Podcasts about townsend center

The ancient Greek philosopher Socrates is considered the father of Western philosophy, one whose most famous ideas have all but risen to the level of pop culture. We parrot his claim that “the unexamined life is not worth living.” His name has been invoked by politicians to bolster their stance against “cancel culture.” There's even an AI chat app modeled after Socrates that promises intelligent conversations. But what exactly were Socrates' philosophical views? We may be quick to reference his name, but if asked, many of us would likely be hard-pressed to give a thorough account of what he actually believed. In Berkeley Talks episode 224, Agnes Collard, an associate professor of philosophy at the University of Chicago and author of the 2025 book Open Socrates: The Case for a Philosophical Life, joins UC Berkeley's Judith Butler, a Distinguished Professor in the Graduate School and a leading philosopher and theorist, for a conversation. Together, they dive deep into Socrates' work and beliefs, discussing the value of pursuing knowledge through open-ended questions, how philosophical inquiry is a collaborative process where meaning and understanding are constructed through conversation, and how critical questioning can lead to greater freedom of thought and help us to ask and answer some of life's most important questions. This event took place on Jan. 30, 2025, and was sponsored by UC Berkeley's Townsend Center for the Humanities. Watch a video of the conversation.Listen to the episode and read the transcript on UC Berkeley News (news.berkeley.edu/podcasts).Music by Blue Dot Sessions. Hosted on Acast. See acast.com/privacy for more information.

In Berkeley Talks episode 216, celebrated poet and novelist Ocean Vuong joins in conversation with UC Berkeley English Professor Cathy Park Hong, a poet and writer whose creative nonfiction book, Minor Feelings: An Asian American Reckoning, was a 2021 Pulitzer Prize finalist. Together, they discuss the importance of genre fluidity and artistic experimentation, the role of disobedience in their writing and how language can be both a tool of oppression and liberation.“I personally feel a lot of affinity with you as a writer for many reasons,” began Hong, in front of a packed auditorium at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) in April 2024. “But I think one of the key shared experiences is how the English language, once a site of estrangement and inadequacy for you, became this playground for bounty and experimentation. And part of that bounty and experimentation is how you refuse to limit genre by the way you swing from poetry to prose without feeling tethered by either.”“I think for me, genre was always as fluid as gender, even punctuation,” replied Vuong, author of two poetry collections — Night Sky With Exit Wounds and Time Is a Mother — and On Earth We're Briefly Gorgeous, a widely acclaimed novel. “The rigor of punctuation, I think, is arbitrary. They're still up for grabs. And then the dialect of standard English, how legitimate is it? The linguists would tell us it's no more efficient or better or capacious than AAVE or other regional dialects. However, standard English is attached to the court system. It's a dialect that is also attached to an army and a navy, and so within that comes great, immense power.“I'm interested in genre as tendency rather than an ontological position to be. And I think there are tendencies that could be utilized and then left aside or even departed. What is a tendency in us stylistically that is then abandoned? I'm interested in abandon not as a way to cast away or to denounce, but as a restlessness. Like, I will use this mode until I'm done with it. I'll find something else and then return to it later. There's a kind of cyclical relationship. I think maybe if I'm trying to put order to it, I'll say there's a kind of inherent queerness in it — that, for me, my queerness demanded an alternative route, always.” Vuong was UC Berkeley's 2023-24 Avenali Chair in the Humanities, established in 1987 to bring distinguished figures in the arts and humanities to Berkeley for lectures, panel discussions, and meetings with students and faculty. Vuong is the recipient of numerous awards for his work, including the MacArthur Foundation's “Genius” Grant in 2019, the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award and the Forward Prize for Best First Collection.Read more about Vuong and Hong on the Townsend Center for the Humanities website.Listen to the episode and read the transcript on UC Berkeley News (news.berkeley.edu/podcasts).Music by Blue Dot Sessions.Photo by Tom Hines/courtesy of Ocean Vuong. Hosted on Acast. See acast.com/privacy for more information.

