Podcasts about Albini

Send us a textThe legendary Toadies join The Tippy Jo Show in this special crossover episode with the Midwest Mixtape Podcast—just in time for their massive appearance at Pointfest in St. Louis this Saturday, May 17th!

Developer" Formed in the mid-80s in Missoula, Montana by high school pals Tim Midyett, Joel R. Phelps and Andy Cohen and rounded out by Seattle-born drummer Michael Dahlquist, Silkworm remain one of the most singular indie rock bands of all time. They relocated from Montana to Seattle in 1990 and then the real fun began. Their 1994 album In The West was produced by Steve Albini, who actually went to the same high school in Montana, and this is the album where Silkworm really hit their stride. From Garden City Blues to Raised By Tigers, In The West was filled with dark, churning rhythms, brooding percussion and inventive lyrics. Phelps left the band after In The West, but Silkworm kept moving from strength to strength, putting out classic albums like Developer, Italian Platinum and It'll Be Cool. Their close to 15 album discography is near-perfect and repeated listens always yield new sonic surprises. The band ended in 2005 after the death of Dahlquist in a car accident, which also claimed the lives of several of his friends. However, after the death of Albini back in 2024, the high school unit of Phelps, Midyett and Cohen along with drummer Jeff Panall played a tribute show in his honor. One thing led to another and now we have the first Silkworm live dates in over 20 years which will start in September. Look, Silkworm are a fascinating band--check out the documentary Couldn't You Wait? The Story Of Silkworm to get the holes filled in and pick up the re-mastered and expanded version of Developer that Comedy Minus One just put out, but let me just say this: it's hard to think of a more idiosyncratic, and downright appealing band than Silkworm. The innovative word-play, the guitars that rise and fall in big crunchy bursts, the prowling bass-lines and the bursts of stirring percussion make them one of the most enigmatic, unique and altogether appealing bands in recent memory. www.skwm.bandcamp.com www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) IG & BLUESKY: @emberspodcast

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Andy Cohen and Tim Midyett from Silkworm discuss the new Developer reissue, our shared experience at a memorial for Steve Albini this past summer where Joel RL Phelps joined them for their first Silkworm set together in 30 years, monumental news about upcoming Silkworm shows, revisiting Developer's lyrical themes and Albini's sounds, rarities, including a Bob Dylan song performed with Pavement's Stephen Malkmus, Midyett's band Mint Mile making a new album with Albini a week before he died and what his loss means to Silkworm, forthcoming solo music, other future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #910: The Hard QuartetEp. #869: Steve AlbiniEp. #840: Mint MileEp. #514: Steve Albini and Silkworm's Andy Cohen and Tim MidyettEp. #369: Andrew Cohen & Light ComaEp. #70: Joel RL PhelpsEp. #52: Tim Midyett of Bottomless Pit Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

MILANO (ITALPRESS) - "È un grandissimo onore essere qui in una cornice prestigiosa per la Federscherma. La scherma è l'unica disciplina olimpica presente alla Bit, è un'opportunità per promuovere la disciplina come sport ed eccellenza che ha portato grandissimo prestigio alla nostra nazione, ma anche per promuovere il territorio e quindi i luoghi in cui la scherma si sviluppa". Lo ha dichiarato Elisa Albini, consigliera federale della Federazione italiana Scherma, intervenuta a margine del panel dedicato all'accordo di collaborazione tra la FIS e la Regione Valle d'Aosta. "Sicuramente, come sappiamo tutti noi, i tempi cambiano e corrono, è importante sempre rimanere rilevanti, essere attrattivi soprattutto per i giovani, dobbiamo spingere sulla promozione e sull'attrattività. Una partnership col territorio è fondamentale, permette di supportare il movimento e di trovare una connessione quella che è l'eccellenza locale".pia/gm/gtr

MILANO (ITALPRESS) - "È un grandissimo onore essere qui in una cornice prestigiosa per la Federscherma. La scherma è l'unica disciplina olimpica presente alla Bit, è un'opportunità per promuovere la disciplina come sport ed eccellenza che ha portato grandissimo prestigio alla nostra nazione, ma anche per promuovere il territorio e quindi i luoghi in cui la scherma si sviluppa". Lo ha dichiarato Elisa Albini, consigliera federale della Federazione italiana Scherma, intervenuta a margine del panel dedicato all'accordo di collaborazione tra la FIS e la Regione Valle d'Aosta. "Sicuramente, come sappiamo tutti noi, i tempi cambiano e corrono, è importante sempre rimanere rilevanti, essere attrattivi soprattutto per i giovani, dobbiamo spingere sulla promozione e sull'attrattività. Una partnership col territorio è fondamentale, permette di supportare il movimento e di trovare una connessione quella che è l'eccellenza locale".pia/gm/gtr

