Podcasts about bootleg series vol

Bob Dylan predikar om domen, tystnar i marginalen, hittar hem på vägen. 80- och 90-talets Amerika flimrar förbi – med gospel, plasttrummor och ett oväntat mästerverk. Till sist: en lista över allt det som gör honom till just honom. Detta är det sista avsnittet av Bob Dylans Amerika.Musikpodden finns även på:Instagram: Musik_poddenSpotify / Apple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Denna serie bygger på ett omfattande researcharbete med både primära och sekundära källor. Här är en mer detaljerad sammanställning av det material som legat till grund för avsnitten – alltifrån biografier, journalistik och akademiska artiklar till dokumentärer, intervjuer, musikanalyser och film.Böcker & biografier– Chronicles: Volume One – Bob Dylan (2004)– Down the Highway: The Life of Bob Dylan – Howard Sounes (2001)– No Direction Home: The Life and Music of Bob Dylan – Robert Shelton (1986)– Bob Dylan in America – Sean Wilentz (2010)– Dylan Goes Electric! – Elijah Wald (2015)Tidskrifter, tidningar & reportage– The Guardian, The New York Times, Rolling Stone, Washington Post, Mojo Magazine– Dissent Magazine – särskilt om Dylans roll efter 60-talet och det politiska landskapet– New Yorker och The Atlantic – essäer om Dylan och USA:s kulturella utveckling– Artiklar från The Bob Dylan Encyclopedia och The Dylan ReviewFilmer, dokumentärer & visuell media– Don't Look Back (D.A. Pennebaker, 1967)– No Direction Home (Martin Scorsese, 2005)– Rolling Thunder Revue: A Bob Dylan Story (Martin Scorsese, 2019)– I'm Not There (Todd Haynes, 2007)– The Other Side of the Mirror (Murray Lerner, 2007)– Slutscenen i Manhattan (Woody Allen, 1979)Musik & konsertmaterial– Samtliga studioalbum, med särskilt fokus på:Time Out of Mind (1997)Blood on the Tracks (1975)Highway 61 Revisited (1965)Slow Train Coming, Infidels, Oh Mercy, Desire, Self Portrait, m.fl.– The Bootleg Series Vol. 1–17 – för tidigare outgivet material och alternativa tagningar– Liveinspelningar från Newport 1965, Rolling Thunder Revue, Live Aid (1985), Unplugged (1994)Intervjuer & offentliga framträdanden– Dylans tal vid Nobelpriset i litteratur (2016)– Grammy Awards & Rock and Roll Hall of Fame (1988, 1991)– Presskonferenser från 60- och 70-talet– Livekommentarer, scensnack och publikreaktioner dokumenterade i bootlegsWebbresurser & digitala arkiv– Expecting Rain – Dylanforum med texttolkningar, nyhetsarkiv och bootlegs– BobDylan.com – officiella texter, turnédatum, utgivningar– Highway 61 Interactive (CD-ROM, 1995)– Clintonwhitehouse4.archives.gov – tal från Kennedy Center Honors, 1997– Farmaid.org – historiken kring Live Aid och starten av Farm AidÖvrigt– Quentin Tarantinos recension av American Graffiti – använd som kulturell parallell– Citat, anekdoter och bakgrund från svenska och internationella radioprogram, fanzines och Dylan-forskare– Diverse samtal, egna tolkningar och anekdoter vävda in medvetet subjektivtJazz musician playing under a train bridge by koulaxizis -- https://freesound.org/s/546210/ -- License: Attribution NonCommercial 4.0 Hosted on Acast. See acast.com/privacy for more information.

Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Bob Dylan's Blood on the Tracks. They'll hear from a musician who played on the record and talk with two music writers about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Beyoncé, "16 CARRIAGES," Cowboy Carter, Columbia, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MILES DAVIS “MILES EN FRANCIA 1963 Y 1964: THE BOOTLEG SERIES VOL 8” “Salle Pleyel”, Paris, France, October 1, 1964Joshua, Walkin'Miles Davis (t) Wayne Shorter (st) Herbie Hancock (p), Ron Carter (b) y Tony Williams (dr) JIM HALL AND THE MODEST JAZZ TRIO “GOOD FRIDAY BLUES” Los Angeles, Ca., April 2, 1960Good Friday Blues, Bill Not Phil, I Was Doing All RightJim Hall (g) Red Mitchell (p) Red Kelly (b) JEFF RUPERT “IT GETS BETTER” New Jersey, 2021 (Lanzamiento de 2024)Lana Turner, Not my bluesJeff Rupert (ts,comp) Kenny Barron (p) Peter Washington (b) Joe Farnsworth (d) Continue reading Puro Jazz 25 de diciembre, 2024 at PuroJazz.

