Podcast appearances and mentions of Andy Timmons

Mentioned in this EpisodeConnect with the Podcast: Facebook: @texaswinepod Instagram: @texaswinepod Email: texaswinepod@gmail.com Visit www.thisistexaswine.com Help the Show: Subscribe to the newsletter. Donate virtual Texas wine or join the podcast membership at the Gold Medal, Silver Medal, or Bronze Medal Level! Leave a review on Spotify or Apple Podcasts! Texas Wine In the NewsSilicon Valley Bank Report on DTC Shipping Reported by The Drinks Business: “Smaller wineries lead economic turnaround in the US”Brittany Brillo Garley for Eater Houston: “The Texas Michelin-Recognized Sommelier Who Is Allergic to Wine”Wes Marshall for The Austin Chronicle: "Nine Texas Wines Receive Decanter AwardsWineries, claim your listing and consider membership at Texas Wine Lover - Signup PageInterview with Andrew Sides of Lost Draw Wines Lost Draw Wines Demerit and Gold Star Gold Star: Fredericksburg's Food and Drink (Wine!) Scene for being included in Food and Wine Magazine's recent article “The Top Small US Cities for Food and Drink” Special ThanksNeed lodging in Fredericksburg? Check out Cork + Cactus! Find Cork + Cactus and many more great rentals at Heavenly Hosts.com! Thanks to Texas Wine Lover for promotional help! For the latest information on Texas wineries and vineyards, visit Texas Wine Lover. Don't forget to download the Texas Wine Lover app too!Wine & Food FoundationI'm so happy to be part of the community of wine and food lovers at The Wine & Food Foundation! Get more information about upcoming events, wine education classes, and membership options here.

David Fleming speaks with Andy Timmons about his newest release, Recovery. A mostly instrumental, guitar-driven album with MANY layers, textures, colors... Every release from Andy or The Andy Timmons Band has been outstanding... this one is no exception.

On this edition of KVC-Arts David Fleming speaks with Andy Timmons about his 2025 release, Recovery, just out. Like Electric Truth, this is a mostly instrumental album with many moods, layers, and color to take you to and through SO many places. Kicking off with a tune written for Jeff Beck and flowing from there. We'll also hear about a piece he had written with Peter Frampton in mind… then ended up having Frampton perform ON it!

In the studio up near Dallas today talking with one of the most versatile guitar players in rock music - Andy Timmons. From his rock roots to his trademark melodic playing on songs from his new CD 'Recovery'; to touring with his 80's glam metal band 'Danger Danger' (and opening for Kiss and Alice Cooper!) Andy gives a glimpse into the world of rock and roll and what it's like working with Steve Vai, Eric Johnson, Steve Morse to 60's singing stars like The Beach Boys and Lesley Gore. Bring along your love of music and listen in to what this stand out studio session player has to say and join us.About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Join us in my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! New episodes every other Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereA very special thank you to friends who helped bring my Spotlight Conversations podcast together and especially for their continued support:Booth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird StudiosAffiliated Stations:Radio Free RaleighHouston Radio Platinum

Guitar hero Andy Timmons on the podcast this week. If you want to learn how to play like Andy, start by listening to this podcast.

Andy Timmons has had an incredible career spanning decades, from his early days with Danger Danger to his acclaimed solo work and collaborations with music giants. His signature tone, soulful phrasing, and technical mastery have made him one of the most respected guitarists in the industry.His latest album, Recovery, is a deeply personal project that reflects his journey through life's highs and lows. Known for his ability to blend melody with emotion, Timmons delivers a record filled with powerful compositions and expressive guitar work. Fans can expect soaring solos, intricate arrangements, and a raw honesty that makes Recovery one of his most compelling releases yet.Beyond the album, Andy has big plans for 2025, including international tours, masterclasses, and new collaborations. Always pushing himself musically, he continues to inspire guitarists worldwide with his dedication to the craft and innovative approach to the instrument.We also dive into his influences, the gear he loves, and the creative process behind Recovery. Whether you're a longtime fan or just discovering his music, this episode is packed with insights into the mind of a true guitar virtuoso.For more on Andy Timmons, his music, tour dates, and latest updates, visit www.andytimmons.com.

Guitarist Andy Timmons joins Frank Mackay on this episode of The Frank Mackay Show!

This weeks show is very special for me. My longtime friend and sometimes collaborator Andy Timmons Guitar will be my guest. Our friendship began more than three decades ago and I've watched his trajectory skyrocket over the years. He is a true music “ artist” who has toured with many of the world's best musicians and is still going strong. My hubby will tell you he's one the most gifted players in the world with melody and tone that's unmatched. Don't miss hearing this. From his early days of MTV fame to his recent trip to record at the famed Beatles Abby Road studio- this interview is chalked full of interesting memories. Originally aired 01/05/2025 on 95.3 FM KHYI the Range in Dallas, TX.

