Podcast appearances and mentions of David Stevenson

"Ever tried. Ever failed. No matter. Try again. Fail again. Fail better." The words of Samuel Beckett from a 1983 short story Worstward Ho inspire a Free Thinking conversation about failure chaired by Matthew Sweet. His guests are: Cath Bishop rowed for Britain in the Olympics, winning a silver medal and worked as a diplomat and business coach. She has written a book called The Long Win and co-hosts the Inside Out Culture Podcast with Colin Ellis which explores what can go wrong from business to sport, the Met police to the music industry. David Stevenson is Dean and Professor of Cultural Policy and Arts Management at Queen Margaret University in Edinburgh. He has researched the failure of arts organisations and co-authored with Leila Jancovich Failures in Cultural Participation Katarina Skoberne started an advertising agency, has worked as an interpreter in conflict zones and presented a TV show showcasing her experience in coaching. She now runs training in speech-making BeYourBestRemoteSelf. Dr Michelle Clement's research focuses on British government and public service reform. She's based at King's College, London. She has written a book The Art of Delivery: The Inside Story of How the Blair Government Transformed Britain's Public Services Dr Joseph Anderton is an Associate Professor of Literature at Birmingham City University researching authors including Samuel Beckett and he is the author of Beckett's Creatures: Art of Failure after the HolocaustProducer: Luke Mulhall

The Curmudgeon Supreme and I read David Stevenson's article "James Anderson: Man & Mason" about James Anderson, one of the masons who helped assemble the Constitutions of the Free-Masons of 1723.This article was first published in the Heredom Volume 10, 2002, a research journal put out by the Scottish Rite. For many years, Doctor James Anderson has been accused of many negative reasons for helping to put together what we now know as the Constitutions of the Free-Masons of 1723 & 1738.There is a lot that was going on during that time in and around England. England, Scotland, and Ireland were all fighting against each other, so why did these London Masons choose a short, red-headed Scotsman to help put together one of the most important Masonic documents ever published?The origins of this mysterious Masonic document have been actively researched and analyzed, critiqued, and ignored since it first appeared in 1723, and we still do not fully understand why it was produced in the first place.Brother David Stevenson is the author of both "The Origins of Freemasonry, Scotland's Century 1590-1710" and "The First Freemasons - Scotland's Early Lodges and Their Members 1988.Let us keep exploring the mysterious origins of Masonry and Freemasonry with ruthless abandon.Follow me on:Instagram @masonicmuscleTikTok @masonicmsucle357Write me at masonicmsucle357@gmail.com if you have questions or suggestions for research on the enigmatic and mysterious origins of freemasonry.

David Stevenson, Director, Center for Energy & Environmental Policy and the Caesar Rodney Institute, tells Rick Jensen why Delaware's green energy programs are failing the people and how to solve the real problem.

On today's show, our guest is David Stevenson. David is Vice President of Marketing and Product Management at Bucher Hydraulics North America. Bucher Hydraulics designs and manufactures cartridge valves and custom manifolds, compact power units, pressure-balanced gear pumps and motors, and more.  David recently presented at NFPA's Hydraulics Conference co-located at the 2024 iVT EXPO. His presentation was on silent efficiency and hydraulics for electrified machines, and we invited him into our forum to learn more about that topic. Connect with David: david.stevenson@bucherhydraulics.com  Connect with the host, Eric Lanke at elanke@nfpa.com or on LinkedIn at the National Fluid Power Associaton. Additional Material: https://www.youtube.com/watch?v=8A71tWyEYOM https://www.youtube.com/watch?v=H9QIyMu1yco https://www.youtube.com/watch?v=Dial16rB8bY https://www.youtube.com/watch?v=6G8TQtWlx4E

In 1914, war engulfed Europe in a conflict that killed millions and change the course of the twentieth century. Now, 110 years later, the geopolitical climate feels uncomfortably familiar to the period preceding the First World War. Are we moving ever closer to another global conflict – and might it be avoided by taking lessons from the origins of the Great War? To find out, Luke Turner talks to David Stevenson, professor of international history at the London School of Economics.       We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit.      Support us on Patreon. Written and presented by Luke Turner. Produced by Eliza Davis Beard. Audio production by Jade Bailey. Group Editor Andrew Harrison. Managing Editor Jacob Jarvis. Art by James Parrett. Music by Kenny Dickinson. THE BUNKER is a Podmasters Production      www.podmasters.co.uk   Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this Sports Geek CEO series interview with Sean Callanan, David Stevenson talks about solving complex problems and growth strategies for NBL and WNBL. Show notes - https://sportsgeekhq.com/podcast/david-stevenson-nbl/

