Podcasts about orlac

Alex, Tom und Haldir haben Maureen, sowie Karfunkel, Gremlin, Orlac zum Thema Zwerginnen zu Gast.

Película: "Orlacs Hände" (Robert Wiene, 1924) Conducción: Diego Cirulo Columnistas: Luciana Eyras, Valentina Rulloni, Martín Falco. ¿Qué harías si, de pronto, tus manos ya no fueran las de siempre? ¿Qué harías si te enterases que tus nuevas manos pertenecieron a un asesino? Te invitamos a recorrer el universo del torturado Orlac, un pianista que batalla entre su vida pasada y el terror que habita en sus dedos en el presente. Para esta ocasión, entre tinieblas, gritos y fantasmas, te presentamos a dos de nuestros nuevos integrantes que, claro, están tanto o más locos que los que somos habituales. ¿Tenés miedo? Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca Webmaster: Andrés Cirulo

On this episode of Cinema Dual, Dan Morris returns to celebrate spooky season with selections from this year's Hooptober marathon. Movies Discussed: The Hands of Orlac, Onibaba, Stree Recommendations : Insidious, The Sect, Peeping Tom, Oddity, Salem's Lot (2024), Twixt (Chris), Lake Michigan Monster (Dan), The Frighteners, Death Becomes Her (Jon) For more of our movie thoughts, including our series on the films of Akira Kurosawa, you can check them out at www.cinemadual.com.  You can read more of Dan's writing over at The Beat. Cinema Duals' Mountain of Gloriousness The Films of Cinema Dual Follow us on Blue Sky: @joncinemadual @belownirvana  Follow us on Spotify: Cinema Dual

Bueno, pues llegó esa época del año. Si me seguís ya sabéis de que va esto. Para la gente nueva; durante todo el octubre estaré colgando un podcast por día con 31 impresiones sobre 31 películas de terror totalmente aleatorias, tanto del pasado como de la actualidad. Y este año empiezo celebrando el centenario del body horror con la primera película del subgénero, la inquietante "Las manos de Orlac", en la que un afamado pianistra pierde sus manos y las ve reemplazadas por las de un asesino ejecutado. Mein Gott!

Josh returns! This week he and Drusilla go way, way back for the 1935 classic  Mad Love. From wiki: “Mad Love (also released as The Hands of Orlac) is a 1935 American body horror film, an adaptation of Maurice Renard's novel The Hands of Orlac. It was directed by German-émigré film maker Karl Freund, and stars Peter Lorre as Dr. Gogol, Frances Drake as Yvonne Orlac and Colin Clive as Stephen Orlac. The plot revolves around Doctor Gogol's obsession with actress Yvonne Orlac. When Stephen Orlac's hands are destroyed in a train accident, Yvonne brings them to Gogol, who claims to be able to repair them. As Gogol becomes obsessed to the point that he will do anything to have Yvonne, Stephen finds that his new hands have made him into an expert knife thrower.”Also discussed: The Feather Weight (2023), The Virgin Suicides, Picnic at Hanging Rock, Kirsten Dunst's Architectural Digest tour, farmhouse nightmares, Looney Tunes, Arsenic and Old Lace, Steve Buscemi, Body Parts, Drusilla's Peter Lorre impression, Lana Del Rey's alligator wrestler, Key Luke, and more! NEXT WEEK: The Substance (2024)    Follow them across the internet: Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

Hello and welcome listeners to Episode 226 of Journey with a Cinephile: A Horror Movie Podcast. In this episode, your tour guide, David Garrett Jr., moves into March and goes back into celebrating Centennial Club. The first feature is from 1924 and it is The Hands of Orlac. I'm pairing it with Stopmotion (2023). What I like here is that we have a silent film and form of animation that is used less. This double feature captures by-gone techniques. We also have leads descending into madness. Also on this episode are Mini-Reviews of The Evil of Frankenstein (1964), Dead Silence (2007), Bring It On: Cheer or Die (2022), Friday the 13th Part VI: Jason Lives (1986), brief review of Class of 1984 (1982), Blade II (2002) and an episode of The Twilight Zone. I hope you enjoy coming on this journey with me! Time Codes: Intro: 0:00 - 10:47 Mini-Reviews: 10:53 - 44:16 The Hands of Orlac Trailer: 44:16 - 46:01 The Hands of Orlac Review: 46:01 - 57:35 Stopmotion Trailer: 57:35 - 59:49 Stopmotion Review: 59:49 - 1:08:36 Outro: 1:08:42 - 1:12:05 Social Media: Email: journeywithacinephile@gmail.com Reviews of the Dead Link: https://horrorreview.webnode.com/ Facebook: https://www.facebook.com/dgarrettjr Twitter: https://www.twitter.com/buckeyefrommich Letterboxd: https://letterboxd.com/davidosu/ Instagram: davidosu87 Threads: davidosu87 Journey with a Cinephile Instagram: journeywithacinephile The Night Club Discord: Journey with a Cinephile

