Podcasts about goodbye columbus

Tive o privilégio de entrevistar o Joel Dicker, super autor suíço que há anos me encantou logo com o primeiro livro ("A Verdade sobre o caso Harry Quebert") e veio a Portugal para falar sobre o 7º e mais recente ("Animal Selvagem"). Falou nos livros que escreveu e naqueles que adorou e recomenda. Lá vamos nós aumentar a lista de livros por ler. Mas vale a pena. Os livros que escolheu: Gente pobre, Doistoievski; A Promessa, Romain Gary; A Bela do Senhor (da série Valereux), Albert Cohen; Philip Roth: A Mancha Humana e Goodbye Columbus. Outras referências: Niklas Natt Och Dag: 1793; 1794; 1795; Educação Europeia, Romain Gary; White dog, Romain Gary; Philip Roth, A biografia, Blake Bailey; Os que recomendei: Truly Madly Guilty, Liane Moriarty; Shuggie Bain, Douglas Stuart. À venda aqui: https://www.wook.pt/

Jim Yester is a 6x Grammy nominee and a founder of The Association, one of the biggest bands of the 1960s. They had three number one hits with “Cherish”, “Windy” and “Never My Love”, all of which sold over 1 million records. Jim sang lead on another big hit “Along Comes Mary”, and he wrote the title song for the movie “Goodbye Columbus”.My featured song is “My Baby”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------‘THE SINGLES PROJECT” is Robert's upcoming EP. Five new songs. Release date October 20th. Click here for more details.“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

In the fall of 1930, Frida Kahlo and Diego Rivera travel to the United States for the first time, welcomed as celebrity artists, ambassadors of an ancient and powerful Latin American identity. But as the months turn to years, can Rivera's vision of one united Pan-America--and their young marriage--survive the pressures of politics, fame, temptation, cultural differences, and scandal? You can see examples of Diego Rivera's work, and that of other modernist Mexican artists, in the collection of the Minneapolis Institute of Art: https://collections.artsmia.org/search/diego%20rivera You can see Rivera's San Francisco mural “Pan American Unity,” discussed on the show, here: https://www.sfmoma.org/exhibition/pan-american-unity/ You can see photos of Frida and Diego taking San Francisco by storm here: https://www.kqed.org/news/11848986/inside-frida-kahlo-and-diego-riveras-life-in-san-francisco You can see (and read) Kahlo's heartfelt letter to Rivera from a San Francisco hospital (“Diego, mi amor”) in the collection of the Smithsonian: https://www.si.edu/object/frida-kahlo-letter-diego-rivera%3AAAADCD_item_739 You can read about and see images from the SFMOMA's excellent recent exhibition “Diego Rivera's America” here: https://www.sfmoma.org/exhibition/diego-riveras-america/ Last and certainly not least, you can read some of the story “Queen of Montgomery Street,” written about Kahlo in San Francisco, also in the Smithsonian: https://www.si.edu/object/AAADCD_item_766

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

n this episode (originally aired by our partner Novel Dialogue) John and his Brandeis colleague Eugene Sheppard speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism–and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of the Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy‘s bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion… Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us." Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book." Slavoj Zizek makes the case that everything is political including the choice not to have a politics. Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business") Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat. Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

Born in NYC way back in 1938 to a garment district worker, Richard Benjamin met his wife to this very day, fellow actress Paula Prentiss, and would appear with her in several theatrical, filmic and televised roles (starting with late 60s sitcom He & She, oft referenced as a template for the iconic Mary Tyler Moore show.)   This short lived but critically beloved series kicked off a long career in both comedic and dramatic cinematic roles that began with 1969's box office smash Goodbye Columbus alongside Ali McGraw, and went on to include such cultural touchstones as Catch 22, Diary of a Mad Housewife, Portnoy's Complaint and Westworld. Later works included the wide ranging Buck Henry science fiction satire Quark (which took on everything from Star Trek, Star Wars and 2001 to Zardoz in its all too brief late 70s run), Love at First Bite, Scavenger Hunt and How to Beat the High Co$t of Living, before moving into an exclusively directorial role with the Peter O'Toole vehicle My Favorite Year, and a short run of successful comedies like Tom Hanks' Money Pit, Melanie Griffith's Milk Money, Whoopi Golberg/Ted Danson film Made in America and the Cher/Winona Ryder hit Mermaids. Join us as we talk a true 70's icon (and 80's hit director), the one and only Richard Benjamin, only here on Weird Scenes! Week 99 (6/15/23): Richard Benjamin, Class(y) Clown https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast  

