Podcasts about The Cantos

#PODCAST |

Vânia Lima é diretora, produtora, roteirista e executiva, sendo um dos nomes mais influentes da atual geração do audiovisual nordestino. À frente da Têm Dendê Produções, empresa sediada em Salvador, construiu uma trajetória marcada pela realização de séries, documentários e longas-metragens, além da defesa do fortalecimento da produção regional. Ao longo de cerca de 25 anos de carreira, participou da criação de mais de 50 obras e se consolidou como uma das principais articuladoras da indústria audiovisual baiana e brasileira.Entre seus trabalhos mais recentes estão as séries Forrobodó da Paixão, Memórias do Brasil, Iceberg e Cantos do Mar, além do documentário Pontos de Força. Integrante do Conselho Superior de Cinema, da diretoria da BRAVI e fundadora da CONNE, Vânia também atua diretamente na formulação de políticas para o setor, defendendo a descentralização dos investimentos e o fortalecimento das produtoras independentes fora do eixo Rio-São Paulo.Neste episódio do Podcast Papo de Cinema convida…, o editor-chefe do site Robledo Milani recebe Vânia para conversar sobre sua trajetória, os desafios da produção audiovisual brasileira, a força das narrativas nordestinas e os caminhos da indústria nacional. Deixe seu comentário. Compartilhe. Se inscreva no nosso canal no Youtube. Deixe sua avaliação nas plataformas de áudio. O Papo de Cinema é e sempre foi totalmente gratuito, mas depende do seu apoio e envolvimento para continuar operando, como temos feito pelos últimos 15 anos. A sua participação é fundamental e faz toda a diferença do mundo para nós!E lembre-se: o Podcast Papo de Cinema pode ser conferido também no Spotify, Apple Podcasts, Amazon Music, Deezer, e Orelo. 

Segmento # 1988

Bright on Buddhism - Kōan Series Episode 15 - Unmon's KanshiketsuHello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy.Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5sclEpisode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31iHori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718_________________________________If you like our show and would like to support us, we encourage you to give your money or resources to a worthy cause. We can get through this. Our strongest weapon is solidarity. Stay strong and help where you can. Thank you.Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Nos enlazamos a Alicante con Alba Cantos para hablar de su EP "Al Filo", un trabajo que explora la resistencia, las heridas profundas y el camino hacia la aceptación personal. Alba nos cuenta cómo cada canción fue llegando en el momento preciso, y cómo logró fusionar el flamenco tradicional con sonidos urbanos sin perder su esencia. Hablamos de la estética del proyecto, del símbolo de la plata como metáfora de la permanencia, y de cómo la expresión corporal y las manos cobran vida en sus videoclips. Una charla sobre valentía, autodescubrimiento y la importancia de escuchar las señales del caminohttps://open.spotify.com/intl-es/album/3mkMP9J1zU6aIoTfnUeCTlhttps://www.youtube.com/watch?v=ceKZhGhJmk8&list=OLAK5uy_mbqt_hbIVOOfBBzj7ZLjXtFE-DaxSIctchttps://www.instagram.com/alba.cantoshttps://www.tiktok.com/@alba.cantoshttps://www.facebook.com/cantosalba/

Con Fernando Vallejo, gerente del Teatro de la Estación, hablamos del cierre de la temporada 2025/2026 que tendrá lugar los días 3, 4 y 5 de julio y forma parte de la programación especial del 30º aniversario del teatro. Reunirá dos propuestas muy diferentes, pero unidas por una misma idea de encuentro entre culturas: el concierto Flautas y Cantos de los Andes del grupo zaragozano Amankay y la visita de Teatro Círculo, compañía de referencia del teatro hispano en Nueva York, que presentará La monja alférez.

Editorial de la semana - Cantos de alabanza sospechosos by CCRTV

Federico analiza con Dieter Brandau y Rosell el calvario vivido por Cristóbal Cantos, técnico Invercaria, que denunció la corrupción del PSOE.