Andy Timmons is a renowned rock guitarist. He was a member of the glam metal band Danger Danger, and he's an in-demand session player. He's sold over a million records, he's had two #1 videos, and he's released seven solo albums. Along the way he was Olivia Newton-John's musical director. And he's played alongside Steve Vai, Joe Satriani, Mike Stern and Simon Phillips.My featured song is “Get Out!” from the album PGS 7 by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Andy at:www.andytimmons.com—---------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

The great Andy Timmons joins us to discuss his latest and so much more

On this episode of Inside MusiCast, we're joined by three amazing musicians whose pedigrees in the music industry speak for themselves. Former Inside MusiCast guests, Gregg Bissonette and Andy Timmons, along with Matt Bissonette are here to discuss The Reddcoats, a band that was formed in 2019 and also includes Wally Minko and Ron Pedley on keys, and Mike Medina on percussion. The Reddcoats sound explores a lot of musical territory, with a mix of power pop, jazz, rock, and even a little funk. While the approach to their music is free-spirited, the performances are air tight, with a great blend of instrumental compositions, along with songs that deliver great vocals and vocal harmonies. The band recently released a brand new album titled The Reddcoats 2, and we're honored to have Gregg, Matt and Andy here to chat about it. Hey guys, welcome to Inside MusiCast.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Andy Timmons is one of our favorite folks to talk about music with and he returns to the program -- with his guitar once again in hand -- to discuss his love for Peter Frampton's fourth studio album, 1975's Frampton.Andy tells Jeff and Matt why Peter has been such an important influence on his own career -- and he shares the story of how he came to write his newest single, "The Boy From Beckenham" as a tribute to Frampton. Happily, Frampton himself joined Timmons to play on the track. It's a heartwarming look at how a musical friendship deepened between the pair as a result.We discuss a lot of different things with Andy on the Frampton tip, including the Sgt. Pepper movie -- and yes, as you might expect, there are some side topics as well, like Monty Python and the Holy Grail. and Andy's surprising connection to the late, great Louisville record store, ear X-tacy. We're up to our usual BS, in other words. But in all seriousness, it was a wonderful hang with Andy, which wrapped up with each of us dashing out the door to go get Thai food. A perfect start to the weekend!Our thanks to Andy for the time. You can see the music video for "The Boy From Beckenham" right here. Make sure to visit Andy's website to stay in tune with everything that he has going on. Thanks for listening!Related Links:Andy's GuitarXperienceAndy's Electric Truth album.The Shout! Factory reissue of the Sgt. Pepper movie.

Episode 96: Andy Timmons Talks All Things Pedals, Guitars, and Gear! //SPONSORS// Gear Exchange (Sweetwater) - https://sweetwater.com/used The Guitar Sanctuary - https://theguitarsanctuary.com Neural DSP - https://ndsp.co/chairmen (use discount code "chairmen" for 30% off) Mono - https://monocreators.com/chairmen (use code "chairmen" for 10% off) Best-Tronics - https://btpa.com (use code "dachairs" for 10% off) Stringjoy - https://stringjoy.com (use code "boards" for 10% off) //HOSTS// Grant Klassen (Goodwood Audio) - grant@goodwoodaudio.com Brian Omilion (Omilion Audio) - omilion@theguitarsanctuary.com Mason Marangella (Vertex Effects) - mason@vertexeffects.com //YOUTUBE// Watch COTB Podcast live: https://bit.ly/3VhbNea

Blend the playing styles of Freddie King, Allan Holdsworth, and Duane Allman, and — as you'll hear on this episode — you'd probably get something sounds like the great ALLEN HINDS. When it comes to improvising epic solos, grooving behind world-class singers (he's worked with everyone from Bobby Caldwell and Randy Crawford to Gino Vannelli, Roberta Flack, and Natalie Cole), building “mutt guitars” out of vintage parts, dialing in pedalboards, and maintaining guitars, Allen is such a deep player that No Guitar Is Safe felt a return visit to his guitar lair in the Hollywood Hills was fully merited. Plus, we introduce Allen to an intriguing new delay pedal from Keeley and Andy Timmons called the Halo. (Does Allen fall in love with it after just a few notes? Does he steal it from us and refuse to give it back? Listen and find out.) And, last but not least, Allen explains why, if you haven't already, you need to start recording and releasing your own music NOW. Hosted as always by Jude Gold. Presented by Guitar Player magazine and GuitarPlayer.com Thanks to G7th Capos for the laser-engraved “No Guitar Is Safe” capo we give each guest on the show.