Brian Schell of The Horror Guys blog and podcast joins me to chat about movies spotlighted in his book The Horror Guys Guide to the Silent Age of Horror Films.  Among the titles discussed are famous ones such as The Cabinet of Dr. Caligari, Nosferatu, The Golem, and The Man Who Laughs, as well as some that are less familiar, such as The Phantom Carriage, Waxworks and The Hands of Orlac.  Our conversation (and the book) also covers obscure or even lost films such as The Last Warning, A Page of Madness and Drakula's Death. A Bill&Debi Production

Transplantation ist ein Element in Body-Horror-Filmen, das alte Ängste in uns wach ruft. Übernehmen wir mit dem Körperteil die Eigenschaften des "Vorbesitzers"? ORLAC'S HÄNDE ist der erste dieser Filme, unübersehbar spätexpressionistisch, große Bauten, große Gesten, große Augen. Die Geschichte nach einem Roman von Maurice Renard erzählt vom Pianisten Paul Orlac, der bei einem Unfall seine Hände verliert. Der Arzt entscheidet sich, ihm die Hände eines gerade hingerichteten Mörders anzunähen. Die Operation gelingt, aber Orlac erträgt den Gedanken nicht, mit den Mörderhänden wieder Klavier zu spielen oder seine geliebte Frau zu berühren. Und dann geschieht ein Mord. Haben die Hände des Mörders wieder zugeschlagen?Der Film stellt Orlacs psychischen Zustand in den Mittelpunkt, die expressionistische Bildsprache spiegelt intensiv Orlacs Ängste. Seine Hände wirken tatsächlich wie Fremdkörper, als hätten sie einen eigenen Willen. Im Podcast direkt nach dem Film sprechen wir über die Hände der liebenden Ehefrau, über die beeindruckende Live-Klavierbegleitung von Uwe Oberg, über den drei Jahre später kommenden Tonfilm, über Handlungswendungen - und über nicht sehr stumme Betrunkene und Mäuse. Direkt nach dem Film vor dem Caligari am Mikrofon: Kristin und Thomas.

Give the spooky boys Matt (@TheRealMattC) and Jacob (@Jacob_DeNobel) a hand...in fact, give them nine, because they're back to talk about the best evil hand movies of all time. Hear about 45 fingers of fright as they discuss Mad Love, The Hands of Orlac, The Beast with Five Fingers, The Crawling Hand, Dr. Terror's House of Horrors, ...And Now the Screaming Starts, The Hand, Body Parts, and Idle Hands! These danger digits stretch throughout film history, from silent terrors to '90s stoner comedies. Give it a listen, and don't forget to stay spooky!

Programa 33: Un verano oscuro. Un paseo por las regiones impías de la lejana Tíndalos con la mejor compañía en esta nueva entrega de nuestro podcast dedicado a la literatura fantástica. Grabado el día 20 de agosto de 2021. 04:57 "Los perros de Tíndalos", de Frank Belknap Long 31:21 "Dario Argento presenta 12 cuentos sanguinarios" 59:21 "Las manos de Orlac", de Maurice Renard 01:22:44 "La princesa prometida", de William Goldman 01:46:24 "Respiración de fuego", de Tamara Romero 02:12:18 "Todo oscuro, sin estrellas", de Stephen King 02:36:24 "Un verano infinito", de Christopher Priest

Aujourd'hui je vous invite a la rencontre de Pierre Orlac'h, le fondateur et directeur de BaBaBam, le studio de podcast natif a l'origine de Madame Meuf, Silencio ou encore Home(icides) pour n'en citer que quelques uns. Avec Pierre, on discute de son intérêt pour les podcasts, des premiers podcasts qu'il a écoutés, de sa transition de la vidéo vers l'audio et de l'ambition de BaBaBam dans la démocratisation de l'audio parlé, enfin ... des podcasts quoi. Et puis, pour ne rien gâcher, sachez que Pierre est un grand fan de podcasts. Beaucoup de mes invités avouent ne pas en écouter beaucoup par manque de temps ou d'oreille disponible, Pierre lui en consomme beaucoup : seul et avec sa femme, alors restez bien jusqu'au bout pour ses recos. Et quelle ne fut pas ma surprise quand j'ai découvert qu'il était un fidèle auditeur de Generation Podcast. Voila pour la seconde mégalo Allez, direction de l'autre cote du micro de Pierre Orlac'h, de BaBaBam !