Federico analiza con Dieter Brandau y Rosell el calvario vivido por Cristóbal Cantos, técnico Invercaria, que denunció la corrupción del PSOE.

El director de Inversiones en ATL Capital, Ignacio Cantos, analiza los títulos de ASML, Unicaja, Mapfre, Allianz, Oracle, Soltec y Grenergy, entre otros

El director de inversiones de ATL Capital selecciona PharmaMar como valor destacado

Você otimizou o LDL. Chegou na meta de ApoB. E o paciente volta meses depois com um novo evento. Neste episódio especial, com apoio da Novo Nordisk, Diandro Mota e William Batah recebem o Dr. Eduardo Lima, doutor em Cardiologia pela USP, professor colaborador e supervisor da Residência em Cardiologia da FMUSP/InCor e Head Nacional de Cardiologia da Rede Américas, para uma conversa que pode redefinir como você enxerga o risco residual. A tese é direta: a aterosclerose nunca foi só uma doença de colesterol. Ela é imunometabólica, e a inflamação subclínica pode ser o elo que faltava.O que você vai aprender:

Pablo García, director de Divacons-AlphaValue, e Ignacio Cantos, director de atlCapital analizan la sesión y se centran en la salida a bolsa de SpaceX

En Capital Intereconomía seguimos la apertura del Ibex 35 y del resto de las bolsas europeas en una jornada en la que los inversores digieren las recientes subidas de mercado, el auge de la inteligencia artificial y la llegada de nuevas compañías tecnológicas al parqué. En el análisis de mercados, Ignacio Cantos, socio director de ATL Capital, interpreta las recientes correcciones como un movimiento natural tras varias jornadas consecutivas de avances y con los principales índices estadounidenses acumulando importantes ganancias en lo que va de año. A su juicio, el fondo de mercado sigue siendo positivo, apoyado por unos datos macroeconómicos que continúan mostrando fortaleza. La atención se dirige a Broadcom, que corrige tras unos resultados que no han terminado de convencer al mercado, y a SoftBank Group, que sufre una fuerte caída bursátil en una sesión marcada por la volatilidad del sector tecnológico. Otro de los protagonistas es Quantinuum, filial de Honeywell, que debuta en el Nasdaq aprovechando el creciente interés por la computación cuántica. Cantos destaca que se trata de una tecnología todavía en una fase muy inicial, con enorme potencial a largo plazo, pero donde resulta difícil identificar hoy a los futuros ganadores. La conversación también pone el foco en ASML, que continúa consolidando su posición como una de las compañías más valiosas de Europa gracias a su papel prácticamente monopolístico en la fabricación de maquinaria esencial para la producción de chips avanzados. Asimismo, se analiza la esperada salida a bolsa de SpaceX, una operación que vuelve a situar a Elon Musk en el centro de atención de los mercados y que podría convertirse en una de las mayores OPV tecnológicas de los últimos años. La jornada se completa con el Consultorio de Bolsa junto a Daniel Santacreu, analista independiente, resolviendo las dudas de los oyentes sobre valores nacionales e internacionales.

Este devocional es una iniciativa de la Iglesia Adventista del Séptimo Día en Keene, Texas, diseñado para fortalecer tu espíritu y renovar tu fe cada día. A través de reflexiones sencillas pero profundas, encontrarás ánimo para enfrentar los retos diarios con confianza y esperanza. Cada mensaje te invita a recordar las promesas divinas y a disfrutar de momentos íntimos y transformadores en la presencia de Jesús, reconociendo que todo es por Su gracia. Directora: Nancy Rodríguez Referencia: "Por Su gracia" (2025) | Pr. Isaías Espinoza Lector: Abdías Marte Redes Sociales: @AdventistaDeKeene Website: www.keenehsda.org Créditos de la Música: "The Hopeful" | Autor: Ivan Luzan ¡Dios le bendiga!

