the New York Philharmonic conducted by Zubin Mehta with Thomas Stacy as soloist; 1985 - Anthony Davis: opera "X: The Life and Times of Malcolm X," in Philadelphia; The opera's New York City Opera premiere occurred the following year on September 28, 1986; 1986 - Andrew Lloyd-Webber: musical "Phantom of the Opera," at Her Majesty's Theatre in London; The musical opened on Broadway at the Majestic Theater on January 26, 1988; 1987 - Corigliano: "Campane di Ravello" (Bells of Ravello) for orchestra (a birthday tribute to Sir Georg Solti), in Chicago, with Kenneth Jean conducting; 1992 - David Ott: Symphony No. 3, by the Grand Rapids (Michigan) Symphony, Catherine Comet conducting; 1997 - Robert X. Rodriguez: "Il Lamento di Tristano," by flutist Susan Morris De Jong and guitarist Jeffrey Van, at the University of Minnesota in Minneapolis; 1999 - Bolcom: opera "A View From the Bridge," by the Lyric Opera of Chicago, Dennis Russell Davies, cond. 1999 - Michael Torke: symphonic oratorio "Four Seasons," at Avery Fisher Hall in New York, by soloists, chorus, and the New York Philharmonic, Kurt Masur conducting; Others 1973 - Leonard Bernstein gives the first of six lectures entitled "The Unanswered Question," as the Charles Eliot Norton Professor of Poetry at Harvard University. Links and Resources On The Beatles

Después de habernos tomado un tiempo sabático, regresamos a crear el contenido que ustedes quieren escuchar. Adicional, regresamos a cubrir la línea del tiempo de la Temporada 0; pero esta vez vemos como Mark Calaway llega a USWA Texas con su nuevo personaje/gimmick The Punisher. Éste llegó con una misión en mente. En este episodio tenemos 3 buenas luchas, mientras que en La Autopsia hablamos de la carrera de Billy Joe Travis, quien adicional es uno de los contrincantes de Punisher. Enlaces para acceder a los videos: The Punisher promo @ USWA Texas - https://www.dailymotion.com/video/x8ccwxg The Punisher vs Billy Joe Travis - https://www.youtube.com/watch?v=pM0BlMyBFXc&t=34s The Punisher vs Jimmy James - https://www.dailymotion.com/video/x88447v The Punisher & Taras Bulba vs Chris Adams & Kerry von Erich - https://www.youtube.com/watch?v=EaHZthkG6PQ Travis & Jarrett vs Rock 'n' Roll RPM's - https://www.youtube.com/watch?v=uCfzOBfUE3U Travis & Steiner vs Cactus Jack & Gary Young - https://www.youtube.com/watch?v=OhLU1vF3lgM Huracán Castillo Jr. vs Billy Joe Travis - https://www.youtube.com/watch?v=jhb9f4dTap Hugo Savinovich vs Billy Joe Travis - https://www.youtube.com/watch?v=pkCQwnNZInE Lawler rompe los vidrios del vehículo de Travis - https://www.youtube.com/watch?v=zpmhQgF7iNc Arresto a Billy Joe Travis en televisió en vivo - https://www.youtube.com/watch?v=qux-mAFo3OM Pasen por nuestra página web https://www.takermaniapod.com/ Pasen por nuestra tienda virtual https://www.takermaniashop.com/ Nos puedes escribir a nuestro correo electrónico - takermaniapod@gmail.com Siguenos en nuestras redes sociales: https://linktr.ee/Takermaniapodcast Artes creados por Destiny Sky: https://linktr.ee/Artsy_Alpaca Audios creados y producidos por Ramiro Delgado - https://www.instagram.com/ramirodelgadolocutor/ https://twitter.com/ramirodelgado / www.ramirodelgado.com Fotografía por JR - https://www.instagram.com/creative_outlook_photography "Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing." https://paypal.me/takermaniapod?locale.x=en_US I'm on @buymeacoffee. If you like my work, you can buy me a coffee and share your thoughts

