Podcasts about fantasy culture

Episode 048: April 19, 2025 The Professional Artist returns after a one week hiatus while Echo (and Lazarus) presented awards in for Illustrators of the Future in Hollywood, California. This episode, Echo talks careers with judge Tom Wood, a great illustrator and graphic designer with a long history in many art fields, from oils to digital across Fantasy, Sports, Music, Celebrities, Products, and Caricatures. He also lectures and supports young artists at Illustrators of the Future. Today, Tom shares breadth of experience with The Professional Illustrator audience. About Tom Wood: Tom Wood is a Fantasy Art Illustrator who is among the best-selling poster artists in the US and Canada. The “Tom Wood Fantasy Art” brand has sold millions of products since 2005. He is also the Owner and Art Director of Meridian Design Works, which creates artwork for well-know properties such as the NFL, Disney, and Warner Bros. Tom credits his parents, for instilling in him the confidence and character to become the artist he is today. Growing up on a rural farm in Arkansas, Tom was self taught and from the age of five. From his first glimpse of Frazetta's “Death Dealer”, Tom's passion for creating some of the most iconic fantasy works, began. His formal education began at the University of Arkansas (Fayetteville), where he was accepted on full academic scholarship. His first professional work was in the screen-printing industry, art directing many sports designs. This early work education propelled him to an extensive freelance career that he maintains 20 years later w/his Meridian Design Works Corp. Today, Tom Wood's creations of Dragons and Medieval, Death-defying Warriors, have become iconic images of Fantasy Culture across America, Europe and Asia. Leading Manufacturers and publishers have licensed the Tom Wood Fantasy Art property for books, posters, figurines and home décor items (more than 100 different products!) accumulating over 8 million in Retail Sales, at well known retailers in countries such as the U.K., Germany, Italy, the Netherlands, Australia, New Zealand, and China. In addition, in Tom's work as a commercial artist, his clients have included well-known companies like Warner Brothers, Disney, NBA, NFL, MLS, Reebok, Gatorade and the NCAA. When Tom is not in his studio, he is spending time mentoring young artists, at one of his many appearances at Comic Cons across the country, or running the backroads of his farm with his wife, Kim and daughter, Emily. He lives in Mammoth Spring, Arkansas. Tom Wood's Links: Online Store: https://tomwoodfantasyart.com Design Studio: https://www.meridiandesignworks.com Echo Chernik Links: Website: https://www.EchoChernik.com Illustration: https://www.echo-x.com Facebook: https://www.facebook.com/echoxartist Instagram: https://www.instagram.com/echochernik Patreon: https://www.patreon.com/thexcaliberproject Kickstarter: https://www.kickstarter.com/profile/echox/created

Can a dungeon adventure teach you how to be a culinary genius? Join JetBlackXtreme, Talos Gundam, Leia and Tinara, as we uncover the surprising blend of food and fantasy in the anime "Delicious in Dungeon" (also known as "Dungeon Meshi"). Promising you a feast for both your imagination and your taste buds, we dive into the show's intricate world-building and its unique use of real-world recipes. J.B. compares it favorably to other popular anime like "Eminence in Shadow," giving it a solid four out of five stars for its culinary creativity and humor, despite its somewhat formulaic approach.Ever wondered how a cozy slice-of-life anime can offer profound cultural commentary? This episode has the answers as we explore how "Delicious in Dungeon" appeals not just to anime fans but also to food enthusiasts. We draw comparisons to other food-centric shows like "Food Wars" and "Toriko," and shine a light on the subtle critique of Japanese work culture and emphasis on self-care embedded in the detailed cooking sequences. With the second season set to release on Netflix, we share our excitement and personal ratings, giving this anime a strong endorsement for its replay value and engaging content.As the episode unfolds, we get into heartwarming discussions about good nutrition, proper cooking techniques, and compelling character dynamics. From Senshi's practical wisdom, to Laios' daring quests and Marcille's profound insights on magic, we delve into the character development that makes this show special. Drawing parallels to "Dungeons and Dragons", we appreciate the meticulous research by the manga's creator, Ryoko Kui, and discuss fan theories that add depth to the storyline. Don't miss out on our thought-provoking debate on the dual nature of magic and our anticipation of Season 2!Text us for feedback and recommendations for future episodes!Support the Show.We thank everyone for listening to our podcast! We hope to grow even bigger to make great things happen, such as new equipment for higher-quality podcasts, a merch store & more! If you're interested in supporting us, giving us feedback and staying in the loop with updates, then follow our ZONE Social Media Portal!DISCLAIMER: The thoughts and opinions shared within are those of the speaker. We encourage everyone to do their own research and to experience the content mentioned at your own volition. We try not to reveal spoilers to those who are not up to speed, but in case some slips out, please be sure to check out the source material before you continue listening!Stay nerdy and stay faithful,- J.B.Subscribe to "Content for Creators" on YouTube to listen to some of the music used for these episodes!

ARTIST BIOGRAPHY Tom Wood is a Fantasy Art Illustrator who is among the best-selling poster artists in the US and Canada. The “Tom Wood Fantasy Art” brand has sold millions of products since 2005. He is also the Owner and Art Director of Meridian Design Works, which creates artwork for well-know properties such as the NFL, Disney, and Warner Bros.  Tom credits his parents, for instilling in him the confidence and character to become the artist he is today. Growing up on a rural farm in Arkansas, Tom was self taught and from the age of five. From his first glimpse of Frazetta's “Death Dealer”, Tom's passion for creating some of the most iconic fantasy works, began. His formal education began at the University of Arkansas (Fayetteville), where he was accepted on full academic scholarship. His first professional work was in the screen-printing industry, art directing many sports designs. This early work education propelled him to an extensive freelance career that he maintains 20 years later w/his Meridian Design Works Corp. Today, Tom Wood's creations of Dragons and Medieval, Death-defying Warriors, have become iconic images of Fantasy Culture across America, Europe and Asia. Leading Manufacturers and publishers have licensed the Tom Wood Fantasy Art property for books, posters, figurines and home décor items (more than 100 different products!) accumulating over 8 million in Retail Sales, at well known retailers in countries such as the U.K., Germany, Italy, the Netherlands, Australia, New Zealand, and China. In addition, in Tom's work as a commercial artist, his clients have included well-known companies like Warner Brothers, Disney, NBA, NFL, MLS, Reebok, Gatorade and the NCAA. When Tom is not in his studio, he is spending time mentoring young artists, at one of his many appearances at Comic Cons across the country, or running the backroads of his farm with his wife, Kim and daughter, Emily. He lives in Mammoth Spring, Arkansas.

