Podcast appearances and mentions of joan wasser

The team behind the Soundcheck podcast series offers their favorite live performances from the WNYC studios this year: including Mexico City-based cellist, producer, and singer Mabe Fratti and her trio; Brazilian composer Amaro Freitas playing the piano's insides; and the soulful mambo of Cuba big band Orquesta Akokán. Plus, Norwegian punk cabaret sextet Kaizers Orchestra, Georgia singer and musician Lizz Wright, and Brooklyn-based Zelenaya with their Eastern European folk songs set to heavy metal (cough...nepotism on that last band...cough.) Also, fiery roots music for everyone by American singer-songwriter Fantastic Negrito, multi-instrumentalist Shabaka's flute-based meditative spiritual jazz, and the saucy multi-instrumentalist Joan Wasser of Joan As Police Woman at the piano. Playlist: ARTIST: Kaizers Orchestra WORK: Bøn Fra Helvete [1:01] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE:  This performance not commercially available. The song appears on the album, Ompa til du dørINFO:  https://kaizers.no ARTIST: Orquesta Akokán WORK: Con Licensia [5:12] RECORDING:  Live on Soundcheck, July 2024 SOURCE: This performance not commercially available.  INFO:  https://www.orquestaakokan.com/ ARTIST: Fantastic Negrito WORK: Son of a Broken Man [5:02] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance not commercially available. INFO: https://www.fantasticnegrito.com/ ARTIST: Lizz Wright WORK: Sparrow [6:31] RECORDING: Live on Soundcheck, April 2024 SOURCE: This performance not commercially available.  INFO: https://www.lizzwright.net    ARTIST: Joan as Police Woman WORK:  Lemons, Limes, and Orchids [5:55] RECORDING: Live on Soundcheck, Sept. 2024 SOURCE: This performance not commercially available.  INFO: https://www.joanaspolicewoman.com/   ARTIST:  Shabaka WORK: I'll Do Whatever You Want [4:46] RECORDING: Live on Soundcheck, May 2024 SOURCE: This performance not commercially available.  INFO: https://www.shabakahutchings.com/#/ ARTIST: Mabe Fratti WORK: Kravitz  [2:54] RECORDING: Live on Soundcheck, Sept. 2024 SOURCE: This performance not commercially available.  INFO:  https://tinangelrecords.bandcamp.com/album/sentir-que-no-sabes ARTIST: Kaizers Orchestra WORK: Bøn Fra Helvete [1:01] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE:  This performance not commercially available. The song appears on the album, Ompa til du dør  INFO:  https://kaizers.no/ ARTIST: Zelenaya WORK: Okro Mch'edelo [4:58] RECORDING:  Live on Soundcheck, June 2024 SOURCE: This performance is not commercially available INFO: https://zelenaya.bandcamp.com/album/folk-songs ARTIST: Amaro Freitas WORK: Danca do Martelos [1:48] RECORDING: Live on Soundcheck, Oct. 2024 SOURCE: This performance is not commercially available. INFO:https://amarofreitas.com  

Versatile singer-songwriter and producer Joan As Police Woman talks about her latest record Lemons, Limes and Orchids. During the conversation, Joan shares practical advice about taking writing workshops, creating artificial deadlines, and penning songs while riding her bicycle. She also reflects on why mentorship holds a special place in her life, and the influence of artists like Rufus Wainwright and Damon Albarn, whose work inspires her to push creative boundaries.

El nou disc de Joan Wasser, "Lemons, limes and orchids",

durée : 01:02:15 - Club Jazzafip - Pour fêter la sortie de son album "Lemons, Limes & Orchids", la songwriter et chanteuse américaine Joan Wasser vient partager avec vous ses coups de cœur musicaux.