Kriget mot den ukrainska kulturen och språket har pågått länge. Torbjörn Elensky funderar hur språk både koloniserar och frigör, men också hur litteraturen överskrider de pådyvlade gränserna. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Det är kanske svårt att tänka sig det idag, men kiltar var länge olagliga, liksom de skotskrutiga mönster, tartan, som kännetecknar dem. Den engelska lagen förbjöd dem under senare delen av 1700-talet, då de förknippades med motståndet mot engelsk övermakt och särskilt det skotska upproret 1745. Det var först 1822, då den skotske författaren Walter Scott, som sedermera blev adlad, tog emot den engelske kungen, som de skotska tygerna och traditionella plaggen blev tillåtna igen och idag förknippar vi dem med brittisk militär, kungahuset och parader med säckpipor och virveltrummor snarare än med uppror mot centralmakten. Sir Walter Scott var från början poet, innan han tog steget över till att börja skriva något på den tiden så föraktat som historiska äventyrsromaner. I sina dikter hade han ägnat sig mycket åt traditionella skotska motiv. Dessutom samlade han in folklig diktning och var en central företrädare för den romantiska nationalismen redan innan han blev en av 1800-talet bäst säljande romanförfattare, beundrad och imiterad i hela Europa. Samtidigt som han var en skotsk nationalist var han emellertid inte för att Skottland skulle bli självständigt från England. Hans nationalism var kulturell, närmast svärmiskt idylliserande; till skillnad från på de flesta andra håll i Europa efter Napoleonkrigens upprivande av de gamla maktkonstellationerna på kontinenten, där de nationella frihetssträvandena skulle komma att prägla hela seklet.Den ryske författaren Nikolaj Gogol var en stor beundrare av Walter Scott. Eller ryske förresten. Hans förfäder var ukrainska och han debuterade med flera skildringar av ukrainskt liv och leverne, i såväl novellerna med ukrainska motiv som i den lilla historiska romanen Taras Bulba vilken handlar om ett kosackuppror mot den tidigare polska överheten. Men han skrev på ryska och förknippas numera snarare med 1800-talets ryska nationalism än med den ukrainska. Ryska kritiker kritiserade honom för att han ägnade sig åt ett så litet, marginellt folk, medan somliga ukrainska intellektuella ifrågasatte att han skrev om Ukraina på ryska. Men vad skulle han göra? Att skriva skönlitteratur på ukrainska skulle ha dömt honom till den litterära marginalen. Ryska, fast färgad av ukrainska motiv, uttryck och talesätt, blev hans uttrycksmedel. Både Walter Scott och Nikolaj Gogol verkade som så många författare in i vår tid, i ett spänningsfält mellan språk och makt, periferi och metropol. Och precis som det skotska införlivats och blivit en del av den brittiska ikonografin så har det ukrainska kommit att förknippas med något äkta och ursprungligt ryskt.Ryssland är inte en nationalstat i vår mening. Det är ett rike, snarast, vars självbild bygger på en uppfattning om att man bär på ett ansvar som man givits av ödet, motsvarande den amerikanska idén om 'manifest destiny', att samla omgivande länder i en rysk gemenskap. En kulturell och politisk ordning med en självklar rätt till överhöghet över andra nationer. Om länderna och deras folk själva är med på saken är sekundärt. Ukraina har visserligen en komplicerad historia i relation till Ryssland och inte minst till den ryska statens historiska uppkomst. Men ukrainarnas ryskhet, som de ryska imperialisterna ser som en självklarhet idag, är inte något givet historiskt faktum. Den har tvingats fram genom att ukrainska böcker har bränts, språket har förbjudits och de folkliga sederna har förtryckts. Samtidigt som det ukrainska, inklusive de kosacker som Gogol gärna skrev om, införlivades i det ryska kulturarvet så var det också så att ukrainska skolor stängdes, predikningar på ukrainska förbjöds och ukrainsk litteratur beslagtogs och förstördes ända in på 1900-talet. Denna politik, som syftade till att utplåna all ukrainsk nationalkänsla fördes under flera hundra år, med varierande intensitet, av de ryska makthavarna under såväl kejsardömet som kommunistdiktaturen.Språket är centralt för sammanhållningen i de flesta nationalstater. Konsolideringen av de europeiska nationalstaterna sedan 1500-talet har i hög grad handlat om centralisering inte bara av makten utan minst lika mycket av språket, grammatiken, uttrycksformerna för lagar och religion. Imperier expanderar genom att breda ut sitt språk det gäller spanska, engelska och franska såväl som ryska, arabiska och kinesiska ofta i kombination med att personer som etniskt hör till centralmaktens nationalitet flyttar in. Den ryska inflyttningen i ockuperade och annekterade nationer har lett till att det finns betydande ryskspråkiga minoriteter i nästan alla tidigare delar av det ryska och sovjetiska imperiet. I Ukraina utgör de knappt trettio procent. Men att vara rysktalande är inte detsamma som att vara lojal mot Ryssland, lika lite som de människor, inklusive författare, forskare, journalister och intellektuella som valt att arbeta på tidigare kolonialmakters språk i Afrika, Asien och Latinamerika därför är lojala mot dem. Ändå förblir språkfrågan viktig. För hur ska ett land, som varit del av ett imperium i flera århundraden, egentligen förhålla sig om man vill bevara och kanske till och med utveckla sin särart? För utöver de inflyttade har ju vanligen även den inhemska eliten bytt till centralmaktens språk.Tänk om Gogol skrivit på ukrainska, Walter Scott på gaeliska och tänk om alla de indiska och afrikanska författare som är så viktiga idag skulle välja sina lokala ursprungliga språk hellre än engelska eller franska. Den speciella stil, det laddade förhållande till språket, som bidrar till att göra författare med denna typ av bakgrund särskilt intressanta, skulle vi gå miste om. Men vad skulle vi vinna istället? Provinsiella konstnärskap utan större allmänmänskligt intresse eller en ökad rikedom av uttryck och tankeformer? Språket är alltid centralt för den nationella självständighetssträvan i förhållande till gamla kolonialmakter. Det gäller i Asien, Latinamerika och Afrika såväl som inom Europa. Författare är en del av denna strävan att bygga en egen kultur i resterna av kollapsade imperier. Men litteraturen överskrider också sådana språkliga uppdelningar. Nikolaj Gogol, liksom sir Walter Scott, befann sig i ett spänningsfält där litteraturen fick en särskild laddning och betydelse, just för att den skrevs på tvärs mot de gränser som utgjordes av politiska ambitioner. På det viset går deras verk att förstå som högst aktuella också för att formulera skönlitteraturens potential idag, som en konstform som kan uttrycka den mänskliga erfarenheten just så sammansatt som den verkligen är.Torbjörn Elensky, författareLitteraturNikolaj Gogol: Taras Bulba. Översättning av Carl Elof Svenning. Norstedts, 2015.Nikolaj Gogol: Ukrainska noveller. Översättning av Ellen Rydelius (reviderad av Staffan Dahl). Forum, 1969.Edyta M. Bojanowska: Nikolai Gogol between Ukrainian and Russian nationalism. Harvard University press, 2007.

