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This week, More Voices. Another collection of contemporary folk singers with unique and authentic voices recorded live at the Ozark Folk Center State Park. Ballad singing is a primary form of expression in folk music. Folk ballads merge melody and story to recount events but also transport the listener to an emotional space. How well a ballad can bring the listener into that space very much depends on the singer. Less important to an effective folk singer are the rudimentary aspects of singing than is the authentic sound of their voice. The timbre and character of the singer's voice in service to the ballad becomes the vehicle, transporting the listener into that emotional space. Ozark original and legendary folk balladeer Aunt Ollie Gilbert for an example. As much as the stories Aunt Ollie relates, it's the sound of her instantly recognizable and authentic voice that moves listeners deep into the hills and hollers of the Ozarks. Featured on this episode are an all-star lineup of contemporary singers including: renowned vocalist, songwriter and multi-instrumentalist Amythyst Kiah; Ozark original up and coming folk sensation Willie Carlisle; outlaw country music legends Malcolm Holcomb & Ozark original Billy Don Burns; singer-songwriter and educator Wil Maring; Paul Brock Band singer and multi-instrumentalist Dave Curley; famed folk duo The Secret Sisters; world champion mountain dulcimer player, vocalist and educator Sarah Kate Morgan; vocalist, multi-instrumentalist and musical time traveler Meredith Axelrod; folk blues superstar Taj Mahal; Jake Leg Stompers vocalist Lela Mae Smith; Kentucky Colonel and bluegrass sensation Dave Adkins. In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1984 archival recording of Ozark original Pam Setser with Mike Gavin performing the Flatt & Scruggs song “Rough & Rocky” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the legendary Ozark original balladeer Oscar Gilbert, husband of famed ballad singer Aunt Ollie Gilbert. Featured is an archival recording of Oscar performing the traditional Ozark ballad “The Ballad of Cole Younger,” courtesy of the Lyon College Wolf Folklore Collection.
From Plum Creek With Love: A Little House on the Prairie Podcast
Recently released brothers Cole, Bart and Lonnie Younger are determined to relive their criminal glory days. Only problem is they never had any to begin with. Through miscommunication and mistaken identity this bumbling trio manage to have an entire episode about their shenanigans and we, as well as Mr. Edwards, are along for the buffoonery. What did the Younger Brothers do that had them incarcerated for so long? How much does it cost for a room with a bathtub? Where did Cole Younger come from since he can survive multiple dynamite blasts? Spotify Playlist Episode Track List ——————Boots and Boys - Kesha Glory Days - Bruce Springsteen Bad Reputation - Avicii feat Joe Janiak Ghost town - Madonna Whenever, Wherever - Shakira Whole Lotta Love - Led Zeppelin No Diggity - Blackstreet, Dr. Dre and Queen Pen Everything To Everyone - Everlear Ka-Boom Ka-Boom - Marilyn Manson Take Me Away - Avril Lavigne
The aftermath of the Northfield raid as Jesse James and the James-Younger gang are shot to pieces and attempt to flee Minnesota. Also discussed are the many injuries of Cole Younger, Jesse James, his alleged jump across Devil's Gulch, and the mysterious fate of outlaws Clell Miller, Charlie Pitts, & Bill Chadwell. This episode is sponsored by ExpressVPN - https://www.expressvpn.com/wildwest Check out the website for more true tales from the Old West https://www.wildwestextra.com/ Email me! https://www.wildwestextra.com/contact/ Free Newsletter! https://wildwestjosh.substack.com/ Join Patreon for ad-free and bonus content! https://www.patreon.com/wildwestextra Shot All To Hell by Mark Lee Gardner – https://a.co/d/2WdVlSF Jesse James Last Rebel by TJ Stiles – https://a.co/d/c8hmQcl Frank and Jesse James by Ted Yeatman – https://a.co/d/6ddj5ye Join Into History for ad-free and bonus content! https://intohistory.supercast.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
The outlaw Jesse James got his start during the Civil War as a young bushwhacker, fighting with William Quantrill and Bloody Bill Anderson. He killed his first man at the age of 16 and continued doing so even after the war was officially over. Today, we'll discuss Jesse's rise from a mere bushwhacker to an outlaw as he and his brother Frank begin robbing banks and have their first brush with the infamous Pinkerton Detective Agency. Also discussed are Cole Younger, Clell Miller, and Little Archie Clement. This episode is sponsored by ExpressVPN - http://expressvpn.com/wildwest Check out the website for more true tales from the Old West https://www.wildwestextra.com/ Email me! https://www.wildwestextra.com/contact/ Buy me a coffee! https://www.buymeacoffee.com/wildwest Free Newsletter! https://wildwestjosh.substack.com/ Join Into History for ad-free and bonus content! https://intohistory.supercast.com/ Join Patreon for ad-free and bonus content! https://www.patreon.com/wildwestextra Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, voices. A collection of contemporary folk singers with unique and authentic voices recorded live at Ozark Folk Center State Park. Ballad singing is a primary form of expression in folk music. Folk ballads merge melody and story to recount events but also transport the listener to an emotional space. How well a ballad can bring the listener into that space very much depends on the singer. Less important to an effective folk singer are the rudimentary aspects of singing than is the authentic sound of their voice. The timbre and character of the singer's voice in service to the ballad becomes the vehicle, transporting the listener into that emotional space. Ozark original and legendary folk balladeer Almeda Riddle for an example. As much as the stories Almeda relates, it's the sound of her instantly recognizable and authentic voice that moves listeners deep into the hills and hollers of the Ozarks. Featured on this episode are an all-star lineup of contemporary folk balladeers including: world renowned vocalist & educator Moira Smiley with the Jayme Stone Project; Ozark original & Smithsonian Folklife Festival performer Carolina Mendoza; Ozark original and Creek Rocks vocalist & multi-instrumentalist Cindy Woolf; OFC regular & prolific singer-songwriter Carolyn Carter; Ozark original vocalist & multi-instrumentalist Pam Setser with The Ozark Granny Chicks; inimitable folk singer & multi-instrumentalist Grace Stormont; and award winning Eureka Springs, AR singer-songwriter Melissa Carper with The Buffalo Gals. In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1973 archival recording of Ozark original singer, Aunt Ollie Gilbert, performing the traditional Ozark ballad “The Ballad of Cole Younger” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins profiles the “Voice of the Ozarks,” the legendary Ozark original balladeer Almeda Riddle. Featured is a 1957 recording of Almeda performing the traditional Ozark ballad “The Oxford Girl,” courtesy of the Lyon College Wolf Folklore Collection.
It’s the Best of 2023 with The American Countryside! When you hear the name Cole Younger, you probably think of an outlaw holding up banks...
When you hear the name Cole Younger, you probably think of an outlaw holding up banks and living a life of crime. That story is...