The singer, songwriter, and multi instrumentalist Joan Wasser, is "not a cop" and has been recording for the past twenty years under the name Joan As Police Woman – a saucy reference to the 1970s cop show that starred Angie Dickinson. She's also collaborated with a huge range of musicians, from the worlds of rock, funk, folk, and experimental music. Her new album, called Lemons, Limes and Orchids, has a mostly nocturnal, understated quality while it celebrates joy and love in the face of extremely difficult times. Joan plays some stripped down versions of some of the songs, including the extraordinary title track, in-studio.  Set list: 1. Full-Time Heist 2. Lemons, Limes and Orchids 3. Remember the Voice

From his Massachusetts attic studio Lloyd Cole ponders music celebrity golf tournaments, tells us the best way to insult a musician and talks to Andrew Male and Jenny Bully about his love for Joan As Police Woman's 2006 debut LP, Real Life. Plus, new albums by Mudhoney and Everything But The Girl, stray cat noises, the joy of small dogs and the middle-aged wit and melancholy at the heart of Gen X music. Tracklisting: 1. Wolves, written and performed by Lloyd Cole and released on the earMUSIC label 2. Christobel, written and performed by Joan Wasser and released on Reveal Records 3. Anyone, performed by Joan Wasser, written by Joan Wasser and Anohni and released on Reveal Records 4. Nothing Left To Lose, performed by Everything But the Girl, written by Ben Watt and Tracey Thorn and released on Buzzin' Fly Records 5. Move Under by Mudhoney, written by Mudhoney from the album Plastic Eternity released on Sub Pop Records 6. Little Dog by Mudhoney, written by Mudhoney from the album Plastic Eternity released on Sub Pop Records

Joan Wasser shares her musical journey from a classically trained violinist to a solo singer, songwriter, and rock star known as Joan As Police Woman.