ARTIST BIOGRAPHY Tom Wood is a Fantasy Art Illustrator who is among the best-selling poster artists in the US and Canada. The “Tom Wood Fantasy Art” brand has sold millions of products since 2005. He is also the Owner and Art Director of Meridian Design Works, which creates artwork for well-know properties such as the NFL, Disney, and Warner Bros. Tom credits his parents, for instilling in him the confidence and character to become the artist he is today. Growing up on a rural farm in Arkansas, Tom was self taught and from the age of five. From his first glimpse of Frazetta's “Death Dealer”, Tom's passion for creating some of the most iconic fantasy works, began. His formal education began at the University of Arkansas (Fayetteville), where he was accepted on full academic scholarship. His first professional work was in the screen-printing industry, art directing many sports designs. This early work education propelled him to an extensive freelance career that he maintains 20 years later w/his Meridian Design Works Corp. Today, Tom Wood's creations of Dragons and Medieval, Death-defying Warriors, have become iconic images of Fantasy Culture across America, Europe and Asia. Leading Manufacturers and publishers have licensed the Tom Wood Fantasy Art property for books, posters, figurines and home décor items (more than 100 different products!) accumulating over 8 million in Retail Sales, at well known retailers in countries such as the U.K., Germany, Italy, the Netherlands, Australia, New Zealand, and China. In addition, in Tom's work as a commercial artist, his clients have included well-known companies like Warner Brothers, Disney, NBA, NFL, MLS, Reebok, Gatorade and the NCAA. When Tom is not in his studio, he is spending time mentoring young artists, at one of his many appearances at Comic Cons across the country, or running the backroads of his farm with his wife, Kim and daughter, Emily. He lives in Mammoth Spring, Arkansas.

Diverse Voices Book Review host Hopeton Hay interviewed Ytasha Womack, author of BLACK PANTHER: A Cultural Exploration.  In the interview, Womack discussed the impact of the Black Panther comics, and its significance within the context of Afrofuturism.  She also related the history of the Black Panther in Marvel comics, and how different writers have handled the character over the years, each bringing their own perspectives and cultural references to the stories.  Ytasha L. Womack is a critically acclaimed author, filmmaker, dancer, independent scholar, and champion of humanity and the imagination. Her book Afrofuturism: The World of Black Sci Fi & Fantasy Culture (2013) is the leading primer on the exciting subject which bridges science fiction, futurisms, and culture. 

What do we do about recommendation algorithms? What ethical standards could we use to reshape technology? Hosts Annanda and Keisha talk to Stewart Noyce, a technologist who helped develop the internet, and Rev. Dr. Sakena Young-Scaggs, an Afrofuturist scholar and philosopher, to understand how we can all navigate recommendation algorithms in a life-giving way. SHOW NOTES Learn more about Stewart's work in marketing and consulting at StewartNoyce.com See IBM promoting their work at the 1994 Winter Olympics in this vintage ad: https://www.youtube.com/watch?v=JNZ7k9Kgmek How do algorithms drive social inequality? Virginia Eubanks explains in Automating Inequality: How High-Tech Tools Profile, Police and Punish the Poor (St. Martin's Press) What's Afrofuturism all about? Read Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack (Lawrence Hill Books) Learn about Black entrepreneurs receiving 1% of all venture capital: Sources of Capital for Black Entrepreneurs, Harvard Business Review, 2019 by Steven S. Rogers, Stanly Onuoha, and Kayin Barclay Explore more on “life giving and death dealing” from African feminist theologian Mercy Oduyoye in Beads & Strands: Reflections of an African Woman on Christianity in Africa (Theology in Africa), Orbis Press (2013)

This week I'm rejoined by Jonathan Taplin, author of The End of Reality: How 4 Billionaires Are Selling a Fantasy Future of the Metaverse, Mars, and Crypto, to discuss the ways in which popular culture may be leading the public down a dark road. Mr. Taplin has previously been on the show to talk about his career in the entertainment business, from tour manager for Bob Dylan to producer of early Martin Scorsese classics Means Streets and The Last Waltz to his early efforts to introduce video streaming, so he knows a thing or two about the ways in which politics is downstream from culture. If you enjoyed this episode, make sure to share it with a friend!