Angélica e Marcos comentam o episódio nº 83 da série clássica, Dead Man's Shoes (Os Sapatos do Homem Morto), episódio dirigido por Montgomery Pittman, baseado no roteiro de Charles Beaumont, onde veremos que a vingança caminha a passos largos! Mencionados: As Mãos de Orlac (1924/ Completo no Youtube) / The Eye: A Herança (2002/Online Dublado) / Os Sapatos da Mulher Morta (Twilight Zone revival dos anos 80/Legendado) / Os Olhos do Morto (Twilight Zone revival dos anos 2.000/ Dublado) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Assista ou baixe o episódio online com legendas AQUI Gosta do nosso trabalho e quer que ele continue? Seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica e Marcos comentam o episódio nº 83 da série clássica, Dead Man's Shoes (Os Sapatos do Homem Morto), episódio dirigido por Montgomery Pittman, baseado no roteiro de Charles Beaumont, onde veremos que a vingança caminha a passos largos! Mencionados: As Mãos de Orlac (1924/ Completo no Youtube) / The Eye: A Herança (2002/Online Dublado) / Os Sapatos da Mulher Morta (Twilight Zone revival dos anos 80/Legendado) / Os Olhos do Morto (Twilight Zone revival dos anos 2.000/ Dublado) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Assista ou baixe o episódio online com legendas AQUI Gosta do nosso trabalho e quer que ele continue? Seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica e Marcos comentam o episódio nº 83 da série clássica, Dead Man's Shoes (Os Sapatos do Homem Morto), episódio dirigido por Montgomery Pittman, baseado no roteiro de Charles Beaumont, onde veremos que a vingança caminha a passos largos! Mencionados: As Mãos de Orlac (1924/ Completo no Youtube) / The Eye: A Herança (2002/Online Dublado) / Os Sapatos da Mulher Morta (Twilight Zone revival dos anos 80/Legendado) / Os Olhos do Morto (Twilight Zone revival dos anos 2.000/ Dublado) Instagram: @masmorracine Facebook: MasmorraCine Twitter: @Masmorra_Cast Curta e siga a nossa página com fotos de bastidores da série! The Twilight Zone Behind The Scenes (@tzbehindthescenes) Clique aqui e acesse o melhor grupo dos Fãs de Além da Imaginação no Facebook! Assista ou baixe o episódio online com legendas AQUI Gosta do nosso trabalho e quer que ele continue? Seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.

Angélica e Marcos comentam o episódio nº 83 da série clássica, Dead Man’s Shoes (Os Sapatos do Homem Morto), episódio dirigido por Montgomery Pittman, baseado no roteiro de Charles Beaumont, onde veremos que a vingança caminha a passos largos! Mencionados: As Mãos de Orlac (1924/ Completo no Youtube) / The Eye: A Herança (2002/Online Dublado) […] O post Além da Imaginação Podcast S03E83 Dead Man’s Shoes apareceu primeiro em Masmorra Cine.

Hosts Josh and Jamie and special guest Séamus Malekafzali go silent film era mode with a Robert Wiene silent horror double feature of THE CABINET OF DR. CALIGARI (1920) and THE HANDS OF ORLAC (1924). Next week's bonus episode is a patron-exclusive bonus episode on HAXAN (1922) and THE CITY OF THE DEAD (1960), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-09:15 CABINET OF DR. CALIGARI // 09:15-52:25 THE HANDS OF ORLAC // 52:25-1:29:19 Outro // 1:29:19-1:32:42 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/