Après avoir consacré une émission au groupe de Steve Albini, nous continuons de lui rendre hommage en explorant les groupes qu'il a enregistrés dans les années 80. Steve Albini est devenu un symbole d'une éthique musicale qui rejette le compromis et favorise l'indépendance artistique. Son travail sur des milliers d'albums, sa vision minimaliste et son refus des conventions font de lui une figure respectée, mais parfois controversée, dans l'industrie musicale. En 1987, il transforme le sous-sol de sa maison en un studio équipé de matériel de pointe. Cet espace exigu devient le berceau de nombreux albums marquants. Fidèle à son éthique, Albini adopte un modèle atypique : il facture uniquement ses heures de travail, laissant les groupes utiliser gratuitement le studio s'ils apportent leur propre matériel d'enregistrement. Avec les revenus générés par des projets plus prestigieux, notamment avec Nirvana ou PJ Harvey, Albini inaugure en 1997 *Electrical Audio*, un studio à Chicago conçu selon ses propres standards. Favorisant les équipements analogiques et un environnement accueillant pour les musiciens, ce lieu devient un véritable sanctuaire pour la scène indépendante. Refusant les pratiques commerciales traditionnelles, il insistait pour être crédité comme "enregistré par" plutôt que "produit par". Pour lui, un producteur imposait une vision artistique, tandis que son rôle se limitait à capturer la musique telle que le groupe souhaitait la jouer. En opposition à la majorité des professionnels du milieu, Albini refusait catégoriquement de toucher des royalties sur les albums qu'il enregistrait, estimant que cela trahissait l'artiste. Il considérait son rôle comme un service technique, déconnecté des gains financiers. Cette éthique s'accompagnait de tarifs abordables, permettant aux groupes indépendants d'accéder à un enregistrement de qualité. Même après avoir acquis une renommée mondiale. Steve Albini disposait d'une impressionnante collection de micros vintage, qu'il positionnait avec une précision méticuleuse pour capturer la dynamique et l'acoustique naturelle de chaque pièce. Chaque micro était placé stratégiquement afin de restituer le son dans sa forme la plus pure, sans recourir à des effets ou corrections numériques. Albini privilégiait les sessions d'enregistrement live, où les musiciens jouaient ensemble plutôt que séparément. Cette méthode permettait de préserver l'énergie et la spontanéité d'une performance en direct, évitant l'aspect souvent aseptisé des enregistrements réalisés en pistes séparées. Son mixage atypique était une de ses marques de fabrique : les voix étaient souvent reléguées à l'arrière-plan, créant une impression de lutte, comme si le chanteur devait percer à travers une masse sonore imposante. Albini s'efforçait également de fusionner la basse et la batterie en un seul élément sonore cohésif, donnant à la section rythmique une intensité et une densité remarquables. Steve Albini est resté fidèle à ses principes malgré les pressions de l'industrie musicale. Jusqu'à la fin, il a continué d'enregistrer des groupes indépendants et de défendre ses valeurs d'éthique musicale. Son studio, *Electrical Audio*, est devenu un véritable sanctuaire pour les artistes en quête d'une expérience d'enregistrement authentique et sans compromis. Albini demeure une figure respectée, autant pour ses talents techniques que pour son intégrité inébranlable. Pour de nombreux musiciens, collaborer avec lui représentait un véritable gage d'authenticité et une manière de rester fidèle à leurs idéaux artistiques. Albini incarnait une approche unique, où la musique et l'honnêteté artistique passaient avant toute considération commerciale. Urge Overkill/Art Of Man Pixies/Bone Machine Slint/Darlene Bitch Magnet/Punch and Judy Head of David/Dog Day Sunrise The Wedding Present/Brassneck UT/Spore Poster Children/Wanna Pussy Galore/Dick Johnson Wreck/Song X The Jesus Lizard/Bloody Mary

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Metal band in a gas station? Dont worry. Be happy! Brok talked about working with Steve Albini and Greg Norman at Electrical Audio, DIY rebuilding his Calrec console, custom Pro Tools headphone mixes, overdubing to cassette tape, and mixing in Atmos. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Brok Mende, owner of Friends of Friends Recording, a loft-style studio in Chicago specializing in analog & digital, vintage & modern recording processes, also offering Dolby Atmos mixing and mastering! With over a decade of professional experience alongside some of the largest names in the music industry (Electrical Audio, Audiotree, etc) and within studios all over the US, Brok's work includes KAINA, Sen Morimoto, NNAMDÏ, serpentwithfeet, Madison McFerrin, and Tasha to name a few and in collaboration with designer/community builder (and partner), DeAnna Doersch.  In his own words, Brok is a listener by trade who likes to focus on creating something intentional and honest for the artist. He can take apart most anything involving capacitors and/or transformers and is usually able to put it back together correctly, too. In the show notes, we have a playlist of Brok's stereo and Atmos mixes. Please check those out. Thank you to Stephen Shirk and Shirk Studio for introducing us! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://www.empiricallabs.com/ Use code RSR10 to get 10% off the Arousor and BIG FrEQ plugins! https://traceaudio.com/ Use code RSR15 to get 15% off your custom printed labels! https://www.soundporter.com/ Get a free mix review and mastering demo! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Apple Music: https://music.apple.com/us/playlist/brok-mende/pl.u-e98lGaDHzjAADpb If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/486

On this episode we pay tribute to the SoundGod Steve Albini. The late and great recording engineer on countless killer albums by a diverse array of bands heavy and otherwise. Ben, Jeff, and Markisan dug deep into Albini's discog and, in the process, came to a deeper appreciation of not only his unrivaled engineering prowess but the deep emotional connections we have to so many of the records recorded in his legendary Chicago studio, Electrical Audio. Taking on an almost impossible task, the boys pick their gun-to-the-head-must-pick top 4 Albini recorded albums of all time. We had an absolute blast recording this one and hope you will as well. So kick back and crack open an Allagash Curieux Tripel, a Belgian-style golden ale aged in bourbon barrels! #metalheads #stevealbini #podcast