Alvin Schexnider is an emancipatory designer and a business operations strategist who helps institutions become more effective, just, citizen-centered, and innovative. He has 15 years of experience in leadership across design, strategy, equity, and business operations in the government, nonprofit and for-profit spaces. Currently he is a part of Capital One's Equity and Design team as a senior equity design strategist. Outside his day-to-day work, he runs GraffitiVersal, an organization that makes resources to inspire, elevate, and catalyze change. GraffitiVersal's latest release is called A Continuum of Freeing Design and Vigorous Futures, a card deck detailing an approach for designing for both equitable and just outcomes in the present, and for thriving worlds in the future. We talk about bringing human-centered design to operations and human resources.   Listen to learn about: Alvin's roundabout road into design Alvin's experiences at the Greater Good Studio Using design at the Illinois Department of Health during the COVID-19 pandemic Alvin's role as Senior Equity Design Strategist at Capital One   Our Guest Alvin (he/him) is a designer, futurist, strategist, and illustrator. He's a right brain / left brained DesignOps leader, with 10 + years of tri-sector people management, who uses foresight and equity to build and vitalize impactful organizations. He leverages his 15 years of experience and leadership across strategy & business operations, multidisciplinary design (service design, human-centered design, equity design), and org change to drive concepting, adoption, and implementation of major initiatives. At present, he is a Manager, Design Practice & Equity Design on Capital One's Experience Strategy & Operations Team; previously, he was Sr. Equity Design Strategist in its Equity by Design Program. Before this role, he was Chief People Officer of the Illinois Department of Human Services (IDHS - agency budget of $9 Billion), focused on improving the experience of 14,000 staff while leading a department of 130 people, and before that, he was also Senior Operations Lead for IDHS focusing on strategy, bizops, and service design projects. Alvin began to build capacity in human-centered design as the first Director of Design Operations at Greater Good Studio, a human-centered design firm that works with global foundations, government agencies, and national NGOs. Outside of his day job, Alvin is also Founder & Organizer of GraffitiVersal — an emancipatory lab using design, art, foresight, & Afrofuturism for change. GraffitiVersal's Racial DeckEquity Cardset & Continuum of Freeing Design & Vigorous Futures CardDeck have been used at organizations such as: Meta, LAB at OPM, Univ. of Chicago, and Slalom Consulting. He's also the author of A Kids Book About Radical Dreaming (via A Kids Co.) and is currently writing & illustrating his first Afrofuturist graphic novel for middle schoolers through the Sequential Artists Workshop's Graphic Novel Intensive. Besides hanging with his partner and 2 kids, you'll find him reading N.K. Jemisin or a Black Panther comic book.   Show Highlights [00:39] Alvin's love of art and storytelling started early, as a kid creating his own comics. [05:06] Starting college as a PolySci major with plans to be a lawyer. [07:18] The moment Alvin realized he didn't want to pursue law as a career. [07:56] Moving on to business management studies, and his time in Beijing. [09:02] Starting his business career at Abbott Laboratories and returning to China. [13:21] Sidestepping away from for-profit into mission-driven and non-profit spaces. [15:14] Realizing he had a knack for business operations and systems thinking. [16:47] How his time as Director of Operations at Greater Good Studio transformed his thinking and started him on his own path into design. [21:07] Immersing himself in design spaces and in learning design. [21:57] Taking all he'd learned about human-centered design into his next job — COO of Erie Neighborhood House Services. [23:52] Getting recruited to work for the Illinois Department of Human Services. [27:10] During the COVID-19 pandemic, Alvin used design to help shape the department's response. [29:19] Redesigning policies and spaces to keep staff healthy as essential workers. [35:27] Taking over as the head of HR for the department, and working on improving employee experience. [38:33] Alvin's current role as the Senior Equity Design Strategist for Capital One's Equity by Design team. [43:06] You don't have to be an official designer to use design in your work.   Links Alvin Schexnider on LinkedIn Alvin Schexnider on Medium GraffitiVersal GraffitiVersal on Instagram A Kids Book About Radical Dreaming (A Kids Co Publishing) by Alvin Schexnider - recently released! Wakanda Forever - A Film Review - Human Futures Magazine AIGA Chicago Podcast - Designing For: Equity Interview with Slalom Consulting Continuum Deck of Freeing Design & Vigorous Futures Traveling through the spacetime continuum to escape racism   Books Recommendations Kindred, by Octavia Butler We Do This Til We Free Us, by Mariame Kaba Black Panther: A Nation Under Our Feet, by Ta Nehisi Coates Design Justice: Community-Led Practices to Build the Worlds We Need, by Sasha Costanza-Chock This is Service Design Doing, by Marc Stickdorn, Markus Hormess, and Adam Lawrence Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, by Ytasha Womack Far Sector, by N.K. Jemisin Employee Experience: Develop a Happy, Productive and Supported Workforce for Exceptional Individual and Business Performance, by Ben Whittier Emergent Strategy: Shaping Change, Changing Worlds, by Adrienne Maree Brown Good Services: How to Design Services that Work, by Louise Downe Drawn Together, by Minh Lê and Dan Santat   Other Design Thinking 101 Episodes You Might Like Designing for the Greater Good, Strategy + Design Thinking, and Measuring Design Thinking with Jeanne Liedtka — DT101 E1 Critical and Emancipatory Design Thinking with Lesley-Ann Noel — DT101 E57 5.5 Things Every Designer Should Know About: The Opioid Overdose Epidemic (Part 1) with Stacy Stanford — DT101 E102