MILES DAVIS “MILES EN FRANCIA 1963 Y 1964: THE BOOTLEG SERIES VOL 8” “Salle Pleyel”, Paris, France, October 1, 1964Joshua, Walkin'Miles Davis (t) Wayne Shorter (st) Herbie Hancock (p), Ron Carter (b) y Tony Williams (dr) JIM HALL AND THE MODEST JAZZ TRIO “GOOD FRIDAY BLUES” Los Angeles, Ca., April 2, 1960Good Friday Blues, Bill Not Phil, I Was Doing All RightJim Hall (g) Red Mitchell (p) Red Kelly (b) JEFF RUPERT “IT GETS BETTER” New Jersey, 2021 (Lanzamiento de 2024)Lana Turner, Not my bluesJeff Rupert (ts,comp) Kenny Barron (p) Peter Washington (b) Joe Farnsworth (d) Continue reading Puro Jazz 25 de diciembre, 2024 at PuroJazz.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Elijah Wald is here to discuss the new Bob Dylan film, A Complete Unknown, which is based on his 2015 book, Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties, Dylan tweeting praise for his book, being from Dylan's world, why the Newport Folk Festival became a generational nexus point for music in the 1960s, his access to unreleased Newport audio and film footage by the likes of Murray Lerner, what he makes of A Complete Unknown's depictions of real people and events, how it's more brooding than the comical Dylan and Joan Baez really were, his new book about Jellyroll Morton, other future plans, and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik!Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #821: Kurt VileEp. #793: Ray PadgettEp. #761: JokermenEp. #749: Daniel LanoisEp. #395: Robert HilburnEp. #27: Greil MarcusKreative ExKlusive #1: D.A. Pennebaker (March 2007)In Review: ‘Fragments: Time Out of Mind Sessions (1996-1997) – The Bootleg Series Vol. 17' by Bob DylanSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Lady Blackbird - When The Game Is Played On You - Slang Spirituals (Foundation)The Bamboos - I Don't Wanna Stop - Shapes 25 (Tru Thoughts)Byard Lancaster - Just Test - Funny Funky Rib Crib (Kindred Spirits)Nubya Garcia - Set It Free [Feat. Richie] - Odyssey (Concord Jazz)Marquis Hill - Meshell - Composers Collective: Beyond The Jukebox (Black Unlimited)Warren Wolf - Captain Señor Mouse - History Of The Vibraphone (Cellar Live)Return To Forever - Señor Mouse (Live) - The Mothership Returns (Forever Unlimited)Miles Davis - So What  [Live At Festival Mondial Du Jazz Antibesjuan-Les-Pins - 7.26.63] - Miles In France - Miles Davis Quintet 1963/64:  The Bootleg Series Vol. 8 (Columbia/Legacy)Chris Bangs - Dream World - Dream World (Acid Jazz UK)Nicola Conte - Ghana (ft. Gregory Porter) - Love & Revolution (Schema)African Head Charge & Adrian Sherwood - Dervish Chant - Five Decades of Destruction - 90's (On-U)Agile Experiments - Got Something - Loukoumades (None More)K.O.G - Live For Today - Don't Take My Soul (Pura Vida Sounds/Heavenly Sweetness)Seun Kuti & Egypt 80 - Stand Well Well - Heavier Yet (Lays The Crownless Head)  (Record Kicks)Adrian Younge & Ali Shaheed Muhammad (ft. Ebo Taylor) - Obi Do Woa (If Someone Loves You) - Jazz Is Dead 21 (Jazz Is Dead)The Headhunters - Attitude Of Gratitude - The Stunt Man (Ropeadope)John Calloway - El Ron de Ron - The Code (Bombo)Jabberloop - 6th Continent - NOW (Junonsaisai)Quantic, Alice Russell & Combo Bárbaro - Look Around The Corner - Shapes 25 (Tru Thoughts)The Boom Yeh - Near-Earth Objects - Keep Right On (Cosmosium)Calibro 35 & Marco Castello - Lunedì Cinema (Record Kicks)After 'Ours - Dumplings For Dinner - Long Road (Funky Mamas & Papas) This program has been edited from the original broadcast.

Tommy & Josh are the co-owners of Watch Hill Proper located in Louisville, Kentucky. Watch Hill Proper is the largest American Whiskey bar in the world. The point of the American Whiskey Show is to have fun with whiskey and to share a little knowledge about it in the process. Grab a pour and join us on our journey. Episode 26: Featuring Heaven's Door Bootleg Series Vol. V www.watchhillproper.com