#PODCAST |

Esta mañana, durante el Magazine de Hoy por Hoy,  realizado en Alicante, hemos podido conocer de cerca el interior y las razones de Casa Mediterráneo junto a su director Andrés Perelló, la institución pública que acerca y es lugar de encuentro entre los países de la cuenca del Mediterráneo. En nuestro tiempo literario, con Antonio Martínez Asensio, hemos charlado con la escritora Bibiana Collado, autora de la novela "Marcelino", una historia sobre la vida rural de una persona mayor que recuerda, en primera persona, la miseria, la dureza, las limitaciones, la hostilidad  o la sexualidad que le tocó vivir en su vida durante la posguerra. Y en el apartado musical, mientras Ainhoa Aguirregoitia nos preparaba un estupendo arroz al sarmiento, con Inma Serrano, hemos recordado su gran éxito musical: "Cantos de Sirena", del que ahora se cumplen 30 años, nada menos. 

Aprovechamos nuestra visita a Alicante para escuchar a Inma Serrano, la artista alicantina que celebra los 30 años de su exitazo "Cantos de sirena", y que nos regala una versión rumbera de "La paloma de Iradier".

Hoy en Mediterráneo emprendemos un viaje sonoro por un mar que une memorias, lenguas y emociones. Desde Mallorca hasta Beirut, pasando por Grecia, Sicilia, Marruecos, Palestina o Anatolia. Recorremos espacios donde la tradición dialoga con el experimento a través de voces como Maria Hein, Yasmine Hamdan, Marina Satti o Roger Mas. Cantos rituales, folclore reinventado y postales sonoras inspiradas en el libro "Motivos para comenzar el viaje" de Pilar Sampietro, para dibujar un Mediterráneo activista, vivo, mestizo y profundamente humano. Suena en Mediterráneo: Nonadas — Maria HeinAh Thalassa — Marina SattiCanto de pesca siciliano — TradicionalOnde — Maria MazzottaCantos de fiesta marroquíes — TradicionalMille risposte — Tarta RelenaHal — Yasmine HamdanCanto ritual del Egeo — Tradicional griegoMakân — Kamilya JubranNiandou — Ballaké Sissoko & Vincent SegalFado Camões — LINA_Süpürgesi Yoncadan — Altın GünEl dolor de la bellesa — Roger Mas & Cobla Sant JordiEscuchar audio

El director de inversiones de ATL Capital selecciona Indra como valor destacado

El director de inversiones de ATL Capital analiza los títulos de Amper, Visa, Microsoft, Apple, ING y Airbus, entre otros.

Los breves y sencillos cantos de este domingo dedicado al Buen Pastor sonarán en el Sicut Luna Perfecta de hoy a cargo de Franz Karl Prassl y Graces & Voices, junto al excepcional Ludus Paschalis en las voces de la Schola Georgiana y de la Schola Gregoriana Praguensis. Y dos homenajes: a Laurence Feininger escuchando la Missa La Regina en canto fratto y al silense Bernardo R. García Pintado escuchando el In paradisum al coro de su monasterio.Escuchar audio

En Capital Intereconomía seguimos la apertura del Ibex 35 y de las bolsas europeas en una sesión que arranca con cierta estabilidad, aunque marcada por un trasfondo de elevada incertidumbre geopolítica. En el análisis de mercados, Ignacio Cantos, socio director de ATL Capital, advierte de que el cierre del estrecho de Ormuz sigue siendo un factor clave, no solo por su impacto en el petróleo, sino también en otras materias como los fertilizantes, cuyos precios están repuntando. Cantos señala que, aunque el mercado ha recuperado gran parte de las caídas provocadas por la guerra, la incertidumbre sigue muy presente y dependerá de si el conflicto tiene un impacto regional o global. En este contexto, considera que Estados Unidos continúa ofreciendo mejores oportunidades de rentabilidad. En el plano empresarial, destaca que Bankinter cotiza con valoraciones exigentes, mientras que en el sector tecnológico y automovilístico el protagonismo recae en Tesla, que mejora beneficios pero no alcanza previsiones de ingresos en un entorno de fuerte competencia, especialmente de fabricantes chinos como BYD. Cantos subraya la apuesta estratégica de Elon Musk por el coche autónomo, la robótica y la inteligencia artificial, con un ambicioso plan de inversión que podría marcar el futuro de la compañía. También menciona el caso de Nokia, como ejemplo de reinvención en sectores tecnológicos en transformación. El programa se completa con el consultorio de bolsa junto a Pepe Baynat, donde se abordan las dudas de los oyentes en un mercado que combina recuperación con incertidumbre.