Find out how the Indian middle-class perceives dating and pre-marital intimate relations!Join Michelle in conversation with Aravind Jayan about his book ‘Teen Couple Have Fun Outdoors', which deals with the aftermath of a leaked intimate-video of a teenage couple from a middle-class family in Kerala. How can humour be used to write fiction about social issues? How does shame dictate the behaviour of Indians? What is dating like in modern India? How much freedom does the couple actually have? Tune in to find out!Books mentioned in this episode:•Goodbye Columbus by Phillip Roth•Ghachar Ghochar by Vivek ShanbagProduced by Aishwarya JavalgekarSound edit by Kshitij JadhavJoin The Bound Publishing Course, a comprehensive 3-month certified course to:- Get your dream job with a highly curated recruitment drive!- Learn from the most successful experts.- Understand all aspects of publishing and choose your career track.Apply now: https://www.boundindia.com/the-bound-publishing-course/‘Books and Beyond with Bound' is the podcast where Tara Khandelwal and Michelle D'costa uncover how their books reflect the realities of our lives and society today. Find out what drives India's finest authors: from personal experiences to jugaad research methods, insecurities to publishing journeys. Created by Bound, a storytelling company that helps you grow through stories. Follow us @boundindia on all social media platforms.

Eugene Sheppard joins his Brandeis colleague John Plotz to speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism--and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy's bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion.... Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us."  Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book."  Slavoj Zizek makes the case that everything is political including the choice not to have a politics.  Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business")  Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat.  Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Eugene Sheppard joins his Brandeis colleague John Plotz to speak with Joshua Cohen about The Netanyahus. Is the 2021 novel a Pulitzer-winning bravura story of the world's worst job interview? Or is it a searing indictment of ethno-nationalist Zionism--and the strange act of pretense whereby American Jewish writers and thinkers in postwar America pretended that Israel and its more extreme ethno-nationalist strains didn't concern them? Cohen dramatizes the return of that repressed by imagining the family of Benzion Netanyahu (actual medieval Spanish historian and father of Israel's past and present Prime Minister Bibi) landing itself on a would-be assimilated American Jewish family ripped straight from the pages of a Philip Roth or Bernard Malamud novel. With John and Eugene, Joshua dissects the legacy of earlier American Jewish writers like Cynthia Ozick, and offers finer details of how Ze'ev Jabotinksy's bellicose views would ultimately take hold in Israel, wisecracking his way to a literally jaw-dropping conclusion.... Mentioned in this episode: Zionist and ethnonationalist Ze'ev Jabotinksy (1880-1940): "We must eliminate the Diaspora or the Diaspora will eliminate us."  Novalis (the German Romantic writer Georg Von Hardenberg) says somewhere "Every book must contain its counter-book."  Slavoj Zizek makes the case that everything is political including the choice not to have a politics.  Joshua wants readers to think about why celebrated postwar American fiction by Jewish authors like Cynthia Ozick, Saul Bellow, Bernard Malamud, Philip Roth (starting from his 1959 Goodbye Columbus) largely ignores both the Holocaust and Israel until the 1970s or 1980s. Joshua invokes Harold Bloom's 1973 Anxiety of Influence to explain his relationship to them. He is less interested in Hannah Arendt. "Shoah Religion" is the way in which the Holocaust came to not only function as a key element in post-war American Jewish identification but also to legitimate the state of Israel (cf Abba Eban's famous quip "There's no business like Shoah business")  Yekke: a German-Jew in Israel or American characterized by an ethos of industrial self-restraint and German culture, satirized in Israeli culture as a man who wears a three piece suit in the middle of summer heat.  Leon Feuchtwanger "There's hope but not for us" Joshua (subtly) quotes a line of Kafka's that Walter Benjamin (in "Franz Kafka: On the Tenth Anniversary of His Death‟ from Illuminations) apparently lifted from Max Brod ("Oh Hoffnung genug, unendlich viel Hoffnung, — nur nicht für uns.") Yitzhak La'or "you ever want a poem to become real" Netanyahu tells the story of the snowy drive to Ithaca (again) in an interview with Barry Weiss. Philip Roth, The Ghost Writer Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