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Dynamic Repetition: History and Messianism in Modern Jewish Thought (Brandeis UP, 2022) proposes a new understanding of modern Jewish theories of messianism across the disciplines of history, theology, and philosophy. The book explores how ideals of repetition, return, and the cyclical occasioned a new messianic impulse across an important swath of late nineteenth- and early twentieth-century German Jewish thought. To grasp the complexities of Jewish messianism in modernity, the book focuses on diverse notions of “dynamic repetition” in the works of Franz Rosenzweig, Walter Benjamin, Franz Kafka, and Sigmund Freud, and their interrelations with basic trajectories of twentieth-century philosophy and critical thought. Gilad Sharvit is an assistant professor in the Department of Philosophy and Religious Studies at Towson University. A scholar of modern Jewish thought, Sharvit's interests lie in Jewish philosophy, German-Jewish literature and culture, German and continental philosophy, psychoanalysis and critical theory. He completed his PhD studies at Hebrew University of Jerusalem in the Philosophy Department and later accepted a Diller Post-Doctoral Fellowship at the Center for Jewish Studies at University of California, Berkeley (2014-16) and was a Townsend Fellow at the Townsend Center for the Humanities at University of California, Berkeley (2016-17). In 2017-18, Professor Sharvit was a Postdoctoral Fellow at the Koebner Minerva Center for German History (Hebrew University) and at Tel Aviv University (Minerva Center for German History and School of Philosophy). Professor Sharvit is the author of Therapeutics and Salvation: Freud and Schelling on Freedom (Magnes Press) (in Hebrew) and co-editor and contributing author of the volumes Freud and Monotheism: The Violent Origins of Religion with Karen Feldman (Fordham University Press, 2018) and Canonization and Alterity: Heresy in Jewish History, Thought, and Literature with Willi Goetschel (De Gruyter, 2020). Amir Engel is a professor at the German Department of the Hebrew University and currently also a visiting professor for the history and present of Jewish-Christian relations at the Theological Faculty of the Humboldt University in Berlin. He studied philosophy, literature and cultural studies at the Hebrew University and earned his doctorate in German Studies at Stanford University, California. He then taught and researched at the Goethe University in Frankfurt am Main. His research focuses on religion, politics, literature, and the relationships between these three areas. His main topics include German-Jewish Romanticism and German-Jewish literature and culture in the post-war period. His first book, Gershom Scholem: An Intellectual Biography, was published in 2017, and he is currently finalizing his second book manuscript, tentatively titled The Politics of Spirituality: German, Jews and Christian 1900 - 1942 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Humanities West completes its 2023–24 season by searching for the real Marcel Proust―featuring Adam Gopnik, who will give our first Vance E. Carney Memorial Lecture. Gopnik has been writing for The New Yorker for more than three decades and has often riffed poetic on Proust. From the September 17, 1990 issue: “. . . watching our building go co-op has been . . . a lot like the experience of reading Proust. You begin hopefully, you dream of new vistas of pleasure opening up before you, you think that your friends will think better of you for having done it . . . and then you get bogged down and the whole thing seems to go on forever.” From the June 14, 1999 issue: “As late as the nineteen-fifties, when most Americans already took it for granted that he was among the greatest of modern writers, a lot of people in France saw Proust as a slightly secondary figure―the way we might have seen a long-winded Scott Fitzgerald, or a Truman Capote who actually got his book written. In the past twenty-five years, though, all that has changed, and Proust has taken his deserved place among the French as at once the most magnanimous and the most exquisite of their novelists . . .” From the March 30, 2015 issue: “Everybody tries to climb Mt. Proust, though many a stiff body is found on the lower slopes, with the other readers stepping over it gingerly.” And from the May 3, 2021 issue: “If Proust, for Updike in the God-haunted nineteen-fifties, was the last Christian poet, we may see him now in more secular terms, as a writer who, perversely, sought serenity not in detachment and self-removal but in attachment and reattachment—a monk within a metropolitan monastery. 'Be here now' is the mystic's insistence. 'Don't be here now' is Proust's material motto: be there then, again. Enjoy, emote, repeat, remember: there are worse designs for living.” Joshua Landy has also been writing and thinking about and teaching Proust for decades. He will explore several Proustian questions: How can we feel at home in the world? How can we find genuine connection with other human beings? How can we find enchantment in a world without God? Does an artist's life shed light on her work? What can we know about reality, other people, and ourselves? When is not knowing better than knowing? Who are we really, deep down? And why does it matter to read about all this in a novel? Dora Zhang will focus on the famous Proust observation that "the only true voyage . . . would not be to visit new lands but to possess other eyes, to see the world with the eyes of another." In Proust's novel the camera provides a crucial means for the narrator to step outside his habitual gaze and to possess other eyes, to look anew on familiar scenes and to see hidden truths therein. Zhang will explore this theme of estranging our vision by highlighting the role of photography in In Search of Lost Time. MLF ORGANIZER George Hammond   A Humanities Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. In association with Humanities West, the Stanford Humanities Center, and the Townsend Center for the Humanities at UC Berkeley. This program contains EXPLICIT content. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Berkeley Talks episode 193, science fiction writer Kim Stanley Robinson discusses climate change, politics and the need for "angry optimism." Robinson is the author of 22 novels, including his most recent, The Ministry of the Future, published in 2020. "It's a fighting position — angry optimism — and you need it," he said at a UC Berkeley event in January, in conversation with English professor Katherine Snyder and Daniel Aldana Cohen, assistant professor of sociology and director of the Sociospatial Climate Collaborative. "A couple of days ago, somebody talked about The Ministry for the Future being a pedagogy of hope. And I was thinking, 'Oh, that's nice.' Not just, why should you hope? Because you need to — to stay alive and all these other reasons you need hope. But also, it's strategically useful. "And then, how to hope in the situation that we're in, which is filled with dread and filled with people fighting with wicked strength to wreck the earth and human chances in it. "The political battle is not going to be everybody coming together and going, 'Oh, my gosh, we've got a problem, let's solve it.' It's more like some people saying, 'Oh, my gosh, we've got a problem that we have to solve,' and other people going, 'No, we don't have a problem.' "They'll say that right down over the cliff. They'll be falling to their death going, 'No problem here because I'm going to heaven and you're not, or whatever.' Nobody will ever admit they're wrong. They will die. And then the next generation will have a new structure of feeling."In the meantime, how to keep your hope going, how to put it to use … I think all novels have a little of this, and then Ministry is just more explicit." This Jan. 24 event was sponsored by the Berkeley Climate Change Network and co-sponsored by Berkeley Journalism; Berkeley Center for Interdisciplinary Critical Inquiry, home to the Environmental Arts and Humanities Initiative; and the Townsend Center for the Humanities.Read the transcript and listen to the episode on Berkeley News (news.berkeley.edu).Music by Blue Dot Sessions.Photo by Gage Skidmore via Flickr. Hosted on Acast. See acast.com/privacy for more information.