In 1975, Bob Dylan released "Blood on the Tracks," an album about relationship conflict that has since become a benchmark in his illustrious discography. Hosts Jim DeRogatis and Greg Kot do a classic album dissection and talk to someone who played on the record and some music journalists about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Alabama 3, "Woke Up This Morning (Chosen One Mix)," Woke Up This Morning (Chosen One Mix) (Single), Geffen, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Sailing Through Sounds: JRad's Revelations & Dylan Surprises"Larry Mishkin    discusses  JRad (Joe Russo's Almost Dead)  December 1st concert  at the Riviera nightclub in Chicago. He talks about the band's unique covers, including Grateful Dead songs, and their ability to recreate the sound of the original artists. He highlight the performance of "Foolish Heart" during a previous show, describing its musical construction and its significance in the Grateful Dead's live repertoire.Delving into the band members' backgrounds, emphasizing their musical talents and contributions to JRad. It provides detailed information about each member's musical history and collaborations, discussing Joe Russo's drumming, Marco Benevento's keyboards, Dave Drywitz's bass, Tom Hamilton's guitar, and Scott Metzger's diverse musical styles.He also reviews JRad's surprise performances, such as their rendition of Bob Dylan's "Tell Me Mama," a song exclusively performed during Dylan's 1966 world tour. Larry expresses surprise at how JRad, despite being younger and not following Dylan in 1966, managed to perform the song so well.Additionally, he briefly touches on the issue of marijuana prohibition on cruise ships, by criticizing the strict enforcement against cannabis use, considering the changing attitudes toward marijuana. The discussion also touches upon ticket availability for concerts by bands like Phish and rumors surrounding potential performances..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast JRADDecember 1, 2023The Riviera NightclubChicagoJoe Russo's Almost Dead Live at The Riviera on 2023-12-01 : Free Download, Borrow, and Streaming : Internet Archive Episode title:      JRAD Rocks The Riv in Chicago on 12.1.2023: channel Dylan and Dire Straits                                Happy Birthday Keith Richards (80!) INTRO:                  Foolish Heart                                Track #3                                5:45 – 7:17  SHOW No. 1:      Tell Me, Momma                                Track #4                                0:57 – 2:33 Tell Me, Momma is a song written by Bob Dylan and performed exclusively during his 1966 World Tour with the Band (then known as the Hawks). It was used to introduce the second half of a concert, when Dylan switched from an acoustic solo performance to an electric performance backed by a band. The song was not recorded on a studio album, nor was it ever performed again by Dylan in concert.Dylan's May 17, 1966 live performance of the song was released in 1998 on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert.[1] In 2016, all Dylan's recorded live performances of "Tell Me, Momma" from 1966 were released in the 36-CD boxed set The 1966 Live Recordings, with the May 26, 1966 performance released separately on the album The Real Royal Albert Hall 1966 Concert. The boxed set contains all the live versions of "Tell Me, Momma" ever performed by Dylan and his band. SHOW No. 2:                      Fire On The Mountain                                                Track #7                                                0:30 – 2:05 SHOW No. 3:                      Before They Make Me Run                                                Keith Richards                                                ROLLING STONES: Before They Make Me Run (Promo - 7" Single Version) (youtube.com)                                                1:54 – 3:21 Today Keith turned 80.  Cannot let that milestone go unnoticed.  Richards was born in and grew up in Dartford, Kent. He studied at the Dartford Technical School and Sidcup Art College. After graduating, Richards befriended Jagger, Bill Wyman, Charlie Watts, and Brian Jones and joined the Rolling Stones. As a member of the Rolling Stones, Richards also sings lead on some Stones songs. Richards typically sings lead on at least one song a concert, including "Happy", "Before They Make Me Run", and "Connection". Outside of his career with the Rolling Stones, Richards has also played with his own side-project, The X-Pensive Winos. He also appeared in three Pirates of the Caribbean films as Captain Teague, father of Jack Sparrow, whose look and characterisation was inspired by Richards himself.In 1989, Richards was inducted into the Rock and Roll Hall of Fame and in 2004 into the UK Music Hall of Fame with the Rolling Stones. Rolling Stone magazine ranked him fourth on its list of 100 best guitarists in 2011. In 2023, Rolling Stone's ranking was 15th.[1] The magazine lists fourteen songs that Richards wrote with Jagger on its "500 Greatest Songs of All Time" list.My favorite “Keith tune” in the Stone's songbook.  1978 version. "Before They Make Me Run" is a song by English rock band the Rolling Stones, featured on their 1978 album Some Girls.English musician, songwriter, singer and recording producer who is an original member, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with the band's lead vocalist Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band's career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a countercultural figure.Written by guitaristKeith Richards, the song is a response to his arrest for heroin possession in Toronto in February 1977. The criminal charges and prospect of a prison sentence loomed over the Some Girls recording sessions and endangered the future of the Rolling Stones.[2]In the lyrics, Richards reflects unapologetically on his lifestyle up to that point. The line "it's another goodbye to another good friend" in the first verse can be interpreted as referring to Gram Parsons, Richards's close friend who died in 1973 from a drug overdose,[3] and/or to heroin itself: Richards had sought medical treatment for heroin addiction following his arrest in Toronto, and his resolution to overcome his addiction would be a significant factor in his upcoming trial.[4]Richards recorded the song in five days without sleeping.[5] Originally entitled "Rotten Roll", the song was recorded in a Paris studio in March 1978 during one of Mick Jagger's absences from the Some Girls sessions.[6] The completed track, "a high-energy rock & roller",[7] features Richards on lead vocals, acoustic and electric guitars, and bass; Ronnie Wood on pedal steel guitar, slide guitar and backing vocals; Charlie Watts on drums; and Jagger on backing vocals.Richards first performed the song in concert on the New Barbarians' tour of North America in 1979; it was not until the Steel Wheels Tour in 1989 that it entered the Rolling Stones' concert repertoireSHOW No. 4:                      Romeo and Juliet                                                Track #13                                                1:54 – 3:21 "Romeo and Juliet" is a rock[1][4][5] song by the British rock band Dire Straits, written by frontman Mark Knopfler. It first appeared on the 1980 album Making Movies and was released as a single in 1981.[6] The song subsequently appeared on the Dire Straits live albums Alchemy and On the Night, and later on Knopfler's live duet album with Emmylou Harris, Real Live Roadrunning (though Harris does not perform on the track). The song itself, written by Knopfler, was inspired by his failed romance with Holly Vincent, lead singer of the short-lived band Holly and the Italians. The song speaks of a Romeo who is still very much in love with his Juliet, but she now treats him like "just another one of [her] deals". Knopfler has both stated and implied that he believes Vincent was using him to boost her career. The song's line, "Now you just say, oh Romeo, yeah, you know I used to have a scene with him," refers to an interview with Vincent, where she says "What happened was that I had a scene with Mark Knopfler and it got to the point where he couldn't handle it and we split up.  OUTRO:                                Hard To Handle                                                Track #17                                                5:00 – 6:45 Otis Redding recorded Hard to Handle in late 1967, shortly before his death. It was released as a single in June 1968. By 1969, it was being covered by a number of people, and surprisingly, the Dead seem to have been one of the first. If anyone were to think of the least likely groups in ‘69 to cover some funky new R&B, the Dead would probably be on that list. They hadn't shown any interest in picking up new R&B covers since mid-1967, when they started doing Lovelight – since then, they had focused on their original ‘acid-rock' material. Many old covers dropped out of their setlists, and from summer '68 through winter '69, their shows were almost exclusively devoted to Anthem & Live/Dead suite material, with a few new Aoxomoxoa songs dropped in.But by March 1969, they seem to have felt the need for something new – the Live/Dead album was in the can, and their repertoire had not varied much in months. Aside from a couple sluggish, misbegotten renditions of Hey Jude that winter, Hard to Handle was their first new cover song in over a year. Over the course of the spring, they would gradually bring in more cover tunes, bringing back many songs they had stopped playing in previous years, and the shows would start to reflect a wider set of influences.Pigpen probably emulated Otis, and of course this song would have matched his strutting stage persona; it may have been his idea to cover it. The Dead must have known they could not recapture the tight, snappy Stax horn sound of Redding's original, and they didn't even try. Instead they adapted it to their loud, heavy, lumbering two-drum, two-guitar style – of course adding a big guitar solo. Pigpen had a set way of singing the song from the start, closely following Redding's phrasing, which would vary little over the next couple years; but the band would go through some dramatic changes in the way they played the song. (The next year, a bit lighter on their feet, they would also attempt James Brown's ‘Man's World' – not one of his funkiest efforts – but would only play it for about five months.) The Dead had long been fans of Otis Redding – in 1966-67, Pigpen was performing his ‘63 song ‘Pain in My Heart.' (Though the impetus to cover it may have come from the Rolling Stones' version.)Redding came to the Fillmore in December '66 – musicians were clamoring to Bill Graham that he needed to book Otis. When he came, according to Graham, “Every artist in the city asked to open for Otis. The first night, it was the Grateful Dead. Janis Joplin came at three in the afternoon the day of the first show to make sure that she'd be in front… Every musician then into music came.” *The Dead opened for Redding on 12/20/66; the next two nights, other bands opened. (The Dead went to play in Santa Clara.) Bill Graham was permanently impressed: “By far, Otis Redding was the single most extraordinary talent I had ever seen. There was no comparison, then or now... That was the best gig I ever put on in my entire life.” * Janis also mentioned that Otis was a particular inspiration to her. (I believe Ralph Gleason also wrote a review of one of the shows for the Chronicle, which I'd like to see.)When Garcia & Lesh appeared on Tom Donahue's FM show in April '67, they played Otis' cover of ‘Day Tripper' and reminisced about the show. Otis had an 18-piece band with him, and Garcia recalled that Otis did his standard show, “where the band would get up and play some numbers, and a girl singer would come up” and warm up the audience before Otis appeared.Lesh: “It was kind of scary to work with Otis… He tore it up!”Garcia: “Otis is really heavy… He tore the place apart… When he came on stage, it was like the whole place got about six times as big, and the band just got real snappy – it was so fine, and the music was really good.” The Dead debuted Hard to Handle at the Black & White Ball (Hilton Hotel, S.F.) , 3/15/69 – the very first song of the show! In their eagerness to tackle it, they perhaps neglected to rehearse it a few more times… They have trouble keeping together in the precise arrangement, and sometimes stumble around erratically before syncing up again. Garcia plays swooping slide throughout, but seems to have little idea what to do with it, so there's not much of a solo and they just sort of stagger forward aimlessly for a while. Pigpen is also a little confused about the verses. At the end the band thinks Pigpen's finished, but he continues with another verse, so they bring it to an abrupt end. Last played on December 31, 1982 at the Oakland Civic Auditorium.  Played it a total of 120 times.   Other stories:Cruise Ships have a very strict NO CANNABIS rule.  That sucksPhish tix for the Sphere are out. Did you get any?  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Comenzamos una serie dedicada a Miles Davis desde los comienzos de su etapa eléctrica, una de las épocas más apasionantes de la historia de la música popular urbana reciente. Hacemos un repaso desde sus primer acercamiento en "Miles in the Sky" con su segundo quinteto, hasta llegar a la revolución que supusieron las sesiones de grabación de uno de los álbumes más vendido en la historia del jazz: "Bitches Brew". Repertorio: 1. Miles in The Sky - Stuff 2. Filles The Kilimanjaro - Frelon Brun 3. In A Silent Way - In A Silent Way (It's About That Time) 4. Live in Europe 1969: The Bootleg Series Vol. 2 - Miles Runs The Voodoo Down 5. Bitches Brew - Bitches Brew (fragmento) 6. Big Fun - Lonely Fire (fragmento) 7. The Complete Bitches Brew Sessions - Take It or Leave It