Du « son » cubain à l'électro sabar sénégalais, Eliades Ochoa présente son nouvel album Guajiro, et le trio franco-sénégalais Jolo Bass Music. Notre 1er invité est le légendaire chanteur, guitariste et compositeur cubain Eliades Ochoa. Eliades Ochoa est connu et apprécié dans le monde entier pour avoir été l'un des membres fondateurs du Buena Vista Social Club, ayant notamment prêté sa voix à l'emblématique «Chan Chan». Après l'accueil phénoménal de Buena Vista, Ochoa a sorti 9 albums, remporté 4 Latin Grammys et reçu une nomination aux Grammys (pour Afrocubism en 2010). Produit par Demetrio Muñiz et comprenant des invités tels que Rubén Blades, Joan As Police Woman et Charlie Musselwhite, «Guajiro» confirme sa réputation d'artiste le plus important de Cuba au cours du siècle dernier.Les traits rudes, le chapeau caractéristique, les bottes de cow-boy et l'image emblématique de «l'homme en noir»... Les chansons de l'école de la vie imprégnées du genre de sagesse durement gagnée, teintée de country, qui ne s'achète pas. Il n'est pas nécessaire de chercher ou d'écouter trop longtemps pour comprendre pourquoi Eliades Ochoa est souvent surnommé le «Johnny Cash cubain».  Pourtant, si les parallèles abondent, son nouvel album Guajiro montre également qu'il est une voix singulière avec un style et un son unique, enracinés dans la tradition cubaine mais avec un attrait aussi intemporel qu'universel.En 1997, lorsqu'il a accédé à la reconnaissance internationale en tant que membre du Buena Vista Social Club, lauréat d'un Grammy, Eliades était un jeune homme. Certes, il avait alors 50 ans et dirigeait depuis 18 ans le Cuarteto Patria, le groupe phare de Cuba, mais il était encore tout jeune comparé aux légendaires vétérans Compay Segundo et Ibrahim Ferrer, qui jouaient depuis avant sa naissance et avec lesquels il a formé un duo inoubliable sur des chansons classiques telles que Chan Chan et Candela.Un quart de siècle plus tard, Eliades est aujourd'hui un vétéran à l'histoire légendaire et Guajiro présente Eliades comme on ne l'a jamais entendu auparavant. Les chansons de Guajiro - dont la plupart sont ses propres compositions - sont les plus intimes et les plus personnelles qu'Eliades ait jamais enregistrées. «L'album parle beaucoup de moi et de mon histoire», explique-t-il. «C'est vraiment l'histoire de ma vie et chaque chanson a beaucoup de sens. »Pour réaliser Guajiro, il a fait appel à toute une série de collaborateurs prestigieux. Le producteur Demetrio Muñiz représente un lien direct avec Buena Vista, puisqu'il a été pendant de nombreuses années le directeur musical du groupe de tournée issu du projet original. Mais d'autres viennent de bien plus loin que les rivages de la musique cubaine, comme l'harmoniciste Charlie Musselwhite, originaire du Mississippi, la légende des Fania All-Stars Rubén Blades et l'auteur de rock indépendant Joan Wasser, qui enregistre sous le nom de Joan As Police Woman. «C'est un album différent de ceux que j'ai faits auparavant, qui me sort de ma zone de confort», note Eliades. «J'ai joué du son cubano traditionnel pendant de nombreuses années et, à ce stade de ma vie, je voulais faire quelque chose d'un peu différent - et j'ai toujours aimé collaborer et m'ouvrir à d'autres rythmes et travailler avec différents artistes. »Il ne sait pas exactement ce qui a déclenché son épanouissement tardif en tant qu'auteur-compositeur, si ce n'est le sentiment que le moment était venu, que l'inspiration était forte et que le parcours de la vie lui avait donné des idées qui ne demandaient qu'à être partagées. «Ma vie n'est plus la même qu'à l'époque où nous avons fait Buena Vista», déclare-t-il.  «Des gens comme Compay et Ibrahim avaient une grande histoire et beaucoup d'histoires, et faire cet album avec eux m'a ouvert les portes du monde entier. Aujourd'hui, j'ai l'impression que c'est le bon moment pour raconter mes histoires. Je me sens bien et ces chansons me tiennent à cœur. On pourrait dire que c'est mon manifeste».Avec la sortie de Guajiro, il ajoute un nouveau chapitre révélateur qui tisse tous les fils de sa vie et de sa carrière en un testament personnel définitif et convaincant qui honore son passé tout en amenant ambitieusement sa musique vers de nouveaux horizons.Titres joués de l'album Guajiro- Se Solto un Leon voir le clip- Creo en la Naturaleza- Pajarito Volo- West.► Album Guajiro (World Circuit Records 2023). Puis nous recevons le trio sénégalais Guiss Guiss Bou Bess pour la sortie de l'album Jolo Bass MusicGuiss Guiss Bou Bess tout droit débarqué de Dakar s'est créé un univers hybride unique : l'électro Sabar. Les bouillonnants quartiers populaires de la capitale sénégalaise sont leur laboratoire, le lieu où se captent les ambiances, où s'enregistrent les tambours et se fabriquent les beats. À l'occasion de la tournée de présentation de leur nouvel EP Jolof Bass Music, le trio franco-sénégalais revient au Hasard Ludique. Une représentation de l'Afrique contemporaine entre musique de club et héritage des sonorités ancestrales des griots wolofs.Au sein de ce disque, les rythmiques ancestrales fusionnent avec la bass music, les sonorités organiques et électroniques s'assemblent pour créer un nouveau genre musical : le Jolof Beats. Un sabar électronique affirmé et assumé, où les chants griotiques wolofs et la taassu (chant rythmique du mbalax) rencontrent la dub-techno et la deep house.Titres interprétés au grand studio- Tik Tik Live RFI voir le clip - Muus, extrait de l'EP Jolo Bass Music- Insh Allah Live RFI voir le clip. Line up : Mara Seck, lead vocal, danse, percussions ; Stéphane Costantini, electronic beats, producteur ; Aba Diop, sabar percu, choeurs.Son : Mathias Taylor, Jérémie Besset.► EP Jolo Bass Music (Hélico 2023).Guiss Guiss Bou Bess à lire sur RFI Musique.

Joan Wasser shares her musical journey from a classically trained violinist to a solo singer, songwriter, and rock star known as Joan As Police Woman.

Joan Wasser is prolific. As a musician, collaborator, and instrumentalist, she's one of those people who needs to create to feel alive. Her career began in bands like The Dambuilders, before she lobbed in on records from Antony & the Johnsons and found her own voice as Joan as Policewoman. And what a voice it is; its warm snarl captures everyone who hears it, and it's the same when she talks. There's something very magnetic about Joan. Which is why I will always be excited to talk music with her, and heroes. From Nina Simone to James Blake to Rufus Wainwright, this is a beautiful conversation about the love of art, from a great artist herself. Tony Allen - ‘Go Back [Ft. Damon Albarn]' Nina Simone - ‘I Wish I Knew How It Would Feel To Be Free' Krystle Warren & The Faculty - ‘If It Wasn't For The Lake' James Blake - ‘Retrograde' Rufus Wainwright - ‘The Art Teacher'