Kontakt: buchklub@mail.de Nächstes Buch wählen: https://buchklub.podbean.com/p/bucher-rating/   https://de.wikipedia.org/wiki/Die_Saporoger_Kosaken_schreiben_dem_t%C3%BCrkischen_Sultan_einen_Brief#/media/Datei:Ilja_Jefimowitsch_Repin_-_Reply_of_the_Zaporozhian_Cossacks_-_Yorck.jpg   Buch der Woche:  Nikolai Gogal - Taras Bulba   Folgt uns: https://discord.gg/pEqEgC48pC https://buchklub.podbean.com/ https://twitter.com/dbuchklub https://www.goodreads.com/user/show/129399110

Kontakt: buchklub@mail.de Nächstes Buch wählen: https://buchklub.podbean.com/p/bucher-rating/   https://de.wikipedia.org/wiki/Die_Saporoger_Kosaken_schreiben_dem_t%C3%BCrkischen_Sultan_einen_Brief#/media/Datei:Ilja_Jefimowitsch_Repin_-_Reply_of_the_Zaporozhian_Cossacks_-_Yorck.jpg   Buch der Woche:  Nikolai Gogal - Taras Bulba   Folgt uns: https://discord.gg/pEqEgC48pC https://buchklub.podbean.com/ https://twitter.com/dbuchklub https://www.goodreads.com/user/show/129399110

