The Background Dancer

We have come full circle yet again and successfully completed another full season of the most niche dance content you can find! Part 2 of the season round-up provides a quick run-through episodes 11 -20 under the thematic categories of Technology, Education, Business, Interdisciplinarity & Politics. How have the stories of these amazing personalities shaped your perception and approach in dance? Will your journey intersect with one of theirs?  Concluding the second season, this episode recaps the marvelous works achieved by some of our best pioneers and trailblazers in the performing arts. Ready to fulfill your own Background Dancer journey? Join us as we foreground dance in the background! Support the showLike our offers? Sign up for Dance MasterclassTry Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

We have come full circle yet again and successfully completed another full season of the most niche dance content you can find! Part 1 of the season round-up provides a quick run-through episodes 1 -10 under the thematic categories of Management, Media, Science, Fashion & Choreography. How have the stories of these amazing personalities shaped your perception and approach in dance? Will your journey intersect with one of theirs?  Concluding the second season, this episode recaps the marvelous works achieved by some of our best pioneers and trailblazers in the performing arts. Ready to fulfill your own Background Dancer journey? Join us as we foreground dance in the background! Support the showLike our offers? Sign up for Dance MasterclassTry Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Established as an independent, non-profit organization, WDA-AP originated as the Asia Pacific Dance Alliance in Hong Kong in 1988. It later became part of the global body, World Dance Alliance (WDA), founded in 1990 by Carl Wolz. In 1993, the name of the Asia-Pacific Center was changed to WDA Asia-Pacific to reflect its relationship to the global body. Tasked with serving as a primary voice for dance and dancers throughout the Asia-Pacific region, the WDA-AP encourages the exchange of ideas and the awareness of dance in all its forms. Led formerly by president, Urmimala Sarkar Munsi (now Anna Chan), who is an associate Professor of Theatre and Performance Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, India. She is a PhD holder in Social Anthropology, specializing in Dance Studies and the socio-cultural context of tribal and folk dance. Beside her principle area of work on body, dance and Society, her research interest is in gender and performance, documentation of living traditions, and performance as politics. Continuing a brand new season and month of Dance Politics, this episode discussed the expanding global performing arts landscape, how to fortify international relations and what the future holds for representation in dance. Ready to discover the diplomat within you? Join us as we foreground dance in the background!Urmimala Sarkar MunsiWDA Asia-Pacific Asia Pacific Channels MyDance AllianceYoutube & Book publicationsSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkCoverless book - MYAUDIOVISIONEver flowing - ItsWatR Support the showLike our offers? Become a chapter member of WDA-AP Become an individual member of WDA-AP Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Founded in 1987, California-based AXIS Dance Company has long been at the forefront of redefining dance and disability. Through world-class productions that challenge perceptions, AXIS quickly established itself as one of the first contemporary dance companies to integrate disabled and non-disabled dancers. AXIS has since toured extensively, performing in over 100 cities across the US, Europe, the UAE, and Russia, while also earning nine prestigious Isadora Duncan Dance Awards.Current Artistic Director, Nadia Adame, began her international career as a disabled artist with AXIS in 2001 and has now returned to lead the company. An actress, writer, award-winning dancer, and choreographer, Nadia trained in flamenco and ballet at the Royal Conservatory of Dance and Drama in Madrid, Spain, before earning her BA in Theatre at the University of Colorado. Nadia was a company member with CandoCo, AXIS, and Compañía Y in Spain, further solidifying her reputation as a champion for inclusivity in dance. Kickstarting a brand new season and month of Dance Politics, this episode explore the mission and vision of Nadia and the pioneering work of AXIS, uncovering the potential of the dance world to embrace diversity and inclusion more fully. Join us as we foreground dance in the background!Nadia AdameAXIS Dance CompanyCandoco Dance CompanyOrigins of AXISSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkHarmony - Serge PavkinUpbeat Emotive - u_968xy4i23xSend us a text Support the showLike our offers? Visit AXIS Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

One of the most persistent misconceptions surrounding classical ballet is the notion that they are too old-fashioned and rigid. However, true arts enthusiasts recognize its inherent diversity and multi-disciplinarity even in the so-called "olden days." A prime example is the Ballet Russes, one of the greatest ballet troupes of all time, led by the legendary impresario Sergei Pavlovich Diaghilev. Fast forward a hundred years, and the landscape has evolved, yet the core principles of collaboration and innovation remain unchanged. My curiosity about the craft of producing and curation has led me to one of the most influential ballet impresarios in Europe today: Paul Seaquist. Paul is a visionary in dance, having founded Seaquist Dance Marketing, one of the first dancer and choreographer management companies globally. He has played a pivotal role in developing and directing the careers of some of the most celebrated ballet stars, including Aurélie Dupont, Vladimir Malakhov, Polina Semionova, Carlos Acosta, Daniil Simkin, and Iana Salenko, to name just a few. More recently, he created and directed the “Grand Prix Vladimir Malakhov,” the first ballet competition in Cuba's history, as well as the “Gala de Estrellas de Santo Domingo in the Dominican Republic,” both charity-driven dance competitions. Now, he is the CEO of SwanSea ProductionsContinuing a brand new season and month of Dance Interdisciplinarity, this episode explore the nuances of working with the world's biggest stars and the challenges of being at the forefront of modern day performing arts. Ready to discover the producer within you? Join us as we foreground dance in the background!Paul SeaquistInterview En Lair Interview Ballet RisingSP Records & Music ManagementSoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkBallerina Shoes - GeoffharveyFree Love Story Clavinet - Lobo_LocoSend us a text Support the showLike our offers? Arizona Gala Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

