Podcasts about Rolling Thunder

Employees of Rolling Thunder are no stranger to having cameras around, but there are a few that tend to stay behind the scenes. Join Spence for episode 178 as he introduces Rolling Thunder's "Hen House", the girls of the shop that make a lot of things possible! Madi Thomas, Maddie Halford, and Libby Flanagan give you some of the day to day life that happens in the shipping room.

It's almost time for Collect #5, and this month the design hits home a little harder for some. The Gadsden Flag, displayed on the barrel of the call, is a representation of not giving up our liberties or freedoms as a nation. In this episode, Spence talks about current events in today's economy, and Aaron Blackwood, one of Rolling Thunder's longest-serving employees, gives insight into how his service in the US Marine Corps has helped influence this months collect call.

In this episode, we talk about our summer motorcycle ride around Canada.  On this trip we will meetup and ride with some of the beloved Patrons of Law Abiding Biker.  It will be an epic journey!  Almost 5,000 miles covering British Columbia, the Yukon Territory, and Alberta.  We're even going to pop into Hyder, Alaska.  As part of the ride, we will be logging miles and checking in at Harley-Davidson dealer ships to collect engagements and key words for the Let's Ride Challenge Ride for Heroes. SUPPORT US AND SHOP IN THE OFFICIAL LAW ABIDING BIKER STORE The 2025 Harley-Davidson Let's Ride Challenge – Ride for Heroes is a nationwide initiative running from March 28 to October 31, 2025, inviting Harley-Davidson riders to log miles in support of military personnel, veterans, and first responders. Each mile ridden contributes to Harley-Davidson's goal of donating up to $1 million to organizations such as the Wounded Warrior Project, Rolling Thunder, and the American Legion Riders. CHECK OUT OUR HUNDREDS OF FREE HELPFUL VIDEOS ON OUR YOUTUBE CHANNEL AND SUBSCRIBE! Participants can register at authorized dealerships, where they validate their odometer readings and collect keywords to boost their “Rev Score,” enhancing their chances to win one of five new 2025 Harley-Davidson motorcycles, including models like the Nightster, Street Bob, Fat Boy, Street Glide, and CVO Road Glide . While open to all U.S. residents with a Harley-Davidson VIN, Harley Owners Group (H.O.G.) members enjoy exclusive benefits, such as bonus points and additional rewards . This challenge not only offers riders the thrill of the open road but also the opportunity to make a meaningful impact on the lives of American heroes. NEW FOR PURCHASE VIDEO RELEASED: Install A Harley Audio By Rockford Fosgate Stage 1 or 2 Amp & Speakers on a 23.5 & Newer Touring! Sponsor-Ciro 3D CLICK HERE! Innovative products for Harley-Davidson & Goldwing Affordable chrome, lighting, and comfort products Ciro 3D has a passion for design and innovation Sponsor-Butt Buffer CLICK HERE Want to ride longer? Tired of a sore and achy ass? Then fix it with a high-quality Butt Buffer seat cushion? If you appreciate the content we put out and want to make sure it keeps on coming your way then become a Patron too! There are benefits and there is no risk. Thanks to the following bikers for supporting us via a flat donation: John Allen of Linton, Indiana David Cruz of Hartford, Connecticut Robert Steen of Meridian, Idaho HELP SUPPORT US! JOIN THE BIKER REVOLUTION! #BikerRevolution #LawAbidingBiker #Bikaholics #RyanUrlacher

Major Charles Rane returns home after being released from being a prisoner of war from Vietnam. He is celebrated and rewarded for his patriotism and sacrifices, but when thieves kill his family to take the reward he goes out on a mission of vengeance in Rolling Thunder (1977). Join IOTR as we remake this hidden gem revenge flick complete with our own unique fantasy casting on this week's episode. Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes / Apple Podcasts. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. https://invasionoftheremake.wixsite.com/podcast Follow us on BlueSky: @invasionremake.bsky.social Follow us on X/Twitter: @InvasionRemake Like and share us on Facebook, Instagram & Tik-Tok: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, hoodies, hats, and other Invasion of the Remake swag at our merchandise store!

Episode 2633: Vinnie Tortorich speaks to director and producer Peter Pardini about Peter's latest movie, which reviews recent history in a rant, and more. https://vinnietortorich.com/2025/04/history-in-a-rant-peter-pardini-episode-2633 PLEASE SUPPORT OUR SPONSORS YOU CAN WATCH ALL THE PODCAST EPISODES ON YOUTUBE -  History In A Rant The story of when Peter and Vinnie met. (2:00) Peter's documentary "Now More Than Ever" introduced the band Chicago to a whole new generation. Joe Mantegna and Serena Scott Thomas worked with Peter in “Rolling Thunder.” (9:00) Joe also narrated Peter's second documentary about the band Chicago. The band has been performing for almost 60 years and is still going strong. (11:00) They discuss how Vinnie and Peter decided to do a documentary together. (16:00) “FAT: A Documentary” was crowdfunded with the guidance of Peter. Peter shares his recent movie “Man Goes On Rant” about U.S. history since Y2K, but from a different point of view. (25:00) They discuss various things in recent history and how society reacted. You can find “Man Goes On Rant” on Amazon.  They discuss cell phones, screen time, and Vinnie's “phone diet”. (1:05:00) Children in today's society have a whole different set of challenges. There are lessons to be learned on how media and society have handled events over recent years. (1:02:00) More News If you are interested in the NSNG® VIP group, closed for registration, but you can get on the wait list - Don't forget to check out Serena Scott Thomas on Days Of Our Lives on the Peacock channel.  “Dirty Keto” is available on Amazon! You can purchase or rent it . Make sure you watch, rate, and review it! Eat Happy Italian, Anna's next cookbook is available!  You can go to  You can order it from .  Anna's recipes are in her cookbooks, website, and Substack–they will spice up your day!  Don't forget you can invest in Anna's Eat Happy Kitchen through StartEngine.  Details are at Eat Happy Kitchen.  There's a new NSNG® Foods promo code you can use! The promo code ONLY works on the NSNG® Foods website, NOT on Amazon. https://nsngfoods.com/   PURCHASE  DIRTY KETO (2024) The documentary launched in August 2024! Order it TODAY! This is Vinnie's fourth documentary in just over five years. Visit my new Documentaries HQ to find my films everywhere:  Then, please share my fact-based, health-focused documentary series with your friends and family. Additionally, the more views, the better it ranks, so please watch it again with a new friend! REVIEWS: Please submit your REVIEW after you watch my films. Your positive REVIEW does matter! PURCHASE BEYOND IMPOSSIBLE (2022) Visit my new Documentaries HQ to find my films everywhere:  REVIEWS: Please submit your REVIEW after you watch my films. Your positive REVIEW does matter! FAT: A DOCUMENTARY 2 (2021) Visit my new Documentaries HQ to find my films everywhere:  FAT: A DOCUMENTARY (2019) Visit my new Documentaries HQ to find my films everywhere: 

In Episode 35, hosts Drew Lyon & Door Man discuss the second half of the upcoming films within the April 2025 Revival Program at the Academy Theater.April 11-17: DOWN BY LAW (1986) // LEGALLY BLONDE (2001) // HARAKIRI (1962) [International Series].April 18-24: BILL & TED'S EXCELLENT ADVENTURE (1989) // THE BIG SLEEP (1946) // THE LONG GOODBYE (1973).April 25 - May 1: SUPERBAD (2007) // ROLLING THUNDER (1977).Take a listen and get excited to see these movies on our Big Screen! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit academyrevivalpodcast.substack.com

Close your eyes and enjoy 10 hours of loud thunder and heavy rain, perfect for deep sleep, relaxation, and soothing background noise. These intense thunderstorm sounds feature powerful, booming thunder and steady rainfall to help block out distractions, relieve stress, and fall asleep fast. Great for insomnia, focus, or anyone who loves the sound of a loud, rolling storm.Stream Calming White Noise on your TV!

Welcome back to For The Love of Guns! In this relaxed and nostalgic episode, host Jason Schaller sits down in-studio with returning guest Lonnie Robinson, a longtime friend, Marine Corps veteran, and firearms enthusiast. Together, they dive into the joys and challenges of getting back into competition shooting as they navigate their "older years," reflecting on past experiences, evolving passions, and the camaraderie that keeps them hooked on the sport. Key Segments Intro: Welcome Back Lonnie [00:00:04 - 00:01:42] Jason kicks off the show with a warm welcome to Lonnie, a rare in-studio guest who's back for more “abuse.” The duo shares how they met—Lonnie as a customer when Jason ran an FFL—and their enduring friendship despite Jason's playful jabs. Topic: Returning to Competition Shooting [00:01:43 - 00:11:53] Jason and Lonnie discuss their return to competition shooting, focusing on trap, sporting clays, and pistol matches. Lonnie reflects on his recent trap and five-stand sessions at a new club, reigniting his love for shotgunning—a passion rooted in his Marine Corps days and childhood hunting in Texas. Jason shares his own journey, from trap at age 10 with an 870 Wingmaster to pistol competitions in his 20s and sporting clays in his 30s. They explore the physical challenges of aging—shoulder surgeries, knee issues, and arthritis—and how it shifts their focus from winning to enjoying the sport and camaraderie. Highlight: Lonnie's shift to competing against himself rather than others: “I'm my main adversary now.” [00:06:13] Sponsor Break: EGIS Gun Care [00:11:53 - 00:12:35] Jason gives a shoutout to AEGIS Gun Care at https://trb.fyi/boomlube, praising their oils and teasing an upcoming content idea. Use code BoomLub at checkout for 10% off and to support the show! Long-Range Shooting: Military vs. Now [00:12:35 - 00:16:58] Lonnie contrasts his Marine Corps long-range shooting with today's recreational approach, emphasizing fun over necessity. A discussion on ethical hunting: Lonnie opts against building a long-range hunting rifle (7mm PRC) for a client due to insufficient skill and practice for shots beyond 400 yards. Highlight: “Unless you know your rifle, load, and wind conditions, you shouldn't take long-range shots.” [00:14:46] Gunsmithing: Experience Over Certificates [00:17:01 - 00:23:26] The pair dive into building custom rifles, with Lonnie sharing his work at Little Mountain Gun Works and Jason recounting his own builds (e.g., rebarreling Remington 700s). They critique gunsmithing schools like SDI and MGS, agreeing real-world experience trumps formal diplomas. Lonnie's “diploma from life and the Marine Corps” speaks for itself. Highlight: Lonnie on woodworking: “I don't need a class—I make really nice stocks.” [00:20:52] Competition Rifles and Shotguns [00:23:26 - 00:45:24] From chassis systems to classic over-and-unders, they explore how competition gear has evolved and their personal preferences (Lonnie's Beretta love shines through). Lonnie's shift to enjoying the process over scores: “My five-stand was atrocious compared to my old scores, but I had a blast.” [00:45:10] Speed Round [00:51:22 - 00:57:03] Jason surprises Lonnie with a quick-fire Q&A: Ear plugs or muffs? Plugs for shotguns. [00:52:16] 357 or 454 Casull? 357 for versatility. [00:53:55] Improved or modified choke? Modified for all-around use. [00:55:05] Single shot or lever action? Single shot (Ruger No. 1 fan). [00:56:23] Thinking Question: From the world's largest armory, Lonnie picks a Ma Deuce (.50 BMG), envisioning it in a Jeep for Rolling Thunder. [00:57:27] Wrap-Up: Little Mountain Gun Works [01:01:03 - 01:04:26] Lonnie introduces his retirement gig at Little Mountain Gun Works, crafting custom PRS and NRL rifles with his 07 FFL. Jason teases future collaborations—stay tuned for more! The episode ends with their signature banter,