This week, Shawn and Craig talk all about watching the 1924 silent thriller 'The Hands of Orlac'! It's all about this fella Orlac and how he loses his hands and how he gets the hands of a killer grafted on to his arm stumps. A chiller, to be sure. And if you ever wanted to know how much these two DON'T know, this is the episode for you. Do they know if hand transplants are real or not? Nope. Do they know which character wrote which letter and when they did it? No, thanks. Do they know if you'll listen all the way to the end of this episode? Certainly not. Let's all find out together! Got check out 'The Hands of Orlac' and then give this bad boy a listen. --- This episode is sponsored by · Charity Promotion: BallotReady: The goal of this initiative is to increase voter education and encourage your listeners to get the vote out during the 2020 General Election this November. https://www.ballotready.org/ · Charity Promotion: HeadCount: The goal of this initiative is to increase voter registration and encourage your listeners to get the vote out during the 2020 General Election this November. https://www.headcount.org/

This week, Shawn and Craig put their noses to the grindstone for 1924's 'The Hands of Orlac', a movie that asks 'If you HAD to be in an accident where you lost both of your hands and you HAD to have the hands of a killer grafted on to your wrist-stumps, would that really be so bad?' The answer, to judge by the poster, is a big YES. But judging by the cast and crew and behind the scenes stories, and the fact that his movie is nearly 100 years old, this is a body horror story with serious legs. Will it prove to be head and shoulders above the rest? The only way to know is to knuckle down, lend an ear to this episode, and then cast your eyes on the movie itself. --- This episode is sponsored by · Charity Promotion: BallotReady: The goal of this initiative is to increase voter education and encourage your listeners to get the vote out during the 2020 General Election this November. https://www.ballotready.org/ · Charity Promotion: HeadCount: The goal of this initiative is to increase voter registration and encourage your listeners to get the vote out during the 2020 General Election this November. https://www.headcount.org/

El síndrome de la cabaña nos está marcando después de un confinamiento de dos meses que (esperamos) toca dejar atrás. Y en Monos con Pistolas nos hemos decidido a analizar todos los que nos pueden rodear en el día a día: que si el del impostor, que si el de Estocolmo, ¡e incluso el de rascar el fondo de la cazuela que nos acabamos de inventar! Todo eso y mucho más en uno de nuestros podcast más personales, donde podéis descubrir las maravillas de la construcción soviética, por qué ya no se usan Blackberry, y cuando Mariló se creyó "Las manos de Orlac". Todo en algo más de una hora.

YiFeng & Lily discuss In the Hands of Orlac (1924) directed by Robert Wiene Referenced: Maltin on Movies Ken Burns Hands of Orlac book The Island of Dr. Moreau by H.G. Wells Island of Lost Souls The Man Who Laughs Seven Samurai Recorded October 12th, 2019

Bababam s'est vu décerné le grand prix du podcast de l'année pour son programme de fiction «Noises» lors du récent Salon de la radio à Paris (23-25 janvier). Une récompense pour cette start-up spécialisée dans la création, la diffusion et l'animation de «marques audio».Après un an d'existence, rencontre avec son fondateur et patron Pierre Orlac'h, dont l'ambition est de «démocratiser l'audio».Quels sont ses projets, ses ambitions, ses podcasts et sa nouvelle technologie pour rendre plus accessible l'écoute de podcasts? Les réponses sont à écouter dans ce podcast ;)Entretien également à retrouver sur 20minutes.frAnne-Laetitia BéraudCrédits son Bisquit soul de Noodgroove – Fugue Icons8.com Pour plus d'informations sur la confidentialité de vos données, visitez Acast.com/privacy See acast.com/privacy for privacy and opt-out information.

Programa conducido por Darío Lavia y Chucho Fernández, especial Manos Acto I: "La política del cuerpo" (Clive Barker) 0:00:02 Acto II: Recomendaciones de Chucho Fernández 0:13:05 Acto III: "Mortmain" (Arthur Train) 0:22:35 "Las manos de Orlac" de Edmond T. Greville 0:29:08 Acto IV: Entrevista con Rubén Risso 0:37:46 Acto V: "Las profecías del dr. Terror" con Christopher Lee 0:51:23 Acto VI: "Onuphrius" (Téophile Gautier) 1:01:06 "El dedo móvil" (Stephen King) 1:08:02 Sello Fantasma http://www.sellofantasma.com/ De la Fosa http://www.delafosa.com/ Fan Page de Cineficción https://www.facebook.com/revista.cineficcion/ Cineficción http://www.cinefania.com/cineficcion/ IMDB https://www.imdb.com/title/tt12573110/