NBL CEO David Stevenson speaks to Dwayne after the release of the NBL25 fixture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, potential listeners! It's Rob Manuel here, the creator of Fesshole, and co-host of this brand new podcast.  Right, now is the time to reveal a little more by giving you a trailer that isn't just me and David Stevenson pretending to be aliens in an imaginary episode of Star Trek.   So this trailer does sensible things like tell you the show is coming in multiple formats including: the week in review; interview episodes; talk to the fessors; and even a game show one. And we've included very, very tiny clips so you can hear we're not bullshitting and have actually recorded stuff.  It's not just some confidence trick to see if we can make a podcast that doesn't exist chart in some KLF made out of sellotape stunt. However by showing you our ankles you can now think "but I preferred imagining your ankles, that was sexier" but this is the nature of media projects, at some point you have to get off the toilet and show people the turd you've pooped out asking "do you reckon this will flush? Should we see a doctor?" That's how it works at the News At Ten with Trevor McDonald, and that's how it works for us. Wait, you're bothering to read this coz you like confessions and you don't just want silly waffle.  OK, here's some fesses we rejected this week as bonus content not available elsewhere: "When I feel dejected I like to eat a tub worth of vaseline" "I was struggling for inspiration for a name for my unborn son. I found that inspiration from my local newspaper's  'crimewatch' section" "Friend's Nan rang up all mithered, she said there was a paedophile in her pantry & asked if someone could come and remove it. Rather pleased to find it was a centipede and not in-fact a paedophile" (Rejected that last one not coz it's not funny, it is, but was slightly worried it was nicked off a video that did the rounds a few years back. See we have standards.) Anyway, enjoy the trailer proper - toodle-pip, and lots of love from your admin Roberto Manuel who believes in you and your ability to subscribe to this podcast. 

Sermon: "The Struggle is Real!" by David Stevenson

NBL CEO David Stevenson speaks to Dwayne after the launch of the HoopsFest. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Stevenson, co-manager of the WS Amati UK Listed Smaller Companies fund, discusses the current market dynamics and the outlook for UK smaller companies, despite a challenging two-year period marked by receding investor appetite and outflows from small-cap funds. David argues now is a unique entry point for UK smaller company investing, buoyed by recent improvements in relative performance and the potential benefits of lower interest rates. We also cover the surge in M&A activity and share buybacks, underscoring the attractiveness of UK companies for both domestic and international investors.What's covered in this episode: How have UK companies fared of late?How do interest rates impact smaller companies?Why now is an attractive time for investorsHow prevalent has M&A Activity been?The rise of share buybacks in the UKGetting the domestic investor back into UK equitiesTwo exciting funds today: Alpha Group and TrainlineAre their concerns over liquidity in the fund?Should investors be optimistic on the UK?More about the fund: An unconstrained portfolio, seeking structural UK growth businesses that can grow faster than the economy, this fund is managed by a highly experienced team of small cap specialists. The portfolio of 65-70 companies focuses on structural growth businesses, which the managers' believe can add value in the under-researched small and mid-cap part of the market.Learn more on fundcalibre.comPlease remember, we've been discussing individual companies to bring investing to life for you. It's not a recommendation to buy or sell. The fund may or may not still hold these companies at the time of listening. Elite Ratings are based on FundCalibre's research methodology and are the opinion of FundCalibre's research team only.