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The best albums out this week include A Reckoning from Kimbra, Sam Smith's deeply personal and powerful Gloria, jazz saxophonist Lakecia Benjamin's Phoenix and more.Featured Albums:1. Kimbra — A ReckoningFeatured Songs: "la type (feat. Pink Siifu & Tommy Raps)," "save me," "foolish thinking (feat. Ryan Lott)"2. Sam Smith — GloriaFeatured Songs: "Unholy (feat. Kim Petras)," "I'm Not Here To Make Friends," "Love Me More," "Gloria"3. Lakecia Benjamin — PhoenixFeatured Songs: "Amerikkan Skin (feat. Angela Davis)," "Supernova (feat. Wayne Shorter)"4. Samia — HoneyFeatured Songs: "Amelia," "Pink Balloon," "Sea Lions," "Breathing Song"5. Jonah Yano — Portrait of a DogFeatured Songs: "Always," "So Sweet"Lightning Round:Bob Dylan — Fragments - Time Out of Mind Sessions 1996-1997 The Bootleg Series Vol. 17Joe Henry — All the Eye Can SeeNite Bjuti — "Mood (Liberation Walk)" (single)Popcaan — Great Is HeOther notable releases for Jan. 27:The Arcs — Electrophonic ChronicAva Max — Diamonds & DancefloorsBass Drum of Death — Say I Won'tElle King — Come Get Your WifeF***** Up — One DayHammock — Love in the VoidMeg Baird — FurlingSG Lewis — AudioLust & HigherLove

It's This Week in Bourbon for January 27th 2023. Traverse City Whiskey Co. has officially broke ground on a $20M distillery. Old Elk Distillery launches its first Rye Whiskey finished in Barbados Rum Casks. Michter's Distillery will begin shipping the 2022 Edition of its Celebration Sour Mash.Show Notes: Elijah Craig Bourbon and AT&T Pebble Beach Pro-Am announced a multi-year partnership A new bill introduced to the Ohio Senate would allow Ohioans to make moonshine Bourbon with HeART is launching Barrels of HeART Buffalo Trace Distillery is offering one lucky bourbon lover the trip of a lifetime ReserveBar launched its new website Get Stocked Traverse City Whiskey Co. has officially broke ground on a $20M distillery Old Elk Distillery launches its first Rye Whiskey finished in Barbados Rum Casks Hercules Mulligan Eyr & Rye, a limited-edition Irish-American Manhattan Lawrenceburg Bourbon Company. 'L.B.Co.'s Kentucky Straight Bourbon “One Cask Series” Heaven's Door Spirits releases Bootleg Series Vol. IV, an 11-Year-Old Wheated Bourbon finished in Islay Scotch Casks Michter's Distillery will begin shipping the 2022 Edition of its Celebration Sour Mash @elijahcraig @bourbonwithheart @buffalotracedistillery @reservebar @tcwhiskey @oldelkbourbon @herculesmulligancompany @lawrenceburgbourbon @heavensdoorwhiskey @michterswhiskey Support this podcast on Patreon