I'll never forget the first time I heard the music of the iconic noise-rock band The Jesus Lizard — it was more than thirty years ago, thanks to my older brother Michael playing me their song “Seasick,” from the band's second studio album, Goat, released in 1991 and produced by the legendary Steve Albini.  That song blew my mind. It made me feel like I was actually inside of the tune itself, and that, like the narrator of the song, yowling about how he “can't swim,” that I was somehow drowning in the music. Not in a scary way — in an empowering, visceral way. It's a song I still go back to, and that album is one I go back to all the time. It was a thrill to get to ask David about that song, in particular, about working with Albini, and so much more. In this episode, David discusses his earliest creative inclinations as a visual artist, and as a music lover and musician, and how everything changed when he discovered punk rock at age twenty. We also delved into the making of the first new studio album by The Jesus Lizard in twenty-six years, their excellent, newly released LP Rack. Although he cites influences such as the Beatles and Queen and The Huns and Fear and Nick Cave's band The Birthday Party, what David does is a thing unto itself. He is truly an inimitable performer and it was an honor to speak to him for this episode. 

Libano: schiuse le scuole, diventano rifugi, mentre Israele bombarda il sud e la capitale. In collegamento da Beirut la giornalista Agnese Stracquadanio. Meryl Streep all'ONU: Uno scoiattolo ha più diritti di una donna afghana. Nigeria: l'appello degli albini ai media. Afghanistan: i talebani preparano un elenco con le persone che possono partecipare ai talk show. India: gruppo di scimmie salva una bambina da uno stupratoreQuesto e molto altro nel notiziario di Radio Bullets a cura di Barbara Schiavulli 

When people think of Electrical Audio Recording in Chicago they usually only think of the late, great Steve Albini. But the studio is (and has been) home to a distinguished troop of engineers and operators that continue to keep the venerable institution running — including our pal Greg Norman, who's been doing the Lord's work over at Electrical since he LITERALLY helped lay the foundation of the studio building before the opening of its doors in 1997. On this episode we talk about sneaking into Shorty shows at Lounge Ax, Albini's tighty whities, Adobe bricks, Alain Delon's dog, The Jesus Lizard, The White Album, Steely Dan, broken Calrec Soundfield mics, and WHAT'S THE BEST?!? recording production.

Carlos Van Hijfte (from mini-music-monday, June 10) travels from Holland to Chicago to attend Steve Albini's memorial weekend. On his way home he stopped in Massachusetts to visit friends, including a drop-in to the RAW Impressions studio! He talks about the Albini gathering on the shore of Lake Michigan. Then shares sweet memories of booking the most brutal bands of the 80s and a recent visit with Cat Power. Adelle talks about meeting her celebrity crush at J Mascis' 50th birthday party.https://barlowfamilygeneral.substack.comjoin our Substack, just becausewatch it on you tubehttps://youtu.be/m2GqPovRoWw Hosted on Acast. See acast.com/privacy for more information.

In April 2023, while producing a documentary series for The John Templeton Foundation (JTF), I had the distinct pleasure of interviewing legendary punk/rock musician and producer audio engineer Steve Albini. Portions of that interview appear in the sixth installment of the doc series (which is phenomenal, and you should watch every episode immediately), but most of our conversation has remained unreleased—until now.On May 7th, 2024, Steve passed away at 61 after an illustrious and influential life and career. With special thanks to JTF (and in honor of Steve Albini Day), we're pleased to publish the full audio of that interview here.Steve engineered audio for artists like Nirvana, Bush, and the Pixies, helping each bring some of their most authentic and celebrated works to grateful fans the world over. Steve's dedication to capturing the natural essence of a band's performance without excessive studio manipulation has left a lasting legacy in the music industry.In this wide-ranging exchange, Albini shared insights into his philosophy on music production and anecdotes from his time working with some of the biggest names in rock. And given the uniquely ontological focus of our documentary, Steve also served up some fascinating meditations on:* communicating with aliens* being a ‘vector of history'* the modern music scene* and the mathematics of musicAlbini's approach to his work wasn't just technical but deeply philosophical. He believed that the role of a producer was to serve the artist's vision rather than impose their own. That ethos resonated throughout our discussion, a testament to his principled commitment to artistic integrity. His passing is a significant loss, but his legacy will undoubtedly continue to inspire future musicians and producers.- KmeleNOTE: This release includes a brief cameo from my friend and sometimes collaborator Jason Mojica — the indispensable producer/director of Dispatches from The Well.Interview Recorded: April 28th, 2023Published: July 27th, 2024 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wethefifth.com/subscribe

This week we're taking some time to honor the great Steve Albini. Having already done full episodes on Big Black, Rapeman, and most recently Shellac, this time we're talking about everything Albini has worked on that's affected us over the years. Mike speaks with Alex, their history guy, Tom, as well as his brother Robert about everything Steve Albini and his incredible legacy. Closing track: "Over" by Oxbow from Serenade in Red (1996)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsRobert @hoodpass.wicHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteRobert's show on NTS Radio: https://www.nts.live/shows/yayayi Robert's album: https://open.spotify.com/artist/6y9HtgqNCUTgnemSjTdpO4?autoplay=true

In this episode of Just Albini It!, I talk about the importance of capturing our creative thoughts. Inspired by Steve Albini, I reflect on how we can leave a legacy for our children and future generations.

