Podcasts about tiersen

Die Meisten kennen Yann Tiersen als Komponist von Filmmusiken, wie „Die fabelhafte Welt der Amélie“. Doch damit ist er nicht wirklich glücklich. Tiersen über sein neues Album.

Émilie Tiersen (aka QUINQUIS) and her husband, Yann Tiersen are currently sailing along the coast on a truly unique summer tour. This week I spoke to Émilie about this special sailing trip on their wonderful boat, Ninnong, which set sailed from their home in Ushant to Ireland and then up to the beautiful Faroe Islands, which is where Émilie spoke to me from. The duo are performing a series of concerts, in various places on their route, meeting up with old friends and chatting with fans along the way We also discussed the recording of the latest QUINQUIS album, which came out last year. Émilie recorded the album with multi-talented musician and producer, Gareth Jones. For more information about Émilie and Yann's sailing tour check out the following websites:  https://www.ninnog.com https://www.quinquismusic.com https://mute.com/artists/quinquis

From our friend and today's guest Daniel Gay "I chose Philip Glass' “Solo Piano” because it's the most transportive record I've ever heard.  It's music for all seasons of life; it can be warm, cold, stark, ambitious, unrelenting, but more than anything it's constantly beautiful.  Each track, each arpeggiated run.  It's reference points have always resonated with me.  Kafka, Ginsberg, the Dali Lama, Buddhism, social justice, anti-authority.  For more than 25 years, this music has accompanied me through the births of my kids, deaths, degrees, jobs, marriage, love and loss, and I attribute some of its power to helping me quit alcohol and remain on a path of alcohol sobriety.  It's mindful music, not in the “Life is Good” hippie way, but in the way that it centers me.  It's classical music for punk rockers, or  music for thinkers and dreamers.  Glass won't physically  be around much longer, but the next generation, guys like Richter, Tiersen, O'Halloran…they'll push the minimalist form forward and continue to inspire people to step out of their boxes, focus, and be conscious of the beauty of the world and my place in it."Enjoy the episode, and check out Daniel Gay's YouTube Channel! Here is the link: Daniel Gay YouTube ChannelAlso Daniel Gay's Bandcamp page:Daniel Gay Bandcamp Page

Émilie Tiersen hat sich umbenannt. Bislang machte sie unter dem Namen Tiny Feet Musik. Düster-melancholische Songs, zu den sie auf bretonisch sang. Sie ist verheiratet mit Yann Tiersen, für ihren musikalischen Neustart hat sie sich allerdings nicht nur auf ihren Mädchennamen, sondern auch auf ihre bretonische Herkunft besonnen. Émilie nennt sich nun Quinquis und singt auf ihrem Album „Seim“ Kurzgeschichten, die von großer Sehnsucht und nicht weniger großem Scheitern handeln. Aber auch von der Hartnäckigkeit der Menschen, die an ihrem Glück festhalten. An ihrer Seite hat Garreth Jones, der schon Depeche Mode, Einstürzende Neubauten, Wire oder Erasure produziert hat, für ein wenig Licht gesorgt. In der zweiten Elektrobeats-Stunde geht dann die Sonne auf. Und auch wieder unter! Harm Coolen and Merijn Scholte Albers sind zusammen Weval und basteln an ihren Synthies und Keybaords an einem frischen Comeback der 90er Jahre. Ihre zwei aktuellen EPs, die auf dem Ninja Tune Sublabel Technicolour erschienen sind, unterscheiden sich markant. „Changed for the Better“ lockt unmittelbar auf den Dancefloor, „Time Goes“ erinnert stark an die Trip Hop Sounds der Naughties. Steen Lorenzen hat Weval von Bildschirm zu Bildschirm und Émilie Tiersen im studioeins getroffen.

YANN TIERSEN calls Arman from his studio for a conversation set amidst a blinkering of blue and orange lights from the sound dials, hard drives and synthesizers behind him. While he's a known legend of cinematic scoring, Tiersen insists that the best soundtrack is not necessarily a composed soundtrack - but using music. Referencing this proper “usage” of music in film, Tiersen points to the master Kubrick himself. Living close to nature is an important part of his life and his music. TIERSEN is the kind of artist who treasures the simple, sacred things, like life without the sound of constant motor engines, or owning a record or book he loves in its physical form because for him, it's “a piece of me.” Though Tiersen exudes a sense of peace in his speech and thought processes, he shares that there is a world of chaos at the core of his creative process. When he gets into the studio, he's inspired by PLAY and ‘MAKING TONS OF NOISE.' Reminding us that life really should be all about making noise and having fun, TIERSEN's humbling answer to Arman's final question brings even more importance to that message. Shortly after Arman asks: “if your life is a movie, what will play in the end credits?” To that TIERSEN responds: “Nothing. A sine wave.” Waving goodbye, we thank YANN for sharing a glimpse into his twinkling mind.

