Podcasts about Visible Cloaks

Solénoïde (09.12.2024) - Et si vous laissiez votre esprit voguer sur les vagues hallucinogènes des musiques psychédéliques ? Solénoïde vous convie à une expérience sensorielle unique : 55 minutes d'un voyage audio en dix étapes, où se mêlent effluves de patchouli, spirales rythmiques et visions sonores multicolores.

Al hilo del final del programa anterior, Estéreo360º propone una ruta cronológica en forma de DJFlow Mix por las referencias de la serie FRKWYS, reunión mitológica y colaborativa de los actores del presente y el pasado de la mejor música experimental. Recórranla de acuerdo al siguiente MAPA SONORO: DJFLOW MIX: EXCEPTER: Shots Ring (Carter Tutti Remix) (FRKWYS Vol. 2, 2009) / ARP & ANTHONY MOORE: Spinette (FRKWYS Vol. 3, 2010) / PSYCHIC ILLS: Witchcraft Breaker (Hans-Joachim Irmler Remix) (FRKWYS Vol. 4, 2010) / MIRROR MIRROR: Love Is the Law (Stuart Moxham's Laying Down the Law Remix) (FRKWYS Vol. 5, 2011) / JULIANNA BARWICK & IKUE MORI: Stalactite Castle (FRKWYS Vol. 6, 2011) / BORDEN, FERRARO, GODIN, HALO & LOPATIN: Just a Little Pollution (FRKWYS Vol. 7, 2011) / BLUES CONTROL & LARAAJI: City of Love (FRKWYS Vol. 8, 2011) / SUN ARAW & M. GEDDES GENGRAS meet THE CONGOS: Happy Song (FRKWYS Vol. 9: Icon Give Thank, 2012) / DAVID VAN TIEGHEM X TEN: Slippery Slope (FRKWYS Vol. 10: Fits & Starts, 2013) / STEVE GUNN & MIKE COOPER: Saramago (FRKWYS Vol. 11: Cantos de Lisboa, 2014) / ROBERT AIKI AUBREY LOWE & ARIEL KALMA: Mille voix (FRKWYS Vol. 12: We Know Each Other Somehow, 2015) / TASHI WADA with YOSHI WADA and FRIENDS: Aubade (FRKWYS Vol. 14: Nue, 2018) / VISIBLE CLOAKS, YOSHIO OJIMA & SATSUKI SHIBANO: Anata (FRKWYS Vol. 15: serenitatem, 2019) / IAN WILLIAM CRAIG & DANIEL LENTZ: Fragrance (FRKWYS Vol. 16: In a Word, 2020) / KA BAIRD & PEKKA AIRAKSINEN: Syzygy (For Pekka) (FRKWYS VOL. 17: Hungry Shells, 2021) // BONUS TRACKS: TASHI WADA with YOSHI WADA: Niagara (Laurel Halo “Lilith” Remix) (FRKWYS Vol. 14: Nue Remixes Laurel Halo / Julia Holter, 2019) / PSYCHIC ILLS & GIBBY HAYNES: Where’s the Beginning? (FRKWYS Vol. 4.5: Nowhere in the Night, 2022) //

This week's album artwork is titled Hierarchical City by あすてろid! Please go give them a follow! https://www.pixiv.net/en/users/2033916 Tracklist 00:16 | NVADRZ & Nyptane - M!!!ND 02:47 | Aweminus - Fall Guys Flip 04:23 | ARMNHMR - I Miss You (Spag Heddy Remix) [feat. Trella] 06:28 | Guy Arthur - LIGHT IT UP [Tracks Of The Week] 10:30 | Dirtyphonics & IVORY - Athena 14:23 | Dirty Audio, ETC!ETC!, & Dani King - Unravel 16:57 | Noisia - Voodoo (NGHTMRE Remix) 18:52 | Dani Demand - How Do I Get Home (feat. chriad) 22:17 | Excision - Vault (Subtronics Remix) [Memories] 25:42 | Noisia - Stigma (Eptic Remix) [Tracks Of The Week] 29:32 | Riot Ten - Feral 31:59 | Skybreak, Sharks, & LÚTHIEN - Out Of Frame 35:56 | THIRST - OUR STARS 37:26 | ARMNHMR & LIGHTS - Someone To Forget (BUSTED by Herobust) 41:45 | Pushing Daizies & Bella Renee - Lost Myself 43:59 | STAR SEED & Syberlilly - Oblivion 47:43 | KYRIPH - Wanted You To Know (feat. Katja Kos) 49:58 | ARMNHMR & LIGHTS - Someone To Forget (NIO & MAMBA. Remix) [Tracks Of The Week] 52:28 | Visible Cloaks, Yoshio Ojima, & Satsuki Shibano - Atelier [Sunset Vibes]

   Stream Steve Gunn, David Moore - I - IPan American, Kramer - Reverberations of Non​-​Stop Traffic on Redding Road - A Mountain is an AncestorPerila & Ulla - Memories of Log - Falling Water Lullaby (By Ulla)Perila - 7.37/2.11 - Long Dizzying Air Through A Balcony DoorVince Clarke - Songs of Silence - CathedralHilary Woods - Acts of Light - Where The Bough Has BrokenFennesz - Venice - Rivers of SandTim Hecker - No Highs - Living Spa WaterCarmen Villain - Only Love From Now On - Only Love From Now On (with Johanna Scheie Orellana)Visible Cloaks, Yoshio Ojima, Satsuki Shibano - FRKWYS Vol. 15: serenitatem - AtelierDrab Majesty - The Demonstration - Hath No Form"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show Feb 4)Dança, um hábito de escutaperdendo o gritona cama,pequeno sortilégioentre o corpo e a forma• traço menorinfinda a luz--tempo onírico.Mas creio que até no sonhose desenham sombrasou espaços que se abremem fúriade recintos, como seum circo? Poema | Poem by - Ana Freitas Reis Fotografia | Photo by - Alípio Padilha  