Steve Albini's Life Celebration Reissue of The Big Black Episode from October 2014.Interviews with Steve Albini, Santiago Durango, Jeff Pezzati, Camilo Gonzalez, Jim DeRogatis, and Russ Forster.July 22nd is the date of Steve Albini's Birthday.  I never do rebroadcasts of past episodes but I was informed of the idea for a life celebration of Steve on his birthday, so I was encouraged to participate.  The episode is worth it.  One of my best.  Much of the credit goes to my partner in this Russ Forster and of course to Steve and Santiago.- JugheadBig Black's aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine (who they lovingly called Roland) elements which pre­-cursored industrial rock. The band acknowledged no taboos and Albini's lyrics openly dealt with loaded topics including murder, rape, child sexual abuse, and racism. They also held staunch principles, shunning the mainstream music industry and insisting on complete control over all aspects of their career. This podcast attempts to tell a portion of the history of the band from the perspective of their ep Bulldozer through their first full length record Atomizer. (Marking a transition from a project purely conceived by Steve Albini into a cohesive band with the added influences from collaborators Santiago Durango and Dave Riley.) This episode is co-hosted by Russ Forster and includes interviews with band members Santiago Durango, Steve Albini, and Jeff Pezzati, including extra interview material with friend and fellow songwriter/musician Camilo Gonzalez. Lastly an audio piece written by journalist/novelist/radio personality Jim DeRogatis. Russ Forster is a perennial dabbler in the underground and eccentric. Past exercises in cognitive dissonance include Underdog Records, 8-Track Mind magazine, documentaries So Wrong They're Right and Tributary, and various and sundry bands and acts like his current extreme-solo project Rakehell. Assistant Editor: Jason Brow of the 6ftplus Podcast.https://www.patreon.com/jugheadsbasementFull Interview of Albini:Link

Steve Albini earned a lifelong cult following of music fans and music producers after his work on Nirvana's In Utero. But what made his mixes and productions unique? And what can we learn from his approach in the studio, and in the mix? That's what we'll analyze today. Join Justin Colletti as we take a closer look at the late, great Albini's work with artists like Nirvana, Pixies, PJ Harvey, Breeders, Joanna Newsome and more. ►

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/cage-the-elephantSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeCage the Elephant was formed nearly 20 years ago in Bowling Green by vocalist Matt Shultz, guitarists Brad Shultz and Lincoln Parish, drummer Jared Champion, and bassist Daniel Tichenor. That core lineup has only changed once, with Nick Bockrath replacing Parish onstage in 2013 and officially in 2017. CTE's earliest albums—2008's Cage the Elephant and 2011's Thank You, Happy Birthday—captured their punk-rock pandemonium that turned venues into hurricanes. Cage's mayhem cloaked melodies, like a Trojan horse creating early-career earworms and sing-alongs out of hits “In One Ear,” “Ain't No Rest for the Wicked,” “Shake Me Down,” and “Aberdeen.” 2013's Melophobia brandished a trio of mellower, melodious singles: “Come A Little Closer,” “Take It or Leave It,” and “Cigarette Daydreams.” Then, 2015's Tell Me I'm Pretty saw the band enter Easy Eye Sound to work with Dan Auerbach, sending the band's sonics back to the '60s with an emphasis on direct, pointed performances and console-driven fuzz. Their last two albums, 2019's Social Cues and 2024's Neon Pill, partnered them with producer John Hill, who helped wrap their memorable hooks in a smokier, after-hours backdrop that incorporated '80s sheen with drum machines, shifting synth textures, and sleek production that pulses with flow and emotion. The constant glue that holds these albums together (aside from the members' cohesive creativity) is the constant application—in varied amounts—of garage rock, psychedelia, and a little bit of danger. Even their softest, smoothest work portrays these gripping vibes. And while the velvet packaging of their songs have them sounding more Abbey Road than Albini—earning the group back-to-back Grammys for Best Rock Album for Tell Me I'm Pretty and Social Cues—the Shultz brothers still bring their signature piss-and-vinegar performances to the stage, where the front row will likely play host to both throughout any given setlist. Before the band's Bonnaroo set on Saturday June 15, Cage the Elephant invited PG's video team to their rehearsals inside East Nashville's Steel Mill space to cover the gear they'd be touring with in support of their sixth album, Neon Pill. On guitar, lap steel, and pedal steel, Nick Bockrath starts off the Rundown going through his sizzling setup that includes custom guitars, a bountiful pedalboard, and a special instrument from a deceased friend and Nashville legend. Then, tech Mason Osman details how Brad Shultz transformed his rig to mimic his preferred recording setup that relies on studio tube preamps and compressors for a direct, broiling sound. Lastly, tech Bailey Griffith shows a simplified-but-tsunami-sounding bass setup that includes two Fender 4-strings and 300W tube heads that kick like a mule. (Thumbnail photos by Neil Krug.)Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/cage-the-elephantSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr]0:00 - D'Addario Strings0:15 - Nick Bockrath Intro1:58 - Chris Kies Intro2:17 - Neon Pill & Working with John Hill Again6:00 - Nick Bockrath's Harper Guitars Marilyn11:20 - Nick Bockrath's 1990s Gibson Les Paul Deluxe15:23 -...