Ce samedi 16 octobre, Noémie Wira a reçu Valérie Piotte, directrice générale d'Altavia Cosmic, Axelle Mathery, directrice générale de Maison 123, et Valérie Tiersen, présidente de Green Score Capital, dans l'émission Focus Retail sur BFM Business. Retrouvez l'émission le samedi et réécoutez la en podcast.

durée : 00:54:35 - Côté club - par : Laurent Goumarre - Côté Club, le rendez-vous de toute la scène française et plus si affinités. Une heure pour faire le tour de l'actualité musicale et plus encore. Quand la musique rencontre les arts, du cinéma à la BD, du théâtre à la littérature. Bienvenue au Club

The power of imagination and love is on full display in 2001's French romantic comedy film, "Amelie". This is one of Dana's all-time favorite movies and we're excited to finally get a chance to see how this film hits us as adults.----------*NEW* Become a member exclusively on Ko-fi for as little as $1 per month. Access to our personal Discord server, Ad-free RSS feed, merch, and more awaits! Join today - https://ko-fi.com/movie/tiers----------Movie DetailsDirected by Jean-Pierre Jeunet, with a screenplay by Jeunet with Guillaume Laurant, Music by Yann Tiersen. Starring Audrey Tautou, Mathieu Kassovitz, Rufus, Lorella Cravotta, Serge Merlin, Jamel Debbouze, Claire Maurier, Clotilde Mollet, Isabelle Nanty, Dominique Pinon, Artus de Penguern, Yolande Moreau, Urbain Cancelier, and Maurice BénichouBudget of only $10mil, made roughly $174mil in the box officeCurrently a 8.3 on IMDb----------We would like to send a special shout out to our On Second Watch members!Derek, Mom (Hi Mom!), Simon, Thanon, and Nigel----------Request a personalized shout out - https://ko-fi.com/movieCommission a movie review of your choice! - https://ko-fi.com/movie/commissionsCheck out all our episodes and subscribe – www.oswpodcast.com Twitter – www.twitter.com/oswpodcast1Facebook – www.facebook.com/oswpodcastInstagram – www.instagram.com/oswpodcast

Il terzo episodio tratto dal manoscritto “Storie del mio paese” ci riporta all'elemento - essenziale in ogni scrittura creativa - dell'onestà dell'autore.Non fosse bastato nei due episodi precedenti, Giovanni Pellegrini ribadisce qui in piena innocenza quest'elemento che innerva i fondamenti dell'attività di chi scrive.Nell'onesta e schietta ricerca di sé stesso lo scrittore creativo, sia esso poeta o narratore, si profonde infatti nel continuo approfondimento della conoscenza della propria anima pescando e cercando nei propri ricordi, desideri, sogni, sensazioni e in mille altri pensieri; e nel medesimo atto del comporre mette a disposizione di chi legge ciò che ha trovato e incontrato.Giovanni Pellegrini, almeno in alcuni tratti, fa addirittura di più; riesce cioè a sognare, e a farci sognare, i propri ricordi.Così, quella semplicità e profondità del ricordo sa ricomprendere in sé anche l'eredità di quella profonda ironia campagnola e toscana sedimentata in secoli di civiltà agricola; fino a raggiungere il termine della vita attuale, al definitivo tramonto della memoria che si poteva condividere anticamente in quei luoghi e allo scorgere del novo orizzonte che, nel presente, resta ancora confuso.E in ogni elemento che s' ascolta tra passato e presente, emergono - anche se in modo tenue e accennato - l' ansia e il desiderio che il futuro possa mantenere e far crescere quello che resta, in originalità e unicità, del patrimonio di vita che Giovanni ha ricevuto in eredità.Introduzione di Filippo Roncaccia Testo e voce di Giovanni PellegriniNell'immagine: un pennato toscano, attrezzo citato nel racconto.Musiche: Valse musette Tiersen style, Jo Brunenberg - Si tu vois ma mère, Sidney Bechet - Indifference, Dominique Paats