Invitado: Dr. Natalio Hernández, escritor, académico e investigador náhuatl.Conduce: Dr. Miguel Ángel Valverde, Director del Centro de Investigación Internacional del IMR.

Hoy escuchamos: Boikot- La otra mitad (con Kaos Urbano), Boikot- Los últimos niños, Triosphere- Monster´s ball, Iconic- Cry no more, Dyecrest- Enceladus, Saxon- Motorcycle man, Edén- Cantos de libertad, Rodrigo Mercado- Salvaje, Whisky Caravan- La rendición, The Fixed Trio- War pigs, Bloodstain- Something sinister, Bloody Falls- Mother your son is bleeding, Devil Driver- Dig your own grave.Escuchar audio

Today on Ascend: The Great Books Podcast, Dcn. Harrison discusses the last two cantos of the Purgatorio (32-33) with Joshua Charles of Eternal Christendom and Dr. Frank Grabowski of Holy Family Classical School. We are reading the ODYSSEY NEXT! Check out our 12-week schedule.See our collection of written guides to the great books!Check out Joshua Charles' Eternal Christendom.Check out Holy Family Classical School in Tulsa, Oklahoma.They explore the symbolic significance of Beatrice's role in guiding Dante through his spiritual journey, highlighting her as a representation of divine grace and wisdom. The conversation also touches on the allegorical elements of the sacred tree and the griffin, which symbolize Christ and the intertwining of spiritual and temporal authority.The episode further examines the complex allegories of spiritual and temporal power, focusing on themes of judgment, schism, and the corruption within the church. The guests discuss Dante's critique of ecclesiastical corruption, particularly involving figures like Boniface VIII and the Avignon Papacy, and how these historical contexts are woven into the narrative. The prophetic visions of church corruption, represented by the harlot and the coming hero, the Greyhound, are analyzed for their implications on Dante's vision of divine justice and societal renewal. The discussion is enriched with references to biblical texts, especially the Book of Revelation, which heavily influences Dante's imagery.Throughout the episode, the philosophical underpinnings of Dante's work are explored, with particular attention to the influences of Platonic, Augustinian, and Thomistic thought. The conversation transitions from the individual soul's purification journey to broader societal and political reflections, emphasizing the need for harmony between spiritual and temporal powers. The episode concludes with reflections on Dante's vision for renewal and hope, encouraging listeners to consider the allegories as guides for personal sanctification and societal transformation.Chapters00:00 Introduction and Context of the Podcast03:07 Exploring Dante's Purgatorio06:02 The Role of Beatrice and Grace08:50 Imagery and Symbolism in Canto 3212:06 The Pageant of Church History15:00 The Griffin and the Tree of Knowledge17:53 Temporal vs. Spiritual Authority20:45 The Significance of the Pageant23:57 Concluding Thoughts on Dante's Vision29:18 The Role of the Church in Governance30:01 Wealth and Temptation: The Weight of Luxury32:13 Temporal Authority vs. Spiritual Purpose34:26 The Emergence of the Dragon: Schism and Violence36:05 The Transformation of the Chariot: Corruption and Power38:47 The Harlot and the Giant: The Church's Grotesque Reality42:37 Dante's Perspective on the Papacy and Authority49:35 The Need for a Temporal Leader55:41 The Prophetic Vision of the Future01:00:21 The Purifying Power of Temporal Authority01:04:21 The Role of the Tree in Justice01:06:47 Understanding the Moral and Anagogical Senses01:10:46 The Discord Between Heaven and Earth01:16:42 The Significance of the Two Rivers01:22:40 Baptism and the Renewal of the SoulGood work on reading the Purgatorio!We have a few episodes from THE ASCENT up next and then we are reading the Odyssey.

