Podcasts about Ivor Bolton

Der Akkordeonist Teodoro Anzellotti hat mehr als 350 Werke uraufgeführt, und so das Repertoire und die Spieltechniken dieses Instruments in der zeitgenössischen Musik wesentlich erweitert. Renommierte Komponisten wie George Aperghis oder Luciano Berio haben für ihn Musik geschrieben. 04:38 Aktuell: Lang ersehnt: Der Neubau des Klanghaus Toggenburg öffnet zum ersten Mal seine Türen. Es baut eine Brücke zwischen Tradition und Moderne und wird mit einem grossen Eröffnungswochenende gefeiert. Über 36 Musiker:innen und Formationen spielen 12h lang am Stück. Dass das Klanghaus Toggenburg aber mehr ist als ein Konzertort, erfahren wir im Beitrag von Yvonn Scherrer. 12:10 Gespräch: Neben seiner grossen Bühnenkarriere unterrichtet Akkordeonist Teodoro Anzellotti seit 38 Jahren an der Hochschule der Künste Bern. Im kommenden Jahr geht er in Pension. An einen Ruhestand denkt der Akkordeonvirtuose aber noch lange nicht. Joseba Zbinden hat Teodoro Anzellotti zum Gespräch getroffen. 29:36 Neuerscheinungen: Sie verbinden mittelalterliche und barocke Musik mit zeitgenössischen Klangflächen: die Sopranistin Barbara Hannigan, das Klavierduo Katia und Marielle Labèque und der Komponist und Produzent David Chalmin. Und das Sinfonieorchester Basel unter der Leitung von Ivor Bolton widmet sich ganz den sinfonischen Dichtungen von Antonín Dvořák. Neuerscheinungen mit Elisabeth von Kalnein 52:11 Swiss Corner: Das La Cetra Barockorchester & Vokalensemble beschliesst mit ihrer Aufführung von Georg Friedrich Händels Messiah ihre 25 Jahre-Jubiläumssaison. Am Sonntag 25. Mai findet ihr partizipatives Konzert statt. La Cetra lädt immer wieder Laien-Sängerinnen und Sänger mit auf die Bühne ein.

Jean-Philippe Rameau (1683-1764) - Les Indes GalantesOpéra-Ballet libretto di Louis Fuzelier Lisette Oropesa - Hebe, ZimaGoran Juric - BellonaAna Quintans - Love, ZaireTareq Nazmi - Osman, AliElsa Benoit - EmilieCyril Auvity - Valere, TacmasFrancois Lis - Huascar, Alvar)Anna Prohaska - Phani, FatimeMathias Vidal - Carlos, DamonJohn Moore - AdarioBalthasar-Neumann-Chor Direttore del coro: Detlef BratschkeMunchner FestspielorchesterDirettore: Ivor Bolton

SynopsisOn today's date in 1877, the Vienna Philharmonic performed for the first time in Salzburg, the birthplace of Mozart, during a three-day music festival that included works by Mozart and others, including two living composers of that day, a 44-year old fellow named Brahms and a 64-year old named Wagner.The Philharmonic would return to Salzburg six more times for mini-festivals through 1910, some led by composer-conductors like Richard Strauss and Gustav Mahler.In 1925, an annual “Salzburg Festival” was established, with the Vienna Philharmonic and Vienna State Opera as the main musical participants. The Second World War disrupted the Festival in the 1940s, but soon after it reestablished itself among the most prestigious of international musical happenings. Traditionally, a familiar brass fanfare opens each Salzburg Festival radio broadcast, but probably few music lovers know the name of its composer. It was written by Joseph Messner, who wrote over 700 works. He was born in 1893 in the Austrian Tyrol and died in 1969 in a village near Salzburg, where he had served as church organist, conductor and composer for decades, leading many Festival concerts featuring sacred music by Mozart and others.Music Played in Today's ProgramWolfgang Mozart (1756 - 1791) Menuetto and Trio, fr Haffner Symphony Vienna PhilharmonicRafael Kubelik, conductor. Seraphim 68531Joseph Messner (1893 - 1969) Salzburg Festival Fanfare Salzburg Mozarteum Orch;Ivor Bolton, conductor. Oehmns CD 734