Il terzo episodio tratto dal manoscritto “Storie del mio paese” ci riporta all'elemento – essenziale in ogni scrittura creativa – dell'onestà dell'autore. Non fosse bastato nei due episodi precedenti, Giovanni Pellegrini ribadisce qui in piena innocenza quest'elemento che innerva i fondamenti dell'attività di chi scrive. Nell'onesta e schietta ricerca di sé stesso lo scrittore creativo, sia esso poeta o narratore, si profonde infatti nel continuo approfondimento della conoscenza della propria anima pescando e cercando nei propri ricordi, desideri, sogni, sensazioni e in mille altri pensieri; e nel medesimo atto del comporre mette a disposizione di chi legge ciò che ha trovato e incontrato. Giovanni Pellegrini, almeno in alcuni tratti, fa addirittura di più; riesce cioè a sognare, e a farci sognare, i propri ricordi. Così, quella semplicità e profondità del ricordo sa ricomprendere in sé anche l'eredità di quella profonda ironia campagnola e toscana sedimentata in secoli di civiltà agricola; fino a raggiungere il termine della vita attuale, al definitivo tramonto della memoria che si poteva condividere anticamente in quei luoghi e allo scorgere del novo orizzonte che, nel presente, resta ancora confuso. E in ogni elemento che s' ascolta tra passato e presente, emergono – anche se in modo tenue e accennato – l' ansia e il desiderio che il futuro possa mantenere e far crescere quello che resta, in originalità e unicità, del patrimonio di vita che Giovanni ha ricevuto in eredità. Introduzione di Filippo Roncaccia Testo e voce di Giovanni Pellegrini Nell’immagine: un pennato toscano, attrezzo citato nel racconto. Musiche: Valse musette Tiersen style, Jo Brunenberg – Si tu vois ma mère, Sidney Bechet – Indifference, Dominique Paats

Nyhetssändning från kulturredaktionen P1, med reportage, nyheter och recensioner.

Yann Tiersen es ese pirata melancólico que dibujó la banda sonora de Amélie, una postal de amor al bohemio barrio de Montmartre de París. Tiersen, que ya era conocido antes de la banda sonora, logró así acceder a un público masivo. 🙏Espacio patrocinado por: CARMEN VENTURA, NORBERTO BLANQUER, JORDI, ROSA RIVAS, INFESTOS, 61 GARAGE, MR.KAFFE, ISRAEL, TOLO SENT, ANXO, RAUL SANCHEZ, VICTORGB, EDUARDO MAYORDONO, BARON72, EDUARDO VAQUERIZO, LIP, ALEJANDRO GOMEZ, DANI RM, JOCIO, AYTIRO SAKI, MARCOS, PABLO ARABIA, CARLOS CONSEGLIERI, JEKY LOSABE, CESMUNSAL, LARUBIAPRODUCCIONES, RUBIO CARBÓN, PILAR DÍEZ, ALFONSO MOYA, JON LÓPEZ, FERNANDO MASERO, RODRIGO GUADIÁN, DOMINGO SANTABÁRBARA, JOSE MIGUEL, ALEXANDER CASTAÑEDA, ANTO78, JULMORGON, JUANMI, MIGUEL BLANCO, JUAN CARLOS ACERO, GIULIA GOVERNI, PERE PASQUAL, SPINDA RECORDS, FRANC PUERTO, DAVICIN BLACKMETAL, NURIA SONABÉ y varios oyentes anónimos. ¡¡GRACIAS!! 🅱️9️⃣0️⃣

Isabel Roch|Hoy dedicamos este episodio de Educando con Música al Silencio y su relación con la Música, con la comunicación. Al silencio y su importancia en la educación, en las relaciones y en las aulas. El silencio es mucho más que la ausencia de sonido. Eso lo han tenido muy claro los compositores a lo largo del tiempo y han explorado todas sus posibilidades. Hoy conocemos algunas de las obras de Satie, C.PE Bach, Debussy, Haydn, Tiersen y Dvorak que nos inspiran para hacer una analogía con la función del Silencio en el entorno educativo, como fuente de atención, aprendizaje, convivencia y expresión. Una invitación a profundizar en las valiosísimas cualidades del silencio como elemento educativo.