  Stream Darren Harper - Sown - ValeBing & Ruth - Tomorrow Was the Golden Age - Strange WindVisible Cloaks, Yoshio Ojima, Satsuki Shibano - FRKWYS Vol. 15: serenitatem - AtelierLynn Avery, Cole Pulice - To Live & Die In Space & Time - Plantwood (Day)Arve Henriksen, Harmen Fraanje - Touch of Time - MelancholiaAndré 3000 - New Blue Sun - Ants To You, Gods To Who ?Vince Clarke - Songs of Silence - The Lamentations of JeremiahLoscil - Sea Island - Angle of ListAlessandro Cortini - Emosfere - Quinta EmosferaAlessandro Cortini - Spettri - Spettro IJacaszek / Wesołowski / Szczecin Philharmonic Orchestra - Eirḗnē - Eirḗnē VII"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show Jan 21)Dou-me conta que observocom regularidade a última janela dos prédios.Às vezes é apenas uma, solitária,outras estão aos pares.O tamanho varia, a cor alterna,a forma também;como se uma pequena navedo edifício - a cabeça que contémum telhado impreparado às chuvas. Poema | Poem by - Ana Freitas Reis Fotografia | Photo by - Alípio Padilha  

  The nice folks at Nettwerk Music Group reached out about the possibility of doing some guest mixes and I am pleased to present the first one. This mix comes to us from TJ Dumser who releases music under the moniker, Six Missing. He has a new album coming out in December so the timing is perfect. I'll let TJ tell you about his mix: "Listening to music always makes me transport to another place. And whenever a piece of music can make me travel to a place that elicits a vivid scene within my mind, I love it even more. Every time I sit and write a piece of music, I am always allowing it to take me somewhere, and then my goal is to try to capture that like a polaroid and develop it as quickly as I can so that the imagery is imprinted firmly within the makeup of the piece.  Misty Morning is a collection of tracks both old and new that allow my mind to travel. Within this mix I've included pieces from not only myself (and an unreleased sneak peak), but from other artists I respect and love. Each track on here hits you with emotion and vibe instantaneously. There is no build-up for these. With each new piece you are gently guided along what I envision being the most perfect and slow morning with a cup of coffee as you watch the mist and fog rise up from the serene mountains behind your home. Or perhaps you are drifting in and out of sleep on an airplane or in a car. But you could also be seated and just merely listening. Regardless, these pieces aim to lift you up and out of your thinking mind and usher you into the beloved "in-between."  While making my latest record "Here For Now," which comes out December 15th via Nettwerk, I was listening to artists that use sounds masterfully - Kaitlyn Aurelia Smith, Visible Cloaks, and Nils Frahm all are within complete and total control of their voices and I found that incredibly inspiring as I was working to find my own voice.  It is with great humility that I place my own music amongst artists such as Mort Garson and Ólafur Arnalds as well as the ever blissful Eydís Evensen. But thankfully, it seems to all feel like they belong there.  I had a great time designing this curated vibe-adventure for you and hope you find some new artists you've never heard before as well as some old favorites.  Thank you for listening." Six Missing Links: Website | Instagram | Facebook | TikTok | YouTube   Thanks for providing this Misty Morning. Cheers!   T R A C K L I S T : 00:00-02:27 - Possibility - Six Missing 02:16-05:12 - Dreamy - Hania Rani 05:06-06:13 - Unity - Ryuichi Sakamoto  06:05-11:06 - Dustlight - Alaskan Tapes, Moshimoss 10:42-15:13 - Waves - Six Missing 15:03-18:49 - Terrazzo - Visible Cloaks, Motion Graphics 18:43-23:08 - An Ending (Ascent) - Brian Eno 22:52-27:21 - Wandering I - Eydís Evensen 27:16-32:10 - Envelop - Kaitlyn Aurelia Smith 31:54-37:11 - Loving Kindness - Six Missing 36:54-39:47 - brot - Ólafur Arnalds 39:47-43:22- Sunflower Dance - Green-House 43:12-47:12 - Tranquility (For Sidney) - Clariloops 46:55-50:15 - Deja Vu - Ataraxia, Mort Garson 49:53-53:43 - Foreshadowed - Harold Budd, Brian Eno 53:25-57:45 - Cleanse - Six Missing (Unreleased until 12/1/23) 57:29-62:54 - Music for 18 Musicians: Pulses - Steve Reich 62:25-65:48 - Alpha 1 - Ami Shavit 65:30-70:55 - Seah Jahan - Paul Horn 70:50-77:53 - Statum - Visible Cloaks, Yoshio Ojima, Satsuki Shibano 77:42-88:18 - Sunson - Nils Frahm