David Stevenson, Product Manager for the Mako Core SDK at Global Graphics Software, will present the use of AI in SmartDFE, the digital front end specially designed for high-speed, single-pass digital inkjet presses. In this podcast discussion we talk about how AI has been used by GGS to achieve huge productivity gains, we also talk about machine learning v AI, narrow v general AI, and how in David's view, the big opportunity for AI is in content curation and creation. David is an expert in software product development and GGS drives some of the world's most famous digital print engines, so his views, vision and opinions are well worth tuning into! Hope you enjoy the talk.Listen on:Apple PodcastGoogle PodcastSpotifyWhat is FuturePrint? FuturePrint is a digital and in person platform and community dedicated to future print technology. Over 15,000 people per month read our articles, listen to our podcasts, view our TV features, click on our e-newsletters and attend our in-person and virtual events. In 2024, we hope to see you at one of our events: FuturePrint TECH at IME West, 6-8 February, Anaheim, California, USA FuturePrint TECH Packaging & Labels, 28-29 February, Valencia, Spain FuturePrint TECH AI for Print, 16 April, Cambridge, UK FuturePrint TECH Digital Print for Manufacturing, 6-7 November, Cambridge, UK

The NBL has hit record levels across all metrics this season and Jimmy is joined by the CEO David Stevenson. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Stevenson is the Director of the Center for Energy & Environmental Policy at the Caesar Rodney Institute. He and his associates are extraordinarily successful in convincing Congress to make building small, efficient nuclear power plants a reality in Delaware and country-wide.

The CEO of the NBL David Stevenson joins Dwayne to chat the health of the league, expansion, the next-star program and referee respect. Learn more about your ad choices. Visit megaphone.fm/adchoices

NBL CEO David Stevenson joined Matty to chat about the league's possible expansion into Japan, the possibilities & issues with the move & the season's looming postseason.  Learn more about your ad choices. Visit megaphone.fm/adchoices

NBL CEO David Stevenson speaks to Dwayne about the resumption of the season, the possibility of Dwight Howard coming to the NBL, expansion into Asia and more/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Tuesday and Tim are joined by David Stevenson, CEO of the Moose Hide Campaign, where they deep dive into the practice of Circle, the incredible work of the Moose Hide Campaign; including the reason they've identified men and boys for their work, the need for connection and skill-building in our relationships to address intimate partner violence, how this campaign is creating social connectivity, and how the Moose Hide Campaign is focused on scaling wide to let the medicine carry its own depth and conversation.For detailed show notes, links and resources, please visit: https://www.findtheoutside.com/podcast Hosted on Acast. See acast.com/privacy for more information.

NBL CEO David Stevenson joins Aaron Bryans on Summer Grandstand to chat about his first seven months in the role, and his expansion ideas for the National Basketball League in the future.

NBL CEO David Stevenson speaks to Dwayne ahead of the start of the 2023-24 NBL season. Learn more about your ad choices. Visit megaphone.fm/adchoices

NBL CEO David Stevenson speaks to Dwayne ahead of the NBL Blitz, and drops a big hint about the expansion of the league. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sermon: "We are The Watchman" by David Stevenson

This week's What The Footie Podcast is with David Stevenson, former Head of Academy Recruitment & Analysis at Rangers FC and Head of Scouting & Performance Analysis at the Scottish Football Federation. David is currently a Lecturer in Sports Management at the University of Stirling. In this exclusive, Paul & David discuss the evolution of performance analysis, getting by-in from players and coaches, how analysis differs in an academy environment vs a 1st team environment, how performance analysis fits interacts with other high performance departments, how to effectively communicate with players, technology, scanning in football, tactical innovation and so much more. - - - - - - -  What The Footie is the football and business podcast that goes behind the scenes. Please remember to support the pod with a follow & a 5 star review. Today's episode is sponsored by Prorizon.