In Berkeley Talks episode 181, renowned artist and human rights activist Ai WeiWei discusses art, exile and politics in a conversation with noted theater director and UCLA professor Peter Sellars and Orville Schell, director of the Center on U.S.-China Relations at the Asia Society and former dean of Berkeley's Graduate School of Journalism.Ai, who grew up in northwest China under harsh conditions because of his poet father's exile, is openly critical of the Chinese government's stance on democracy and human rights. He is well-known for his provocative works, including his 2014-15 installation on San Francisco Bay's Alcatraz Island, @Large, that the LA Times called, "an always-poignant, often-powerful meditation on soul-deadening repressions of human thought and feeling.""Normally, people call me an artist or activist, and I am often forced into one condition," he says. "It's not that I intentionally try to create something or to crystallize something, but rather I've been put in extreme conditions, and I have to focus on dealing with those situations. Normally, I don't accept the easy answer. "So I think I have to find a language to illustrate my expression, and it comes out in certain ideas or materials. We can call it art. I don't think my art really looks like art, but still, it's hard to categorize it. I'm a bit ashamed about it because everything in real life, it has a purpose. It has clear problems and solutions. But the art is not really about that. It rather creates problems after problems. So yeah, that's what I do."This Sept. 24 event was co-presented by Cal Performances, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and the Townsend Center for the Humanities.Read about 10 of Ai WeiWei's adventurous works on Cal Performances' blog Beyond the Stage.Listen to the episode and read the transcript on Berkeley News (news.berkeley.edu)Music by Blue Dot Sessions.Photo courtesy of Ai WeiWei. Hosted on Acast. See acast.com/privacy for more information.

Recorded on May 1, 2023, this episode of the Matrix Podcast features a lecture by Orlando Patterson, John Cowles Professor of Sociology at Harvard University, entitled “Slavery and Genocide: The U.S, Jamaica and the Historical Sociology of Evil.” Presented as the Matrix Distinguished Lecture, the lecture was presented at Social Science Matrix, an interdisciplinary center at the University of California, Berkeley. Stephen Best, Professor of English at UC Berkeley and Director of the Townsend Center for the Humanities, was the discussant. The lecture was co-sponsored by the Townsend Center for the Humanities. Orlando Patterson, a historical and cultural sociologist, is John Cowles Professor of Sociology at Harvard University. He previously held faculty appointments at the University of the West Indies, his alma mater, and the London School of Economics where he received his Ph.D. His academic interests include the culture and practices of freedom; the comparative study of slavery and ethno-racial relations; and the cultural sociology of poverty and underdevelopment with special reference to the Caribbean and African American youth. He has also written on the cultural sociology of sports, especially the game of cricket. Professor Patterson is the author of numerous academic papers and six major academic books including, Slavery and Social Death (1982); Freedom in the Making of Western Culture (1991); The Ordeal of Integration (1997); and The Cultural Matrix: Understanding Black Youth (2015). A public intellectual, Professor Patterson was, for eight years, Special Advisor for Social policy and development to Prime Minister Michael Manley of Jamaica. He was a founding member of Cultural Survival, one of the leading advocacy groups for the rights of indigenous peoples, and was for several years a board member of Freedom House, a major civic organization for the promotion of freedom and democracy around the world. The author of three novels, he has published widely in journals of opinion and the national press, especially the New York Times, where he was a guest columnist for several weeks. His columns have also appeared in Time Magazine, Newsweek, The Public Interest, The New Republic, and The Washington Post. Stephen Best's scholarship encompasses a variety of fields and materials: American and African-American literature and culture, cinema and technology, rhetoric and the law, and critical theory. His research pursuits in the fields of American and African American criticism have been rather closely aligned with a broader interrogation of recent literary critical practice. To be specific, his interest in the critical nexus between slavery and historiography, in the varying scholarly and political preoccupations with establishing the authority of the slave past in black life, quadrates with an exploration of where the limits of historicism as a mode of literary study may lay, especially where that search manifests as an interest in alternatives to suspicious reading in the text-based disciplines. To this end, Professor Best has edited a number of special issues of the journal Representations (on whose board he sits) – “Redress” (with Saidiya Hartman), on theoretical and political projects to undo the slave past, “The Way We Read Now” (with Sharon Marcus), on the limits of symptomatic reading, and “Description Across Disciplines” (with Sharon Marcus and Heather Love), on disciplinary valuations of description as critical practice. Best is the author of two books: The Fugitive's Properties: Law and the Poetics of Possession (University of Chicago, 2004), a study of property, poetics, and legal hermeneutics in nineteenth-century American literary and legal culture; and, most recently, None Like Us: Blackness, Belonging, Aesthetic Life (Duke University Press, 2018). His work has been supported by the Mellon Foundation, the Hellman Foundation, the Humanities Research Institute (University of California), and the Ford Foundation. In 2015-2016, he was the Mary Bundy Scott Professor at Williams College, and in spring 2020 he was the Whitney J. Oates Fellow in the Council of the Humanities at Princeton University.