To celebrate the release of Bob Dylan's Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series Vol. 17, Daniel Lanois reflects upon producing Time Out of Mind and also 1989's Oh Mercy, his entire working and social relationship with Dylan, perspectives on Dylan's lyrics and interest in sounds, a shared belief in the power of imagination, future plans and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

1985年Miles Davis推出的专辑You're Under Arrest来了一个180度大转弯，专辑中Miles演绎了当年流行音乐排行榜上最受欢迎的歌曲让乐迷们大跌眼镜，乐评界认为是这位一向先锋前卫的爵士音乐家向流行音乐和商业的妥协与投降，很难想象是那位创造Kind of Blue和Bitch's Brew的Miles Davis。这张专辑是我最先接触到的Miles Davis的唱片之一，是大多数人进入爵士音乐的入门专辑，这首Time After Time也曾经是我第一个爵士电台节目《爵士列车》的结尾曲，当年收录在专辑中的版本只有三分钟，而在2022年9月发表的专辑That's what happened 1982-1985:The Bootleg Series Vol.7中收录了一个完整的8分钟的录音室版本，Time After Time Full Studio Version

Som fan läser Bibeln - en annorlunda bokcirkel med Thella Johnson och Lollo Collmar. Gäst: Patrik Svensson, författare till boken Ålevangeliet. DEL 1. Premiär!*Varför heter boken Ålevangeliet? Författaren Patrik Svensson läser Paulus 1:a brev till församlingen i Korinth och blir ännu mer ateist.*Allt är materia! Thomas Kazen, professor i bibelvetenskap och pastor, tycker att Paulus tänker som en stoiker när han ska förklara Jesus uppståndelse för de första kristna.*Stackars Judas! Lollo upprörs av det fastlåsta, förutbestämda dramat. Måste det finnas en person i världen som det är helt kört för?Bibelstycken: 1 Korinthierbrevet, Matteus 27Filmcitat ur På heder och Samvete (A Few Good Men)Musikcitat i avsnittet:Rolling Stones - You Can't Always Get What You Want Kanye West - Jesus Walks Madonna - Like A Prayer Prince - God (Love Theme From Purple Rain) Folkoperan - ur Ålevangeliet Bob Dylan - ur The Bootleg Series Vol 4: Bob Dylan Live 1966, The "Royal Albert Hall" ConcertMedverkande i avsnittet: Patrik Svensson, författare till boken Ålevangeliet Thomas Kazen, professor i bibelvetenskap vid Enskilda Högskolan Stockholm, pastor i EqumeniakyrkanProgramledare: Thella Johnson Bisittare: Lollo Collmar Ljudtekniker: Monica Bergmark, Heinz Wennin

Bob Dylan's SPRINGTIME IN NEW YORK: BOOTLEG SERIES VOL. 16 (1980-1985) has arrived. This episode is the third and final of a three-part series featuring the music of the fellow travelers who play with Dylan on that set. Tonight, we feature the players from 1984 and 1985 who appear on the fifth disc of the five-disc deluxe set, which primarily consists of the sessions for EMPIRE BURLESQUE. In "20 Pounds of Headlines," we present a special guest review of the new Bootleg Series volume from Youtuber Mr. Tambourine, courteously read by Ms. Maria, who appears to have some carnivalesque drama at work in her life. In "Who Did It Better?" we ask you to tell us which alternate version of "When the Night Comes Falling From the Sky" is better: the version released on the 1991 BOOTLEG SERIES VOL. 1-3 or the "slow version" just released in BOOTLEG SERIES VOL. 16. Both versions feature the same band and both were set aside in favor of a version rerecorded five days later that did appear on EMPIRE BURLESQUE. You can check out Mr. Tambourine's Youtube channel here: https://youtube.com/channel/UCuc-M9CoTGFUZ3weRVVkZ0A

Album 4 the Day - August 21, 2021 - Live Albums Bob Dylan - Live '66 "The Royal Albert Hall" Bootleg Series Vol. 4 --- Send in a voice message: https://anchor.fm/album4theday/message Support this podcast: https://anchor.fm/album4theday/support

bonus RP on RAM Album Club, 70s cinema and - in this exclusive clip - FRAUD MP Subscribe @ patreon.com/reelpolitik and hear the full thing here: https://www.patreon.com/posts/54718965

A new series on the GenX Music Show debuts today. GenX Deep Dive. This week we are talking about Bob Dylan's Bootleg Series boxed set from 1991. How essential this is and how it changed things for the artist/record company going forward. Dylan's legacy was enhanced by this collection.  

Definitely Dylan wishes you all a Happy 2021, especially those of you who haven’t gotten rid of their Christmas trees yet! In the first episode of the new year, Laura and Robert play songs to help you shake out the post-holiday blues! Playlist:Three Angels (Early Take)Huck’s TuneJust Like Tom Thumb’s Blues (from the Bootleg Series Vol. 4)Marchin' to the CityMeet Me In The Morning (Take 1, Remake)

Welcome to this live broadcast from the 33rd Annual GRAMMY AWARDS, hosted by Arsenio Hall! Audience: (pumping fists in a medium-tight circular motion near their heads) Hoo hoo hoo hoo hoo hoo! Arsenio Hall: Guys, that's enough, even I'm sick of that bit, kind of like David Bowie and Tin Machine, amiright?! Audience: (pumping fists in a medium-tight circular motion near their heads): Boo boo boo boo boo boo! Arsenio Hall: Or what's the deal with Bob Dylan's shattered love life, flatlining album sales, flagging cultural relevance, and obvious but functional alcoholism?  What a card, AMIRIGHT!?!? Audience: (pumping fists in a medium-tight circular motion near their heads whilst softly crying): Boo hoo boo hoo boo hoo. Arsenio Hall: Let's get right to it, with some awards, and in the interest of time and frankly, my sanity, there's one winner for the following 18 awards: Best Rap Album, Best R+B Album, Best Rap Song, Best R+B Song, Best Music Video Long Form, Best Hammer Pants, Best Dope Haircut, Best Life, Best Tour That Had To Be Cancelled But Whose Fault Is That Really Anyway The Fans That's Who For Not Supporting MC Hammer Scratch That It's Just Hammer Now Quiet Down Critics Still A Tour As Lavish As His Lifestyle: You're not gonna believe this, but ALL of those awards go to... MICHAEL BOLTON!!!! Steel bars, wrapped all around us, on this 1991 edition of Bowie vs. Dylan.