Not many producers can create new aliases after 10+ years and still manage to drop something completely unexpected and refreshing. Peter Rogers' Wardown project did just that in 2020, debuted on the respected Blu Mar Ten label, the self-titled album found admirers from a cross-section of music styles; spanning Jungle, Drum'n Bass and a strong atmospheric element. Wardown / Wardown was consequently one of my most played and admired albums of the year (finding a sweet spot in the Reflection on 2020 and Atmoteka mixes). I found it near impossible to stop the album once it started, as it flowed easily between stories, styles, and sentimental reflection. Peter is now set to drop his second album under the Wardown alias, simply titled Wardown II, but those who absorbed the nostalgia from his first, will undoubtedly be confident that despite its modest title, the conceptual approach is as strong as ever, and the music will once again be left to do the storytelling. Continuing with this brilliant reflective approach from the first album, Wardown II can be considered another vivid capture of one of Peter's undoubtedly many memories he has begun to create with this alias. And just like his productions, his isolatedmix is a natural extension of this approach. As is the case with many producers in this genre, DJ'ing is integral to the culture, so it's of no surprise for us to be treated to a little bit of a masterclass with this latest installment…~ASIP: Many people may know you as one half of the d&b duo Technimatic (and even making an appearance as Technicolour on our Energostatic comp which we were proud to host a few months back). Can you tell us a bit about how you got into producing music and your background?Pete: I started making electronic music in about 2002. I'd been into jungle and drum & bass as a teenager growing up in Luton, and played in a jazz funk band for many years too. But 2002 - after I'd finished studying graphic design at university and moved to London - was the first time I had the opportunity to buy a computer of my own and actually start trying to create stuff with it.You debuted the Wardown project on the Blu Mar Ten label in 2020. What inspired this new alias after years under others?I started Wardown because I had quite specific things I really needed to express and put into music that I didn't have to the opportunity to elsewhere. Technimatic is my main musical focus of attention and I love it, but sometimes there are things unique to you that you need to be able to say, that might not fit within the canon of music you're making as a duo. Things much more personal. I've known Chris Blu Mar Ten for many years and have huge respect for the vision and A&R of his label, so it felt like the perfect fit. Thankfully he was really enthusiastic about putting it out. Wardown by WardownVignettes of people talking about your hometown of Luton open your first Wardown album, (which was a surprise for me to hear, as I grew up in a nearby town). How would you describe your formative years there? How did it impact your music?Luton has a very chequered past. It's regularly featured in the kinds of ‘shittest towns in the UK' lists that appear online. It's been home to the English Defence League, Islamic terror cells, and is generally thought of as a fairly ugly, non-descript town on the outskirts of London that has an awful airport. But as a kid, I had a really good upbringing there. And crucially, being near London and the M25 motorway, back in the 90s it had a very strong connection with rave, hardcore, and jungle music. Legendary hardcore DJ Swan-E was from Luton, Blame was from just down the road in Dunstable, there were pirate radio stations broadcasting the music 24/7 in the area, and most importantly for me, there was an amazing record shop called Soul Sense where as a teenager I spent a lot of my time, learning and being inspired by 90s underground music.I assume you made several trips to London back in the day like most music lovers living in the Shires, for the big nights and DJs in the capital. Who, or what was your mecca back in the day? And which record stores were you gracing?Absolutely. Once I was allowed to go into Luton town centre on my own without my parents, it wasn't long before me and my friends were getting on the train and heading into London to buy records. This was the mid-90s and obviously long before smartphones and the internet, so on several occasions we went with the intention of going to Blackmarket Records in Soho, but ended up coming back empty-handed as we simply couldn't find it! But eventually, we worked it out and it was always a huge buzz. Section 5 on Kings Road in Chelsea was another favourite.In 2000 I moved to London and that's when my real clubbing experiences began. Swerve at The Velvet Rooms on a Wednesday, Movement at Bar Rumba on a Thursday, but the real Mecca for me and my friends was The End. It's still my favourite club that's existed and so much of my dance music education happened there. We went to most d&b nights but the key event for us was LTJ Bukem's Progression Sessions, which ran monthly there throughout most of the noughties. I think I went to every single event from about 2002 - 2007.The Wardown debut was one of my favorites from 2020. A wide spectrum of sounds, running from lush ambient pieces to extremely energetic tracks. The narrative aspect pulled me in, giving off a nostalgic mixtape type of vibe. It felt like it was a pivotal album for you to get out into the world given how personal the elements contained within were - almost a ‘letting go' kind of feel?Absolutely. During the start of 2019 I returned to Luton quite a bit. My granddad, who was the last remaining family member living there, was ill. So I went to visit him at his home, and then the hospital until he eventually died. He was 98 so it was no huge shock, but when I was back there, these ideas started forming in my mind. Luton was my home town but the last remaining Rogers had now left and there was nothing left linking me to it. But despite losing those roots and living away from the town for over 20 years, it still had this strange power over me and I felt a really deep connection. Obviously, some of that was down to simple nostalgia for my childhood. But there was something else tied up in it. Something a bit more complex. And making that first album was an attempt to try and express those feelings. That first track on that album (Culverhouse) has to be one of the most euphoric moments to kick off an album in recent memory of mine. I was definitely keeping it locked for the remainder after that beginning! What was the intention with the sequencing of the album?I honestly can't remember much about the sequencing of the first album. It wasn't like I made 30 or 40 tracks and then whittled them down and picked my favourites. It's a 10 track album and I think I made 11 tracks, and decided to ditch one of them. I wanted it to be a mix of jungle and ambient soundscapes as I think despite the two genres being in some ways at the opposite ends of the spectrum, they also work beautifully together. When I was initially buying records in the 90s, I used to be obsessed with the intros and breakdowns of certain jungle records. There was a run of releases on DeeJay Recordings from DJ Crystl and Future Sound Of Hardcore that had these sprawling instrumental openings that I used to play over and over again. And obviously LTJ Bukem and a lot of those early releases on Good Looking Records are on the same page. That aesthetic felt like a really good way to try and manifest the ideas I was having.According to your first album notes, Wardown is an attempt to capture what the Germans call 'sehnsucht', an "inconsolable longing in the heart for we know not what". Where did this attachment come from?That quote is from the author CS Lewis, attempting to describe the sense of longing he felt for much of his life. And I've been kind of obsessed with that feeling for quite a long time too. ‘Sehnsucht' is a German term that gets somewhere close and there are others in various languages. But it's a very hard thing to accurately pin down and describe. I sometimes feel as though to get a sense of it I have to look out of the corner of my eye, as when I try and focus directly on it, it disappears. It's often a very fleeting feeling brought on by certain scenes in the world, weather, photographs, old films. A kind of bittersweet, melancholy feeling about the past and things that have been lost. But quite often it's a longing for things I've never personally experienced or may never have even happened. “at its simplest, Wardown II is a vision of the future from the past.” Wardown II by WardownThe new album is a subtle shift in concept from the original and perhaps a continuation chronologically. The nostalgia is still there, but I'm getting a look at the future instead of back like the first album. Maybe the artwork is subliminally pointing me in that direction too. Is this Luton today or in the near future?!With the first Wardown album I was trying to evoke those feelings of loss and yearning I felt for my home town and earlier life. And that got me thinking about nostalgia in a wider sense and why it's so alluring, particularly as you get a bit older – but also why it's so pervasive everywhere you look these days. TV, film, music, advertising, even politics draws on the past, utilises it, and sometimes even weaponises it. It's an incredibly powerful thing, and for me it can create a strange kind of ‘uncanny valley' feeling, as though today's popular culture has become unmoored from history and its once-definitive eras and epochs. So much of what we consume today is full of anachronism, a kind of rehash of what's come before. I found myself wondering: what happened to the future I imagined when I was a kid?I think nostalgia is incredibly alluring right now because the future no longer looks bright. We live now with the looming threat of climate change and a catastrophic loss of biodiversity across the world, not to mention war, economic instability and the rise of populism and nationalism. It all feels just too much sometimes, and nostalgia is always there, showing us how better things were in the past – even if the safe, optimistic world it portrays didn't actually exist in the first place. In that way, nostalgia is dangerous because it stops us looking forward and taking responsibility for the future, with all its challenges – something we all need to do.Of course, all this is strongly culturally inflected, and when I say ‘we', I'm coming from a white, Western and affluent perspective; the relationship between nostalgia and progress is likely to be very different for someone born in the global south. But as someone who came of age in Britain in the 90s, the future means a different thing today than it did when I was a child. Back then it felt like there was still a kind of general, unwavering optimism about the coming years, a faith in progress and a belief that society was on the path to an increasingly better place. The fall of the Berlin Wall, the end of communism in the USSR and other Eastern European countries, New Labour, the impending Millennium, which felt like the epitome of all things futuristic – all these things pointed to the fact the future was something to look forward to.So at its simplest, Wardown II is a vision of the future from the past. I decided to give it quite a strong 1950s / 60s flavour, as to me it seems like that is when the idea of ‘the future' was at it's most potent. After the devastation of two world wars came the rise of modernism and its belief that, rather than just being an aesthetic, it could literally improve people's lives through the creation of a new kind of architecture and design. There were the American and Russian plans to send people into space. Film and TV that painted the future as a shiny kind of utopia, with flying cars, and machines that allowed humans to forget the horrific memories of war and enjoy a life of comfort and leisure.Samples are obviously a big part of your work (and your isolatedmix). It sounds like your first album was more personal, collected soundbites and samples. And this new album seems a little more abstract in its samples and direction. Can you describe your process for the sample-heavy tracks such as Instant Money? Do you build a track around a sample, go looking for something specific, or have a bank of samples ready to go?I've always been a fan of collage. Art that brings lots of different, often disparate sources together to create something fresh. As a kid I used to cut up catalogues and booklets that came through the front door and make these mad, stuck together images with them. And at university, I was fascinated by the work of artists like Robert Rauschenberg. So when it came to making music, growing up through an era of sample-heavy jungle and hip-hop (‘Entroducing' by DJ Shadow is one of the most important albums in my life), I adopted a similar technique.However, with Wardown the approach is slightly different to when I'm working on other things. I initially try and establish quite a strong conceptual starting point before I've made any music. I do lots of reading, watch things, and generally think about the world I'm trying to create before anything is made. Obviously things change and develop through the process of actually creating the music, but by starting out like that, I try and attune myself to what I'm looking for, samples wise. It's like I put little antennas up and then go about my usual life of reading, watching films and documentaries, and listening to music. But because my antennas are up and scanning for quite specific things I'm able to isolate sounds that can potentially work a lot better; sounds that would probably pass me by if I had just been taking it all in in a more general sense. And once I've had a strong idea for something I'll then dive a little deeper, in terms of second-hand records, tapes, online archives and the like. Wardown II by WardownI'm also a little gutted that Instant Money didn't make it onto the mix in full here (i hear a quick sample only!) It's one of my faves and extremely addictive (reminds me a bit of Roni Size's Dirty Beats in how the vocal burrows deep inside your brain for hours after listening if I dare compare). What was your intention/concept for the mix overall?The idea for the mix was essentially an extension of what I've done with the two albums. A collection of jungle and electronic music combined with longer ambient passages. There are a few personal favourites in there, as well as some lesser-known stuff I thought worked well. I've also taken apart elements of some of the music from Wardown II and used that throughout. More collage!The drum'n bass / jungle mixtape is of course an iconic piece of music culture and by the sounds of it, you've perfected your skills at putting one together. Do you consider yourself a DJ? Do you enjoy this aspect of your music?Well I've just come off the back of playing a summer of festival shows as Technimatic, so in that regard, definitely. I do think these days however, there is quite a big difference between being a DJ who plays live shows, and someone who puts mixes together online. Years ago you would just press record and essentially recreate what you do in a live setting. But because of the changes in technology and what you're now able to do with sequencers, recorded mixes feel like they've become a separate thing in their own regard. They definitely are to me, anyway. I love putting together online mixes that pull apart tracks, alter tempos, have multiple elements working at the same time to create something really unique. Maybe a really talented DJ could do it live, but I definitely can't!What have been some of your fave mixes over the years that we could go check out? A favorite of all time?I can't really discuss jungle and Wardown without mentioning LTJ Bukem's ‘Essential Mix' for Radio 1 in 1995. It really was such a defining mix, one that created a kind of blueprint for a whole new musical sub-genre. All the classics are there, and it still sounds fresh and exciting to me. In terms of more recent times, Visible Cloaks' ‘Music Interiors' from 2013 is another really important mix for me. It's a collection of 80s ambient and experimental music from Japan, and it totally blew my mind when I first heard it. The fact there was this huge, rich, inspiring area of music I had no idea existed before listening was really extraordinary. And it just flows so well. I'm eternally thankful for VC for creating it; I've played it more times than I can remember.~ astrangelyisolatedplace · isolatedmix 119 - WardownListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Soft Robot - ‘Point Nemo'02. Kerguelen - ‘Proxemics'03. Sycamore Investments - ‘Cherry Bomb'04. Wardown - ‘Stimulus Progression Pattern'05. LTJ Bukem - ‘Rainfall'06. Offthesky -‘Insofar, In So Far'07. Freedive - ‘Watering A Flower On The Moon'08. Photek - ‘Complex'09. Ki One - ‘Life At The End Of The World'10. Micronation - 'Photographs of Clouds'11. Wardown - ‘The Ideal City'12. Advanced Sound & Vision - ‘The Engineered Yes'13. Wardown - ‘Lifespan'14. Fisher Associates - ‘Scorched Earth'15. Wardown - ‘Graphite and Glitter'16. The Architex - ‘Altitude'17. Creative Innovations Inc. - ‘Stone Tape Theory'18. r beny - ‘Eistla'19. Jefre Cantu-Ledesma - ‘Song Of Forgiveness Pt. 1'~Wardown | Bandcamp | Discogs | Twitter | Instagram