Nili Brosh is part of a new generation of guitarists. Both a solo artist and a sidewoman, Nili currently plays with Danny Elfman, Cirque du Soleil, Dethklok, as well as her original band. Born in Israel, raised in Massachusetts, and educated at Berklee College of Music, Nili has performed with Steve Vai, Paul Gilbert, Tony MacAlpine, Andy Timmons, Guthrie Govan/The Aristocrats, Stu Hamm, Jennifer Batten, Gretchen Menn, DragonForce, Jeff Loomis, Alphonso Johnson, and The Iron Maidens. Nili has also released three solo albums (Through The Looking Glass, 2010, A Matter of Perception, 2014, and Spectrum, 2019), the material from which she performs and gives clinics on. Additionally, Nili has written a lesson column for Premier Guitar magazine, released several courses with JTC Guitar, and recorded guitars on Danny Elfman's 2021 and 2022 releases “Big Mess”, “Bigger. Messier.”In this exclusive interview with The Trout, Nili talks about her career and musical style and where her path to musical success.https://www.nilibrosh.com/https://www.thetroutshow.com/Thanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/

Tom Quayle is an extraordinary musician, improviser, composer, cat,instruction-app entrepreneur, and six-string visionary hailing from Leeds in the UK. A master of legato playing, he has played all over the world giving him acclaim that means he can count Dweezil Zappa, John Petrucci, Brett Garsed, Greg Howe, Andy Timmons, and Tim Miller amongst his many fans. Greg and Tom get into the transatlantic gristle! 3:02 - The latest and greatest from Tom, from video courses, new apps, and lots of guitar9:07 - Tom's definition of a “legato” style of playing the guitar, and a few greats to help inspire your ear18:17 - The importance of alternate picking, and honing in your own personal style of picking30:30 - Tom's formal guitar education36:03 - The importance of a good teacher, and the influence of how music in the family shapes us as players52:46 - Players who creatively combine jazz and other styles of guitar60:10 - Buc-ee's and tacosTotal Length: 65:32

A celebration of the most innovative electric guitarist's ever. Some say he was your favorite guitarist's, favorite guitarist. Featuring guests who knew him, played with him and were inspired by him- Jennifer Batten, Brad Tolinski, Andy Timmons, Greg Martin,Jim Campilongo, Philip Sayce, Ted Kornbloom (Magnatone Amps), Andy Aledort, Johnny Hiland, Tom Guerra, Robert Lawson, Steve Fister, Dave Scher, Rob Balducci all join us to share amazing and beautiful stories about the one and only Jeff Beck.

Sponsor Tune in Tone up and become a Patron: https://www.patreon.com/tuneintoneup (e.g. £1 / month as a tip for what we do) Sign up as an All Access student to TrueFire here: https://prf.hn/l/3Y32QvV Sign up to TrueFire today: https://prf.hn/l/MDmJ5bB Save 30% on anything at TrueFire with promo code: "TONEUP30" This is our follow up episode following on from last week's foray into the jamming tracks created by Andy Timmons on TrueFire's “In the Jam” tracks. This week, we start the episode with a quick shout out to our Patreon page which we hope that you will seriously consider giving to. You will get a shout out in future episodes, if you wish, and there are tiered benefits available. If we had a pound for everyone who has ever listened to Tune in Tone up, then we would be very happy guitar podcasters indeed. After this initial launch, Dan and I have an improvisation over the Andy Timmons track from last week. We then have a listen to a snippet of Andy Timmon's own improvisation and if you would like to hear more and have these tracks for yourself, then click this link: https://prf.hn/l/MDmJ5bB and find his set of jamming tracks and buy it using TONEUP30 at the check out. We then move on to talking about bending and Dan distinguishes between under and over bending as a mistake that lots of guitarists, especially as they are starting out, make frequently. Then we move on to the topic of overbending as a technique in itself and put this to some use over another one of Andy Timmons jam tracks – A Funky Motif, key of Cm. Finally, we take a cursory look at Matt Schofield's amazing course – Blues Speak. We listen to him talking about Albert Collins using the minor pentatonic with an added 6th, then an excerpt of an improvisation by Matt Schofield to demonstrate this idea. We then take a very quick look at where the idea of overbending came from: Matt Schofield's, Blues Speak on Albert King where we hear him ‘wrestle' the notes from the bend. Timings for the SoundCloud audio version 00:00:33 Final Christmas call to use our links to start your TrueFire journey 00:00:45 Our 30% off promo code: "TONEUP30" 00:01:19 Patreon donations: https://www.patreon.com/tuneintoneup 00:01:28 Improvisation over Andy Timmons backing track 00:05:58 The advantages of TrueFire's In the Jams 00:07:43 Andy Timmons improvising over his track on TrueFire's In the Jam 00:08:23 Principles of bending and an intro to the idea of overbending 00:08:29 Often people accidentally over or under bend when learning to bend 00:09:05 A brief word on muting with the left and right hand 00:09:20 Easier to remedy an overbend than an underbend 00:09:49 Overbending as a technique in itself 00:10:24 Overbending over Andy Timmons - funky motif, key of Cm 00:15:07 Matt Schofield on Albert Collins - minor pentatonic with the 6th 00:15:29 Gary briefly talks through the TrueFire course platform 00:16:16 Matt Schofield's 'BLUES SPEAK' course on Albert King and overbending 00:17:06 TrueFire Advert - last chance to use "TONEUP30" to save 30% on TrueFire Hey everyone! We are really pleased to have this mini-series sponsored by TrueFire until Christmas: it is the most excellent, expansive and extensive online lessons platform. Keep watching, listening and getting in touch. We really want to hear from you! Gary and Dan