We already discussed the Jesse James portion of the James-Younger gang, but now its Cole Younger's turn. See how things turned out for him and the Younger brothers in their robberies and rebellion against the Union. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week, legendary award winning Texas cowboy singer-songwriter and poet Pipp Gillette recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this canorous cow-poke. “Pipp Gillette lives and works on the family ranch near Lovelady, Texas, where his grandfather started raising cattle and cotton in 1912. Pipp and his late brother Guy received the Western Heritage Award for Outstanding Traditional Western Album of 2011 and the 2013 Western Heritage Award for Outstanding Original Western Composition for their performance of the Waddie Mitchell song "Trade Off.” Drawing on a lifelong interest in Western history and music, Pipp plays traditional cowboy music on guitar, banjo, harmonica and bones. Pipp's first solo CD, Singing Songs by Waddie and Pipp received the Western Heritage Award for Outstanding Traditional Western Album of 2016. His newest CD, PippGillette with Lloyd Wright was released fall 2018.” Pipp is accompanied in this performance by Lloyd Wright. https://www.campstreetcafe.com/guy&pipp.htm In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Freeman Thomas performing the song “The Cowboy and the Wheel,” from the Ozark Folk Center State Park archives. Author and historian Brooks Blevins provides a native's view of the people, music, and colorful events that shape the Ozark region. This week, Brooks presents a profile of Oscar Gilbert, the husband of famed folk singer Ollie Gilbert. Also, we'll hear an archival recording of Oscar singing the classic “Ballad of Cole Younger.”
On this podcast we discuss the Kansas/Missouri Border Wars and the origins of the Younger Family.
THE LONG RIDERS (1980), unique for its casting - all the brothers in the film are played by real-life brothers. The Carradines, the Guests, the Keaches, and The Quaids, as the Youngers, the Fords, the Jameses, and the Millers, respectively. Follow the Show:Twitter @freshmoviepod Instagram @abreathoffreshmovie Letterboxd @freshmoviepodYouTube Email abreathoffreshmovie@gmail.comTheme Music "A Movie I'd Like to See" by Al Harley.
In this episode we discuss the 2021 film Mortal Kombat. You can watch it in theaters or on HBO Max. Content warnings for strong language, discussions of extreme violence, misogyny, and fridging, and more bad jokes than usual. We reference or spoil: The Mortal Kombat extended universe, Cole Younger of the James-Younger Gang, The Assassination […]
Mortal Kombat (2021) Welcome to The Guys Review, where we review media, products and experiences. **READ APPLE REVIEWS/Fan Mail**No fan mail, raitings or reviews. 28 ratings still. Mortal Kombat Directed by: Simon McQuoid first major motion picture ever Based on the video game of the same name Starring: Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Chin Han, Joe Taslim, Hiroyuki Sanada Released April 23, 2021 Budget: $50M Box Office: according to wikipedia, currently, box office take is $50.1M Ratings: IMDb 6.4/10 Rotten Tomates 55%Metacritic 44% Google Users 88% Plot:it opens on the Hanzo Hasashi Compound, Japan, 1617. A young family converses, and the son goes to check on the crying baby. The husband tells his wife he loves her and he goes to fetch more water. As he gets water, we see the dragon scar. In the house, that's strangely cold, the outside protectors are attacked, and the mother and son hide the baby. The attackers are speaking Chinese. A man in blue robes enters and asks where Hanzo is in Chinese and Japanese. He's shown growing ice out of his hand when they wont tell where Hanzo is. Hanzo hears screaming and runs back and finds his murdered guards, and spots his wife and son, bloody and frozen on the ground. Attackers come and hey are VIOLENTLY dispatched. He ties a rope through a blade and quickly kills more attackers. He finds the man in blue, Bi-Han, says he's killed all of Hanzos country-men. They Fight, and Bi-Han gets the upper-hand, stabbing him with his own spear, and leaves him. Though, Hanzo isn't quite dead yet, and he hears the hidden baby crying, he tried to drag himself back to the house, but dies before reaching the house. The dragon emblem then vanishes off his hand, and he disappears into flames. it begins to rain, and Raiden appears from lightning. He picks up the spear, and takes the baby, and disappears. Screen cuts to black. S:-Wife using the scorpion spike thing.-Hanzo getting stabbed and pulled up 6" would've gutted him.-Right off the bat, you know this is going to be MUCH different than the first film; so much character building and back ground on the initial two, or three with Raiden, characters. The violence and gore, too. The screen reads: "Earthrealm is on the verge of catastrophe, Should it lose one more tournament, the savage realm of outworld will invade. But and ancient prophecy foretells that a new group of champions will be united by the rise of Hanzo Hasashi's blood." Cole Younger, is getting ready for a fight. As he's fighting, we're shown a man watching him from the crowd. Cole taps out of the fight. We're taking to Outworld, a barren looking place. Subzero and Shang Tsung talk and they explain their plan to kill all of earths heros before the Mortal Kombat tournament. As Cole is cleaning up, he sees a flash of Hanzo in flames. Jax introduces himself to Cole; he asks about the dragon on his chest, who the girl says was a birthmark. Jax follows him, and it begins to snow, and they say it's July... Then the ice really starts to creep in. Subzero appears and begins to attack the street, and Cole, lifting and throwing huge balls of ice, Jax saves them and explains what the dragon mark is, and he must fight. Subzero stops them going down an alley, and Jax tells him to find Sonya Blade, and he goes after subzero in a building. Subzero surprises him, and they fight. It goes back and forth, but subzero gains the upper hand, then freezes Jaxs arms, and breaks them off. He falls down a shaft and isn't moving. Cole tells his wife he's got to go find Sonya to keep them safe. S:-Immediately off the bat, you know who Cole is, the yellow and black, just like Hanzo shown in the scene before him.-The girl braiding the yellow and black bracelet.-Is the girl his daughter or just a gf's daughter?-When Jax and Cole meet, he mentions Cole took a belt from Eddie Tobias, who is the creator of MK-Apparently there is canon how Jax loses his arms, but this changes it. Also, originally, Subzero was somewhat of a good guy. Back in outworld, Mileena meets with Shang Tsung, telling him Jax is dead and someone got away. Tsung, tells her to kill them all, and that winning 9 straight without cheating is impossible, to send the reptile to finish it. As the camera pulls back, we see a large statue of a four armed creature. Cole arrives and is ambushed by Sonya. She lets him in and we learn about the history of the dragon markings. Lots of exposition, world building, and that his mark means he has to fight in Mortal Kombat. Cole looks at the boards, and sees a drawing of Hanzo, and has another flash. Kano interrupts and we're introduced to him, who makes fun of Sonya for not having a mark. Suddenly the lights go out and the trio are attacked by the camouflaged reptile. The three alternate attacks, and Kano escapes his handcuffs and uses a knife that was thrown into his leg by Sonya, and stabs a flare to its back, so they can see it. Reptile grabs Kano, and while distracted, Sonya throws a knife into it's chest, it drops Kano, who pulls out the knife, punches the wound and pulls out the creatures heart, stating, "Kano wins." S:-Why do their voices sound different in outworld? There's a weird echo?