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Michael West discuss the top of Mount Purgatory: The Earthly Paradise (Cantos 28-31). Check out our WRITTEN GUIDE to the Purgatorio.Check Ascend out on X, Facebook, Youtube, and More!They explore the serene, uncultivated garden where Dante encounters the mysterious Matilda picking flowers, the two rivers (Lethe, which erases the memory of sin, and Eunoe, which restores the memory of good deeds), and the elaborate apocalyptic procession featuring candelabras, elders, symbolic creatures, the griffin-drawn chariot of the Church, and dancers representing the theological and cardinal virtues. The discussion highlights Dante's use of erotic imagery, classical allusions (Proserpina, Venus, Hero and Leander), and the communal themes running through the Commedia, while noting how Purgatorio depicts the gradual strengthening of the will through spiritual “exercise,” much like physical training.The conversation then turns to the dramatic appearance of Beatrice in Canto 30, her stern rebuke of Dante for pursuing “shadows of false goods” after her death, and the emotional departure of Virgil, whose guidance ends as Beatrice assumes the role of divine wisdom. They interpret Canto 31 as a sacramental confession scene in which Dante acknowledges his sins, experiences contrition while gazing at Beatrice's eyes reflecting the dual-natured griffin (Christ), and is immersed in the River Lethe by Matilda. The hosts reflect on the limits of human reason and mentorship (Virgil), the incarnational role of beauty in leading the soul to God, the necessity of properly ordered eros, and the deeper Christian vision that Eden is not the final destination but a way station toward the beatific vision. The episode ends with anticipation for the conclusion of Purgatorio in the next installment.Chapters00:00 Introduction to Ascend and the Great Books02:19 Exploring Dante's Purgatorio: Canto 28-3104:03 Scholarship and Themes in Dante06:52 The Role of Community in Dante's Works09:43 Personal Reflections on Purgatorio12:20 The Earthly Paradise and Its Significance14:48 Matilda: A Symbol of Beauty and Desire17:44 The Rivers of Lethe and Eunoë20:25 The Dichotomy of Memory in Dante's Vision33:04 The Nature of Confession and Memory34:32 Exploring Apocalyptic Imagery38:08 The Role of Virtues in Spiritual Life45:58 The Significance of the Procession52:43 The Transition from Virgil to Beatrice01:04:09 Virgil's Journey and Final Gift01:05:25 The Role of Mentorship and Growth01:07:24 The Pain of Separation from Mentors01:08:58 Understanding Virgil's Absence01:10:52 Beatrice's Introduction and New Guidance01:12:22 Beatrice's Sarcasm and Wisdom01:14:07 The Complexity of Virgil's Guidance01:15:11 The Nature of True Goodness01:17:04 The Pursuit of Apparent Goods01:19:47 Beatrice as an Icon of Divine Beauty01:21:41 The Role of Pity in Relationships01:25:56 The Sacrament of Confession01:27:43 The Importance of Tears and Remorse01:33:41 The Vision of the Griffin and ChristGood work reading the great books! Next week, we are joined by Joshua Charles and Dr. Frank Grabowski to end our journey!

