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**This Podcast is part of the South African Podcasters Guild and has taken a pledge to be a cool podcaster. Read the pledge here: https://www.sapg.co.za/the-south-african-podcasters-pledgeRDJ & AMH on SNL? WTF?!?! An 80s something Paulo didn't know and even though Robert Downey Junior as George Michael wasn't funny at all, it was still better than Doolittle.Paulo recommends an 80s teen time travel movie that would be the best 80s teen time travel movie - if Back to the Future 1, Back to the Future 2, Peggy Sue Got Married, Bill & Ted's Excellent Adventure or Flight of the Navigator didn't exist.You'll never guess who the richest actress from the 80s is and imagine ignoring the unknown opening act at an 80s Hall & Oates concert - only to look back from the bar and see that the lead singer is Cher.Jump To: - Robert Downey Jr. and Anthony Michael Hall on SNL (00:01:44): https://x.com/georgekyria/status/1680616447431565312?utm_source=chatgpt.com - Christiania Podcast (00:12:28): https://99percentinvisible.org/episode/598-christiania/ - My Science Project Overview (00:23:02): https://youtu.be/Vlqmk2URDFY?si=Wmi58nMtlzMq3xcM - Jamie Gertz's Wealth (00:31:19): https://www.2oceansvibe.com/2025/05/09/this-billionaire-you-forgot-from-the-80s-is-richer-than-taylor-swift-and-clooney-combined/ - Cher's Rock Band (00:33:05): https://ultimateclassicrock.com/cher-black-rose/https://youtu.be/bbtmMV_OAN0?si=VOHdIx9Pqnm-Kl3F#1980s, #pop culture, #Robert Downey Jr., #Anthony Michael Hall, #Saturday Night Live, #SNL, #Brat Pack, #Sixteen Candles, #The Breakfast Club, #Less Than Zero, #nostalgia, #Christiania, #Copenhagen, #alternative community, #drug use, #countercultural movement, #Bifrost, #flower power rock band, #Icon, #99% Invisible, #sci-fi teen movies, #Bill and Ted's Excellent Adventure, #Explorers, #The Last Starfighter, #Flight of the Navigator, #My Science Project, #female billionaires, #Oprah Winfrey, #Jamie Gertz, #Cher, #Black Rose, #entertainment industry, #cultural landscape, #humor, #addiction, #legacy of 80s stars, #comedy, #creativity, #chaos.
Cecilie Bau, Simon Astrup & Michael Schøt holder morgenmøde om verdens gang. ⭐️Jeg skal på tour i 2025!⭐️ Du finder billetter på www.michaelschoet.dk Har du lyst til at prøve Zetland, så kan du gøre det på: https://www.zetland.dk/ministeriet
durée : 00:48:28 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, la commune libre de Christiania à Copenhague - réalisé par : Frédéric Milano
Il primo esempio arriva dal Medioevo: in Islanda alcuni coloni vichinghi decisero di unirsi e fondare un' assemblea legislativa e giudiziaria senza un capo, senza un esercito, senza una burocrazia centralizzata. Da allora sono tantissimi gli esempi di micronazioni che si sono proclamate indipendenti e che basano la propria organizzazione su principi libertari, anarcocapitalisti o semplicemente su un'idea di governance alternativa a quella odierna. In questa puntata facciamo un viaggio tra tutti gli esperimenti di società senza Stato. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mange husker sikkert videoen, hvor fire betjente sidder ovenpå journalist og daværende chefredaktør Adam Dyrvig Tatt i forbindelse med en anholdelse ved Christiania. I går blev han kendt skyldig i fire forhold, blandt andet for at tale i håndholdt telefon, men også for at fornærme en betjent og for at modsætte sig anholdelse. Han mener ikke selv, han har gjort noget galt - så betyder det, at han ikke har tillid til domstolen, der altså har fundet ham skyldig? Værter: Kasper Harboe og Mathias Wissing. Gæst: Adam Dyrvig TattSee omnystudio.com/listener for privacy information.
(01:00): Christiania gør klar til 1-årsdag for rydning af Pusher Street - Skal fortsat være opmærksomme. Medvirkende: Hulda Mader, talsperson for Christiania. (13:00): I dag bliver det afgjort om den sydkoreanske præsident skal afsættes. Medvirkende: Morten Søndergaard, journalist tidligere bosat i Sydkorea. (37:00): Idrætsorganisationer kan drage fordel af stort 'medlemstal'. Medvirkende: Henrik Brandt, der er idrætskonsulent og fhv. direktør for Idrættens Analyseinstitut. (47:00): Økonom om Trumps toldsatser: Ingen vinder på det her. Medvirkende: Lars Christensen, økonom, CEO og medstifter af data- og analysevirksomheden Paice. Værter: Anne Phillipsen og Nicolai Dandanell See omnystudio.com/listener for privacy information.
¡Queridíchimos Radioescuchas!
The month of January has been home to many historical events over the years. Here's a look at some that helped to shape the world in January 1925. • Christiania, the capital city of Norway, is renamed “Oslo” on January 1. • Violence plagues Italy on January 2 as part of the fallout of Benito Mussolini's crackdown on opposition newspapers. Though King Victor Emmanuel III refuses to grant Mussolini the dictatorial powers the latter requested, he grants the Prime Minister tacit permission to respond to the violence how he sees fit. • Nellie Tayloe Ross is inaugurated as the Governor...Article Link
In this conversation, Luis and Nick jump into a fun conversation of all things Copenhagen, Denmark, and the story behind how Nick found Wonderland in the magical area of Christiania in Copenhagen. He details how simply walking around the special area, taking in the uniqueness and free-thinking culture is such an inspiration for creativity. Luis asks many questions around why Nick chose to visit the area, and what EXACTLY is it about travel that challenges people so much. They also chat about the rest of Nick's visit in Copenhagen and the takeaways from the Founders Live Copenhagen event. Exploring Greatness Season 1, Episode 13Watch: Episode 13 here - https://www.youtube.com/watch?v=DF00gqZrlWg
En mand på flugt fra modbydelige gangstere søger tilflugt i Kowloon: The Walled City. Et slumkvarter, der bedste kan beskrives som en ekstrem version af Christiania, blandet med Chinatown. Her finder han et nyt liv, men fortidens synder lurer, og snart er den stakkels mand fanget midt i et blodigt gangsteropgør. https://www.ikassenshow.dk/2024/12/i-kassen-1116-twilight-of-warriors.html
En tidlig gaveregn i studiet, verdammt en kaffekalender fra The Bahn i Berlin, filosoffen fra Hirtshals fik det at vide, vores nye ven Ombudsmaaayn og alt er betalt-samarbejde, hvor er Georgien og hvad foregår der?, et rigtig tæsk-mig-område på Østblokken, og alle mand på gaden, slagord og fyrværkeri er fremgangsmåden, “Tyrkiet has entered the chat,” postmoderne-dystopisk tid, rul terningen og tag nu lidt lån i friværdien, Syrien-nyt og ID på krigerne og had mod Assad, “en krig i Mellemøsten er som en kø på motorvejen”, drømmen at være Barbaras lakaj, den ultimative gentrificering på Christiania, et hotspot for æbleskiver på Kongens Nytorv, Esben skal be' om hele musikprogrammet på Roskilde Festival 2024, alle de lækre tariffer er på vej, få nu fingeren ud Torsten Schackala og en SMS fra SF, hvidjulsbarometeret er aaaalt for optimistisk hos TV2 og en opfordring om at donere til julehjælpen/Mødrehjælpen. Vil du høre hele episoden, eller andre episoder?Få 30 dages gratis prøveperiode (kan kun benyttes af nye Podimo-abonnenter): https://go.podimo.com/dk/hgdg (79 kroner herefter)Eller få 3 mdr. med 50% rabat (kan bruges af tidligere Podimo-abonnenter): https://go.podimo.com/dk/hgdgtilbud (79 kroner herefter) Værter: Esben Bjerre & Peter Falktoft Redigering: PodAmokKlip: PodAmokMusik: Her Går Det GodtInstagram: @hergaardetgodt @Peterfalktoft @Esbenbjerre
Afsnit 643 Clemens! Clemens er rapper og det har han været nærmest hele sit liv - Om du kender ham fra hans deltagelser i diverse rap battles, radioprogrammer eller helt tilbage fra “Regnskabets Time”, så kender du ham. For han er nemlig ansigtet på en hans generation af dansk rap. Alt det, Natasja, Christiania og ungdommens udødelighed snakker vi om i dagens afsnit.Gå fornøjelse, Christian.
Sean James aka The Repo Man sits down and talks about his life in the Royal Navy which moulded him into the most legendary Repo Man within the UK. Some of the stories will have you laughing, some will have you shouting and some will have you sat there with your mouth wide open thinking what the f**k?
I det här avsnittet går Peter Moilanen och Pierre Andersson igenom den senaste tidens narkotikapolitiska nyheter. Regeringens budget avhandlas – särskilt bristen på resurser för förebyggande arbete och det faktum att antalet drogförebyggare i kommunerna blir allt färre. Vi diskuterar också socialminister Jakob Forssmed och hans medverkan i SVT:s 30 minuter: Var Anders Holmbergs fråga om att utreda avkriminalisering så omöjlig att svara på? I avsnittet behandlas också förstörandelagen, en utvärderad och framgångsrik förebyggarmetod framtagen av IOGT-NTO, Christiania och vad de amerikanska presidentkandidaterna tycker om legalisering av cannabis.
In the heart of Copenhagen, a former military base transformed into Christiania, a self-proclaimed anarchist commune where residents built a new way of living, free from traditional rules. But as the years passed, external pressures and internal conflicts—especially a growing drug trade—put Christiania's radical ideals to the test, forcing the community to confront whether it can stay true to its roots or be reshaped by the forces around it.If you want to learn more about Christiania – and hear other fascinating stories from around the world – be sure to check out Scott Gurian's own podcast, Far From Home.Christiania Subscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to ad-free new episodes and get exclusive access to bonus content.