Joan Wasser is prolific. As a musician, collaborator, and instrumentalist, she's one of those people who needs to create to feel alive. Her career began in bands like The Dambuilders, before she lobbed in on records from Antony & the Johnsons and found her own voice as Joan as Policewoman. And what a voice it is; its warm snarl captures everyone who hears it, and it's the same when she talks. There's something very magnetic about Joan. Which is why I will always be excited to talk music with her, and heroes. From Nina Simone to James Blake to Rufus Wainwright, this is a beautiful conversation about the love of art, from a great artist herself. Tony Allen - ‘Go Back [Ft. Damon Albarn]' Nina Simone - ‘I Wish I Knew How It Would Feel To Be Free' Krystle Warren & The Faculty - ‘If It Wasn't For The Lake' James Blake - ‘Retrograde' Rufus Wainwright - ‘The Art Teacher'

Joan Wasser has an extensive background in touring with artists such as Elton John, Lou Reed, Sheryl Crow and started her career playing Violin as a 6 year old in Connecticut. Now touring with her own band Joan As Police Woman, Joan talks about her Australian tour, collaborating and why she's inspired by Jacinda Ardern.

As broadcast February 25, 2022 with plenty of masks for all who wish to remain anonymous in their podcast adventures.  Tonight we welcome a guy to take over the playlist who has truly been making his own way both in style and substance in the music world while maintaining his secret identity via encrypted Scooby Doo mask.  His meld of heavy beats, lo-fi, and indie rock stylings have gained great attention from some important names over the past several months, and he lined up a great playlist of influences and songs he's personally worked on in the studio.  Amazingly fun guy to talk to about music, this is an artist to pay attention to and a show not to be slept on.#feelthegravityTracklisting:Part I (00:00)Danger Mouse – What More Can I SayGriffith James – Obscene BoyJW Francis – Sweet As A Rosesanchez. – Little BirdCHAI – Miracle (Scoobert Doobert remix)Scoobert Doobert – I'm An Idiot Part II (31:10)Shadow Community – Restless Song Meaningful Stone – A Call From My DreamVillagers – The First DayJoan As Police Woman with Tony Allen & Dave Okumu – Get My BearingsBADBADNOTGOOD feat Karriem Riggins & Arthur Verocai – Beside AprilGhost Funk Orchestra – A Song For Paul Part III (62:43)Scoobert Doobert – Think About ItAndrea Chahayed – Who KnowsLittle Simz feat Obongjayar – Point and KillDijon – Many TimesCHAI – WHOLEMatthew E. White – Electric Part IV (96:14)Scoobert Doobert – a song to quit your job toBrittany Howard – Tomorrow (BADBADNOTGOOD remix)Maika Loubte – Show Me HowMid-Air Thief – White RoomSoul Coughing – RollingFlying Lotus feat Kendrick Lamar – Never Catch Me 

In this episode, we interview Joan As Police Woman. Joan Wasser's latest album is The Solution Is Restless, a collaboration with Dave Okumu and the late Tony Allen that also features Damon Albarn and Meshell Ndegeocello. Look for Ms. Police Woman rockin' the live beat soon. In this podcast, Joan talks about the albums, songs and concerts that changed her life and inspired her to make music. --- Support this podcast: https://anchor.fm/magnet-magazine/support

For the special episode of The Vinyl Detroit Podcast Interview, Brian had the pleasure of speaking to Kendall Meade of Mascott. Kendall was gracious enough to speak about the making of her 2000 LP Follow The Sound on Le Grand Magistery. Follow The Sound is a unique album as it features multiple producers including Jim O'Rourke, Jeffrey Baron of The Ladybug Transistor, Stars and Mario of Shoestrings. In addition to this all-star production team, Kendall also rounded up a who's who of guest musicians to perform on the album including Sally Timms, Joan Wasser and others. Follow The Sound could have easily become a disjointed affair by enlisting this stable of talented producers. Instead, Follow The Sound is a cohesive work; weaving together various styles all cemented together by way of excellent songwriting and musicianship. Kendall was a joy to speak to as she discussed the origins of the band, the album, artwork and her connections to others in the industry. This episode features extended samples from Follow The Sound including the title track, History, As Planned, Costume Ball and the album closer, I Really Wanted You originally performed by Steve Tilson in 1971. With that, episode 9 was a very special treat discussing Mascott's 2000 release on Le Grand Magistery Follow The Sound with its creator, Kendall Meade.Apple Music Playlist - https://music.apple.com/us/playlist/episode-9-follow-the-sound-by-mascott/pl.u-KWJLfZ4ZGoGSpotify Playlist - https://open.spotify.com/playlist/5omMy9p07YVBY7hoDYWfyE?si=dea8c492e72a46fd