Alvin Schexnider is an emancipatory designer and a business operations strategist who helps institutions become more effective, just, citizen-centered, and innovative. He has 15 years of experience in leadership across design, strategy, equity, and business operations in the government, nonprofit and for-profit spaces. Currently he is a part of Capital One's Equity and Design team as a senior equity design strategist. Outside his day-to-day work, he runs GraffitiVersal, an organization that makes resources to inspire, elevate, and catalyze change. GraffitiVersal's latest release is called A Continuum of Freeing Design and Vigorous Futures, a card deck detailing an approach for designing for both equitable and just outcomes in the present, and for thriving worlds in the future. We talk about bringing human-centered design to operations and human resources.   Listen to learn about: Alvin's roundabout road into design Alvin's experiences at the Greater Good Studio Using design at the Illinois Department of Health during the COVID-19 pandemic Alvin's role as Senior Equity Design Strategist at Capital One   Our Guest Alvin (he/him) is a designer, futurist, strategist, and illustrator. He's a right brain / left brained DesignOps leader, with 10 + years of tri-sector people management, who uses foresight and equity to build and vitalize impactful organizations. He leverages his 15 years of experience and leadership across strategy & business operations, multidisciplinary design (service design, human-centered design, equity design), and org change to drive concepting, adoption, and implementation of major initiatives. At present, he is a Manager, Design Practice & Equity Design on Capital One's Experience Strategy & Operations Team; previously, he was Sr. Equity Design Strategist in its Equity by Design Program. Before this role, he was Chief People Officer of the Illinois Department of Human Services (IDHS - agency budget of $9 Billion), focused on improving the experience of 14,000 staff while leading a department of 130 people, and before that, he was also Senior Operations Lead for IDHS focusing on strategy, bizops, and service design projects. Alvin began to build capacity in human-centered design as the first Director of Design Operations at Greater Good Studio, a human-centered design firm that works with global foundations, government agencies, and national NGOs. Outside of his day job, Alvin is also Founder & Organizer of GraffitiVersal — an emancipatory lab using design, art, foresight, & Afrofuturism for change. GraffitiVersal's Racial DeckEquity Cardset & Continuum of Freeing Design & Vigorous Futures CardDeck have been used at organizations such as: Meta, LAB at OPM, Univ. of Chicago, and Slalom Consulting. He's also the author of A Kids Book About Radical Dreaming (via A Kids Co.) and is currently writing & illustrating his first Afrofuturist graphic novel for middle schoolers through the Sequential Artists Workshop's Graphic Novel Intensive. Besides hanging with his partner and 2 kids, you'll find him reading N.K. Jemisin or a Black Panther comic book.   Show Highlights [00:39] Alvin's love of art and storytelling started early, as a kid creating his own comics. [05:06] Starting college as a PolySci major with plans to be a lawyer. [07:18] The moment Alvin realized he didn't want to pursue law as a career. [07:56] Moving on to business management studies, and his time in Beijing. [09:02] Starting his business career at Abbott Laboratories and returning to China. [13:21] Sidestepping away from for-profit into mission-driven and non-profit spaces. [15:14] Realizing he had a knack for business operations and systems thinking. [16:47] How his time as Director of Operations at Greater Good Studio transformed his thinking and started him on his own path into design. [21:07] Immersing himself in design spaces and in learning design. [21:57] Taking all he'd learned about human-centered design into his next job — COO of Erie Neighborhood House Services. [23:52] Getting recruited to work for the Illinois Department of Human Services. [27:10] During the COVID-19 pandemic, Alvin used design to help shape the department's response. [29:19] Redesigning policies and spaces to keep staff healthy as essential workers. [35:27] Taking over as the head of HR for the department, and working on improving employee experience. [38:33] Alvin's current role as the Senior Equity Design Strategist for Capital One's Equity by Design team. [43:06] You don't have to be an official designer to use design in your work.   Links Alvin Schexnider on LinkedIn Alvin Schexnider on Medium GraffitiVersal GraffitiVersal on Instagram A Kids Book About Radical Dreaming (A Kids Co Publishing) by Alvin Schexnider - recently released! Wakanda Forever - A Film Review - Human Futures Magazine AIGA Chicago Podcast - Designing For: Equity Interview with Slalom Consulting Continuum Deck of Freeing Design & Vigorous Futures Traveling through the spacetime continuum to escape racism   Books Recommendations Kindred, by Octavia Butler We Do This Til We Free Us, by Mariame Kaba Black Panther: A Nation Under Our Feet, by Ta Nehisi Coates Design Justice: Community-Led Practices to Build the Worlds We Need, by Sasha Costanza-Chock This is Service Design Doing, by Marc Stickdorn, Markus Hormess, and Adam Lawrence Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, by Ytasha Womack Far Sector, by N.K. Jemisin Employee Experience: Develop a Happy, Productive and Supported Workforce for Exceptional Individual and Business Performance, by Ben Whittier Emergent Strategy: Shaping Change, Changing Worlds, by Adrienne Maree Brown Good Services: How to Design Services that Work, by Louise Downe Drawn Together, by Minh Lê and Dan Santat   Other Design Thinking 101 Episodes You Might Like Designing for the Greater Good, Strategy + Design Thinking, and Measuring Design Thinking with Jeanne Liedtka — DT101 E1 Critical and Emancipatory Design Thinking with Lesley-Ann Noel — DT101 E57 5.5 Things Every Designer Should Know About: The Opioid Overdose Epidemic (Part 1) with Stacy Stanford — DT101 E102

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective. Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective. Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective. Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective. Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective. Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism (MIT Press, 2022), edited by Roy Christopher, is a moment. It is the deconstructed sample, the researched lyrical metaphors, the aha moment on the way to hip-hop enlightenment. Hip-hop permeates our world, and yet it is continually misunderstood. Hip-hop's intersections with Afrofuturism and science fiction provide fascinating touchpoints that enable us to see our todays and tomorrows. This book can be, for the curious, a window into a hip-hop-infused Alter Destiny--a journey whose spaceship you embarked on some time ago. Are you engaging this work from the gaze of the future? Are you the data thief sailing into the past to U-turn to the now? Or are you the unborn child prepping to build the next universe? No, you're the superhero. Enjoy the journey.--from the introduction by Ytasha L. Womack Through essays by some of hip-hop's most interesting thinkers, theorists, journalists, writers, emcees, and DJs, Boogie Down Predictions embarks on a quest to understand the connections between time, representation, and identity within hip-hop culture and what that means for the culture at large. Introduced by Ytasha L. Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, this book explores these temporalities, possible pasts, and further futures from a diverse, multilayered, interdisciplinary perspective. Alex Kuchma is an MA student in history at York University. He has have researching hip-hop actively and collecting oral histories for more than a decade. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Tom Wood is a Fantasy Art Illustrator who is among the best-selling poster artists in the US and Canada. The “Tom Wood Fantasy Art” brand has sold millions of products since 2005. He is also the Owner and Art Director of Meridian Design Works, which creates artwork for well-know properties such as the NFL, Disney, and Warner Bros. Tom credits his parents, for instilling in him the confidence and character to become the artist he is today. Growing up on a rural farm in Arkansas, Tom was self taught and from the age of five. From his first glimpse of Frazetta's “Death Dealer”, Tom's passion for creating some of the most iconic fantasy works, began. His formal education began at the University of Arkansas (Fayetteville), where he was accepted on full academic scholarship. His first professional work was in the screen-printing industry, art directing many sports designs. This early work education propelled him to an extensive freelance career that he maintains 20 years later w/his Meridian Design Works Corp. Tom Wood's creations of Dragons and Medieval, Death-defying Warriors, have become iconic images of Fantasy Culture across America, Europe and Asia. Leading Manufacturers and publishers have licensed the Tom Wood Fantasy Art property for books, posters, figurines and home décor items (more than 100 different products!) accumulating over 8 million in Retail Sales, at well known retailers in countries such as the U.K., Germany, Italy, the Netherlands, Australia, New Zealand, and China. In addition, in Tom's work as a commercial artist, his clients have included well-known companies like Warner Brothers, Disney, NBA, NFL, MLS, Reebok, Gatorade and the NCAA. When Tom is not in his studio, he is spending time mentoring young artists, at one of his many appearances at Comic Cons across the country, or running the backroads of his farm with his wife, Kim and daughter, Emily. He lives in Mammoth Spring, Arkansas. https://tomwoodfantasyart.com/