Sign up as an All Access student to TrueFire here: https://prf.hn/l/3Y32QvV Sign up to TrueFire today: https://prf.hn/l/MDmJ5bB Save 30% on anything at TrueFire with promo code "TONEUP30" Timings for the SoundCloud audio version 00:00:34 TrueFire - offers and advert 00:02:17 Jam over Andy Timmons TrueFire track 00:05:36 Talking about Andy Timmons 00:06:56 Introduction to TrueFire's 'In the Jam' controls 00:08:46 Let's listen to Andy Timmons playing over the same track 00:09:56 Moved along towards the end of Andy Timmon's solo 00:10:41 Again with the lead analysis on and changing track volumes 00:11:45 Learning point: it's okay to make mistakes 00:12:02 Playing at home or in rehearsal is the time for mistakes 00:12:43 Know exactly what you are doing for performances 00:13:36 Targets should be challenging 00:14:00 Discussion around dynamics and having a motif 00:16:23 Try having a repeated motif for cohesion 00:17:13 Guthrie Govan: each note has a special quality 00:18:16 Listen to how the track builds up 00:18:35 2nd set of improvisations over the track This is our follow up episode on playing using dynamics, subtlety and motifs to build interest into your improvisations and melodies. It follows on from our earlier lessons on how to use sequences to open the fretboard and also the previous episode on TrueFire courses and their jam tracks. Last lesson we looked at building pace and speed and this time we look more at the finer points of improvising. During this lesson Dan and I start and end this episode with a jam over one of Andy Timmon's jam tracks produced for TrueFire. This track forms part of their series called ‘In the Jam' and as the title implies, these are multi-track top quality produced tracks where you have the control over the different tracks. It is possible to easily mute the lead guitar and use it as a backing track. Another great feature is the function to play a lead guitar commentary video and audio. For the track we are looking at, Andy Timmons talks over his solo and improvisation choices to explain what he did and why he did it, along with sharing his wisdom. It is a fantastic feature, which is not shared by all the series of ‘In the Jams' but something which we loved about the Andy Timmons series.

ABOUT ANDY TIMMONS:The hosts welcome fellow Hoosier, Andy Timmons whose musical career began in his hometown of Evansville, Indiana at the age of 13. As guitarist for pop-metal band Danger Danger, he toured the world opening for Kiss and Alice Cooper, sold over a million records worldwide, and has recorded 7 solo releases.As a session player, he's been highly featured on CDs by drumming legend Simon Phillips, Olivia Newton-John (Andy was her music director/guitarist for several U.S. tours), and also worked with Kip WInger, Paula Abdul, Paul Stanley, and played alongside many of his heroes such as Steve Vai, Joe Satriani and more.He also has become one of the most respected and sought after clinicians representing Ibanez Guitars, touring the world on their behalf.ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.

ABOUT ANDY TIMMONS:The hosts welcome fellow Hoosier, Andy Timmons whose musical career began in his hometown of Evansville, Indiana at the age of 13. As guitarist for pop-metal band Danger Danger, he toured the world opening for Kiss and Alice Cooper, sold over a million records worldwide, and has recorded 7 solo releases.As a session player, he's been highly featured on CDs by drumming legend Simon Phillips, Olivia Newton-John (Andy was her music director/guitarist for several U.S. tours), and also worked with Kip WInger, Paula Abdul, Paul Stanley, and played alongside many of his heroes such as Steve Vai, Joe Satriani and more.He also has become one of the most respected and sought after clinicians representing Ibanez Guitars, touring the world on their behalf.ABOUT THE PODCAST:Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & LiveABOUT THE HOSTS:All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall.

This is a long overdue episode! I am bringing back one of my favorite people, Bob Keeley himself. When Rob agreed to come on the podcast way back in 2015, I was not only flabergasted that he agreed to it, but it was one of the best episodes of this show that has been published. Rob is back and giving us a much needed update on the state of Keeley Electronics, talking about collaborating with Andy Timmons, elaborating on some overlooked aspects of running a manufacturing business in the US, how Boss inspired him, and a whole lot more! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 123 - Andy Timmons and Robert Keeley - Halo Pedal and many other topics!