Our picks for the best albums out this week include Gang Starr's first new release in 16 years, humor and heart from country singer Miranda Lambert, the latest in Bob Dylan's Bootleg series and more. 1. Jeff Lynne's ELO — From Out of Nowhere2. Bob Dylan — Travelin' Thru, 1967-1969: The Bootleg Series Vol. 153. Miranda Lambert — Wildcard4. Gang Starr — One of the Best Yet5. Michael Kiwanuka — KIWANUKA6. Vetiver — Up on High7. A Winged Victory for the Sullen — The Undivided Five8. R.LUM.R — SurfacingOther Notable Releases For Nov. 1: Cate Le Bon & Bradford Cox — Myths 004 (EP); Cold War Kids — New Age Norms 1; CUP (Nels Cline & Yuka Honda) — Spinning Creature; Highly Suspect — MCID; Hootie & The Blowfish — Imperfect Circle; Jeff Goldblum — I Shouldn't Be Telling You This; Josh Rouse — The Holiday Sounds of Josh Rouse; Leif Vollebekk — New Ways; R.E.M. — Monster 25th Anniversary Expanded Edition; Sudan Archives — Athena; Turnover — Altogether; Ty Segall — Pig Man Lives Volume 1.

In this episode, Adam and Ted gather their thoughts and rally the creative troops for NanoWrimo, parse 90s sitcom visual style, and analyze the economics of the everything bagel.Adam’s fall music: Bob Dylan,The Bootleg Series Vol. 10: Another Self Portrait (1969–1971)Lawrence AzerradBilly starring Bill ConnollyBallpoint from Papier TigreNanoWrimoField Notes National Parks Yosemite notebookGGM oral historyElif Batuman “Short Story & Novel”

Deluxe editions, super deluxe editions, and more. The record industry is trying hard to get us to buy our favorite music again. Show notes: Fleetwood Mac: Rumours (Deluxe Edition) (https://amzn.to/2QgkOlo) Durutti Column: Without Mercy (Deluxe Edition) (https://amzn.to/2Qfi47J) Grateful Dead: Europe '72 (https://www.kirkville.com/coming-soon-grateful-dead-complete-europe-72-box-set/) Rhino Records (https://www.rhino.com) Bob Dylan: 1965-1966, The Cutting Edge, Bootleg Series Vol. 12 (6 disc edition) (https://amzn.to/2zCA6vn) Bob Dylan: The Basement Tapes Complete: The Bootleg Series Vol. 11 (https://amzn.to/2QelRSN) Frank Zappa: You Can't Do That On Stage Anymore Vol. 1 (https://amzn.to/2zC4gyW) Brian Eno: Music for Installations (https://amzn.to/2ImSb33) Grateful Dead: Pacific Northwest '73 - '74, The Complete Recordings (http://www.dead.net/store/music/new-releases/pacific-northwest-73-74-complete-recordings-boxed-set) Miles Davis: Kind of Blue: 50th Anniversary Edition + DVD (https://amzn.to/2QgzK2V) Yes: Progeny: Seven Shows From Seventy-Two (https://amzn.to/2OkycHO) The Who: Live at Leeds, Super Deluxe Edition (https://amzn.to/2Qe7Nsw) Humble Pie: Performance: Rockin' the Filmore - The Complete Recordings (https://amzn.to/2xVEx2c) Mozart 225 (https://www.kirkville.com/big-classical-box-set-mozart-225-complete-mozart-and-more/) Bach 333 (https://www.kirkville.com/coming-soon-an-even-bigger-classical-box-set-bach-333/) After we recorded this episode, the new version of the White Album, by the Beatles (https://www.kirkville.com/a-new-version-of-the-white-album-with-demos-outtakes-and-more/), was announced. It's a super deluxe edition with demos, outtakes, and more Our next tracks: Bob Dylan: Trouble No More: The Bootleg Series Vol. 13 (https://amzn.to/2OhiqgU) The Reflex Revision - Stevie Wonder: I Wish (https://www.youtube.com/watch?v=14vptYYYlTY&list=RDsKqdMAxjKs4&index=2), The Reflex YouTube Channel (https://www.youtube.com/channel/UCn_2xFz9HCOnyj-JlGLpuAA) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

Join the HG101 gang -- Kurt, Slowbeef, and Xerxes -- at a special panel for A Video Game Con 2018, in sunny Secaucus, New Jersey. Special thanks to everyone in the audience for their enthusiasm, insight, and nominations! Our apologies for the noisy recording. Intro music by NORM.Follow xerxes and HG101 on Twitter. Check out what games we've already ranked on the Big Damn List, then vote for a game of your own.If you really can't get enough HG101 podcast, listen to the classic Game Club 199X episodes.