Welcome back to For The Love of Guns! In this relaxed and nostalgic episode, host Jason Schaller sits down in-studio with returning guest Lonnie Robinson, a longtime friend, Marine Corps veteran, and firearms enthusiast. Together, they dive into the joys and challenges of getting back into competition shooting as they navigate their "older years," reflecting on past experiences, evolving passions, and the camaraderie that keeps them hooked on the sport. Key Segments Intro: Welcome Back Lonnie [00:00:04 - 00:01:42]   Jason kicks off the show with a warm welcome to Lonnie, a rare in-studio guest who's back for more “abuse.”   The duo shares how they met—Lonnie as a customer when Jason ran an FFL—and their enduring friendship despite Jason's playful jabs. Topic: Returning to Competition Shooting [00:01:43 - 00:11:53]   Jason and Lonnie discuss their return to competition shooting, focusing on trap, sporting clays, and pistol matches.   Lonnie reflects on his recent trap and five-stand sessions at a new club, reigniting his love for shotgunning—a passion rooted in his Marine Corps days and childhood hunting in Texas.   Jason shares his own journey, from trap at age 10 with an 870 Wingmaster to pistol competitions in his 20s and sporting clays in his 30s.   They explore the physical challenges of aging—shoulder surgeries, knee issues, and arthritis—and how it shifts their focus from winning to enjoying the sport and camaraderie.   Highlight: Lonnie's shift to competing against himself rather than others: “I'm my main adversary now.” [00:06:13] Sponsor Break: EGIS Gun Care [00:11:53 - 00:12:35]   Jason gives a shoutout to AEGIS Gun Care at https://trb.fyi/boomlube, praising their oils and teasing an upcoming content idea. Use code BoomLub at checkout for 10% off and to support the show! Long-Range Shooting: Military vs. Now [00:12:35 - 00:16:58]   Lonnie contrasts his Marine Corps long-range shooting with today's recreational approach, emphasizing fun over necessity.   A discussion on ethical hunting: Lonnie opts against building a long-range hunting rifle (7mm PRC) for a client due to insufficient skill and practice for shots beyond 400 yards.   Highlight: “Unless you know your rifle, load, and wind conditions, you shouldn't take long-range shots.” [00:14:46] Gunsmithing: Experience Over Certificates [00:17:01 - 00:23:26]   The pair dive into building custom rifles, with Lonnie sharing his work at Little Mountain Gun Works and Jason recounting his own builds (e.g., rebarreling Remington 700s).   They critique gunsmithing schools like SDI and MGS, agreeing real-world experience trumps formal diplomas. Lonnie's “diploma from life and the Marine Corps” speaks for itself.   Highlight: Lonnie on woodworking: “I don't need a class—I make really nice stocks.” [00:20:52] Competition Rifles and Shotguns [00:23:26 - 00:45:24]   From chassis systems to classic over-and-unders, they explore how competition gear has evolved and their personal preferences (Lonnie's Beretta love shines through).   Lonnie's shift to enjoying the process over scores: “My five-stand was atrocious compared to my old scores, but I had a blast.” [00:45:10] Speed Round [00:51:22 - 00:57:03]   Jason surprises Lonnie with a quick-fire Q&A:   Ear plugs or muffs? Plugs for shotguns. [00:52:16]   357 or 454 Casull? 357 for versatility. [00:53:55]   Improved or modified choke? Modified for all-around use. [00:55:05]   Single shot or lever action? Single shot (Ruger No. 1 fan). [00:56:23] Thinking Question: From the world's largest armory, Lonnie picks a Ma Deuce (.50 BMG), envisioning it in a Jeep for Rolling Thunder. [00:57:27] Wrap-Up: Little Mountain Gun Works [01:01:03 - 01:04:26]   Lonnie introduces his retirement gig at Little Mountain Gun Works, crafting custom PRS and NRL rifles with his 07 FFL.   Jason teases future collaborations—stay tuned for more!   The episode ends with their signature banter, proving their friendship is as strong as their love for guns. Notable Quotes “Shotgunning and hunting birds is always a love.” – Lonnie [00:02:51]   “It's not putting holes in paper—it's that challenge.” – Jason [00:04:25]   “I'm not competing against everybody else now—I'm competing against myself.” – Lonnie [00:06:13]   “There's no replacing actual experience.” – Jason [00:20:23] Connect Follow Little Mountain Gun Works: Stay tuned for updates via the podcast!   Support the Show: Visit AEGIS Gun Care at https://trb.fyi/boomlube and use code BoomLub for 10% off.   Subscribe: Catch every episode of For The Love of Guns wherever you get your podcasts!

The Suppression of Enemy Air Defenses (SEAD) mission, better known as the Wild Weasel mission, has been a critical component of air warfare since Vietnam. In this special five-part series, host Mike "Flash" McVay explores the evolution of SEAD from its early days in Rolling Thunder to Desert Storm, Kosovo, and today's modern air battles.

Welcome to Moonlight Sounds, the podcast featuring white noise and nature sounds to help you sleep, study, or relax. We make relaxing sounds to improve your life and are excited to share them with you. Join the millions who have already enjoyed our meditation soundscapes which include rain sounds, ocean waves, white noise for babies, fan sounds, spaceships, Tibetan bowls, waterfalls and rain with thunder. Whether you're trying to study for a test, focus at work, fall asleep or simply relax, we have the perfect chill sound for you.DISCLAIMER: Remember that loud sounds can potentially damage your hearing. When playing one of our ambiences, if you cannot have a conversation over the sound without raising your voice, the sound may be too loud for your ears. Please do not place speakers right next to a baby's ears. If you have difficulty hearing or hear ringing in your ears, please immediately discontinue listening to the white noise sounds and consult an audiologist or your physician. The sounds provided by Moonlight Sounds Podcast are for entertainment purposes only and are not a treatment for sleep disorders or tinnitus. If you have significant difficulty sleeping on a regular basis, experience fitful/restless sleep, or feel tired during the day, please consult your physician.

In today's episode, we've been traveling a LOT here recently (00:14)... If you've ever thought about poaching a record buck, let this be a lesson to you (02:19). The Beast and Brews event got rescheduled if y'all were looking to head on down (07:04). There ain't much on the ground here lately other than a ton of coyotes (08:05). Mikey snapped a pic of an UNBELIEVABLE elk while hunting out in Texas (11:46). We always want to go out and hunt that trophy buck, but man sometimes you just can't beat shed hunting (15:48). We've been prepping to burn for the past few weeks, but this weekend is FINALLY the time to do it (17:55)! Mark and Jamie did a little patrolling around the farm yesterday and managed to pick up a few good lookin' sheds (25:09). We covered a bit of it last week, but we're taking a DEEP DIVE into our trip to the NWTF (27:27). Rolling Thunder hooked Mark up with a brand new mouth call (41:54)! Back in the day hunting products weren't ANYTHING like they are now (44:26). If you're looking to go to the NWTF, here's the BEST days to go (47:44). Mark got himself a new turkey gun, and it is READY TO GO (49:31). Are you an over-packer or a minimalist when it comes to your turkey vest (56:15)?

Welcome to the Backlog Busters, Season 8 - Episode 7. Mathman and BlazeKnight talk about "The Last Ronin" and nine-day-long vacations. We also handed out secret tips and tactics for the classic Sega Genesis games Back to the Future Part 3 and Rolling Thunder 2 and the SNES game Super Off Road.Mike - Super Mario RPG, FF XI Braver, Baldur's Gate 3Ryan - Prince of PersiaIf you were a patron, you would hear all the stuff we talk about before and after the theme music. You never what you'll hear!If you would like to have more of the Backlog Busters in your life, head on over to the socials and follow these fine folks:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Backlog Busters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mathman1024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BlazeKnight⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SkinnyMatt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Also, don't forget to join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discor⁠⁠d⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and be part of the fun.Patreon link -->⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/BacklogBusters⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SkinnyMatt's Extra Life page --> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠

We're playing two not very classics of their respective genres today as we go back to the back half of the 90s to play an early action game and a relatively early 3D platformer. We're kind of split on which game we prefer along lines I expect you'd predict, but we both had a pretty good time with both games anyway! Also, before that, Jackson gives the MOTHER of all segment 1 updates. At 16:15 or so until 1:15:30 Jackson's Audacity file broke and we had to use the backup. Em's a little quiet during this section but it's mostly okay. I did my best with the edit. Sorry about that! Thank you so much as always for listening, please rate and review the podcast, and tell all your friends on whatever social media you call home that they should check us out. See you next month!Send us questions about our game clubs, other games, or gaming in general to abnormalmappingpodcast@gmail.com!If you would like to support us please visit patreon.com/abnormalmapping for exclusive podcasts!Things Discussed: Devil May Cry 1, The Bouncer, Resident Evil 3: Nemesis, TMNT 89 Arcade, Oni, Maken Shao: Demon Sword, Final Fight, Double Dragon, Golden Axe, Double Dragon 2: The Revenge, Downtown Nekketsu Story, Shinobi, Black Belt, Rolling Thunder, Altered Beast, Aliens, Ninja Gaiden (NES), Contra, Super Contra, Double Dragon (NES), Shadow Dancer, Double Dragon 3: The Rosetta Stone, Mega Man 2, Galaxian, Defender, Scramble, Tempest, Ninja Gaiden 2: The Dark Sword of Chaos, Space Harrier, Shadow of the Ninja, Xevious, Devil Blade Reboot, Batsugun, Varyznex, The Hurricane of the Varstray: Collateral Hazard, Alien vs Predator, Shoot 1Up DX, Exed Exes, Gradius, Terra Cresta, Twinbee, Slap Fight, Ninja Gaiden 3: The Ancient Ship of Doom, Streets of Rage 2, Bare Knuckle 3, TMNT 4: Turtles in Time, Cadillacs and Dinosaurs, Final Fight 2, Final Fight 3, Knights of the Round, Jackson's shmup diaries on their youtube, Touhou 1 and Touhou 2, Rising Zan: The Samurai Gunman, Devil May Cry, Godhand, Croc: Legend of the Gobbos, Froggun, Lode Runner, Tomb RaiderNext Month's Game Club: Soul BlazerMusic this EpisodeJohnny No More byDavid Nowlin and Greg WeberRising Zan Them by Hironobu Kageyama, Atsunori Namba, Yoshichika ShimamuraVolcano Island 4 by Justin Scharvona, Karin Griffin and Martin Gwynn JonesBonus Theme 1 by Justin Scharvona, Karin Griffin and Martin Gwynn JonesSnow Island 4 by Justin Scharvona, Karin Griffin and Martin Gwynn Jones

Pop into the RTGC Booth at NWTF and take a couple of minutes to meet - the ROAD DOGS.    As these fellas get ready to start the '25 Trade Show tour , we get a quick introduction into who they are , some of the cool things Rolling Thunder dropped at NWTF , and an invtite to meet 'em on the road.   Thanks for listening , share this episode with a friend and as always - we'll catch you on the next one!

Nathan and Ryan take a deep dive into the gritty, revenge-fueled world of Rolling Thunder! This 1977 cult classic, written by Paul Schrader and starring William Devane and Tommy Lee Jones, is a slow-burn thriller that explodes into brutal violence. The hosts discuss the film's themes of trauma, justice, and retribution, its influence on later revenge films, and why it remains a hidden gem of '70s cinema. Get ready for a harrowing ride through one of the most underrated action thrillers of its era!

This week Chris catches up with Roll Tide Riles himself - Mr. Riley Bennett. If you didn't know, RIley is one half of the tuning team at Rolling Thunder and on this week's episode we recap duck season , have a laugh or two , and get a little piece of the story that led Riley to his love for calling ducks and to the calls that make it possible.   Thanks for joining us , leave us a rating and review and as always - we'll catch you on the next one. 