Christiania er en unik bydel i København. I modsætning til traditionelle byudviklingsprojekter, der drives af private investorer, boligselskaber eller fonde, er fristaden skabt og organiseret af beboerne selv, baseret på deres initiativer og drømme. Christiania har bevaret sin særegne identitet og fungerer for mange som et frirum i byen. Området har dog også været genstand for en del debat, særligt nu hvor bydelen står over for store forandringer. Pusher Street er lukket og skal omdannes til nye byfunktioner, og der skal udarbejdes en ny lokalplan, som giver mulighed for at opføre almene boliger. Disse omfattende ændringer kræver, at det uformelle møder det formelle og at beboerdemokratiet møder systemet. Det gav anledning til en spændende samtale om fremtidens Christiania med Mette Prag, arkitekt og talsperson for Christiania, Line Barfod, teknik- og miljøborgmester og Andreas Høegh, projektchef hos Liljeborg Aktieselskab og ekspert i brugerdrevet byudvikling. Dagens vært Lars Fjendbo Møller spurgte bl.a.: Hvad kommunen og Christiania kan lære af hinanden om planlægning og byudvikling? Kan man regulere Christiania uden at kvæle stedets ånd? Og kan man inddrage noget af denne ånd i den formelle byudvikling? Byen forfra er optaget til Dansk Arkitektur Centers live-event, MorgenDAC, som er for dig, der vil have et nuanceret indblik i byens udvikling og arkitektur. Podcasten er produceret af Dansk Arkitektur Center og redigeret af Munck Studios.
Året er 1817, og i Christiania oppdager en mattelærer at eleven Niels Henrik Abel har et uvanlig talent for tall. Det tar ikke lang tid før Niels har overgått sin egen lærer, og etter hvert får han studere videre i Paris. Der får han bryne seg på en av de vanskeligste matematiske gåtene som ingen har klart å løse: Femtegradsligningen. Klarer han det, kan det forandre matematikken for alltid. Men det norske geniet jobber mot tiden. Han er nemlig dødssyk. Hosted on Acast. See acast.com/privacy for more information.
La Ciudad Libre de Christiania es uno de los territorios más peculiares de Europa. Desde 1971, este barrio de la ciudad danesa de Copenhague ha sido una comuna parcialmente autogobernada por sus habitantes. Incluso, cuenta con su propia bandera y su moneda al margen del Estado danés. En este episodio, David Gómez y Fernando Arancón explican el origen de Christiania y su evolución hasta la actualidad.
En samtale med Elisabeth Seip om en av våre viktigste arkitekter, Christian Heinrich Grosch. Elisabeth Seip er professor emerita og underviser i arkitekturhistorie og arkitekturvern. Seip er sivilarkitekt, utdannet ved Arkitektur- og designhøgskolen i Oslo og dr.ing. fra samme sted. Hun har praksis som arkitekt, blant annet fra arkitektene Kjell Lund og Nils Slaatto, men gikk etter en tid over til å arbeide med arkitekturhistorie og kulturminnevern. Hun deltok i arbeidet med etableringen av Norsk Arkitekturmuseum og ble museets første direktør. Arkitekturmuseet inngår nå i Nasjonalmuseet for kunst, arkitektur og design. Hun har vært generalsekretær for ICAM, The International Confederation of Architectural Museums, hvor hun også var «founding member». Deretter fulgte oppgaven som museumssjef ved Halden historiske Samlinger, før hun ble forskningssjef ved Norsk institutt for kulturminneforskning, NIKU. Hun har også vært generalsekretær for Fortidsminneforeningen. Arkitektfagets egen historie var utgangspunkt for doktorgradsarbeidet og emnet er senere fulgt opp i andre sammenhenger. For tiden er hun en av to ansvarlige redaktører for bokverket Norsk arkitektur og skriver bindet for perioden 1750 til 1850. (Kilde: AHO.no) Christian H. Grosch var en norsk arkitekt som er blitt stående som den ledende norske arkitekten på første halvdel av 1800-tallet. Han satte preg på den unge hovedstaden Christiania med de nye offentlige bygningene: Empirekvartalet, Oslo børs, Norges Bank, Observatoriet, Christiania Theater og bygningene til Universitetet i Oslo på Karl Johans gate. Alle disse bygningene ble oppført i empire/klassisisme-stil. De senere byggene hans, som Basarhallene og Brannvakten ved Oslo domkirke, er tidlige eksempler på historismen. (kilde: SNL.no) Du kan lese mer om Grosch og kjøpe boka til Elisabeth her . Følg Byggekunst på instagram og send oss gjerne en e-post på podkast@lpo.no OSLO URBAN WEEK arrangeres i Oslo 24-26 september. Billetter kan du få her . Les mer og book plass til Den importerte byen her . Vi høres!
Den nyligt afdøde Kjeld Olesen fortæller i dette afsnit af Ministertid om de udfordringer, han måtte forholde sig til som henholdsvis forsvars-, trafik- og udenrigsminister. Sammen med Simon Emil kommer han både omkring hans nænsomhed i beslutningerne omkring besættelsen af Bådsmandsstræde Kaserne, som nu er blevet til Christiania, og da han som trafikminister havde bundet sin prestige op på broen over Storebælt og nægtede at fortsætte på posten, da det blev udsat at bygge broen. Olesen fortæller også om datidens udfordringer med Sovjet, som så anderledes ud end i dag, og om da han takkede ja til drømmejobbet som udenrigsminister, som endte med at blive en hård tid efter NATO's dobbeltbeslutning.Afsnittet blev udgivet første gang i 2022.Vært: Simon Emil Ammitzbøll-BilleGæst: Kjeld Olesen Hosted on Acast. See acast.com/privacy for more information.
Velkommen til “Dansk i ørerne” - en podcast på dansk, til personer med et andet modersmål end dansk. Denne podcastserie består af korte afsnit, hvor jeg på langsomt og tydeligt udtalt dansk, vil fortælle om emner med relation til Danmark og danskere. Målgruppen er skandinavere, og personer på DU2Mo5-6, samt DU3Mo3-6 (A2-B2). Du finder teksten til episoderne på www.danskioererne.dk. Hvis du har feedback eller forslag til episoder, kan du sende en mail til podcast@danskioererne.dk. Du kan støtte podcasten og finde ordlister og “level 2”-udgaver af episoderne her: www.buymeacoff.ee/danskioererne Tak fordi du lyttede med!
I 2024 feirer Christiania sitt 400-årsjubileum, og vi i Byhistoriepodden blir gjerne med på feiringen, siden vi liker byer som både flytter og er festningsbyer. Ja, for Christiania ble faktisk anlagt som en festningsby, da middelalderbyen Oslo ble flyttet i 1624. Med på feiringen har vi fått tidligere byantikvar i Oslo, Janne Wilberg, til en trivelig samtale med det vanlige historikerpanelet, Trond Svandal og Lars Thoresen. Innspillingen ble gjort med publikum i Dunkejongaarden, som en del av 75-årsfestivitasen til foreningen Gamle Fredrikstad. Takk til Fredrikstad kommune for støtte til arrangementet og til Vigmund Gundersen Djupang for lydarbeidet.
I april 2024 kulminerede over et halvt års forberedelse, da justitsminister Peter Hummelgaard og overborgmester Sophie Hæstorp Andersen foran blitzende kameraer kunne grave de første brosten op fra Pusher Street på Christiania. Ud med hashsalget og ud med voldsparate, maskerede bander på den velbesøgte københavnske fristad, lød budskabet. Nu var det tid til at sætte hårdt mod hårdt i kampen mod de kriminelles illegale millionforretning. Men i et land som Tyskland går politikerne en anden vej. Her har de i foråret blandt andet afkriminaliseret besiddelsen af en bestemt mængde cannabis i et forsøg på at ramme banderne på pengepungen. Så nu hvor Pusher Street er ryddet, er den danske justitsminister så klar til at sætte hashen fri? Gæst: Peter Hummelgaard, justitsminister og folketingsmedlem for Socialdemokratiet Vært: Kaare SvejstrupSee omnystudio.com/listener for privacy information.
I denne underholdende og tankevækkende aktualitetspodcast debatterer og analyserer Børsens chefredaktør, Bjarne Corydon, og Informations chefredaktør, Rune Lykkeberg, tidens største dagsordener – og nogle af de mindre. De to chefredaktører kommer omkring hash på Christiania, røde pølser og fadøl i protest mod landbrugets CO2-afgift og skandalen i Forsvaret. Lykkeberg hylder Christiania som et frihedseksperiment, der skal være plads til, mens Corydon mener, at fristaden har spillet fallit. På klimområdet diskuterer de fremtiden for en stor dansk klimaaftale - størstedelen af politikerne har indset der skal gøres noget. Men hvad sker der, når regningen kommer på bordet - både i forhold til penge og vælgere? De dissekerer også tilstanden i Forsvaret, hvor skandalerne nærmest har stået i kø. Er det tid til en langt hårdere politisk styring af Forsvaret?
Los residentes de la zona buscan recuperar el control de las calles donde, las pugnas entre narcotraficantes, han llevado a una aumento de la violencia.
Christiania har siden sin fødsel befundet sig i en konfrontatorisk armlægning med staten, men nu ser det for første gang ud til, at de to parter er blevet enige om en fælles fremtid. Pusher Street skal endegyldigt lukkes, mere grønt skal indføres i området og der skal opføres 15.000 kvm. almene boliger på stedet. Med den nye plan, vil Christiania blive integreret i den omkringliggende by. I dagens Udsyn ser vi, sammen med seniorforsker og historiker ved Nationalmuseet Mikkel Thelle på, om Christiania, på trods af normaliseringsplanen, stadig vil kunne fastholde sin aura af modkultur eller om det er begyndelsen til enden på fristaden, som vi kender det. Vært: Kaspar Colling Nielsen.
In der Schweizer Spitallandschaft liegt einiges im Argen. Das zeigt sich derzeit exemplarisch im Kanton Zürich. Während das Kinderspital ein zusätzliches Millionendarlehen bekommt, geht das Spital Wetzikon leer aus und legt nun Beschwerde ein. Was läuft da schief? Weitere Themen: In der Schweiz leben etwa 70'000 Menschen illegal ohne Aufenthaltsgenehmigung. Unter bestimmten Voraussetzungen können diese Sans-Papiers aber zu einem regulären Aufenthaltsstatus kommen. Allerdings sind die Chancen dafür in der Deutschschweiz schlechter als in der Westschweiz – trotz einheitlicher Vorgaben. Vor über 50 Jahren gründeten Aussteiger in Dänemarks Hauptstadt die Freistadt Christiania. Christiania entwickelte sich über die Jahrzehnte zu einer der bekanntesten Sehenswürdigkeiten Kopenhagens. Aber auch zu einem Ort des Drogenhandels und der Kriminalität. Damit soll nun Schluss sein.
Pusher Street er gravet op. Vi spørger en christianit, der har været med til at fjerne brosten, om det her er det endelige opgør med hashhandlen på Fristaden. Den franske sanger Aya Nakamura er røget i racistisk stormvejr, efter rygter om at hun skal synge Edith Piaf til OL. Det er seks måneder siden krigen i Gaza begyndte. Er vi kommet tættere på en afslutning? Værter: Annika Wetterling og Adrian Busk. Medvirkende: Carl 'Carlo' Oskar Strange, født og opvokset på Christiania. Steffen Kretz, DR's internationale korrespondent.