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

For the past two decades, the arts and cultural establishment in the UK has been trying to engage a broader set of audiences in their work. Countless initiatives to make the arts more accessible to the public and to make them more relevant have been advocated for in policy and funding settlements. But the dial on who participates and how much has not shifted, despite many thousands of projects trying to address the problem. And this isn't even the punchline. Not only do the interventions not work, nobody involved in them admits that the interventions may have been a failure. Having spent many years working in cultural policy studies and in arts practice, Leila Jancovich and David Stevenson take the arts and culture sector to task over this fiction. Their book Failures in Cultural Participation (Palgrave Macmillan, 2022) puts a mirror to the industry and invites cultural policymakers, organisations, and practitioners to confront their failures. David Stevenson speaks to Pierre d'Alancaisez about the culture sector's refusal to acknowledge failure in widening participation and moving the debate from the ‘value' of culture to considering how policies can be designed and implemented. David argues for an honest and transparent acknowledgement of failure at individual, organisational and governmental levels. The Failspace Project tools A special issue of the Transdisciplinary Journal of Cultural Participation edited by Leila and David David's “I hate opera” paper. Leila Jancovich is a professor of Cultural Policy and Participation at the University of Leeds. Before entering academia, she worked for many years in the arts and festivals sector as a producer, researcher, and policy maker. David Stevenson is the Dean of The School of Arts, Social Sciences, and Management at Queen Margaret University. His research focuses on relations of power and the production of value within the cultural sector. Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode of Environment & Climate News, we dive into the controversial topic of offshore wind power and its potential negative impact on the environment and economy. We explore the violation of the Endangered Species Act through the construction of wind turbines in the critical habitat of the North Atlantic Right Whale, which could threaten its survival, and the potential loss of the domestic seafood supply due to the disruption of the commercial fishing industry.We also examine the high costs and minimal reduction of carbon dioxide emissions associated with this renewable energy source, raising the question of whether offshore wind power is a sustainable solution for our energy needs.

In this episode of Environment & Climate News, we dive into the controversial topic of offshore wind power and its potential negative impact on the environment and economy. We explore the violation of the Endangered Species Act through the construction of wind turbines in the critical habitat of the North Atlantic Right Whale, which could threaten its survival, and the potential loss of the domestic seafood supply due to the disruption of the commercial fishing industry.We also examine the high costs and minimal reduction of carbon dioxide emissions associated with this renewable energy source, raising the question of whether offshore wind power is a sustainable solution for our energy needs.

David Stevenson is Vice President of Marketing and Product Management at Bucher Hydraulics North America. Bucher Hydraulics designs and manufactures cartridge valves and custom manifolds, compact AC & DC power units, pressure-balanced gear pumps and motors, and more. We invited David into our forum to learn more about the future of intelligent hydraulic systems and what Bucher Hydraulics has to offer in this ever-emerging hydraulic segment, while also discussing some of their items which will be showcased at IFPE – the International Fluid Power Exposition. Contact: david.stevenson@bucherhydraulics.com  AX pump technology: https://youtu.be/Dial16rB8bY Smart PowerPack S: https://youtu.be/zbVLM_q0Kac Bucher's Full Range of Electrification Solutions. https://www.bucherhydraulics.com/datacat/files/Katalog/Systemloesungen/Elektrifizierung%20mobiler%20Maschinen/Elektrifizierung-mobiler-Maschinen_300-FL-9010633-en.pdf Connect with the host Eric Lanke at elanke@nfpa.com or on Twitter @ericlanke 

Jeff Brightwell sits down with David Stevenson with Men's Tennis to talk about his last season at Memphis, his time here and what his plans are for the future. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Corner Brook has lost another of its oldest and most beloved citizens. Enid Stevenson passed away Friday, Nov. 18, just 11 days before her 102nd birthday. She was a war bride from Yorkshire, England, and moved to Newfoundland with her husband, David Stevenson, after the Second World War. Enid Stevenson lived a long and full life, as a wife and mother, as well as a nurse, gardener, avid reader, and environmentalist. Bernice Hillier spoke with Enid Stevenson back in 2020, just before her 100th birthday.

Student violence directed at school educators is a common issue. Sadly, for many of you listening, it will be something you've experienced in your career, and for some it may be a regular occurrence. Our guests for this episode of The Research Files are David Stevenson, a provisional psychologist and behaviour support practitioner, and Assistant Professor James Neill, from the Discipline of Psychology, School of Health Sciences and Faculty of Health at the University of Canberra. Along with Kayla Ball, Rebecca Smith and Melena Shores, they've just published a new the paper in the Australian Journal of Education, it's called 'How do preschool to year 6 educators prevent and cope with occupational violence from students?' In the study, educators in the ACT (that's the Australian Capital Territory for those listening internationally) were asked about the frequency and impact of occupational violence, and the prevention and coping strategies they used and found effective. Host: Jo Earp Guests: David Stevenson and James Neill