EPISODE #438-- After a long holiday hiatus we are back to talk about the romantic dark fantasy FLESH + BLOOD (1986) from Paul Verhoven, staring Rutger Hauer and Jennifer Jason Leigh. Is it a great movie? No. Is it good? Kinda. What's important, though, is that we are very funny and talented and have a good time making a meal of a very messy movie. We also talk about the importance of Pluto TV, the mini-series SAY NOTHING (2024) on Hulu, Disney+'s STAR WARS: SKELETON CREW (2024), the Paul Schrader-penned vetsploitation ROLLING THUNDER (1977), and TOKYO OLYMPIAD (1965). A big week. A big episode. Join the cause at Patreon.com/Quality. Follow the us on Ton Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Crashing Lightening and Rolling Thunder. In 25 parts, edited from the works of FinalStand. Listen and subscribe to the ► Podcast at Connected.. “You will never appreciate having to follow a difficult order until you have to give one.” (Late, late Saturday Night) Had I been alone? There are few perks to a solitary lifestyle. One of the few is the freedom from others; and by that I mean you don't have to decide if you care about people you don't know. You are free. Your emotions are free, your decisions are free and your time is your own. Selfish in the best way. Libra took my keys after we arrived at my apartment building and raced ahead to make sure that Timothy and Odette, if either was awake, would be forewarned. Casper clung to me as she always did. Estere took the lead since I also had to do pack mule duty. Brooke carried the few things that were beyond me. The rain was turning from a drizzle to a downpour. Odette had a friend over; a female acquaintance. Timothy; Timothy was in the middle of a very successful date night. Now I had the joy of being an auditory spectator in my domicile's sexcapades. "Shouldn't she be taken to a clinic, or something?" the friend blurted out. I didn't know her enough to decide if she was nervous, flippant, or secretly cruel. Casper dug in tighter. I had to dump the luggage to deal with her heightened anxiety. Libra, Brooke and Odette picked up the slack while Estere soaked in the ambiance of my dwelling. The look she gave me was one of amusement and intrigue. This was hardly the lair of the one and only Amazon Prince. It was sublime and comfortable. It had a nomadic quality she found familiar. Being in a fortress has its comforts. Being in someone else's fortress is far less comfortable. Estere was quietly accounting for every knife, mallet, or other potentially fatal piece of housewares. Brooke, Libra and Odette were already ordering and organizing my life ;  what did they need to get and how would they get it? "So; you are Odette's; friend," the unknown woman stated. Snapping at her was unduly unfair to Odette, who put up with mountains of my insane lifestyle. "Yeah, that's me. Cáel Nyilas; self-made troublemaker," I confessed. "You?" "Delilah," she answered. "What happened to her?" Casper flinched. "Nothing that being reminded about what a wonderful friend she is won't help heal," I cautiously responded. "She is hanging out with me and some friends for the weekend." "Cut it out, Delilah," Odette sighed. "Who are you really, anyway?" Delilah was smooth, I had to give her that. "Odette, what do you mean?" Delilah stood up. "Delilah, or whoever you are, I'm not such a wonderful person that people I've known two days come home with me," Odette lectured. "Now, I kept you here until you could meet Cáel, so why don't you return my courtesy and tell us what's going on?" Odette was keeping Libra and Brooke in my room thus out of play. Timothy climaxed. Good for him. Out in the living room, Delilah made a stutter step. She was frozen by Estere's silenced weapon pointed at her. "You were spotted by a rank amateur," the Hashashin noted. "Who are you with?" "You people are nuts," Delilah flushed with panic. Nice touch, but that panic didn't reach her cold, calculating eyes. "Damn Delilah," Odette shook her head. "You need to watch more television. BBC America has this nice drama called Orphan Black where the exact same thing happened. I knew you were lying to me in twenty minutes. I was nice enough to not bring the Death Squad across the street over to deal with you. They wouldn't have cared whether I was being paranoid or whatever. They would have dragged you out and killed you on general principle. You owe me." "I don't know what's wrong;” Delilah got out. There was a rapid knocking at the door. Shielding Casper behind me, I backed up in that direction. "Last chance," Odette looked at Delilah sternly. "That's the Death Squad." Sure enough, I checked and it was two Amazons in full gear. I opened up and the two edged in around me. "Ishara; status please," the leader asked. "Estere Abed is a diplomat for her Protocol faction, there should be records of Brooke and Libra on file and Odette belongs here. Casper is behind me; special case. That woman," I motioned to Delilah, "is of unknown origin." "Miss, lay down on the floor, on your stomach; arms out to your sides," the leader brought her UP-40 up, aimed at Delilah. "This is insane," Delilah sounded really frantic. Not in the eyes though. "Lie down, or three rounds in the chest," the Amazon team leader related calmly. "Last chance." Delilah decided that she wasn't cut from a fanatic's cloth. She went down like a pro. The two Amazons closed in. I spotted the third of the four woman team at my door, keeping watch. The two inside efficiently bound her hands behind her back and patted her down for weapons; none. "She is in violation of the truce," the leader pointed out. "Should I dispatch her now?" "Wait!" Delilah squawked. "I'm supposed to keep an eye on him and protect him, not hurt him. Fuck, don't kill me for this." "Who are you working for?" Estere came closer. Delilah hesitated so both Estere and the number two Amazon drew their knives. "Fine! Fine. All I have is a name and I'm only supposed to tell him," she pleaded. There was a moment of uncertainty. "She'll tell us," Estere knelt beside Delilah. Now Delilah's panic was real. "Wait," I stated. I motioned Brooke and Libra to move around the crowded room and comfort Casper. "Well," I sighed as I went on my hands and knees beside Delilah's head. The Amazon leader had her hand on the woman's head, pressed tightly to the ground. "Sibeal," Delilah whispered. Mom. "Do you have any way of contacting this person?" I asked. "No. It is not how I work," she said and finally I caught it. The accent. I looked to the leader. "Look at her hands and tell me what you see," I asked the Amazon. I went back to resting on my knees. "Hard; callused from repetitive weapons practice. Short nails. She's very fit," the Team Lead kept up the examination. "I apologize Ishara. She's a soldier." "Let her go," I commanded. The Amazon only paused for a moment before cutting her bonds. Delilah moved cautiously as she moved to a cross-legged position. "You don't have to answer me, but I'd appreciate some honesty. You're English. Would that make you MI-5, or MI-6?" It wasn't as huge a leap as it looked. Who could Mom trust? In this case, a government operative would actually be safer for her and she had to have decades of Illuminati information inside her head. Delilah had one reason to be honest; her mission. "MI-5 is counter-intelligence," Delilah grinned as her British accent came out to play. "M I 6. S I S is foreign intelligence. I'll let you figure it out." "Good enough," I stood then helped her stand as well. "You can stay; starting Monday. I need a break, okay?" Delilah nodded. "Deal. Now do me the courtesy of telling me why I'm here?" she asked. "Love. Deep, abiding love," I looked right into her soul. Crisis averted. Delilah 'agreed' to go with my guardians to 'work things out'. Delilah was curious as to why they called Cáel Nyilas; Ishara. She also congratulated Odette on figuring something was up. Odette told her not to feel bad about it; reference all the psycho bitches that showed up in my life. Brooke headed out to gather some more belongings for herself and Libra because; my vote not even elicited; they were going to hang close to Casper and I for a few more days. Libra and Estere headed out to that authentic Italian pizza joint I'd taken Libra to earlier since my food stockpile was abysmal and the neighborhood was far from safe this late at night. Odette took Casper to my bedroom so that Casper could talk with her parents in Delaware. Timothy and his date emerged from his room. It was Sovann Mean, who I had met before and gotten along with. It took me all of two seconds to figure out what had happened. Sovann had asked Timothy out because Timothy never thought Sovann was interested in him. Sovann was a second generation Cambodian-American and had this stoic demeanor he raised up whenever he was nervous, ensuring Timothy's confusion. "Hey Cáel," Sovann smiled at me. "Still being good?" That was code for me being 'straight'. It still weirded me out a bit; Sovann was a serious weightlifter, like Timothy and I, but a head shorter, so he looked stockier than he really was. When he smiled, his whole face lit up too. It was the Khmer 'twang' that always sounded out of place to me. "We will not discuss the number of women who were here mere moments ago," I joked wearily. "Timothy, I apologize for coming back early; shithead-intervention shut things down in the Hamptons." "No problem, Bro," Timothy came and gave me a man-hug. "With your newfound wealth, we may need to convert the sofa to a sleeper-sofa," Timothy semi-joked. "Oh yeah, and that girl down the hall; when I told her your father died, she baked you some cookies. They're in a tin by the toaster. They really are pretty good, too; walnut and caramel chip." That sounded tasty. I guessed that meant I finally had to meet the women. Sovann came up and fist-bumped me as Timothy went for the refrigerator. The doorbell rang. I wondered who had forgotten what as I swung the door open. Lighting exploded outdoors, our lights flickered and thunder shook the apartment. It was Uncle Carrig. As the old song said 'he looked like a jigsaw puzzle with a couple of pieces gone'. His eyes wore a harried, feral look. His bellow, as he charged, rolled over me like the amplified heartbeat of a hellish primate. I had no time before he was on me. Down we went. I tried to push him off of me. His suit was soaked with rain and blood, some of it had to be his own. In his right hand he held a dull aluminum cylinder with a metallic suction cup on the bottom. Sovann kicked Uncle Lumpy in the side of the head. Inflicted on a normal man, that would have driven him off me. Lumpy released his hold on my shoulder and backhanded Sovann. The Cambodian went flying in the direction of the sofa despite getting a leg block up. I had a flash of Timothy going for his home deterrent system, aka the crowbar. Odette began yelling. The cylinder was coming down. Carrig's left grabbed my chin, fixing my head in place. I opted to use both my arms to stop his right, and the device, from coming down. I bought a little time. Timothy's blow came down on Lumpy's left shoulder, weakening the hold, but not enough. The device slammed into my forehead. I felt a burning pain as a portion of the flesh beneath the cup was flash-fried away. More pain, then a little pressure and finally nothing. In those seconds before my mind spun out of control, I had the oddest sensation there was something inside my brain. Searing agony; existence lost all meaning and I was gone. (One week later) They say pain in the brain is illusionary. Of all your nerve cells, only a tiny fraction are devoted to pain. The rest do the important work of keeping your body functioning. The brain is on top of it all and it has better things to do that register pain; or so I was told. To be somewhat fair, what I felt wasn't exactly pain. It was the sensation that something was crawling around inside my psyche, doing something. Sharp, tingling jolts shocked my body parts at regular intervals. Painful in their own way, yet not so much I couldn't concentrate. I opened my eyes. The lights in my room had been dimmed, but not enough that I couldn't see the six ladies standing about; doing nothing. I recognized my present lodgings as Havenstone Post-classical Modernism (total lie; I'm not an interior designer). The six ladies turned, looked at me, then closed in slowly. A staring contest was in the offing when two people entered the room from the door at the foot of the bed. It then occurred to me that little sonic indicators on the machinery surrounding me were chirping loudly. One woman was a physician's assistant I knew from an earlier bout at Havenstone Medical. She had performed CPR on me. The other woman; she was the senior-most recruit from my father's graveside service. She looked positively grim. My dry throat requested some water then I attempted to rise. A problem instantly revealed itself. I was strapped down on my bed. The ankles, wrists and a neck/head brace kept my movements to a minimum. There was a side benefit to this imprisonment. That body-wide jolts? My body was wired up to a system that had needles piercing my muscle clusters. Amazons prided themselves on being physically fit and their tolerance for pain. My muscles hadn't atrophied during my; coma and the price was this constant, low-level pain. I still wasn't sure that was the reason I was bound. The PA maneuvered a plastic bottle with a spout to my lips and gave me a brief squirt. A few seconds later I got another and then a third. "Okay," I rasped. "What's going on?" "You have been in an unresponsive state for 7 days, Ishara," the 'senior' told me. "Why are you here?" I coughed. "I mean, why aren't you on the job?" She blinked. "Your life was imperiled so we decided that five of us would be around to monitor you and keep you safe," she answered. "What's with everyone else?" I huffed. The two looked at me. The quiet six were of no help. "Fine, what are you ladies doing here?" I asked the women originally in the room. No answer. "Ishara?" the PA worried. That was when it dawned on me that the two and the six weren't interacting on any level. "How many people are in the room?" I asked my housemate. She paused. "There are three of us, Ishara. You, me and the attendant," she answered. "How many people do you see?" "Well shit," I muttered. Then the first of the six spoke to me. Actually, she mouthed to me. It took me a moment to realize she was giving me her name. The next one started. "Device," I snapped to the 'senior'. As she hesitantly reached for hers, I began rattling off the names. When the sixth one gave me her name, the group dissipated into the ether. "Who are these women?" 