-Kano is actually hilarious-Reptile looks awesome, thank God.-If Reptiles saliva is acidic, strange it's blood isn't.-too bad they killed Reptile off so fast. Kano, for some reason, has stayed with Cole and Sonya. As they're trying to put together where to go, Kano discloses he knows where Raidens temple by running guns. Sonya and Kano go back and forth, and agree that Kano will take them for $3M. Which turns out was a ruse by Sonya. On the plane, Cole has another vision/dream. They parachute into someplace that looks like outworld... and Kano is lost. He and Sonya have words and a quick fight, with Kano goading her to kill him and take the mark. They finally find someone walking in the desert, when Kano approaches, he's shot back with a fireball produced by who we learn is Liu Kang. Kano is hyped to learn he may get super powers. Liu Kang leads them to Raidens temple. He explains the back ground of the temple, and that they must begin their training. They enter the temple and se see wall drawings of other tournaments, and other characters. Cole comes across a drawing of the intro fight, Bi-Han and Hanzo, and recognizes the spear from a vision. Liu Kang says again they must train to find their inner power. Sonya wonders off and she finds Jax, alive. Liu Kang found him, and they are trying to heal him. Liu introduces them to Raiden, and he is not impressed. S:-Love the foreshadowing and Kano mumbling "I fucking hate garden gnomes."-I like how they replaced Kanos metal face/eye with the scar.. more "realistic"-I don't think Kano wants the marking... I'd almost say he's scared.-This temple is thousands of years old, yet, they've got some glass conductor right in the middle of it? Weird.-Raiden was kind of a dick Liu Kang, meditating, hears something in the temple and Subzero is shown opening the temple door; Liu Kang attacks, and subzero returns blows, as he grabs him, a hat comes flying in, knocks him back, and lands. A man then materializes below it who Liu identifies as his cousin. Tsung walks in with Mileena, and confronts Raiden, stating conflict outside of mortal kombat isn't excluded and the elder gods are too lazy to do anything, he then orders his followers to kill them. Raiden slams his staff down, and brings a protective barrier down around them. Kung Lao is introduced, and we're told the power comes from their arcana, a gift from the dragon symbol, and that to defeat the other fighters, they'll have to unlock their arcana through fighting. Sonya can't fight since she doesn't have a mark. Dejected, she sits with Jax who comes to, and sees hes got new metal arms. Cole and Kano fight Kung Lao and Liu Kang, and are defeated, with out finding their arcana. Liu tells Cole how he got his arcana, by killing a man who sold orphans like himself. Cole fights and loses again, Jax is angry/upset with his new arms. Sonya recounts her first day of training with Jax to keep going or regret it for the rest of your life. Eating dinner, Kano keeps picking at people, and Kung Lao and Liu Kang antagonize him. Calling him an aggressive bunny. During an explosive outburst, Kano shoots a laser out of his eye... the first to harness his arcana. Cole is literally just getting beat, not fighting back, to focus on the pain, with no luck. Raiden tells Cole his linage, a descendant of Hanzo, that when he died, he went to the neatherealm in hell to search for revenge. Raiden sends Cole back to his family, saying the blood still isn't as strong. S:-The barrier and the whole training bit is a bit trope-y...-"All you can do now is test your might"-I like the 80's feeling synth/techno fight music... But Kung Laos stances with his hat are kinda dumb-This whole section kinda drags.-Decent looking lightning Back in outword, Shang Tsung introduces Nitara, Kabal and Gen Reiko. Kabal says he knows Kano, and can get them by the barrier. We're shown Goros shadow. Kabal convinces Kano to betray everyone. Cole hears something in a barn...back to Kano destroying Raidens staff and the barrier. Shang tsung enters with his fighters and Kano switches sides... Cole watches Goro emerge from the barn. They all start to fight, and the earthrelm fighters aren't doing too well. Sonya is stabbed, and Kano drops stone hand on her. Kabal and Liu Kang fight, meanwhile Kung Lau waits for Nitara... When she flies in and attacks, he jumps on her, rides her around, puts his razor tipped hat in the sand spinning, and puts her through head first, cutting her in half... Finishing with a "flawless victory." Back to Cole, Goro is about to tear Cole in half, when Allison attacks with an axe, they get in a truck and try to run him down, Goro pulls Allison out, watching Coles bracelet comes alive and wraps his body in an armor. Goro hits him with a door, which leaves his chest glowing, otherwise unhurt. As they fight, Goro pounds on him, causing his armor to glow, Emily yells, "dad, use your uppercut!" and the glowing energy transfers to his fist, hitting Goro and knocking him back, surprised. Goro jumps and does an attack that leaves much of Coles chest glowing, that then transfers to his arms, and two stylized tonfas appear. They continue to fight, and Cole gains the upper hand, by literally taking one of Goros, disemboweling him, and shoving a tonfa through his eye. Goro falls dead. Cole checks on his family, and Emily tells him, "Bad ass suit, dad." S:-Kabal is hilarious too.-While goro is obviously computer generated, still better than the 95 version-In the barn, the pole that Cole breaks, you can clearly see where its supposed to break.-According to Lewis Tan, who plays Cole, "They were described to me by [director Simon McQuoid] as a protection over the heritage that runs through the bloodline of Cole Young. In the beginning of the movie, if you look carefully at the basket that his great-great-great grandmother was placed in, you can see though the same webbing/cross-hatching that's on [Cole's] suit is the same thing that was on that basket. It's the same design. [It's] not only the design that saved this baby, but it's a design that saved his bloodline, and it's a design that's physically protecting his body." Back at Raidens temple, Jax wakes up to find Sonya under the rock, he asks for help, and as he tries to lift her, his arms start to transform. We then see his new, bigger arcana arms. Raiden arrives, and sends a doorway for Cole. Raiden reveals he planned for Cole to leave and find his arcana, and reveals Coles bloodline to subzero. As Raiden is about to leave with everyone, tsung tells subzero to stop him, and he blasts Cole from the teleport beam. As Subzero moves in to attack, Kung Lau stops him, while distracted, Shang Tsung pulls him to him and sucks his soul, killing him. Raiden takes the fighters into the void, he tells Cole about the spear with Hanzos blade. Cole comes up with a plan to split up the fighters, but to do it their way. Raiden sends Jax with Reiko, Sonya against Kano, though she wants the "bitch with the teeth." Liu Kang and Cole take Meelna and Kabal. Saving Subzero for last, to take out together. We switch back and forth, Liu and Kabal, Cole and Meelna, Reiko