Listen to the song. Listen to the remix. Listen to the live version. The Mixer is here with some personal Albini stories and CASTANETS! There's probably a curse word. Contact: pgtfsg@gmail.com. The Annotated Fall lies here: http://annotatedfall.doomby.com/

Topic begins at (0:09:51) mark: Druff talks about his experiences playing his first 2024 WSOP event, the $1500 O8.... (0:42:20): Mike Holtz causes controversy by playing Casino Employees Event despite being pro poker player.... (0:54:57): Player shamed on social media for using GTO Wizard between hands -- is this right to do?.... (1:12:42): WSOP.com adds Michigan, creates new platform called WSOP Online, and bungles pre-registration procedure.... (1:26:59): Steve Albini, 2-time WSOP bracelet winner and semi-famous record producer, passes away abruptly at 61, but had a very dark past.... (2:14:20): High stakes Canadian pro poker player Matt Bergart killed in home invasion.... (2:19:56): 72-year-old woman claims Bally's Atlantic City cheated her out of a $2.56 million jackpot

Topic begins at (0:09:51) mark: Druff talks about his experiences playing his first 2024 WSOP event, the $1500 O8.... (0:42:20): Mike Holtz causes controversy by playing Casino Employees Event despite being pro poker player.... (0:54:57): Player shamed on social media for using GTO Wizard between hands -- is this right to do?.... (1:12:42): WSOP.com adds Michigan, creates new platform called WSOP Online, and bungles pre-registration procedure.... (1:26:59): Steve Albini, 2-time WSOP bracelet winner and semi-famous record producer, passes away abruptly at 61, but had a very dark past.... (2:14:20): High stakes Canadian pro poker player Matt Bergart killed in home invasion.... (2:19:56): 72-year-old woman claims Bally's Atlantic City cheated her out of a $2.56 million jackpot

⁠⁠Join our PATREON for bonus episodes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This week we hang with screamo trailblazers The Red Scare and talk about the 90 Day Men album (Is (It) Is) Critical Band. We also talk about: bowing out of this jackassery, the Solid Brass reissues, Costco pants, the Red Scare origin story, what kind of jazz Abby?, influences, 4 people in a room, the worlds fair 1982, al pacino's house in HEAT, working with Albini, Inner Ear, …is a serious band, Knoxville Honkers and Bangers, creative maturity, Troubleman Unlimited, it's all post hardcore, fuckface.jpeg, that bass tone, Missouri Kids Cuss, the Electrical Audio version, no skips, our favorite 90 Day Men songs, and so much more. ________ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Order our Gatekeep Harder shirt here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ // Follow us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@danbassini⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mysprocalledlife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @the_red_scare_knoxville ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@runintotheground⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

In a very special episode, Evan is joined by Vish Khanna of Kreative Kontrol Podcast, on which Steve Albini was a regular guest, to reflect on Albini's artistic life and legacy.

It is with heavy hearts that we deliver this week's episode honoring the passing of a true recording innovator and master of his craft: the amazing Mr. Steve Albini. Our good friend and fellow podcasting brother, Chris L joins us from the awesome Pod Of Thunder podcast. We knew we needed someone who represented the region of the country Steve was from and where he did most of his work; a magical faraway place called Chicagoland. Chris was a musician in the Chicago scene in the 90s when Albini's “production” was soaring, and his recordings were impacting the rock and alternative world hugely. This a tough loss, as Albini's ability to capture the true essence of a real rock n' roll band was second to none.New to InObscuria? Typically, what we do is exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Rest In Peace, Steve. The sounds of recorded drums will never be the same!Songs this week include:Bodhisattva – “Broken” from Bodhisattva (1993)Big Black – “Bad Penny” from Songs About Fucking (1987)Urge Overkill – “Lineman” from Wichita Lineman (1987)Pegboy – “Never A Question” from Fore (EP) (1993)Shellac – “My Black Ass” from At Action Park (1994)Spy – “Way Inside” from Spy (2005)Foxy Shazam – “Shoe Box” from GONZO (2014)The Mean Reds – “A Little Truth” from CRC Demo (1996)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Do artists get worse with age or can they get more interesting? Behold the Jokermen Mindset. Ian and Evan of the Jokermen podcast and I talk about approaching music with an empty head, Dylan's Philosophy of Modern Song, when artists DO just get shittier with age, Albini & Steely Dan, what song would a group of Canadian bachelor party bros sing together over a cliffside?, “mid TV” and boring art, Hackney Diamonds, Steven Hyden, Fountain of Sorrow, Gawker, and the Jackson Browne/Warren Zevon bond. The current season of Jokermen is about The Beach Boys. It's beautiful, go listen.  patreon.com/afterthedeluge x.com/routinelayup x.com/jokermenpodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/afterthedeluge/message Support this podcast: https://podcasters.spotify.com/pod/show/afterthedeluge/support

Steve Albini's impact on alternative music is undeniable. From the sheer number of artists he collaborated with to his unwavering defense of fair treatment for musicians, his presence continues to be felt. His anti-capitalist views on the music industry may not have always aligned with everyone's, but his convictions were never in doubt. This influence extended to his unique approach to music. Whether working on his own projects or lending his talents to others, he imbued every recording with a distinct character. So recognizable and sought-after was his style that countless engineers and artists have attempted to emulate it, yet none have truly captured its essence. The deceptively simple brilliance behind his approach will be explored in more depth next week. This week's episode dives deep into Albini's life, career, ethics, musical philosophy, and of course, the controversies that continue to surround his legacy.