'senior' requested. "Find out," I sighed then, "It is important." She nodded. Now that the specters were gone, the mortals began to come in. Right off the bat, I was confirmed in my status as "prisoner". They wouldn't free me when I requested it and they made no attempt to conceal their hostility to my fellow Isharan. The agenda was decided without me; they were going to check me out mentally, then I was off to see Hayden. Why was I imprisoned? My brain was a maelstrom of activity across a broad spectrum of regions and lobes. What had happened? They didn't know. The suction cup had stabilized the tube which was really a firing mechanism. When the device was able to detect and aim for a specific part of my brain, the longitudinal fissure, it shot a rod three-quarters into my cranium. A laser had burned through the skin and skull with surgeon-like precision so a barb of unknown construction could go deep into my brain. Then it 'detonated'. That was one of the problems the medicos of Havenstone were facing. The device had been so badly damaged when it unleashed its energy that they could no longer divine its function. What they did understand was that while my neural network was going super-nova, it wasn't killing me. They leapt on the idea of mind control. That theory sounded pretty lame to me, but I was the one tied down, with one ally in a room full of people bred to mistrust all males. The next approach; was I sane? The PA offered that I was seeing phantasms. 'Wait'. "Go," I directed the senior. "Take care of the business I have given you then tell Buffy and Helena what you've found out. You are wasting your time staying here." She nodded and left. It was more "common sense" rather than any sense of my leadership that made her leave. But that done; I concentrated on the entirety of the message so that it settled upon my soul. I relaxed, shut my eyes and let the world float by. It took them a minute to notice my noncompliance; any positive contribution on my part had slipped so far down in their expectations. "Ishara?" one of the SD chicks inquired. I opened one eye, then shut it. There was nothing to be done. "What is he doing?" that Amazon asked a physician. She, in turn asked me. I took a deep, cleansing breath and continued to ignore them. "There is nothing wrong with him," the physician noted. "He is being childish." That went beyond disrespectful. As a quirk of Amazon society, they had left me my knife strapped to my arm. To take it would have been an insult my tiny house could not have borne; essentially declaring me incompetent. I was heading that way, but not yet. That didn't stop them from deriding me until a lull finally developed. For a moment, I thought I was alone. I was intrigued by the words suddenly aimed my way. "Mr. Nyilas?" an unknown female inquired. I opened an eye. Woman; bad suit; and a badge. What the fuck? I was in Havenstone. "Special Agent Virginia Maddox with the Federal Bureau of Investigation. I'd like to ask you a few questions," she began. "Okay," I cleared my throat, "as long as we are clear I am one misstep away from invoking my Miranda Rights." She worked that one over for a second. "Do you know why your uncle attacked you?" "Honestly, I'm curious as to why I'm still alive," I tried to shrug. "Carrig and I never got along, if you consider when I first met him we fought and the second time he stabbed me in the forehead," I explained. "How long did you and your uncle fight; the second time?" she asked. "Um; six second," I guessed. "How is Lumpy doing, anyway?" "Lumpy?" "Uncle Carrig." "He's dead." "Seriously; fuck. What killed him?" "We are working that out. He was beaten, stabbed; by three different blades, shot 67 times by five different firearms, only two which we have recovered," Virginia stated. "We also think he was hit by two cars, one dump truck and a subway." "Well; yeah; Uncle Carrig was looking a bit rough when I answered the door," I confessed. Lumpy had to have been on a freaking quest to go through all that to get to me. Subway? He was hit by a subway and walked away. Most people barely leave a recognizable corpse. "How are Odette, Timothy, Casper and Sovann?" I recalled. She looked at her phone. "They are mostly fine. Casper Winslow was taken to the hospital in shock and was released to her parents," she said. "The other three were taken to the Emergency Room, treated for minor injuries and released," Virginia informed me. "The other four women were a more delicate manner." "Four women? Could you be more specific?" "Your bodyguards." "Could you be more specific?" "For a person with supposedly limited financial means, a lower income lifestyle and a humble background, you appear to have a small army hovering around you, high society friends, and lawyers who are on a first name basis with Supreme Court Justices," Virginia noted. "Lady, half-way through Day Two on this job, I almost gave it all up and biked my ass down to Terra del Fuego to live the sane life of a paranoid recluse," I sighed. "Why didn't you?" "Cause I'm an idiot. I was hoping a crackerjack investigator like you would have figured this out by now," I grinned. "How do you know I'm any good at my job?" she sent a sultry lip twist my way. Yes; pinned to a bed I could still attract the ladies. Having hundreds of little needles in me made the prospects for a quick sexual romp unlikely. "Javiera chose you for this assignment," I told her. "You have to be a woman because this is Havenstone and you have to be clever because this is a lunatic asylum." "Touché," she acknowledged my above average mental status. Next came a list of names. It took me a few seconds to focus on them. "Oh, what happened to them?" I inquired. "What makes you think anything happened to these people?" she parried. "Oh, I'm betting Javiera gave you a list of names and there is only person left alive out of that group," I felt introspective. "I wonder where Anima is hiding." "What happened to those people?" she persisted. "I don't know. I've been napping for the past week, but I'm betting they all met nasty ends," I told her. "Why were these people murdered?" "Were they murdered, or are they merely deceased? See, if I give you my opinion, you will have to pursue that line of inquiry which will only hurt one person who has already been hurt enough and save somebody who shouldn't be saved," I explained. "Why do you get to determine who gets saved?" Virginia pressed. "As opposed to who? You and Javiera? That's laughable. Why don't you go down the net worth of the families of those unfortunate corpses, then tell me how balanced your justice system would be? Please understand, I don't hold you and your profession in contempt," I met her hardening gaze. "To prove to me that I'm wrong, all you have to do is honestly tell me that high-priced lawyers, legions of specialists that confuse juries and enormous bank accounts to keep the appeals going indefinitely while the guilty roam about on bail equates to the legal process working fairly and impartially," I reposted. "That's not the same thing as;” she got out before the door opened and several people traipsed in, including three SD personnel. Last came Troika and she was coldly furious. "I was promised more time with Mr. Nyilas," Virginia protested. She was ignored. "Ishara, you are coming with us," Troika snapped. To be fair, the medical attendant wasn't overly torturous as she pulled out the muscle stimulatory aids and applied the bandages. It still sucked. That was ameliorated somewhat by the read I was getting of Troika. I waited for the last restraint to be removed before speaking. "I refuse to go with you," I stated firmly even as I sat up. See, I needed something to happen that was beyond my ability to obtain. "Take him," Troika directed two of the SD babes. My captors had gone out of their way to make sure these Amazons weren't ladies I knew. "Stop," I declared with authorities. "You cannot touch me against my will as that violates Hayden's ban on me entering blood feuds and wrangling me anywhere against my will constitutes a blood feud in Ishara's eyes." "It is Hayden's order," Troika snapped. "Has she lifted the ban? If not, these ladies will be breaking Hayden's decree." Troika harrumphed then gave Hayden a call. For the purpose of this meeting, the ban was lifted. That was what I needed so off I went. I waited until we got in the elevator and were heading up before launching my strike. Pamela would have been so proud. If Troika had given me an ounce of dignity, I couldn't have pulled it off. As it was, the first stab took her just under the left eye, the second punched through her cheek and spitted her tongue. The third nearly severed her upper lip and then the SD were on me. "Blood Feud!" I screamed. "You stole from me!" Troika was about to come back at me, knife in hand. One of the SD got in the way. What I had done was illegal; blood feuds needed to be approved; except for one tidbit of law Pamela taught me and it was about to come into play. "You cannot wound him while he is in our custody, Troika of Šauška," the Amazon protested. Troika gargled something through the ruin of the left side of her face. "I will peel off a meter of your flesh for this insult," she managed to oozingly communicate before we reached the top floor. For my part; "Unhand me." They didn't. "Unhand me, or am I no longer Head of House Ishara." "Do not attack her," the SD leader stated. "Would you care to explain to me why you are giving me that order?" I mused. "Please, Ishara," the woman ground out. "Do not attack Troika of House Šauška." "Very well. I pledge that from this point until the end of this meeting, I will only act against Troika in my own defense," I promised. "Now give me your sidearm." "You may not bear a weapon in Hayden's presence," the SD leader reminded me. "I asked for your weapon, not your legal advice," I insisted. Another shot of bigotry. "I will not. You are not acting rationally," she stated. Troika snorted. That was okay, because I saw an excellent substitute close by. My deviation from the group was so casual, they barely noticed. I wasn't making a fast break to nowhere. I walked up to the wall and, Vranus be praised, yanked one of a pair of matching battle axes off the wall. Support studs went flying. Like all weapons in Havenstone, this one was real. The SD closed ranks, boxing me in. "You may not bear a weapon in Hayden's presence," the SD leader was at the end of her patience with me. "You are incorrect," I glowered. "There are two occasions I may bear a weapon in proximity to the High Priestess. One is in defense of her person. I am not here to defend her." Harder than any kick to the head; they paled then the anger set in. "How dare you?" the SD leader seethed. "The proof of the necessity of my action stands before me right now; an Amazon defying a House, a First Ancestor and a Goddess on her own initiative and in defiance of everything her ancestors fought, bled and died for," I glared. "Give me the axe," the leader insisted. "No. You will have to fight me for it," I made my stand. She was about to do just that when one of the others spoke. Tears were slowly eking a way down that one's cheeks. "Step away from Ishara, or I will kill you," she told her leader. "You are wrong and Ishara is right though it sickens me to admit it." To add to the macabre, one SD trooper aimed at my 'savior' and the fourth aimed at the third. Civil war. "You know what he plans to do," the leader stated. "It is not our place," the second Amazon insisted. "I cannot face my ancestors letting this abomination pass." "He is the abomination," the leader persisted. "No. The abomination is any full-blooded not of the Council deciding what the Council will and will not do. We now know there were once male Amazons. By the will of our ancestors it was so. Never before have we, the elite of the Host, acted as if we knew better than they," the second Amazon said with righteous conviction. "Go," the leader mumbled softly. The woman on the verge of killing her was most likely a close and trusted friend. Grappling with that sudden rift between sisters was occupying her mind at that moment, not my escape. I moved around her, keeping out of the line of fire as best I could and went with Troika to Hayden's portal. I didn't thank the woman. That would have been insulting because what she did, she did for her people and the hundred thousand that had come before her. Finally we rolled out the Old Kingdom Hittite/Amazon. "See what you have done," Troika hissed. I didn't bother to reply. I was sure, dressed in light green scrubs, I cut a valiant and imposing figure. "Cáel Ishara, what took you so;” and then Hayden saw it. For a second, Saint Marie almost cut me off. Katrina stood up. She wanted to stop me. In her mind, Hayden was one of our allies, but, as I had told her, she (Katrina) didn't get it either. Madi, Beyoncé, Fatima and Krasimira were also present and now highly disturbed. "Take yourself to the cliffs," I announced clearly as I dropped the axe on Hayden's desk. She had stood at my final approach and bore hate my way. "The Goddess Ishara rejects you and has taken herself from the Temple. House Ishara has lost faith in you. Your insults are lengthy and I do not feel like wasting any more time with you." "How dare you?" Hayden spat. "All the times I have shielded you and this is how you repay me? You were a mistake from the beginning." "A mistake we can rectify right now," Fatima snarled. She rose up and drew her knife. "Excuse me, but didn't we gather here for a different purpose?" Krasimira mused softly. "Kill him and end the curse," Madi growled. "Oh; in that case can you kill me first?" Krasimira sighed. "I see no need to postpone the continuation of my chat with my mother." At Krasimira's age, her mother was most likely