AP correspondent Charles de Ledesma reports on why an area of Copenhagen is losing its cobblestones.
Christiania er ikke som andre steder i København, hvilket også afspejles i det lægelige virke på fristaden. Med et klientel der bl.a. inkluderer christianitter, hjemløse, udlændinge både med og uden CPR nummer, er det ikke kun rådgivning om penicillin og sårbehandling der er i fokus, men såvel også eksponering til akupunktur, urter, eksistentielle samtaler og den indsats, der gøres for at skabe bro mellem de social udsatte og det konventionelle sundhedsvæsen. Med os i dette afsnit har vi Nette, som har været læge på Christiania i 28 år, og Stig, en beboer på Christiania, som fortæller om hans erfaringer med at bruge lægen tilknyttet fristaden. Medvirkende: Nette V. Olsen Stig Hansen Ben Nielsen (vært) Mika Andersen (vært) René Slott (post produktion) Kaare Johan Peter Stolt (cameo) Indslag:
On this Fridays show. We talk about some exotic animals washing up in our shores. And about how income and life expectancy are link in Denmark yet Danesover 60 are still the happiest in the world. Also if you've ever wanted a piece of memorable from Christiania, heres your chance! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Questa è la storia di Sondre Norheim, riconosciuto come colui che ha dato origine a “Lo sci”, inteso come sport, come momento di diletto, come tecnica da raffinare, senza più essere solamente il mezzo per andare da A a B il più velocemente possibile. È grazie a questo straordianrio sciatore norvegese, originario della contea di Telemark, che tutto il mondo conosce le parole sci e slalom.
I dag lander anklageskriftet mod fem tiltalte for drabet på Christiania i sommer. Skyggesiden ser nærmere på spektakulære detaljer som en lynhurtig anholdelse, en brand i en skraldespand og et styrt på en flugtcykel. Værter: Janni Pedersen og Carsten Norton Medvirkende: Jens Møller, tidl. chef for personfarlig kriminalitet, Københavns PolitiCecilie Frederiksen, reporter, TV 2 Lyddesign: Pauli Galsgaard Redaktør: Amanda Heiberg Boberg Hosted on Acast. See acast.com/privacy for more information.
In Christiania leben Menschen ihren Traum vom Antikapitalismus mit vielen Freiheiten, die es in Dänemark sonst nicht gibt. Dazu gehört auch der Konsum „weicher Drogen". Das führt allerdings auch regelmäßig zu Gewalt. Nun gibt es einen Masterplan. Timur Gökce, Andre Zantowwww.deutschlandfunkkultur.de, Weltzeit
Da et 30-årigt prøvemedlem af Hells Angels bliver dræbt af skud på Christiania, er det kulminationen på længere tids uro i det københavnske bandemiljø. Drabet udløser en bitter bandekrig med bomber, brand og skud. I femte sæson af Bandeland fortæller vi om konflikten mellem gadebanden Loyal to Familia og rockergruppen Hells Angels. Bandeland er Ekstra Bladets dybdegående journalistik om den organiserede kriminalitet i den danske underverden. I denne podcast får du de mest interessante fortællinger fra rocker- og bandemiljøet. Følg med, når vi kaster lys over en mørk og lukket verden. Sæson 5 af 'Bandeland' har premiere mandag d. 8 januar. Lyt til Bandeland eksklusivt med et Ekstra Bladet+ abonnement. www.eb.dk/podcast
Familieterapeutene Mette Norman og Kristin Gisholt er tilbake for å hjelpe oss med å være mer transparente med ekser og nye kjærester så man ikke tråkker på hverandres behov. Så er også det store spørsmålet: Hvor mye krangling vi skal tåle? Hosted on Acast. See acast.com/privacy for more information.
Mine, dine, våre, hvor, når, eksen din, eksen min, vår partid, min alenetid, min tid alene med mitt barn - å stifte en bonusfamilie er ingen enkel oppgave! Hvilke utfordringer er vanlige, hvordan løser man dem, og MÅ man ha kalender? Hosted on Acast. See acast.com/privacy for more information.
Fluent Fiction - Danish: Conquering the Danish Tongue: A Journey of Friends in Copenhagen Find the full episode transcript, vocabulary words, and more:fluentfiction.org/conquering-the-danish-tongue-a-journey-of-friends-in-copenhagen Story Transcript:Da: I Københavns snørklede gader var der tre venner - Anders, Lars og Mette.En: In the winding streets of Copenhagen, there were three friends - Anders, Lars, and Mette.Da: De var glade.En: They were happy.Da: De boede sammen i en lille hyggelig lejlighed.En: They lived together in a cozy little apartment.Da: Men, de havde et problem.En: But they had a problem.Da: Nogle danske ord var meget svære for dem at udtale.En: Some Danish words were very difficult for them to pronounce.Da: En morgen sagde Mette, "Vi skal lære de svære danske ord."En: One morning, Mette said, "We need to learn the difficult Danish words."Da: Alle nikkede.En: Everyone nodded.Da: De var klar til at prøve.En: They were ready to try.Da: Først forsøgte de at sige 'rødgrød'.En: First, they attempted to say 'rødgrød'.Da: Anders rullede tungen og sagde, "Rø-gød."En: Anders rolled his tongue and said, "Rø-gød."Da: Mette prøvede næste og sagde, "Rød-flød."En: Mette tried next and said, "Rød-flød."Da: Lars var tavs, stirrede og prøvede, "Rød-død".En: Lars was silent, staring and tried, "Rød-død."Da: De grinede og grinede.En: They laughed and laughed.Da: Så gik de gennem Københavns gader.En: Then they walked through the streets of Copenhagen.Da: Citrontræer, kaffebarer og lille hyggelige huse.En: Lemon trees, coffee shops, and cozy little houses.Da: De gikket i Tivoli, så på dronningens slot og Fristaden Christiania.En: They visited Tivoli, saw the Queen's castle, and Christiania.Da: Alle steder sagde de højt, "rødgrød".En: Everywhere they went, they said aloud, "rødgrød".Da: Med tiden blev de bedre.En: With time, they improved.Da: De sagde ordet lavt, højt, hurtigt, langsomt.En: They said the word softly, loudly, quickly, slowly.Da: De øvede hver dag.En: They practiced every day.Da: De sagde 'rødgrød' så mange gange, at hele København kunne høre det.En: They said 'rødgrød' so many times that the whole of Copenhagen could hear it.Da: Til sidst, en aften på deres yndlings kaffebar, prøvede de igen.En: At last, one evening at their favorite coffee shop, they tried again.Da: Anders sagde det først, "Rødgrød".En: Anders said it first, "Rødgrød".Da: Så Mette, "Rødgrød".En: Then Mette, "Rødgrød".Da: Lars trak vejret dybt og sagde, "Rødgrød".En: Lars took a deep breath and said, "Rødgrød".Da: De havde gjort det!En: They had done it!Da: De kunne sige det svære danske ord!En: They could say the difficult Danish word!Da: Hele kaffebar klappede for dem.En: The entire coffee shop applauded for them.Da: De var glade og stolte.En: They were happy and proud.Da: Nu kunne de sige det danske ord, de har kæmpet med.En: Now they could say the Danish word they had struggled with.Da: Fra den dag blev deres liv i København lidt nemmere.En: From that day on, their lives in Copenhagen became a little easier.Da: De lærte mere og mere.En: They learned more and more.Da: Hjulene på deres cykler rullede nemmere på Københavns brostensbelagte gader.En: The wheels of their bikes rolled smoother on Copenhagen's cobblestone streets.Da: Og hver gang de sagde et svært dansk ord, lyste deres ansigter op med et stort smil.En: And every time they said a difficult Danish word, their faces lit up with a big smile.Da: De havde lært noget nyt.En: They had learned something new.Da: Og i København, var de altid klar til at lære mere.En: And in Copenhagen, they were always ready to learn more.Da: Sådan endte deres eventyr med det svære danske ord.En: That's how their adventure with the difficult Danish word ended.Da: Men, det var kun begyndelsen på mange flere.En: But it was only the beginning of many more. Vocabulary Words:Anders: AndersLars: LarsMette: Mettestreets: gaderfriends: vennerhappy: gladetogether: sammenapartment: lejlighedproblem: problemdifficult: sværepronounce: udtalemorning: morgenlearn: læreDanish words: danske ordnodded: nikkedetry: prøveattempted: forsøgtesay: sigerolled: rulledetongue: tungelaughter: grinwalked: giklemon trees: citrontræercoffee shops: kaffebarerhouses: husevisited: besøgteQueen's castle: dronningens sloteverywhere: alle stederimproved: blev bedresoftly: lavtloudly: højtquickly: hurtigtslowly: langsomtpractice: øvewhole: hele
Nurdles are tiny plastic pellets which are used to make many everyday items. However, tonnes of them end up being washed up on our beaches posing a threat to wildlife. Rachel finds out about the Great Nurdle Hunt, a campaign to highlight the issues microplastics cause. Mark visits Pitmedden Garden in Aberdeenshire and has a nosey around their orchards as they gear up to celebrate Apple Day this weekend. Avian Flu has caused the deaths of thousands of seabirds along our coastline. Last summer there was significant concern over the future of the world's largest colony of northern gannets on the Bass Rock. Rachel visits the Scottish Seabird Centre which looks out at the Bass Rock, to find out what the picture is now. Rachel meets two sisters involved in a project which finally hopes to shed new light on Equine grass sickness and what causes it. To tie in with World Rivers Day, The Rivers Trust is asking the public to record observations of rivers in the first Big River Watch. We chat live to James Hunt from the Tweed Foundation to hear how people can get involved and what information they are hoping to gather. As part of the Tall Ships Races earlier this summer, Maud Start spoke to the Peterson family onboard the Christiania, their retired rescue ship. We hear an excerpt from the Scotland Outdoors podcast where they tell her the history of the ship. Wind is not usually a good thing for outdoor activities however, land yachting is definitely the exception to that rule. Mark tries his hand at the speedy beach activity in St Andrews. Earlier this month the Edinburgh Riding of the Marches returned after an absence of three years. The event traces its roots to the historic riding of the boundaries of the city, which dates back to 1579. Stuart McFarlane went along to meet some of those taking part and capture some of the atmosphere. And Rachel is in Strathkinness in Fife visiting an iconic red phone box that has been given a new lease of life.