Tom Wood is a Fantasy Art Illustrator who is among the best-selling poster artists in the US and Canada. The “Tom Wood Fantasy Art” brand has sold millions of products since 2005. He is also the Owner and Art Director of Meridian Design Works, which creates artwork for well-know properties such as the NFL, Disney, and Warner Bros. Tom credits his parents, for instilling in him the confidence and character to become the artist he is today. Growing up on a rural farm in Arkansas, Tom was self taught and from the age of five. From his first glimpse of Frazetta's “Death Dealer”, Tom's passion for creating some of the most iconic fantasy works, began. His formal education began at the University of Arkansas (Fayetteville), where he was accepted on full academic scholarship. His first professional work was in the screen-printing industry, art directing many sports designs. This early work education propelled him to an extensive freelance career that he maintains 20 years later w/his Meridian Design Works Corp. Tom Wood's creations of Dragons and Medieval, Death-defying Warriors, have become iconic images of Fantasy Culture across America, Europe and Asia. Leading Manufacturers and publishers have licensed the Tom Wood Fantasy Art property for books, posters, figurines and home décor items (more than 100 different products!) accumulating over 8 million in Retail Sales, at well known retailers in countries such as the U.K., Germany, Italy, the Netherlands, Australia, New Zealand, and China. In addition, in Tom's work as a commercial artist, his clients have included well-known companies like Warner Brothers, Disney, NBA, NFL, MLS, Reebok, Gatorade and the NCAA. When Tom is not in his studio, he is spending time mentoring young artists, at one of his many appearances at Comic Cons across the country, or running the backroads of his farm with his wife, Kim and daughter, Emily. He lives in Mammoth Spring, Arkansas. https://tomwoodfantasyart.com/

One art movement has become a household name in a way that few recent art movements can match. This is Afrofuturism. From the Metropolitan Museum of Art, installing an Afrofuturist period room to the blockbuster movie Black Panther and its sequel to an upcoming survey of the movement at the National Museum of African American history and culture, Afrofuturism is being canonized in art and beyond. It's an extraordinarily rich tradition, bringing together influences from experimental jazz and Detroit techno sci-fi and fantasy, art and technology. With Black History Month here, we decided to dig into Afrofuturist art history with Ytasha Womack. Womack is the author of Afrofuturism, The World of Black Sci-fi and Fantasy Culture. She's also an artist herself, actively working in the tradition now. So how can you define the afro futurist aesthetic? What are some of its touchstones? And why has there been such a surge of excitement around Afrofuturism in the recent past? Artnet News National Art Critic, Ben Davis, sits down with Womack to find out.

One art movement has become a household name in a way that few recent art movements can match. This is Afrofuturism. From the Metropolitan Museum of Art, installing an Afrofuturist period room to the blockbuster movie Black Panther and its sequel to an upcoming survey of the movement at the National Museum of African American history and culture, Afrofuturism is being canonized in art and beyond. It's an extraordinarily rich tradition, bringing together influences from experimental jazz and Detroit techno sci-fi and fantasy, art and technology. With Black History Month here, we decided to dig into Afrofuturist art history with Ytasha Womack. Womack is the author of Afrofuturism, The World of Black Sci-fi and Fantasy Culture. She's also an artist herself, actively working in the tradition now. So how can you define the afro futurist aesthetic? What are some of its touchstones? And why has there been such a surge of excitement around Afrofuturism in the recent past? Artnet News National Art Critic, Ben Davis, sits down with Womack to find out.

Hey!! This week we talk about the importance of proper burial, the church girl single from the Renaissance album, and we go over the basics of Aforfuturism as a practical framework. Website: christxn.com Personal Email: contact@christxn.com Cashapp: $christxnn Social media Insta: @blkrdlpod Twitter: @blkrdlpod Podcast Email: blkrdlimgns@gmail.com Citations Sex Workers, Psychics, and Numbers Runners: Black Women in New York City's Underground Economy by LaShawn Harris Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack Queer Times, Black Futures by Kara Keeling https://www.oprahdaily.com/entertainment/a40786806/beyonce-renaissance-album-review/ Black Radical Imagination Episode - https://anchor.fm/christin-smith/episodes/Black-Radical-Imagination-e8v8vo/a-a2acnau Spirituality as Technology in Afrofuturism - ttps://www.cambridge.org/core/journals/journal-of-the-society-for-american-music/article/foreword-after-afrofuturism/5FD0350854199D76971D1CD94B17A29E Claudia Jones - https://claudiajonesschool.org Black women radicals - https://www.blackwomenradicals.com

In GBN's "A Year of Good Black News" Page-A-Day Calendar" for 2022, we explore words and phrases in a category we call "Lemme Break It Down." Today's entry takes a look at "Afrofuturism" -- a term used to describe a movement within Black culture from the 1950s to present that uses science fiction and fantasy as frameworks to reimagine the African diaspora in music, art, literature, film, and fashion.To learn more, read Mark Dery's seminal 1994 "Black to the Future" essay, Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack, Afrofuturism 2.0: The Rise fo Astro-Blackness edited by Reynaldo Anderson and Charles E. Jones, watch Afrofuturism 101 at pbs.org, download the This American Life “We Are The Future” episode on Afrofuturism by Neil Drumming, check out other Afrofuturism-themed podcasts on player.fm, and listen to the awesome “Space is The Place” Afrofuturism playlist curated by Good Black News contributor Marlon West.Sources:https://www.wired.com/story/how-afrofuturism-can-help-the-world-mend/https://www.wnycstudios.org/podcasts/anxiety/episodes/black-people-are-outer-spacehttps://newsroom.ucla.edu/magazine/afrofuturismhttps://www.architecturaldigest.com/story/what-is-afrofuturismhttps://www.essence.com/entertainment/a-beginners-guide-afrofuturism/https://www.sfjazz.org/onthecorner/we-travel-space-ways-afrofuturism-musichttps://www.npr.org/transcripts/968498810https://youtu.be/154XnA1xcis (short video on Afrofuturism)https://youtu.be/ppNai6KOXyQ (Afrofuturism in film)https://youtu.be/IW1eUuZaF2o (Afrofuturism TedX Masi Mbewe)

Carnegie Hall's Afrofuturism festival explores the artistic movement through performances, talks and other events across New York City, running through March. Ytasha Womack, curatorial council member and author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, joins us for a preview.