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Fr. Patrick Biscoe, OP, discuss gluttony and lust in Dante's Purgatorio, Cantos 23-27.Check out thegreatbookspodcast.com for more information.Check out our LIBRARY OF WRITTEN GUIDES for the great books.Check out the Dominicans, the Order of Preachers.Check out Fr. Patrick Briscoe, OP, at Godsplaining Podcast.In this episode of Ascend: The Great Books Podcast, Deacon Harrison Garlick is joined by Dominican friar Fr. Patrick Briscoe, OP, currently serving in Rome as the Order's General Promoter for Social Communication. The conversation opens with Fr. Patrick explaining Dominican life, the charism of preaching rooted in study and contemplation, the historical significance of Santa Sabina, and the Order's ongoing vitality—especially through institutions like the Angelicum. The bulk of the episode then offers a close, theologically rich reading of the Purgatorio.The hosts explore how Dante structures these sins as forms of excessive or misdirected love, placing them high on the mountain because they are less grave than pride, envy, or wrath, yet still require deep purification. Key themes include the contrapasso of emaciated souls on the gluttony terrace, the “OMO DEI” face motif symbolizing refashioning in God's image, the role of intercessory prayer (especially Nella's for Forese Donati), the two instructive trees, medieval embryology and hylomorphism (how airy shades appear gaunt), and the wall of flame on the lust terrace.They highlight Dante's nuanced treatment of lust—treating both heterosexual excess (Pasiphaë/bestiality) and sodomy as incontinence—while emphasizing the praise of chaste marriage and the enduring good of ordered eros. The episode closes powerfully with Virgil's farewell in Canto 27, crowning Dante “lord of himself” once his will is aligned with the good, symbolizing true Christian freedom.Throughout, the discussion weaves literary analysis with practical spiritual application—especially apt for Lent—showing Purgatorio as a map for self-mastery, image perfection, and liberation from disordered desire. Fr. Patrick and Dcn. Garlick underscore Beatrice as an icon of divine beauty and grace, whose memory motivates Dante through the flames rather than being purged away. The episode ends with an invitation to reread the text, follow the Dominicans' work, and prepare for the Earthly Paradise cantos in the next installment.Chapters00:00 Introduction to Ascend and Dante's Purgatorio07:37 The Role of Communication in the Dominican Order13:24 Contrapasso and the Nature of Sin18:19 The Importance of Free Will in Purgatory24:03 The Interconnectedness of Souls29:49 Family Dynamics in the Afterlife35:59 Exploring Purgatory's Dynamics39:49 Consequences of Disordered Love43:43 Desires and Reason in Purgatory48:39 Understanding Gluttony and Vigilance52:13 Beatitudes and Spiritual Hunger57:07 Gradations of the Soul58:53 The Relationship Between Body and Soul01:02:02 The Finality of Body and Soul Reunion01:06:51 The Transition to Lust in Purgatory01:08:02 Contrasting Spirits on the Mountain01:08:30 Marian and Pagan Examples of Purity01:09:25 The Nature of Purification in Purgatory01:10:55 The Healing Power of Praise01:11:41 Understanding Sexuality and Love01:12:53 Dante's Quasi-Liturgical Procession01:14:02 The Psychology of Lust in Purgatory01:16:03 The Nature of Sin and Its Consequences01:17:48 The Unnaturalness of Lust01:19:33 The Direction of Souls in Purgatory01:20:55 The Role of Intercessory Prayer01:21:48 Dante's Final Challenge01:23:11 The Role of Beatrice in Dante's Journey01:25:38 Purification Through Love01:27:55 The Symbolism of Eyes and Intellect01:30:37 Virgil's Final Guidance to Dante01:34:13 The Aim of Lent and Self-MasteryFollowing us on X, Facebook, and More!