Maud Start meets the Peterson Family onboard the Christiania, their retired rescue ship.
I løbet af sommeren er grupper fra Eritrea stødt sammen i en lang række europæiske lande, i Canada og Israel - og i weekenden også herhjemme. Men de voldsomme sammenstød stikker meget dybere end bare for eller imod regimet i Eritrea - det handler om indviklede nationale konflikter og frustrationer, der har udviklet sig over lang tid. Regeringen vil nu gå direkte efter de kunder, der køber deres cannabis i Pusher Street. Planen er at sende folk direkte i fængsel, allerede anden gang de bliver taget for at købe en joint på Christiania. Danmark er langt fra det første land, der prøver kræfter med den strategi - efter i årtier at have forsøgt den tilgang, er USA nu vendt på en tallerken og afkriminaliserer nu cannabis i stor stil. Gæster: Stig Jensen, lektor på Center for Afrikastudier ved Københavns Universitet og Ruben Toft Sindahl, juridisk analytiker på USA-mediet Kongressen. Tilrettelæggelse: Asta Handberg og Sven Johannesen. Vært: Kirstine Dons Christensen. Lyddesign: Malte Winter Bothe og Jonas Johs Andersen. Redaktør: Tine Møller Sørensen.
Året er 1971. En gruppe unge mennesker har revet plankeværket til en nedlagt militærkaserne ned og udråbt Fristaden Christiania. I størrelse er det en slags anarkiets Vatikanstat, men uden religiøse doktriner og vigtigst af alt, uden én samlende magtfuld figur. Christianias grundlæggende tankesæt handler om frihed til udfoldelse under ansvar over for fællesskabet. Men ét er visionen, noget andet virkeligheden. I hvert fald den, som almindeligvis finder vej til medierne, hvor overskrifterne handler om Pusher Street og brutal bandekriminalitet. Hvordan lyder Christianias egen fortælling? Er Fristaden mere eventyr end nedtur? Og hvad - ud over hashboderne - står som christianitternes aftryk på den nyere danmarkshistorie? Det er nogle af spørgsmålene i denne uges Kampen om historien, hvor Adam Holm taler med museumsleder og ph.d. i politihistorie Frederik Strand og med historiker og christianit siden 1979 Ole Lykke Andersen. Musik: Adi Zukanovic.
Regeringen vil rydde Pusher Street på Christiania, men kan den overskue konsekvenserne? Vejret har slået sig løs her til sommer med flere kedelige rekorter, men nøler klimaflertallet i Folketinget? Hvorfor er justitsminister Hummelgaards besøg i den jødiske synagoge blevet genstand for kritik?Få svarene på disse og flere spørgsmål i Danmarks mest eksklusive radioprogram, hvor adgangsbilletten er, at der står ‘forhenværende minister' på visitkortet. Denne udsendelse blev sendt live fredag den 8. september 2023.Gæster:Uffe Elbæk, forhenværende kulturminister, Alternativet.Ulla Tørnæs, forhenværende bl.a. undervisningsminister, Venstre.Vært og tilrettelægger:Simon Emil Ammitzbøll-Bille, forhenværende økonomi- og indenrigsminister, Liberal Alliance.
I weekenden blev endnu en ung mand dræbt af skud på Christiania, og flere andre blev såret. Pusher Street er blevet en slagmark, hvor brutale bander bekæmper hinanden om hashmarkedet, og christianitterne såvel som justitsministeren vil have gaden endegyldigt lukket. Det har efter flere forsøg vist sig vanskeligt. Nu er en gammel ide igen begyndt at skyde frem: Hvis man legaliserede cannabis, så ville banderne ikke noget at slås om. Men hvad er mulighederne for at slippe hashen fri? Det har Politikens hovedstadsredaktør Jakob Hvide Beim undersøgt, og han er dagens gæst i ‘Du lytter til Politiken'.
Forsinket Japansk fødselsdagsgave man kan blive sindssyg af, on-brand flugt på Christiania, en Engelsk bøf-ret svæver rundt i atmosfæren, bh'en er forsvundet i nutiden, “Nu spiller Eddie Skoller tennis i himlen”, Imamen siger: “mange tak skal de ha', tryk #31# og ring til Flensborg, latterlige pap-sugerør, indslaget: Er du dum eller idiot?, en opfølgning på balladen på Aarhus Havn og GULD til Danmark. Få 30 dages gratis prøveperiode (kan kun benyttes af nye Podimo-abonnenter): https://go.podimo.com/dk/hgdg(79 kroner herefter)Eller få 3 mdr. med 50% rabat (kan bruges af tidligere Podimo-abonnenter): https://go.podimo.com/dk/hgdgtilbud(79 kroner herefter)Værter: Esben Bjerre & Peter Falktoft Redigering: PodAmokKlip: PodAmokMusik: Her Går Det GodtInstagram: @hergaardetgodt @Peterfalktoft @Esbenbjerre
Nyheter och fördjupning från Sverige och världen. Lyssna på alla avsnitt i Sveriges Radio Play.
I nattens ly gennemfører en maskeret gruppe christianitterne en aktion mod Pusher Street. Med betonklodser og containere blokerer de indgangene til den hashsælgende gade, hvor banderne huserer. Da lyset bryder frem sættes den sidste betonklods, og et nyt kapitel i Christianias opgør mod gaden med de grønne boder starter. Det er langt fra første gang, at netop det opgør udspilles - og indtil nu har kriminaliteten på Pusher Street rejst sig hver gang. I dagens Genstart dykker dokumentarinstruktør og undersøgende journalist Mads Ellesøe ned i forholdet mellem fristaden og Pusher Street, og hvorfor gaden med de mange hashboder er så svær at skille fra Christiania. Vært: Anna Ingrisch.
Nu vil Christiania af med Pusher Street. Natten til tirsdag lukkede en gruppe beboere gaden af med containere og betonblokke. De vil ikke længere bo ved siden af pushernes vold.Men hvorfor vil christianitterne lukke Pusher Street?Og er der overhovedet noget, der indikerer, at nattens aktion kan sætte et endegyldigt punktum for ‘Gaden'? Det svarer Politikens journalist Ida Nathan på, som gennem længere tid har fulgt udviklingen på Christiania.
Get ready for a journey back in time, as we pull back the curtain on the ninth studio record by The Hip - 'In Between Evolution'. We'll bring you face-to-face with the record's unique evolution, the masterful production by the iconic Adam Kasper, and the first impression this album left on us. We also promise to share our thoughts on what sets this record apart - from Gord's powerful vocals and the band's rhythmic arrangements to the irrefutable political undertones.We'll further dissect the elements of this extraordinary record, including the band's focus on rhythm guitar and the magnetic chorus that simply pulls you in. Our discussion explores the influence of Neil Young on this album, the importance of the first single 'Vaccination Scar', and how it resonates politically, even in today's world. We'll also touch upon the story of Gus, the polar bear from Central Park, and how it adds a unique dimension to the album.Last but not least, we'll delve deep into the legacy of Gordon Downie and his indelible impact on music and society. We'll reflect on the loss of his unique perspective in the current global scenario. So, brace yourself for an enlightening conversation about this remarkable record and the creators who brought it to life. We promise a captivating experience that will leave you with a renewed appreciation for The Hip's musical brilliance. Let's embark on this journey together, shall we?Track ListingSummer's Killing Us - Studio VersionGus: The Polar Bear from Central Park - Live from Chicago 2012Makeshift We Are - Live from Toronto 2004Are We Family - Live Detroit 2009TranscriptTrack 1:[0:00] Well, welcome back guys. How are you doing this week? Track 2:[0:02] Fantastic. Couldn't be better. Yeah. Life couldn't be better. Track 3:[0:09] Pretty good. Pretty good. Excited to be back. And so it's my birthday. Track 1:[0:15] It's July 24th. Track 3:[0:16] Holy shit. Track 2:[0:18] Today's your birthday. Holy shit. Track 3:[0:20] Wow. Track 1:[0:21] July 24th, man. Yeah. Track 2:[0:24] Happy birthday, man. Track 1:[0:26] Thanks. Track 3:[0:27] I'm going to blame the time change on me forgetting. Track 1:[0:30] No, it's July 24th. Get it? Wink wink? Yeah. Track 2:[0:39] It's your birthday, man. Cuantos anos? Oh. Tienes. Track 1:[0:44] Awesome. What's the last part mean? Track 2:[0:48] How old are you? How many years do you have? Yeah. Is the literal translation. Track 3:[0:53] Countless. I mean, change. Track 1:[0:54] 49, baby. 49. Track 2:[0:55] Oh, knock, knock, knockin' on 50 years. Track 3:[1:02] Let's do this. You know, when we entered our 40s, we were like, 40s are gonna be awesome. This is the decade. And we got to our 50s, we're like, maybe 50s will be awesome. Yeah.Yeah. Oh, it's all awesome. It's all awesome. Track 2:[1:16] Did you ever see the movie City Slickers? Track 3:[1:18] Yeah. Track 1:[1:19] Yeah, years ago. Track 2:[1:19] There's a great, the great monologue by Billy Crystal in the beginning of that. He's like, your 20s are a blur. Your 30s, you make a little money, raise a wife, have a couple of kids, buy a house. Your 40s, you wake up one day and you think to yourself, what happened to my 30s? He goes on to every decade and then he's like, your 80s, you end up like, you eat breakfast at, or whatever, you eat dinner at five, lunch at 10, breakfast the night before. Track 3:[1:52] It's just like, dinner's at four. Track 1:[1:55] Yeah, exactly. Track 3:[1:56] Dinner's at four. Track 2:[1:56] Oh, it's so good. Track 1:[1:58] They're taking all Tim's happy hour seats. Yeah. All the octogenarians. Track 3:[2:03] My father's in a retirement home and when I talk to him, he says, they're coming for me for dinner earlier every day. It's three o'clock. It's coming for dinner. Track 1:[2:20] Like, dude, just call a happy hour. Fuck it. Yeah. So in 2004, we got the ninth studio record by The Hip, In Between Evolution. This is a, you know. Like Clockwork, every two years we've got a record from this band, you know, and they were still touring their brains out. I think it's a staggering feat, you know, that a band with their original lineup can put out a record every two years, you know, guided by voices or bands like that, notwithstanding, thosesongwriters are, you know, Bob Puller, it's just so prolific. It's, it's unreal. But in terms of band work, bands that tour extensively, I don't know of many other bands that have had this kind of halcyon run. But here we are, talking about it. And as we always do, I want to find out environmentally what you thought of the record, where you listened to it, where you first heard it and what your overall general thoughts are onthis 9th record produced by Adam Kasper. What do you think? Track 2:[3:45] I think the name is very fitting, In Between Evolution, because I feel like this record is a bit in between. And I say that, you know, when you're in elementary school, you see the monkey going, you know, to like Croag Magnon Man and then like getting up through the ages to get to the likemodern day man, modern day human. I feel like this record is maybe not any of those, but something like in between that we sort of haven't seen before, you know. It's certainly an evolved version of the hip, but I can't really attribute it to anything they've ever done before or anything I think they will do. It's very different in a lot of ways. Track 1:[4:38] Where do you listen to this one? Track 2:[4:41] I listen to it everywhere. I listen to it out and about. I listen to it in my office, working. Probably best place was in the car, you know. The car really, this record was, I feel like, made for driving, you know, like a lot of their records, you know. So I would say if I had to pick any environment, definitely my car, I mean, I don't know if it's everybody's car, I have a bit of a bias, given that, you know, I've got a pretty solid soundsystem in my car, like a premium. But yeah, I enjoyed it in the car. Track 3:[5:23] We need a soundbite that's like, that's like, premium sound system. Track 2:[5:31] We can drop that in post. Track 3:[5:32] Yeah. Well, I, you know, I'll disagree with Pete. I, to me, this felt more hip, right out the gates and you know I think Pete and I differed a little bit on the last album and I'm really liking our, you know, compare and contrast. I'll just quickly add Pete's haircuts throwing me off a little bit today, but