As broadcast January 7, 2022 with plenty of extra Joan & Tone for your podcast spirits.  Tonight for our first guest artist selector show of the new year, we couldn't be more thrilled to have welcomed Joan As Police Woman to the show to discuss the creative process that went into her latest album with Tony Allen and Dave Okumu.  A surprising one night jam session in Paris in 2019 bloomed into the glimmering, brooding flower that is The Solution Is Restless, one of our favorite albums of the year.  Joan talked quite specifically about what moved her to create some of the tunes on the LP, and also how she met the late, great father of afrobeat and kind of "took a chance" asking if he'd like to record with her.  Not to be missed for fans of the artist or the album.#feelthegravityTracklisting:Part I (00:00)Joan As Police Woman with Tony Allen & Dave Okumu – Take Me To Your LeaderGhost Funk Orchestra – Fuzzy LogicOrions Belte – Cherchez La GhostThe Rebels of Tijuana – Et le blizzard s'estompeLeenalchi – Ultimate PrescriptionPart II (30:36)Robert Glasper – So Beautiful (Live at Capitol Studios)James Booker – Black Minute WaltzJ Dilla – Waves Joan As Police Woman with Tony Allen & Dave Okumu – MasqueraderTony Allen – Politely  Part III (60:43)Joan As Police Woman with Tony Allen & Dave Okumu – Geometry Of YouTony Allen feat Damon Albarn – Go BackKrystle Warren & The Faculty – If It Wasn't For The LakeBaths – Lovely BloodflowMeshell Ndegeocello – Forget My NameHere We Go Magic – Over The Ocean Part IV (99:55)Joan As Police Woman with Tony Allen & Dave Okumu – Get My BearingsTony Allen feat Theo Parrish, ESKA, & Andrew Ashong – Day Like This ReworkBridget Kearney – Who Are We KiddingThe Flamingos – I Only Have Eyes For YouConnan Mockasin – Momo'sMadlib – The StrollSly & The Family Stone – Skin I'm In 

As broadcast December 28, 2021 with plenty of emphasis on the long in long player for your podcast enjoyment.  Our final regular broadcast of 2021 is here, and we count down our favorite LP's in volume 2 of our Top 25 Albums of this year.  In retrospect, this was a tremendous year for music with some unexpected twists and turns.  We think this quality is definitely reflected in our countdown of the final top 12, counted down in no particular order respective to rankings, as we always just wanna make a good playlist for you.  Albums and rankings noted below in the playlist.  Happy New Year!#feelthegravityTracklisting:Part I (00:00)#11 - IDLES "Crawler"IDLES – The WheelIDLES – Stockholm Syndrome#3 - Turnstile "Glow On"Turnstile – ALIEN LOVE CALL ft Blood OrangeTurnstile – WILD WRLDTurnstile – UNDERWATER BOI#10 - Magdalena Bay "Mercurial World"Magdalena Bay – Dawning of the SeasonMagdalena Bay – Secrets (Your Fire) Part II (31:18)#9 - Adele "30"Adele – All Night Parking with Errol GarnerAdele – Easy On Me#8 - Genesis Owusu "Smiling with No Teeth"Genesis Owusu – Centrefold Genesis Owusu – Smiling with No Teeth#12 - Mdou Moctar "Afrique Victime"Mdou Moctar – Tala TannamMdou Moctar – Asdikte Aktal Part III (60:54)#6 - Japanese Breakfast "Jubilee"Japanese Breakfast – Tactics Japanese Breakfast – Paprika#4 - Silk Sonic "An Evening with Silk Sonic"Silk Sonic – Fly As MeSilk Sonic – Put On A Smile#7 - Little Simz "Sometimes I Might Be Introvert"Little Simz – Two Worlds ApartLittle Simz – IntrovertPart IV (92:32)#5 - Nick Cave & The Bad Seeds "CARNAGE"Nick Cave & The Bad Seeds – Hand of GodNick Cave & The Bad Seeds – Carnage ft Warren Ellis#2 - Joan As Police Woman with Tony Allen & Dave Okumu "The Solution Is Restless"Joan As Police Woman with Tony Allen & Dave Okumu – Get My Bearings Joan As Police Woman with Tony Allen & Dave Okumu – Enter The Dragon#1 Floating Points with Pharoah Sanders & The London Symphony Orchestra "Promises"Floating Points with Pharoah Sanders & The London Symphony Orchestra – Movement 4Floating Points with Pharoah Sanders & The London Symphony Orchestra – Movement 5 