The memory of my first-ever invert on a pole — when I hung upside down—remains vivid as if it happened yesterday. That experience with the circus arts community in Malaysia opened my eyes to a vast and captivating genre that thrives on its interdisciplinarity. So, when the opportunity arose to delve into this season's exploration of interdisciplinarity, I was fortunate enough to discover CircusTalk, an international online platform previously led by Canadian Casting Director and Career Coach, Stacy Clark.Stacy Clark is a seasoned professional in the circus and performing arts industry, and she's no stranger to the stage herself. Before making a name in the circus world, Stacy worked in marketing and communications. Eventually, she left that behind to perform and teach circus arts across the globe, on stage, at festivals, and even on screen. Her career trajectory then led her to become a talent scout and eventually the Director of Casting at the renowned Cirque du Soleil. In 2021, Stacy joined CircusTalk as CEO, determined to help a small but ambitious team transform the platform into a global hub for the circus arts community.Kickstarting a brand new season and month of Dance Interdisciplinarity, this episode explores the intricate world of circus arts, challenges of managing an all-encompassing online platform and the essence of interdisciplinary arts. Ready to discover the circus within you? Join us as we foreground dance in the background!Stacy ClarkCircusTalk/StageLyncJamargigSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkChaos in the Mouse Kingdom - SergeQuadradoThe circus marched down bourbon street - MelodyayresgriffithsSend us a text Support the showLike our offers? Try StageLync Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Positioned as a pre-seed collaborative social enterprise, DanceGRiST was established with the noble objective of elevating the income and status of dancers, multi-skilled artists, and other professionals in the movement arts sector. Led by the visionary Carole Edrich, a former tango dancer and bodybuilder turned project manager and writer, DanceGRiST has cultivated an international team and forged fruitful commercial collaborations all while challenging the prevailing misconception that dancers possess limited value beyond the stage.Carole's portfolio career spans roles as an arts programmer, activist, and communicator, demonstrating a relentless commitment to advocating for artists' rights and advancing the cultural sector. Simultaneously, she has also provided thought leadership and consultancy in risk management to financial, insurance, public and NGO organisations, won prizes for her journalistic photography, and become a sole dance consultant to the American Express's Bon Vivant Magazine. Continuing a brand new season and month of Dance Business, this episode delves into the inner workings of cultural accelerators, running a pre-seed business, and Carole's vision for the future of arts entrepreneurship. Ready to discover the accelerator within you? Join us as we foreground dance in the background!Carole EdrichDanceGRISTWhat is a business accelerator?The Joy of DanceWhat is cultural entrepreneurship?Soundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkEthereal Vistas - Denys BrodovskyiTitanium - AlisiaBeats Support the showLike our offers? Try Industry Auditions Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Shifting from performer to entrepreneur requires not just passion but also a high tolerance for risk and uncertainty. Without a strong appetite for the unpredictable journey ahead, many dancers shy away from the entrepreneurial path. Yet, those who do take the leap often become the industry's trailblazers, using their vision and tenacity to spark meaningful change.One such trailblazer is Danny Hindmarsh, an Australian dancer turned business innovator who is already making a global impact. As the CEO and co-founder of Industry Auditions, Danny has developed an online platform that addresses a critical gap in the performing arts: talent sourcing and recruitment. His cutting-edge mobile app offers performers a centralized hub to find auditions that perfectly match their skills and interests. Kickstarting a brand new season and month of Dance Business, this episode explores the lessons of building a tech business, navigating career transitions, and leveraging industry knowledge to enhance the performing arts. Ready to discover the businessperson within you? Join us as we foreground dance in the background!Danny HindmarshIndustry AuditionsHindmarsh ProductionsHow to acquire industry knowledgeSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkTokyo Cafe - TVARISpring Inspiring Ambient - Makesoundmusic Support the showLike our offers? Try Industry Auditions Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Dance education is often likened to a Chinese proverb: 'A minute of work seen on stage takes 10 years of work off stage.' And while talent plays a role, education stands as the primary pillar shaping a dancer's journey. In our exploration of dance education during our first season, we delved into academia and the art of learning. Now, we take a closer look at the business of education, focusing on the creation of teaching resources essential for dance educators in the form of Dance Ed Tips.Enter Olivia Mode-Cater, the visionary behind DET, founded in 2017 to empower dancers and dance teachers across the nation with a rich array of teaching resources and learning materials. With a solid background as a seasoned dance educator and entrepreneur, Olivia is a sought-after presenter, sharing her expertise on both national and international platforms. Her journey as Director of Dance Education at Hofstra University established the institution's dance education program among the Top 30 in the United States, recognized for its high-quality teacher preparation training.Continuing a brand new season and month of Dance Education, this episode explores Olivia's trailblazing journey while unveiling the secrets behind her innovative transformation in dance education. Ready to discover the educator within you? Join us as we foreground dance in the background!Dance Ed TipsOlivia Mode-CaterMosston's SpectrumDance Studio ProHosftra UniversitySoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkMorning garden acoustic chill - OlexyWaterfall - Roman Senyk Music Support the showLike our offers? Try Dance Ed Tips Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

A personal story told many times over on this podcast is my journey into dance which commenced gradually through the popular reality TV series, So You Think You Can Dance. While the show's drama took center stage for many, what captivated me was the dancers' adaptability across various styles and techniques. It revealed that each dance style was rooted in fundamental technique, a pivotal aspect for any dancer unlocking their physicality.One recent development in the vast history of dance techniques is Countertechnique, a mischievously named yet transformative approach developed by Anouk van Dijk. With over 25 years of experience as a dancer, choreographer, and teacher, she gradually transformed her insights and dancer dialogues into a comprehensive teaching method. Countertechnique challenges the traditional notion of technique as rigid and prescriptive. It's a dynamic system that encompasses diverse skills to deepen self-awareness, expand physical possibilities, and inform creative choices.Kickstarting a brand new season and month of Dance Education, this episode explores the intricate process of developing a dance technique, the mindset required, and what the future holds for techniques shaped across time. Ready to discover the pedagogue within you? Join us as we foreground dance in the background!Anouk van DijkCountertechniqueDeveloping a contemporary dance techniqueCopyright a dance?Soundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkBackground Fashionable Deep House - IvymusicChill Fashion House - Stock_music Support the showLike our offers? Try Countertechnique Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