Today's guest deejay is James Vella. We have Robert Farrugia from Complex Holiday to thank for James's mix. I asked Robert who he knew who he thought would share a mix on Soundwave, and he recommended James. Oh, listen to Robert's mix for Soundwave here. Robert had not steered me wrong. James runs Phantom Limb, a record label, a music publishing, and touring and label management company. I dipped into his roster of artists, which ranges from everything from experimental hip hop to music inspired by Pre-Columbian Central and South American myths and folktales. James's mix explores a lot of terrain and includes a song he recorded under the name A Lily that's beautiful. There's also a track in James's mix that is almost too painful to listen to. You'll know when you hear it. I know you'll love today's show. If you'd like to hear more music from James, you'll be delighted to learn that he has new music coming out soon on the Bytes label. Join us next week when our guest deejay will be Raziel Panic. See you then. Visible Cloaks & dip in the pool “Valve (Reanimated Feat. Miyako Coda)” UCC Harlo “Lyricist of Panic” Tralala Blip “Castles of Golden Sound” Waclaw Zimpel “Lines” Nate Scheible “With Any Kind of Luck” Wayne Phoenix “I Gave You Power” Dear Laika “Ubi Sunt” A Lily “Mbira Heart” NIAGARA “Dia 1, Parte 2, Música 3” David Darling & The Wulu Bunun “Mataisah-hik Sagan” Ki Oni “Dream World” Volkan İncüvez “Black Hole” Ulla “leaves and wish” Throbbing Gristle “Still Walking” --- Send in a voice message: https://anchor.fm/soundwavemix/message