and Jax, who breaks Reikos hammer, beats him down to his knees, and then crushes his head, saying, "yea, these mother fuckers work." Kano is being sneak attacked by Sonya, they fight and Sonya disables his laser by throwing acetate in his eye, they bust through the window back outside on the ground, Kano is choking her, and she searches for something... She grabs the gnome from earlier and stabbs Kano thorugh the eye, and gains his dragon on her arm. Liu does a bicycle kick to Kabal, the preforms a fire-dragon fatality, for Kung Lau. Mileena screams and her cheeks split showing her huge mouth, biting Coles tonfa, Sonya then appears and blasts a hole through Meelna, killing her. Cutting back to Coles family, they're packing up to leave, and Subzero appears. The then appears to Cole, and shows the bracelet she made early on, freezes it, and crushes it. As he steps back through the teleporting smoke, Cole follows and arrives in a frozen gym from the beginning of the movie. S:-Cool, if silly fatalities-Most of the places the final battles occur in are stages from the game, the pit for sure, probably not Sonyas trailer though.-pretty impressive how quickly Sonya accesses her arcana. Cole sees his family, but Subzero attacks, wanting to end the Hanzo bloodline. They fight and subzero is getting the upper hand, telling him he'll die with his family, he grabs the spear and tries to stab subzero, but is reversed, and when the blade cuts into Coles hand, it starts to glow red with fire. Subzero recognizes it as the blade of Hanzo, and as he's about to stab Cole with is, a flaming spear pierces his arm, behind him, Hanzo, or Scorpion, appears and says his trademark, "Get over here", yanking him away from Cole. Hanzo tells Subzero he's risen from hell to kill him. He removes his mask, asking if he remembers the face, and that he is now Scorpion. Cole starts trying to get his family out, and Scorpion and Subzero fight. When Scorpion sees Coles family, he's taken aback, reminded of his family. Cole and Scorpion both faceoff against subzero. He freezes Scorpion, and starts losing armor. Scorpion breaks free with a firy blast, and Coles family wake up. Subzero removes his helmet, and says, "for the Lin Kuei." They fight and it's obvious Subzero is defeated, Scorpion tells Cole to leave him, Cole gets his family as Scorpion tells Subzero, "You hoped I would burn in the fires of hell... but instead, I learned to control them." He sends a fiery blast at Subzero, killing him. He tells Cole he's freed him, and to take care of his bloodline...and vanishes in fire. Raiden and the others appear, Raiden sees the body of Subzero and is impressed. Shang Tsung appears and they confront each other. tsung says death is only another portal, and the bodies of Subzero and Goro disappear. He threatens to return with armies, and Raiden sends him away, saying, "He talks too much. Raiden says hes going to assemble a new list of champions and Cole asks whos first. Cole is showing cleaning out his locker, and says hes going to Hollywood, as the camera pans we see a headless poster for a Johnny Cage movie, Citizen Cage: Fight For Your Rights, cut to end credits and the the remixed Mortal Kombat theme. S:-thought the fighting was solid..-Hated we had to wait SO LONG to see scorpion, but worth the wait.-Interesting twist making subzero bad an scorpion good.-I do wonder how many more movies like this Sanada can/could do, he's 61. Webpage: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTwitter: @The_GuysReviewFB: https://facebook.com/TheGuysReviewPod/
Colin Farrell is Jesse James and Scott Caan is Cole Younger in this 2001 western that pits the James-Younger gang against the greedy railroad tycoon Thaddeus Rains as he attempts to steal their town's land with the help of the dogged Allan Pinkerton. We discuss classic Western genre tropes and the conflict of the little guy battling corporate America. PLUS, mentions of Justin Timberlake and the Bye Bye Bye music video, Gregory Smith's cinematic mortality, and another Sopranos cast-member! (recorded April 8, 2021) Trailer: https://www.youtube.com/watch?v=vd-Ed4HB0-I References: The Great Train Robbery (1903) - WIkipedia
Cole Younger was a tough outlaw, shot eleven times after failing to rob the bank at Northfield, he was captured and sent to prison with his brothers. Brother Bob died in prison, Jim committed suicide, Cole toured in a wild west show and died at age 71. Learn more about your ad choices. Visit megaphone.fm/adchoices
www.patreon.com/hootnhollerpod @hootnhollerpod on Twitter and Instagram facebook.com/hootnhollerpod hootnhollerpod@gmail.com Taylor, Patsquatch and Joshua talk the War on Thanksgiving, minerals, and the line between public figure and private citizen (verdict: Josh is a private citizen, but his cat Googey is a public figure) Topics include: way too much Hillbilly Elegy: The Movie, Tom Cotton, the populist shift among ivy league republicans, lead sugar, precambrian rocks, and former springfield city councilor [REDACTED] Send us your story about the Wilco show at the Shrine Mosque in Springfield, Missouri in 2006. Record 2 to 5 minutes of audio as a voice memo with your recollections of the evening (what you did, where you partied, what you were wearing, who you were with, what drugs you did - whatever!) and send it over to hootnhollerpod@gmail.com. Theme: "Old Shoes and Leggins" As sung by David Krussel, Turners Station, Missouri on March 26, 1975. Cat #1539 (MFH #687) in the Max Hunter Folk Song Collection at Missouri State University. Outro: "Cole Younger" As sung by Virgil Lance, Mountain Home, Arkansas on April 15, 1969. Cat. #0699 (MFH #104) in the Max Hunter Folk Song Collection at Missouri State University.
Short interview with John Stallings of Cowboy Up Trails Horse Camp in Witt Springs, Arkansas. Mule Talk will be returning to Cowboy Up Trails Horse Camp along with Wagon's West Expedition to ride the same outlaw trails as Cole Younger and his gang rode. For more info - www.cowboyuptrails.com CowboyUpTrailsc/o John Stallings6100 Victor RoadWitt Springs, AR 72686phone # (870) 830-6144
The Wild West was not quite as wild as the movies would have us believe. There were some shootouts, but not nearly as many or as dramatic as portrayed. Most of the events were embellished by popular dime novels and magazines like Harper’s Weekly. There were also bank robberies, with outlaws like Butch Cassidy and the Sundance Kid, the Daltons, and the Cole-Younger gang. But bank robberies, too, were not that common. Between 1859 and 1900, there were fewer than ten successful bank robberies reported across the entire frontier west.
Episode Reviewed: "Murder at the Webb Ranch"Created by Nancy Hower and John Lehr Quick Draw was one of Hulu's first forays into original programming, though a large portion of the show is unscripted and improvised. The show follows Harvard graduate Sheriff John Henry Hoyle (John Lehr) and his attempt to gain acceptance into the town of Great Bend, Kansas as well as convince the uneducated townsfolk of the benefits of his learned "forensics sciences" to help solved various crimes commit by the Cole Younger gang. His deputy Eli Brocias (Nick Brown), unrequited lover Honey Shaw (Allison Dunbar), and undertaker Vernon Shank (portrayed by frequent Hower and Lehr collaborator Bob Clendenin) offer little to less help.After the review, the boys are treated to an interview with co-creator John Lehr himself. Download. Listen. Enjoy.