OI Podcast Episode 16 Afrofuturism: Ancient Egypt in Speculative Fiction Ytasha Womack Time as a web, weaved in storytelling to offer a remix of narratives exploring who we are and how we got here. Author Ytasha Womack, "Afrofuturism: The World of Black Sci-Fi and Fantasy Culture," joins us for a discussion that examines the Black Speculative Arts Movement in general and the roles that ancient Egyptian culture and religion play in her upcoming graphic novel, "Blak Kube." To explore this topic, look for "Afrofuturism" by Ytasha Womack, Lawrence Hill Books, 2013. Available everywhere books are sold. The graphic novel "Blak Kube" is coming soon! This podcast continues our Contemporary Artist/Ancient Voices series, a set of conversations with artists who draw inspiration from the ancient Middle East. These conversations focus on individual artists interpretations of the ancient world, and are not intended to provide historical accuracy. A video version of this discussion with images can be viewed on the Oriental Institute YouTube channel: https://youtu.be/bPBnrU8mUnI To support OI research, become a member of the Oriental Institute. To explore the benefits of joining, please visit: https://oi.uchicago.edu/join-and-give/become-member Please excuse the audio and video quality, this was recorded at home during the pandemic. 2021, Oriental Institute Image credits and original art: Tim Fielder, Infinitum John Jennings Album covers: The ArchAndroid, Janelle Monáe, Wonderland Arts Society, Atlantic, Bad Boy, 2013 Raise!, Earth Wind and Fire, ARC, Columbia, 1981 Next Lifetime, Erykah Badu, Kedar Records, 1997 Music: Andrew List Intro Music: bensound.com

We talk with Lynnicia Massenburg, Dr. Kristen Lillvis, and Dr. Kendra R. Parker about Octavia E. Butler's dystopian novel Parable of the Sower. This is in advance of a book discussion on the novel hosted by Schlow Library in collaboration with the Black Graduate Student Association at Penn State. Come join us!If you'd like to read Parable of the Sower, we have it in print, ebook, audiobook, and comic form. Also in this episode, our Underwriters from Fiction comes from Pawnee, Indiana's largest Internet Service Provider, and our prose nightcap is a selection from Nancy McCabe's memoir Can This Marriage Be Saved?Further reading & listening Lavender III, I. (2019). Afrofuturism Rising: The Literary Prehistory of a Movement. United States: Ohio State University Press.Womack, Y. (2013). Afrofuturism: The World of Black Sci-fi and Fantasy Culture. United States: Chicago Review Press.Eshun, K. (2003). Further Considerations on Afrofuturism. CR: The New Centennial Review, 3(2), 287-302. Retrieved February 2, 2021, from http://www.jstor.org/stable/41949397The Bloomsbury Handbook to Octavia E. Butler. (2020). United Kingdom: Bloomsbury Publishing.Parker, K. R. (2018). Black Female Vampires in African American Women’s Novels, 1977–2011: She Bites Back. United States: Lexington Books.Lillvis, K. (2017). Posthuman Blackness and the Black Female Imagination. Greece: University of Georgia Press.Rhee, M. (2017). Love, Robot. United States: Operating System.Shaw, K. (2019). Too Numerous. United States: University of Massachusetts Press.Bertram, L. (2019). Travesty Generator. United States: Noemi Press.Adrienne Maree Brown & Toshi Reagon (2019-2020). Octavia's Parables. Retrieved February 2, 2021Shankar Vedantam, et al. (2019). Where does religion come from? One researcher points to 'cultural' evolution. Hidden Brain. Retrieved February 2, 2021Additional info on BGSA's Black Business Week coming up in Feb. 2021.

Kwame Scruggs, PhD and Alchemy, Inc.  (http://alchemyinc.net/)Octavia E. Butler (https://www.octaviabutler.com/)Outkast (https://www.outkast.com/)Sun Ra - (http://www.sunraarkestra.com/)Torri's Skeleton Key - Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack (https://www.amazon.com/Afrofuturism-World-Sci-Fi-Fantasy-Culture/dp/1613747969/ref=sr_1_1?dchild=1&keywords=afrofuturism+womack&qid=1609698028&sr=8-1) John's Skeleton Key - Cosmic Tones for Mental Therapy by Sun Ra (https://www.amazon.com/Cosmic-Tones-Mental-Therapy-Forms/dp/B0000014JO/ref=sr_1_1?dchild=1&keywords=Sun+Ra+Cosmic+tones&qid=1609698162&sr=8-1) Torri Yates-Orr - @TorriYatesOrrJohn Bucher - @johnkbucher

Ytasha Womack is an award-winning author, filmmaker, independent scholar, and dance therapist. She is a leading expert on Afrofuturism, the imagination, and its applications. Ytasha frequently lectures on the subject across the world. Her book Afrofuturism: The World of Black Sci-Fi and Fantasy Culture is the leading primer on the subject and taught in colleges and universities. Afrofuturism is also a Locus Awards Nonfiction Finalist. Ytasha directed the Afrofuturist dance film A Love Letter to the Ancestors From Chicago and was a screenwriter of the romantic comedy Couples Night.  Ytasha talked to Aleks about her early love of dance, libraries and the movie The Wiz...and about the icon who inspired her scholarship and art. She also talks about how she looks to the past and present to help her understand how the future might be. To find out more about Ytasha Womack go to decolonizemars.org. You can find her on Twitter at @ytashawomack And if you want to know more about Katherine Dunham and the Katherine Dunham Center for Arts and Humanities go to kdcah.org 

Ytasha Womack is an award-winning author, filmmaker, independent scholar, and dance therapist. She is a leading expert on Afrofuturism, and on the imagination and its applications. In this conversation, we discuss her book Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, her film A Love Letter To The Ancestors From Chicago, and much more.

What is an Afrofuturist? Damizbonitafoxx explains... Copyright 2013 by Ytasha L. Womack Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/myliterarylove/support

Episode 9 brings Afro-futurism, Afro-goth and Afro-punk to the party! An ode to black subcultures and how they have shaped the black community as a whole and the individuals within it.Sources: Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, Huffington Post, Vice.com, Screamin' Jay Hawkins, The Animals, Mansonwiki, Tim Curry, Darkly: Black History and America's Gothic Soul, Afro-punk, Afro-punk (film), Afropunk Festival, Rock n' Roll N*****, the issue with the perceived "whiteness" of being an alternative black girl , Katt Williams, Tyler Perry, Diary of a Mad Black Woman, Why Did I Get Married?, Acrimony, See You Yesterday, Hocus Pocus, KVD Vegan Beauty Makeup Collection. Star Trek, Star Wars, Firefly, Vast of Night

This week, after introducing his players to a new region of his world, Joe talks about how building and crafting culture for your fantasy setting can bring depth and relativism to your games. Ben give's insights on the technique from a players perspective. Didn't hear the one thing that'll get your creative brain going? let us know: Find us on twitter: @WeSpeakCommon Email us at wespeakcommon@hotmail.com Visit us online at https://wespeakcommon.com/ Music: "Street Dancing" by Timecrawler 82 From the Free Music Archive CC by NC