Back with episode 2, we explore all things urban, hop on the subway and join me for a ride through the city. Enjoying the show? Please support BFF.FM with a donation. Playlist 10080′00″ Bright Lights - Live by Gary Clark Jr. on Gary Clark Jr. Live (Warner Bros) 10089′27″ If You're Going To The City by Mose Allison on The Best of Mose Allison (Atlantic) 10093′12″ I Dig a Big Town by Dan Penn on Close To Me (Ace Records) 10096′00″ Traffic by Marc Maron on Final Engagement (Stand Up!) 10098′13″ Crosstown Traffic by Jimi Hendrix on Electric Ladyland (Sony Music) 10101′00″ City Looks Pretty by Courtney Barnett on Tell Me How You Really Feel (Mom+Pop) 10105′45″ City Summer Blues by Pokey Lafarge on Pokey Lafarge (Third Man) 10109′05″ Commotion by Credence Clearwater Revival on Green River (Concord) 10113′12″ I'm Gonna Move To The Outskirts Of Town - Live by Albert King on Thursday Night in San Francisco (Fantasy) 10120′53″ You Said Something by PJ Harvey on Stories from the City, Stories from the Sea (Island) 10124′02″ In The City by The Jam on Snap (.) 10126′15″ Livin' For The City by The Dirtbombs on Ultraglide In Black (In The Red ) 10129′16″ I Sold My Soul to the City by The Sam Chase on Will Never Die (.) 10133′55″ Life Is A Carnival by The Band on Rock of Ages (Capitol) 10137′53″ Oh, What a Beautiful City by Dave Van Ronk on Ballads, Blues, and a Spiritual (.) 10142′43″ Malibu by Hole on Celebrity Skin (Geffen Records) 10146′28″ Beverly Hills by Circle Jerks on Group Sex (Frontier) 10147′33″ Downtown L.A. by JJ Cale on Grasshopper (-) 10149′55″ Empty Hearted Town by Warren Zevon on Preludes (New West Records) 10155′11″ Lincoln Park Pirates by Steve Goodman on Live at the Earl of Old Town (.) 10158′16″ My Hometown Chicago by Cameron Esposito on Same Sex Symbal (.) 10161′05″ Born in Chicago by Paul Butterfield Blues Band on Paul Butterfield Blues Band (-) 10164′12″ Dallas by Johnny Winter on Johnny Winter (--) 10166′53″ St. Louis Blues by Doc Watson on Doc Watson (-) 10169′25″ Sidewalks of the City by Lucinda Williams on This Sweet Old World (--) 10174′40″ Philidelphia, Don't You Haunt Me by Cyberbully Mom Club on Amy Locust Whatever (Self released) 10177′21″ Sister Cities by The Wonder Years on Sister Cities (Hopeless) 10180′18″ A love letter to New Orleans by Hannibal Burress on Live From Chicago (--) 10182′31″ Rudee Down in New Orleans by Blaze Foley on The Dawg Years (1975-1978) (Fat Possum) 10184′26″ Country Boy Down in New Orleans by Snooks Eaglin on Country Boy Down In New Orleans (Arhoolie) 10186′53″ Living In The City by Hurray for the Riff Raff on The Navigator (ATO) 10190′11″ Hard Times in New York Town by Bob Dylan on The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (Columbia) 10193′18″ In San Francisco by Told Slant on Still Water (Broken World Media) 10196′23″ San Francisco by Alkaline Trio on Goddammit! (--) Check out the full archives on the website.

After a long break, the podcast is back!!! This week, I go at it alone and talk about the 1998 release from Bob Dylan “Bootleg…Continue ReadingEpisode 15: Rolling Solo on “Bootleg Series Vol. 4: Live 1966” by Bob Dylan

Welcome to November and welcome to Sign on the Window. This week, we're talking 1963's "Paths of Victory," officially released in the Bootleg Series Vol. 1-3 and Vol. 9. We talk palm branches, "Palms of Victory," Pilgrim's Progress and reflect on what a competent song can do for a crazy week. As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! Next week: Lenny Bruce is dead...

Doug and Kirk discuss their favorite music documentaries. Show notes: Synth Britannia (YouTube) Synth Britannia (BBC) Rock Family Trees (BBC) Episode #58 – David Weigel on the History of Progressive Rock Rock Family Trees (book) Sinatra: All or Nothing at All Long Strange Trip History of the Eagles No Direction Home: Bob Dylan Bob Dylan: No Direction Home, The Bootleg Series Vol. 7 The Wrecking Crew Gimme Shelter Sam Cutler: You Can’t Always Get What You Want: My Life with the Rolling Stones, the Grateful Dead and Other Wonderful Reprobates Bach: A Passionate Life Thelonious Monk: Straight, No Chaser The Beatles: Eight Days a Week – The Touring Years BBC Four How the Brits Rocked America: Go West Our next tracks: Kirk: Bruce Springsteen: March 19, 1996 – Belfast, UK Doug: Rolling Stones: Get Yer Ya-Ya’s Out! If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.

Tutto quello che non troverete mai tra le incisioni in commercio .

Tutto quello che non troverete mai tra le incisioni in commercio .

David Massengill/The Great American Dream/The Return Bob Dylan/The Death Of Emmett Till/The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) Ben Bedford/Land Of The Shadows/Land Of The Shadows The Show Ponies/The River/We're Not Lost Aztec Two Step/ World Without Walls/Naked John McCutcheon/Our Flag/Mightier Than the Sword The Early Mays/Little Pink/Chase The Sun Vi The Fiddler Wickam/Matthew/ Not My Monkey Dubl Handi/Flop Eared Mule /Morning in a New Machine Dulcie Taylor/Cherokee/Wind Over Stone David Rovics/John Brown/People´s History In Song Bob Dylan/John Brown/The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) Susan Cattaneo John Brown/Haunted Heart Spook Handy/My Rainbow Race/Keep The Flame Alive Uncle Earl/Over in the Glory Land/She Went Upstairs Joan Baez/Natalia/The Complete A&M Recordings Disc 4 Bob Warren/Writer's Block/All The Days Of The World Phil Ochs/Power And The Glory/All The News That's Fit To Sing Charm of Finches/Lost Girl/Staring at the Starry Ceiling The Savage Hearts/Faded Love/ Playing It Forward Rik Palieri and George Mann/Union Maid/The Almanac Trail See acast.com/privacy for privacy and opt-out information.

"Intentional planned mania." Daniel and Kelly tackle Dylan's 1975 Rolling Thunder Revue. They break down the tracks, what it was like to be at the shows themselves, and count the harmonica solos. The episode also features cuts from other Rolling Thunder performances, not just the ones captured on this Bootleg Series. This is one you'll want to return to and read the full show notes on. As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! Next week: Sign on the Window's Moral Learning Corner.