Synopsis On today's date in 1999, the Lyric Opera of Chicago premiered a new opera by the American composer William Bolcom, based on “A View from the Bridge,” a powerful play by Arthur Miller. Now, not all stage plays “translate” well into opera, as Bolcom was well aware: “In theater, you have the text and then below it you have the subtext,” said Bolcom. “In opera it is pretty much the opposite, the subtext is what you are really dealing with first and foremost: big, raw emotions, which are supported by the text. In fact, Miller's play, although set in Brooklyn in the 1950s, has often been likened to a Greek tragedy, a theatrical form in which the chorus plays an important role. Bolcom saw that as a real opportunity: "If you are going to do an opera from a play, it better have a dimension that the play doesn't. In a play, you can't have your chorus speak because it is financially prohibitive: as soon as the chorus opens up its mouth the price goes up because of actors' equity. So, naturally one of the great resources of opera houses is an opera chorus, a resource you CAN use much more easily." Music Played in Today's Program William Bolcom (b. 1938) — A View from the Bridge (Lyric Opera of Chicago; Dennis Russell Davies, cond.) New World 80558 On This Day Births 1585 - Baptismal date of German composer Heinrich Schütz, in Bad Löstritz; 1835 - French composer, conductor and pianist Camille Saint-Saëns, in Paris; 1914 - American composer Roger Goeb, in Cherokee, Iowa; 1938 - Finnish composer Einojuhani Rautavaara, in Helsinki; 1940 - John Lennon (of the Beatles), in Liverpool, England; Deaths 1999 - Jazz vibraphone virtuoso, Milt Jackson, age 76, in New York City; He was a member of the famous Modern Jazz Quartet; Premieres 1826 - Rossini: opera, "The Siege of Corinth," at the Paris Opéra; 1891 - Dvorák: "Requiem," Op. 89, in Birmingham, England; 1896 - Dvorák: String Quartet No. 13 in G, Op. 106, in Prague, by the Bohemian Quartet; 1921 - Janácek: "Taras Bulba" (after Gogol), in Brno; 1955 - Shostakovich: Violin Concerto No. 1, by the Leningrad Philharmonic conducted by Yevgeny Mravinsky, with David Oistrakh the soloist; 1963 - Henze: Symphony No. 4 in Berlin, with the composer conducting; 1980 - Jon Deak: Concerto for Oboe d'amore and Orchestra, by the New York Philharmonic conducted by Zubin Mehta with Thomas Stacy as soloist; 1985 - Anthony Davis: opera "X: The Life and Times of Malcolm X," in Philadelphia; The opera's New York City Opera premiere occurred the following year on September 28, 1986; 1986 - Andrew Lloyd-Webber: musical "Phantom of the Opera," at Her Majesty's Theatre in London; The musical opened on Broadway at the Majestic Theater on January 26, 1988; 1987 - Corigliano: "Campane di Ravello" (Bells of Ravello) for orchestra (a birthday tribute to Sir Georg Solti), in Chicago, with Kenneth Jean conducting; 1992 - David Ott: Symphony No. 3, by the Grand Rapids (Michigan) Symphony, Catherine Comet conducting; 1997 - Robert X. Rodriguez: "Il Lamento di Tristano," by flutist Susan Morris De Jong and guitarist Jeffrey Van, at the University of Minnesota in Minneapolis; 1999 - Bolcom: opera "A View From the Bridge," by the Lyric Opera of Chicago, Dennis Russell Davies, cond. 1999 - Michael Torke: symphonic oratorio "Four Seasons," at Avery Fisher Hall in New York, by soloists, chorus, and the New York Philharmonic, Kurt Masur conducting; Others 1973 - Leonard Bernstein gives the first of six lectures entitled "The Unanswered Question," as the Charles Eliot Norton Professor of Poetry at Harvard University. Links and Resources On William Bolcom

With tracks from Konrad Wehrmeister, Katatonic Silentio, Linkin Park, Califato ¾, Round, Tweety Bongo, Si Begg, Taras Bulba, Om Unit, Basile3, Sabrina Bellaouel, RAP, Amandra & Karim, Hijak, Happa, Goodie Mob, Don Korto, Gavsborg and Fran Ter-Berg. For complete tracklist visit: https://individualactiviti.es Follow Savino here: https://soundcloud.com/savinoo

Corey reminisces about his favorite pro-wrestler and his most remembered match. His choice was Kerry Von Erich vs. Taras Bulba of Devastation Inc. in Dallas, TX August, 1989!