dead. "Krasimira, you cannot defend him!" Fatima wailed. "Defend him? I am not standing in your way, Fatima. I do know that the statue of Ishara fractured and fell into two pieces in the Temple," she related; certainly retelling information they already had. "House by house, we see nothing but the back of those who fought before us. Five of my augurs had shorn their hair and thrown themselves into the fire. I can do nothing except report what I have witnessed. I cannot appeal to Ishara to lift her curse. I hope one of you can because if you can't and you kill her CLEARLY designated heir we shall all go down to ignoble ends," the Keeper of Records remained serenely poised as she delivered her doom-laden news. "By the way, Troika, what happened to your face?" "He stabbed me," Troika burbled. "Let me kill the bastard." I half-turned. Saint Marie interposed herself between the two of us. "Cáel, lift the curse," Saint Marie demanded. "Lift your damn curse," Fatima and Madi chimed in. "Cáel, lift the curse and then we can discuss things," Hayden tried and failed to sound humble. "If every woman in this rooms fatally slits their own throats in the next fifteen seconds, I'll plead to Ishara to lift the curse," I said. There wasn't a headlong rush to commit suicide. The only one so inclined was Krasimira. I motioned her to stop. "Well, I think we are done here. I have to go and try and cobble my life back together. You ladies have fun pulling off your 'Thelma and Louise' final act while I figure out some way for House Ishara to survive the upcoming war," I shrugged. Of course they didn't let me leave. Fatima on one side, the Golden Mare in the middle and Troika on the other. She had to be in a shitload of pain. "Lift the curse. If we are going to war, we need to be whole," Saint Marie urged me. "No." "Why should I stop these two from killing you right now?" she glared. "Because he is an Amazon," Krasimira muttered. "You should need no better reason. Ah; this is why we must die; thank you Cáel Ishara," she concluded. "A terrible sadness has gripped our people for as long as I have been Keeper. I found it lurking in the shadowy corners of my office when I was elevated. I now imagine it haunted my predecessors for some time as well. At least I will pass on knowing the name of our assassin." "The assassin is right here," Fatima spewed her hate at me. "You are correct," Krasimira chuckled. "The assassin is indeed in this room. Its name is Amazon. I need a moment, please." She stood and walked to the doors. What she wanted didn't take long at all. "Gun," we heard her request. The magazine fell to the ground. The sole bullet did not follow. Krasimira walked tenderly into the office as if every step tore like fishhooks at her flesh. "Take yourself to the cliffs, Hayden," Krasimira intoned as the one-shot pistol fell on Hayden's desk. "I no longer know you." Krasimira took in the whole room. "We show anger when we should show humility. We are proud of our shame. We are arrogant of our weaknesses. We have heaped insult upon insult on our ancestors yet are now aghast that they turn away from us," she shook her head. Her gaze settled on Saint Marie. "I am not one warrior alone, but one of a thousand warriors who have fought before me'; isn't that part of the oath of every member of the Security Detail swears?" Katrina fell to her knees. "Please Cáel. Please save us," she begged me. Something was very wrong with that. "How dare you?" Fatima howled at Katrina. Instead of being ashamed, Katrina's supplicant's face turned first into a grim grin, then one of gallows laughter. "And that is why we are all going to die," Katrina declared as she stood once more. "We are too proud to ask a man for help. We know what Ishara's curse is doing to us. You clearly don't care. You would rather die than admit that our damn ANCESTORS have placed a male here and now. Open your eyes!" she nearly screamed. "They sent a MAN for a reason; to open our eyes before we kill ourselves." You scream 'what gives him the right?' Ishara gives him the right. Nothing else matters. What I am asking you is 'what gives you the right to reject Ishara?' because that is what we have done. How could she make her will any more plainly obvious to us? Cáel has never stopped trying to save us and you two want to gut him like a lamb, or (to Saint Marie) break his body. Hayden, I will not place my rejection upon your desk. You have been as much a mother to me as my actual birth-mother. I love you. Since we first met, I have only wanted to make you proud of me and serve your will. What has gone wrong? How have we come to this? You were the one who told me we had to find a way to save our race; and now, when it stares us in the face; Why can't we accept it? How have I failed you, Hayden? What did I do wrong to not prepare you for this moment? It was my duty to keep you informed in all things and I can find nothing to excuse my failure," Katrina had gone from disappointed to heart-broken. Katrina prized herself on being able to stay ahead of any crisis. Here, at her greatest challenge, she hadn't been able to help her friend and mentor survive this calamity. I imagine that was the final blow for Hayden. Katrina had risen up through the Havenstone system as Hayden's protégé and had given Hayden her all. "Until this moment, I have never considered myself a coward," Hayden murmured. "You are blameless Katrina. In the final analysis, I sacrificed my courage for my life. And now I have neither. I can regain my courage here at the end and be true to the duties I was given," Hayden's resolve strengthened with each word. She took out a piece of paper and created a list. "Saint Marie, on this list are traitors to the Host. Gather these Amazons and prepare them to challenge my accusation." Saint Marie stepped forward, took the paper and quickly read it. "Hayden, this includes a third of the Council!" she gasped. "I am well aware of who I have accused. Please see to my final command, old friend," Hayden sighed. I could see a terrible weight lifted from her; the cliffs. "Final;” Saint Marie and Katrina groaned. "Yes. I will dine tonight with my family, then take myself to the cliffs with the dawn. I feel that will be a good end for me," Hayden mused. "Will Ishara forgive me, Cáel?" "No Hayden. It is not her way, but I will. There will be a place in Ishara's halls for you. I pledge you that," I suddenly felt a sorrowful pit in my stomach. Into that romantically tragic scene, Krasimira snorted with amusement. Eyes turned to her. Hayden shook her head, held up a hand to forestall the Keeper until she rounded the desk and left her office for the last time. "Who is on the list?" Fatima stormed up to the Golden Mare and looked over the list. "I am on this. So are you Troika," Fatima growled. "This is insane. We'll destroy Hayden over this; this; piece of filth." "I don't care if I'm on it, or not," Madi seethed. "I'm with you." "There is a small manner of little known law you may wish to be aware of," Krasimira chuckled. "The ruling of an honorably deceased High Priestess may not be challenged." "You two are under arrest," Saint Marie whipped out her pistol. Being with the SD, she was allowed to be fully armed in the High Priestess's presence. "What do you mean?" Fatima looked to Krasimira. "Cáel has killed you all and he didn't even mean to," Krasimira gave a dry chuckle. "By his act of kindness to Hayden, which I now think Hayden was counting on, our former High Priestess goes to an honorable death; taken into the Halls of Ishara in death. Unable to challenge Hayden's decree, you are all going to be executed and your names stricken from the rolls. You will wander aimlessly for all eternity while Hayden will live in the company of her sisters thanks to a man and his love for someone who was clearly his enemy," Krasimira kept snorting at the dark comedy. "Your sole avenue of spiritual survival lies with a man you tried to kill mere moments ago." "This is insane," Troika shouted and came at me. The room exploded with the sonic resonance of a pistol firing. I may have imagined it, but it appeared the bullet took Troika at the juncture of the right eyebrow, nose ridge and right eye. Whatever the entry point, the 45 ACP slug painted the wall behind her with her grey matter. Saint Marie turned quickly on Fatima. "Troika wasn't on the Council, so I could kill her for attempting to murder someone who was. I can't kill you immediately, but please believe I will put a bullet where it hurts if you don't do exactly what I say," the Golden Mare menaced. The debate was truncated by the four Security Detail ladies storming the room. Orders were dispensed and the wheels of Amazon society burst into motion. A side effect of my stunt was I had put Saint Marie in charge until the full Council could meet to create some sort of Regency Council to pilot the ship. There was zip gratitude aimed my way on her part and I didn't blame her one bit. I was headed out before things got too organized. I wanted some 'me' time. "Cáel Ishara, we have not resolved the matter that brought us to this disaster," Saint Marie growled. I was at the door. I looked over my shoulder at the Golden Mare, turned back toward freedom and saw Pamela. "Shoot me," I told Pamela. I was grappling with the horror of what I had just said when I returned to the darkness. MOTHER-FUCKER! I hate women! (Mutter; mutter; mutter) I became aware of my hazy, fugue-like dream state. Sadly, it was familiar and undoubtedly going to become even more familiar while I lived. "Upset with me, Cáel?" she asked. "You had me tell my friend to shoot me; yeah, Ishara, I'm a little cranky right now." "The question was rhetorical. I can read your mind," the Goddess snorted. "What happened to me?" "She bounced a bullet off your skull. You'll be okay. I am the Goddess of Medicine after all," she reminded me. "From an era when trepanning was popular. Color me unimpressed. Oh; and I apologize." "You will get me the fortune cookie next time," she lilted. Something crucial occurred to me. "Hey! I haven't had sex in a week. That hasn't happened to me in four years." "I don't think you are ready for that stage of our relationship yet," she tickled my nose. "Wait; did you just put me in the Friend Zone?" More laughter. "Seriously," I sighed. "Hayden?" "I forgive you," she soothed me. "Forgive me? I killed her. That is not okay. Wasn't; " "No, my Cáel. We are a blood-thirsty society and the ultimate mistakes are answered with the ultimate punishments. I cannot fully express my pride in you for what you did, even in opposition to my will." There was a pause in our relationship and conversation. I thought she sensed my turmoil and aided me in finding some level of peace. With her kind of entity, I would never be sure. "What did Carrig do to me?" I asked. "I don't know." That was not what I expect. Evasion; yes. The ugly truth; no. "I find the concept of an omniscient, omnipotent deity to be self-defeating," she mused. "Sort of negates the whole Free Will thing," I bantered. "Besides, what is the point of beseeching a being that already knows what's going to happen to you and would have saved you if that is what they wanted?" "Yeah," I groaned sarcastically, "I much prefer the divine ones who randomly fuck with your life because they can, rarely provide useful information and won't even put out on the second date." "I know this will cause you pain yet I will say it anyway; I love you." Yeah; I was suddenly wishing Pamela had missed and hit me between the eyes. "Very well, what can I do for you that would make you happier?" Inside of second. "Clever boy. Are you sure?" "Yes." "Done. I can no longer read your mind." A few seconds passed. "This is annoying. Is this what it is like dealing with me; this 'not knowing'?" "Yes and you proved it by the way," I murmured. Several more seconds. "This is really annoying me. Pick something else." Pause. "What does it prove?" "You love me," I grinned. "Love without freedom is illusionary. Freedom of thought is the basis of hope and hope drives all endeavors." A long pause. I was a bit curious about what was happening to my body. "Please." "No." "I could give you a divine gift; speak in tongues; regeneration; long life?" "Nope. Not happening." "I still love you." "Now I can say I love you and know I mean it." "That's unfair; clever and insightful, but unfair," she teased me. "What about the curse?" "Re-forge my statue at the Temple and the curse will be lifted. Be your regular creative self when you do so." Pause; divine sigh. "I need to send you back now. Oh, and make love to the first woman you see. It is important." "What? Why is it im;” and I felt the weight of my body and the throbbing of my temple. (Augurs don'ts and don't give a fuck abouts) I didn't want to open my eyes; really, truly, deeply. I had been dared by both guys and girls to pick up a certain female at a variety of events, even when they came with company. I'd done it because I'm that kind of low-life. Being pre-ordained to sleep with some chick felt wrong to me. It was cheating. I sincerely wished she hadn't been touching my face. Yes, someone was running their slender, feminine fingers over my forehead, eyebrows, eyelids, nose; yadda. "Ishara, I must speak with you," the strange woman implored. My eye movement had given my wakefulness away. I pried open my lids and looked up into the face of a living ghost. Her skin was albino pale with obvious veins and blue capillaries beneath the surface. Her ocular orbs were a deep milky white, with a tinge of light blue. I could barely make out the pupils. Her hair was whiter than Pamela's. From the structure and musculature of her hands and face; it was as if a perfectly healthy human woman's body was in a constant frantic battle against death. My senses expanded to embrace more of my resting place. I was in Katrina's office on the sofa. Katrina was not present. Buffy, the 'senior', Pamela, Rachel, Krasimira, the super-pale chick and two House Guard I didn't recognize were nearby. Despite my head throbbing to the beat of fiendish jackhammers, I managed to sit up. This upset the lady touching me as my movement broke our contact. "Ishara?" she pleaded. "That's it. From now on its Yakko Ishara, Wakko