Today's Topic The long and short of creating a culture framework Reading about cultures in national geographic was my first step into worldbuilding. The similarities and differences of cultures and how they change over time have been fascinating.  Years ago I learned about the idea of language families.  So I extended the idea of language families and came up with a protoculture or a fantasy culture group. The idea is that as the hunter-gatherer culture separates.  Not only does the language change, but so does the way the people believe. So Join Michael and Jeffery as the look about how to create a fantasy culture group in your fictional world. Please Subscribe, Rate and Review us on iTunes For complete Fantasy Worldbuilding, show notes go to Gardul.com Podcast Show flow What is a framework? What Elements do you need? The long of it What makes up a culture Group verses Ethnicity Verses Western Couture vs English The 5 Big question Why do think they are related Shared language Shared religion Shared customs Shared believes and norms Remember!!! The longer the shared experiences are separate 2 groups the more alien they will appear to each other. Imagine a Norseman meeting a person speaking Bengali in 1000 AD. Would the consider themselves distant cousins? The Short of it Enough to know them No more than what you need, Wiggle Room Use as a base for any cultures you create Worldbuilding Task                 Create a culture group framework in your world Real world task Learn to say no Michael's Resources Use Gardul.com/Amazon when shopping online to help support the show Links ((((((((((((((((((((((((((( Visit Show notes ))))))))))))))))))))))))) https://www.gardul.com/news/episode-277-basics-of-fantasy-culture-group-creation/   ((((((((((((((((((((((((((( Mentions links ))))))))))))))))))))))))) HowToWorldbuild.com HowToWorldbuild.com/soon     ((((((((((((((((((((((((((( Rate and Review us in iTunes ))))))))))))))))))))))))) https://itunes.apple.com/us/podcast/worldbuilders-anvil/id956705643?mt=2   ((((((((((((((((((((((((((( Like our Facebook Page ))))))))))))))))))))))))) https://www.facebook.com/GardulStories/   ((((((((((((((((((((((((((( Join our Facebook Group ))))))))))))))))))))))))) https://www.facebook.com/groups/undercroft/   ((((((((((((((((((((((( Support us by using our Amazon Affiliate Link ))))))))))))))))))))) http://gardul.com/Amazon   ((((((((((((((((((((((((((( Jeff on Twitter  ))))))))))))))))))))))))) https://twitter.com/JefferyWIngram

So, Jeff was working on classes for his very-side-indie RPG video game and thought that brainstorming worldbuilding classes for a fantasy culture would be a great episode We often think about fictional characters in a vacuum.  However, may people who live around each other have many of the same skills.  So why not use classes when you worldbuild.  It will save you time creating characters in your fiction, and lots of time if you are creating new classes for your RPG world. Join Michael and Jeff as they brainstorm character creation in a fantasy culture. Please Subscribe, Rate and Review us on iTunes For complete Fantasy Worldbuilding, show notes go to Gardul.com Podcast Show flow Classes for world building vs RPG game What jobs are needed to be done to survive? How do they fight? How is magic performed? What about holymen? what common skill are used by the people Dissecting a culture for classes Baurhdrakkeim bronze age Worldbuilding Task Create classes for your fantasy culture Real world task It is spring get out of your house. Michael's Resources Use Gardul.com/Amazon when shopping online to help support the show Links ((((((((((((((((((((((((((( Visit Show notes ))))))))))))))))))))))))) https://www.gardul.com/blog/episode-273-brainstorming-worldbuilding-classes-for-a-fantasy-culture/ ((((((((((((((((((((((((((( Mentions links ))))))))))))))))))))))))) HowToWorldbuild.com HowToWorldbuild.com/soon     ((((((((((((((((((((((((((( Rate and Review us in iTunes ))))))))))))))))))))))))) https://itunes.apple.com/us/podcast/worldbuilders-anvil/id956705643?mt=2   ((((((((((((((((((((((((((( Like our Facebook Page ))))))))))))))))))))))))) https://www.facebook.com/GardulStories/   ((((((((((((((((((((((((((( Join our Facebook Group ))))))))))))))))))))))))) https://www.facebook.com/groups/undercroft/   ((((((((((((((((((((((( Support us by using our Amazon Affiliate Link ))))))))))))))))))))) http://gardul.com/Amazon   ((((((((((((((((((((((((((( Jeff on Twitter  ))))))))))))))))))))))))) https://twitter.com/JefferyWIngram

Our incredible guests Brandon Dixon (Swordsfall) and C. Spike Trotman (Iron Circus Comics), along with special guest co-host Ytasha Womack (Afrofuturism: The World of Black Sci Fi & Fantasy Culture), give you a guided tour of Afrofuturism and Afropunk in games and fiction. Along the way, we'll discuss our parents, eating breakfast, and being old enough to remember the original She-Ra.

On this episode, I sit down with Alisha Wormsley, an artist based in Pittsburgh who creates photos, sculpture, sound, and time-based work based on collective memory and the synchronicity of time periods. I first came to know of Alisha through her Homewood Residency program, but more recently Alisha gained attention for one of her text-based work. To give a bit of background, Alisha was invited to exhibit a text for The Last Billboard, a project founded by the artist Jon Rubin who offered a rotating cast of artists a chance to present text on a billboard. The billboard resides in East Liberty, a quickly gentrifying neighborhood with new neighbors that include Google and freshly constructed apartment complexes and condos. Alisha presented the text, “There Are Black People In The Future.” People from the neighborhood complained and the property’s landlord removed the text. I’ve attached a Hyperallergic link on the SeeingColor website with more information. I caught up with Alisha right after she finished teaching a class and we get into the origins of the text, her decision to go to grad school, and future plans. The sound quality isn’t the best, so I must apologize for that. I hope you still enjoy this. Links Mentioned: Alisha's Website Alisha's Instagram *Hyperallergic Article on Alisha's Billboard Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack Kwobo Ashume: Further Considerations on Afrofuturism Quick History of Conflict Kitchen Follow Seeing Color: Seeing Color Website Subscribe on Apple Podcasts Facebook Twitter Instagram