When Boston Dynamics, an engineering and robotics design company went viral for successfully creating the now famous Atlas dancing robots video, it caught more than a few people in the world of dance by storm. Would our jobs be threatened by robots too now? Enter the fascinating world of Choreorobotics, a field that explores the convergence of dance choreography and robotics technology. At the forefront of this interdisciplinary domain is Dr. Kate Sicchio, a choreographer, media artist, performer and Assistant Professor in Dance and Media Technology at Virginia Commonwealth University, whose groundbreaking work has garnered international acclaim. Dr. Sicchio's pioneering research delves into the creative possibilities of integrating technology into dance performance, pushing the boundaries of what is possible when humans and machines collaborate on stage. Sicchio's contributions to the field of dance and technology have earned her recognition as a leading figure in the emerging field of "digital dance" or "dance and technology.'' Continuing a brand new season and month of Dance Technology, this episode investigates Choreorobotics, dancers' attitudes towards technology and what the future holds for aspiring tech enthusiasts in the world of arts and culture. Ready to discover the roboticist within you? Join us as we foreground dance in the background!Kate SicchioVirginia Commonwealth UniversityOrigins of ChoreoroboticsAtlas dancing robots Dancing with RobotsInverse magazineSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkWhipped-cream - WatRAmbient Technology - Mapa Music Support the showLike our offers? Try Nord VPN Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

SaaS, also known as software as a a service or web-based software, operates on a subscription basis, providing users with centrally hosted solutions accessible anytime, anywhere. This model has transformed countless industries, including entertainment, communication, and, most notably, education. As dance studios and activity centers worldwide sought efficient management solutions, Jackrabbit Technologies emerged as a pioneer in cloud-based class management software.Under CEO and co-founder Mark Mahoney's leadership, Jackrabbit Technologies has grown into a multi-million dollar company serving over 5 million students across more than 15,000 locations in 36 countries. Mahoney's entrepreneurial spirit and dedication to innovation have earned him numerous accolades, including the NC Tech Exec of the Year, the Michael J. Bryan Award for entrepreneurial excellence, and recognition as a Charlotte area Top 50 Entrepreneur and Most Admired CEO. Kickstarting a brand new season and month of Dance Technology, this episode explores one of dance technology's greatest successes in modern times, the impact of SaaS on the performing arts, as well as what the future holds for Mark and his thriving team of pioneers. Ready to discover the tech geek within you? Join us as we foreground dance in the background!Jackrabbit TechnologiesMark MahoneySoftware as a Service (SaaS)Best studio management softwareSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkRefined style - Daddy's MusicInspirational Background - Audio Coffee Support the showLike our offers? Try Nord VPN Visit Mike Tyus & Co Try Dance Masterclass NOW Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Long before the formulation of the world's first MA in Screendance by the LCDS, the genre had already dated as far back to the early days of cinema. Gene Kelly emerged as a prominent figure during the 1940s and 50s after he starred in and co-directed the classic film "Singin' in the Rain" (1952). In contemporary cinema, dance continues to play a significant role through films such as "Black Swan" (2010), "La La Land" (2016), which have all brought dance back into the spotlight for the next generation of creators to continue evolving.One such creator is dancer, choreographer, and creative director hailing from the vibrant city of Los Angeles, California - Mike Tyus. Tyus has graced the stages of renowned companies including Cirque Du Soleil, Pilobolus Dance Theater, while collaborating with visionaries like Sidi Larbi Cherkoui and Inbal Pinto. His choreographic style is a captivating fusion of his diverse training, blending elements from circus theater, acrobatics, ballet, and Greco-Roman wrestling to create a truly unique and mesmerizing art form as evidenced with the likes of the LA Dance Project and Joffrey Ballet. In 2020, he established Mike Tyus & Co, a dance company dedicated to bringing his visionary work to life, with an impressive repertoire of over 13 films and a litany of original works and branded commercial campaigns featuring SONY, Apple, and Abercrombie & Fitch. Continuing a brand new season and month of Dance Choreography, this episode ponders about the ideas and potential of creating dance for the camera, and what it takes to succeed as a screendance choreographer. Ready to discover the filmmaker within you? Join us as we foreground dance in the background!Mike TyusJacob Jonas The CompanyDance MasterclassMA in ScreendanceTPOPA InterviewSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkCourtesy - WolfBeatUplifting background music - Saavane Support the Show.Like our offers? Try Nord VPN Visit Mike Tyus & Co Try Dance Masterclass NOW Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

While most of us aspiring contemporary dancers will decide to undergo formal training under the foundations of Graham, Cunningham, Limon and various others, a small subset has diverted into the wondrous world of puppet theatre. One such performer, choreographer and now puppeteer is Duda Paiva. After a few more years thriving as an independent theatrical artist, he initiated the Duda Paiva Company in Amsterdam, Holland, in 2004.Duda was educated as an actor, ballet and Butoh dancer in both Brazil and Japan. He moved to the Netherlands in 1996, where he worked as a professional contemporary dancer and choreographer. Curious and adept at researching multidisciplinary art forms, Paiva pushes the boundaries of visual theater and creates an exciting and unique idiom, blowing life into foam sculptures.Kickstarting a brand new season and month of Dance Choreography, this episode explores the choreographic mystery behind creating for both humans as well as puppets, how to find constant harmony and what the future ultimately holds for this art form. Ready to discover the puppeteer within you? Join us as we foreground dance in the background!Duda Paiva CompanyPuppeteers of the worldHistory of puppet theatreTraditional puppet theatres around the worldSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle Milk22 circus - HasenchatOnce in Paris - Pump up the mind Support the Show.Like our offers? Try Nord VPN Visit Duda Paiva Company Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Costumes, costumes, costumes... they are everywhere, aren't they? From festive occasions to theatrical performances and even on the silver screen in movies. Whilst studying dance, I was always captivated by the costume design at the School of Theatre and Arts Entertainment. They were the ones I interacted with most, as they were responsible for crafting costumes and set designs for various other departments including Music, Drama and Chinese Opera.Rike Zöllner hails originally from Germany and was trained at The Royal Welsh College of Music and Drama (MA) after obtaining a degree in Literature and Performing Arts in France. Over the years, she has collaborated with choreographers such as Dimitris Papaioannou, Ben Wright, Theo Clinkard and Colette Sadler to name a few. In 2019 she was awarded as an Honorary Associate of the Royal Welsh College Of Music And Drama, and is now pursuing her PhD whilst also acting as academic assistant in the art history department of the Offenbach University of Art and Design back in Germany. Continuing a brand new season and month of Dance Fashion, this episode explores the intricacies of costume design in dance, how it differs from other art forms and how to pursue one as a full-fledged career. Join us as we foreground dance in the background!Rike ZöllnerHistory of dancewearThe Guardian coverPros & Cons of costume designingSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkAint Ova - Keyframe AudioCatwalk - Keyframe Audio Support the Show.Like our offers? Try Nord VPN Visit SMK Dancewear Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