Ishara and Dot Ishara. Let's end all of this confusion over this 'which Ishara are we really wanting to talk to?' bullshit. So, what do you want?" I groaned. "I'm claiming the 'Yakko' spot, by the way." "Ishara?" she pleaded again. Was she protesting me taking the oldest Warner brothers' spot? Yeah, I was the youngest one of the pseudo-divine trio, but I absolutely owned the role of smart-alec. "She is an Augur," Krasimira explained. "The poisons she takes to put her in a receptive state to the ancestors, goddesses and the spiritual currents of the universe leave her blind and deaf to the mortal world. She communicates normally, but needs to be touching your lips to know what you are saying. Her name is Tadêfi and she has a message for you," she finished. "Give me a sec," I put my thoughts together despite my pain. Buffy shoved a glass of water and three pills my way. I downed them gratefully. Buffy was clearly distressed. I was getting the crap kicked out of me a lot and, in theory, it was her job to stop such things from happening. "Buffy, we couldn't have foreseen Carrig coming after me the way he did. He slipped through the seams of very good security," I tried to comfort her. "Pamela shot me on the Goddess/Dot Ishara's orders. She can only communicate with me when I'm in a near-death state," I said. "I have a new mission for you." I needed to keep her mind busy with things other than me. Buffy was action-oriented and I was giving her a doozy of a task. "Obtain at least five of the bullet casings from the battle that took my Father's life. Give them to Krasimira. They are to be melted down with the original statue and recast into a new symbol of the Goddess. We will be a melding of the old and the new," I ordered. Yes, I was sacrificing a priceless ancient artifact for a current political agenda. I'm reprehensible. Kimberly would be ashamed. "Now, who were the women whose names I gave you?" "They are all deceased 'Runners', Ishara," the senior told me. Oh; that made sense. "Tomorrow we induct them into House Ishara," I stated. "Ishara, they are dead," senior repeated. "Do you believe the souls of Amazons go to the houses of their ancestors after dying?" I posed. That took a few seconds to soak in. My almost albino was getting truly distressed so I took her hand and put it on my lips as I asked the latest question. "Oh;” the senior and Buffy both muttered. "All those 'Runners'; their spirits wander aimlessly for eternity bereft of companionship and a place to call home," I told them. "That is a crime," I continued. "Even as Ishara moves forward, we must be honest about our past. Those women earned a place in the Host. They were unduly denied their promised afterlife and we will start rectifying that tomorrow." Their looks broadcast their interpretation of my declaration: I was a wonderful child who had won first place for our team at the State Fair. Now that she was back in the communication loop, the augur calmed down. "You have a message for me?" I 'asked' her. Halfway through, I stopped enunciating. "Yes, Ishara. My dead sister stepped back through the flames and told me you;” she began. "No; stop," I told her. "Everyone leave." They honored my wishes and departed except; "What are you still doing here?" I asked the House Guard who remained. Now that I had a chance to study her, I realized she bore the same cuneiform designation as Krasimira. "I am her guardian. I am always at her side," the woman explained rather heatedly. She was certainly not a fan of the man in mankind. "By all means; have it your way. Augur, your message is unimportant. Write it down and have it sent out as a memo for everyone in Havenstone to read. Someone may tell me about it. I'm horrible with my e-mail, so I probably won't read it myself," I growled. This shit stopped now. I stood and made to leave. The augur swatted out and grabbed my arm when she hit it. "Ishara, you must;” and I lightly slapped her face. The guardian drew down on me. "How dare you?" the guardian seethed. "I am thinking the same thing; 'how dare you?'" I rumbled. "How dare you decide what messages she does, or does not, deliver?" "Tadêfi has something important to tell you," the guardian growled. "Augurs died to bring you this message." "Clearly the message isn't important enough for you to leave the room," I countered. "I took bullet to the head so I could talk to the Goddess Dot Ishara." I was going to enjoy calling my matron pain-in-the-cranium that. She was probably less amused. "I'm about out of patience with you smug, delusionary superior sluts demanding things from me as if you weren't my underlings," I glared. "Get with the program, or get out." Though I had told her to get out, I was the one leaving. I needed clothes, a shave and a chance to get my bearings. I didn't need those two. Tadêfi tried to speak again. I put my hand to her lips to stop her again then raised her hands to my lips. "I do not want to hear what you have to say," I related. "If you try to tell me what you have been told, I will purposely ignore it and cut out your tongue for your insolence. Your sisters died in vain because your guardian has decided what you say is not worth her leaving the room for us to talk in private. Sleep well with the dying screams of your sisters' agonies echoing in your mind and know your fellow Amazons have wished this fate upon you. Good-bye." "How; augurs are sacrosanct and their messages are rare and crucial to the Host," the guardian sputtered. "Didn't know, don't care and could care less what you think is crucial for the Host," I sighed as I started walking away. "What is happening?" the augur wailed. "Her visions are lacerations on her soul," the guardian howled. "Does her pain mean nothing to you?" Those two had to be incredibly tight, the guardian watching the augur scarred and worn down by the task she had been chosen for; and not being able to help. "Not enough to keep me here," I answered at the door. "She's your buddy, not mine and I have a plateful of unhappiness already set before me." I opened the door. "Is there a problem?" Krasimira inquired as I stepped out. She had a guardian too. Pamela was also close by and strategically placed to dispose of said guardian. "Her bodyguard told me to ignore Tadêfi, so I am," I muttered. I hurt. The pain-killers had yet to kick in; and I'd just come out of a coma. Fuck'em. If Ishara wanted me to nail that girl, she was going to have to step up on her level of assistance aimed my way. I accepted that she had her limitations, but so did I. "Cáel Ishara, is that precisely what she said?" the Keeper was being diplomatic. "No; what do I call you?" "Krasimira, Cáel," she answered. "I do not believe it was Tadêfi's intent to be ignored. May I mediate?" "No," I replied. "I will talk with Tadêfi alone, or not at all. Quite frankly, half the time you women open your mouths, I want to kick you off the roof of this building. Either I see some damn humility; your words, Krasimira; or I carry on the Amazon tradition with Ishara and her legion of former 'Runners' while the rest of you are throttled by your pride." Do note that the Executive Services floor was very active and several members heard my statement loud and clear. "May we please try this meeting one more time?" she requested. Her bodyguard nearly choked on Krasimira's gentle, conciliatory tone. "I could not consider myself an Amazon and deny the Keeper's suggestion on this matter. Let's give it one more shot," I conceded. All I was asking for was 'nice'. I wasn't deluded into thinking Krasimira was suddenly my fan. She was simply acting on the enlightenment that her ancestors and goddesses had revealed. We headed back into Katrina's office. As with any divine direction, she knew she had two choices; harm, or heal. She had accepted responsibility that to heal her people, the spirits had chosen a male. Liking me had nothing to do with it. Being true to her oaths and nature as an Amazon were the acting forces here. Amazons survived, first and foremost. They feared nothing, not even change. Her fellows had denied the need for change based solely on pride and Krasimira recognized that now. Back in Katrina's office, the guardian was trying to calm her nearly hysterical charge. I would have been much happier if we had been more alone. The room had become crowded with ghosts during my short absence. Krasimira, who was following, bumped into me. "Ishara?" she whispered. As unfortunate as that was, Tadêfi's blind eyes following the fixed stares of all the ghosts in my direction was worse. I squeezed my brain for an appropriate bit of trivia that would put my depression on its ass. There was this movie by M. Night Shakalaka-ding dong (or something like that) about a boy who saw dead people. The hero; the man trying to help the boy; he turned out to be a ghost as well who didn't figure that out until the end of the flick. But, it got better. Using the numerous ghostly gazes like searchlights pinning down an escaping convict, Tadêfi ran right into my arms. That was a pretty remarkable feat; a blind girl in an unfamiliar room covering four meters flawlessly. But, it kept getting better. All the ghosts started to yammer, clambering for attention. Tadêfi began to weep piteously. I had to wonder if this was Ishara's penalty for keeping my mind free of her meddling. No one else seemed to understand what the fuck was going on. Krasimira was the augur wrangler, not in tune with the spirits herself. She was also the Supreme Litigator, which necessitated her being able to interact with the mortal world on a constant basis, so I couldn't hold her lack of spiritual mojo against her. My instincts were telling me that screaming and yelling was pointless. The cacophony was incredibly vexing, but I could deal. Tadêfi couldn't. I was looking at this dilemma from the wrong angle. Instead of taking on the hundreds, I would take on the one. I placed one of the augur's hands on my lips then placed my hands over her ears. My hope was that since I could interact with the restless dead, my flesh could act as a buffer to their insistent beseeching of us for recognition of their numerous appeals. My first song was one of the melodies sung to me by Oneida's kin while I fought off her Death Pledge. Bit by bit, a tiny fraction followed by the greater whole, I pulled Tadêfi back from the brink of insanity. Eventually, she began mumbling a different refrain into my chest. "My ears work better than my lip-reading," I chided her playfully. The ghosts hadn't stopped their pleas for attention. It was the sonic and tactile sensation of my song upon her fingers and the fluctuation of my lungs in pushing forth the music that allowed her to focus on her mortal coil. As we sang together, eventually with her teaching me a few new ballads, we shut the world out. Once our shared reality collapsed down to just the two of us, the babble diminished then finally faded away. "May I relay my message now?" Tadêfi requested. "No, we have to have sex first," I replied. Whoops; shit-storm. What followed was a blur. "I can't have sex," Tadêfi murmured. "The touch of a man would corrupt me." Plus. "She is an augur," her guardian declared firmly. "She must remain a virgin." Plus. "Cáel Ishara, augurs cannot be;” Krasimira's tongue became tied. "You go, Tiger," Pamela tossed out there. "Tadêfi, where are you right now?" I began my rotation of responses. "Why does she have to be a virgin? And, thanks Pamela. That was less helpful than normal." "I aim to disappoint, Cheetah," Pamela smirked. I couldn't see her face, but I knew she was. She; Tarzan. Me; Cheetah, the Immortal baby chimpanzee. Just what I needed. "It is the law," the guardian moved to separate us. "She must not be touched by a man," Krasimira stated. "Not having intercourse is implied. If she has been corrupted, why did the spirits continue to surround her after Cáel's touch?" "Keeper, this cannot be allowed," the guardian changed her focus. "I agree in that this is your choice to make," Krasimira countered. "Without knowing the missive, you must decide what your charge may, and may not, do. Your oath is to her personally, not to me or any other entity. Consider what the task of guardian truly is before deciding." The convoluted decision: what was the chief duty of a guardian; the message, or the messenger? The augur could convey urgency yet was powerless to act without the guardian's permission. She had to trust her guardian with the basics of life. The guardian; she had to trust what could not be sensed, or even fully understood. "Why; why this condition?" the guardian returned her gaze to me. I could have been a dick. "Dot Ishara told me to have intercourse with the first woman I saw when I woke up," I said. "If you hurt her, I will kill you," the Amazon threatened. "First off, Tadêfi, would you like to fool around?" I might want to get my potential sex partners permission before proceeding. You know; not be a rapist. "I don't know what you want, but if this is what we must do," Tadêfi acquiesced. "First time sex is going to be painful, so be prepared," I cautioned both young women. "If you;” the guardian repeated her threat. "Cáel, you should give daily thanks I don't leave a trail of dead bodies everywhere you go," Pamela declared with malicious menace. "So many pretentious bitches; I tell you, my ability to tolerate your forgiving nature is being sorely tested, damn it." Wow, was that totally ass-backwards, or what? As a side note to life: I was going to receive a serious beat-down the second my sexual tryst ended. Two pernicious women: Buffy; I had been damaged by someone who wasn't her. There was no way she'd forgive me for that. And Pamela; I had sent Estere away to escort Libra instead of keeping the assassin close. Without a doubt, I had taken Pamela away from some odious errand conducted on my behalf, yet without my knowledge. Yes, some serious torment was headed my way. Back to the girl at hand. Back to being the 'me' I wanted to be. Oink! With torturous reluctance, the guardian made to leave. "Wait," I called out. "You can stay if you join us." Yes, I was angling for a three-way with a women who wanted to make line drives with a five iron using my nuts for golf balls; and the blind and deaf girl. I couldn