Charlie Daniels murió el pasado lunes por la mañana en el Summit Medical Center de Nashville tras sufrir un derrame cerebral. Tenía 83 años. El productor Bob Johnston, que le contrataría para CBS en Nashville, le llevó a la Music City, donde era fácil verle actuar en los más diversos clubs mientras se convirtió en músico de sesión, aunque siempre le dijeron que tocaba demasiado fuerte. Intervino en el Nashville Skyline, New Morning y Self-Portrait de Dylan, aunque nunca estuvo demasiado cerca de las composiciones ni de las posturas personales del genio de Minnesota. Por eso puede incluso extrañar la selección de algunas de las 10 canciones que en 2014 completaron un disco dedicado a versionar canciones del bardo bajo el título de Off the Grid - Doin' It Dylan. Durante una buena parte de los 60 y 70 participó en grabaciones de Marty Robbins, uno de sus favoritos, Michael Martin Murphey, Tanya Tucker, Earl Scruggs y sus amigos del sello Capricorn Records, especialmente la Marshall Tucker Band, Grinderswitch y Elvin Bishop. También estuvo con George Harrison y Ringo Starr en sus primeras grabaciones en solitario y fue miembro de la banda de acompañamiento de Leonard Cohen en sus giras. Incluso llegó a producir a Elephant Mountain y a los Youngbloods. Muy poco antes de cumplir 80 años, Charlie Daniels publicó Nighthawk (algo así como “chotacabras”), un disco acústico en homenaje a los vaqueros. Se trata de una colección de temas de cowboys que siempre quiso grabar sin ningún tipo de instrumentación eléctrica, tal y como pudieran cantarse en cualquier fogata nocturna tras una larga jornada de trabajo. Ávido lector, Charlie Daniels siempre se inclinó por los libros sobre el Oeste. De hecho, el título de este trabajo hacía referencia a la novela de Louis L’Amour de 1962. Night Hawk se convirtió en su último álbum en vida. “(Ghost) Riders In the Sky: A Cowboy Legend” es un tema que Stan Jones escribió en 1948 contando la historia de un cowboy que tiene la visión de ser perseguido por fantasmagóricos vaqueros malditos en el cielo. Uno de ellos le conmina a abandonar sus costumbres o será condenado a unirse a ellos para siempre “tratando de atrapar la manada del diablo por los cielos sin fin”. En 1970 apareció el primer trabajo en solitario, Charlie Daniels, publicado por Capitol. Fue cuando decidió formar la Charlie Daniels Band y empiezan a asentarse los cimientos del llamado Southern rock. Honey In The Rock llegó en 1973 y allí se incluyó el single "Uneasy Rider", que fue su primera aparición en las listas de country. Aquella canción es lo más parecido a un anticipo de las formas de "The Devil Went Down to Georgia". Charlie Daniels tomó el papel de un hippie de pelo largo que sufre un pinchazo y se encuentra en un bar de rednecks donde no es bienvenido. Una situación nada cómoda. Un año más tarde, apareció Fire On The Mountain, su álbum de debut para Epic, su nueva compañía. Con Dickey Betts de los Allman Brothers tocando el dobro, allí estaba "Long Haired Country Boy", toda una sorpresa para la escena de Nashville, donde se celebraba el fumar marihuana por la mañana y emborracharse por la noche. Cuando el single se reeditó en 1980, se suavizó la letra. Trabajando en aquel Fire On The Mountain, Charlie decidió grabar algunas canciones en directo en un auditorio de Nashville. Homenajeando a Tennessee, conocido como "The Volunteer State", la Charlie Daniels Band llamó al concierto "Volunteer Jam" e invitó a viejos amigos como los Allman Brothers o la Marshall Tucker Band. En las primeras ediciones del álbum Fire On The Mountain se incluyó un single con tres de aquellas grabaciones en directo. Aquel show pasó a celebrarse casi cada año y se convirtió en toda una institución. Con la presencia de los más diversos artistas. A finales de 1975 aparecía Nightrider que abría el adictivo “Texas”, una de las más fieras interpretaciones del Western swing tejano, que entendimos como un homenaje de la Charlie Daniels Band a la herencia de Bob Wills y sus Texas Playboys. Hoy estamos dedicando nuestro programa al carismático y controvertido Charlie Daniels, un mocetón nacido en Wilmington, North Carolina, que se trasladó con su familia a Georgia siendo muy pequeño. Alrededor de 1953 formó una banda de bluegrass, The Misty Mountain Boys, y empezó a escribir sus primeras canciones para, un poco más tarde, dedicarse a tocar rock'n'roll y al rhythm'n'blues con los Rockets en Washington D.C. y su área de influencia. En el 59 grabó con ellos "Jaguar", un single instrumental para Epic en Fort Worth, Texas, que les hizo cambiar el nombre precisamente al de Jaguars. Es el que estaba sonando de fondo. Pero al iniciarse los años 60, Charlie Daniels, criado en el country, un amante del del swing, del bluegrass de Benny Martin, y un notable cantante y guitarrista de rock'n'roll, descubrió el jazz, e hizo algunos intentos dentro del estilo que no fructificaron. De vuelta a sus géneros más cercanos, en 1964 compuso "It Hurts Me", que aparecería en la voz de Elvis Presley como cara B de "Kissin' Cousins". Y en el 66 volvió a grabar con los Jaguars. Fue la primera vez que escuchamos su voz en “In The Middle of the Heartache”, un tema compuesto por él y muy propio del llamado soul de los ojos azules de entonces. Fue grabado en Nueva Orleans y se editó en single en 1966. Diez años más tarde, la Charlie Daniels Band abría una etapa especialmente prolífica con grabaciones como High Lonesome, cuyo tema de apertura era “Billy The Kid”, una de sus mejores canciones y en la que contó con George McCorkle de la Marshall Tucker Band haciéndose cargo de la guitarra acústica. En aquellos momentos, sus lanzamientos como grupo fueron también acompañados de distintos volúmenes de Volunteer Jam, que se había convertido en uno de los puntos de encuentro inevitables. Siguiendo con algunos personajes legendarios, Charlie Daniels participó en un proyecto titulado The Legend of Jesse James, grabado en 1979 y publicado al año siguiente que daba continuación a White Mansions, que en 1978 documentaba la vida de los confederados durante la Guerra Civil Americana. Lo curioso es que todas las composiciones eran de Paul Kennerly, por entonces pareja de Emmylou Harris. Daniels intervino en tres cortes, dos de ellos instrumentales. Mientras en aquel proyecto Levon Helm tomaba el papel de Jesse James, Johnny Cash era su hermano Frank y Emmylou Harris su mujer Zerelda, Charlie Daniels representó a Cole Younger, el hermano mayor de los cuatro que formaron parte de la banda desde el comienzo. Bajo ese rol interpretó “Riding with Jesse James”, convertida en una de las curiosidades de su carrera. En el año en que grabó aquella colaboración, 1979, llegó “The Devil Went Down to Georgia”, una canción sobre un duelo de fiddles entre el diablo y un joven inexperto y