On February 1, 2023, Social Science Matrix presented an Authors Meet Critics panel on Microverses: Observations from a Shattered Present, a book by Dylan Riley, Professor of Sociology at UC Berkeley. Professor Riley was joined by two discussants: Colleen Lye, Associate Professor of English at UC Berkeley, affiliated with the Designated Emphasis in Critical Theory, and Donna Jones, Associate Professor of English at UC Berkeley and Core Faculty for the Designated Emphasis in Critical Theory and the Science, Technology and Society Center. The panel was moderated by Alexei Yurchak, Professor of Anthropology at UC Berkeley, and was co-sponsored by the Townsend Center for the Humanities. About the Book Microverses comprises over a hundred short essays inviting us to think about society—and social theory—in new ways. Lockdown created the conditions for what Adorno once termed ‘enforced contemplation'. Dylan Riley responded with the tools of his trade, producing an extraordinary trail of notes exploring how critical sociology can speak to this troubled decade. Microverses analyses the intellectual situation, the political crisis of Trump's last months in office, and love and illness in a period when both were fraught with the public emergency of the coronavirus. Riley brings the theoretical canon to bear on problems of intellectual culture and everyday life, working through Weber and Durkheim, Parsons and Dubois, Gramsci and Lukács, MacKinnon and Fraser, to weigh sociology's relationship to Marxism and the operations of class, race, and gender, alongside discursions into the workings of an orchestra and the complicatedness of taking a walk in a pandemic. Invitations rather than finished arguments, the notes attempt to recover the totalising perspective of sociology—the ability to see society in the round, as though from the outside—and to recuperate what Paul Sweezy described as a sense of the ‘present as history.'

World-renowned South African artist William Kentridge discusses the process of making the 2019 chamber opera Waiting for the Sibyl. He also touches on why artists should stay open to new ideas, the complex relationship between humans and algorithms — "one has to make space for that which does not compute," he says — and the "unavoidable optimism" in the activity of making.During the 2022-23 academic year, Cal Performances, the Berkeley Art Museum and Pacific Film Archive (BAMPFA) and the Townsend Center for the Humanities at UC Berkeley are participating in a campuswide residency with Kentridge.Cal Performances will present the U.S. premiere of SIBYL on March 17-19. SIBYL is comprised of two parts: The first part of the program, The Moment Has Gone, is a film by Kentridge with live music featuring a piano score by Kyle Shepherd and an all-male vocal chorus led by Nhlanhla Mahlangu; the second part is the chamber opera Waiting for the Sibyl. Learn more about the residency and upcoming events.Read a transcript and listen to the episode on Berkeley News.Music by Blue Dot Sessions.Photo by Marc Shoul. Hosted on Acast. See acast.com/privacy for more information.

Andrew Shanken is currently the Director of American Studies, Faculty Curator of the Environmental Design Archives, on the Faculty Advisory Committee at the Townsend Center for the Humanities and the Global Urban Humanities at the University of California Berkeley. He has a joint appointment in American Studies. His most recent book is The Everyday Life of Memorials, which explores memorials' relationship to the pulses of daily life, their meaning within this quotidian context, and their place within the development of modern cities. Intro: “The Statue Got Me High,” by They Might Be Giants Discussed: “There is nothing in this world as invisible as a monument.” – Robert Musil The Vietnam Veterans Memorial, Washington DC, Maya Lin Dwight D. Eisenhower Memorial, Washington DC, Frank Gehry National World War II Memorial, Washington DC, Memorial to the Murdered Jews of Europe, Berlin, Peter Eisenman Monument vs monumental vs memorial The Bastille, Paris Mariana Griswold van Rensselaer National September 11 Memorial & Museum, New York City, Michael Arad New Yorker cover, “Memorial Plaza,” 7-14 July 2014, Adrian Tomine Green-Wood Cemetery, Brooklyn “Death, Grief and Mourning in Contemporary Britain,” – Geoffrey Gorer, 1965 Sedlec Ossuary, Kutna Hora, Czech Republic “The Hour of Our Death” – Philippe Ariès, 1977 Père Lachaise Cemetery, Paris Brooklyn Strand, repurposing the Brooklyn War Memorial as a conduit to New York City's park system Hyde Park Corner, London Monuments that “switch on” only when they're blown up or taken down Marian Columns Georgia Guidestones Robert E. Lee Monument, Richmond White contractors wouldn't remove Confederate statues. So a Black man did it. “Kickstarter urbanism” and the crowd-funded monument Denkmalkritik “The Great War and Modern Memory” – Paul Fussell The Grove, Los Angeles Texas State Capital Grounds, Austin Outro: “Monuments for a Dead Century,” by The Boo Radleys