این هفته با بنفشه مقدم مدیر گروه طراحی پارچه و لباس در دانشگاه هنر گپ زدم. بنفشه از همکلاسی‌های قدیمیم در دانشگاه هنر بود. ما در مقطع کارشناسی در گرایش طراحی و چاپ پارچه تحصیل می‌کردیم. بنفشه بعد از پایان تحصیل به فرانسه رفت و در دانشگاه مارک بلوک واقع در شهر استراسبورگ به ادامه تحصیل در رشته هنرهای کاربردی پرداخت. بعد به تهران برگشت و وارد مسیر آموزش در دانشگاه هنر شد. چرا من فکر کردم این گپ و گفت می‌تونه جالب باشه: در واقع من یکی از اونایی بودم که این رشته رو در مقطع کارشناسی البته، با تصور اینکه طراحی لباسه انتخاب کردم و بعدها متوجه شدم این اشتباه هنوز رایجه. البته مقطع کارشناسی ارشد همین رشته، در دانشگاه هنرهمون طراحی پارچه و لباسه. بنابراین تصمیم گرفتم به بنفشه پیشنهاد بدم که این رشته، مواد درسیش و آنچه که دانشجو باهاش در دانشگاه مواجه می‌شه رو توی این پاذکست برامون شرح بده. که خوشبختانه با محبت زیادی که در دلش داشت قبول کرد. امیدوارم در آینده دوباره بتونیم قراری بذاریم که هم بیشتر به این مقطع کارشناسی ارشد(طراحی لباس ) و هم به سوال‌هایی که ممکنه به ذهن شنونده‌های پادکست برسه بپردازیم. بنفشه مقدم:" حالا ۱۵ سال هست که در دانشگاه محل تحصیل خودم ، مشغول تدریس هستم . البته روزهای خوب و بد زیادی داشتیم اما همچنان به آموزش این حرفه مشغول هستم ، تا زمانی که دیگر امکان تدریس نباشد ... ضمنا از سه استاد تشکر ویژه دارم : جمیله هاشمی یگانه ، لی لا ثمری و نادر فاطمی ، نگاه صحیح جستجوگر طراحانه و رنگ ساختن رو این سه نفر به ما یاد دادند ." انتخاب موزیک شروع از آرین دانش‌نژاد La femme d'rgent by air انتخاب موزیک پایان از بنفشه مقدم: End of rue des Cascades by Tiersen

Hvem elsker ikke en vaskeægte "romcom" aka romantisk komedie? Det gør vi fx IKKE! Vi gav os i kast med "Den fabelagtige Amélie fra Montmartre" fra 2001, instrueret af Jean-Pierre Jeunet, for at se, om den kunne overbevise os om, at genren har noget at byde på. Og selvom klicheerne vælter frem i filmen - så som den gudesmukke indadvendte franske pige (i form af Audrey Tautou), som alle mænd overser (som om!), polerede franske fortovscafeer, klassisk fransk musik med Eifeltårnet i baggrunden etc. - you get the point - så HAR filmen faktisk noget at byde på også. I denne episode lader vi os inspirere af filmens tema og kommer med hver vores bud på de tre bedste romantiske komedier gennem tiden.

¿Ha recordado películas a través de sus bandas sonoras? en este episodio hacemos un viaje a través de diferentes invitados que nos evocaran sus memorias del cine a través del sonido y la música.Este episodio hace parte de la programación del Encuentro Audiovisual Libre: Memorias de una Década, creado en alianza con el Cineclub El Ventanal y el Taller de Alto Desempleo.

Link List This weeks receommendation: Hur Kan Vi: Podcast https://www.youtube.com/channel/UCXOYvJ4jo7g3OsvgS2KVP6A Last weeks recommendation: Mirao no Mirai: https://youtu.be/6d-lsJZgmJs TechNews: UNOBRUSH https://youtu.be/20PImsyOxlA Swedish Word of the day: Yoghurt https://en.wikipedia.org/wiki/Yogurt How Does German Economy Compare to United States Economy: https://www.youtube.com/watch?v=nCHwcKib5J8 Dylan Moran: https://www.youtube.com/watch?v=7ox6d1cKru8 Yann Tiersen: https://www.youtube.com/watch?v=GzMpN3m_0ns GloryHammer: https://www.youtube.com/watch?v=YGV6bCTMM5w PowerWolf: https://www.youtube.com/watch?v=1zN7J64IeBo Sabaton: https://www.youtube.com/watch?v=ZzIkVFse7fg Wintersun https://youtu.be/M_TBENcax_g Jakob Hellman: https://www.youtube.com/watch?v=eOSz-CJ8kOI ELUVEITIE: https://www.youtube.com/watch?v=BG6en2WyAsw Hurdy Gurdy: https://www.youtube.com/watch?v=pyIXR3s8OtY Theranos - Elizabeth Holmes scam documentary: https://youtu.be/3CccfnRpPtM Thunderf00t - Self-filling water bottle: BUSTED https://youtu.be/aPvXnmBIO7o Elon Musk, Joe rogan: https://www.youtube.com/watch?v=ycPr5-27vSI Mamoru Hosoda: https://www.imdb.com/name/nm0396074/?ref_=tt_ov_dr https://www.imdb.com/title/tt2140203/?ref_=nv_sr_1 Boy and the Beast: https://www.youtube.com/watch?v=uifJLWoWv8c The Intouchables: https://www.youtube.com/watch?v=34WIbmXkewU Ludovico Einaudi - Fly (Intouchables Soundtrack: https://www.youtube.com/watch?v=k016mR9tQdI Before Sunrise: https://www.youtube.com/watch?v=9v6X-Dytlko