I can deal. I can deal. But anyways, that looks good. [6:06] I thought In Violet Light, the last album, what we reviewed was a little bit of a departure and super polished and, you know, made for like, I don't know, an award stage or something.Maybe have the Oscars on the mind. but I thought in Between Evolution, I looked at the title wondering if that meant they were coming back to their own production type, style, soundrecording. You know, I didn't really understand the title for this one because it felt more like a hip album to me. [6:43] The producer, you know, I looked up to see who did this one. Adam Kasper, he did all kinds of bands in Seattle. Mudhoney, Nirvana, you know, the Foo Fighters, he worked with REM. I don't know if it was all in Seattle, but Soundgarden. He even did some work with Cat Power, who Amy and I adore. One of our favorite singer-songwriters. Just, you know, you worked with amazing musicians. And all these musicians I just listed, maybe except for kind of Aerosmith, I'm not exactly a fan of. But, you know, these are bands, maybe Aerosmith, who wear their hearts on their sleeve and really are just going for it. And almost achieving a status where they have a following and they have their shit down and they can kind of do what they want, you know? And I felt like this album went back to the band a little bit more doing what they want. So I was pretty excited, pretty excited by it. Track 1:[7:43] Can you describe that a little bit more? Like, what do you mean by what they want? Track 3:[7:49] Well, the last album I thought was overproduced. I thought it was... Track 1:[7:52] Right, right. Track 3:[7:53] I thought it was too scripted, you know, I thought it was too, like, ha, here we go back to food metaphors. It's like showing up at a restaurant with a preset menu. That's what I felt the last album was, and I felt like this one was a little bit more carefree. It was a little bit more back to experimental. The lyrics, the themes behind all the songs were, in certain ways, like what I've experienced from other albums past themes, with variation and variety. I don't know, this felt more hip to me. This just felt more like the first handful of albums that got me excited about where the band was going. So in that regard, it's like, yeah, fuck. Let's do this every two years. We're going on 10 years. Or this was the ninth album, right? So it's over 10 years. And that, that to me, as Pete knows, as someone who has recorded, that is such a... [8:58] Heroic work with Yeah with touring to as much as these guys toured I mean It's remarkable that they're all still digging each other so much, you know Yeah, but from also from acouple of things that I read during this tour Is when Gord at one point commented about, even if there's differences going on behind the scenes or Or there was some tour manager issues, Iguess, that once they got on stage and started playing, that they just were a band. They were like NSYNC and just super, super in the groove. Track 2:[9:41] Not like NSYNC. Track 3:[9:42] Yeah, they were very much NSYNC. Just super in the groove, which means they're like this fucking locomotive still. So I think it's still super impressive. Even with a band that I'm not as impressed with or fond of, it's still an impressive feat to go this far with recording, producing, touring, everything. Track 1:[10:05] Yeah. Track 2:[10:07] Yes. Track 3:[10:08] Hands down. Absolutely. Track 2:[10:09] Kudos. Track 1:[10:11] And in terms of environments for you? Track 3:[10:14] Yeah, so it was a lot of car. I listened to it pretty quick after our last review. There's a lot of car time and some home time. I don't play their music much at home over my home systems. So it's a lot of car, a lot of headphones. It's a little more intimate for me to do it that way and I also really enjoy when bands geek out on recording, and you can hear things with headphones on that you wouldn't normally reallybe in tune with if you're just walking around the house playing it through your ear. Track 2:[10:56] There's a few of those on this record. Track 3:[10:57] Yeah, there's a few of those on this record, and I love that stuff. I mean, that to me shows that a band is really caring about their listeners and their fans and their art. There's a few of that. Track 1:[11:14] Well let's dig in then. Heaven is a better place today. Track 3:[11:21] So, yeah, this one, you know, there's been a few albums where... My first listen to the first song. I've never done a random listen first try, you know, and that's the way so many people experience music these days. I hear a song from an artist. So I might have to try that as an experiment on some album. But you know, first listen to Heaven is a Better Place Today in the car. It was like, yes, here we go. Like, Pete, you mentioned a great road trip soundtrack or whatever. This is totally it. It felt like a good, fun, solid opener with a drive and the carry of the drums and the bass really throughout this album seemed a little more...I mean they're always solid butthis one just even seemed more gelled, which is kind of hard to even imagine these guys doing. I loved Gord's singing. He's kind of at an elevated pitch with this one and, you know, from what I understand, it's...well. [12:33] My first take was like, this feels like a memorial song, like this is a tribute to somebody and Of course later learned that it's in part about Dan Snyder. I mean, I'm not a hockey guy I mean even I couldn't even tell you who Atlanta's team is or was Atlanta thrashers. That's probably my favorite hockey team name though so, you know read a little bit about Danny Heatley, did I just say his name wrong? No, don't sorry Dan Snyder Snyder Um, he was killed when is with his teammate Danny Healy. Track 1:[13:08] That's right. Track 3:[13:09] They're the ones who were Wrecked some sports car, which is such a tragic story, you know to hear about somebody famous wrecking in a sports car. It's just It's kind of an awesome way to go. But anyways, you know, I thought it was good solid Opener really really easy ending. It was like, okay, let's keep going How about you Pete I dug it. Track 2:[13:32] I mean, I echo a lot of what Tim said. I mean, I feel like a great opening track. I really got some some some cure vibes here. I really felt like this song had, Yeah, just I heard a lot of the cure in here. I think Gord's vocals, clearly this is a record and we'll kind of get into it with more songs and stuff. Not just, I feel like there's so many songs that probably killed it live on this record, but that Gord's vocals really just keep evolving into something new. I mean, I feel like every member of the band grows a lot, but he's just, it's like everybody takes three steps forward and Gord takes like nine. You know, he skips where everybody just takes steps. It's crazy, man. Track 3:[14:36] Completely. Track 2:[14:37] That's not like a diss on anybody in the band. It's just, I think he thinks differently, or he thought differently, either way, I dug this song. I thought it was a great opener. The second track, Summer's Killing Us, yeah, this is another one where the vocals really do it for me. Um, there's a, there's a part, well, during the chorus, when Gord's singing, um, Summer is Killing Us, like his voice is cracking. You can hear it breaking on the recording. And it's just like, it doesn't crack. Like it's, it just fits. It's perfect. And you're like, this guy's, this guy's, he's redlining the engine and the car is still going. you, You know what I mean? Track 3:[15:33] Like, and the car, I think, has like, 300,000 kilometers on it, you know? Yeah, and it's just like, go, go, go, who cares? Track 1:[15:43] Yeah, they could sing, sing, sing all day. Track 2:[15:47] Yeah, it's I mean, it's had its oil changes and services, I'm sure. Track 3:[15:51] Exactly. Track 2:[15:52] The drums, another thing about the drums on this, I watched some, well, you guys know, I'll talk about a little more later songs, but the drums on this song, A song that just seemslike it's probably so much fun to play for Jonny Faye. Just the stops, the fills, just, it just seemed like if anybody's having a blast, it's him and Gord Downie are just fucking having a ball to this song. Track 3:[16:20] I think you've commented on that before, too. And this one, this one I noticed, you know, first listen was like, oh, he's having fun. There's some fills in there, and that made me think this one live, you know, probably varied a little bit, but probably just kicked ass, too. Yeah, I think. Track 2:[16:39] Yeah, and I gotta say, this is gonna sound really bad, so I want to frame it right. I just want to throw this in because I feel like if I didn't throw it in, I'd be... My initial thought... So this is 2004, right? Yeah. 2003, 2004. 2004 you think when they're recording writing this song I got just Gord's vocals and his phrasing very much got some like early 2000s emo vibes to it. I actually heard and I don't mean this in a disrespectful way So no, no do not give away my address JD. I don't I mean Canada's a far away from Spain, but I got getting hip to the hip calm. Yeah for for comments Emo my ass No, but I really heard I heard a dashboard confessional song Yes pretty mind-blowing, you know Yeah, okay. You hear me? Track 3:[17:41] Okay, I do. I do. I would a million times rather listen to this band. No, 100%. Track 2:[17:48] But I hear you. Track 3:[17:50] But I hear you. Track 2:[17:51] And no, no offense, because I think that I think the guy I can't remember his, his name, the guy. Track 3:[17:56] That's okay. Track 2:[17:57] No, I know. No, just respect him as a musician. I think he's a good musician. I just don't fancy his music much. Anyway. Track 3:[18:08] You know, I was shouting this chorus in the car. Like, first listen, you could sing along to this one. If you know the band, you're like, fucking hyped. Hell yeah, it's a song about summer. Who doesn't like a song about summer? Track 1:[18:19] That's right. Track 3:[18:20] That band always sings about summer, said no one ever. So this one, you could just go. There's awesome stops, there's a good bridge, there's... A few times on this album I think there's more of a focus on just I don't know how to say it Pete but just a better rhythm guitar less riffy like the feel like this album has riff sections thatare a little bit more defined or declared maybe yeah yeah yeah this one gourds at like the three-minute He's like, whoo, you know when he left that it is so good I love that. I love that. Track 1:[19:05] I mean I like exhausted slash. Track 3:[19:06] I'm awesome slash I don't even know what the other slash would be but it's like it's great Yeah, if you're having a moment and you stop and you can actually breathe and do thatwhoo I mean you're having a good day like something's going on something's going on that you're enjoying or you're relieved But I also thought this song was like a song about being tiredand touring and working. Also, you know, maybe some of the research I did, that maybe there were some references again to the South, or slavery, or prison life, you know, that's just like, summer's killing us, youknow? It's amazing and beautiful and tough at the same time. That's kind of what I thought about this song. It's, it felt, this is a few times I have had this happen where the song feels long, but it's like measured in a good way. It's like, it's just, there's enough verses, enough choruses. Track 1:[20:12] I think this is one of the longer songs on the record. Track 3:[20:15] Yeah, yeah. This was, this was fun. Track 2:[20:19] This song, this song also, I just wanted to throw this in too, because I kind of forgot to mention it, one of the cool things about it is that it just goes from this, the chorus is sofucking, but then when it goes back into like the