Many nations have a national poet, whose poetry helps carve out their own unique cultural niche in human civilization. Italy has enjoyed many literary geniuses for over two millennia, but still looks to one man the most: Dante. Like major poets in other cultures, Dante's influence on the Italian language can hardly be overstated. The Divine Comedy was the first major work of literature to leave Latin behind in favor of Italian, and it remains the world standard of poetic excellence. Dante's fertile imagination also inspired artists, writers and theologians, making him almost as influential about the afterlife as he is linguistically. Join Humanities West in person at The Commonwealth Club, or via livestream, to celebrate the 700th Anniversary of Dante's death—which ironically occurred not that many months after he completed his speculations about post-death possibilities—with a two-hour, three-lecture Dante feast: • Timothy Hampton on "Dante After Dante: the Forms of Memory." Though there were many "in the know" about the achievement of Dante's great poem during his lifetime, his vast influence on Italian poetry and world literature was uneven in the centuries following his death. In some areas of artistic creation—for example, in the painting of Botticelli—Dante was powerfully present. In other areas (poetry, philosophy, literary criticism) his influence was definite, but diffuse and oblique. This lecture will speak about the ways in which Dante's work did and didn't shape Italian and European culture in the early modern period. • Kip Cranna on "Dante at the Opera: From the Divine Comedy to a Comic Puccini Delight." In "The Inferno," part one of The Divine Comedy, Dante introduces the condemned sinner Gianni Schicchi, consigned to the Eighth Circle of Hell along with others guilty of fraud. His crime: impersonating the deceased Buoso Donati to falsify Buoso's will for his own benefit. Dante personally knew the Donatis (he was married to one), and therein lies an intriguing tale of medieval Florentine society. The story of this fraudulent will and the legend surrounding it became the inspiration for the famed composer Giacomo Puccini's only comic opera. After outlining the Dante-Puccini connection, San Francisco Opera's Dramaturg Emeritus Kip Cranna will present brief video highlights from the opera Gianni Schicchi, including the ever-popular aria "O mio babbino caro." • Marisa Galvez on "Dante Before Dante Become Dante." In retrospect it almost seems like Dante invented Italian literary culture, but he arrived on the Italian literary scene as a love poet—an admirer of courtly love and the troubadour traditions which had begun a century earlier in Occitania, and had spread to Italy, Spain and then most of Europe. Dante defined the troubadour lyrics as rhetorical, musical and poetical fiction — which is also a good description of The Divine Comedy. NOTES MLF: Humanities Note: This program contains EXPLICIT language. SPEAKERS Kip Cranna Dramaturg Emeritus, San Francisco Opera Marisa Galvez Professor of French and Italian, and by Courtesy, of German Studies and Comparative Literature; Faculty Director, Structured Liberal Education, Stanford University Timothy Hampton Aldo Scaglione and Marie M. Burns Distinguished Professor of French and Comparative Literature; Director, Doreen B. Townsend Center for the Humanities, University of California, Berkeley George Hammond —Moderator In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on October 22nd, 2021 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many nations have a national poet, whose poetry helps carve out their own unique cultural niche in human civilization. Italy has enjoyed many literary geniuses for over two millennia, but still looks to one man the most: Dante. Like major poets in other cultures, Dante's influence on the Italian language can hardly be overstated. The Divine Comedy was the first major work of literature to leave Latin behind in favor of Italian, and it remains the world standard of poetic excellence. Dante's fertile imagination also inspired artists, writers and theologians, making him almost as influential about the afterlife as he is linguistically. Join Humanities West in person at The Commonwealth Club, or via livestream, to celebrate the 700th Anniversary of Dante's death—which ironically occurred not that many months after he completed his speculations about post-death possibilities—with a two-hour, three-lecture Dante feast: • Timothy Hampton on "Dante After Dante: the Forms of Memory." Though there were many "in the know" about the achievement of Dante's great poem during his lifetime, his vast influence on Italian poetry and world literature was uneven in the centuries following his death. In some areas of artistic creation—for example, in the painting of Botticelli—Dante was powerfully present. In other areas (poetry, philosophy, literary criticism) his influence was definite, but diffuse and oblique. This lecture will speak about the ways in which Dante's work did and didn't shape Italian and European culture in the early modern period. • Kip Cranna on "Dante at the Opera: From the Divine Comedy to a Comic Puccini Delight." In "The Inferno," part one of The Divine Comedy, Dante introduces the condemned sinner Gianni Schicchi, consigned to the Eighth Circle of Hell along with others guilty of fraud. His crime: impersonating the deceased Buoso Donati to falsify Buoso's will for his own benefit. Dante personally knew the Donatis (he was married to one), and therein lies an intriguing tale of medieval Florentine society. The story of this fraudulent will and the legend surrounding it became the inspiration for the famed composer Giacomo Puccini's only comic opera. After outlining the Dante-Puccini connection, San Francisco Opera's Dramaturg Emeritus Kip Cranna will present brief video highlights from the opera Gianni Schicchi, including the ever-popular aria "O mio babbino caro." • Marisa Galvez on "Dante Before Dante Become Dante." In retrospect it almost seems like Dante invented Italian literary culture, but he arrived on the Italian literary scene as a love poet—an admirer of courtly love and the troubadour traditions which had begun a century earlier in Occitania, and had spread to Italy, Spain and then most of Europe. Dante defined the troubadour lyrics as rhetorical, musical and poetical fiction — which is also a good description of The Divine Comedy. NOTES MLF: Humanities Note: This program contains EXPLICIT language. SPEAKERS Kip Cranna Dramaturg Emeritus, San Francisco Opera Marisa Galvez Professor of French and Italian, and by Courtesy, of German Studies and Comparative Literature; Faculty Director, Structured Liberal Education, Stanford University Timothy Hampton Aldo Scaglione and Marie M. Burns Distinguished Professor of French and Comparative Literature; Director, Doreen B. Townsend Center for the Humanities, University of California, Berkeley George Hammond —Moderator In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on October 22nd, 2021 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joyce Carol Oates, author of more than 70 works of fiction, nonfiction and poetry, joined Poet Laureate and Berkeley English professor Robert Hass in March 2019 to discuss her 2018 book Hazards of Time Travel. Set in a dystopian America in 2039, the novel tells the story of a 17-year-old who, after her subversive valedictorian speech, is exiled to rural Wisconsin in 1959."It seems like dystopian novels are mostly about extrapolating scary political trends in the present into the future," said Hass. "1984. The Handmaid's Tale. It felt like you found yourself more interested in exploring 1959.""Or the sort of foundation for the present," replied Oates, a professor emerita of humanities at Princeton University who has taught as a visiting professor of English at Berkeley. "... Because when I wrote the novel — I was working on it in 2011 — I had no idea at all, as none of us did, that we would have a different kind of political situation today."... My novel was written before the campaign of 2016, which was a vicious and wildly divisive campaign from which we will probably never recover. No, I was actually looking ahead toward a surveillance state, which doesn't have that populist personality demagogue, who's like a clown, a sadistic clown, who's very vicious and funny in an ignorant way, playing to the populous."In my vision, it's more of a surveillance state, where the government is actually impersonal, and you never see a personality. ... It's more like, it's just all around us. We'e in a mesh, a web, of being surveyed and recorded all the time."This conversation was part of Berkeley Book Chats, a series presented by the Townsend Center that features faculty members discussing recently completed publications, performances or recordings.Listen to the talk and read a transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