presuntuoso. Supuso un cambio sustancial para la Charlie Daniels Band. Singles anteriores le habían hecho ganar aceptación en las emisoras de rock, pero los oyentes de country no respondían. Aunque siguieron siendo una de las bandas punteras en el movimiento del rock sureño, rompieron el mercado vaquero con la adaptación de un cuento clásico y la interpretación al fiddle de su líder. Consiguieron dos premios Grammy y el reconocimiento de todos gracias a un tema que en principio no estaba ni tan siquiera incluido en su álbum Million Mile Reflections, que tomo el título recordando que la banda había superado el millón de millas de recorrido en sus giras. Además, en 1980 participó en la película Urban Cowboy y dejó un par de temas en su banda sonora, “The Devil Went Down to Georgia" y "Falling In Love For The Night", aprovechando el éxito para seguir con su Volunteer Jam y editar un nuevo álbum, Full Moon. Aquel disco tuvo como como apertura una de sus canciones legendarias, "The Legend Of Wooley Swamp". Un tema que cuenta la historia de Lucius Clay, un viejo codicioso, más preocupado por el dinero que por los demás. Guardaba todo su dinero en viejos tarros enterrados alrededor de su jardín, que desenterraba durante las noches de verano para recontar su fortuna. Tres jóvenes, conocidos como los Cable Boys, se enteraron del asunto y decidieron ir una noche al pantano de Wooley Swamp y llevarse el dinero. Le encontraron desenterrando los tarros, le golpearon y arrojaron su cuerpo al pantano. Pero según escapaban con el dinero fueron hundiéndose en las arenas movedizas, mientras escuchaban reírse al viejo. En este recorrido por algunos de los momentos más relevantes y curiosos de la larga carrera de Charlie Daniels, no hemos ido a 1989, cuando añadió un tema a Next Of Kin, un thriller protagonizado por Patrick Swayze y Liam Neeson bajo la dirección de John Irvin. Aquella banda sonora nos permitió escuchar 10 canciones inéditas de Gregg Allman junto a Lori Yates, Rodney Crowell, Ricky Van Shelton, Ricky Skaggs, Sweethearts of the Rodeo, George Jones, Duane Eddy y nuestro protagonista de hoy, que aportó “My Sweet Baby’s Gone”. El disco se descatalogó rápidamente y se ha convertido en toda una pieza de coleccionista que hoy hemos querido recuperar. Pero 1990 apareció con mejor disposición y Simple Man estuvo a punto de alcanzar la cima de las listas de country. Era un disco casi conceptual que nos devolvió a un Charlie Daniels pletórico. Tanto, que un año más tarde anunció el regreso de Volunteer Jam. En aquel trabajo había temas tan melancólicos como “Mr. DJ”, donde un camionero pide al disc jockey que pinche una canción para un viejo que está lejos de casa, con mil millas por delante y mil millas por detrás, un dólar en el bolsillo y una mujer en la cabeza. Y aprovecha para recordar a Waylon, Willie, los Oak Ridge Boys Alabama, George Jones y Mickey Gilley, entre otros. Es una buena forma de recordar en la despedida del programa de hoy a Charlie Daniels, que moría el pasado lunes. Escuchar audio
QIF finally returns with a new co-host, Jeb Lund, and a look at The Long Riders, Walter Hill's 1980 take on 19th-century bandits the Cole-Younger gang -- most noteworthy for the stunt-casting of real-life sets of brothers as various related parties, including the Carradines, Keaches, Guests...and Quaids. How Quaidy is this property, even with a lingering top note of Randy? What's with casting James Remar as a cartoonish Native American -- and the leveraging of the-South-will-rise-again pathos for relatability? And will we listen to DQ's Dennissance podcast? Saddle up: it's Season 2 of Quaid In Full. Overall score: 3 QQQ score: 2.75 SHOW NOTES Want to help defray the costs of the pod, like getting a print of that Baretta episode made? Throw a few bucks in the hat at QIF's GoFundMe page (https://t.co/MItcWMHOPU?amp=1)! _The Long Riders on Amazon (https://www.amazon.com/gp/video/detail/B086RFDYJF/ref=atv_dl_rdr?autoplay=1) The Variety review (https://variety.com/1979/film/reviews/the-long-riders-1200424606/) The TV Guide review (https://www.tvguide.com/movies/long-riders/review/104596/)
An interview with Cole Younger. His background and history in mining prospecting rock hounding in treasure hunting. We talk about his experience in hard rock assays. He tells us about his experience with the “Gold Rush” show. Also tells of a few spots where you might be able to do some rock hounding. There antidotes in sage advice. All our links are on any blog at radicalrocksusa.blogspot.com Thank you and remember rockhounds don’t die they petrify. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Cole Younger is a real gold miner, and has been on the Goldrush show. Cole has been a great mentor to me for about five years, and had much knowledge on rocks and minerals. Cole shares some of his adventures. Unfortunately our show was cut short due to Internet connection, So this will be a short episode, sort of a teaser for hopefully next week we can go more in depth and find out more about Cole’s adventures and knowledge when it comes to rocks minerals and gold. See our links at radicalrocksusa.blogspot.com thanks from Shane, remember rockhounds don’t die they petrify. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Tune in from October-December, Sundays at 7pm ET to our Christmas MuVies Spotlight show where Pam and Dawn talk about the upcoming holiday movies from Hallmark, Hallmark Movies & Mysteries, IONtv, Lifetime tv, etc. and holiday music from various artists. We will chat with some of your favorite actors, (interviews will air on different days so be sure to follow us on social media or check our websites for dates/times) Pam and Dawn had the pleasure speaking with award winning actor & producer Darby Hinton! Join us on Saturday, Oct. 26th at 7pm eastern time to hear about Darby's career as well as some interesting stories, and his Hallmark movie "Christmas Wishes & Mistletoe Kisses" airing tonight at 8pm eastern with Jill Wagner, Donna Mills, & Matthew Davis! About Darby: Darby started his long acting career at the tender age of 6 months old and he hasn't stopped since. His first appearance was on 'Play House 90' followed by commercials and many of the classic TV shows back then. Like, 'Mr. Ed,' 'Wagon Train,' 'Route 66' & The Adventures of Ozzie and Harriet. He has portrayed some memorable historical characters; Like David Burnet, 1st president of Texas in, 'Texas Rising.' George Donner in, 'The Donner Party - Dead of Winter,' and his most recent role, Cole Younger in, 'Bill Tilghman and The Outlaws.' Follow us: Twitter @take2radio @xmasmuvies websites: take2radio.com & christmasmuviesspotlight.com Instagram @take2radio @christmasmuviesspotlight Facebook @take2radio @christmasmuviesspotlight