Synopsis The “Three B's” are traditionally Bach, Beethoven, and Brahms, of course – but today we're offering Boccherini, Brahms, and Berio.The 20th century Italian composer Luciano Berio, noted for his avant-garde scores, was asked to orchestrate the F minor Clarinet Sonata by Johannes Brahms -- in 1986, for a Los Angeles Philharmonic concert featuring clarinetist Michele Zukofsky. Berio admired Brahms, and created a very respectful arrangement,  but Berio couldn't resist adding something of his own: a totally original 13-bar orchestral introduction that segues into the Brahms score. Eleven years earlier, on today's date in 1975, Berio's orchestration of one of the ”greatest hits” of the 18th century Italian composer Luigi Boccherini received its premiere performance in Milan. Originally a quintet for strings, Boccherini's “Night Music in the Streets of Madrid” was written around 1780 when he was living in Spain. This chamber work became very popular – even though Boccherini feared no one outside Madrid would understand it.  200 years after it was written, when asked to supply a short piece for the La Scala Orchestra in Milan, Berio arranged the final movement of Boccherini's quintet, music evoking the procession of Madrid's night watchmen signaling the midnight curfew. Music Played in Today's Program Johannes Brahms (arr. Luciano Berio) – Clarinet Sonata No. 1 in f, Op. 120, no. 1 Luigi Boccherini (arr. Luciano Berio) – Ritirata notturna di Madrid (Daniel Ottensamer, cl; Basel Symphony; Ivor Bolton, conductor.) Sony 19075982072

Immer wieder überrascht die neue Einspielung mit dem Basler Orchester und Ivor Bolton. Ein sehr gelungenes Album.

durée : 00:10:36 - Britten : Our Hunting Fathers, Op. 8 - Sinfonieorchester Basel, Ivor Bolton, Mark Padmore - Le chef d'orchestre, Ivor Bolton, dirige l'Orchestre symphonique de Bâle et accompagnés du ténor Mark Padmore, ils présentent un disque consacré à Benjuamin Britten. C'est notre disque du jour !

durée : 01:30:26 - En pistes ! du vendredi 04 novembre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On termine la semaine avec de beaux enregistrements parus récemment : Benjamin Britten par Ivor Bolton et l'Orchestre symphonique de Bâle, Célimène Daudet interprétant Mompou et Chopin ou encore le London Symphony Orchestra dans la Symphonie n°5 de Tchaikovsky.

Orkester Slovenske filharmonije je sinoči začel še abonmajski cikel SMS – Same mogočne skladbe. Ocenjujemi nastop orkestra v ciklu pod vodstvom znanega britanskega dirigenta Ivorja Boltona.

Si en 17 minutos pudiera mostrarte cómo mejorar la velocidad (y calidad) de tu articulación en los próximos 30 días o menos... ¿te interesaría saber cómo? Entonces Regístrate aquí y Accede Ahora a esta Clase Gratuita para descubrir cómo mejorar tu articulación Hoy tenemos como invitada a Beatriz López, Clarinete Solista de la Real Filharmonía de Galicia. Tras estudiar el Superior en el Conservatorio de Valencia con José Vicente Herrera, Bea decidió seguir formándose en la Universidad Mozarteum de Salzburgo con el profesor Alois Brandhofer, antiguo clarinete solista de la Filarmónica de Berlín, y Cornelia Höfer-Teusch en música de cámara. Ha realizado también cursos y Master Class con R. Wieser, K. Thunemann, R. Vlatkovic, J. Zoon, H. Schellenberger, entre otros. Ha ganado varios concursos en la especialidad de clarinete y música de cámara en España, Italia y Austria y en el año 2004 fundó el Pamina Trío, con el que realizó varias giras por Europa y Japón. Dos años después hicieron su primera grabación con el sello discográfico La má de Guido. Bea ha colaborado con otras orquestas como Mozarteum Orchester Salzburg, Orquesta de Valencia, Orquesta de la RTVE, Oviedo Filarmonía y Sinfónica de Galicia, bajo la batuta de directores como Ivor Bolton, Mark Wigglesworth, Dennis Runnicles o Hans Graf. En la actualidad, compagina su trabajo en la Orquesta con la docencia en la Escuela de Altos Estudios Musicales de Galicia y es miembro del Airas Ensemble. En este episodio hablaremos de: Cómo se inició con el clarinete y el momento en el que decidió que quería tocar en una Orquesta De sus profesores principales y de su experiencia viviendo en Austria y estudiando en el Mozarteum en Salzburgo De sus clarinetes, los Reform Boehm y en qué se diferencian del sistema francés y alemán De grupos de cámara, giras y concursos De pruebas a orquesta, de la importancia de preparar todas las rondas por igual y de su periodo de trial en la Real Filharmonía de Galicia La importancia de estudiar con metrónomo en los movimientos lentos y por qué si no tienes en cuenta esto el tribunal lo notará Por qué es necesario estudiar con cañas malas de vez en cuando y practicar en frío para tener una mejor preparación Hablaremos de la relación entre el deporte de competición y la actividad musical a nivel profesional De preparación física y mental, yoga y de lesiones en los músicos De actualidad en el panorama musical y muchas cosas más... Y ahora déjame preguntarte algo: Si en 17 minutos pudiera mostrarte cómo mejorar la velocidad (y calidad) de tu articulación en los próximos 30 días o menos... ¿te interesaría saber cómo? Entonces Regístrate aquí y Accede Ahora a esta Clase Gratuita para descubrir cómo mejorar tu articulación

Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her Concert Examination with Distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov.Besides the well-known works for piano Olga Scheps's repertory consists of compositions that are seldom heard in the concert hall, including the posthumous Études of Frédéric Chopin, Franz Liszt's Malédiction, Olivier Messiaen's Les Oiseaux exotiques, Antonín Dvořák's Piano Concerto, Arvo Pärt's „Lamentate“, and Mieczysław Weinberg's Piano Quintet. Her solo recitals are as popular with audiences all over the world as her acclaimed appearances as soloist with orchestra and her chamber projects.Such noted conductors as Thomas Dausgaard, Lorin Maazel, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton, Cristian Mandeal, Christoph Altstaedt, Tugan Sokhiev, Simone Young, Markus Poschner and Pablo Heras-Casado have invited Olga Scheps to collaborate with them.Among the leading orchestras with which she has appeared in concert are the Orchestre Philharmonique de Monte-Carlo, the Warsaw Philharmonic Orchestra, the Mozarteum Orchester Salzburg, the Munich Symphony Orchestra, the Royal Scottish National Orchestra, the State Symphony Cappella of Russia (Moscow), the Staatskapelle Weimar, the Zurich Chamber Orchestra, the NDR Radiophilharmonie, the Orchestre National du Capitole de Toulouse, the Prague Philharmonia, the Israel Philharmonic Orchestra and the New Japan Philharmonic Orchestra.Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad.A passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, Nils Mönkemeyer, the Danish String Quartet, the Danel Quartet and the Kuss Quartet, with which she recorded Mieczysław Weinberg's Piano Quintet.Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album ‘Chopin' immediately won an ECHO Klassik award. The two recordings that followed, ‘Russian Album' (2010) and ‘Schubert' (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin's Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album ‘Vocalise', published in 2015, was surpassed by her latest album ‘Satie' which Olga Scheps has recorded on the occasion of the French composer's 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD "Tchaikovsky" was released in October 2017 and she broke new ground with the album "100 % Scooter - Piano Only", on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In March 2019 Olga Scheps' album “Melody” was released, containing pieces spanning four centuries, from Bach to Aphex Twin. Her recording of the Weinberg Piano Quintet with the Kuss Quartet was released in late 2019. Olga Scheps is a Steinway Artist.FIND OLGA ON SOCIAL MEDIAFacebook | Instagram | Twitter | Twitch | YouTube================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/denofrichYouTube: https://www.youtube.com/c/DenofRich

Du drame au divertissement, il n'y a bien souvent qu'un pas (de danse) que Christophe Rousset et Pauline Lambert explorent avec bonne humeur dans ce nouvel épisode de Baroque en stock. Ils vous dévoilent aussi leurs disques de chevet, avec un hommage de Christophe Rousset à la soprano Edita Gruberova, qui vient de nous quitter. Références musicales : Lully, 1ère entrée, menuet, ballet royal de Vénus, Les Talens Lyriques, Christophe Rousset (dir.)  Ballet royal de la nuit, Ouverture, Correspondances, Sébastien Daucé (dir.)  Lully, Le Divertissement royal, Le Concert des Nations, Jordi Savall (dir.)  Lully, Le Bourgeois gentilhomme, chaconne, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Pygmalion, contredanse finale, Les Talens Lyriques, Christophe Rousset (dir.)  Bach, “Jesu, der du meine Seele” cantate BWV 78, Bach Collegium Japan, Masaaki Suzuki (dir.) Mozart, Così fan tutte, “Al fato dan legge”, Rainer Trost (Ferrando), Rodney Gilfry (Guglielmo), English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Lully, Isis, Les forges puis le chœur des trembleurs, Chœur de chambre de Namur, Les Talens Lyriques, Christophe Rousset (dir.) Salieri, La Grotta di Trofonio, Raffaela Milanesi, Marie Arnet, Nikolaï Schukoff, Mario Cassi, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, Les Noces de Figaro,” L'ho perduta”, Sandrine Piau, orchestre Mozarteum, Ivor Bolton (dir.)  Rameau, Pièce de clavecin “Les tendres plaintes”, Christophe Rousset  Lully, Bellérophon, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, Air de concert “Vorrei spiegarvi, oh Dio”, Edita Gruberova, orchestre de chambre d'Europe, Nikolaus Harnoncourt (dir.)  Forqueray, Chaconne “La Morangis ou la Plissay”, Atsushi Sakaï, Marion Martineau, Christophe Rousset  Bach, motet “Jesu meine Freude”, Pygmalion, Raphaël Pichon (dir.) Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This year at the beginning of the Salzburg festival British conductor Ivor Bolton leads Mozarteumsorchester Salzburg performing a program of W. A. Mozart - Missa c-Moll, Adagio und Fuge für Streicher c-Moll, and Vesperae solennes de Confessore für Soli, gemischten Chor, Orchester und Orgel C-Dur. Ivor Bolton today is balancing his responsibilities as Chief Conductor of the Basel Sinfonieorchester, Artistic Director of the Teatro Real in Madrid, Chief Conductor of the Dresden Festival Orchestra and Conductor Laureat of the Mozarteumorchester Salzburg. In the UK he has been Music Director of English Touring Opera, Glyndebourne Touring Opera, and Chief Conductor of the Scottish Chamber Orchestra. His many recordings, apart from those with the Mozarteumorchester, include Monteverdi’s Poppea and Handel’s Xerces and Ariodante at the Bayerische Staatsoper. Shortly interviewed on the morning of festivals opening, conductor opens up about his 21 years of history in Salzburg festival and the situation this year that shook the classical music world as a whole.