In a new segment to begin 2020, Amanda and Kristin bring you 100 Years of Horror; a look into horror cinema every year since 1920! In part one of the 1920's, we discuss 1920-1924 films, The Cabinet of Dr. Caligari, The Phantom Carriage, Nosferatu, The Hunchback of Notre Dame, and The Hands of Orlac!     Music Credit: purple-planet.com

Pour cet épisode, nous recevons Rodolphe Cobetto-Caravanes, projectionniste-programmateur, animateur d’ateliers de cinémas, guide (pour l’exposition vampires à la Cinémathèque notamment), mais également cinéaste (de clips, de films expérimentaux) et créateur de fanzines. Mais arrêtons l’énumération ici !Dans cet entretien, ce cinéphile à la moustache aussi fournie que celle de Burt Reynolds nous parle de ses (plus ou moins agréables) émois cinématographiques : à travers la sulfureuse Monika de Bergman, la belle Ingrid Bergman dans Casablanca qui implore à Sam sa fameuse chanson, ou encore à travers une autre Monica - Belluci de son nom de famille - dans une scène d’ « Irréversible » ancrée dans les rétines, et que pour une fois, on ne vous conseille pas.Projectionniste-programmateur, il évoque également les balbutiements du numérique, d’étranges bobines de films (pour l’Ange Bleu) ou l’effervescence des séances du Rocky Horreur Picture Show au studio Galande, dont il fut programmateur.Enfin - et surtout, Rodolphe rappelle que ne rien comprendre au cinéma, ce n’est pas grave - c’est une nécessité. Et il n’hésite pas à s’appuyer sur les grands - Bunuel ou David Lynch - pour appuyer son propos. I. PORTRAIT - 5:31Une moustache de cinéma : Celle de Burt Reynolds - 5:41Un instrument de musique au cinéma : le piano dans Casablanca (Michael Curtiz, 1942) - 10:35Des mains au cinéma : les mains d’Orlac- 14:56 II. CIRCONSTANCES ET CONDITIONS DE VISIONNAGE - 17:05La/les meilleures séances du Rocky Horror Picture Show au Studio Galande - 17:15Un film vu dans de mauvaises conditions, et redécouvert plus tard : Shadows (J. Cassavetes, 1959) - 21:19Un film tourné en numérique mais que tu aurais préféré voir en 35mm : Gran Torino (Clint Eastwood, 2008) - 27:36 III. Mémoire et sommeil - 33:13La scène érotique de l’enfance : Monika (I. Bergman, 1953) - 33:13Le film qui te tient éveillé même dans un état de fatigue extrême : Un Chien Andalou (L. Bunuel, 1929) - 37:18 CARTE BLANCHE : Mulholland Drive (D. Lynch, 2001) - 41:42 IV. CINEMA & TRANSMISSION - 48:45Quels films tu aurais aimé ne pas « projeter » ? Baise-moi (V. Despentes, C. Trinh Thi, 2000)Une séance lors de laquelle tu avais le sentiment de projeter un trésor (film rare ect…) : L’ange bleu (J von Sternberg, 1930) - 51:31Le film érotique que tu aimerais montrer à ton enfant : Bilitis (David Hamilton, 1977) - 54:38 FILM REFUGE : Kiki la petite sorcière (H. Miyazaki) - 59:41