Steve Albini was one of a kind. As a songwriter and musician in his bands Big Black, Rapeman and Shellac he made aggressive, uncompromising music with biting songs about the darkest side of the human experience. As an audio engineer he recorded pivotal albums for the likes of Nirvana, Pixies and PJ Harvey and worked with thousands of others covering every genre conceivable and changing the sound of modern music forever. He was a small business owner, a poker champion, a husband, a brother and a son. He was opinionated, sarcastic, hilarious and in recent years, self reflective. He died suddenly and unexpectedly at the far too young age of 61, while at work, doing a job that he often compared to a plumbers, a blue collar gig that required dedication, commitment and a tireless work ethic. It just so happened that Steve Albini's daily grind changed all of our lives. RIP Mr. Albini, you will be missed.    Recommended Listening   Shellac “To All Trains” https://open.spotify.com/album/09SFqMvmXLpfG62LjeSorU?si=CXxwC75RSYKgWbyIWB6EFQ   HHPP EP96: Nirvana VINYL CAGE MATCH “Bleach” vs “In Utero”  https://huntsmanhill.com/2019/04/09/ep96-nirvana-vinyl-cage-match-bleach-vs-in-utero/   HHPP EP147: The Jesus Lizard “Liar” https://huntsmanhill.com/2021/02/01/ep147-the-jesus-lizard-liar/   HHPP EP193: Big Black “Songs About Fucking”  https://huntsmanhill.com/2022/10/03/ep193-big-black-songs-about-fucking/   HHPP EP260: Mclusky “Mclusky Do Dallas” https://huntsmanhill.com/2024/03/17/ep260-mclusky-mclusky-do-dallas/   Albini on Parts Unknown  https://www.youtube.com/watch?v=VDw22kt9yUY   Dogs 101 w/ Shellac  https://www.youtube.com/watch?v=WZWrVQTlonc   Albini at Roscoes  https://www.youtube.com/watch?v=HNuVg1LdF_o   manhuntsman “Copper Too” https://open.spotify.com/track/2rRi6MLDKl6pwqf6xaPdbs?si=8bab2bbf5a424daa   HHPP Spotify Tracks: Big Black “Kerosene” https://open.spotify.com/track/6tHZNpTqtOy64NMWqxMCjT?si=41a2691bab8642a8 Superchunk “Skips Steps 1 & 3 https://open.spotify.com/track/6028v7Uu22M78zzk7s9jSD?si=e0fb159790164402 Screeching Weasel “Celina” https://open.spotify.com/track/6Ul3yFXrrMOtMjaemrGM40?si=0e0b5902c4084405     Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Contact us at:  huntsmanhillpodcast@gmail.com   huntsmanhill.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill   Our Music manhuntsman:  https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:  https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ Mid City Three:  https://open.spotify.com/artist/2LW7wWSHd9bi3n3Q5N8i35?si=aVFU0HdnRzqI1UOTAfc-ig

Albini lives on, Gibbons & Meatyard return!

The May 7 death of musician/engineer/producer/ranconteur Steve Albini shocked music fans all over the world. What may have surprised fans even more is the discovery of just how much classic records he helped create in his four decade run. Besides famously successful records by superstars such as Nirvana, Pixies, PJ Harvey, and others, Albini worked with a wide range of artists, big and small. The discography is literally impossible to navigate, as his credits include over a thousand different sessions. So tonight’s look at Albini’s career is indeed not complete. Some of his most well-known projects aren’t included. Instead, this show tries to show that wide variety I already mentioned. There are singer/songwriter types that worked with on a number of records (Robbie Fulks, Magnolia Electric Co.), quite a few well-known acts that were looking for a different sound (Guided By Voices, Fleshtones), and some more recent bands that certinly benefitted from his wisdom (Cloud Nothings, Screaming Females). There’s also a set devoted to Albini’s own musical career, including a couple of tracks from a brand new Shellac album, To All Trains, that was posthumously released today (May 17).  For more info, including setlists, head to http://scotthudson.blogspot.com

Steve Albini was a legendary audio engineer and musician. The frontman of Big Black and Shellac, Albini saw the machinations of the industry up close and from multiple vantage points, working with huge international acts including PJ Harvey, Nirvana and Pixies. Despite recording with some of the biggest names in the business Albini continued, throughout his career, to collaborate with countless experimental bands. He passed away last week, aged 61. On the eve of Meredith Music Festival in December 2015 – where he played with his band, Shellac – Albini joined host Woody McDonald at The Wheeler Centre to reflect on his storied career, his thoughts on the current state of music and predictions for the future.This event was recorded on Thursday 15 December 2015 at The Wheeler Centre. Featured music is 'Riding Bikes' by Shellac.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

On this week's show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana's review for Slate for further analysis.) Then, it's onto John Mulaney Presents: Everybody's in LA, a six-part live Netflix special that aired during the streaming giant's comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody's in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate's music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini's essay, “The Problem with Music” and his letter to Nirvana. In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate's music critic, Carl Wilson, inspired by W. David Marx's essay for The Atlantic, “The Diminishing Returns of Having Good Taste.”  Email us at culturefest@slate.com.  Endorsements: Dana: “Who's Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker. Julia: “Espresso” by Sabrina Carpenter. Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve's playlist here.)  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana's review for Slate for further analysis.) Then, it's onto John Mulaney Presents: Everybody's in LA, a six-part live Netflix special that aired during the streaming giant's comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody's in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate's music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini's essay, “The Problem with Music” and his letter to Nirvana. In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate's music critic, Carl Wilson, inspired by W. David Marx's essay for The Atlantic, “The Diminishing Returns of Having Good Taste.”  Email us at culturefest@slate.com.  Endorsements: Dana: “Who's Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker. Julia: “Espresso” by Sabrina Carpenter. Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve's playlist here.)  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