In this discussion, the third in a series on the relation between catastrophe and narrative, Homer scholar Dr. James Porter and poet Gillian Conoley will discuss how disaster and catastrophe have found narrative expression from Ancient Greece to the present day. Unbeknownst to itself, the Western tradition is founded on violent catastrophe, and the wounds of this history are deeply embedded in its cultural memory. Homer's poems, "The Iliad" and "The Odyssey," commemorate a war that led to the capture and obliteration of an ancient city called Troy. Looming behind Troy lies a much larger catastrophe, the massive "systems collapse" that swept across the Aegean and Mediterranean East sometime around 1200 BCE and that wiped out Bronze Age palaces on the Greek mainland, on Crete, Cyprus, in the Levant and Asia Minor, and that threw these civilizations back into a prehistoric state, a truly "Dark Age," for half a millennium. How such massive changes could have come about in so many places at once and in so short a time—seemingly in a blink of the eye, though it probably took less than a century—is one of the great mysteries of the ancient world. Warfare was involved, but the evidence points primarily to destruction by natural and not human forces, earthquakes and fires first and foremost, while a host of further factors have been conjectured, from droughts and floods to drastic climate changes. Homer's epics preserve a distorted memory of this collapse: they encode this trauma in their narrative form and substance, which complicates their understanding as celebrations of heroic glory. This presentation will unravel some of the mysteries that haunt Homeric Troy, in addition to rereading the poems as an invitation to deep ethical and aesthetic discomfort and reflection, not glorification. A short excerpt from Smoke, Ashes, Fable, a film montage that formed part of an exhibition from 2002 by the South African multi-media artist William Kentridge, will help us think through the broader question of what it means to live with the present and imminent realities of our own massive systems collapse today. Gillian Conoley received the 2017 Shelley Memorial Award for lifetime achievement from the Poetry Society of America. Her most recent collection is A Little More Red Sun on the Human: New and Selected Poems, published with Nightboat Books. She is the author of seven previous books, including PEACE, an Academy of American Poets Standout Book and a finalist for the Los Angeles Times Book Prize. Conoley's translations of three books by Henri Michaux, Thousand Times Broken, appeared in 2014 with City Lights. Conoley is poet-in-residence and professor of English at Sonoma State University, where she edits Volt. In association with Townsend Center for the Humanities at the University of California Berkeley Learn more about your ad choices. Visit megaphone.fm/adchoices

Loving Writing / Ovid’s Amores (Cambridge, 2019) offers a fresh reading of the Amores centered on the aggressive, opportunistic, pleasure-seeking character — the poet-lover of the collection, called Naso. Resisting the scholarly tendency to segregate the poet from the lover, Ellen Oliensis (Departments of Classics and Comparative Literature, UC Berkeley) teases out the affiliations between Naso's most “poetic” performances and his seamy erotic adventures, showing that his need to write the script of his own subjection corresponds with other features of his generally masochistic profile. Oliensis is joined by Timothy Hampton (Comparative Literature and French Departments; Townsend Center director).

Please join The Commonwealth Club of California and UC Berkeley's Townsend Center for the Humanities for the second in a series of dialogues on catastrophe, storytelling and the present moment. In “Climate Change and Sacred Groves,” Townsend Center scholar Sugata Ray will meet with visual artist Ranu Mukherjee to investigate the relationship between the natural world and the sacred realm, especially as it has developed in India over the last several centuries of civilization and the rise of the Anthropocene era. In his most recent book, Climate Change and the Art of Devotion, Sugata shows how a site-specific and ecologically grounded theology emerged in northern India in the wake of the Little Ice Age (ca. 1550–1850), an epoch marked by climatic catastrophes across the globe. His interests dovetail in unexpected and compelling ways with Ranu's visionary and captivating recent work, which positions the banyan tree as a meeting point between ecology and culture. Their conversation will be an opportunity for viewers to contemplate and rethink the role of art as it relates to contemporary concerns around climate, disease, human flourishing and the sacred. Sugata Ray is associate professor of South and Southeast Asian art in the History of Art Department at the University of California, Berkeley. His research and writing focus on climate change and the visual arts from the 1500s onward. Ray is the author of Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550–1850 (2019); Water Histories of South Asia: The Materiality of Liquescence (2019; coedited); and Ecologies, Aesthetics, and Histories of Art (forthcoming; coedited). Ranu Mukherjee is a visual artist who makes paintings, animations and large-scale installations. Her current work focuses on shifting senses of ecology, non-human agency, diaspora, migration and transnational feminist experience. Her most recent installation was presented at the ecologically focused 2019 Karachi Biennale; she has exhibited solo at the San Jose Museum of Art, the Los Angeles Museum of Contemporary Art, the Asian Art Museum, and the de Young Museum. She is an associate professor in graduate fine art at the California College of the Arts. Mukherjee is represented by Gallery Wendi Norris. Learn more about your ad choices. Visit megaphone.fm/adchoices