Tonight's edition features great new tunes from Grouper, alva noto, 36, Philippe Cote, Olafur Arnalds, Portico Quartet, Steve Roach, Jon Hopkins and tons more! Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Ultraviolet by Potico Quartet on Monument (Portico Quartet)

Este domingo 15 de noviembre nos llenamos de sonoridades intensas y delicadas con colaboradores sorprendentes. Escucharemos la conjunción Visible Cloaks&Yoshio Ojima&Satsuki Shibano , a los neerlandeses Anne Cris Bakker y Romke Kleerstra  bajo el proyecto Transtilla , a los alemanes Von Spar, Cora Novoa nos resenta un nuevo single, recuperaremos las “Correspondencias” de Xoan Anleo, seguiremos con las texturas de ciencia ficción de Yair Etziony, el “Ensayo sobre la diferencia” de Winden , los enigmáticos Inaud1bl3 y terminaremos nuestra primera hora con la artista peruana Ale Hop  Escuchar audio

Enjoying the show? Please support BFF.FM with a donation. Playlist 1′00″ Algenüberzug by minae minae 7′15″ Sad Alron by Mark pritchard 9′30″ Broken Clouds by Gaussian curve 13′20″ southern by don't dj 16′25″ Terrazzo  (feat. Motion Graphics) by Visible Cloaks 21′00″ Fukiya   吹矢 by Meitei   冥丁 23′00″ Workaround One by beatrice dillon 24′00″ (Kinda On Some Funk Edit) by Brazilintime 24′50″ Slow Down by - 27′30″ Brown Bag by Luchbox 29′30″ 10101 by James Holden 33′20″ Gaswerksiedlung by Thomash,Ground 42′00″ barreras (powder remix) by iury lech 49′00″ where it falls by David Last 50′00″ suburban tribal by pavel milyakov 53′29″ Crime Jazz by - 56′00″ Empty Skies by Build Buildings 57′30″ tekuno by foodman 59′00″ yami nabe by foodman 60′20″ Beihelfer by Denzel + Huhn 64′00″ First Nations Drums Feat. Ahmed Sosso (Original Mix) by Fluida,Ahmed Sosso 68′00″ Dreamtime Lullaby by blue tech 74′00″ comos los cerdos by Drujm 78′30″ Monday Mellow by Juju & Jordash 81′00″ Waltz (A Lonely Crowd) by masayoshi fujita 82′30″ Cut Up Piano and Xylophone by Fridge 84′20″ anfuhrt by minaeminae 89′00″ Blue Deal by Minor Science 94′00″ live at google data center by sam kidel 98′00″ Gossip by Lyra Pramuk 101′00″ katharsis impossible by siriusmo 102′40″ pressurizor by badawi 107′20″ Jacob's House by Jab 111′40″ Leonids by fila brazilia

Playboy: Have you ever taken LSD yourself? Marshal McLuhan: No, I never have. I'm an observer in these matters, not a participant. The episode features: Les Halles, Visible Cloaks, Spirit & Form, Kosmische Keuterboeren, Raju Arara and Hare Akedod.

The year's best ambient featuring tracks by M83, Winged Victory For the Sullen, Bobby Krlic, Bibio, Dean Hurley, Visible Cloaks, Laraaji, and more.

Respira estrelles i atreveix-te a viure. M

Plants -Why they’re so good for us. -How they cool the planet. Find out on this episode of Wax lyrical with Algal Blooms. Vegan, plant-based soundscape from Algal and tunes from Tom Waits, Aphex Twin, Patrick Cowley, Waak Waak Djungi, Mappa Mundi, Boards of Canada, Brian Briggs, Satsuki Shibano, Visible Cloaks, and Yoshio Ojima. Audio of the Microbiologist Walter Jehne comes from Julian de Lorenzo's Tangled podcast.