“The most essential horrors revealed by Gogol are not of Russia, but of the soul...”Nikolai Vasilevich Gogol (1809-1852) is one of the most important figures of Russian literature, initiating a prose tradition that influenced everyone who came after him. In this lecture from the Pushkin House salon at its old home in Ladbroke Grove, preeminent writer and critic Victor Erlich elucidates with characteristic wit and incision the elements of Gogol's metaphors and plots which draw on the grotesque. In these surreal and bizarre images, Gogol reveals truths about our world and our selves which are always strikingly compelling. This talk and discussion was recorded at some point between 1963 and 1968 — we know this to be the case as Erlich is mentioned as chair of the Yale department of Slavic languages and literature, a post he held between those dates — and likely near the end of that period, as his book Gogol (1969) is mentioned as upcoming. Erlich speaks about all of Gogol's main works, including the Ukrainian Tales, the Petersburg Tales — Nevsky Prospect, The Nose and The Overcoat; Taras Bulba, Diary of a Madman, and his final controversial masterpiece, Dead Souls.This episode was catalogued and digitised by Anastasia Koro and Andrey Levitskiy, and was edited and produced for Pushkin House by Rafy Hay.

Mykola Lysenko (1842- 1912) is the father of modern Ukrainian classical music. His prolific life’s work laid the foundation for the further development and expansion of Ukrainian musical culture. He influenced a large group of Ukrainian composers, including Stetsenko, Stepovyi, Leontovych, Koshyts, and Liudkevych. A compilation of Lysenko’s works in 22 volumes was published in Kyiv in 1950–59.Lysenko was a composer, ethnomusicologist, pianist, and conductor. He studied at the Kharkiv and Kyiv universities and, later, at the Leipzig Conservatory under Reinicke and Richter (1867–69). From 1874 to 1876 he studied orchestration under Rimsky-Korsakov in St. Petersburg. In 1904, he founded his own School of Music and Drama in Kyiv. The list of Lysenko’s operatic compositions include Black Sea Cossacks (1872); three operas based on the works of the Ukrainian writer Mykola Hohol – Christmas Night (1873–82), The Drowned Maiden (1883) and Taras Bulba (1890); and the operettas Natalka from Poltava (1889) and Aeneas (1911). Himself a well-known pianist, Lysenko composed a piano sonata, two rhapsodies, a suite, a scherzo and a rondo, as well as an abundance of smaller pieces, including songs without words, nocturnes, waltzes and polonaises. He also wrote a number of works for strings. Of the Ukrainian composers, Lysenko was the most committed to the art song genre. Lysenko’s 133 art songs (lirychni pisni in Ukrainian) relate a wonderfully descriptive and passionate story of 19th- and early 20th-century European life. - В оту пору, опісля великодніх дзвонів, згадуємо і славного полтавчанина й величавого композитора Миколу Лисенка...

In this episode, I explore the rich, melodic and memorable film music of Hollywood Golden Age composer Franz Waxman. Born in Germany in 1906, Waxman was known by his peers as the consummate musician, having studied music in Berlin while supporting himself by performing and arranging pop music of the day in local cafes. Waxman emigrated from Germany to the United States in the early 1930's, along with many talented artists, and became part of that first generation of brilliant musicians who developed and perfected the art of film scoring, alongside giants such as Max Steiner, Alfred Newman and Erich Wolfgang Korngold. I discuss Waxman's place in the early days of the new art form of music for motion pictures (the famed "Golden Age"), plus its development overall for some context, and his evolving style through the highlights during his career, including REBECCA, SUNSET BOULEVARD, THE SPIRIT OF ST. LOUIS and TARAS BULBA.   Connect with the podcast on Facebook and Twitter... www.facebook.com/ascoretosettle twitter.com/score2settlepod   Feel free to email the show at ascoretosettlepodcast@gmail.com 