My guest this week is the superb fiddle player, steel guitarist, sideman  and composer David Mansfield. At age 18, David joined Bob Dylan's band for four years, starting with the legendary touring spectacle "Rolling Thunder Revue". He recorded three albums with Dylan and appears on numerous compilations and live albums, including "Biograph" and "Bob Dylan Live 1975 The Bootleg Series Vol. 5". David went on to form The Alpha Band along with fellow Rolling Thunder Review members T-Bone Burnett and Steve Soles. He later produced the soundtrack for numerous films including "Heaven's Gate" and "Year of the Dragon".  Enjoy my conversation with David Mansfield, and please subscribe to the podcast for free on iTunes!

POD DYLAN Episode 33 - Born in Time Rob welcomes musician Jared Scott London to discuss the differing versions of "Born in Time", originally appearing on 1990's UNDER THE RED SKY and in outtake form on THE BOOTLEG SERIES VOL. 8: TELL TALE SIGNS. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on iTunes: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Buy "Born in Time" on iTunes: https://itunes.apple.com/us/album/bootleg-series-vol.-8-tell/id293209884 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!

Only a Pawn In Their Game/Bob Dylan/The Times They Are A-Changin' Black and Blue America/Chip Taylor/New Songs of Freedom My Name is Emmett Till/Emmylou Harris/Hard Bargain Land Of The Shadows /Ben Bedford/Land Of The Shadows The Death Of Emmett Till/Bob Dylan/The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) Ballad of Oxford, Mississippi/Phil Ochs/On My Way, 1963 Demo Session Blood On Missouri/Ben Bedford/The Pilot And The Flying Machine White Flour/Rod MacDonald/Later That Night Empire /Dar Williams/ Many Great Companions (Bonus Track Version) Days of Decision/Phil Ochs/I Ain't Marching Anymore Don't Forget The Guns/Cheryl Wheeler/Driving Home Short People/Randy Newman/Little Criminals Black Waters/Laurie Lewis/Laurie Lewis & Her Bluegrass Pals What Did You Learn In School Today?/Tom Paxton/ Ramblin' Boy America/Tracy Chapman/Where You Live Because We Spent Our Money On A War/Hank Woji/American Dreams I Will Stand/Emma's Revolution/Roots, Rock & Revolution A Peaceful Solution/Willie Nelson/Occupy This Album Hell No (I'm Not Alright)/Nanci Griffith/Occupy This Album We Are Human/Mike + Ruthy/Occupy This Album Pointing At The Sun/Cheryl Wheeler/Pointing At The Sun See acast.com/privacy for privacy and opt-out information.

14e émission de la 30e session... Cette semaine, c'est pas mal boppy avec des nouveautés, du Miles Davis et finale en free jazz ! En musique: Benny Sharoni sur l'album Slant Signature (Papaya, 2015); Walking Distance sur l'album Neighborhood (Ropeadope, 2015); Miles Davis sur l'album Miles Davis at Newport 1955-1975 - The Bootleg Series Vol.4 (Columbia, 2015); Jean-Luc Cappozzo, Douglas R. Ewart, Joëlle Léandre, Bernard Santacruz & Michael Zerang sur l'album Sonic Communion (The Bridge Sessions, 2015)...

14e émission de la 30e session... Cette semaine, c'est pas mal boppy avec des nouveautés, du Miles Davis et finale en free jazz ! En musique: Benny Sharoni sur l'album Slant Signature (Papaya, 2015); Walking Distance sur l'album Neighborhood (Ropeadope, 2015); Miles Davis sur l'album Miles Davis at Newport 1955-1975 - The Bootleg Series Vol.4 (Columbia, 2015); Jean-Luc Cappozzo, Douglas R. Ewart, Joëlle Léandre, Bernard Santacruz & Michael Zerang sur l'album Sonic Communion (The Bridge Sessions, 2015)...

El pasado 17 de julio se cumplió el 60º Aniversario de la primera participación de Miles Davis en el festival de Newport. Con motivo de tal conmemoración se publica Miles Davis At Newport. 1955-1975. The Bootleg Series Vol.4 que incluye cuatro horas de grabaciones inéditas del trompetista en este festival. Pachi Tapiz realiza una selección de temas grabados en este festival en distintas fechas, a modo de un Greatest Hits Live At Newport, que a su vez sirve para ejemplificar la evolución de ese trompetista en apenas 20 años. HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz. © Pachi Tapiz, 2015 Toda la información en http://www.tomajazz.com/web/

1ère de la 27e session ! C'est un retour de vacances avec la participation de Marie-Eve Boulanger et ses récentes découvertes, une nouveauté de Miles Davis, des frères Doxas et finale free-jazz ! En musique: Dave Douglas, Chet Doxas, Steve Swallow et Jim Doxas sur l'album Riverside (Greenleaf Music, 2014); Michel Reis, Marc Demuth, Paul Wiltgen sur l'album Reis, Demuth, Wiltgen (Laborie Jazz, 2013); Émile Farley; Aaron Young sur l'album Works (Chronograph, 2008); Miles Davis sur l'album Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol.3 (Columbia Legacy, 2014); The Unrepeatable Quartet sur l'album Edmonton 2012 (Public Eyesore, 2014)...

1ère de la 27e session ! C'est un retour de vacances avec la participation de Marie-Eve Boulanger et ses récentes découvertes, une nouveauté de Miles Davis, des frères Doxas et finale free-jazz ! En musique: Dave Douglas, Chet Doxas, Steve Swallow et Jim Doxas sur l'album Riverside (Greenleaf Music, 2014); Michel Reis, Marc Demuth, Paul Wiltgen sur l'album Reis, Demuth, Wiltgen (Laborie Jazz, 2013); Émile Farley; Aaron Young sur l'album Works (Chronograph, 2008); Miles Davis sur l'album Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol.3 (Columbia Legacy, 2014); The Unrepeatable Quartet sur l'album Edmonton 2012 (Public Eyesore, 2014)...