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Sarah Berry of the University of Dallas discuss Acedia, Avarice, and part of Gluttony in Cantos 18-22 of the Purgatorio.Visit thegreatbookspodcast.com for more information!Check out our GUIDE to the Purgatorio!Dr. Sarah Berry joins Deacon Harrison Garlick to explore Cantos 18–22, covering the terrace of sloth (acedia) and the transition into avarice and prodigality. In Canto 18, Virgil delivers a pivotal discourse on love as the root of all human action, explaining that love can be misdirected (pride, envy, wrath), deficient (sloth), or excessive (avarice, gluttony, lust). Berry emphasizes the terrace's brevity and lack of a formal prayer: “their prayers are their action... the penitents too... are doing the thing as a way of offering up some kind of prayer to God” (Dr. Sarah Berry), with running souls and examples of zeal (Mary's haste to Elizabeth, Caesar's swift march) countering sloth's cooling of love. The dream of the siren in Canto 19 warns against deceptive earthly goods, while the face-down penance on the avarice terrace forces fixation on the earth once loved excessively: “these are those who had a disordered love of money... goods that can't be shared” (Dr. Sarah Berry).Cantos 20–22 deepen the exploration of avarice's societal and personal consequences. Hugh Capet's lament in Canto 20 indicts the French dynasty's greed and sacrilege, including the capture of Boniface VIII. Berry highlights the terrace's broadened scope: “Dante is really broadening... our awareness of this constellation of problems” beyond mere hoarding or spending. In Canto 21, Statius is released with an earthquake and song, explaining his long purgation on sloth and avarice before moving freely upward. Canto 22 poignantly contrasts Statius (saved through Virgil's influence and grace) with Virgil himself, who lacks faith despite his virtues. Berry notes the tragedy: “Dante is inviting us... hoping that there is some special providence for Virgil at the end of his journey through purgatory” (Dr. Sarah Berry). The cantos reveal Purgatorio's hopeful, dynamic nature: purgation reorders love through grace, habituation, and contemplation, moving from deficient to excessive attachments, preparing the soul for divine union.Chapters00:00 Introduction to Ascend and Dante's Purgatorio02:29 Exploring Dante's Purgatorio: Themes and Structure04:30 The Importance of Purgatorio in Spiritual Growth08:32 Understanding Love and Culpability in Purgatorio12:00 Diving into Canto 18: The Lesson on Love13:26 Virgil's Discourse on Love and Free Will17:40 The Nature of Love: Ascent and Culpability20:31 The Role of Reason in Human Actions26:01 The Formation of Intellect and Will33:12 Contrapasso: The Penance of Slothfulness40:19 Examples of Zeal: Mary and Caesar42:17 Understanding Zeal and Sloth47:04 The Subtlety of Sin and Human Effort52:31 Dreams and Allegory in Purgatory01:00:27 The Nature of Prayer and Action01:01:58 Exploring Avarice and Its Consequences01:20:15 Exploring Dante's Inferno: Sin and Intellect01:23:03 Wrath and Sloth: Roots of Sin in Purgatorio01:25:23 Positive Examples: Virtue Against Avarice01:29:30 Dante's Critique of French Dynasties01:35:56 The Role of Statius: A New Perspective01:50:30 Virgil's Tragic Journey: Hope for Salvation?KeywordsDante's Purgatorio, Sloth, Love, Virtue, Spiritual Growth, Theology, Literature, Dante, Purgatory, Christian Virtues Dante, Purgatorio, allegory, sin, virtue, divine justice, theology, Mount Purgatory, purgation, salvation

El director de atlCapital, Ignacio Cantos, analiza la subida de los precios del petróleo y del gas.