Episode 95:This week we're continuing Russia in Revolution An Empire in Crisis 1890 - 1928 by S. A. Smith[Part 1]Introduction[Part 2-5]1. Roots of Revolution, 1880s–1905[Part 6]2. From Reform to War, 1906-1917Prospects for Reform[Part 7 - This Week]2. From Reform to War, 1906–1917On the Eve of War - 0:32First World War - 12:47[Part 8]2. From Reform to War, 1906–1917[Part 9 - 11?]3. From February to October 1917[Part 12 - 15?]4. Civil War and Bolshevik Power[Part 16 - 18?]5. War Communism[Part 19 - 21?]6. The New Economic Policy: Politics and the Economy[Part 22 - 25?]7. The New Economic Policy: Society and Culture[Part 26?]ConclusionFootnotes:45) 1:23Michael Melancon, The Lena Goldfields Massacre and the Crisis of the Late Tsarist State (College Station: Texas A&M University Press, 2006), 116.46) 2:34Haimson and Petrusha, ‘Two Strike Waves in Imperial Russia', 107.47) 3:07Hogan, Forging Revolution, 161.48) 3:29F. A. Gaida, ‘Politicheskaia obstanovka v Rossii nakanune Pervoi mirovoi voiny v otsenke gosudarstvennykh deiatelei i liderov partii', Rossiiskaia istoriia, 6 (2011), 123–35; Jonathan W. Daly, The Watchful State: Security Police and Opposition in Russia, 1906–1917 (DeKalb: Northern Illinois University Press, 2004), 147.49) 4:29Victoria E. Bonnell, Roots of Rebellion: Workers' Politics and Organizations in St Petersburg and Moscow, 1900–1914 (Berkeley: University of California Press, 1983).50) 5:24Shestoi s”ezd RSDLP (bol'shevikov): Avgust 1917 goda. Protokoly (Moscow, 1958), 47.51) 5:37D. A. Loeber (ed.), Ruling Communist Parties and their Status under Law (Dordrecht: Martinus Nijhoff, 1986), 63. Not all historians are persuaded that the Bolsheviks were taking over leadership of the labour movement: see R. B. McKean, St Petersburg Between the Revolutions: Workers and Revolutionaries, June, 1907–February 1917 (London: Yale University Press, 1990).52) 6:20Postnikov, Territorial'noe razmeshchenie, 56.53) 6:44Patricia Herlihy, The Alcoholic Empire: Vodka and Politics in Late Imperial Russia (Oxford: Oxford University Press, 2002), 145.54) 8:34V. B. Aksenov, ‘ “Sukhoi zakon” 1914 goda: ot pridvornoi intrigi do revoliutsii', Rossiiskaia istoriia, 4 (2011), 126–39.55) 8:44For a view that individual and collective actors recoiled from taking decisive action in the political and social crisis on the eve of the war, for fear that they would be overwhelmed by an accelerating process of social polarization, see Leopold H. Haimson, ‘ “The Problem of Political and Social Stability in Urban Russia on the Eve of War” Revisited', Slavic Review, 59:4 (2000), 848–75.56) 8:58Dowler, Russia in 1913, 279.57) 9:24Gilbert, Radical Right, ch. 6.58) 9:29Rossiia 1913 god: statistiko-dokumental'nyi spravochnik (St Petersburg: BLITs, 1995), 413–14.59) 9:58William C. Fuller, Civil–Military Conflict in Imperial Russia, 1881–1914 (Princeton, NJ: Princeton University Press, 1985), 257.60) 10:50Mark D. Steinberg, Petersburg: Fin de Siècle (New Haven: Yale University Press, 2011), 244.61) 11:40Gatrell, Government, Industry, and Rearmament.62) 12:17.63) 13:02Norman Stone, The Eastern Front, 1914–1917 (London: Penguin, 1998).64) 15:43Mark Mazower, Dark Continent: Europe's Twentieth Century (London: Allen Lane, 1998), ix; David Stevenson, 1914–1918: The History of the First World War (London: Penguin, 2005), xix.65) 16:10G. F. Krivosheev (ed.), Rossiia i SSSR v voinakh XX veka: poteri vooruzhyennykh sil. Statisticheskoe issledovanie (Moscow: OLMA, 2001).66) 17:34Boris