On this episode we sit down with world famous guitarist, Joe Satriani to discuss his new album ‘The Elephants of Mars'. Joe Satriani is an American guitarist, composer, songwriter, and guitar teacher. Early in his career, Satriani worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick; he then went on to have a successful solo music career. He is a 15-time Grammy Award nominee and has sold over 10 million albums, making him the bestselling instrumental rock guitarist of all time. The band for The Elephants of Mars marries players from Satriani's universe both past and present. Legendary drummer Kenny Aronoff (John Fogerty, Smashing Pumpkins) is back for his second consecutive tour of duty with the guitarist following his initial debut on Shapeshifting. Bassist Bryan Beller slips inside the liner notes for the first time since 2015's Shockwave Supernova. Longtime associate Eric Caudieux has been in the Satch orbit since 1998's Crystal Planet and also produced the album, collaborating on the mixes with Greg Koller (Bruce Springsteen, Beyonce). Rai Thistlethwayte is the newest addition, beaming in from overseas where he was splitting his time between Australia and Tasmania. We had a great conversation and hope you enjoy it! A special thank you to our sponsor BeBOLD Bars. Go to www.BeBOLDBars.com and use code BOLD for 20% off your order. Check out our other great, guitar player episodes with Paul Gilbert and Steve Vai!! Visit www.BoDeans.com www.BeBOLDBars.con www.Satriani.com  

Host Mitch Gallagher talks to guitar legend Andy Timmons about his time as music director and guitarist with Olivia Newton-John, some of his favorite pieces of gear (including his two signature pedals), and what it was like recording his new album, Electric Truth, which was produced by amazing guitarist Josh Smith. Plus, Andy shares his approach to soloing, tone, why he practices with jazz standards every morning, and what it was like having to choose between Danger Danger and Tower of Power. This and so much more in the second episode of The Plugged In Podcast by Sweetwater.-----Gear used in this episode:Audio-Technica BP40Avid MBOX StudioAvid Pro toolsUniversal Audio SD1 Universal Apollo X4 Shure SRH1514Rode NTH100MacBook Pro running Beta OS version of VenturaPreSonus StudioOne 6PMC Result 6 MonitorsPROCESS.AUDIO Decibel Audio Metering

https://andytimmons.com/bio/ --- Support this podcast: https://anchor.fm/shawn-ratches/support

Super excited to announce new guest, Ben Brandt, to The Story!One could say Ben Brandt was born with a guitar in his hands and this would not be far from the truth. The son of a professional musician, Ben cannot remember a time when the guitar was not a part of his life. As a baby he was fascinated by the instrument and by the time he was three he was picking out riffs on his father's guitars. In 1999, at the age of 10, Ben started his own band, the Ben “Jamin” Brandt Project and his talents were discovered by a local radio station in NJ, WDHA. They promoted his music and booked him at festivals where he shared the stage with the likes of Savoy Brown and Billy Hector.In 2010 Ben moved to Harrisburg, PA and started the Ben Brandt Trio in which he was both vocalist and lead guitarist. They played throughout the PA/MD/DC/VA region where they quickly gained a wide fan base in the Blues/Rock scene. Over the years Ben and his band have had the opportunity to open for a number of well known acts such as Jimmy Thackery, Doyle Bramhall II, Gary Hoey, Coco Montoya, The Record Company, etc. He has also been called to the stage to sit in with notable guitarists such as Davy Knowles, Artur Menezes and Albert Castiglia. Ben also is a member of the Central Pennsylvania Blues Society (BSPA) and frequently performs at their weekly jam sessions.In 2019 Ben teamed up with singer/songwriter Kevin Koa and formed the Soul Miners Union, a roots and blues based project that featured original songs with great grooves and catchy lyrics. Their debut album was recorded and produced by legendary guitarist/producer Josh Smith at his Flat V studio in Los Angeles. The album was released in September 2020. Blues Rock Review wrote, “Brandt brings a gritty, seasoned approach to the songs he captains.” At times Ben provides “crisp licks and understated solos” whereas other songs allow Ben “the space to stretch out and cut into some aggressive playing” with “riff driven rhythm and ominous lyrics.” The album contained “deft playing, seamless transitions and memorable choruses” and was a “fresh take on a few different blues areas.”Ben's influences over the years have included a very eclectic mix of Blues, Prog and Rock from Chris Cain, Gary Moore and Eric Johnson to Andy Timmons, Robin Trower, Steve Vai and Alex Lifeson. These different genres and playing styles provide Ben with a broad palette to pull from to hone his craft. Dynamics and phrasing are key components in Ben's playing where every note has meaning and purpose, and his impeccable tone is sought after by guitarists both young and old.Ben's skills are well known in Harrisburg, PA and the surrounding tri-state area where he continues to perform on a regular basis. Ben is not one to be put in a box and always strives to learn new things, pushing himself and the musicians he plays with. At 32 years of age and over 20 years of playing live Ben has acquired a lot of experience yet he has truly only begun to show the world what he is capable of.You can find Ben and his projects here:Website: https://www.soulminersunion.com/newsSpotify: https://open.spotify.com/artist/5ezvhPd5zaWyKCWFWAjPSYFacebook: Ben Brandt & the Soul Miners UnionSupport this podcast at — https://redcircle.com/the-story/donations