A Marvel movie, an afrofuturistic dream, a box office phenomenon… and more? We take a side step from page to screen to comment on the many ways that Black Panther works, and works well.  A few things are mentioned during the podcast that you may want to read about in greater detail: Ytasha Womack’s Afrofuturism: The World of Black Sci-Fi and Fantasy Culture:https://www.amazon.com/Afrofuturism-World-Sci-Fi-Fantasy-Culture/dp/1613747969 Afrofuturism in the costume design of Black Panther:https://www.nytimes.com/2018/02/23/movies/black-panther-afrofuturism-costumes-ruth-carter.html Hero lighting for dark-skinned characters, as discussed by Ava DuVernay:http://www.vulture.com/2016/09/ava-duvernay-directing-queen-sugar.html The Black Panther as written by Ta-Nehisi Coates:http://ta-nehisicoates.com/graphic-novels/http://marvel.com/comics/creators/12803/ta-nehisi_coates The Black Panther and the Dora Milaje as written by Nnedi Okorafor:http://nnedi.com/books/black-panther-long-live-the-king.htmlhttps://news.marvel.com/comics/86337/fighting-wakanda-forever/https://www.vogue.com/article/black-panther-dora-milaje-comic-series-preview

This week, Alice and Kim discuss Idaho extremists, the women who made the internet, and how closely you should identify with Lord Byron (among other things). We're sponsored this week by: She Caused a Riot: 100 Unknown Women Who Built Cities, Sparked Revolutions, and Massively Crushed It by Mackenzi Lee Everything Is Horrible and Wonderful by Stephanie Wittels Wachs   NEW RELEASES Educated by Tara Westover (February 20th, 2018) Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans (March 6, 2018) Fisherman's Blues by Anna Badkhen (March 13, 2018) The Wonder Down Under: The Insider's Guide to the Anatomy, Biology, and Reality of the Vagina by Ellen Støkken Dahl and Nina Brochmann (March 6, 2018)   THEME OF THE WEEK: International Women's Day In Order to Live: A North Korean Girl's Journey to Freedom by Yeonmi Park I Am Malala by Malala Yousafzai Mighty Be Our Powers: How Sisterhood, Prayer, and Sex Changed a Nation at War by Leymah Gbowee A Moonless, Starless Sky: Ordinary Women and Men Fighting Extremism in Africa by Alexis Okeowo   FICTION/NONFICTION White Houses by Amy Bloom Eleanor and Hick by Susan Quinn Black Panther by Ta-Nehisi Coates and World of Wakanda by Roxane Gay Who Is the Black Panther by Jesse Holland Black Against Empire: The History and Politics of the Black Panther Party by Joshua Bloom Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack   WHAT WE'RE READING I'll Be Gone in the Dark by Michelle McNamara Double Bind: Women on Ambition by Robin Romm   THE EXTRA STUFF Books mentioned in passing: The Glass Universe by Dava Sobel Hidden Figures by Margot Lee Shetterly Rise of the Rocket Girls by Nathalia Holt The Radium Girls by Kate Virgin: The Untouched History by Hanne Blank Without You, There Is No Us by Suki Kim Other Media: The Dork Forest podcast (Michelle McNamara episodes) 100 Must-Read Titles About Women's History

This week's guest is Ytasha Womack, discussing her book Afrofuturism: The World of Black Sci-Fi & Fantasy Culture. It's a great book that explores the importance of black creators and black representation in the science fiction space. Ytasha's book makes the case for imagining futures created by and for people of color from George Clinton to Nnedi Okorafor.Pick up a copy of the book here: http://www.chicagoreviewpress.com/afrofuturism-products-9781613747964.phpAnd be sure to follow Ytasha on twitter at: https://twitter.com/ytashawomack

Megan talks to Ytasha Womack, author of Afrofuturism: The World of Black Sci-fi and Fantasy Culture about the origins, values, and art of the movement. The post S02, E10: Ytasha Womack on Afrofuturism first appeared on Breaking the Glass Slipper.

Megan talks to Ytasha Womack, author of Afrofuturism: The World of Black Sci-fi and Fantasy Culture about the origins, values, and art of the movement.

I am interviewing Ytasha Womack, author of Afrofuturism: The World of Black Sci-Fi and Fantasy Culture, Rayla 2212, and Post Black: How a New Generation Is Redefining African American Identity, about New Thought and Afro-futurism.

Today's Topic - Creations Myths are the key to understanding your fantasy cultures Creation myths are a great place to start when developing a new Fantasy Culture.  *Stops listens for a drum roll. However, only seeing a group of crickets he quickly moves on* Yes, it is a bad joke.  However, there’s truth in them thar words. Yes, truth. We often try and understand the cultures in our fantasy worlds. However, how often to we look at the myths of the cultures.  We often on think them up when they are needed.  However, If you are building a naturalist fantasy world.  It really is in your best interest to create a basic outline for the important myths.  This will tell you what the early culture found important, and once you know that building religion. In today’s episode, we are looking at the themes for ten earth cultures and a quick bonus myth from the dragon culture on Gardul. Join us for some inspiration and practice at creating creation myths for your fantasy cultures. Enjoy the episode and comment below to tell us what we missed. Podcast Show Flow Categories for this wonderfulwiki page on a List of Creation Myths  Out of Chaos Earth Driver Out of nothing Emergent World Parent Please Subscribe, Rate and Review us in iTunes For complete Fantasy Worldbuilding show notes go to Gardul.com Michael's Resources Use Gardul.com/Amazon when shopping online to help support the show The Worldbuilding Task for the Day Create a Creation Myth The Real World task for the day Step outside and enjoy the world you live in. The Tease Humor in your Fantasy World

Today's Topic - Fantasy Culture Arts, Dress, And Architecture Please Subscribe, Rate and Review us in iTunes Specific until Incorporated into a state.  The Symbology Geography Materials for clothing Materials for Building Types of clothing Materials Colors Clasp Accessories Architecture Inspiration Important Structures Type of materials Arts Based on materials Stone Wood and weeds Mud Metals Pigments and Paints Common goods The Mouth

Join Noa Jones and MC Brooks on Wednesday, March 26th, as we discuss Afrofuturism and its influence on music, black geek culture, literature and various other forms of media. We will discuss Janelle Monae, Octavia Butler, John Jennings and Ytasha Womack will join us at 9pm EST to discuss her recent book on the subject: Afrofuturism: The World of Black Sci-Fi and Fantasy Culture."