Kolonitskii, Tragicheskaia erotika: obrazy, imperatorskoi sem'i v gody Pervoi mirovoi voiny (Moscow: NLO, 2010), 73.67) 18:25Joshua Sanborn, Imperial Apocalypse: The Great War and the Destruction of the Russian Empire (Oxford: Oxford University Press, 2014), 29.68) 19:26Cited in Peter Gatrell, ‘Tsarist Russia at War: The View from Above, 1914–February 1917', Journal of Modern History, 87:3 (2015), 668–700 (689).69) 19:54David R. Stone, The Russian Army in the Great War: The Eastern Front, 1914–1917 (Lawrence: University Press of Kansas, 2015), 48; Eric Lohr, Nationalizing the Russian Empire: The Campaign Against Enemy Aliens during the First World War (Cambridge, MA: Harvard University Press, 2003), 136.70) 21:17Peter Gatrell, A Whole Empire Walking: Refugees in Russia during World War One (Bloomington: Indiana University Press, 1999), 3.71) 21:29Tomas Balkelis, ‘Demobilization and Remobilization of German and Lithuanian Paramilitaries after the First World War', Journal of Contemporary History, 50:1 (2015), 38–57 (38).72) 23:22Donald Bloxham, The Great Game of Genocide: Imperialism, Nationalism and the Destruction of the Ottoman Armenians (Oxford: Oxford University Press, 2005).73) 24:04Edward J. Erickson, Ottoman Army Effectiveness in World War One (London: Routledge, 2007), 1.74) 24:04A. B. Astashov, Russkii front v 1914-nachale 1917 goda: voennyi opyt i sovremennost' (Moscow: Novyi Khronograf, 2014), 19, 23.75) 25:54P. P. Shcherbinin, ‘Women's Mobilization for War (Russian Empire)', International Encyclopedia of the First World War, .76) 27:34Stone, Russian Army, 4.77) 29:05Stone, Russian Army, ch. 7.78) 30:33Edward D. Sokol, The Revolt of 1916 in Russian Central Asia (Baltimore: Johns Hopkins Press, 1954). Gene Huskey refers to an ‘unknown genocide', in which 100,000 to 120,000 out of 780,000 Kyrghyz were slaughtered: Gene Huskey, ‘Kyrgyzstan: The Politics of Demographic and Economic Frustration', in Ian Bremmer and Ray Taras (eds), (Cambridge: Cambridge University Press, 1997), 400.79) 31:01Astashov, Russkii front, 116, 160.80) 31:10William G. Rosenberg, ‘Reading Soldiers' Moods: Russian Military Censorship and the Configuration of Feeling in World War I', American Historical Review, 119:3 (2014), 714–40 (716).81) 32:54A. B. Astashov and P. A. Simmons, Pis'ma s voiny 1914–1917 (Moscow: Novyi khronograf, 2015), 128.82) 33:25Joshua Sanborn, ‘The Mobilization of 1914 and the Question of the Russian Nation', Slavic Review, 59:2 (2000), 267–89; S. A. Smith, ‘Citizenship and the Russian Nation during World War I: A Comment', Slavic Review, 59:2 (2000), 316–29.83) 33:38Astashov, Russkii front, 133–4, 179–87.84) 34:24Quoted in A. B. Astashov, ‘Russkii krest'ianin na frontakh Pervoi mirovoi voiny', Otechestvennaia istoriia, 2 (2003), 72–86 (75); Karen Petrone, The Great War in Russian Memory (Bloomington: Indiana University Press, 2011), 91.85) 34:44Mark von Hagen, ‘The Entangled Front in the First World War', in Eric Lohr et al. (eds), The Empire and Nationalism at War (Bloomington, IN: Slavica, 2014), 9–48 (36); Sanborn, Imperial Apocalypse, 130.86) 35:28Igor V. Narskii, ‘The Frontline Experience of Russian Soldiers in 1914–16', Russian Studies in History, 51:4 (2013), 31–49.87) 36:21Astashov, Russkii front, 224, 279–300.88) 36:45Krivosheev (ed.), Rossiia, table 52.89) 37:02Dietrich Beyrau, ‘Brutalization Revisited: The Case of Russia', Journal of Contemporary History, 50:1 (2015), 15–37 (18).90) 37:29Krivosheev (ed.), Rossiia, table 56.