A grande questão nesse episodio é se o extinto Steve Albini seria Goofy ou Regular. No Boia 251, João Valente, Bruno Bocayuva e Júlio Adler debatem a regra dos 3 segundos, o som e a fúria do surfe feminino em 2024, tanto na competição quanto no surfe livre (Ver Almanaque), pinturas de prancha e stingers no Imagem Falada e velhas práticas amplificadas pela estupidez alheia. A trilha fica toda por conta do Albini, engenheiro de som do Nirvana em Rape Me e dos Pixies em Vamos. Encerramos com Prayer to God e The End of Radio dos Shellac e Fists of Love dos Big Black, todas do Albini purinho, sem gelo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

Blitzen Trapper's Eric Earley explains the zen inspirations behind his band's newest album, 100's of 1000's, Millions of Billions (May 17 on Yep Roc). RSD co-founder Carrie Colliton drops by with news of a Blitzen Trapper adjacent promotion to win a Steve Keene painting of Bob Pollard's artwork for the new album (details at RecordStoreDay.com) and chats with Paul about the significant passing of musician, recording engineer, poker champion, and indie philosopher king, Steve Albini (1952-2024) The Record Store Day Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, we're here every week and we love making new friends.

durée : 00:58:14 - Very Good Trip - par : Michka Assayas - Ce soir, on va entrer dans la tête de quelqu'un qui, toute sa vie, a tenté d'enregistrer la musique comme il l'entendait vraiment, brutale et sans fioritures ni tricheries. Et quand ils ont entendu ça, il y a plus de 35 ans déjà, beaucoup de musiciens de Kurt Cobain à PJ Harvey ont ressenti un choc. - réalisé par : Stéphane Ronxin

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A kedden publikált, ingyen meghallgatható verzió tíz perccel rövidebb. 00:34 Klubturné után ismét a stúdióban. Hülyeség az élő podcast vagy sem? 02:38 Szolgálati közlemények podcastügyben. 444.hu/pod05:21 Giro d'Italia vs. Tour de Hongrie. Mark Cavendish megnyeri a barcikai sprintet. 10:15 Szőke Gábor Miklós, a NER Szász Endréje. Az SZGM X Kolodko kollab. Az óriás Herendi-teknős és az atlantai sólyom. A rákayfülöp-szindróma, 14:37 Az Ahmedinezsád-rejtély. Mahmúd az iráni Bibó ellen. 18:51 Ahmedinezsád a Twitteren. Zsigeri antiszemitizmus vs. politikai antiszemitizmus. 24:07 Amikor kihal a forradalom első generációja. 29:07 Magyar Péter régi-új napszemüvege. 32:15 Steve Albini-nekrológ. Big Black és Shellac. Pixies és Nirvana. 36:21 Albini híres cikke a zeneiparról. Albini a pókerjátékos. Az edgelord vibe shiftje. Albini Joe Roganról. A Guardian cikke Albiniról. 43:08 Hogy kell különbséget tenni a néppártosódó exfasiszta politikai formációk közt? Miért nincs Parizer Párt?  46:33 A hercegnőburgonya titka. A Hszi-menü. A teknős jelentősége Kínában.   See omnystudio.com/listener for privacy information.

Will and David discuss the latest releases by Janelane, Royel Otis, and American Culture, plus Steve Albini, live reports, and bonus songs.

We start today's episode with heavy hearts as we commemorate the astonishing life and career of Steve Albini, the mastermind producer whose sonic signature graced the albums of icons like Nirvana and the Pixies. His unexpected departure at 61 has left a void in the music community, and we're here to honor his legacy, discussing his influence on the shape of rock music and the authentic soundscapes he crafted that echo through time.From sharing stories about Albini's chance fandom of Nirvana to reminiscing over the gritty snare sound of the Pixies that he immortalized, our conversation traverses the milestones of a career that redefined the industry. We pay homage to the man who lived for music, inviting you to join us in reflection and to celebrate the indelible impact of his work. Share your thoughts and memories of Albini's groundbreaking contributions as we bid farewell to a true pioneer in the art of sound.Support the Show.

In "The Inner and Outer Critic," explore the dichotomy between self-reflection and external judgment, drawing inspiration from music producer Steve Albini and Leviticus 19. Reflect on Albini's ethos of artistic integrity and Leviticus 19's call for fairness and compassion. Delve into the complexities of self-criticism and societal critique, acknowledging their potential for both growth and harm. Navigate these dualities with mindfulness and empathy, cultivating inner resilience while fostering constructive dialogue. Ultimately, inspire a balance between self-awareness and compassion, fostering a culture of understanding and acceptance in both personal and communal realms. By acknowledging our inner and outer critics, we open the path to self-acceptance and cultivate a culture of empathy and understanding.

In this bonus episode, Jim and Greg pay tribute to musician, recording engineer, writer and Chicago legend Steve Albini, who died May 7 at the age of 61. They're also joined by their production staff to discuss Albini's cultural legacy.Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9TSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sein roher und ungefilterter Sound wurde zum Massstab: Steve Albini liess Nirvana, PJ Harvey, Pixies, The Breeders oder The Stooges so natürlich klingen, wie niemand sonst und hat damit den Underground-Rock der letzten 40 Jahre geprägt. Albini verstarb im Alter von 61 Jahren an einem Herzinfarkt.