Hitch up your horses and get your boots on, because Murder, My Dude is headed out to the Old West! Jackson (or should I say Ox Ford) and B.P. are joined by their good buddy Nate, also known as Tenkiller Cole, to discuss one of Nate's descendants: the reputed outlaw Cole Younger. As a bonus, they also take a look at the legendary Wild Bill Hickok! Elsewhere on the show, This Week In Murder explores a political donor with a penchant for sex and drugs and a possible major development on an upcoming Netflix True Crime Documentary. As always, Who Died The Worst finishes things off, with this week's edition being a Wild West Special! Lots of silly banter in this one! Murder talk starts around the 19:00 minute mark. LINKS: www.projecthumanoid.com facebook.com/podcastmydude twitter.com/murdermydude murdermydude@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/murdermydude/support
TVC 458.5: Darby Hinton, the actor known around the world as Israel Boone on Daniel Boone, talks to Ed about the approach he took to playing Cole Younger in Bill Tilghman and the Outlaws, a movie that he also produced, and filming the family drama Wild Faith on location in Michigan. Darby will be appearing at this year’s WesternLegendsRoundUp.com in Knab, Utah on August 15, 16, and 17; the upcoming benefit screening of Bill Tilghman and the Outlaws on Sept. 7 in Thousand Oaks, California; The Mid Atlantic Nostalgia Convention in Hunt Valley, Maryland on Sept. 12, 13, and 14; the Lone Pine Film Festival in historic Lone Pine, California on October 10, 11, and 12; and the Happy Trails Virginia Style Western convention in Roanoke, Virginia on October 17, 18, and 19. Learn more about your ad choices. Visit megaphone.fm/adchoices
Minnesota's Most Notorious's first interview in front of a live audience took place at the Warden's House Museum, downtown Stillwater, on Thursday, June 27th, 2019 at 7 pm. My guest was Gibson Stanton, site manager of the museum, which is operated by the Washington County Historical Society. She not only offered a fascinating history of Minnesota's first prison, but told stories of its most infamous inmates, Cole and Jim Younger. She also revealed some of her research into Jim Younger's mysterious suicide and Cole Younger's secretive job with the Saint Paul Police Department, including a personal theory that there might have been some darker reasons for his death. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome listeners to episode #3 this episode comes with a heavy heart. As some of you may know by now I was running a podcast called The Kre8ive Podcast and I interviewed a lot of photographers that have made a name for themselves, I git the opportunity to talk with my personal favorite photographer and the reason why I picked up my first camera! at the time I was so stoked to have a conversation and hear his story and journey and it definitely didn't disappoint me! 2 Months later after I recorded the episode with Cole I heard of his passing and was completely in shock and devastated to hear the news. The days that followed as the photo community heard about the story, instagrams stories and post flooded the gates with stories and pictures involving Cole himself. Everyone that met him had a positive moment of how he motivated inspired and even helped certain people launch their careers. He was selfless and wanted to help everyone that he encountered, a true pure good soul. So I wanted to take a moment and an episode here on this platform to honor Cole and the words he shared with me during our conversation. Hope this inspires someone in someway! Stay blessed --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/shakespeareandbeer/message
Created, produced, and directed by radio actor/director Elliott Lewis, the program was a historical true crime series, examining crimes and murders from the past. It grew out of Lewis' personal interest in famous murder cases and took a documentary-like approach to the subject, carefully recreating the facts, personages and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration. The crimes dramatized generally covered a broad time and place frame from ancient Greece to late 19th-century America. Each episode in the series was co-written by Morton Fine and David Friedkin, in consultation with Lewis, although the scripting process was more a matter of research, as the stories were "adapted from the original court reports and newspaper accounts" or from the works of historians. The cases ranged from famous assassinations (of Abraham Lincoln, Leon Trotsky, and Julius Caesar) and the lives (and often deaths) of the likes of Cesare Borgia and Blackbeard to more obscure cases, such as Bathsheba Spooner, who killed her husband Joshua Spooner in 1778 and became the first woman tried and executed in America. The only continuing character was the host/narrator, Thomas Hyland, played by Lou Merrill. Hyland was introduced by the announcer as a "connoisseur of crime, student of violence, and teller of murders." Merrill's deadpan portrayal of Hyland provided the welcome note of tongue-in-cheek humor to the proceedings. Unlike the ghoulish weird storytellers of The Whistler and The Mysterious Traveler, Hyland was an ordinary fellow who, in a dry, droll manner, would present a tale from his files, his wry comments interspersed between dramatized scenes. The episodes would typically begin with Hyland inviting the audience to listen to a sound, from drops of rain to horses' hooves, and then introducing the main players and events of his report. The titles also contributed to the series' light tone, as they were intentionally pompous and usually laced with irony. Typical titles included "Your Loving Son, Nero," "If a Body Needs a Body, Just Call Burke and Hare," and "The Axe and the Droot Family... How They Fared". A roster of Hollywood radio actors filled the various historical roles. William Conrad was one of the more frequently heard performers, in such diverse parts as Nero, Blackbeard, Pat Garrett and King Arthur. Other performers, and the villains and victims they portrayed, included Jack Kruschen (as William Burke and Trotsky assassin Ramón Mercader), Jay Novello (as William Hare and Dr. William Palmer), Mary Jane Croft (as Bathsheba Spooner and Madame de Brinvilliers), Betty Lou Gerson (as Agrippina and Lucrezia Borgia), Edgar Barrier (as Julius Caesar), Harry Bartell (as Brutus), Hans Conried (as Ali Pasha), Herb Butterfield (as Lincoln, Trotsky, and Thomas Edwin Bartlett), Jack Edwards (as John Wilkes Booth and Cole Younger), Irene Tedrow (as Lizzie Borden), William Johnstone (as Robert Knox), Betty Harford (as Madeleine Smith and Ripper victim Mary Jane Kelly), Eve McVeagh as Madame Marie Lafarge, Clayton Post (as Jesse James), and Sam Edwards (as Billy the Kid and Bob Younger).