Think about where we were at this time last year. The "science" sure has changed a lot since then, hasn't it? Are we reaching a tipping point? Julie Ponesse wonders, what if the truth never comes out? The word "inflation" is finding its way into a lot of people's vocabularies right now. Thorsten Polleit has an excellent explanation of inflation, high inflation and hyperinflation and where we're headed. You may want to celebrate Columbus Day like this could be the last time. Cancel culture and the woke mob have beef with Christopher Columbus, and as Mackubin Owens explains, it may be "Goodbye Columbus" before long. Up until about 3 years ago, most of us took good mental health for granted. Not just our own but also our childrens' mental health. Lenore Skenazy weighs in on the fastest, cheapest child therapy that you can access for free. Here's an adult-strength reality supplement from Brandon Smith. He says markets are expecting the fed to save them but it's not going to happen. Sponsors: HSL Ammo Monticello College Life Saving Food  Garage Door Pros

Think about where we were at this time last year. The "science" sure has changed a lot since then, hasn't it? Are we reaching a tipping point? Julie Ponesse wonders, what if the truth never comes out? The word "inflation" is finding its way into a lot of people's vocabularies right now. Thorsten Polleit has an excellent explanation of inflation, high inflation and hyperinflation and where we're headed. You may want to celebrate Columbus Day like this could be the last time. Cancel culture and the woke mob have beef with Christopher Columbus, and as Mackubin Owens explains, it may be "Goodbye Columbus" before long. Up until about 3 years ago, most of us took good mental health for granted. Not just our own but also our childrens' mental health. Lenore Skenazy weighs in on the fastest, cheapest child therapy that you can access for free. Here's an adult-strength reality supplement from Brandon Smith. He says markets are expecting the fed to save them but it's not going to happen. Sponsors: HSL Ammo Monticello College Life Saving Food Garage Door Pros --- Support this podcast: https://anchor.fm/loving-liberty/support

I've known Geoffrey Kabaservice since we were both writers for David Frum's news site, Frum Forum. Today Geoffrey is the Vice President of Political Studies at the Niskanen Center and host of the Vital Center Podcast. He's an author, especially in for our purposes of the book Rule and Ruin: The Downfall of Moderation and the Destruction of the Republican Party, from Eisenhower to the Tea Party. I brought him on the podcast today to talk about the intersection of two important streams of 20th century American culture, Moderate Republicanism and Mainline Protestantism. Both of these movements drove much of American society and now they are both weakened. We will look at what has been lost as both institutions decline. We'll also focus on one person where these two streams meet: J. Irwin Miller, the CEO of Cummins Engine, a Rockefeller Republican and a member of a mainline denomination, the Christian Church (Disciples of Christ). He was also a corporate titan that invested in his hometown of Columbus, Indiana that allowed it to prosper when other Rust Belt towns withered. If you are someone who is interested in American political and social history, you will love this episode. website: enroutepodcast.org Leave a Review: https://ratethispodcast.com/churchandmain YouTube: https://bit.ly/enrouteyt Show Notes: Geoffrey Kabaservice's Niskanen Center profile The Rust Belt Didn't Have to Happen by Aaron Renn (on J. Irwin Miller) The Vital Center Podcast Support the Show!  

In Boston, Columbus Day is now Indigenous Peoples Day. The change was decreed via executive order last week by acting Mayor Kim Janey. The surprise move has angered a number of people. Do you support Mayor Janey's order to do away with Columbus Day or do you think it should remain?