Sun Ark, the name that Cameron Stallones has given to his record label, is most likely derived from the synthesis of two mythical stories: Black Ark, the Jamaican recording studio built and owned by reggae and dub producer Lee Perry, and Sun Ra, the afro-american free-jazz-cosmic composer. Although the Californian label leaded by Stallones — also known for his artistic alias Sun Araw — is undoubtedly not devoted to reggae-dub and neither to free-jazz, but for sure derived its experimental, freak, curious and avant-garde approach to its predecessors. The episode features: Galaxy Express 555, Aylu, Samuli Tanner, Sun Araw, Visible Cloaks, Randall McClellan, SK Kakraba, Rob Magill, High Wolf and Samuli Tanner.

01. The 7th Plain - Grace [A-TON] 02. King Midas Sound - In The Night [Cosmo Rhythmatic] 03. Religious Knives - Private Air [Sacred Bones] 04. Paavoharju - Ikkunat Näkevät [Fonal] 05. Enya - Boadicea [BBC] 06. Neil B. Rolnick - Sanctus [Bridge] 07. Desire - Under Your Spell [Italians Do It Better] 08. Big Blood - No Human Color [Feeding Tube] 09. Bombay Bicycle Club - Lights Out, Words Gone [Island] 10. Amp - Opal Tears [Sound In Silence] 11. The Beta Band - To You Alone [Regal] 12. Jackie-O Motherfucker - Analogue Skillet [Fire] 13. The Album Leaf - Broken Arrow 14. We Lost The Sea - The Last Dive Of David Shaw [Bird's Robe] 15. Nosaj Thing feat. Kazu Makino - Eclipse/Blue [Innovative Leisure] 16. Fever Ray - Keep The Streets Empty For Me [Rabid] 17. Visible Cloaks, Yoshio Ojima & Satsuki Shibano - Atelier [Rvng Intl.] 18. Bibio - Down To The Sound [Warp] 19. Conny Frischauf - Endless Universe [International Major Label] 20. Tom Furse - Let Your Body Go [Lo Recordings] 21. Hannah Peel - Archid Orange Dwarf [My Own Pleasure] 22. チャクラ - Hohoemu [Solid] 23. James White & The Blacks - Stained Sheets [ZE] 24. Ty Seagall - Low Rider [In The Red] 25. Xiu Xiu - Sharp Dressed Man [‎Stoned To Death] 26. Portico Quartet - A Luminous Beam [Gondwana] 27. Rone feat. Kazu Makino - Down For The Cause [Infiné] 28. Luke Abbott - Brazil [Border Community] 29. Lana Del Ray - Video Games [Stranger]

What does a story sounds like? Is it possible to imagine a movie by listening to its soundtrack? Between the image in movement and the audience you can find Gianluca, a sound designer that tweaks your emotions and sensations creating soundscapes that let plot happen (@jean_soundesignstudio). The episode features: Jan Jelinek, Nadine Byrne, Visible Cloaks, Sun Araw, Simple Affections, Abyss X, Brinstaar, Ekkehard Ehlers, Pierre Bastien, Lucrecia Dalt, Solo Operator, Protect-U, Pilar Zeta, Objekt, Seth Graham, Holly Herndon, Miyako Koda, Benoit B, Kareem Lotfy, Autechre, Robert Wyatt and Mads Emil Nielsen.

Scanner; Thomas Konner; Building Castles out of Matchsticks; SubtractiveLad; Sarah Davachi; Loscil; Titanium Tunnels; Visible Cloaks; Steve Hauschildt / Julianna Barwick; Machinefabriek / Peter Broderick; Penelope Trappes; Wishkaah; Kid Koala / Trixie Whitley; Wish Lash; Rezzett; Pom Pom; Julia Holter; Majical Cloudz; Eli Keszler; Deadbeat; Lolina; Croatian Amor; & Roy Montgomery / Katie von Schleicher.

Nils Frahm; Kyle Bobby Dunn; Roedelius; Chilly Gonzales; Sarah Davachi; Bibio; Gas; Bing & Ruth; Building Castles out of Matchsticks; Peppermoth; Fresco and Pfeifer; Tim Hecker; Titanium Tunnels; Steve Hauschildt; Hammock; Mich Cota; Jon Hopkins; Matchess; Current 93; Visible Cloaks; Deadbeat; Jessica Moss; Property; Peppermoth; Julia Holter & Cold Specks.

Next month Rhythm Section International will release an album from Australian three man outfit Retiree. The long form assortment of abstract cuts and intriguing twists has a conceptual nature and has allowed the group to focus on a variety of themes whilst exploring the deinition of "house" and "home". The group is made up of Matt Crowley, Tori Holleman and Marco Vella who each compose various elements on the new forthcoming LP. Bradley Zero, the man behind Rhythm Section, has long since formed a close bond with the Australian musical community and has regularly championed upcoming artists from the country. Their appearance makes sense. We invited the group to record a mix for us which features music by the likes of Visible Cloaks, Gerry Read and Tori Holleman.

Spacemen 3; Sparrow Orange; Eternal Tapestry; Brooklyn Raga Massive; Kerry Leimer; James Holden & the ANimal Spirits; Windy and Carl; KC Accidental; Do Make Say Think; Holzkopf; SubtractiveLad; Building Castles out of Matchsticks; Windy and Carl; Golden Retriever; Visible Cloaks; White Poppy; Tiny Vipers; Timber Timbre;

Max Richter; Nathan Shubert; Earthen Sea; Subtractivelab; Bibio; Building Castles out of Matchsticks; High Plains; Valiska; Esmerine; Spell; Sontag Shogun; Do Make Say Think; Saltland; Visible Cloaks; Kyle Bobby Dunn; Kaitlyn Aurelia Smith; Teen Daze; Profligate; Malka Spigel; Sneeks; Kreidler; Destroyer & Maya Jane Coles.