As a dancer, have you ever wondered about the significance of the clothes on your back?  For most, the selection of brands and gear is a deliberate choice, a conscious decision shaping their dance journey. A notable name in this arena is SMK Dancewear, a label bearing the imprint of its founder and designer, Sandra Meynier Kang. The brand's ethos revolves around eco-friendly textiles, zero waste production, and a vegan, locally made product range.Sandra Meynier Kang, is a French native who has followed a unique path in both the fashion world and rhythmic gymnastics. Her journey intertwines her passions for rhythmic gymnastics, design and ethical fashion based on eco-friendly and upcycled textiles and accessories. She graduated in 2008 from Atelier Chardon Savard, a French fashion design school based in Paris, and in 2010 she moved to Seoul as a fashion commercial agent to work for a few designer brands before creating her dancewear brand in 2017.Kickstarting a brand new season and month of Dance Fashion, this episode delves into dancewear industry, unraveling its trials and triumphs. From collaborations and fashion expos to navigating the establishment of a dancewear brand in an unfamiliar country. Ready to discover the designer within you? Join us as we foreground dance in the background!Sandra Meynier KangSMK DancewearCulture & Creativity coverPointe Magazine coverSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkThe Sunshine - DayFoxRio Fresh - DayFox https://sandrameynierkang.com/pages/symmetry-visitusSupport the Show.Like our offers? Try Nord VPN Visit SMK Dancewear Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Have you ever suffered a catastrophic injury? How does one recover and regain peak condition following damage to the anatomy? Amidst the many inherent challenges within the dance sphere — a beacon of hope shines at the NYU Langone Orthopedic Hospital through the presence of the Harkness Center for Dance Injuries. Beyond their exceptional array of services encompassing physical therapy and injury prevention programs, they also provide comprehensive educational offerings, both online and in person.  A noteworthy accomplishment is the full accreditation, secured in 2020, of the Harkness Center's Postgraduate Performing Arts Physical Therapy Fellowship Program by the American Board of Physical Therapy Residency and Fellowship Education (ABPTRFE).At the nexus of this endeavor is Dr. Donald Rose, a distinguished sports medicine physician and orthopedic surgeon. He stands as the founding director of the Harkness Center for Dance Injuries at NYU Langone Orthopedic Hospital. Dr. Rose's realm of expertise encompasses the management of injuries unique to dancers, and he diligently conducts research aimed at refining dance injury treatments. His impactful contributions extend further, as he serves as an orthopedic consultant to esteemed dance companies, including the Alvin Ailey American Dance Theater, Martha Graham Dance Company, Dance Theatre of Harlem, and the now-defunct Cedar Lake Contemporary BalletContinuing a brand new season and month of Dance Science, this episode delves into the intricate underpinnings of both sports and dance medicine, as well as the challenges inherent in ensuring the enduring health and career trajectories of dancers. Ready to discover the caretaker within you? Join us as we foreground dance in the background!Donald RoseHarkness Center for Dance InjuriesHarkness Healthy Dancer InitiativeRYC Orthopedics Support the Show.Like our offers? Try Nord VPN Subscribe to the Harkness newsletter Visit RYC Orthopedics Subscribe to IAMDS Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

What exactly is Dance Science? What are the main foundations that constitute its rich and detailed history? Given dance's unique position at the intersection of arts and sports, it was inevitable that this field would eventually enter the mainstream. One pioneering institution that played a crucial role in this transformation was the Trinity Laban Conservatoire of Music and Dance, with one individual standing out as a driving force behind this revolution – Professor Emma Redding.Professor Emma Redding is a distinguished practitioner, educator, and researcher in contemporary dance and performance science. Prior to her role as Director of the VCA, she served as Professor in Performance Science and Head of Dance Science at Trinity Laban. Her contributions include co-authoring the first-ever Master's degree in Dance Science and being a key figure in establishing dance science as a recognized field of study in Higher Education. She has also assumed leadership roles as a founding partner of the UK's National Institute for Dance Medicine and Science and as a Past President of IADMS. Kickstarting a brand new season and month of Dance Science, this episode delves into its foundations, significance in the performing arts, and how it could become an integral part of every dancer's education. Ready to discover the scientist within you? Join us as we foreground dance in the background!Emma ReddingVCA DanceTrinity Laban IADMSHealthy ConservatoiresSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkHappy (Dub) - Igor PumphoniaStingray - Lisofv Support the Show.Like our offers? Try Nord VPN Audition for the VCA Subscribe to IAMDS Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

What does it take to stand out as a podcaster anyways? Is the craze for this new medium truly justified for the world of dance? Like in every other sector, the field of dance-related podcasts is now beyond saturated. Yet, that didn't discourage me from starting a show, completing a full season and then embarking on a whole new one right after! It starts with your message and the value it brings to listeners who are looking to learn something from you which they cannot do elsewhere - which I did through one of the first podcasts I ever listened to, The Dance Podcast.Lauren Ritchie is the host and one of the earliest pioneers of dance podcasting, starting as far back as 2016. After a highly competitive career as a dancer, having trained in ballet, jazz, tap and lyrical styles, she transitioned into a coach, educator, writer and adjudicator for part two of her glittering career. Recognizing the lack of mental skills training in dance, Lauren created programs dedicated to educating and empowering dancers' mental health as well as fitness to optimize their training, subsequently transforming her experiences into 5 seasons totaling 160 episodes on her podcast. Continuing a brand new season and month of Dance Media, this episode explores the role of podcasts as performing arts media and what it takes to excel as a dance podcaster. Ready to discover the podcaster within you? Join us as we foreground dance in the background!The Dance PodcastLauren RitchieBest dance podcasts in 2024The Benefits Of Dance Education Podcasts For EntrepreneursWhy podcasting is crucial for danceSoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkDouble Overhead - ItsWatREmbrace - ItsWatR Support the showLike our offers? Try Nord VPN Subscribe to Mental Skills Training Subscribe to Teacher Workshops Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Is journalism dead? What is the most trusted form of media today? While there isn't a definitive answer, one company comes admirably close. Dance Media Publications is a multi-varied media platform that covers dance like no other and has been consistently delivering engaging content to the most dancers, dance professionals and dance lovers globally. Among its many satellite publications, the Dance Edit podcast stands out as a prominent voice for daily news and updates revolving around the world of dance. Margaret Fuhrer was formerly the Editor in Chief and Producer of the Dance Edit Podcast. A journalism graduate from NYU, her writing has been published on esteemed platforms such as The New York Times, The Huffington Post, and The Brooklyn Rail. Margaret has also worked on other Dance Media outlets such as the Dance Spirit, Pointe and the Dance Magazine, the latter in which she now devotes her work to as Features Editor. Best of all, she is the author of the book American Dance: The Complete Illustrated History, published in 2014. Kickstarting a brand new season and month of Dance Media, this episode uncovers the secrets of pursuing a career in journalism and ambition to work for the best media companies in the arts. Ready to discover the journalist within you? Join us as we foreground dance in the background!Margaret FuhrerDance MediaThe Dance Edit podcastThe Dance MagazineAmbiguity of modern day journalismPower of wordsSoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkDouble Overhead - ItsWatREmbrace - ItsWatR Support the showLike our offers? Try Nord VPN Subscribe to the Dance Magazine Subscribe to Pointe Magazine Subscribe to Dance Teacher Magazine Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