Bird flu has recently sickened dairy cows in several states. Epidemiologist Jennifer Nuzzo says more widespread testing is needed to ensure that H5N1 does not spread more easily among humans. And, remembering legendary rock music producer Steve Albini. NPR's Neda Ulaby reflects on Albini's legacy. Then, Diana Winston, director of mindfulness at UCLA Mindful, joins us to discuss meditation and how it can help ease stress and anxiety.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In the world of music recording, Chicagoan Steve Albini was an international legend, even a pioneer. Albini passed away from a heart attack this week at 61. But his impact on fellow engineers and the industry will not be soon forgotten. WBEZ engineer Dave Miska shares how and why Albini spoke to a generation of punk Gen X-ers. For a full archive of Reset interviews, head over to wbez.org/reset.

Steve Albini was one of the most important figures in music history. Memorializing a titan of pure BRE, detailing a Big Riff Selected Works from Albini's unrivaled catalog, digging into the Vault Of Insane Stories and reminiscing about life-altering experiences recording at Albini's Electrical Audio from 2008 - 2022 (including total unbridled mayhem during Barack Obama's presidental acceptance speech). Album(s) of discussion: Burning Witch - Towers (1998) Neurosis - Times of Grace (1999) Shellac - 1000 Hurts (2000) Neurosis - A Sun That Never Sets (2001) Neurosis - The Eye Of Every Storm (2004) High On Fire - Blessed Black Wings (2005) Weedeater - God Luck And Good Speed (2007) Weedeater - Jason… The Dragon (2011) __________________________________________ Read “The Problem With Music” by Steve Albini: https://thebaffler.com/salvos/the-problem-with-music __________________________________________ To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to https://paypal.me/BigRiffEnergy. Include your question in the message, or send an e-mail to BIGRIFFENERGY@gmail.com. Thanks for supporting the podcast! __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate __________________________________________ Find Spirit Adrift:   https://spiritadrift.bandcamp.com https://spiritadrift.com __________________________________________

We were devastated to hear of Steve Albini's death at age 61 of a heart attack. He was a titanic figure in the music world and a mensch among musicians who were not well known yet were able to book time with one of the industry's most supportive, talented engineer/producers. Albini spoke with us for back-to-back Caropop episodes posted in January 2022. The first took place in his Electrical Audio studio on Chicago's North Side and dug into analog vs. digital technology and preservation. The second was conducted over Zoom and zoomed in on his work with Nirvana and his refusal to take artist royalties. We're combining these two conversations into a supersized episode so we can revisit his fierce intelligence and stubborn integrity. We wish we could hear more from him.

Part 2 of my conversation with guest Phil Stacey about the music of 2009. Show notes: Jay's non-top 5s: Arctic Monkeys, Dinosaur Jr., Sonic Youth, Patterson Hood, Alice in Chains, Obits, Eels, Tragically Hip, Brendan Benson, Neko Case, Heaven and Hell Phil's #5: Yeah Yeah Yeahs make foray into dance rock Judas Priest makes good pump-up music Jay's #5: Trippy prog-metal from Mastodon Phil's #4: Neko Case is a force of nature Jay's #4: Art Brut with an entertaining collection of ripping artsy punk   Phil's #3: Slow-burning solo excursion from Patterson Hood Jay's #3: Anthemic punk/classic rock mix from Japandroids Phil's #2: Phish returns after a 5-year break Jay's #2: Jarvis Cocker with the kickass Albini-recorded solo ripper  Phil's and Jay's #1:  Monster supergroup debut from Them Crooked Vultures Jay saw TCV in Boston on their only tour Always cool to see someone from Zeppelin play live Favorite songs: "Angela" (Jay), "Elephants" (Phil) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

In this episode of The Bill Cartwright Show, Bill sits down with a USF Hall of Famer for softball and also an attorney, Dianna Albini

HOUSE JET RADIO VOL.537 GUEST DJ: ROBERTO ALBINI (ROME, ITALY) SOCIAL MEDIA: @roberto-albini-official www.facebook.com/roalbini www.facebook.com/roalbini?fref=ts BIO: Roberto Albini was born on febraury 26, 1969 in Charleroi (Belgium) and moved to Rome at the age of 2. He started his artistic career in 1985 at the age of 15, collaborating with some radio stations and several night clubs in Rome's “castelli” area. He was resident at the disco "Le Griffe" with his colleague Daniele Piredda until 19892013, start collaborations with artists all over the world, such as, Meisha Moore, Chris Winter, Meechie (Chicago - USA), Anthony Poteat (New York - USA), Charles Cooper (Baltimore - USA), Tisetso Ntsheno (Durban - South Africa) Botshelo Moate (South Africa)and other.

On today's episode, I talk to musician Nina Nastasia. Originally from Los Angeles, CA, Nina began writing songs in 1993 but initially had no real ambitions to be a professional musician. She ended up recording many of those songs with Steve Albini, and they became her debut album Dogs, which was released in 2000. Albini sent the record to John Peel, who championed it on his radio show, and Nina began to garner both fans and acclaim. Since then, she's recorded and released seven albums on labels like Touch and Go and Fat Cat Records, and her latest project, Jolie Laide, is a collaboration with musician Jeff MacLeod, and their self-titled debut album was just released on Oscar St. Records! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!