Pour cet épisode, nous recevons Rodolphe Cobetto-Caravanes, projectionniste-programmateur, animateur d’ateliers de cinémas, guide (pour l’exposition vampires à la Cinémathèque notamment), mais également cinéaste (de clips, de films expérimentaux) et créateur de fanzines. Mais arrêtons l’énumération ici !Dans cet entretien, ce cinéphile à la moustache aussi fournie que celle de Burt Reynolds nous parle de ses (plus ou moins agréables) émois cinématographiques : à travers la sulfureuse Monika de Bergman, la belle Ingrid Bergman dans Casablanca qui implore à Sam sa fameuse chanson, ou encore à travers une autre Monica - Belluci de son nom de famille - dans une scène d’ « Irréversible » ancrée dans les rétines, et que pour une fois, on ne vous conseille pas.Projectionniste-programmateur, il évoque également les balbutiements du numérique, d’étranges bobines de films (pour l’Ange Bleu) ou l’effervescence des séances du Rocky Horreur Picture Show au studio Galande, dont il fut programmateur.Enfin - et surtout, Rodolphe rappelle que ne rien comprendre au cinéma, ce n’est pas grave - c’est une nécessité. Et il n’hésite pas à s’appuyer sur les grands - Bunuel ou David Lynch - pour appuyer son propos. I. PORTRAIT - 5:31Une moustache de cinéma : Celle de Burt Reynolds - 5:41Un instrument de musique au cinéma : le piano dans Casablanca (Michael Curtiz, 1942) - 10:35Des mains au cinéma : les mains d’Orlac- 14:56 II. CIRCONSTANCES ET CONDITIONS DE VISIONNAGE - 17:05La/les meilleures séances du Rocky Horror Picture Show au Studio Galande - 17:15Un film vu dans de mauvaises conditions, et redécouvert plus tard : Shadows (J. Cassavetes, 1959) - 21:19Un film tourné en numérique mais que tu aurais préféré voir en 35mm : Gran Torino (Clint Eastwood, 2008) - 27:36 III. Mémoire et sommeil - 33:13La scène érotique de l’enfance : Monika (I. Bergman, 1953) - 33:13Le film qui te tient éveillé même dans un état de fatigue extrême : Un Chien Andalou (L. Bunuel, 1929) - 37:18 CARTE BLANCHE : Mulholland Drive (D. Lynch, 2001) - 41:42 IV. CINEMA & TRANSMISSION - 48:45Quels films tu aurais aimé ne pas « projeter » ? Baise-moi (V. Despentes, C. Trinh Thi, 2000)Une séance lors de laquelle tu avais le sentiment de projeter un trésor (film rare ect…) : L’ange bleu (J von Sternberg, 1930) - 51:31Le film érotique que tu aimerais montrer à ton enfant : Bilitis (David Hamilton, 1977) - 54:38 FILM REFUGE : Kiki la petite sorcière (H. Miyazaki) - 59:41

Volvemos a las siempre acogedoras tierras de Maine, en concreto al pueblecito de Ludlow, de mano de otra adaptación de libro a cine del ilustre Stephen King, y como es habitual en él, no es para nada bueno: nos adentramos en “Pet sematary” aka “Cementerio de animales” (2019), firmado por el tandem Kevin Kölsch & […]

Inviateci i vostri audio-messaggi per 610 Risponde al 348.7.300.200 o all'indirizzo mail 610@rai.it.

Inviateci i vostri audio-messaggi per 610 Risponde al 348.7.300.200 e all'indirizzo mail 610@rai.it.

Your deadicated hosts cover another sci fi horror flick starring Boris Karloff from director Nick Grinde: BEFORE I HANG (1940) features a unique take on the tried-and-true formula, but how much of it is original versus leftovers from other horror tropes? Context setting 00:00; Synopsis 9:13; Discussion 18:40; Ranking 31:44

Tonights podcast is all about ‘Crazy Hand’/’Killer Hand’ films, specifically the 1924 film ‘The Hands of Orlac’ and the 1935 film ‘Mad Love’ check out the blog for clips and trailers: BLACKARK MAGAZINE hope you dig the podcast! The Movies MAD LOVE (1935) THE HANDS OF ORLAC (1924) The Guest Writer/Cartoonist Ricky Sprague Ricky on Twitter Ricky on Amazon

Y’all ready to take it to the rim? Heave that rock? Press that court fully? Well come on and jam with the Bulldogs as they take on their latest challenge: a game of pickup basketball against Orlac Stonebasher and his very tall friends. If they win, Orlac helps and if they lose he’ll just keep playing basketball. This guy is really into basketball! Will the Bulldogs manage to somehow beat real athletes? Or are they about to get majorly dunked on? In this episode: Stuart confuses cool with cruel Hobe is Hope-pen Brube shows off some crab-ball Orlando supplies our team with its Jordan And Dorn needs a win