What does it mean to be a leader in the arts? Have you ever dreamt of heading an international platform which boasts both historical and current prestige? As far as dance goes dance, very few are like The Jacob's Pillow. Established on a treasured 220-acre national landmark, it is one of the oldest running dance festivals and home to the USA's most influential dance icons, including the man who started it all, Ted Shawn.In 2016, Pamela Tatge was announced as the new Director of The Pillow after serving as the Director of the Center for the Arts at Wesleyan University, overseeing robust programming and acclaimed artistic initiatives for dance, music, theatre and the visual arts, including the Breaking Ground Dance Series. Pamela was named one of “The Most Influential People in Dance Today” by Dance Magazine in 2017 and is the recipient of the Association of Performing Arts Presenters' 2010 William Dawson Award for Programmatic Excellence and Sustained Achievement in Programming.Continuing a brand new season and month of Dance Management, this episode tells a story of leadership, helming the 2 in 1 director role and how to establish a working culture at a renowned cultural heritage center. Ready to discover the manager within you? Join us as we foreground dance in the background!Jacob's PillowPamela TatgePillow Lab ResidenciesThe FIREBe a leader, be presentWhen executives burnoutSoundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkGypsy Swing - Serge QuadradoRetro Hip Hop - Nver Avetyan Support the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

What does it take to stage a dance festival? Have you ever wanted to initiate an international platform with long-term sustainability? Despite the overwhelming number of contemporary dance festivals around today, very few have peaked at the level of a Deltebre Dansa, ImPulsTanz or Jacob's Pillow. However, B12 has managed to achieve such status in an even shorter time, which makes their story doubly more remarkable. And the secret to all of this? A stellar management team of course! Johannes Wieland and Evangelos Poulinas are co-founders and the brains behind this project, with both having had successful performing and choreographic careers prior to transitioning into critical management roles. Johannes was once artistic director for the Staatsheater Kassel in Germany while Evangelos on the other hand, co-directed the One Small Step festival in Greece. Kickstarting a brand new season and month of Dance Management, this episode tells a story of the many challenges in establishing an international dance platform, building a competent team and the unique experiences of co-directing as project leaders. Ready to discover the manager within you? Join us as we foreground dance in the background!b12 Festivalb12 Springb12 FallJohannes Wieland Evangelos PoulinasHow to organize and plan a dance event?Soundtracks: Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkSomething Elated - Broke for free Support the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Are you compromising your art for more exposure, followers and following on social media? What do artists really need? Simply, we need to be discovered by people who are interested in what we have to share. Just think about it. Instagram is not a search engine like Google or YouTube where you can easily type, for example – ‘dancers' – choose style of dancing, and you get a list of 100 000 dancers around the world with which you can filter out and identify exactly what you want. In the end, you're just left hoping your work is ‘'engaging” enough for a much larger audience than Instagram takes you for. Welcome to a brand new mini series covering our proposed launch of an up and coming digital space, suite of professional tools and dedicated ecosystem for the arts and culture - Artunio. Throughout the next four episodes, join me and Timotej Vrab as we look into the core issues of mainstream social media and how Artunio presents itself not only as an alternative, but a collective movement hoping to change the landscape once and for all.It's time to take back your creativity, artistic freedom and control of career choices by changing the way your art is produced, shared and valued!If you resonate, connect with me byVisiting Artunio Why is it important? How does it work? Wish to try?Soundtrack: Waterbeat - DJ Lengua | Scotch - KVZESupport the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Is the overall environment on social media just absurd? Is it appropriate to place art next to irrelevant content such as pets, pranks and political correctness? But that herein lies the problem we face when squaring up to mass content on platforms that treat us not as the content itself, but the product in which to profit off from. The reality is, we cannot expect social media to change. We need to assume accountability and build a new one that is designed for art and artists with conditions that are beneficial for the whole community. Listen, isn't it always better to build your own house than to live under the restrictions of someone else's?Welcome to a brand new mini series covering our proposed launch of an up and coming digital space, suite of professional tools and dedicated ecosystem for the arts and culture - Artunio. Throughout the next four episodes, join me and Timotej Vrab as we look into the core issues of mainstream social media and how Artunio presents itself not only as an alternative, but a collective movement hoping to change the landscape once and for all.It's time to take back your creativity, artistic freedom and control of career choices by changing the way your art is produced, shared and valued!If you resonate, connect with me byVisiting Artunio Why is it important? How does it work? Wish to try?Soundtrack: Waterbeat - DJ Lengua | Harmitzvah - CoolzeySupport the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Does social media actually downgrade your creativity? What are the obvious disadvantages of constantly churning out content for such platforms? A lot has changed  from their humble beginnings and who knows how much more is changing as we speak. Even photographers who once upon a time came flocking over to Instagram, are now finding themselves leaving along with their dreams. Still think this doesn't concern you? Think again. Welcome to a brand new mini series covering our proposed launch of an up and coming digital space, suite of professional tools and dedicated ecosystem for the arts and culture - Artunio. Throughout the next four episodes, join me and Timotej Vrab as we look into the core issues of mainstream social media and how Artunio presents itself not only as an alternative, but a collective movement hoping to change the landscape once and for all.It's time to take back your creativity, artistic freedom and control of career choices by changing the way your art is produced, shared and valued!If you resonate, connect with me byVisiting Artunio Why is it important? How does it work? Wish to try?Soundtrack: Waterbeat - DJ Lengua | Weeknds - DayfoxSupport the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Is social media suitable for artists? What are some of the challenges posed by Facebook or Instagram for artists and creators looking to build sustainable careers? While it might have been a great avenue to promote and network with fellow peers initially, much of social media has regressed over the years. Nowadays, we are seeing an increased aversion towards its application especially upon the creative industries. But all of this isn't new, is it? And where are the solutions, if any at all?Welcome to a brand new mini series covering our proposed launch of an up and coming digital space, suite of professional tools and dedicated ecosystem for the arts and culture - Artunio. Throughout