Tune in this week for Part 1 of “Origins”. A conversation with Spencer , his dad Chuck , and his Uncle Hollis.    We get to dive into a bit of the Halford story , unpacking how Chuck and Hollis ended up on their first duck hunt that has ultimately led us to where Rolling Thunder is today.   We get to hear some old hunting stories and reminiscence about memorable hunts , old dogs , and preaching squirrels.    Hope you enjoy this week's episode - tune in next week for Part 2. We'll catch you on the next one.

This week we catch up with long time friend and mastermind behind Lite boots - Mr. Brooks Tinsley.   We recap his recent trip to Canada with our good buddy Thomas Gilpin , talk water , talk ducks , and talk a little bit about The Island. Come along with us!   As always we are so grateful for you listening to the podcast - if you enjoy it write us a review , leave us a rating and share it with a friend! We'll catch you on the next one.

Pop in to the Rolling Thunder booth with us and catch up with a few of our friends at this year's Chene Gear Film Festival.   This event is one heck of a good time.   As always , leave us a review , give us a rating , and share this podcast with a friend. We'll catch you on the next one.

Post 1956, several battles are fought between North and South Vietnam.  The Gulf of Tonkin Resolution of 1964 gives US President LBJ authority to increase US involvement in the Vietnam War. This is followed by targeted bombings under Operation Rolling Thunder by the US and counter offensives by the Viet Cong like the Tet Offensive. Agent Orange and Napalm droppings lead to a massive ecocide with severe after effects on the human population. Paris Accords of 1973 call for a ceasefire and North Vietnam triggers one last offensive towards reunification.

In this episode, immerse yourself in the soothing embrace of 12 hours of heavenly rain coupled with the gentle rumble of rolling thunder. We'll explore how these serene sounds can serve as a sanctuary for the mind, promoting relaxation and enhancing mental clarity. Discover ways to incorporate these calming auditory experiences into your daily life, transforming moments of stress into opportunities for peace and reflection. Take a deep breath and allow the natural harmony of rain and thunder to guide you toward a state of tranquility.Join us next time as we continue our journey towards peace and tranquility.DISCLAIMER:This episode may be ad-supported and you can support us financially by subscribing as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us:https://www.facebook.com/hustlestudiosincEpisode is Brought to you by:Noota - The best transcription and AI Meeting Zoom Alternative!Sign Up here: https://noota.cello.so/MfzMQhRASVYAlso brought to you by:~ Moxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

3rd ANNIVERSARY SHOW! I'm rebroadcasting our three anniversary shows! This is our third one from March 2024 featuring different and unique guest promos by a slew of guests who appeared during that year: “Cousin Brucie” Morrow, America's favorite air personality; John Lodge of the Moody Blues; Ted Nugent; Al Kooper of Blood Sweat & Tears; Gary Puckett of the Union Gap; Suzi Quatro; Tony Orlando; William Lee Golden of the Oak Ridge Boys; Richie Furay of Buffalo Springfield; Peter Noone of Herman's Hermits; Timothy B. Schmit of the Eagles; Jeremy Swift of Ted Lasso; Rod Argent of The Zombies; The Amazing Kreskin; Jim Messina of Loggins and Messina; Stewart Copeland of The Police; Gilbert O'Sullivan; Ron Carter, Bass Maestro; Randy Brecker of The Brecker Brothers; Lou Christie; Nils Lofgren of The E Street Band; Jeremy Clyde of Chad & Jeremy; Songwriter Brendan Graham; Saxophonist Ada Rovatti; Peter Yarrow of Peter Paul & May; Mark Farner of Grand Funk Railroad; Guitarist Elliott Randall of Steely Dan; Laeticia Eido of Fauda; Jerry Jemmott the Groovemaster; Roger Earl of Foghat; Felix Cavalieri of The Rascals; Leisa Rea of the Ukelele Orchestra of G.B. ; Songwriter L. Russell Brown; Composer Neil Martin; Andy Summers of The Police; Singer-Songwriter Henry Gross; Gary Lewis of The Playboys; Burton Averre of The Knack; Jazz pianist Eliane Elias; The Celtic Tenors; Tommy James; Denny Tedesco director of The Wrecking Crew; Composer Sherry Chung; Bruce Belland of The Four Preps; Classical Music publicist Mary Lou Falcone; Bruce Kulick of KISS; Navid Negahban of The Old Man; Steve Hackett of Genesis; Rob Stoner of Bob Dylan's Rolling Thunder band; John Helliwell of Supertramp; Bob Reynolds of Snarky Puppy; Jim Yester of The Association; Singer-Songwriter J.J. Gilmore; Rock Photographer Jay Blakesberg; Fred Lipsius of Blood Sweat & Tears; Robert Funaro of The Sopranos; Bassist Nathan East; Jim Peterik of the Ides of March; Mark Stein of Vanilla Fudge; Robby Robinson musical director for Frankie Valli; Patrick Myers of Killer Queen; Tony Carey of Rainbow; Eurovision winner Eimear Quinn; and Peter Asher of Peter & Gordon!---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

On this episode we have the privilege of sitting down with another champion - Mr. Zack Birge.   Besides being a proven winner and contender on the pro bass fishing circuit , Zack loves waterfowl hunting , habitat work , and passing on the things we love to the next generation. Come on in and talk a little fishing , a little hunting , and learn a lot about Zack.    If you enjoy the Rolling Thunder podcast share it with a friend , write us a review and as always - we'll catch you on the next one. #champslivehere

What an epic storm! Dark clouds hang over the mountains while lighting flashes overhead. The sounds of thunder and rain fill the air — making it the ideal ambience for relaxation. What better way to fall asleep than listening to the soothing sounds of a thunderstorm? The rain sound helps cover up background distractions that could keep you up at night, while the thunder noise creates a calm environment. Next time you have trouble falling asleep, play this storm sound to see if it helps you get some shut eye! This episode was originally published in 2023. Here are some great products to help you sleep! Relaxing White Noise receives a small commission (at no additional cost to you) on purchases made through affiliate links. Thanks for supporting the podcast! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Baloo Living Weighted Blankets⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Use code 'relaxingwhitenoise10' for 10% off) At Relaxing White Noise, our goal is to help you sleep well. This episode is eight hours long with no advertisements in the middle, so you can use it as a sleeping sound throughout the night. Listening to our white noise sounds via the podcast gives you the freedom to lock your phone at night, keeping your bedroom dark as you fall asleep. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out the 10-Hour version on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contact Us for Partnership Inquiries⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ With rain and thunder in the forecast, it's a great chance to enjoy some rain sounds for sleeping, studying or relaxation. Listening to thunderstorm sounds can bring about a feeling of calm, while also blocking out distracting noise. Play a storm sounds podcast to enjoy a good night's sleep or to focus on that homework assignment that needs doing. Relaxing White Noise is the number one online destination for white noise and nature sounds to help you sleep, study or soothe a baby. With more than a billion views across YouTube and other platforms, we are excited to now share our popular ambient tracks on the Relaxing White Noise podcast. People use white noise for sleeping, focus, sound masking or relaxation. We couldn't be happier to help folks live better lives. This podcast has the sound for you whether you use white noise for studying, to soothe a colicky baby, to fall asleep or for simply enjoying a peaceful moment. No need to buy a white noise machine when you can listen to these sounds for free. Cheers to living your best life! DISCLAIMER: Remember that loud sounds can potentially damage your hearing. When playing one of our ambiences, if you cannot have a conversation over the sound without raising your voice, the sound may be too loud for your ears. Please do not place speakers right next to a baby's ears. If you have difficulty hearing or hear ringing in your ears, please immediately discontinue listening to the white noise sounds and consult an audiologist or your physician. The sounds provided by Relaxing White Noise are for entertainment purposes only and are not a treatment for sleep disorders or tinnitus. If you have significant difficulty sleeping on a regular basis, experience fitful/restless sleep, or feel tired during the day, please consult your physician. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Relaxing White Noise Privacy Policy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ © Relaxing White Noise LLC, 2023. All rights reserved. Any reproduction or republication of all or part of this text/visual/audio is prohibited.

Headlined by James McAvoy, Speak No Evil is a taut suspence film that's the latest from director James Watkins. Previously responsible for Eden Lake and The Woman In Black, amongst others, he joins Simon for a special episode of Film Stories. They chat about Speak No Evil, and the confidence of holding tension. Plus, editing with Jon Harris, a bit of Rolling Thunder, and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Prop your feet up and sit with us for a conversation with Kyle Wojociechowski. Kyle is one of the select few to ever sleep on the shop floor , a waterfowl guide, and a great friend of Rolling Thunder. Let's talk deer , geese , ducks , and SEMO Outfitters! If you enjoy the Rolling Thunder Podcast , share it with a friend , leave us a rating , and write a review! And as always - we'll see you on the next one.

The Fat One is back with a recap of his Labor Day which includes quiz program chat, sportsball nattering, a shady pines call and even an “Ask Big Fatty” question. Happy National Welsh Rarebit Day.

In this episode, we dive into the soothing sounds of rolling thunder and gentle raindrops, offering you a full 8 hours of serene audio to help you unwind and find peace. Whether you're looking to relax after a long day or need a calming background for meditation and sleep, these natural sounds can be a perfect companion.Imagine the rhythmic pattern of raindrops tapping on your window and the distant rumble of thunder, creating an atmosphere of tranquility. We'll also discuss how incorporating these sounds into your daily routine can enhance your mental well-being and provide a sanctuary from the stresses of everyday life.Take a moment for yourself, press play, and let the calming symphony of nature guide you to a place of serenity. Remember, it's in these small moments of peace that we find the strength to face our busy lives.Join us next time as we continue our journey towards peace and tranquility.DISCLAIMER:This episode may be ad-supported, and you can support us financially by subscribing for as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us:https://www.facebook.com/hustlestudiosincEpisode is Brought to you by: Noota - The best transcription and AI Meeting Zoom Alternative! Sign Up here: https://noota.cello.so/MfzMQhRASVYAlso brought to you by:~ Moxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

In this special bonus episode, immerse yourself in 8 hours of heavy downpour and rolling thunder. Perfect for those seeking intense relaxation, the continuous sound of rain and distant thunder offers a serene escape from daily stress. Whether you're looking to unwind after a long day or need a peaceful background for meditation or sleep, this episode is designed to help you find tranquility.Take a moment for yourself and let the soothing sounds of nature wash over you. Embrace the calmness and let go of the tension with every drop of rain and rumble of thunder.Join us next time as we continue our journey to peace and tranquility.DISCLAIMER:This episode may be ad-supported and you can support us financially by subscribing as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us:https://www.facebook.com/hustlestudiosincEpisode is Brought to you by:Noota - The best transcription and AI Meeting Zoom Alternative! Sign Up here: https://noota.cello.so/MfzMQhRASVYAlso brought to you by:Moxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

In this special bonus episode, we bring you 8 hours of soothing monsoon rain and rolling thunder sounds designed to aid deep meditation and relaxation. Immerse yourself in the natural ambiance of a monsoon, allowing the rhythmic rainfall and distant thunder to wash away stress and foster a sense of tranquility. Perfect for meditation, sleep, or simply unwinding after a busy day.Take a moment for yourself and let the calming sounds of monsoon rain and thunder guide you to a place of inner peace. Remember, incorporating these serene moments into your daily routine can significantly enhance your overall well-being.Stay tuned for more episodes as we continue our journey towards calmness and relaxation.DISCLAIMER:This episode may be ad-supported and you can support us financially by subscribing as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us: https://www.facebook.com/hustlestudiosincEpisode is Brought to you by: Noota - The best transcription and AI Meeting Zoom Alternative! Sign Up here: https://noota.cello.so/MfzMQhRASVYAlso brought to you by: Moxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