Wiklow; Calamalka; Secret Pyramid; Valiska; Connect_icut; Joshua Abrams & the Natural Information Society; Brooklyn Raga Massive; Olivia Belli; Andy Haas; James Holden & the Animal Spirits; Tor; Ben Frost; Profligate; Visible Cloaks; Laurie Anderson; Kaitlyn Aurelia Smith; Kreidler; Esmerine; Kreidler; Maya Jane Coles; Oval; The Orb; Bonobo; Cold Specks; Destroyer; Elsiane and Trailer Trash Tracys.

Born and raised amidst the outback of the Italian Alps there was little structure to the musical education of Indian Wells. Much of his own taste emerged through personal exploration and through the inspiration of the scenic yet sometimes unforgiving environment which encompassed his world around him. However, whilst some might abide to live a life amidst the remote and lonely mountains Pietro used such circumstances to his advantage, using them as an enchanting backdrop to his own musical prosperity. Years later he has now established himself as a forward thinking musician with a back catalogue behind him of which many will be envious. He has released music most prominently on the Italian record label Bad Panda but has also appeared on the likes of Friends Of Friends. We invited him to contribute to our Monday mix series and he did so in fine style selecting music by the likes of Visible Cloaks, Yves Tumor, Bibio, Malibu and more.

Loscil; Kerry Leimer; Secret Pyramid; Sontag Shogun; Building Castles out of Matchsticks; Beans: Valiska; Tomaga; James Holden & the Animal Spirits; Titanium Tunnels; Bibio; Do Make Say Think; Kyle Bobby Dunn; Visible Cloaks; Kreidler; Esmerine; Cold Specks; Purple Pilgrims; Trailer Trash Tracys; Destroyer; Blue Hawaii; Peach Pyramid & Brasstronaut.

Jah Wobble / Bill Laswell; SubtractiveLad; Jeff Greinke; Steve Roach; Sontag Shogun; Titanium Tunnels; Terre Thaemlitz; Mingle; Mappe Of; Building Castles out of Matchsticks; Ian William Craig; Lights in a Fat City; Bibio; Off World; Esmerine; Visible Cloaks; Pauline Anna Strom; Kaitlyn Aurelia Smith; Trailer Trash Tracys; Kreidler; Destroyer & Cold Specks.

Bibio; Sontag Shogun; SubtractiveLad; Building Castles out of Matchsticks; High Plains; Delia Derbyshire Appreciation Society; Secret Pyramid; Ben Frost; Sarah Davachi; Byron Westbrook; Chloe; Bing & Ruth; Esmerine; James Holden & the Animal Spirits; Earthen Sea; Do Make Say Think; Visible Cloaks; The Golden Filter; Kaitlyn Aurelia Smith; Saltland; Tiny Vipers; Zazou / Biyake / CY1; Brian Eno / David Byrne & Bonobo

RA's editorial staff look back on the year.

RA's editorial staff look back on the year.

Traditional Japanese instrumentation broken into hypertextural ambient music. That describes the sound of Sugai Ken well. He is releasing his new album UkabazUmorezU tomorrow on the New Yorker label RVNG Intl. A record he describes as conjuring the “subtle and profound ambience of night in Japan,” it collects 11 hypnotic ambient pieces constructed from field recordings taken around his home of Kanagawa and its local performing arts center. Here he has carefully collected some gems from RVNG Intl catalogue. It is a beautiful, drifting listening experience. definitely a special treat for fans of intricate sonic textures and expanding soundscapes. More info: 
 http://www.facebook.com/SUGAIKEN http://igetrvng.com/shop/rvngnl40 Tracklist Pauline Anna Strom - Mushroom Trip - (RVNG Intl.) Blues Control & Laraaji - Freeflow - (RVNG Intl.) Visible Cloaks & dip in the pool - Valve (Revisited) - (RVNG Intl.) Bing & Ruth - We Are on the Side of Angels - (RVNG Intl.) Craig Leon - Nommo - (RVNG Intl.) Steve Gunn & Mike Cooper - Saudade Do Santos O Vehlos - (RVNG Intl.) Pauline Anna Strom - The Unveiling - (RVNG Intl.) Borden, Ferraro, Godin, Halo & Lopatin - Internet Gospel Pt. 2 - (RVNG Intl.)

Civvie; An Ant and an Atom; Jeff Greinke; SubtractiveLad; Nadia Sirota; Building Castles out of Matchsticks; Sote; Andy Haas; The Purveyors of Free Will; Jim James; Pye Corner Audio; Bing & Ruth; Golden Retriever; Cares; White Poppy; TalSounds; Visible Cloaks; Do Make Say Think; Brasstronaut; Tiny Vipers; Kid Koala / Emiliana Torrini; Bonobo; Austra & New Order.

Michel Brook; Carl Stone; Joshua Abrams & Natural Information Society; Burnt Freidman / Jaki Liebezeit; Golden Retriever; Alice Coltrane; Andy Haas; Civvie; Sontag Shogun; Applesauce Tears; Do Make Say Think; Building Castles out of Matchsticks; Fond of Tigers; Mappe Of; Visible Cloaks; Brasstronaut; Saltland; Slowdive; Tiny Vipers; Broken Social Scene & Braids.