Link List Joels's recommendation: The Shape of Colour by Intervals (Album) https://open.spotify.com/album/4MYLm8Uxayy4UyqFHPHfBB?si=9zIGV62MSzGqZ9sLoDau5w Last weeks recommendation: Axiom Verge (Game) https://youtu.be/2frkYLNFrW8 Swedish Word: Bok https://en.wikipedia.org/wiki/Book 1980's Production Company Intros (YT) https://www.youtube.com/watch?v=1dNdWqorJVE Tron Legacy - 13 Derezzed - Daft Punk (Song) https://youtu.be/M4dUiBfMQVU Tron (1982) - "Light Cycle Battle" (Trailer) https://www.youtube.com/watch?v=-BZxGhNdz1k Top 10 Worst CGI Movie Effects (YT) https://www.youtube.com/watch?v=5ZlOn9V_MmE Andy (Human) in Toy Story 1 (Creepy) http://goo.gl/EjFWPV Everything Wrong With Hulk In 14 Minutes Or Less (YT) https://www.youtube.com/watch?v=yBodAomTA2o Miniatures used in The Lord of The Rings https://imgur.com/gallery/NiBCJ AI Lord of the Ring https://www.wired.com/2002/12/digital-actors-in-rings-can-think/ Lord of the rings impact on new zealand https://goo.gl/b2L7tH Lord Of The Rings TV series https://www.nme.com/blogs/tv-blogs/lord-of-the-rings-tv-series-release-date-plot-cast-2170413 The Silmarillion (Book) https://en.wikipedia.org/wiki/The_Silmarillion Maniac (Netflix Series) https://youtu.be/L6cDDmk-O5A Artemis Fowl (Book) https://www.imdb.com/title/tt3089630/ Aron Flam (Awesome Guy) https://www.aronflam.com/ Aryan and the jew (Podcast) https://soundcloud.com/aryanjewshow The Gulag Archipelago (Book) https://en.wikipedia.org/wiki/The_Gulag_Archipelago Kumiko, the Treasure Hunter (Movie) https://www.imdb.com/title/tt3263614/ Leviathan (Movie) https://www.imdb.com/title/tt2802154/?ref_=fn_al_tt_2 Fargo (Movie) https://www.imdb.com/title/tt0116282/?ref_=fn_al_tt_2 Yann Tiersen (Band) https://en.wikipedia.org/wiki/Yann_Tiersen https://www.youtube.com/user/YannTiersenOfficial Graveyard (Band) https://en.wikipedia.org/wiki/Graveyard https://www.youtube.com/watch?v=DiDDlebQwz8 HÄLLAS (Band) https://www.youtube.com/watch?v=jbfsALc7pPc "The Big Lebowski" Official Trailer (Movie) https://www.youtube.com/watch?v=cd-go0oBF4Y Arnold Schwarzenegger https://www.imdb.com/name/nm0000216/?ref_=nv_sr_1 Austrian Death Machine (Songs) https://www.youtube.com/results?search_query=austrian+death+machine Axiom Verge (Game) https://en.wikipedia.org/wiki/Axiom_Verge Axiom Verge Soundtrack (Songs) https://youtu.be/k0kSc8hHzAM SynthWave playlist (Songs) https://open.spotify.com/user/1213866633/playlist/6aQpDzlGkoI9VIqRepZSZy?si=XgWKtYHVTqq9ri5vsloN9w Metroidvania https://en.wikipedia.org/wiki/Metroidvania Castlevania II: Simon's Quest - Angry Video Game Nerd (YT) https://www.youtube.com/watch?v=V4we8iFk-fY Rae Morris - Under The Shadows (Song) https://www.youtube.com/watch?v=eYgXSoA5njA Traxtorm Gangstaz Allied - Hardcore Italia (Song) https://www.youtube.com/watch?v=zIBfgZx0Eog Moderat - Bad Kingdom(Song) https://www.youtube.com/watch?v=3NPxqXMZq7o Trance state (State) https://en.wikipedia.org/wiki/Trance All About Lily Chou-Chou Trailer (Movie) https://www.youtube.com/watch?v=wV1NCbqnDU8 Björk - Human Behaviour (Song) https://www.youtube.com/watch?v=KDbPYoaAiyc Kate Bush - Running Up That Hill (Song) https://www.youtube.com/watch?v=wp43OdtAAkM Descent from Genghis Khan https://en.wikipedia.org/wiki/Descent_from_Genghis_Khan Ran-D - Zombie (Song Cover) https://www.youtube.com/watch?v=TmhibQ28GKE The Cranberries - Zombie (Song orginal) https://www.youtube.com/watch?v=6Ejga4kJUts Jimi Hendrix - All Along The Watchtower (Song Cover) https://www.youtube.com/watch?v=TLV4_xaYynY Bob Dylan - All Along the Watchtower (Song orginal) https://www.youtube.com/watch?v=HyIlDPLDCP0