the next four episodes, join me and Timotej Vrab as we look into the core issues of mainstream social media and how Artunio presents itself not only as an alternative, but a collective movement hoping to change the landscape once and for all. It's time to take back your creativity, artistic freedom and control of professional choices by changing the way your art is produced and valued!If you resonate, connect with me byVisiting Artunio Why is it important? How does it work? Wish to try?Like what we do? Help us grow byVisiting The Background DancerYouTube ChannelRate and review here Sign up here to receive future updates Leave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Waterbeat - DJ Lengua | Something Elated - Broke For FreeSupport the showLike what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In our final entry of this special series, we go back to basics. As conventional wisdom goes: Failure is the first step to success, the cliché prevails. The question is, is it that much of a cliché at all? Sometimes, one needs to take a step backward, to then make two steps forward. What were some of your most momentous failures in dance? Here, we discussed how massive failures in our dance journeys proved pivotal in shaping the artists we are today. Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 9, business is the bedrock of modern society - providing the tools for all supply and demand be it in the arts, or otherwise. As artists however, we are often our own businesses and the bedrock of the gig economy. Without freelancers and the ever vibrant gig economy, the arts would crumble. In this extract, we talk about ways to approach dance as a solo entrepreneur, a business person of your own career and a financially savvy decision-maker in an ever changing, unpredictable and often cut-throat industry.  Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 8, we were once called the Avant Garde of society as artists. That's because it was our jobs to always be prescient in the perception of our futures, of innovations that could be brought forth, of bravely charting uncharted territory. Obviously, artists play a hugely different role today. But thankfully, we still maintain that most valuable trait - the desire to imagine and create a desirable future. Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 7, we explore the mysteries of dance and its many crossovers with neighboring and distant disciplines, especially with regards to why one should even consider engaging in interdisciplinary collaboration in the first place. Should we cross genres because we can? Is interdisciplinarity the new contemporary? Tune into a discussion on our perspectives and experiences of the multi and inter of dance disciplinary crossovers. Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 6, dancing isn't always about belonging to the art form, it also comes with a community and support system. How can we build more communities and strengthen existing ones in dance? For this session, we were joined by another contributing voice and the first clubhouse attendee to have called in, Thomas. Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 5, Dance and Education, perhaps the most fundamental element in a dancer's journey from their first steps in the studio, all the way through their first steps into full fledged professional life. At the end of the day, the level of education one undergoes significantly affects their prospects of succeeding within this field, but how so? And what are some of the potential pitfalls one can and should avoid at all cost? Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 4, how does dance and philosophy intertwine as an art form? Is dance a philosophy itself? Much of dance has evolved from a performative act into the universal thought process and stream of consciousness that has shaped the world around us. Behind every text spoken, is movement as a communicative language. Behind the aesthetics of dance is also humans' basic need to share and connect beyond the ring of philosophical fire that has made art what it is today. Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In Round 3, we dived into the complex and imminent world of dance technology, from the perspective of resistance, acceptance and prescience of different innovations within dance and the performing arts. From disabilities, to robotics, to software as a service, the world is our oyster when it comes to the marriage between dance and technology. How has technology influenced us in the most impactful ways? Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. Round 2 posited why dance is a great avenue to develop and apply leadership skills. It is complex, consists of a diverse population and is relatively low stakes. What else could one ask for as training wheels to one day become a leader in the performing arts or even within other sectors? Here, we elaborated on the experiences of our art collectives and what were some of the best lessons derived. Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

Welcome to a whole new wave of specials, featuring a roundtable version of the show alongside two new co-hosts in Jacob Caldwell and Joshua Sailo. Throughout this 10 episode series, we present extracts from our Clubhouse sessions on the Why Dance? by J-Cast clubroom. In this debut entry, we discussed how different schemas, mindsets and social upbringings have influenced the way we approach dance, perceive the world and vice versa. Knowledge is vast and timeless, constantly everchanging and varies geographically, politically and temporally. Is this one way of knitting the world closer? And is that a powerful and often unconscious advantage that dancers hold? Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

What was the worst dance injury you've ever experienced? How did you eventually overcome it? As a dancer, injuries are almost a given. Some are little niggles, others are massive and potentially career-ending. Since everyone is bound to suffer at the fate of the injury bug at some point, shouldn't there be more support systems in place to prepare a dancer for such circumstances? In this very case, it's most definitely recovery over prevention as prevention is almost impossible. As part of another special entry leading up to the launch of Season 2 in 2023, EP.40 officially introduces the J-Cast, the three-men crew on the bi-weekly Clubhouse sessions. We are basically the roundtable version of the podcast, which makes this episode an apt choice for our special series. Furthermore, this was also recorded on the back of two members having suffered major injuries. How did they survive? Listen to find out!Joshua SailoAll House Dance CollectiveHarkness Center for Dance InjuriesIf you resonate, connect with me byVisiting The Background DancerJoin us on ClubhouseYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk Support the show

How does intercultural exchange influence dance? And are people as interdisciplinary as art is? Upon receiving a plea to help out a friend's graduate thesis, a study which investigates how the reality of intercultural exchange, interdisciplinary collaboration and working in Slovakia as a foreign artist all intertwine in the year 2022, we duly complied in providing the best possible account. After being based here in Central Europe for the past three years, there inevitably exists an impression or two about the local landscape. Continuing our special episode series as we build up for the launch of Season 2 in 2023, this episode explores how some of the most critical aspects of the global dance market have combined to develop Jason as an artist. Ready to fulfill your own Background Dancer journey? Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk | Waterbeat - DJ LenguaSupport the show