Sermon, Testimonies, & Special Music: "Who Are You?" by David Stevenson

Lusitania's legacy is also absolutely unsinkable. To buy Larson's book or any books I have featured, visit my Bookshop affiliate page: https://bookshop.org/shop/unsinkablepodFor a general look at World War One, see the modern classic by John Keegan, The First World War or David Stevenson's 1914-1918: The History of the First World WarListener Dan (thank you, Dan!) recommends, in the podcast realm: The Old Front Line (https://oldfrontline.co.uk/) and Footsteps of the Fallen (https://footstepsofthefallen.buzzsprout.com/)My dear friend Shirley recommends Vera Brittain's memoir Testament of YouthTo support the pod on Patreon: https://www.patreon.com/unsinkablepodSupport the show

An unexpected conversation about standing up against violence can lead to more awareness. On today's episode, Tamara meets David Stevenson, the CEO of the Moose Hide Campaign. The program started 10 years ago as a way for men to symbolize their support for ending violence against Indigenous women, by pinning a piece of moose hide to their clothes. Since then, David and his team are working with leaders and Canadians to build safer neighbourhoods and contribute meaningful actions toward Reconciliation.

For King and Country: The British Monarchy and the First World War (Cambridge UP, 2021) is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis. In short, this is very much the work that master-historian David Stevenson accurately notes: "sheds new light on crucial aspects of the British (and Irish) experience between 1914 and 1918". In short, For King and Country is a must read book. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For King and Country: The British Monarchy and the First World War (Cambridge UP, 2021) is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis. In short, this is very much the work that master-historian David Stevenson accurately notes: "sheds new light on crucial aspects of the British (and Irish) experience between 1914 and 1918". In short, For King and Country is a must read book. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For King and Country: The British Monarchy and the First World War (Cambridge UP, 2021) is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis. In short, this is very much the work that master-historian David Stevenson accurately notes: "sheds new light on crucial aspects of the British (and Irish) experience between 1914 and 1918". In short, For King and Country is a must read book. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

For King and Country: The British Monarchy and the First World War (Cambridge UP, 2021) is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis. In short, this is very much the work that master-historian David Stevenson accurately notes: "sheds new light on crucial aspects of the British (and Irish) experience between 1914 and 1918". In short, For King and Country is a must read book. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices

For King and Country: The British Monarchy and the First World War (Cambridge UP, 2021) is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis. In short, this is very much the work that master-historian David Stevenson accurately notes: "sheds new light on crucial aspects of the British (and Irish) experience between 1914 and 1918". In short, For King and Country is a must read book. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

For King and Country: The British Monarchy and the First World War (Cambridge UP, 2021) is a ground-breaking history of the British monarchy in the First World War and of the social and cultural functions of monarchism in the British war effort. Heather Jones examines how the conflict changed British cultural attitudes to the monarchy, arguing that the conflict ultimately helped to consolidate the crown's sacralised status. She looks at how the monarchy engaged with war recruitment, bereavement, gender norms, as well as at its political and military powers and its relationship with Ireland and the empire. She considers the role that monarchism played in military culture and examines royal visits to the front, as well as the monarchy's role in home front morale and in interwar war commemoration. Her findings suggest that the rise of republicanism in wartime Britain has been overestimated and that war commemoration was central to the monarchy's revered interwar status up to the abdication crisis. In short, this is very much the work that master-historian David Stevenson accurately notes: "sheds new light on crucial aspects of the British (and Irish) experience between 1914 and 1918". In short, For King and Country is a must read book. Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House's International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.

"Don't be afraid to ask questions." Information technology has so many acronyms, it's almost as if techspeak is a completely different language. While you may be familiar with ITIL, ITSM, CSM and CMDB, new acronyms emerge all the time.   IT leaders must stay on top of the language. And be able to define it for the business leaders who aren't necessarily submersed in the culture.  In this Friday Fast Fifteen, David Stevenson breaks down and defines some of these emerging acronyms.  Grab a snack, and get ready to learn about AI and the IoT! 

Digital transformation has gone from vision to reality for many companies. And they're starting to ask themselves, what's next? Where do we go from here? In today's Friday Fast Fifteen, host Kim Funk and David Stevenson, Practice Director, ITx here at Crossfuze talk about the new buzzword, Enterprise Service Management or ESM. Platforms like ServiceNow are connecting technologies in new ways and making once siloed organizations improve efficiencies and drive growth – by tying it all together.  

David Stevenson on policy change in the arcane world of regulation