Our spotting session for Amélie is perhaps our most unique installment thus far. We endeavor to cover the entire soundtrack for the film, putting each piece in its time and place. Jeunet, Tiersen and the editorial team assembled a clever collection of 'needle drops' into a narratively compelling underscore. We progress track by track through Amélie's music, uncovering the spirit of the film and the soul of our heroine. From 40s era showtunes to carnival organs to club remixes to intimate original piano ballads, listening to the music of this film end to end is an aural delight. Breaking down each individual piece, we set the table for next week's full-length audio commentary. Enjoy!Listen to episode 4m3 Spotting Session d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Today we continue our whimsical adventure through Yann Tiersen's music to Amélie. While much of the score originates from Tiersen's back catalogue, there is some exceptional original music we've yet to cover. Let's start with one of our very favorite pieces from the score, L'autre valse d'Amélie, a melodious delight emblematic of our heroine. We explore just how beautifully her two primary themes (both of them waltzes) embody the sun and moon of her persona. Next is one of the film's most recognized pieces, Comptine d'un autre été: L'après-midi. Breaking character somewhat from the rest of the score, this flowing piano ballad seems to reflect not the yesteryear of Amélie's fantasies, but the contemporary world she truly lives in. We close with another lovely selection composed specifically for the film, Le moulin. "Sans toi, les émotions d'aujourd hui ne seraient que la peau morte des émotions d'aut"Listen to episode 4m2 L'Autre Valse d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)- L'autre Valse d'Amélie- Comptine d'un autre été: L'après-midi- Le moulinFor score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

In an episode of many firsts we're thrilled to introduce our next film subject - Amélie. Yann Tiersen's irreplaceable score is brimming with charm and today we explore the film's central theme, La Valse d'Amélie (Amélie's Waltz). We study the musical features of the theme and discover what it suggests about the inner life of our film's heroine. Along the way we dive into the history of the Waltz in European musical culture and the legacy of the French Bal-musette tradition. Tiersen's score was uniquely constructed, ultimately including several pieces of music from his existing catalogue. This theme, along with a handful of others written specifically for the film, marked his first foray into cinema scoring and the result is something worthy of the canon of great film music. Bon appétit!Listen to episode 4m1 La Valse d'AmélieLe Fabuleux Destin d'Amélie Poulain - Yann Tiersen - 2001 - Canal+ (Jean-Pierre Jeunet, dir,)- A Quai- La Valse d'Amélie- La Valse d'Amélie (Version Orchestre)- La Valse d'Amélie (Version Piano)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com  