What would it take to finally gain cultural and political independence from Russia? How is the cultural landscape changing amidst this relentless conflict? After many false promises of a no invasion stance from President Putin, Russia crossed the border into Ukraine under the guise of a special military operation on February 24, 2022. Almost three months on, that so-called operation continues to wage on in the form of a full scale war. But even after incessant shelling, killing and unspeakable atrocities, Ukraine perseveres.Amongst those who chose to stay is Oleksandra Korotchuk, a Ukrainian artist and recent graduate of the Academy of Fine arts in Banska Bystrica, Slovakia. Her professional experience have included working as a film director, director of photography, photographer and video editor for the likes of Alliance Francaise and the Puppet Theatre in Banska Bystrica. What is it like to be an artist based there now? What is in store for Ukrainian artists heading into the future? What's next in this evidently cultural war? Throughout this special episode, we explore the five biggest lessons learnt as a Ukrainian artist, told from the experiences of Oleksandra herself. Ready to dive deep into the cauldron of topical fire? Join us as we foreground dance and arts in the background!Oleksandra KorotchukInstagramOn Cultural OccupationHow Ukrainians are saving art during the warHistory between Ukraine and Russia If you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show

So, we have come full circle and successfully completed a full season of content and creation! While it has not been easy, it was through your truest support and consistency to the show that we have made it. 10 categories, 12 months' worth of content! What do you think about personal anecdotes, stats, tokens of gratitude and so on? As they all obviously provide a very different outlook, it's important to round up with as comprehensive a rundown as possible. Concluding the first season, this episode explores crucial aspects of the show in how it has grown, changed and consolidated itself as a one of a kind platform. Ready to fulfill your own Background Dancer journey? Join us as we foreground dance in the background and see you all very soon!If you resonate, connect with me byVisiting The Background DancerYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk | Hidden - Darkstorm & DiabolikSupport the show (https://www.buymeacoffee.com/background)

After a year long run, it's time to recollect our thoughts and engage in a little one on one with a very special AMA episode. Here, we listen to 13 unique questions about Jason as a dance artist, podcaster and person in general. Although some were not the most suitable to tackle first hand, this was a wonderful thought experiment and window into the host, producer and founder of the Background Dancer journey. Don't forget, this episode is part of a double launch alongside the finale of Season 1 in the next one. In addition to this, we also have a brand new YouTube channel launched and ready to touch your life positively, and passionately.Concluding the first season, this episode explores some of the toughest questions regarding the industry as well as more general ones about podcasting and the dance artist voyage. Ready to live through some of the toughest and most personal inquiries? Join us as we foreground dance in the background!If you resonate, connect with me byVisiting The Background DancerYouTube ChannelRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle Milk | Hidden - Darkstorm & DiabolikSupport the show (https://www.buymeacoffee.com/background)

What does it mean to be a nomadic artist? What exactly is a contemporary nomad? With the increasingly globalized world we live in today, it's only natural that dance artists travel to where opportunity presents itself. However, constant migration often leads to fragmented individualities and scattered homes, which results in a recurring  process of arriving and departing in search for what hopes to be the penultimate destination. Henry Daniel is a Distinguished SFU Professor, Professor of Dance, Performance Studies and New Technology, scholar, performer, choreographer, and Artistic Director of Full Performing Bodies. As a former dancer, he worked with the Alvin Ailey American Dance Centre Workshop, Pearl Primus African American Dance Company, José Limón Dance Company (USA) and Tanztheater Münster (GER)Concluding the month of Politics, this episode explores key challenges faced by contemporary artists of past and present concerning migration and fragmented identities . Ready to fulfill your contemporary nomad's journey? Join us as we foreground dance in the background!Henry DanielSFU School for the Contemporary ArtsAlvin Ailey American Dance Centre WorkshopJosé Limón Dance CompanyTanztheater MünsterIf you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

How can we best navigate power dynamics within a dance workplace? What about through active agency and heterarchy? Organizational structures have historically been a challenge for corporates and performing arts groups alike, mostly presenting itself as a tough nut to crack. However, therein lie a multitude of ways to better grasp and understand the psychology and modus operandi of our environment, resulting in a reframing and distancing from the often negative connotations associated with the concept of POWER. Sarah Rubidge is an educator, academic and choreographer and digital artist working in dance for over 40 years. She was Head of Education at Rambert Dance Company and headed up the MA in Dance Studies at the Laban Centre between 1992 and 1997.  She is currently mentoring Postgraduate students at the Bartlett School of Architecture Masters in Design for Performance and Interaction, and serves as a PhD examiner and mentor.  She was subsequently awarded a Readership and then a Professorship in Choreography and New Media. Kickstarting the month of Politics, this episode explores the research and methods of navigating power dynamics within the increasingly complex workplace of the performing arts. Ready to become an active agent and unleash personal power? Join us as we foreground dance in the background!Sarah Rubidge Paper and articlesRambert SchoolLaban CentreBartlett School of ArchitectureUniversity of ChichesterBooks on politicsIf you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

What is the difference between education and learning? And for who exactly is dance education for? Although most of us would have to teach at some point, education accounts for much of what the present and even upcoming generation promises to offer. In other words, it's not easy and should never be taken for granted! Instead of relying on standardized education, why not adapt your way of absorbing and transmitting information as an independent learner?Zebastian Mendez Marin is an instructor, choreographer, director, dancer, actor and co-founder of Colectivo Priekopník Veverička and the Red Movement Network. He hails from Costa Rica and performed for Belgian company Ultima Vez, touring the revival of Wim Vandekeybus' legendary "What the body does not remember".  In recent years, he has collaborated with the likes of Honey and Dust and Divadlo Štúdio Tanca of Slovakia. Concluding the month of Education, this episode explores what it means to be a dance educator outside institutional frameworks, also the key differences between education and learning. Ready to learn better and become a great learner? Join us as we foreground dance in the background!Zebastian Mendez MarinColectivo Priekopník VeveričkaRed Movement NetworkEducation vs. Learning If you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