Shock World Service 069: The New Objectivity (Jon Averill) 24/7/17 London, United Kingdom 1. Oxford Street Saxophone Man – Unknown Part of my listening experience when I 1st moved to London was about how much background noise overtook music on my headphones, i've always tried to reflect this back into podcasts. 2. Wagner - Das Rheingold, Vorspiel Powerful piece of music i've never quite been able to get into a podcast, until now! 3. Mark Franklin - Release To The System (Beaumont Hannant Remix) From Warp's amazing 1994 compilation Artificial Intelligence 2 4. Delicate Features - Prologue St Petersburg's Delicate Features. Like listening to an opera backwards, in space! 5. Bruce - Before You Sleep A cold hammering drumbeat gives way to emotive electronic shimmers. 6. Visible Cloaks & Dip in the Pool – Valve (Revisited) A crystalline polished soundscape from the Portland duo previously known for the mix; ‘Fairlights, Mallets & Bamboo' 7. Ben Frost - Venter (HTRK Remix) Understated lo-fi textures from Ben Frost 8. Wyatt/Atzmon/Stephen - The Ghosts Within The avant-pop legend Robert Wyatt from his collaborative album ‘For the Ghosts Within'. 9. Gora Sou – Choreography Pristine electronic droplets give way to breathy textures & polyrhythms 10. Aphex Twin - With My Family [48k] Rare Aphex track that's not so rare now as he's just put it up to buy on his new site. 11. Afro-Disiak - Tambours D'Eau Belgium world music from 1988 just given a fresh release on Optimo Music. 12. Seefeel - Spangle 2nd track from Warp's Artificial Intelligence 2 compilation. 13. O'Flynn - Desmond's Empire The mysterious ‘O Flynn' with one of my favourites so far this year. Ethnographic, emotional house music! 14. Ryuichi Sakamoto - Elephantism Theme (edit) 2002's oddly titled ‘Elephantism Theme' winding up this episode. 15. Oxford Street Saxophone Man – Rivers of Babylon [Extract] Part of the same recording that intro'd the podcast. Recorded on phone on Oxford St last year.

Pete Namlook / Bill Laswell; Joshua Abrams & the Natural Information Society; Carl Stone; Colin Stetson; Underworld; Do Make Say Think; Fond of Tigers; Visible Cloaks; Building Castles out of Matchsticks; LTJ Bukem; Spool; Umfang; Veloce; Lamb; Mono, Telefuzz; Bonobo; Brasstronaut; Arcade Fire; Unklnik; Tosca & Lamb.

SubtractiveLad; Barecca / Leimer; Joshua Abrams & The Natural Information Society; Do Make Say Think; Kerry Leimer; Saltland; Do Make Say Think;Building Castles out of Matchsticks; Jeff Greinke; Mingle; Richard H Kirk; Carl Stone; Kid Koala / Emiliana Torrini; Earthen Sea; Julianna Barwick; Visible Cloaks; Kettenkarussell; Spool; Tiny Vipers; Quadra & Freeworm.

Do Make Say Think; Eternal Tapestry; The Cosmic Range; Saltland; Building Castles out of Matchsticks; Joshua Abrams / Natural Information Society; Mothmouth; Eskmo; Loscil; Spool; Deadbeat; Visible Cloaks; Kettenkarussell; LTJ Bukem; Sinewave; Bonobo; Jhno; E.D. Swankz; Kettenkarussell; Freeworm; Goldfrapp; Gavin Froome; Elsiane & Austra.

Lights in a Fat City; Joshua Abrams / Natural Information Society; Alice Coltrane; Mo Boma; Colin Stetson; Richard H Kirk; Do Make Say Think; Automatisme; Visible Cloaks; Wreckmeister Harmonies; Nick Cave; Brasstronaut; Saltland; Buck 65; Forest Swords; Tint Vipers; Bonobo; Elsiane & Trentemoller.

Max Richter; Sarah Houston; SubtractiveLad; Beef Terminal; Sontag Shogun; High Planes; Sarah Davachi; The Necks; Off World; Brian Eno / Peter Schwalm; Holy Hum; Delia Derbyshire Appreciation Society; Joshua Abrams / Natural Information Society; Visible Cloaks; Saltland; Nick Cave & the Bad Seeds; Earthen Sea; The Infected Mass; Bing & Ruth; Kid Koala / Emilana Torrini; Miwon & Broadcast.

Delia Derbyshire Appreciation Society; Visible Cloaks; Laurence English; Earthen Sae; Saltland; Sarah Davachi; Kid Loala / Emiliana Torrini; Big & Ruth; High Plains; Building Castles out of Matchsticks; Max Richter; Bing & Ruth; Ian William Craig; Sarah Houston; Vermont; Brasstronaut; Scanner / Yui Onodera; Fond of Tigers; The Fun Years; Monade; Jane Siberry; Doomsquad; DJ Shadow; The Cosmic Range; Austra & Church of Trees.

Paulo J Ferreira Lopes; Klaus Schulze / Pete Namlook; Valiska; Cares; Delia Derbyshire Appreciation Society; Bing & Ruth; Loscil; Visible Cloaks; Building Castles out of Matchsticks; Titanium Tunnels; Corinthian; Mingle; Romann Flugel; Kid Koala / Emiliana Torrini; Tor; Julianna Barwick; Teen Daze; Austra; The Cosmic Range; Doomsquad & Church of Trees.

Beyond the Fourth World Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=560 @visiblecloaks

Line Noise is a podcast about electronic music from Philip Sherburne and Ben Cardew. In episode 13 we talk to Don’t DJ about exoticism, authenticity, playing empty turntables and the power of clatter. We also review new music from Blotter Trax, Visible Cloaks and Todd Edwards, discuss anonymity in music and reminisce about Fabric.

An international mix of fluid ambient and concreté sounds and textures from Spencer Doran (Visible Cloaks). TRACKLIST: Tsukasa Suzuki - Telephone Singer Lury Lech - Ukraïna Unknown Burundi Singers - Duo De Jeunes Filles / Solo De Femme Patricia Escudero - Valse du chocolat aux amandes (Erik Satie, 1891) Michel Chion - La machine á passer le temps Other Music - MN.2 Ricardo Mandolini - Cancion De Madera Y Agua Raviv Gazit - One Lena Platonos ‎– Γκάλοπ Pep Llopis - El Vell Rey de la Serp Clannad - Ocean of Light Suso Saiz - Nada de lo que Sucede Hiroshi Yoshimura ‎– Soft Wave For Automatic Music Box Lino Capra Vaccina - Vocis Todd Barton - The River Song Nóirín Ní Riain - An Caoineadh Inoyama Land - Tide Nuno Canavarro - Antica/Burun