Gran parte del éxito de "Amelie" (2001) se debe a la música del francés Yann Tiersen. Un músico que ha hecho breves incursiones en el cine. De hecho la partitura de "Amelie" prácticamente eran temas que ya habían sonado en su discografía. Tiersen es el protagonista de este monográfico, que ha sido solicitado por un par de oyentes cuyos nombres son Mike Pacheco y Mavimoon, que cuenta con otros trabajos cinematográficos suyos como es el caso de "Goodbye Lenin" (2003). Además de retrotráiler, habrá un repaso a los Oscars haciendo especial hincapié a las categorias de mejor banda sonora y canción original. Y por supuesto un homenaje a Alan Rickman. Ya ha quedado como reconocimiento póstumo el monográfico de "La Jungla de cristal" que le dediqué hace unas semanas. Escucha y descárgate los programas de una manera más fácil en tu teléfono o tableta gracias a la APP de El Acomodador ya sea si usas iOS o Android. Las suscripciones para no perderte ninguno, y los programas anteriores, se pueden hacer tanto en iTunes como e Ivoox. Y si tienes Twitter sigue a @AcomodadorEl. Espero que disfrutes de la proyección. Listado de canciones (Puede contener spoilers) Corte Inicial El puente de los espías Retotráiler Hans Zimmer - Leaving Wallbrook-On the Road – Rain Man Sesión de BSO 1. Diego Navarro – Main title – Captura la bandera 2. Maurizio Malagnini - The Flight to Neverland – Peter & Wendy 3. Naoki Sato – Sadame – X 4. Michael Kamen - Overture and A Prisoner of the Crusades – Robin Hood, príncipe de los ladrones 5. Elliot Goldenthal – Train station farewell – Michael Collins 6. John Williams - Lumos! (Hedwig's theme) – Harry Potter y la piedra filosofal 7. Craig Armstrong - Jumping in the water – Love actually 8. Thomas Newman – Sunlit silence – El puente de los espias 9. Jóhann Jóhannsson – The beast - Sicario 10. John Williams – I Can Fly Anything – Star Wars: El despertar de la Fuerza 11. Ennio Morricone - L'Ultima Diligenza di Red Rock – Los odiosos ocho 12. Carter Burwell - The End - Carol 13. Lady Gaga - Til It Happens To You – The hunting ground 14. Sam Smith - Writing's on the Wall - Spectre 15. The weeknd – Earned it – 50 sombras de Grey 16. Sumi Jo - Simple song – La juventud 17. Antony Hagety – Manta ray - Racing Extinction Peticiones 1. Maurice Jarre - Proposition For The Professionals – Los profesionales 2. John Scott – Main title – El final de la cuenta atrás 3. Jerry Goldsmith - The Final Game - Rudy Monográfico – Yann Tiersen 1. La Valse d'Amélie - Amelie 2. Les jours tristes (Instrumental) - Amelie 3. Comptine d'une autre été - l'apres midi - Amelie 4. La redécouverte - Amelie 5. La noyée - Amelie 6. L'autre valse d' Amélie - Amelie 7. La valse des monstres - Amelie 8. La valse d'amelie (piano) - Amelie 9. J'y suis jamais allée - Amelie 10. Monochrome 11. Rue des cascades 12. Loin Des Villes 13. C'était Ici 14. Life of Mars 15. Goodbye Lenin - Goodbye Lenin 16. Summer 78 (Instrumental) - Goodbye Lenin 17. Mother's journey - Goodbye Lenin 18. Tabarly - Tabarly Despedida Glenn Frey – The heat is on – Superdetective en Hollywood

My little brother is in town visiting, and he is the sound designer for the Boston Ballet, and on Wednesday night (I think) we got obliterated on gin and had something of a musical duel; each taking turns on the stereo, me playing some of the weirder stuff I listen to and him playing bits of classical music.  Honestly, it was fucking ace.  As a DJ set it would have absolutely delighted me anyway, even if everyone else ended up fucking off, but nevertheless, that evening was what music fandom is really about for me. So this podcast isn't really a recreation by any means (we are far, far too sober and nothing like argumentative enough for starters) but I thought it would be nice to do a podcast along those lines.  Personally, it's maybe not even as classical as I might personally have liked it to be, but never mind, I really like it. And, as usual, there is a correction to be made.  We describe the them tune to Star Trek Deep Space Nine as Theme for the Common Man, and apparently it isn't that at all.  What it is is heavily heavily borrowed from Aaron Copland's Fanfare for the Common Man.  So the bit of classical music Ben describes hearing before we play that song must actually have been Fanfare for the Common Man, which only reminded him of the Deep Space Nine theme without actually being it.  Whoops.  Next time research before talking!   01. Mozart - Requiem in D Minor (02.40) 02. Yann Tiersen - La Lettre d'Explication (16.18) 03. The Flaming Lips - Watching the Planets (23.33) 04. Theme to Star Trek - Deep Space Nine (28.47) 05. Les Têtes Raides - Manuela (38.49) 06. Nick Cave & Warren Ellis - The Proposition #1 (49.13) 07. The Books - S is for Everysing (52.29) 08. Nico Muhly - The Only Tune (64.00)