Joan Wasser is a singer, songwriter, and multi-instrumentalist based in Brooklyn. She started out studying violin and playing in bands like The Dambuilders and Antony & the Johnsons before starting her own band Joan As Police Woman. Her new record is called The Solution Is Restless, a collaboration with legendary drummer Tony Allen and guitarist/bassist Dave Okumo of The Invisible. We talk about her early days studying violin, transitioning into singing and songwriting, meeting Tony Allen, the unique production of her new record, and her long friendship with producer Hal Willner.

This week's Talkhouse conversation features a pair of performers who came up in the ‘90s, and who have followed each other's careers since: Tim Burgess of the Charlatans, and Joan Wasser, aka. Joan as Police Woman. Tim Burgess has had a fascinatingly diverse career: He first came to prominence as singer of the Charlatans, who were part of the early '90s Madchester scene along with the likes of The Stone Roses and Happy Mondays. But unlike many of their contemporaries, the Charlatans have had a long and prosperous career, releasing more than a dozen albums in addition to Burgess' solo output. This week sees the release of a massive Charlatans box set called A Head Full Of Ideas that spans their career and includes hits and rare tracks. In addition to the box set, a Charlatans tour that's just about to start, and a solo album slated for next year, Burgess has kept himself busy through the pandemic with a fun concept he named Tim's Twitter Listening Party. It's simple enough: He coaxes other musicians to essentially live-tweet their own albums, and it's resulted in literally hundreds of sessions with everyone from his UK contemporaries like Oasis and Blur to a session with Sir Paul McCartney himself. A hundred of those parties have now been gathered into a hardcover book, which also includes rare photos from the participants and lots more. One of those hundred is Joan Wasser, who also got her start in a ‘90s band—the Dambuilders—and subsequently launched an incredibly varied career. She was in Antony and the Johnsons for a bit, and she's recorded a bunch of great records under the name Joan As Police Woman. The first of those, 2006's Real Life, knocked Tim Burgess over when he first heard it—as you'll hear in this conversation. Wasser is just about to release an incredible collaborative album that she made with Dave Okumu and Afrobeat pioneer Tony Allen, not long before Allen's death last year. It's called The Solution is Restless, which is a pretty perfect title, and it'll be out in November. These two have a great chat: Tim is super chill and loves to meditate; Joan is a total firecracker. They talk about how Joan's album “knocked Tim for six,” the myth of Lou Reed—Tim met him as a fan, Joan toured with him—and how Tim, in addition to everything else, has a coffee business. Sort of. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Tim Burgess and Joan Wasser for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting services and social media outlets. This episode was produced by Melissa Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Dillon and Trevor sit down to talk to Joan Wasser about "Simplicity", Cloverfield, and Sting's bedroom musk. Don't miss it!

Dillon and Trevor sit down to talk to Joan Wasser about "Simplicity", Cloverfield, and Sting's bedroom musk. Don't miss it!

Our guest today is Joan Wasser (aka Joan as Police Woman). Joan is a musician, who started off her career playing with several bands including the Dambuilders, Antony and the Johnsons and Those Bastard Souls. Since the early 2000s, Joan has principally released music as a successful solo artist, releasing five regular studio albums, plus an EP and a couple of collections of covers. She's lived in New York City since the '90s, and it's there she met Elliott Smith - playing the same shows and drinking in the same bars and clubs. She also toured with Elliott and even wrote a song about him, after seeing parallels between the reaction to his death and the death of her partner, the musician Jeff Buckley. In this chat, we talk about that track, we talk about touring with Elliott, and we also cover her favourite song choice too. The interview is followed by a listener pick, which today comes from Stephen Johnson. Extra things to look at / listen to: Wouldn't Mama Be Proud by Elliott Smith on Spotify: https://open.spotify.com/track/4GZRKea2czcuYBX2HhNNsI?si=1tOmsuUlQS6DyhPMKC0Wsg Figure 8 by Elliott Smith on Spotify: https://open.spotify.com/album/7DC0pE943VR5tAKIvQXHts?si=uljHTS7ESgmgmEgrd75s4g We Don't Own It by Joan as Police Woman on Spotify: https://open.spotify.com/track/4RxgC2IO98zIWrqhlqlnB8?si=rakZ0Z09QA6p8-8Ovwn4VA Joan plays We Don't Own It live in 2012: https://www.youtube.com/watch?v=CP3njyeHOww My Favourite Elliott Smith Song is produced by Rob Comba and Elizabeth Withstandley.  Find us on social media @myfavesmithsong. MyFavouriteElliottSmithSong.com (http://myfavouriteelliottsmithsong.com/)