Why engage in academic research as a dancer? How does intellectual rigour contribute to the development of a dance artist? While we are often instructed to dance first and think later, careers in the performing arts can resemble a slippery slope to many. So, why not combine the visceral with the exegetical to stand out amongst the 'moving' crowd? Mohd Anis Md Nor is an educator, author, Research Fellow and Managing Director of the Nusantara Performing Arts Research Centre (NusPARC). He was Professor of Ethnochoreology and Ethnomusicology at the University of Malaya in Kuala Lumpur for many years, pioneering the study of Zapin dance and music in Southeast Asia and has published widely on the said topic, including 20 books to date.Kickstarting the month of Education, this episode explores the importance of academic research and intellectual training within dance education, also the future of practice as research within the global curriculum. Ready to be debunked on some researcher myths? Join us as we foreground dance in the background!Mohd AnisNusPARCTalking About InterviewPublishing CatalogueIf you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

How could we identify and solidify personal style as a creator in such an overwhelmingly saturated world? Ever wondered why Urban/LA Choreography has grown into the cultural (TikTok) phenomenon it is today? While choreography works differently according to specific genres, creative capacity runs parallel across all choreographers. Obviously, the only way to find out is by diving deep into the mind of one! Adam Tan is a dancer, choreographer and instructor based in Brooklyn, USA. Beginning his journey as a pole dancer in Malaysia, he has evolved into an internationally touring performer dancing alongside the likes of Shaun Evaristo, Bam Martin and Aye Hasegawa. Currently, he trains and performs with Southern Sole and Hood Nation. Concluding the month of Choreography, this episode explores the differences in choreographic styles between genres, as well as tips to keep evolving as a creator. Ready to think like a choreographer? Join us as we foreground dance in the background!Adam TanYouTube ArchiveTikTok vs. Hip HopIf you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

How does a piece of choreography extend its lifespan and visibility beyond the point of creation? Why have both music and the visual arts speared ahead with copyright and licensing frameworks while dance lags far behind? Choreography Online is the world's first online choreography marketplace, paving the way for creators to not only license and sell their works to a global audience, but also others to purchase rights to a work of genius on demand! Rick Tjia is a choreographer, composer, coach, and currently the co-founder/CEO of Choreography Online. Besides working for the Cirque du Soleil, he is also Patron of Phoenix Associates and I-PATH in the UK. As a dancer, he has performed for the likes of Twyla Tharp, Joe Layton and La La La Human Steps. Kickstarting the month of Choreography, this episode explores the potential for selling and purchasing choreography through the digital terrain, while emphasizing the crucial necessity to establish more anti-plagiarism laws for dance. Ready to view choreography in a completely different light? Join us as we foreground dance in the background!Choreography OnlineRick TjiaI-PATHJaQuel Knight makes historyIf you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

Love to both dance and act? Maybe you don't need to choose one over the other after all. But what exactly is the connection between dance and theatre in contemporary times? From the heydays of DV8 Physical Theatre, Pina Bausch, Ultima Vez and currently the likes of Punchdrunk or Gecko Theatre, dance and theatre are forever inextricable both as art forms as well as physical entities. Ho Ying Fung is a theatre director, playwright, designer and producer based in Hong Kong whose work focuses on applied theatre and arts for education and cultural studies. He is also the founder and director of Ho Bit Goon (何必。館), a cultural hub for arts and body-mind centering practices.Concluding the month of Interdisciplinarity, this episode explores the intersection between dance and theatre in contemporary contexts. Ready to learn more about the ins and outs of this truly fascinating crossover? Join us as we foreground cross-disciplinarity of arts in the background!Ho Bit GoonIf you resonate, connect with me byVisiting The Background DancerRate and review here Leave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

How does dance and philosophy intertwine as an art form? Is dance a philosophy itself? Much of dance has evolved from a performative act into the universal thought process and stream of consciousness that has shaped the world around us. Behind every text spoken is movement as a communicative language. Behind the aesthetics of dance is also humans' basic need to share and connect beyond the ring of philosophical fire that has made art what it is today.Henry Lai is a  lecturer in Complementary Studies and Liberal Arts at the Hong Kong Academy for Performing Arts (HKAPA). Prior to his current tenure, he worked at Silicon Valley for more than 10 years managing international education programmes and is a M.Sc. in Electrical Engineering graduate from Purdue University, USA. Kickstarting the month of Interdisciplinarity, this episode explores the intersection between two often complex yet fulfilling topics of discussion - dance and philosophy. Yearning for a deeper understanding of dance aesthetics and intellectual rigour? Join us as we foreground cross-disciplinarity of arts in the background!Henry LaiThe Philosophy of DancePhilosophers of DanceIf you resonate, connect with me byVisiting The Background DancerRate and review here Leave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

A much postponed episode and one a long time coming. This week, I write a little poem for you as a means of a sharing some very new and exciting updates about the podcast and my life! After successfully acquiring funding to expand the team, we will be launching a few new features to the platform including blog posts, a Clubhouse room and even a YouTube channel! All this is coming soon and arriving at your doorstep across October, so stay tuned for more in what's also the month of Interdisciplinarity. In fact, you could always start here..."It's finally that time of the year, when the ships arrive and the cargos clear.I pinch myself awake for light to appear, remembering all the things held unto so dear."If you resonate, connect with me byVisiting The Background DancerRate and review here Leave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)

How does modelling help dancers perform better? And does one necessarily have to be 'beautiful' to pursue such a career? The fashion industry has progressed massively from the days of archetypal body types and facial features, where the one size fits all model loomed by and large. Nowadays, it is about compatibility and authenticity. Find the right agency or project, and a model is potentially born. Ema Steindl is a student at the Academy for Performing Arts in Bratislava pursing her Bachelor's degree, but is also a professional model currently tied to three different international agencies. While she did not qualify fully as a model early on, she was discovered serendipitously on a bus and given the opportunity to realize her unique gifts in both fashion and dance. Concluding the month of Dance Fashion, this episode explores life as both a dancer and fashion model, offering insights as to what these two industries entail when interweaved. Interested in joining a casting session soon? Consider picking up a move or two and surprise your panel! Ema SteindlAgenciesIf you resonate, connect with me byVisiting The Background DancerRate and review here Sign up here to receive notifications regarding future contentLeave a thought on Facebook and InstagramJoin the Facebook group and introduce yourself as a member of our communitySoundtrack: Birds - Tyler Twombly | Poison Ivy Yard Work - Uncle MilkSupport the show (https://www.buymeacoffee.com/background)