durée : 01:58:08 - En pistes ! du vendredi 19 juin 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme : Ivor Bolton et son Orchestre symphonique de Bâle poursuivent l’exploration de la musique de Fauré avec un troisième volet consacré aux œuvres religieuses; la musique de chambre de Robert Schumann par le Trio Kungsbacka; des transcriptions pour guitare de Scarlatti à Takemitsu... - réalisé par : Olivier Guérin

durée : 00:16:58 - Le Disque classique du jour du mardi 18 février 2020 - Dans ce nouvel opus, Ivor Bolton et son orchestre symphonique de Bâle rendent hommage Luciano Berio l’arrangeur.

Georg Friedrich Händels Oper "Aggrippina" feiert am 23. Juli Premiere am Münchner Prinzregententheater. Regisseur Barrie Kosky, das Bayerische Staatsorchester unter Leitung von Ivor Bolton und hochkarätige Solisten bringen einen Politthriller der Barockzeit auf die Bühne: hoch intrigant, leidenschaftlich, beziehungsreich.

Panelen lyssnar på orgelmusik med engelsk touch av Olivier Messiaen och möter en beskedlig kejsar Caligula på en ny skiva som presenterar tonsättaren Gabriel Faurés okända sidor. Veckans skivor: THE SECRET FAURÉ Musik av Gabriel Fauré Basel symfoniorkester Ivor Bolton, dirigent Olga Peretyatko, sopran Benjamin Bruns, tenor Sony Classical 19075818582 Betyg: 4 MESSIAEN LA NATIVITÉ DU SEIGNEUR Musik av Olivier Messiaen Richard Gowers, orgel Kings College, Cambridge KGS0025 Betyg: 4 CELESTIAL BIRD ROXANNA PANUFNIK Vokalmusik av Roxanna Panufnik Ex Cathedra, kör Jeffrey Skidmore, dirigent Milapfest Signum Classics SIGCD543 Betyg: 2 LYATOSHYNSKY: SYMPHONY NO. 3, ETC. Musik av Boris Lyatoshynsky Bournemouth symfoniorkester Kirill Karabits, dirigent Chandos CHSA 5233 Betyg: 5 Musikrevyn möter: Piotr Anderszweski Polsk-ungerske Piotr Anderszweski är en av vår tids främsta Mozartpianister. Tillsammans med Belceakvartetten gjorde han det som blev årets skiva här i Musikrevyn 2018, där de spelar Sjostakovitjs pianokvintett tillsammans. Sofia Nyblom har träffat Piotr Anderszewski.

"Mozart +" ist das neue, bei Sony Classical erschienene Arienalbum der Sopranistin Olga Peretaytko überschrieben: Außer dem Mega-Star unter den Komponisten geht es auch um Traetta, Paisiello, Soler - sehr aufschlussreich! Das ist auch ein Verdienst von Ivor Bolton am Pult des Sinfonieorchesters Basel.

Ivor Bolton wollte nie Experte für Alte Musik sein, auch nicht für Mozart oder Britten. Im MDR KLASSIK-Gespräch erzählt er, wie er aus einem Arbeiterhaushalt ans Dirigentenpult kam und warum der Brexit ein Desaster ist.

An ageing King is driven to murderous intent by the youthful heroisms of David, he of giant-slaying fame. The setting is ancient Israel but the story of a nation in transition hit home to an eighteenth century England still in political flux when Handel premiered Saul in 1739. In this podcast, Suzanne Aspden, associate professor of music at the University of Oxford, Handel specialist Dr Ruth Smith, conductor Ivor Bolton and singers Iestyn Davies and Christopher Purves, discuss the music and themes of Handel’s first great oratorio in English. Presenter: Katie Derham Produced by Katherine Godfrey for Whistledown Productions for Festival 2015.