“Inside The Electric Moment” The electric moment is the one where Joan Wasser steps up to the plate in front of her fellow accomplished collaborators to show them what she’s got. And even after being in the music industry all these years, that moment is still one that she finds terrifying. Exciting, but terrifying. Wasser, who’s better known as Joan As Policewoman also happens to be terrifyingly talented and in this conversation she talks to Alex about creativity in the time of COVID-19, her lifelong friendship with Mary Timony and what it was like to see Siouxsie and the Banshees in the ‘80s. A discursive but also perfectly linear conversation, she also talks about why a violinist like her was attracted to Rites of Spring, how she’s staying sane while sheltering in place and why she has no regrets about the life she’s chosen. Joan As Policewoman’s Cover Two album is out now.

Joan Wasser goes by the stage-name Joan As Police Woman. She writes arresting music. For William Dart, there's no point resisting - he goes along quietly with her 2018 album Damned Devotion.

Joan Wasser began her career as a session musician for artists like Elton John, Lou Reed, John Cale, and Sparklehorse. It wasn't until she was in her 30s, that Joan began writing her own, highly-acclaimed material as Joan As Policewoman. She and Joe spend an hour discussing the songwriting process and how personal loss pushed them both to discover their creative voices.

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A conversation with American musician Joan Wasser - aka Joan As Police Woman.

......................LAMENT........................................ By Anatoly Brooks 01. Roger Eno & Kate St. John – Lament (0.00:08) 02. Astronaut Husband – Side of you (0.02:35) 03. Steve Jansen & Thomas Feinar – Sow the salt (alternate version) (0.05:20) 04. Minimal Compact – When i go (studio) (0.12:10) 05. Yo La Tengo – Let’s do it wrong (0.15:21) 06. Yann Tiersen & Anna Von Hausswolff – Koad (0.18:47) 07. Collections Of Colonies Of Bees – For ghost (0.24:16) 08. Corrina Repp – How a fantasy will kill us all (0.27:41) 09. Scott Mathews – Piano song (0.33:14) 10. Cornelius – If you’re here (Ryuichi Sakamoto rework) (0.38:48) 11. Exit North – Spider(0.43:25) 12. Scott Mathew – White horse (0.47:38) 13. Scott Mathews – Ballerina lake (0.52:15) 14. Astronaut Husband – Afternoon with Millie (0.56:40) 15. Yann Tiersen – Tempelhof (0.59:43) 16. Matias Aguayo & Yasmine Hamdan – Al jamilat (1.05:35) 17. Steve Jansen – Deadman’s ballad (feat. David Sylvian & Joan Wasser) (1.11:15) 18. Luís Cília – Linha (1.16:40) Total time – 1.21:55 A watercolor by Jonas Pettersson Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/

In an act of mutual admiration, musicians Meshell Ndegeocello and Joan As Police Woman joined us at On Air Fest to play each other's songs and talk about each other's lyrics. These two artists are linked by a particular candor about their history, and the relationship between pain, growth and the healing power of music. In this episode, hear a far-ranging conversation between the two artists, and exclusive live recordings of their music. One of the most powerful storytellers out there making music today, Meshell Ndegeocello is a bassist, singer-songwriter and vocalist who has collaborated with the likes of Madonna, Chaka Khan and Missy Elliot, she holds ten Grammy Award nominations. Joan As Police Woman trained first as a classical violinist before moving into experimental collaborations with everyone from Lou Reed to Rufus Wainwright. Her latest album, Joanthology, was released in early 2019.