Ted Poley is a singer, songwriter and drummer, best known for fronting the band Danger Danger. He has since gone on to several successful projects including a solo career, singing in Tokyo Motor Fist (with Trixter's Steve Brown) and making music for the Sonic the Hedgehog video game. Ted is now starting his final concert tour and we discuss the details in this episode along with the Monsters of Rock Cruise, his career highlights and more! 00:00 - Intro00:46 - Ted's Secret to Staying Young 01:40 - Final Tour Details 06:40 - Danger Danger Reunion? 07:40 - Tokyo Motor Fist 08:04 - Show Locations & MORC12:00 - Career and Personal Highlights 14:02 - Bone Machine 17:08 - Live Set List 17:58 - Sonic the Hedgehog Music 20:03 - Local No Kill Shelter 21:23 - Outro Ted Poley website:https://ted-poley.com/No Kill Animal Shelters website:https://www.nokillnetwork.org/Chuck Shute website:http://chuckshute.com/Support the show

#OliviaNewtonJohn's music director, guitarist #AndyTimmons talks about working with ONJ in a previous interview on the Rock of Nations with Dave and Shane program. RIP Olivia Newton-John.

Robert Keeley joins us for Episode 78 to talk about all things Pedals and more. We enter the Pedal Zen zone and discuss what a signature Guitar Stories pedal would look like, Robert provides advise on hunting down vintage tubes, and we take a deep dive into the development of the new Keeley Halo pedal with guitar legend Andy Timmons. Enjoy this firecracker!

In this episode the guys take a look at the new Keeley Electronics Andy Timmons Halo and why they opted to buy in brand spankin' new from their local pedal dealer. Spoiler alert, they did it because Andy Timmons, Robert Keeley and Flipside Music are RAD!

This week Guitarist/Songwriter/Artist Andy Timmons joins Maylee and the Texas Homegrown Music Crew. Originally aired 06/05/2022 on 95.3 FM KYHI the Range in Dallas, TX.

The phenomenal Andy Timmons joins us, guitar in hand, to talk about his new album Electric Truth. We get the behind the scenes stories of the production, live tracking, tones, composition and more.  The album was brilliantly produced by fellow guitar master, Josh Smith and features Andy's playing and composition chops at their best. Andy fired up his rig for this conversation and to hear him play throughout the conversation is insightful and 100% inspiring!   This episode is brought to you by Fretboard Biology    Fretboard Biology - the online guitar college created by Joe Elliott, ex Head of Guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher   Follow us on Facebook & Instagram   Contact us at guitarspeakpodcast@gmail.com    

The great Andy Timmons joined me for over an hour to talk all about his new album, Light of Love! We also discuss his favorite artists, surviving as a musician in the time of covid, and much much more! Andy first came upon my radar in the late 80s when he was a member of Danger Danger, but that's just small part of his amazing career! The Andy Timmons Band, The Pawn Kings, Olivia Newton John are just SOME of the projects he's been involved in. One of my favorite episodes ever! Great guy, do it up! https://andytimmons.com/ www.tradingfourskc.com --- Support this podcast: https://anchor.fm/james-green43/support

The monster guitarist Andy TImmons joins me to talk all about his new album, Electric Truth!Andy has been on my radar since the late 80's when he burst on the scene with Danger Danger- but that's just a small portion of his amazing career. The Andy Timmons Band, The Pawn Kings, being Olivia Newton John's musical director -he's done it all.Andy zoomed in from his studio in McKinney Texas to talk all about the new album, how he became a video pro due to the pandemic, great musicians from his home state of Indiana, great guitarists from his adopted state of Texas and MUCH MUCH more. Truly one of the nicest and most gracious guitarists in the business - this one was a total treat!https://andytimmons.com/Buy his new album, Electric Truth:https://store.andytimmons.com/collections/compact-discHis Danger Danger days: https://www.youtube.com/watch?v=HKxHANTXGAYTrading Fours Podcast website: www.tradingfourskc.com