Welcome back to another episode of The Kre8ive Podcast! This week we bring you Cole Younger (Not his real name but you'll get it on the episode) Cole is one of my favorite photographer and one of the first instagram accounts that I started following when I got into photography. Cole Grew up here in Los Angeles and always around a lot of trouble. With a Outlaw father and a family that was involved in the same scene Cole grew up thinking at the age of 10 he wouldn't make it past 16 and that he would either end up in jail for the rest of his life or even worst dead. After getting caught for a crime and facing 20-25 years in prison the judge gave him an ultimatum to either spend 2 year in a rehab facility or serve the 20-25 years in prison. Little did Cole knew that the rehab center would spark a chain of events that would later lead to him changing his life for the better and finding his love for photography which ended up saving his life! Not to mention that he tells the story of how he got his first camera for $0.75 cents!!! I hope you guys enjoy the episode and feel free to send me a DM on my instagram @stpierre or the podcasts instagram @kre8ivepodcast! Thank you for joining this week for another episode and don't forget to drop a 5 star rating that will help the podcast grow and reach more Kre8ives! --- Support this podcast: https://anchor.fm/kre8ivepodcast/support
Last time, Noah's inability to fill the club was pushing him toward financial ruination, but now everything's fine, and he and Dylan are working together amicably to promote an upcoming show by fictional artist Cole Younger with a raffle to win a date with him -- in his hotel room, creepily? Anyway, Dylan's first act as manager of the Peach Pit After Dark is to fix the raffle and award the date to Kelly, only to be outmaneuvered by Gina, who just poses as Kelly to claim it for herself. This causes a variety of issues: Kelly is pissed to have to give up her prize (which she knows is ill-gotten); Matt is pissed that she keeps talking to Dylan about it (and also that her attempts to change his image for an ambulance-chasing TV ad are secretly about her wanting to change him into her ex); Dylan is pissed that Gina spends the night in Cole's hotel room; and Gina is pissed that Dylan's uninvited trip to said hotel room ends in a physical assault. Are emotions running so high to ratchet up the tension for a record-breaking hate-fuck? Claudia and David ignore Matt's advice and pursue plans to commit immigration fraud, despite the fact that both of them seem extremely (and, unusually for these nitwits, appropriately) apprehensive about it. Donna's old West Beverly Big Sister Ashley reappears in her life as both start circling the school's production of Romeo & Juliet; Donna's volunteering to make the costumes, while Ashley is building a bad-touch case against beloved drama teacher Mr. Bigelow. Steve's decision to fire a psychic results in her making the (self-fulfilling) prophecy that he's about to go impotent. We'll discuss how flaccid the plotting gets in our Again With This podcast on "Fortune Cookie"! JOIN THE AWT CLUB
Last time, Noah's inability to fill the club was pushing him toward financial ruination, but now everything's fine, and he and Dylan are working together amicably to promote an upcoming show by fictional artist Cole Younger with a raffle to win a date with him -- in his hotel room, creepily? Anyway, Dylan's first act as manager of the Peach Pit After Dark is to fix the raffle and award the date to Kelly, only to be outmaneuvered by Gina, who just poses as Kelly to claim it for herself. This causes a variety of issues: Kelly is pissed to have to give up her prize (which she knows is ill-gotten); Matt is pissed that she keeps talking to Dylan about it (and also that her attempts to change his image for an ambulance-chasing TV ad are secretly about her wanting to change him into her ex); Dylan is pissed that Gina spends the night in Cole's hotel room; and Gina is pissed that Dylan's uninvited trip to said hotel room ends in a physical assault. Are emotions running so high to ratchet up the tension for a record-breaking hate-fuck? Claudia and David ignore Matt's advice and pursue plans to commit immigration fraud, despite the fact that both of them seem extremely (and, unusually for these nitwits, appropriately) apprehensive about it. Donna's old West Beverly Big Sister Ashley reappears in her life as both start circling the school's production of Romeo & Juliet; Donna's volunteering to make the costumes, while Ashley is building a bad-touch case against beloved drama teacher Mr. Bigelow. Steve's decision to fire a psychic results in her making the (self-fulfilling) prophecy that he's about to go impotent. We'll discuss how flaccid the plotting gets in our Again With This podcast on "Fortune Cookie"!SUPPORT AWT WITH A PERSONAL MESSAGEWish your friend a happy birthday or just call them a squeef with a AWT Personal Message. It's $50 and helps keep us going. Start on our ad page now!READING THIS IN A PODCAST APP?Visual Aids and other show notes for this episode can be viewed on this episode's page on AgainWithThis90210.com. See acast.com/privacy for privacy and opt-out information.
Los Angeles based photographer Cole Younger recently sat down with us to share his from substance abuse and incarceration to being a world renowned visual artist.
Cole Younger is a Los Angeles based photographer that shares stunning photos with his audience of over 280k Instagram followers. From a young age optimism wasn’t a part of his world view. Cole struggled with using & selling drugs, being locked behind bars & coping with depression. Picking up a camera was his way out. This is the story of how one man rewrote his future, got off the streets & found his calling. Watch this episode: mattdavella.com/042 Exclusive content: groundupshow.com Thanks for listening! If you've got a minute I'd really appreciate a rating on iTunes.
Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Ark. In addition to the music, our “Feature Host” segments carry listeners through the Ozark hills with historians, authors and personalities who explore the people, stories, and history of the Ozark region. On this week’s show, original Ozark guitar wizard Danny Dozier performs live at the Ozark Folk Center State Park. Also, interviews with Danny, folklorist and author Charley Sandage offers an historical peregrination into Ozark culture, and Mark Jones presents an archival recording of Aunt Ollie Gilbert. Danny Dozier is an Arkansas native and proud of it. He is one of the area’s premier guitar players, well versed in the Merle Travis, “thumbpicking” style. Danny has worked with a wide variety of performers over the years including; Grandpa and Ramona Jones, Omar and the Howlers and regional favorite, Leatherwoods. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and an enduring legacy of music and craft. This episode features a background on the founding the very first Arkansas Folk Festival. Mark Jones' “From the Vault” segment features a rare recording of prodigious Ozark folk balladeer Ollie Gilbert singing the traditional Ozark folk song “The Ballad of Cole Younger,” from the Ozark Folk Center State Park archives.
Cole Younger
Bronco was a Western series on ABC from 1958 through 1962. The program starred Ty Hardin as Bronco Layne, a former Confederate officer who wandered the Old West, meeting such famous people as Wild Bill Hickok, Billy the Kid, Jesse James, Theodore Roosevelt, Belle Starr and Cole Younger. Bronco was born when Warner Bros. executives and actor Clint Walker clashed over Walker's contract on the series Cheyenne. Walker had walked out on his show over such stringent clauses as a requirement that he kick back half of all personal appearance fees to Warner Bros., and that he only record for Warner music labels. When the two sides came to an impasse, the network hired newcomer Ty Hardin to play the new character of Bronco Layne, but kept the title of Cheyenne. When Walker came back to his series, Bronco Layne was spun off into his own show. Bronco at first alternated with another Western series, Sugarfoot, featuring Will Hutchins. In 1960, the two began alternating with Cheyenne under the Cheyenne title. Sugarfoot was dropped in 1961, leaving only Bronco and Cheyenne to alternate. Other Warner Bros. westerns in production around this time included Maverick with James Garner, Jack Kelly, and Roger Moore, Colt .45 with Wayde Preston, and Lawman with John Russell; series characters occasionally crossed over into each others' shows.