This week, the singer-songwriter and multi-instrumentalist Joan Wasser, aka Joan As Police Woman, joins Ted Kessler to talk about her adoption, her love of wearing red, the death of her partner Jeff Buckley, her favourite ever song, about working with everyone from Damon Albarn to Aldous Harding, and her own songwriting craft.

Joan Wasser delivers a powerhouse performance with her latest work, Damned Devotion, the fifth full-length studio album by her band, Joan as Police Woman. Since its release in February, the album has quickly become one of her more celebrated records, for its captivating lyrics and darker, more dramatic sound. Shortly after the release of her dynamic new album, which has since gone on to chart in several European countries, Wasser returned to New York City for a performance at Rough Trade Records in Brooklyn. --- Send in a voice message: https://anchor.fm/offner/message Support this podcast: https://anchor.fm/offner/support

Join host, Greg Carlwood of The Higherside Chats podcast as he talks Song of the Siren, invoked entities, & rebuilding Babylon with returning guest, Chris Knowles. While many of us recognize the weird sychronocities and symbolism surrounding some of society's most consequential events, from Super Bowl shows and celebrity deaths to false flags and media propaganda- it's safe to say these occurrences are more than mere coincidence. And whether we are living in a carefully constructed simulation or these patterns are more along the lines of the elite's calling card, the resulting web of influence is hard to ignore. Fortunately, today's returning guest, Chris Knowles, is a master in unraveling intricately woven webs of symbolism and he joins The Higherside to help shed some light on his newest research. 2:42 During their last interview in January, Greg and Chris discussed incoming President Trump, and the potential position this put America in. Now with almost a year under his belt, Chris elaborates what he believes is playing out behind the scenes, from the remnants of a spy war and inter-agency power coups, to the DNC hack and the inevitable fallout over the Podesta emails and Pizzagate. Knowles also offers insight into the Roman theme of Trump's presidency in juxtaposition to Obama's Egyptian motif. 10:15 Greg and Chris discuss the recent NFL National Anthem debacle and it's ties to a military recruitment campaign. Knowles breaks down the correlation between the obvious Pagan ritual displays in sports and entertainment and the introduction of military involvement in these very industries as well as the manufactured controversies surrounding halftimes shows of entertainers like, Beyonce. 19:30 After covering the rising influence of the siren, Greg and Chris begin to really dive deep into Tim Buckley, his son Jeff and the Cocteau Twins. Knowles details his journey into this saga, beginning with his research into the death of Chris Cornell. Chris details the close relationship of Cornell with Jeff Buckley, the mysterious circumstances surrounding his death, the timing of his death in proximity to the Twin Peaks return and the list of never-ending synchronicities. 29:00 After covering the themes of the siren saga, Greg and Chris turn their attention to key figure, Elizabeth Fraser of the Cocteau Twins, her tumultuous career, and chaotic early years in Scotland's punk scene. Knowles discusses how her troubled past helped make her a prime candidate for experimental mind control, induced dissociation, torture and perhaps a vessel for channeling entities such as sirens. 39:50 Greg and Chris continue discussing Elizabeth Fraser, the multiple deaths connected to her, the bizarre symbolism surrounding each individual death and the siren motif throughout it all. 47:40 After detailing the intense love triangle of Jeff Buckley, Elizabeth Fraser, and Joan Wasser. Knowles breaks down the music of the Cocteau Twins and how it eerily relates to the circumstances surrounding not only Buckley's death, but Chris Cornell's, too. 58:50 Greg and Chris discuss the long horrific history of the elite abusing children. As Knowles explains, this abuse comes with a purpose and belief that children are the gateways to alternate realities and essential to opening stargates. 1:07:30 After the tragic and untimely death of Jeff Buckley, Elizabeth Fraser released only two more singles both of which again point to the influence of the siren archon. Greg and Chris discuss the effects of this tragedy on Fraser and what may be some unintended consequences of this archon's influence. Become a Plus Member at www.TheHighersideChatsPlus.com/subscribe to hear a second hour of all THC episodes. This week's included: - the weirdness in Braintree, Massachusetts and it's surrounding area - the Orion Krause murder case, and the symbolism surrounding it, as well as the likelihood that mind control played a role

Dillon and Trevor sit down to talk to Joan Wasser about "Simplicity", Cloverfield, and Sting's bedroom musk. Don't miss it!