The great Andy Aledort is a fave of this podcast, because he's a super cool guy who is also incredibly generous with his time. He's been on before to talk about his Stevie Ray Vaughan book and to discuss the passing of EVH - but this is the first chance we've gotten to discuss his music!Andy has an amazing new DOUBLE ALBUM (yes you read that right) called "Light of Love". It's a beautiful album that was decades in the making - but well worth the wait.Andy talks all about the new album, including how he got to utilize the famous Double Trouble rhythm section, knowing Stevie Ray, his thoughts on the passing of Pat Martino, and much much more! Great album, even better dude - do it up! Andy Aledort website: http://andyaledort.com/Trading Fours Podcast website: www.tradingfourskc.com

Hey everyone! This week on Innersleeve, Joe and Cassius are joined by American guitarist, Andy Timmons! Andy joins the show to discuss his new solo album ‘Electric Truth', time playing with ‘Danger Danger', The Beatles, getting his son into guitar and much more! Joe and Cassius open the show discussing the sudden death of Foo Fighters drummer Taylor Hawkins, Will Smith's Oscar Slap! and celebrate 26K subscribers on SoundMojo! 

Guitarist Andy Timmons joins jimmy Warren on Guitar Talk. www.guitartalkofficial.com --- Support this podcast: https://anchor.fm/jimmywarrenguitartalk/support

Guitar maestro Andy Timmons joins Jeff and Matt for a unique conversation about the classic Beatles album Sgt. Pepper's Lonely Hearts Club Band. Having recorded his own version of the album, Timmons has spent a good amount of time exploring the music of the Liverpool group, both as a musician and many times, simply a music fan. He brought his guitar and it was a true joy to talk with Andy.His new album, Electric Truth, is out this week and deserves your ears. We enjoyed hearing the stories about how the record came together. In general, Andy is a fellow music nerd like us and we can't wait for a chance to speak with him again down the road.Show notes are right here.Join our Record Club to access additional content and bonus materials related to all of our episodes. For a little more than the cost of a cup of coffee each month, you can help to support this podcast. We appreciate everything!

'Tone Master' Timmons surprises us with a demo of his yet to be announced signature stereo delay/reverb pedal, speaks about the magic of always staying a student and how important it is to do good things in this life...Andy's new album 'Electric Truth' is out April 1st 2022, enjoy!Connect with Andyhttps://www.instagram.com/andytimmonsofficial/?hl=enConnect with Chryshttps://www.chrysjohnson.comFollow Player's Pickhttps://www.instagram.com/playerspickpodcast/?hl=enSupport the pod by buying some Player's Pick merch!https://chrys-johnson-designs.creator-spring.com/listing/official-player-s-pick-podcastTry our fav new coffee company Road Roaster Coffee (Chico/Paradise CA) take 20% off your first order w/ coupon code playerspick @ https://www.roadroastercoffee.com/shop-1?page=2

A conversation with American guitarist - Andy Timmons (Taylor Bay Band, Danger Danger, Pawn Kings, and Andy Timmons Band) - https://andytimmons.com

Andy Timmons is gearing up to add another highlight to his storied career by releasing his newest solo album “Electric Truth” on April 1st as an independent release. The upcoming album features all-new material from Andy since “Resolution” in 2006 and “Theme From A Perfect World” with the Andy Timmons’ Band in 2016.  “Electric Truth” [...]

Today's special guest is guitarist Andy Timmons. As guitarist for pop-metal band Danger Danger, he toured the world opening for Kiss and Alice Cooper, sold over a million records worldwide, and had two #1 videos on MTV, plus amassing a discography that includes 7 solo releases. As a session player, he's been featured on recordings by drumming legend Simon Phillips, two internationally acclaimed CDs by Kip Winger, recording sessions for Paula Abdul, Paul Stanley, and countless radio and television jingles. Andy has also been Olivia Newton-John's music director and guitarist for several U.S. tours. He's also played alongside many of his heroes such as Steve Vai and Joe Satriani, Eric Johnson, Steve Morse, Mike Stern, Ace Frehley, Ted Nugent, the Beach Boys, and Lesley Gore. Andy has been consistently voted a “Top 20 Favorite Guitarist” in most of Japan's rock music magazine's reader polls, as well as being voted “Musician of the Year” four years in a row in the acclaimed Dallas Observer Music Awards. LINKS: Andy Timmons Guitar X Perience - Andy Timmons Guitar X Perience Instagram: Andytimmonsoffcial You Tube Channel: https://www.youtube.com/channel/UCakeANwiMEjNlbdAzcpk9QA MENTIONED - Jeff Babco #37 Shep Gordon #41