In Boston, Columbus Day is now Indigenous Peoples Day. The change was decreed via executive order last week by acting Mayor Kim Janey. The surprise move has angered a number of people including Diane Modica, a former city councilor now with the Sons and Daughters of Italy in America. Modica joins Dan to discuss what she calls the "erasure of Italian Americans."

As a child growing up in Newark, New Jersey in the 1930s and 40s, Philip Milton Roth (1933-2018) never thought about being a writer. By the time he died, he had become one of the most famous and celebrated figures in the literary world - though his writing and personal flaws attracted criticism as well as admiration. In this episode, Jacke and Mike discuss the life and potential legacy of Philip Roth, author of Goodbye Columbus, Portnoy's Complaint, Sabbath's Theater, American Pastoral, The Plot Against America, and many other works. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last year the Medford School Committee decided to rename their Columbus Elementary School. The name change comes at a time when there are growing calls to remove the name Columbus from buildings for his ties to killing indigenous people. So far, there are 18 names being floated for the school’s new name. The town is seeking input from the public as to the best name. Should Medford change the school name and if so to what?

Last year the Medford School Committee decided to rename their Columbus Elementary School. The name change comes at a time when there are growing calls to remove the name Columbus from buildings for his ties to killing indigenous people. So far, there are 18 names being floated for the school’s new name. The town is seeking input from the public as to the best name. Should Medford change the school name and if so to what?

Today is the second Monday in October. Since the 1930s, the day has been recognized as a federal holiday commemorating the first arrival of Christopher Columbus and crew to the Americas in 1492. Last week, the Baltimore City Council passed a bill to rename Columbus Day, Indigenous Peoples Day. Mayor Jack Young has yet to sign the bill into law. If the mayor signs the bill or allows it to become law without his signature, Baltimore will join more than 130 cities and counties across nearly 35 states in creating an alternative to celebrating the life of Columbus, an explorer that Native Americans have long viewed as a brutal colonizer. What do we know about Columbus, and what should we know to be able put him in historical context? The historian and author Laurence Bergreen joins me. He has written several books about explorers, including biographies of Marco Polo, Magellan, and Christopher Columbus, the subject of his 2011 book, Columbus: the Four Voyages. Mr. Bergreen joins us on Zoom from New York… Then, Tom welcomes Ashley Minner, a local artist and a professor and folklorist at the University of Maryland, Baltimore County. Ms. Minner is an enrolled member of the Lumbees of North Carolina, the largest native American tribe East of the Mississippi, and the ninth largest in the country. A small community of Lumbee Indians has lived in Baltimore since the 1940s. She describes her work preserving the history of that community, and her advocacy for a heightened public awareness of the cultures of Indigenous People. She joins us on Zoom. Some upcoming events related to the Baltimore Lumbee Community and Indigenous Peoples Day are listed below: UMD Indigenous Peoples' Day Panel (requires registration): 10/12/20, 6:30 PM; Walter's Art Museum LIVE Artist's Talk: Indigenous Futures: 10/13/20, 5:30 PM; MICA Lecture - Art & The Archive: What is the Archive?: 10/19/20, 7 PM Oral History Association Annual Meeting: Virtual Walking Tour of "The Reservation": 10/22/20, 1 PM