The catastrophic, overwhelming challenges we are facing globally are manifesting locally—week by week, day by day, hour by hour. Cities are besieged. Economies are failing. Friends are dying. As the human toll creeps ever higher, it begins to feel as though our very humanity lies in the balance. How can we preserve it? Although the scale of the COVID-19 disaster is unprecedented, it is worth recalling that this is not the first time that human societies have faced catastrophic collapse. What can we learn from those who have come before us? The Commonwealth Club and UC Berkeley's Townsend Center for the Humanities invite you to take part in Catastrophe: Dialogues on Storytelling and the Present Moment, a series of conversations that will examine catastrophe and the essential role that stories play in helping us to face and survive catastrophe. Bringing together (remotely, of course) internationally known humanities scholars from UC Berkeley and prominent figures from the Bay Area arts community, this series is an opportunity to share knowledge and renew hope by discussing literary accounts of catastrophic change, ranging from Ancient Egypt to Bronze Age Troy and from Imperial Rome to colonial America. Please join Townsend Center scholar Ron Hendel and poet Matthew Zapruder to discuss the Book of Exodus. Ron and Matthew will look at and listen to the poetry at work in the Exodus account of the collapse of pharaoh's Canaanite empire and the subsequent rise of Israel. Their conversation will bring the power of that poetry and the cultural memories embedded within it to bear on the precarious nature of our present moment. Ronald Hendel is the Norma and Sam Dabby Professor of Hebrew Bible and Jewish Studies at the University of California, Berkeley. He is the author of many books and articles on the religion, literature, and history of the Hebrew Bible, including The Book of Genesis: A Biography, and How Old is the Hebrew Bible? He is the general editor of The Hebrew Bible: A Critical Edition. Matthew Zapruder is the author of five collections of poetry, including Come On All You Ghosts, a New York Times Notable Book of the Year, and Father's Day (Copper Canyon, 2019), as well as Why Poetry, a book of prose. He has received a Guggenheim Fellowship, a William Carlos Williams Award, a May Sarton Award from the Academy of American Arts and Sciences, and a Lannan Foundation Residency Fellowship in Marfa, TX. He lives in the San Francisco Bay Area, where he is an Associate Professor at Saint Mary's College of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Oct. 29, artist Paul Chan delivered the 2019-20 Una's Lecture, a series sponsored by the Townsend Center for the Humanities since 1987. In his talk, called the "Bather's Dilemma," Chan explores the figure of the bather — a visual trope with a rich history, and a prominent theme in his own work — as an embodiment of pleasure that is linked to the act of renewal."The bather in art history has a long and storied pedigree," says Chan. "What I was interested in was how this motif inspired a few artists to experiment with new ways to depict a human form that took into account movement in different ways."Thinking about bathers touched a nerve that was sensitive to a need I didn't realize was in me," he continues. "I needed some way to think about whether pleasure has a place in these punishing times and whether our capacity for pleasing and being pleased has any bearing on how we renew ourselves to better meet what genuine appeals of progress asks of us."Chan is the winner of the 2014 Hugo Boss Prize, awarded by the Guggenheim Foundation to an artist who has made a visionary contribution to contemporary art. His art is held in numerous permanent collections, including the Museum of Modern Art in New York and the Art Institute of Chicago.Listen and read the transcript on Berkeley News. See acast.com/privacy for privacy and opt-out information.

SPEAKERS Timothy Hampton Aldo Scaglione and Marie M. Burns Distinguished Professor of Comparative Literature and French, Director of the Doreen B. Townsend Center for the Humanities, UC Berkeley This program was recorded in front of a live audience at The Commonwealth Club of California in San Francisco on December 9th, 2019.

The 2016 Nobel Prize in Literature recognized Bob Dylan as a major modern artist, elevating his work beyond the world of popular music. In his book Bob Dylan's Poetics (Zone, 2019), Timothy Hampton (Comparative Literature and French Departments, Townsend Center director, UC Berkeley) focuses on the details and nuances of Dylan's songs, showing how they work as artistic statements designed to create meaning and elicit emotion. Locating Dylan in the long history of artistic modernism, Hampton offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change. Hampton is joined by Robert Kaufman (Comparative Literature).

Anthony Long (Classics Department, UC Berkeley) presents a new edition of Epictetus’s celebrated guide to the Stoic philosophy of life. Born a slave, the Roman Stoic philosopher Epictetus (c. 55–135 AD) taught that mental freedom is supreme, since it can liberate one anywhere, even in a prison. How to Be Free (Princeton, 2018) features new translations alongside the original Greek, an introduction that sets Epictetus in context and describes the importance of Stoic freedom today, and a glossary of key words and concepts. Long is joined by Timothy Hampton (Comparative Literature and French; Townsend Center director).

Christopher Bollas, psychoanalyst and writer, asserts that mental life is innately hazardous. The steps we take through childhood are marked by mentally painful episodes that constitute ordinary breakdowns in the self. Adolescence stands as the most painful such period, during which some of the major disturbances of self arise, including anorexia, schizophrenia, bipolarity, and sociopathy. Rather than approaching mental pain as a condition to be ignored, minimized, or suppressed through medication, Bollas examines it as a constitutive element of human psychic development. Presented by the Townsend Center for the Humanities at UC Berkeley. Series: "Writers" [Health and Medicine] [Humanities] [Show ID: 31943]

Christopher Bollas, psychoanalyst and writer, asserts that mental life is innately hazardous. The steps we take through childhood are marked by mentally painful episodes that constitute ordinary breakdowns in the self. Adolescence stands as the most painful such period, during which some of the major disturbances of self arise, including anorexia, schizophrenia, bipolarity, and sociopathy. Rather than approaching mental pain as a condition to be ignored, minimized, or suppressed through medication, Bollas examines it as a constitutive element of human psychic development. Presented by the Townsend Center for the Humanities at UC Berkeley. Series: "Writers" [Health and Medicine] [Humanities] [Show ID: 31943]