Andy Wood is currently touring as a solo guitarist and mandolinist along with working on a host of additional musical projects, Andy is also performing live with his own band promoting CAUGHT BETWEEN THE TRUTH AND A LIE, the double album which showcases his vast musical influences and abilities.Andy has toured professionally with a wide range of acts, including most recently Gary Allan, LOCASH, Rascal Flatts, Scott Stapp, and Sebastian Bach. Looking for an outlet for styles other than hard rock, Andy also released his debut solo album A DISCONCERTING AMALGAM. This instrumental record covers a broad range of genres including fusion, rock, metal, and acoustic bluegrass. Andy Wood is known for blurring the lines of preconceived genres. Andy is also a founding member of the rock group DOWN FROM UP. They have toured with Seven Dust, Drowning Pool and 10 Years.This upcoming Aug 26, 2021, in Nashville TN, is an event called THE WOODSHED GUITAR EXPERIENCE; which is an incredible setting on the beautiful Cumberland plateau paired with amazing music and one on one instruction from some of the best guitarists in the world. The Woodshed Guitar Experience is a 3-night retreat for guitar players of all kinds! Jam, create, and learn from Robben Ford, Brent Mason, Andy Wood, Andy Timmons, Mark Lettieri, and Greg Koch.https://www.andywoodmusic.com/https://www.instagram.com/andywoodmusic/https://www.youtube.com/user/andywoodmusic@thecareermusician@nomadsplace

Audio only version of my YouTube Livestream Podcast with Mr Andy Timmons. Full video version can be viewed over on my YouTube channel youtube.com/c/rickhollis where you can subscribe and hit the notification bell to catch the show live and ask my guests questions via the live chat room.

In this episode, Jerrell speaks to professional guitar player and producer Josh Smith. Josh started playing guitar at age six and was praised as a blues prodigy by the time he was 12. He's been releasing records from the age of 14 and has been named the 16th best living blues guitar player in the world by Guitar World Magazine. Josh has also shared the stage with legendary artists such as B.B. King, Andy Timmons, Joe Bonamassa, Kirk Fletcher, and many others. He talks about growing up listening to music from his parents, his passion for blues and jazz, his role producing and his experience working with Joe Bonamassa on Eric Gale's latest record. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Eddie Van Halen is often criticized for his role in the MTV generation, hair metal, and his Michael Jackson guitar solo. But his influence on the world of guitar playing cannot be understated. Mike Rhyner welcomes local guitar god Andy Timmons to discuss and demonstrate Eddie's impact & ability on this week's Square One. Get access to The Athletic for $1 at theathletic.com/rhyner Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Satriani was born on July 15, 1956 at Westbury (in the state of New York). He played a little on his sister's guitar. She had played some folk music in high school. He was inspired since he was young by Blues music, the Beatles and the Stones so when he turned 8 he started playing drums, then some piano a bit later. On September 18, 1970 all collapsed around him when he learned that Jimi Hendrix passed away. Joe was only 14 but he decided from this moment to stop everything and dedicate his life to learn the instrument of his idol.The following years were long periods of practising and learning a lot with the purpose of becoming a great guitar player. He learned musical theory from Bill Wescott and started to take an interest in jazz music. Later he took lessons with Billy Bauer and the pedagogue Lennie Tristano who played such a major role in his learning. Then it was his turn to give guitar lessons to a lot of guitar players that became famous such as David Bryson from Counting Crows, Kirk Hammett from Metallica, Larry Lalonde from Primus, Charlie Hunter, Jeff Tyson and, of course, the genius Steve Vai.In 1979 Joe formed The Squares in San Francisco with his friend Jeff Campitelli and Andy Milton. The second album of the Squares was the beginning of his relationship with the mastering engineer John Cuniberti. The band had success in San Francisco but remained unknown elsewhere, so in 1984 he recorded an EP of 5 tracks on his own Rubina label, (his wife's name).Steve Vai, who was in the Frank Zappa's band, introduced Joe to Relativity Records. At the time Joe was recording Not Of This Earth, and Relativity Records gave him a chance to make a record that didn't sound like the drum machines he'd used.Then Surfing With The Alien came out in 1987 and that was the explosion in terms of Joe's career. It become a platinum disc. This album contributed to introducing Satriani to the general public and he succeeded in imposing his new style even if many others like Jeff Beck had paved the way somewhat.A major event in Joe Satriani's career and rock history was when 90,000 people gathered together in North America in October 1996 and discovered the G3 format (with Joe Satriani, Steve Vai and Eric Johnson the first year), who didn't stop touring for 6 months. The G3 was a worldwide tour created by Joe Satriani and put on stage the 3 best guitar players from the time. There were a lot of G3 experiences later with a lot of guitar players like Billy Gibbons, Neal Schon, Steve Morse, Andy Timmons, Uli Jon Roth, Patrick Rondat, Robert Fripp, Yngwie Malmsteen, John Petrucci, or Paul Gilbert to mention just a few.His latest album, "Shapeshifting" came out in April of 2020. Learn more about Lyte. Hosted on Acast. See acast.com/privacy for more information.