Introduction Christopher Columbus: Hero, brutal conqueror, or both? Today we look at Columbus, and a lot more; statues, movies, and teaching American History. This is an exercise in seeing ourselves and others as we and they really are. Isn’t that kind of honesty fundamental to any kind of development; individual, societal, financial, physical or spiritual? That is the subject of today’s 10-minute episode.  Continuing The 1969 movie “Goodbye Columbus”, adapted from a Philip Roth novel of the same name, focuses on the differences in the main characters in this boy meets girl story. We are looking at the differences between those of us who want to remember and learn from, grow from, our past as it truly was, the warts and the horrors along with the heroic and miraculous, and those of us who want to denounce and erase everyone and everything that does not meet their current standards of approval. Much has been written and said about various statutes, and we’ll get to those. But let's start with a couple of movies; one very recent, and another older, made in the glory days of the big Hollywood studios. “The Help” was made in 2011 and set in 1963 Jackson, Mississippi. I found it difficult to watch in places, primarily because it exposed the horrific way that Black maids were treated by the middle class White housewives. I also found it hard to watch because virtually every one of the White housewives was portrayed as vapid, nearly useless in the home, and neglectful of their children. The White husbands and one boyfriend played very minor roles. The Black maids were portrayed as the heroes. The young White woman, Skeeter, displayed courage, but was shown as more of a catalyst and a woman coming of age than a heroine.  It was not a well made movie, nor was there much of an effort to show any kind of balance. But it does the needed work of shining a harsh light on a part of American life that we all need to see, understand, remember and correct. But there are voices demanding a different response, a different kind of imbalance. Here’s Natasha Reda writing for Glamour, “A lot of people are watching The Help right now. In fact, according to Entertainment Weekly, the 2011 film is the most-viewed movie on Netflix amid nationwide Black Lives Matter protests...Well, the film was written and directed by a white man, based on a novel by a white woman, and centers the story around white people—particularly Stone’s character (Skeeter), who is a prime example of a white savior. It’s understandable that many Twitter users have slammed The Help as a tool to educate yourself about systemic racism in this country, especially when the streaming service and other platforms offer better options by Black filmmakers.” Here is a representative quote from the review by Kim Renfro at Insider.com, “The 'white savior' trope is tiring, and it's also counter-productive to real change when it comes to systemic racism.” And another voice, “I beg of you: stop watching The Help, it will not make you better at facing your privilege or whatever,” Elamin Abdelmahmoud posted on Twitter.  In other words, these people are saying the movie does not deal with the American Black history in exactly the way they believe it should, so don’t watch it. You might develop incorrect thoughts, and we can’t have that. Fact check: The movie made it clear the real hero was the Black maid, Aibileen, played by Viola Davis. Skeeter’s privilege (the young white writer) was slight at best. She was a recent college graduate living at home, and had to scramble to get a low paying job writing a cleaning advice column for the local paper. She had a strained relationship with her Mom, and apparently no relationship with her Dad.   The 1939 Academy Award winning movie “Gone With The Wind” portrayed a deeply false and romanticized version of plantation life pre Civil War. Anyone who has seen that movie and knew nothing else about slavery would have come away belie...

Goodbye, Columbus poses the question, "How dumb are parents?"  Guest Mario Bernardi might argue the fact and he didn't even like the movie - and he's the guy who picked it. Weirdly, Jimmy finds things to like. Okay, it's just Richard Benjamin but that's big for him.

The pals discuss one of Aaron's favorite books, Goodbye, Columbus by Philip Roth.

Dan's 2018 interview with Matthew Frye Jacobson on Roots Too: White Ethnic Revival in Post–Civil Rights America. With a new intro from Dan on the Columbus myth and the politics of white ethnicity. Support this podcast with money at Patreon.com/TheDig

Dan's 2018 interview with Matthew Frye Jacobson on Roots Too: White Ethnic Revival in Post–Civil Rights America. With a new intro from Dan on the Columbus myth and the politics of white ethnicity. Support this podcast with money at Patreon.com/TheDig

The audio got borked, so this WAWR is a bit of a Frankenstein--or maybe a cyborg since some of Aaron's comments are replaced with a farting robot. Books touched on: White Fragility, by Robin DiAngelo; the Walt Longmire series, by Craig Johnson; Exile's Return, by Malcolm Cowley; Goodbye, Columbus, by Philip Roth; 33 1/3; Welcome to the Monkey House, by Kurt Vonnegut; The New Gods Omnibus, by Jack Kirby.

State lawmakers order the century-old statue of Cristoforo Colombo removed from the capitol, the FBI cracks widespread corruption in LA City Hall, the real John Sutter, what causes homelessness (a brief survey), Oakland’s mayor sees lynching where others see sports equipment, Vallejo’s real-time experiment in “defunding” police, and the Cal State faculty union’s dumb teaching of American history.

And hats off to Frances Perkins.