verse, it just, it brings it down again. It just, it just, it flattens it like a, like a compressor. It just flattens it really quick and just makes it even again. You're like, whoo, like the dynamic of the band recordings. It's really cool. That's a hard thing to pull off, man. Track 1:[20:53] I really regret not seeing this tour. Like, really. I have so much regret not seeing this tour. Because this is the first tour that I missed since the beginning. This is the first one that I didn't go see a show. And listening to the record now, it's like, oh man, it's again, so much of it seems to be written to be live, you know? Track 3:[21:18] She must have been really cute, JD. Pardon me? Your girlfriend at the time, I guess. You were busy. Track 1:[21:29] Oh, yeah. Track 2:[21:30] Yeah. Track 3:[21:31] Dude, the next song, you know, Gus, I faintly remember hearing about this. Track 1:[21:35] Yes. Track 3:[21:37] Back then. I mean, if we go back to 2004, you know, this is like the era, politics aside, because we'll probably get into that, but this is like the era when shit online started to take off,you know? Everybody's looked at YouTube. Some of your friends might be listening to Pandora, which at that time had the best radio feature. You could like mix stations and you know There's a lot there's a lot going on electronically The zeros are ones then i'm pretty sure i heard about this song and um, I was telling amy wifeamy yesterday this story about gus This polar bear from central park and uh how they they just deduced that, He was depressed And amy's like no shit polar bear and Activity it was likeyeah, I mean a polar bear's life is what? [22:39] Sleeping, drinking, killing, eating, fucking. I mean, let's put a polar bear in captivity and see how hyped he is. I mean, that's just terrible. So this is amazing that they, I guess, Gord, I don't know who exactly picked up on the story and wrote this one. And, you know, this is also where there was some, maybe the beginning of this album with some political under things here as well but there's this first guitar riff at the beginning of thissong Pete I'm sure you heard it but there's like this there's this weird guitar kind of distortion distortion yeah like that that attack at the beginning is like I wish also I mean live it wouldprobably been so fun to hear that I'm sure it varied a little bit but that's like that outro that outro live must have been so yeah banging yeah drums are huge in this one you know and i'vejust i dug this song it was it was fun there's i could go on and on about it but you know just this poor guy gus he's staring at food all day at the zoo i mean he would eat all these people yesgawking at him so of course he's suffering from depression this is like during this era, scientists were like, he might be depressed. [24:06] Bears, animals can have sentiments of depression. [24:11] It's fucking hilarious. Terrible. Track 2:[24:16] I mean, where do I put down my fucking flag here with this one, dude? First of all, if I was going to start a bar fight, this would be the fucking song I'd put on the J-box right before I picked up the neck of a Labatt Blue, fucking break it over somebody's headand just start a melee. Track 3:[24:41] Shit. Track 2:[24:42] Okay. Track 3:[24:43] Watch out, Hamilton. Yeah. Track 2:[24:49] So, Tim, you're telling the story of the polar bear from Central Park, right? And now that you're telling the story, I remember it. Yeah. Track 3:[24:57] Yeah, me too. Track 2:[24:58] But during listening to this, I didn't remember it because that was a long time ago. And I drank a lot of beer and done a lot of shit since then. And so it didn't register. And so I pictured like a bearded homeless man, a giant bear of a man who was depressed and an alcoholic sitting and fucking with people in Central Park. That's who I heard when I heard this song. I didn't, I didn't at all have any correlation with the actual story of Costa Polar Bear. But this is the now this this album, and then some subsequent YouTube videos that I explored this week, really got me digging into the vibe that is Paul Langlois, because you could Youcan just hear this thumping, it's a thumping vibe that he has with this Les Paul that he's playing and it just fucking rips. This song is the tiger, the lion of this record. Track 3:[26:13] I had the same sentiment for sure. Track 2:[26:17] It's the fucking tiger, the lion of this record. What else? I would say I literally, I literally wrote, I literally wrote that, that, that, that I would be cracking balls a little bit blue, a little bit blue over people's heads. But no, it's the tiger, the lion of this record. And I feel like Neil Young is a lot of guitar on this this record is very Neil Young focused. Track 1:[26:50] I can hear Crazy Horse in this. Track 2:[26:53] Yeah, there's another song that's undoubtedly Crazy Horse. But the end, the solo, Rob Baker proceeds, and I'm going to read this verbatim. The solo, Rob Baker proceeds to melt your fucking face off with a complete and utter disregard for human life. Track 3:[27:10] And that he does. Track 2:[27:13] He starts off that way. He just, well, it just, the solo towards the end is just, it's just fucking, fuck me, man. Track 1:[27:25] Yeah, very good. Track 2:[27:26] Great fucking tune. Probably, yeah, this is, this may end up on the, for my pick, who knows. Track 1:[27:33] All right, we roll into the first single from the record. So this would be the song that introduced most people to this record and it's it's a song called vaccination scar First of all before we get into vaccination scar to either you guys have avaccination scar Nope. No, my cousin has one and she's a year younger than me And I don't understand how she has one and I don't like expired shit. Track 3:[27:59] They put in her arm, I guess maybe it's all my ears on your arm no it's on my calf oh wow okay it's on my calf well it's almost gone now but it was pretty prominent um almost untili turned 20 or something around there i mean my my brain with this one went just went to you know Pfizer and all the all the crazy bullshit oh no oh no i mean that's where i went i readthe song Title and I know okay. This is probably about the booster the the cigar look bird Vaccination scar on my sister's left arm. She's got right here. She's like three years older than me So she's got it. But you know and that's like why the fuck did that thing scar like that? I don't know. Could you imagine I mean, why didn't they build that into the the Johnson Johnson? Johnson and Johnson could have had like, they have that trippy logo. Have you ever seen their actual brand logo? Track 1:[28:59] No. Track 3:[28:59] Oh, people say it has like Satan in it, basically. Oh, of course. It's hilarious. Pete, you would like that research. It's too bad. Track 1:[29:08] But I'll tell you, this song would be a completely different song if the band still existed and they released a song called Vaccination Scar now. Oh, big time. Wonder what the fuck it would be about. Track 3:[29:21] Yeah They might lose listeners and gain listeners at the same. Track 1:[29:25] Yeah, it's true Well, this one a throwback to a throwback, you know We've got the slide guitar again that we haven't really rolled out for a couple records. I don't think What you guys think? Track 3:[29:37] I You know the whole when they get into the slide guitar and kind of go back to So, you know the southern belt of the US kind of sound of rock and that's it's not my favorite thatthey do but right yeah I was a little surprised to hear this is the most listened song song on Spotify I look at that at those that I know I look at that data at the end of kind of my listening Idon't look at that at the beginning. Track 1:[30:09] It does blow my mind because I get it that it's a single. Track 3:[30:11] Yeah why? Is it because it has vaccination in the name? Track 1:[30:15] It might be, because the fact that it's a single shouldn't factor into Spotify at this point. Yeah, yeah. Unless they do, unless they sort of do. Track 2:[30:27] No, they don't retroactive, they don't retroactive shit like that. No. Track 3:[30:32] Yeah, I wouldn't think so either. Yeah, but I thought, you know, this is really, It's the second song. With political references to George Bush, the Iraq invasion, the WMDs that didn't exist, like this, there's references in the song about all of that. And that in and of itself is like a time capsule of sorts. Track 1:[30:57] Yeah, and we were thinking the world was a pretty bad place then. Track 3:[31:00] Yeah, it's basically an anti-war song, even though like during that era, I don't know, there were like six or eight other countries that were on board with this whole attack, you know,I believe Spain was one of them. Track 2:[31:13] So it's for everyone. Yeah. Right. States. Track 3:[31:19] So, you know, I, I hate to say it, but I enjoy like hearing something political referencing the times and, you know, it becomes a time capsule type of song with, with those themesduring, let's see, I guess late 80s, in which these guys would have been totally in tune with. You know, that's when the Bushes were really rising to power and going after mega weapons developments. And a buddy of mine grew up in the Carolinas during those George Bush senior years and knew the family, and they have crazy stories about shit they were doing. I don't need the FBI chasing me, but like, a lot of bullshit activity that involves war and weapons in the corporate aspect of America's machine and economy running on just. The war machine. So that's where I feel like Gord's really tapping into in this album. And it keeps going. He's kind of in it in this album. Track 1:[32:27] It was a tough environment to not be in it. And it rips my heart right out of my ribcage and throws it on the ground to think that this band isn't around anymore. Because I would love to know what Gord's thinking about... Track 2:[32:41] You're burying my fucking lead, JD. Track 1:[32:43] Sorry, buddy. Go ahead. Track 2:[32:44] No, no, dude, no, run with it, run with it. Track 3:[32:47] They'd be the Pussy Riot of Canada, I'll tell you that. Track 2:[32:49] JD, please, please continue, I'm sorry. Track 1:[32:51] I just, I just, you know, I just, I would just love to hear his take on what's been going on the last five or six years, you know? And we really missed out on that. And that's like, fuck cancer, you know? Fuck cancer. Yeah, yeah. Some of the lyrics in this, I think they just roll. I think the way he sings in this song He's he's into that lower register, you know Like you said the with the side guitar like it's it's almost anolder version of the band and he's singing again in that older Version voice but man some of the lyrics that he strings together like even the chorus. There's one thing I remember is the tear and the there's one thing I remember is this tear on your bare shoulder this little silver boulder the slowly falling star we're rolling so what nevergetting older where the moon shock curtains part to the start of enough a teardrop then a vaccination scar like holy shit I don't know how I get all that out imagine that writing moment inpen in hand and, you're just like it's just yeah it's incredible yeah well yeah I mean, I echo everything that you guys have said. Track 2:[34:09] Funny point. Just I don't want to leave it out because you made me think of it, Tim, when you were talking about George Bush. This is not unknown, but a great George H.W. Bush fact, Bush number one, our first Bush president, doesn't remember where he was the day Kennedy was shot. What? Track 1:[34:34] Yeah, yeah. Track 2:[34:35] Look that up. That's a total fact. And he was actually in Dallas because there's There's like evidence of it, but you know, everybody's like, I mean, I remember where I was in thechallenge of