In this special bonus episode, immerse yourself in 8 hours of soothing rain on the roof accompanied by the gentle roll of thunder. Perfect for a restful night's sleep or a peaceful moment of relaxation, these sounds are designed to help you unwind and find tranquility. Whether you're looking to drift into a deep sleep or simply need a calming background for your day, this episode offers a serene escape from the hustle and bustle of daily life.Take a moment for yourself, sink into the comforting rhythm of nature's lullaby, and let the stresses of the day melt away.Join us next time for more journeys towards peace and relaxation.DISCLAIMER:This episode may be ad-supported and you can support us financially by subscribing as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us:FacebookEpisode is Brought to you by:Noota - The best transcription and AI Meeting Zoom Alternative! Sign Up here: https://noota.cello.so/MfzMQhRASVYMoxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

Tactical Air Power and the Vietnam War: Explaining Effectiveness in Modern Air Warfare (Cambridge UP, 2023) introduces a much-needed theory of tactical air power to explain air power effectiveness in modern warfare with a particular focus on the Vietnam War as the first and largest modern air war. Phil Haun shows how in the Rolling Thunder, Commando Hunt, and Linebacker air campaigns, independently air power repeatedly failed to achieve US military and political objectives. In contrast, air forces in combined arms operations succeeded more often than not. In addition to predicting how armies will react to a lethal air threat, he identifies operational factors of air superiority, air-to-ground capabilities, and friendly ground force capabilities, along with environmental factors of weather, lighting, geography and terrain, and cover and concealment in order to explain air power effectiveness. The book concludes with analysis of modern air warfare since Vietnam along with an assessment of tactical air power relevance now and for the future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tactical Air Power and the Vietnam War: Explaining Effectiveness in Modern Air Warfare (Cambridge UP, 2023) introduces a much-needed theory of tactical air power to explain air power effectiveness in modern warfare with a particular focus on the Vietnam War as the first and largest modern air war. Phil Haun shows how in the Rolling Thunder, Commando Hunt, and Linebacker air campaigns, independently air power repeatedly failed to achieve US military and political objectives. In contrast, air forces in combined arms operations succeeded more often than not. In addition to predicting how armies will react to a lethal air threat, he identifies operational factors of air superiority, air-to-ground capabilities, and friendly ground force capabilities, along with environmental factors of weather, lighting, geography and terrain, and cover and concealment in order to explain air power effectiveness. The book concludes with analysis of modern air warfare since Vietnam along with an assessment of tactical air power relevance now and for the future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Tactical Air Power and the Vietnam War: Explaining Effectiveness in Modern Air Warfare (Cambridge UP, 2023) introduces a much-needed theory of tactical air power to explain air power effectiveness in modern warfare with a particular focus on the Vietnam War as the first and largest modern air war. Phil Haun shows how in the Rolling Thunder, Commando Hunt, and Linebacker air campaigns, independently air power repeatedly failed to achieve US military and political objectives. In contrast, air forces in combined arms operations succeeded more often than not. In addition to predicting how armies will react to a lethal air threat, he identifies operational factors of air superiority, air-to-ground capabilities, and friendly ground force capabilities, along with environmental factors of weather, lighting, geography and terrain, and cover and concealment in order to explain air power effectiveness. The book concludes with analysis of modern air warfare since Vietnam along with an assessment of tactical air power relevance now and for the future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Tactical Air Power and the Vietnam War: Explaining Effectiveness in Modern Air Warfare (Cambridge UP, 2023) introduces a much-needed theory of tactical air power to explain air power effectiveness in modern warfare with a particular focus on the Vietnam War as the first and largest modern air war. Phil Haun shows how in the Rolling Thunder, Commando Hunt, and Linebacker air campaigns, independently air power repeatedly failed to achieve US military and political objectives. In contrast, air forces in combined arms operations succeeded more often than not. In addition to predicting how armies will react to a lethal air threat, he identifies operational factors of air superiority, air-to-ground capabilities, and friendly ground force capabilities, along with environmental factors of weather, lighting, geography and terrain, and cover and concealment in order to explain air power effectiveness. The book concludes with analysis of modern air warfare since Vietnam along with an assessment of tactical air power relevance now and for the future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

On this episode join Spence and Chris for a sit down with Mr. Lanier Bonner - the mastermind behind the leather shop here at Rolling Thunder. Head on over to our Youtube , Facebook , and Instagram pages as we release the film - Lanier Bonner. If you enjoy the Rolling Thunder Podcast , share it with a friend , leave a rating , and write a review! We'll see you on the next one.

With the death of JFK, Lyndon B. Johnson took over the Presidency and immediately had to wrestle with America's relationship with Vietnam after the killing of Diem. Right from the start he prophesised that it would be his downfall and so it was. He consistently resented it and the distraction it was from his domestic agenda, the Great Society. Over his five years in charge, LBJ Americanised the war, committing more and more troops to Vietnam, and initiating massive bombing campaigns known as Operation Rolling Thunder, putting America into a quagmire. But was this inevitable? Would JFK have done things differently? Listen as William and Anita are once again joined by Fredrik Logevall to find out. Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producers: Anouska Lewis and Alice Horrell Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode Title: 13-6 8 Hours of Autumn Rain and Rolling Thunder for RelaxationDescription:In this episode of the "Be Calm and Relax Podcast," we immerse ourselves in the soothing sounds of autumn rain accompanied by rolling thunder. Discover how these natural sounds can be a powerful aid for relaxation and mental well-being. We will share tips on how to incorporate these calming noises into your daily life to help you unwind and find peace.Take a moment each day to listen to the gentle patter of rain and the distant rumble of thunder. These small moments of tranquility can greatly enhance your overall well-being amidst the chaos of daily life.Join us next time as we continue our journey towards peace and tranquility.DISCLAIMER:This episode may be ad-supported and you can support us financially by subscribing as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us:https://www.facebook.com/hustlestudiosincEpisode is Brought to you by:Noota - The best transcription and AI Meeting Zoom Alternative!Sign Up here: https://noota.cello.so/MfzMQhRASVYAlso brought to you by:Moxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

Episode Title: 12-104 8 Hours of Light Rain and Rolling Thunder to UnwindDescription:In this episode of the "Be Calm and Relax Podcast," we bring you eight hours of light rain and rolling thunder to help you unwind. Let the soothing sounds of gentle rain and distant thunder create a serene environment perfect for relaxation and mental rejuvenation. Whether you're looking to de-stress after a long day or seek a calming backdrop for meditation, this episode offers a natural escape.Take a moment for yourself, close your eyes, and let the rhythmic patterns of rain and thunder wash away your worries. It's these small moments of peace that can make a significant difference in our busy lives.Join us next time as we continue to explore soundscapes and techniques to foster tranquility and inner peace.DISCLAIMER:This episode may be ad-supported and you can support us financially by subscribing as little as $5 a month on our Patreon page or on Apple Podcast Subscriber-Only Audio.This subscription plan comes with an ad-free weekly podcast, plus a few more extras like exclusive Podcast promos and early access to certain episodes that are not published everywhere till the following week.Check our Patreon here: http://go.thehustle.studio/patreonor in Apple Podcasts app, just click here: http://go.thehustle.studio/subscribeThank you so much for your generosity!Connect with Us:https://www.facebook.com/hustlestudiosincEpisode is Brought to you by:Noota - The best transcription and AI Meeting Zoom Alternative! Sign Up here: https://noota.cello.so/MfzMQhRASVYAlso brought to you by:Moxie - The Moxie app is designed specifically for freelancers and small business owners. It provides a suite of tools to manage various aspects of your freelance business, including:Invoicing: Create professionally-done invoice templates and get paid faster.Client Relationship Management (CRM): Keep track of client information, agreements, and communication.Project Management: Organize tasks, files, and notes in one centralized place.Expenses: Manage your business expenses.Proposals and Contracts: Create and manage proposals and contracts.Time Tracking: Efficiently manage your time.Whether you're handling client projects, agreements, or invoices, Moxie aims to simplify your freelance workflow. You can use it on-the-go via the mobile app. Give it a try and see how it can streamline your business!

Bringing you another out of the vault, off the rarity's album episode of Via VHS on OMO Presents with a classic, rewind review. We are going back to 1977 for the pure amazing experience of Rolling Thunder! A gritty action, revenge flick in a return from Vietnam style. Directed by John Flynn of The Outfit and Out for Justice. Written by Paul Schrader of Taxi Driver, Yakuza, and Raging Bull along with Heywood Gould doing a punch up 2nd take. Staring William Devane, Linda Haynes, and a very young yet extremely memorable Tommy Lee Jones. This movie is about as pure perfect as a film can be in my book. Everything is firing on all cylinders. Characters are great, action is brutal, the story is intense, and the real world grit just makes it all that more thrilling. One of those movies that Quinten Tarantino and Eli Roth have always recommended and for damn good reason. So, come on by and join us on another adventure of OMO Podcast Presents Via VHS. Old Man Orange is Spencer Scott Holmes & Ryan Dunigan. Via VHS is Wes Younger & Spencer Scott Holmes - 2024 - "Young Adults, Old Man Attitude. Talking retro games, classic films and comic good times with a crisp of Orange taste." - www.OldManOrange.com Our link tree with all the places one could go for our podcasts like Old Man Orange, Via VHS, and more of our radio filled adventures. Plus, Pizza Boyz Comics, the sitcom styled, retro fueled indie series from Spencer Scott Holmes in physical and digital reading forms. Then topped out nicely with our old videos, animations, and other experiments over the years too for the amusement. - https://linktr.ee/OldManOrange I also have my new workout and strength motivation book, "Pull-Ups For Life" up on Amazon Kindle and included in the Unlimited Membership too. Link in the Link Tree Above or you can look it up on Kindle.  And be sure to listen to Via VHS with Wes Younger and Spencer Scott Holmes at - https://linktr.ee/viavhs Support the Show the easy and simple way, by using one of our Amazon Links to make your purchases. Doesn't cost you a penny but sends a little something our way. Thanks! Rolling Thunder on Amazon - https://amzn.to/46nIoFg Grab some comedy with, Pizza Boyz, the sitcom styled Indie Comic series by Spencer Scott Holmes - Read at Indy Planet, Amazon Comixology, and Global Comix - https://linktr.ee/OldManOrange

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Tim talks about watching a few more of Tarantino's favorite 70s films (Hardcore & Rolling Thunder), plus visits from William Devane and Sean Hannity.  And a few minutes with newly minted three-year-old, Gilbert Andrews.

Slap on your favorite Pendleton shirt and grab a cold one (of root beer!) because podcast deep divers the Jokermen (aka Ian Grant and Evan Laffer) are here talking Beach Boys. Then Rolling Thunder Revue era Bob Dylan (aka Jonny Kosmo) sang the Beach Boys classic "Little Honda" with a little help from Bambina, Gracie Horse and our own Vic Berger. This week's halftime features the debut of Doug's extended mix of the "Jummies Growling Gummies" jingle with an animated video by Nico Daunt featuring Lela Roy. You got all that?! Now sit back, relax and enjoy! Watch another hour of the show with more of the Jokermen, a beautiful rendition of "I Shall Be Released" from Jonny, Bambina, & Gracie, and get tons of other stuff when you subscribe to OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive. Go see DJ Douggpound and Major Entertainer in London on 20 May! Get tickets here! Find everything Office Hours including the merch store at officialofficehours.com. Deep dive into The Beach Boys, Bob Dylan, and more with the Jokermen podcast by subscribing to their Patreon at patreon.com/jokermen. Support the Scribble mental health center at scribblecommunity.com. Learn more about your ad choices. Visit megaphone.fm/adchoices