Shocktober 2017 kicks off with Karl Freund's final film as a director and Peter Lorre's film film in America, Mad Love (1935). Based upon Maurice Renard 's The Hands of Orlac, the film shifts focus from the titular Orlac to Dr. Gogol, a cunning physician who specializes in some questionable procedures. He's fascinated by the actress Yvonne Orlac (Frances Drake) and, rebuffed in his advances, manages to enter her life after he backhandedly helps her husband, concert pianist Stephen Orlac (Colin Clive), by giving him a new pair of hands after his have been crushed in an accident. But what kind of gift are the hands of a murderer on a master musician?Samm Deighan joins Mike to discuss the unusual American debut from Peter Lorre along with special guests Gregory W. Mank (Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age) and Stephen D. Youngkin (The Lost One: A Life of Peter Lorre).Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guests: Gregory W. Mank, Stephen D. YoungkinGuest Co-Host: Samm DeighanShocktober 2017 kicks off with Karl Freund's final film as a director and Peter Lorre's film film in America, Mad Love (1935). Based upon Maurice Renard 's The Hands of Orlac, the film shifts focus from the titular Orlac to Dr. Gogol, a cunning physician who specializes in some questionable procedures. He’s fascinated by the actress Yvonne Orlac (Frances Drake) and, rebuffed in his advances, manages to enter her life after he backhandedly helps her husband, concert pianist Stephen Orlac (Colin Clive), by giving him a new pair of hands after his have been crushed in an accident. But what kind of gift are the hands of a murderer on a master musician?Samm Deighan joins Mike to discuss the unusual American debut from Peter Lorre along with special guests Gregory W. Mank (Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age) and Stephen D. Youngkin (The Lost One: A Life of Peter Lorre).

En compañía de Juan Carlos Cordero y de nuestro corresponsal especial Guillermo (aka Orlac), atacaremos, pegaremos y huiremos a la vez. Esta semana hablaremos del thriller español «Tarde Para La Ira», de Raúl Arévalo, de la desasosegante «The Canal», de Ivan Kavanagh, del remake familiar «Peter Y El Dragón (Pete’s Dragon)», de David Lowery y de una película que […]

Kat and Samm return for episode 12 of Daughters of Darkness, where they discuss mad science in general and transplant-themed horror in particular. They begin with an analysis of the origins of mad science fiction in Gothic literature — partly a reaction to the European Enlightenment — through the fiction and nonfiction work of writers like Coleridge and Goethe, culminating in Mary Shelley’s seminal Frankenstein. The episode moves on to explore adaptations of Maurice Renard’s novel, Les Mains d’Orlac (1920), in which a pianist’s hands are damaged in an accident and replaced in an experimental procedure; but he’s convinced that his new hands belonged to a murderer and are possessing him to commit horrible acts. Beginning with Robert Wiene’s forerunner German expressionist film Orlacs Hände (1924), with Conrad Veidt, Renard’s loose plot thread moves through Maurice Tourneur’s similarly-themed, neglected La main du diable (1943) — a surreal, blackly comic work made during the Nazi occupation of France — to Karl Freund’s Mad Love (1935). Starring Peter Lorre as a crazed surgeon, the focus of this film is not on Orlac, the piano player, but on the demented Dr. Gogol, who is obsessed with Orlac’s wife, an actress in the Grand Guignol. Also discussed is Georges Franju’s groundbreaking Les yeux sans visage (1960), about a surgeon attempting to replace his daughter’s ruined face through nefarious means, and offshoots like Jess Franco’s Gritos en la noche aka The Awful Dr. Orloff (1962), as well as one of Michael Pataki’s few directorial efforts, Mansion of the Doomed (1976). The majestic Richard Basehart stars as a well-meaning but misguided doctor trying desperately to replace his daughter’s eyes.

Put on your cinema goggles and get ready to get a decade's worth of moving pictures doled out directly into your earholes by your favorite film-going fanatics Sean, Brian, and special guest Zach! Embedded version!Or, download the show directly!Available in .M4A or .MP3 format. Or check out DoC in the iTunes Store or search us on your Podcasts app.E-mail us directly with any questions or comments and also to submit your own movie lists for consideration for our show-ending segment Rapid Fire Reviews! Our official e-mail address is: decadesofcinema@yahoo.comIf you are a Letterboxd user here's a DoC Episode #5 list there if you want to follow along at home and use it track which films from this episode you've seen!Without further adieu -- here's this episode's films!1920sThe Hands of Orlac (Wiene, 1924)1930sAll Quiet on the Western Front (Milestone, 1930)1940sThe Big Sleep (Hawks, 1946)1950sA Man Escaped (Bresson, 1956)1960sDavid Holzman's Diary (McBridge, 1967)1970sGrin Without a Cat (Marker, 1977)1980sThe Thin Blue Line (Morris, 1988)1990sDinosaur Island (Ray, Wynorski, 1994)2000sDirty Pretty Things (Frears, 2002)2010sJustin and the Knights of Valour (Sicilia, 2013)Rapid Fire ReviewsIn lieu of RFR on this episode our hosts and their special guest all discuss something they've seen recently they'd recommend as well as something they're looking forward to!Remember to e-mail us at decadesofcinema@yahoo.com to send in your comment, questions, and requests for the Rapid Fire Reviews segment! Thanks for the support and we'll see you at the movies!