blew up I remember where I was when Kobe Bryant died when I remember when yeah 9-11 out. Sorry Yeah, Kobe Bryant was you know, now that was a big bit bigger. No offense to Kobe fans But yeah, and he was asked where were you when Kennedy was shot? He's like, I don't remember like what? Track 1:[35:05] Yeah Everybody of that generation, my mom knew where she was and she was a Canadian in Waterford. Track 3:[35:10] You know, they're so detached. The, the, the, the, that whole section of political history just lived on. Track 2:[35:17] If by detached, you mean culpable, Tim, then yes. Track 3:[35:21] Yeah, yeah, completely. I mean, like just not relatable. They just, honestly, like my, my buddy and his family in the late eighties, early 90s, used to meet up at one of their homes. This is the story. Used to meet up at one of their homes on the coast, Bush's homes. And like, oh, our new whatever jet boat is going to come by. Can't wait to show you guys. We'll go for a ride. Like just completely alternative, horrible reality of life and what's appropriate. Track 2:[35:59] Yeah, I mean, that family's, I mean, what more could you say without getting too political? Track 3:[36:04] There was a moment when, we'll get off of politics here, there was a moment during the Trump administration where I was like, damn, I would take Mr. Bush Jr. any moment, bring him back right now, let's swap him out. And I never would have thought that when he was in office. You know? Track 2:[36:22] Well, yeah, it's pretty sad. Track 1:[36:24] For sure, I feel the same way. Track 2:[36:26] It's pretty sad, though, that we're at, that stage, I mean, to bring it back to the record and sort of to not bring it back to the record, because musically, I feel like this song, you guyssummed it up. But in terms of what JD said about the one thing I thought about this song, I kept thinking about was Gord and if he was alive today and this band was alive today. And I say that because he was such a unifying icon for Canada and the band was, I mean, the guy could bring people together completely. And I think America's been divided for a long time. Tim and I both know that pretty well and anybody from the outside who's windowed… That's like his West Coasters, right? You guys really have felt it. Track 3:[37:26] Yeah, yeah, yeah. Track 2:[37:29] But I think that in terms of Canada and everything that went on during the whole COVID lockdown and stuff, I feel like Gord would have had a really interesting take on it. Because I feel like there was the... You know, it's, there's always three sides of every story. And the way we kind of, most people experience COVID, most people, you either were fucking hardcore on the left, or you'rehardcore on the right. But there's one thing I've learned in life. There's the way you think it happened. It's the way the other person thought it was happened. And then there's the way it really happened. Track 1:[38:06] Look at you dropping extreme references, three sides to every story. Track 2:[38:10] I'm just saying, I feel like Gordon would bring a fucking take, and the band would bring a take to, you know, what's going on in life at this time. That just would open people's eyes. And a lot of people on both the right and the left would shut the fuck up and listen to A Voice of Reason, which- I think you're right. Would have been Gord Downie, had it not been for his untimely death. Track 3:[38:35] But I mean, we have that in this day and age, but it's just spread out. And I don't know, less, it's smaller, smaller doses more widely spread out through music today. Well, there's plenty of bands doing it, but like, I don't know. Track 2:[38:53] I agree sort of, Tim, but I think musically, it's one thing to do it musically, but Gord was more than a musician. Track 3:[39:00] Yeah, yeah. Track 2:[39:01] From what I've seen, he's a guy that would get up and make a fucking statement, like outside of music and nowadays I feel like when people make a statement that it's against, thecommon narrative of whatever, They're tarred and feathered as either. You're a racist fuck or you're a liberal Nancy or whatever it is. And the funny thing about Gord is you couldn't do that to him because he was Canada's fucking golden boy. So I would have loved to have seen anybody in Canada try to throw shade onthat motherfucker when he was... Had he been here to dispel the truth like he always liked to do. Anyway, I digress. How about... Track 3:[39:43] I have a feeling like only rednecks in the South were throwing shade at him, you know. Track 1:[39:49] There's a reference in this song about singing Life is Forgetting, and Life is Forgetting is in quotes. I looked it up, I can't find a song called Life is Forgetting. Is that something that rings the bell for you guys? Or is that just, you know, the narrator basically saying that that's a song that somebody's singing that's made up? Track 3:[40:12] Not sure. Track 2:[40:15] No. I'm not sure either. But if I take it into context of what we're talking about, I think people forget, life is forgetting. Tim made the reference earlier about wanting George Bush over Donald Trump at the height of whatever. And I think people forget, you know, I am not Not a Donald Trump fan, didn't vote for the guy, but you can take all the shit that's said and everything, and I'm not carrying water foranybody, let me make this fucking clear, but it's mind boggling to me how we can think that, and I thought it at times too Tim, you're not alone in that, I think a lot of people thought it, buthow we could, be like, I'd rather have a guy who started a war, an illegal war on lies that killed upwards of a million people. In the White House right now, rather than a guy who's just a total piece of shit scumbag who shouldn't be there in the first place. Like we forget that there's a guy who is literally responsible for killing a million people and starting multiple illegal wars. And we'd rather have that person. So life is forgetting, JD. I think that line belongs in that song. If we're talking about politics. Track 1:[41:41] Well, he said fuck this and fuck that and this guy's the diplomat. It can't be Nashville every night. Track 3:[41:52] I love the simplicity of this one. It's quick. You know, what we are is what we lack. That song was just like, if anything's going to make you think about oneself and what you're portraying and working on, or I don't know, that statement just slapped me. There's Gord, I think, is faintly doing his own backup singing in this one, if you really crank it in your headphones, and it's fucking awesome, and it was even kind of cute. I just dug it. The chorus, or maybe it's a verse, I don't know, the la-la-oh-oh-yas, you know, just simple, good rock and roll. Apparently, he's poking fun at Toby Keith with this song. Track 1:[42:41] Oh, did not know that. Track 3:[42:42] He was a country music singer who was pro-America, pro-military, pro-goat. Track 2:[42:51] He was Tarn and Feather the Dixie Chicks, man. He was one of the guys that went against the grain on that and threw them out to try. Track 3:[42:59] Yeah, I also think this is like a song that's, Trying to let artists know that there's more to life than producing a single, you know? This is a time of this era, fucking Maroon 5, Nickelback, you know? This is a little bit later Lenny Kravitz, but when Lenny Kravitz is just like glossed up and just everyone knows the chorus, you know? But nobody has bought the album, maybe. I don't know. I'm not dissing Lenny Kravitz too much. You can diss Lenny Kravitz. He's his own... Well, he's the institution. I mean, I saw him play live and he was incredible. Track 1:[43:37] I did too. That first record was really good with the cab driver on it. Track 3:[43:42] Yep. I saw Blind Melon open for them. Me too! Track 1:[43:46] Oh, shit. Track 3:[43:47] Dude, okay, just to digress. Blind Melon kicked Lenny and his band's ass. Like, Blind Melon, they were so good then. You know, they... Track 2:[43:59] Yeah, we've had this conversation, Jake. Track 3:[44:00] Yeah, so good. So good. So anyways, you know, the song I thought was short and great. And it's just, it's got some good quick statements. It was, I don't know, it just fit for where it was at and everything. That's about it. Track 2:[44:17] Cool. I dug this tune. Real quick, just to my Lenny Kravitz comment, not dissing the guy, I like the music. I think his daughter is a great actress. Track 3:[44:30] Gorgeous. Track 2:[44:31] Just never trust a guy who only plays a flying V. Track 3:[44:33] Never. Track 2:[44:38] It's a fucking red flag, ladies. Track 3:[44:40] At the beginning of COVID, he was apparently stuck on his island in the Caribbean, or like a island with just a handful of other people living there. And he's just like, just living off coconuts and pineapples and avocados, bro. I was like, fuck you. That sounds perfect. Yeah, I would have killed for that. Track 2:[45:03] Yeah, I dug the song. I thought, I thought this is another one that would have been awesome live. The groove was just fantastic. There's a line that he delivers that I'm sure you guys all noticed, but I love the the way it's, one is stares into the blur, stares into the glare, stares into the queer. And it's just fucking, like the way he delivers it, I was like, what is he saying there? And I had to look up the lyrics, cause it was so cool. Cool. Johnny Faye, literally, I don't know what it is, man. But like, this is when he's around early 2000. He started like getting like destroying crash cymbals. And I know I pointed out to you guys this week as I was watching the video, like there's a, there's a concert they were playing, maybe it was at the Fillmore where he just broke a fuckingcymbal, because the motherfucker hit it so hard. And you can see a guy replacing the cymbal like just coming in. Track 3:[46:04] He has a drum tech, you know? Track 2:[46:06] Oh, yeah, I know. Well, I mean, he's got something to come in and do it. But like, middle of the song, guy's got to come in and replace the cymbal. I love it. Track 3:[46:14] So cool. Track 2:[46:14] So cool. This is this song and a number of others to point out at the end of the song, if you're wearing headphones, you can hear a couple drumsticks click. Mm hmm. Oh, so this is this is one of the many Easter eggs on this record. Track 3:[46:31] Yeah, I heard that too at first. I was like, is he hitting the rim? But it really sounded like sticks. Track 2:[46:36] There is one that he does. Track 3:[46:37] He does. Track 1:[46:38] He's just putting them down, though, right? He's just putting the sticks down kind of thing? Track 3:[46:41] I mean, in general, yeah. You hear a little more drum nuggets on this album. Track 2:[46:47] But I feel like these songs are like, it's just a signal to like, that was Johnny's song. Like, all the ones that have those, this is Johnny's song. Because he just fucking ripped on these ones. Track 3:[46:59] Yeah, I feel like when a drummer does that, when a drummer just slaps down the sticks, It's like at the end of a good meal, and you just set your knife and fork down, and you'relike, fuck. Just nailed it. And drummers do that with drummers that care. When bands nail it, you can't. I wish I could produce, because I would love to just yell at musicians, and tell them they're awesome, and tell them they're terrible. Track 2:[47:26] Just kidding. Track 3:[47:28] Just kidding. But that's that sound. That's like that triumphant sound of just killing it. Track 1:[47:34] I win. Yeah, touchdown. We move next to Back, in fact. Back to New Orleans. This is the second geographical song on the record of three, which is interesting. But it's also a trip back to New Orleans. And I can't think of many other bands that would have a song as iconic as New Orleans is sinking, which would still be so heavy