Christopher Bollas, psychoanalyst and writer, asserts that mental life is innately hazardous. The steps we take through childhood are marked by mentally painful episodes that constitute ordinary breakdowns in the self. Adolescence stands as the most painful such period, during which some of the major disturbances of self arise, including anorexia, schizophrenia, bipolarity, and sociopathy. Rather than approaching mental pain as a condition to be ignored, minimized, or suppressed through medication, Bollas examines it as a constitutive element of human psychic development. Presented by the Townsend Center for the Humanities at UC Berkeley. Series: "Writers" [Health and Medicine] [Humanities] [Show ID: 31943]

Christopher Bollas, psychoanalyst and writer, asserts that mental life is innately hazardous. The steps we take through childhood are marked by mentally painful episodes that constitute ordinary breakdowns in the self. Adolescence stands as the most painful such period, during which some of the major disturbances of self arise, including anorexia, schizophrenia, bipolarity, and sociopathy. Rather than approaching mental pain as a condition to be ignored, minimized, or suppressed through medication, Bollas examines it as a constitutive element of human psychic development. Presented by the Townsend Center for the Humanities at UC Berkeley. Series: "Writers" [Health and Medicine] [Humanities] [Show ID: 31943]

Christopher Bollas, psychoanalyst and writer, asserts that mental life is innately hazardous. The steps we take through childhood are marked by mentally painful episodes that constitute ordinary breakdowns in the self. Adolescence stands as the most painful such period, during which some of the major disturbances of self arise, including anorexia, schizophrenia, bipolarity, and sociopathy. Rather than approaching mental pain as a condition to be ignored, minimized, or suppressed through medication, Bollas examines it as a constitutive element of human psychic development. Presented by the Townsend Center for the Humanities at UC Berkeley. Series: "Writers" [Health and Medicine] [Humanities] [Show ID: 31943]

Christopher Bollas, psychoanalyst and writer, asserts that mental life is innately hazardous. The steps we take through childhood are marked by mentally painful episodes that constitute ordinary breakdowns in the self. Adolescence stands as the most painful such period, during which some of the major disturbances of self arise, including anorexia, schizophrenia, bipolarity, and sociopathy. Rather than approaching mental pain as a condition to be ignored, minimized, or suppressed through medication, Bollas examines it as a constitutive element of human psychic development. Presented by the Townsend Center for the Humanities at UC Berkeley. Series: "Writers" [Health and Medicine] [Humanities] [Show ID: 31943]

Here we discuss -- with Robert Alter, the Hebrew Bible's most esteemed translator and commentator -- the Bible at its most unorthodox: the two books that never mention the word God (the Book of Esther, the Song of Songs) and the book of the Bible that most intently focuses its attention beyond the nation of Israel (the Book of Jonah). Chapter & Verse is a books-and-arts podcast about the cultural imagination — what Joan Didion once called the stories we tell ourselves to live. It delves into novels, nonfiction, poems, music, film, and other touchstones of our culture, with an eye to the spells they cast and the questions they raise. More information at chapterversepod.com. This episode is sponsored by UC Berkeley's Doreen B. Townsend Center for the Humanities. For more information about the Townsend Center, visit http://townsendcenter.berkeley.edu.

Author Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She is joined by a panel to discuss her work. Series: "Doreen B. Townsend Center for the Humanities " [Humanities] [Show ID: 20699]

Author Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She is joined by a panel to discuss her work. Series: "Doreen B. Townsend Center for the Humanities " [Humanities] [Show ID: 20699]

Hosted by Robert Hass and university librarian Thomas Leonard, the kickoff features distinguished faculty and staff from a wide range of disciplines introducing and reading a favorite poem. This year's participants: Aftab Ahmad (South & Southeast Asian Studies), Ben Braun (Men's Basketball), Janet Broughton (Dean of Letters & Science, Philosophy), Jennifer Dorner (Library), E. Bond Francisco (Physical Plant), Cecil Giscombe (English), Lucia Jacobs (Psychology), Kathleen McCarthy (Classics and Comparative Literature), Paul Parish (Faculty Club), Kay Richards (East Asian Languages and Cultures, Center for Korean Studies). Support for this series is provided by Mrs. William Main, the Library, The Morrison Library Fund, the dean's office of the College of Letters and Sciences, and the Townsend Center for the Humanities. These events are also partially supported by Poets & Writers, Inc. through a grant it has received from The James Irvine Foundation. Additional information is available at lunchpoems.berkeley.edu.

Hosted by Robert Hass and university librarian Thomas Leonard, the kickoff features distinguished faculty and staff from a wide range of disciplines introducing and reading a favorite poem. This year's participants: Aftab Ahmad (South & Southeast Asian Studies), Ben Braun (Men's Basketball), Janet Broughton (Dean of Letters & Science, Philosophy), Jennifer Dorner (Library), E. Bond Francisco (Physical Plant), Cecil Giscombe (English), Lucia Jacobs (Psychology), Kathleen McCarthy (Classics and Comparative Literature), Paul Parish (Faculty Club), Kay Richards (East Asian Languages and Cultures, Center for Korean Studies). Support for this series is provided by Mrs. William Main, the Library, The Morrison Library Fund, the dean's office of the College of Letters and Sciences, and the Townsend Center for the Humanities. These events are also partially supported by Poets & Writers, Inc. through a grant it has received from The James Irvine Foundation. Additional information is available at lunchpoems.berkeley.edu.