Among the reasons for compiling these songs are my Mom’s love of the sound of the piano, a serene atmosphere for my resting boy, and the soundtrack for my contemplation during the wee hours of the morning. When you DJ, your musical imagination is full of clever segues. When you love music, you’re never without songs. When you play music for people’s enjoyment, your mind is on how you’ll bring together everybody’s jams, create a vibe and move the crowd. Within crafty DJs, daydreaming in stereo is a constant. With all of that going on in your mind all of the time, and, let’s face it, music’s allure just won’t allow you to turn it off, you need Peace & Quiet. When listening to solo piano music, at last, I’m not thinking about the next mix. My mind relaxes into a mode of appreciation. Piano is an essential musical instrument, a root in the world of sound. Whether at home, the church, or singing America the Beautiful in public school, we’ve all accompanied the piano. The piano has always stuck with me. Over two years, I listened to approximately 1,800 solo piano performances amid the realms of Classical and Jazz music. I’ve loved Jazz since I was a teen, I used to listen to it while hauling lumber or doing landscaping because I never knew when the songs would end and that helped to pass the time quickly. Ten 6-minute long Jazz songs, that’s an hour. I had a tape, the soundtrack to a film called ‘Round Midnight, starring Dexter Gordon, which was with me on the bus, the El (Philadelphia's subway), alone in my room at home, Pop’s car, everywhere all the time and on auto reverse. This 1986 film won the Academy Award for Best Music and Original Score. Herbie Hancock on piano, Dexter Gordon on tenor sax, Ron Carter on bass and Tony Williams on drums, John McLaughlin on guitar, Bobby Hutcherson on vibes, Wayne Shorter on saxes, Freddie Hubbard on trumpet, Cedar Walton on piano, Billy Higgins on drums, Pierre Michelot on bass, and Bobby McFerrin on vocals. Curious about what represents a standard in Jazz as a beautifully human genre featuring master musicians? Commence your exploration with ‘Round Midnight. On that soundtrack, Herbie Hancock and Bobby Hutcherson’s "Minuit Aux Champs-Elysées" was the song that drew my focus toward the musician’s playing. Since only piano and vibes, it was easier to hear Herbie and Bobby’s playing, and I could hear, because I knew that they were improvising, what seemed to me as their brains in motion. Thinking in the present and future while playing at same time is very attractive to my ears. Your ideas begin in your mind, in your imagination, and they are uniquely yours – you unbridled. This combination of Jazz and Classical pianists juxtaposes easy going compositions played to form and played freely. Each pianist is legendary and the performances of standards and their own compositions are exquisite. Play quietly and enjoy the excursions into their minds and yours. Qool DJ Marv presents Peace & Quiet Intersecting Introspective Solo Performances of Classical & Jazz Piano Virtuosos A Beats, Jazz, & Soul Special Relax & Unwind Edition 1. Alessandra Celletti - Gymnopédies n° 1 2. Bill Evans - Peace Piece 3. Reinbert de Leeuw - Gnossiennes: No. 4 4. Alessandra Celletti - The Golden Fly Four 5. Sergei Rachmaninov - Lilacs (Composed in 1902) 6. Herbie Hancock - Harvest Time 7. Dave McKenna - There Will Never Be Another You (Warren-Gordon) 8. Art Tatum - Tenderly 9. Gonzales - The Tourist 10. Gonzales - Basmati 11. Andre Previn - In the Wee Small Hours of the Morning 12. Yann Tiersen - Sur le fil 13. Alessandra Celletti - Danses de Travers n°2 14. Sergei Rachmaninov - «The Swan» 15. George Gershwin - So Am I 16. Benny Weinbeck - Willow Weep for Me 17. Dave McKenna - Lucky to Be Me (Bernstein-Comden-Green) 18. McCoy Tyner - Tivoli 19. Vladimir Ashkenazy - Bagatelle in A Minor, WoO. 59 -"Für Elise" 20. Keith Jarrett - Sand, Part 3 21. Yann Tiersen - La Valse d'Amélie (piano version) 22. Thelonious Monk - Sweet and Lovely (Take 2) 23. Cedar Walton - Final Confession Peace & Quiet II http://djqoolmarvsounds.podomatic.com/entry/2009-07-02T17_23_23-07_00 Peace & Quiet III http://djqoolmarvsounds.podomatic.com/entry/2010-08-12T03_16_10-07_00