In this episode Rob and Nate discuss the 1964 film Father Goose. They also catch up on other things they have been watching, including: The passing of Max Von Sydow, Hunters, Goodbye Columbus, We Are Columbine, Don't F**k With Cats, The Trials of Gabriel Fernanez, Airstrike, Deathwish, Alex Cross, Supreme Commander, and Skunk Works.

On Episode 2 of NOTES BETWEEN SESSIONS WITH MARY EDWARDS, singer/songwriter Lori Lieberman speaks quite candidly of her relationship with the team of Charles Fox and Norman Gimbel—creators of themes such as Barbarella, Goodbye Columbus, Love, American Style, Happy Days, Laverne & Shirley, Angie and Wonder Woman—who at once chaperoned her into the wider musical realm with “Killing Me Softly,” on which they collaborated. They were also the key figures in her decades-long struggle to reclaim rightful origin to a song delivered with as equal authenticity by Roberta Flack, Lauryn Hill and the Fugees, and of course, Lieberman herself. We had a good old fashioned phone conversation from her home in LA to my studio in NY, where we shared laughs, tears and truths about the song that at one time symbolically kept her hiding in plain sight, but now sets her free. --- Support this podcast: https://anchor.fm/mary-edwards7/support

Even though it remains a national holiday, many cities no longer celebrate Columbus Day. They celebrate Indigenous Peoples Day instead. What’s behind the switch? Contrary to what you might think, it’s not about paying homage to America’s original inhabitants. Steven Crowder, host of Louder with Crowder, explains.

The American writer Philip Roth, whose death at the age of 85 was announced today, is remembered by Ian McEwan, his biographer Claudia Pierpont, and American novelist Amy Bloom. From Roth's first novel Goodbye Columbus in 1959 to Portnoy's Complaint, American Pastoral and The Plot Against America, he was writer who courted controversy and explored complex themes concerning sexuality, Jewish life and America.Presenter John Wilson Producer Hilary Dunn.

One of the most heartfelt, grateful, stupendous stories of a life well-lived... actor Michael Nouri, from untrained amateur to starring on Broadway with Julie Harris and being schooled by a pro in his early 20s, turning down Sam Peckinpaw to do this little film called Flashdance, which changed the world... break dancing and fashion for two... starring on Broadway again with Julie Andrews and then, Liza Minelli, handpicked by Blake Edwards, with a song crafted just for him by Henry (call me Hank) Mancini... a load of superlative work on stages and screens, starting with Goodbye Columbus, co-starring with Ali McGraw and Richard Benjamin... being hand-picked by Billy Crystal to be the only one to ever play DiMaggio (in 61*), straddling TV, Movies & Broadway, way before it was cool... his life's not so secret, secrets, shared... gratitude, peace, heart, and, how he does it. Plus, pearls of wisdom. Loved every second of this. One for the books. He needs to write one. Michael Nouri on The Road Taken, Celebrity Maps to Success, Wed, 1/31/18, 7 pm PT/10 pm ET Live on the Facebook Replay here: http://bit.ly/2rWZdaq With Louise Palanker All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj This week's BROADcast is brought to you by Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. 
quikimpressions.com And, Nicole Venables of Ruby Begonia Hair Studio Beauty and Products, for tresses like the stars she coifs, and regular peoples, like me. http://www.rubybegoniahairstudio.com/

In this episode, we’re talking to Chrissie Castro, a citizen of the Navajo Nation who will tell us how a coalition of Indigenous activists, organizations and allies convinced the city of Los Angeles, the second largest city in the US to drop Columbus Day and celebrate Indigenous Peoples Day.