“Can a meretricious, inane movie with nothing else to recommend it produce a radiant, rousing film score?” asks Gary Giddins in “Rolling Thunder,” the January/February 2018 edition of Film Comment‘s “Playing Along” column. “Very rarely,” he answers. Although Giddins isolates Franz Waxman's score for Taras Bulba as a specific example, the guests on this week's episode of the Film Comment Podcast each provide a couple more, which led to reminiscences about genre sampler OSTs, unlikely pop music cues, and whether or not Steven Spielberg's idea of humor is just…shouting. For this conversation, FC Digital Producer Violet Lucca is joined by Tom Scharpling, host of The Best Show, and frequent FC contributors Margaret Barton-Fumo and Nick Pinkerton.

Matthew Sweet on the film music of Franz Waxman and in this, the second of two programmes, the focus is on the post war years - a time which gave us some of Waxman's greatest scores from Sunset Boulevard to Taras Bulba. Matthew also looks at Waxman's major contribution to the classical musical life of America through the annual Los Angeles Music Festival which Waxman created and ran, and at how his remarkable musical gifts helped establish the sound of Hollywood in the years following the Second World War. The programme includes comment from Waxman's son John. Featured films include "Humoresque"; "The Paradine Case"; "Sunset Boulevard"; "A Place In The Sun"; "Peyton Place"; "Sayonara"; "The Spirit of St Louis" and "Taras Bulba".

Leos Janáček based his rhapsody Taras Bulba on one of the most brutal and unpleasant fictional characters ever created. But as a political symbol, it inspired him to write some of his most powerful music.

Welcome to episode two of THE ARCHIVE WITH JASON DRURY here on CINEMATIC SOUND RADIO. This episode features an exclusive suite of music from Tadlow Records’ brand new recording of BEN-HUR by Miklos Rozsa. BATMAN: THE ANIMATED SERIES turns 25 years old this month and to commemorate that momentous occasion you’ll hear selections from the various scores composed by Shirley Walker. Jason takes a trip back to 1983 and plays for you selections from John Barry’s score to HIGH ROAD CHINA. Composer Roy Budd was born on March 14, 1947. Sadly and suddenly, he passed away at the age of 46 from a brain hemorrhage on August 7th, 1993. Jason celebrates Budd’s 70th anniversary with music from FEAR IS THE KEY and his final score for PHANTOM OF THE OPERA. Back in 2009 Intrada Records released Jerry Goldsmith score to ONE LITTLE INDIAN by Jerry Goldsmith. You’ll hear a suite from that score which was initially released in 1973. Afterwards, Jason treats you with music from David Arnold’s forgotten classic to LAST OF THE DOGMEN and then rounds off the program with a flourish with music from Tadlow Records’ re-recording of TARAS BULBA by Franz Waxman. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

On this week’s episode of CINEMATIC SOUND RADIO we will be shining the spotlight on film, TV and video game re-recordings… or as James Fitzpatrick of Tadlow Music likes to call them “new recordings of previously existing scores.”Of the top of the program, and to celebrate its 30th anniversary, we are going to be playing music from James Horner’s classic score to James Cameron’s ALIENS.You also hear new recordings of music THE TOWERING INFERNO by John Williams, THE LAST OF THE MOHICANS by Trevor Jones and Randy Edelman, and TARAS BULBA by Franz Waxman and THE BIG COUNTRY by Jerome Moross.Our video game album of the week is THE GREATEST VIDEO GAME MUSIC ALBUM featuring newly recorded suites from THE ELDER SCROLLS V: SKYRIM by Jeremy Soule, SUPER MARIO GALAXY by Koji Kondo, SUPER METROID by Kenji Yamamoto & Minako Hamano and LITTLE BIG PLANET by Daniel Pemberton.We’ll end the program with four listener submissions including LAWRENCE OF ARABIA, VERTIGO, JAWS and THE LAST STARFIGHTER. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com