in the tourrotation and then they release another song with the same name in it. I know that sounds like really trivial but it's interesting to me. It's really interesting. And this is a very different look at New Orleans and a very different sound but I dig this song. Track 3:[48:23] Did they play there? Chady? They played like a small clubs there, right? Track 1:[48:29] Yeah, likely. Yeah down in the down in the south. They weren't you know quite as As big as they were on the west coast and across the border for sure there was yeah They always but they always played like I mean they would do like au.s. Track 3:[48:45] Tour that would be like 40 dates probably, you know, like they they were fairly thorough There was some reference it with this one about him him going back to New Orleans withfriends or something, just for vacation. And I guess maybe in part this is about that visit, because he found places he wanted to go to that were closed, or... Track 1:[49:08] Oh, okay. It's post-Katrina? Track 3:[49:11] I mean, it's 2004. Track 2:[49:11] No, it's pre-Katrina. Track 1:[49:13] Yeah. Track 3:[49:13] Pre-Katrina. Track 1:[49:14] Okay. Track 3:[49:16] I thought this, you know, it's probably the most beautiful song on the album. It's just serene. I don't know, it's love, it's death, it's fading, you know, rashing away the smiles. It's like, fuck, that's just like storing up in your heart for the future, you know, it's just gorgeous guitar during the chorus. It's just, this is a great one. Track 2:[49:39] Yeah, I thought that, I think this probably might be one of the better, if not one of the best hip songs. And I say that, I don't say that lightly. I think it's a really good song and yeah, JD, I mean, I wrote the notes like, what's the deal with New Orleans? You know, why? Just the song was beautiful. There's the lead in to it and then throughout the song, Rob Baker's using what I think by that time was probably pretty dialed in. He was using an Ebo on his guitar, which is like one of those. You ever seen one of those before? No. I've never been able to use it. I'm not a good enough guitar player to be able to use it. Track 1:[50:27] You stop. Track 2:[50:27] No, dude, they're fucking hard to use. Track 1:[50:29] Everybody go out and buy the record, Marchika, and the first one is out. The second one is in production? Track 2:[50:39] So the the the ebow is like a light it's like a ultraviolet light on this thing and you hold it over the guitar string and it it vibrates the string so it makes it sound like a violin bow henceebow electric bow. Oh okay I had no idea. Track 3:[50:57] Me neither. Track 2:[50:58] It's an amazing effect and it's really cool um some guys can pull it off with like volume and sustain but like he's not He's using an EBO on this shit. And it's fucking, it's just a testament to the, like how talented these guys are. how you can. Take what we've heard for the first five songs of this record and then bring it to this and just you're like transported to New Orleans and just you just I thought I kept thinking I saw NewOrleans in this and then hearing this song I felt like God I wish I could have heard this live at like Red Rocks. Track 3:[51:35] Hell yeah yeah oh man. Track 2:[51:39] Clear sky completely pitch black No lights, just drop the lights. Give me a spotlight on Gordon, nothing else. And Rob Baker during the EBO, but other than that. Track 1:[51:49] **Matt Stauffer** Of course. Track 3:[51:51] You have to be on psychedelics to use that thing or what? That sounds difficult. Track 2:[51:54] **Robert Walsh** Dude, it's hard. Track 3:[51:54] **Matt Stauffer** That sounds, yeah. Track 2:[51:56] **Robert Walsh** It looks easy and everybody's like, yeah, it's not easy. It's not easy. Track 1:[52:04] **Matt Stauffer** All right, let's go to to You're Everywhere and Reel Our Irish In. Track 2:[52:12] The, I dug this song. The fucking melody in this song is just, it's wild. I dug it. I dug it. It has a cool, it straps you in a little bit, like kind of soft and easy, but it just builds. I feel like the lyrics to this song are scathing. I didn't dig much into the meaning. But like reading them, just reading them once, I think when I had listened to it a number of times, I was like, Whoa, whoever or whatever this ismaking reference to is a tense subject. Track 3:[53:00] Yeah, so to speak. Gord's angry. Track 1:[53:03] Can you guys be more specific? Track 2:[53:08] If I'd brought up lyrics, I could've. Track 3:[53:10] I mean, on that note, I heard this song and I knew these guys were recording in Seattle and I figure that probably at this point in their career, probably not everything is writtenbefore recording, you know, like ahead of time, weeks or anything. And I imagine these guys, you know, what are they doing, staying in some hotel in Seattle near this recording studio? And the fucking news during this era is nonstop all the time. You know, it's just like, bad news all the time about the war and GWB. And I mean, I wrote, you know, the heaviness of this song, I wrote, we're bombarded by by fear, we were then and now, fear and despair, and then driven out to be sold by hope, tarnishedby soldiers dying, or not having proper access to healthcare, or being addicts, or suicide rates, you know, when vets return from all of our glorious wars, and it's just kind of like the bandfeeling. That the only way that anyone can attack this kind of corporate war machine that's happening is Is to sing about it, you know produce art about it there's a line in there that it keeps theeconomy alive it's like This song is the fuck that bullshit song, you know, you're everywhere point of the war man smedley butler's War is a racket. Track 2:[54:38] Yeah, you haven't read it. It's pretty it's pretty quick read Yeah. Fuck, yeah, I got a lot of what was going on during this time in this record. It felt very like, if I closed my eyes and listened to this record and I had no idea when it was made, I would have been like, 2003, 2005, somewhere in there. And not just because of the music itself, but yeah, because the content of it was just But this is another one that has drumsticks sound, putting down the drumsticks at the end. So this is another one. Yeah. This is the second song that uses a slide too, so I'm not a big fan of the slide, but It's hard to not enjoy it when it's placed properly. And a song, if it's done well. So I think this song does a good job. Track 3:[55:43] I mean, sometimes there's a time and a place. I don't know. It's more of a historical feature to guitar playing for me. I can't imagine some new song that would really enjoy that's featuring a slide. Track 1:[55:58] Well, that's why I was so strange that Vaccination Scar was the first single. Especially when Heaven is a Better Place Today is such a banger to open the record. Yeah, why yeah Don't know. Don't know. I mean it wasn't it wasn't having this place better place today Wasn't a single at all. The singles were vaccination scar. It can't be Nashville every night and then Gus Was the third single which is like pretty ambitious for a band to release that as a, single Yeah are gonna get that. That's right, that's right. Sothey're well past giving a fuck about trying to use singles to bring people in. Yeah, yeah. Track 3:[56:46] Which, how wonderful. Track 1:[56:48] How wonderful, right? Track 3:[56:49] How wonderful. Track 1:[56:50] They're just doing it for art's sake. Track 2:[56:51] Freeing. Track 1:[56:53] Yeah. Track 3:[56:54] I mean, I have a close cousin of mine who plays in a band here in Portland, I'll give him a quick plug, 40 feet tall. And they're super fun. And they just hit it so hard and they have a few total fuck it songs and they do covers every once in a while. They're courageous in their art, which I love, but it's one of those things also that not everybody gets. Sometimes I think maybe the hip missed some listeners in the USA because fucking half Half the countries are dipshits. Track 2:[57:35] You know what, and Tim, I don't disagree with you on there too, but I will say one thing too, just being from America and now not living there, and I know you've lived in Russiafor for some time too, Tim, but. I think the difference with Russia and the United States, and this is somebody who hasn't lived in Russia, but there's somebody who's also lived outside the United States. I think America is the most, probably the most propagandized country in the world that doesn't know it's being propagandized. Like at least in Russia, you're like, yeah, this is all bullshit, but we just kind of go along with it anyway. The United States, like people actually believe like when they watch like FoxNews or MSNBC, They actually believe the shit they're seeing on TV. And so when I think about, like both the left and the right, when I think about a band like this, I think like Americans attention span is like that of a fucking housefly. They couldn't appreciate this fucking band if they had a gun to their head. Could be. Most couldn't, dude. They just couldn't. Track 3:[58:42] Could be. Track 2:[58:42] It's just like, and so I think the hip probably just got like, fucking, why are we going to waste our time on these fucking dickheads this was like i said this was a fucking era ofmaroon five and britney spears you know yeah i mean jenny do you have to put explicit lyrics or explicit content on all of these because i just realize i'm dropping a few f-bombs oh yeahyeah okay okay yeah it's and on the old podcast on fully and completely we got a few comments that we swore too much oh really yeah yeah Yeah, Greg and I were like, oh, what thefuck. It was Sam Elliott, and he was drinking a beer, and he was like, do you have to swear so much, dude? Track 3:[59:23] It was all the Toby Keith fans who were like, yeah, I still don't like the hip. Track 1:[59:29] Well, we move next into a real banger, coming out of that moody section with New Orleans is beat and you're everywhere. And we go into as makeshift as you are, or as makeshift as we are. What did you vibe on that one, Pete? Track 2:[59:49] So this song comes on right when I put the quarters into the pool table and I push the slide in and those balls drop and I'm just racking it up. Racking up a game of pool. That's what this song is for me. Track 3:[1:00:06] That's fucking beautiful. Track 2:[1:00:08] Popping a cold Coors Light. There's some really low tone. This is another song and this record really opened up my eyes because I feel like I've been a bit of a fucking Rob Baker fanboy. I'll cop to that. Track 1:[1:00:26] No. Track 2:[1:00:27] Last couple of pods, but Paul Langlois is a fucking solid guitar player, dude. You don't notice it unless you look to it. As a matter of fact, one of the things I was thinking of on this song... And also this week and I was watching some live hit videos and I challenge anybody in the community to do this. Listen to a song or and or watch a live recording a live, you know, performance. Watch it five times and each time focus on the instrument of the person you're focusing on and listen to them play their instrument. It is fucking cool. And I did that a number of times with Paul Aigloire. I've done it many times with Rob Baker more than I care to admit. Track 3:[1:01:25] But no, Paul- Are you having dreams about him? Track 2:[1:01:29] No, no, no, I'm making wisecracks. But it's easy to, it's easy to, the focus to just go right to gourd when the chorus hits or he does some fucking amazing shit. But if you really focus on the individual instruments, you will see how fucking polished these musicians are. Track 3:[1:01:48] Yeah, super pro. Track 2:[1:01:49] And then one line that stuck out to me, I love the bridge in the song. I love the harmonies when they all come in together because it
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