A good old fashion mad doctor goes APE over a woman and becomes The Monster Maker! Some decent monster craft and a real creep factor are the main ingredients in the horror movie soup, which turns out to be surprisingly palatable. Enjoy! This Week's Topic: Connections Other Talking Points: Macgyver, Men In Suits (documentary), Terminator, I Accuse My Parents, MST3K, The Terror of Tiny Town, House of Frankenstein, House of Dracula, Abbot and Costello Meet Frankenstein, Dracula vs Frankenstein, Boris Karloff, Adam West, Michael Keaton, The Hands of Orlac, House of Wax, Dr. No, Futurama, Orca, Barracuda, Piranha, King Kong (1933), Jaws, No Country For Old Men, Eraserhead, and Gotham. References To Past Episodes: White Pongo, Robot Pilot, and Dementia 13. See this movie right HERE!

But if you're thinkin' bout watchin' movies, it don't matter if they're black and white! Kick off Earth-2.net's Black & White Week here on Dread Media with a relatively all-encompassing view of all eras and styles of black and white horror cinema. First up, Chris joins Desmond to discuss the German Expressionist film The Hands of Orlac. Then Devil Dinosaur Jr. gives us a Stay Scary segment dedicated to the Universal horror film starring Lugosi and Karloff called The Black Cat. Then Damien joins Desmond to try and come to terms with the avant-garde film Begotten. There are some monochromatic tunes to help carry you through the episode as well: "White Hats, Black Hats" by Tomahawk, "Cut Off Your Hands" by Fit for Rivals, "Afterworld" by Tiger Army, "God Called in Sick Today" by AFI, and "Dreams in Monochrome" by Evadne. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com.

But if you're thinkin' bout watchin' movies, it don't matter if they're black and white! Kick off Earth-2.net's Black & White Week here on Dread Media with a relatively all-encompassing view of all eras and styles of black and white horror cinema. First up, Chris joins Desmond to discuss the German Expressionist film The Hands of Orlac. Then Devil Dinosaur Jr. gives us a Stay Scary segment dedicated to the Universal horror film starring Lugosi and Karloff called The Black Cat. Then Damien joins Desmond to try and come to terms with the avant-garde film Begotten. There are some monochromatic tunes to help carry you through the episode as well: "White Hats, Black Hats" by Tomahawk, "Cut Off Your Hands" by Fit for Rivals, "Afterworld" by Tiger Army, "God Called in Sick Today" by AFI, and "Dreams in Monochrome" by Evadne. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com.

But if you're thinkin' bout watchin' movies, it don't matter if they're black and white! Kick off Earth-2.net's Black & White Week here on Dread Media with a relatively all-encompassing view of all eras and styles of black and white horror cinema. First up, Chris joins Desmond to discuss the German Expressionist film The Hands of Orlac. Then Devil Dinosaur Jr. gives us a Stay Scary segment dedicated to the Universal horror film starring Lugosi and Karloff called The Black Cat. Then Damien joins Desmond to try and come to terms with the avant-garde film Begotten. There are some monochromatic tunes to help carry you through the episode as well: "White Hats, Black Hats" by Tomahawk, "Cut Off Your Hands" by Fit for Rivals, "Afterworld" by Tiger Army, "God Called in Sick Today" by AFI, and "Dreams in Monochrome" by Evadne. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com.

But if you're thinkin' bout watchin' movies, it don't matter if they're black and white! Kick off Earth-2.net's Black & White Week here on Dread Media with a relatively all-encompassing view of all eras and styles of black and white horror cinema. First up, Chris joins Desmond to discuss the German Expressionist film The Hands of Orlac. Then Devil Dinosaur Jr. gives us a Stay Scary segment dedicated to the Universal horror film starring Lugosi and Karloff called The Black Cat. Then Damien joins Desmond to try and come to terms with the avant-garde film Begotten. There are some monochromatic tunes to help carry you through the episode as well: "White Hats, Black Hats" by Tomahawk, "Cut Off Your Hands" by Fit for Rivals, "Afterworld" by Tiger Army, "God Called in Sick Today" by AFI, and "Dreams in Monochrome" by Evadne. Send feedback to: feedback@dreadmedia.net, or 206.203.1213. Follow @dreadmedia on Twitter! Join the Facebook group! Visit www.stayscary.wordpress.com.