Gilbert and Frank welcome actor-director Richard Benjamin for an enlightening and thoroughly entertaining discussion about his six-decade career in Hollywood as well as his memories of working with Woody Allen, Mel Brooks, Clint Eastwood, Mike Nichols and Orson Welles. Also, James Mason pulls a fast one, Walter Matthau plays the ponies, Johnny Guitar meets Lawrence of Arabia and Richard helms a comedy classic ("My Favorite Year"). PLUS: The genius of Michael Crichton! The brilliance of Buck Henry! George Burns orders soup! Richard pursues Albert Finney! And Gilbert sings the theme from "Goodbye Columbus"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Charles Fox was born and raised in New York City, graduated from the High School of Music and Art, and continued his formal musical education and composition studies with Nadia Boulanger in Paris. He studied jazz piano with Lenny Tristano and electronic music with Vladimir Ussachevsky at Columbia University. He began his career playing the piano, composing and arranging for such salsa legends as Ray Barretto, Joe Quijano and Tito Puente, as well as writing theme music and arrangements for Skitch Henderson and the Tonight Show Orchestra.Charles has composed music for hundreds of songs for records, motion pictures and television. Among the many legendary and diverse recording artists who have recorded his songs are Roberta Flack, Sarah Vaughan, Barry Manilow, Jim Croce, Fred Astaire, Luther Vandross, Johnny Cash, Lena Horne, George Shearing, The Boston Pops, Jack Jones, Tito Puente, Goldie Hawn, Carly Simon, Johnny Mathis, Shirley Bassey, Crystal Gayle, Lori Lieberman, Sergio Mendes, Maureen McGovern, Olivia Newton John, Lauryn Hill, and Ice T.Among his works for theater, in collaboration with lyricist Norman Gimbel, are “The Eleventh” and “A Midsummer Night's Dream”. In collaboration with Hal David, he has composed the musicals “The Chosen” and “The Turning Point”.  Other song collaborators include Paul Williams, Bob Crewe, David Zippel, Sammy Cahn, Carly Simon, Carole Bayer Sager and Marilyn and Alan Bergman.He has composed the musical scores for over 100 motion pictures and television films including “Barbarella”, “Nine to Five”, “Goodbye Columbus”, and “Foul Play” for which he received one of his two Academy Award nominations. The other was for the film “The Other Side of the Mountain”. Among his popular songs are "Ready to Take a Chance Again," "I Got a Name," and "Killing Me Softly with His Song," for which he received the Grammy Award for Best Song of the year. His TV shows and theme songs include “The Love Boat”, “Happy Days”, “Laverne and Shirley”, “Wonder Woman”, “The Paper Chase”,  “Wide World of Sports”, “Monday Night Football” and “Love American Style, for which he received two Emmy Awards.In addition to his popular works, Charles has composed music for the concert hall and ballet. In 2009, Charles conducted the Poland National Opera Company Chorus and Orchestra in a performance of his Oratorio, “Lament and Prayer”  based on the words of Pope John Paul II.  In 2010, he conducted the world premiere of his “Fantasie, Homage a Chopin” which he was commissioned to compose by the Polish Government to honor the 200th birthday of Chopin. He has conducted symphony orchestras performing his music worldwide in Budapest, Prague, Poland, Caracas, London, Israel and Tokyo as well as in the US.Charles was inducted into the Songwriter Hall of Fame in 2004.  He was awarded Lifetime Achievement awards from the Society of Composers and Lyricists and BMI and is a Governor of the Academy of Motion Pictures Arts and Sciences.  www.charlesfoxmusic.com www.100voicesmovie.com

This week, Mal Vincent kicks off 2017 with a look at the upcoming 24th Annual Virginia Festival of Jewish Film and highlights the comedy he selected, “Goodbye, Columbus.” Mal shares his scoop on actress Ali MacGraw, who made her Golden Globe-winning debut in this film. Plus, you’ll find out about the Hampton Roads’ connection that will give you more insight on this 1969 comedy, also starring Jack Klugman. The film, “Goodbye, Columbus” will be shown Monday, January 16, 2017 at the NARO Expanded Cinema in Norfolk. You’ll find more information on the festival and the other films featured at www.simonfamilyjcc.org/FilmFestival.

In some ways, the 'bro' is not new. He's there, for example, in Philip Roth's "Goodbye Columbus" as Ron Patimkin, the big athletic empty-headed brother of Brenda. What's different is that in the 1960s, it seemed fundamentally untenable to be Ron for an extended period of time. Ron only really made sense as a college athlete, and now he's stuck with a bunch of mannerisms and interests that seem vaguely out of place.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.