Host Jesse Jackson welcomes Holly, co-host of the mostly '80s music show What Difference Does It Make? Podcast, for a wide-ranging conversation that moves beyond Bruce Springsteen into radio, fandom, and podcasting. Holly shares her early love of AM radio after moving from New York to Los Angeles, her career behind the scenes in radio syndication and production, and how her parents' music shaped her broad tastes. She recounts discovering U2 on the 1983 War tour, seeing them across every tour, and a highlight at the Sphere, plus taking her son to Bono's Stories of Surrender. Holly and Jesse discuss how her podcast began in 2018, evolved through studio recording and pandemic-era Zoom access to guests, and the challenges of monetization and audience engagement. They close with Holly's Springsteen memories and her view that Mary gets in the car in “Thunder Road.” https://www.wddimpodcast.com/ 00:00 Welcome and Setup 01:55 Holly's Radio Roots 05:21 Parents and Early Music 08:28 AM to FM Era 12:52 Discovering U2 Live 20:03 Concert Memories and Family 24:02 Podcast Mission and Format 27:51 Starting the Show Fast 31:44 Podcasting Advice and Growth 36:23 Guests and Great Interviews 38:33 Money Downloads and Rejection 41:26 Respectful Declines 41:46 Springsteen Intimidation 42:40 Ranking 80s Icons 46:08 Barry Manilow Stories 47:38 Podcast Growth Goals 51:04 Community Over Downloads 54:11 U2 Sphere Highlights 56:31 Bruce Live Memories 01:00:22 Music Tied to Family 01:06:24 Thunder Road Debate 01:08:32 Plugging The Podcast 01:11:51 Wrapping Up Goodbye Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Jesse Jackson welcomes Holly Cantos, co-host of the mostly '80s music show What Difference Does It Make? Podcast, for a wide-ranging conversation that moves beyond Bruce Springsteen into radio, fandom, and podcasting. Holly shares her early love of AM radio after moving from New York to Los Angeles, her career behind the scenes in radio syndication and production, and how her parents' music shaped her broad tastes. She recounts discovering U2 on the 1983 War tour, seeing them across every tour, and a highlight at the Sphere, plus taking her son to Bono's Stories of Surrender. Holly and Jesse discuss how her podcast began in 2018, evolved through studio recording and pandemic-era Zoom access to guests, and the challenges of monetization and audience engagement. They close with Holly's Springsteen memories and her view that Mary gets in the car in “Thunder Road.” https://www.wddimpodcast.com/ 00:00 Welcome and Setup 01:55 Holly's Radio Roots 05:21 Parents and Early Music 08:28 AM to FM Era 12:52 Discovering U2 Live 20:03 Concert Memories and Family 24:02 Podcast Mission and Format 27:51 Starting the Show Fast 31:44 Podcasting Advice and Growth 36:23 Guests and Great Interviews 38:33 Money Downloads and Rejection 41:26 Respectful Declines 41:46 Springsteen Intimidation 42:40 Ranking 80s Icons 46:08 Barry Manilow Stories 47:38 Podcast Growth Goals 51:04 Community Over Downloads 54:11 U2 Sphere Highlights 56:31 Bruce Live Memories 01:00:22 Music Tied to Family 01:06:24 Thunder Road Debate 01:08:32 Plugging The Podcast 01:11:51 Wrapping Up Goodbye Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Jessica Hooten Wilson of Pepperdine University discuss cantos 13-17 of Dante's Purgatorio--the purging of envy and wrath. Check out our 51 question and answer guide (35 pages!) to the Purgatorio. Check out our YOUTUBE page which has our episodes in playlists!Dr. Jessica Hooten Wilson joins Deacon Harrison Garlick to discuss Cantos 13–17, covering the terraces of envy (Canto 13) and wrath (Cantos 14–17), with a strong focus on the central discourses in the middle of the Comedy. In Canto 13, the envious have their eyelids sewn shut with iron wire, a contrapasso that forces them to rely on others and recognize interdependence. Wilson explains: “envy is to look cross-eyed on another's blessings... to look askance,” and the disembodied voices proclaim examples of generosity (Cana, “I am Orestes,” “Love them from whom you've suffered evil”), teaching a mindset of abundance over scarcity (Dr. Jessica Hooten Wilson). Sapia humbly confesses her envy and malice, contrasting with the divisive souls in Inferno.Cantos 14–15 transition to wrath, with visions of meekness (Mary and Joseph seeking Jesus, a tyrant sparing a youth, Stephen forgiving his stoners) and Virgil's discourse on goods: exhaustible earthly goods versus inexhaustible spiritual ones. Wilson notes: “envy stems from a mindset of scarcity versus Mary's mindset of abundance... able to supply where it looks like there's not enough in the world” (Dr. Jessica Hooten Wilson). The pivotal Canto 16 (the exact midpoint of the Comedy) features Marco Lombardo's sermon on free will: “If the present world has gone astray, the cause is in you, look at yourselves” (Marco via transcript). Wilson calls it “the clearest sermon that Dante has about what's wrong with the world,” emphasizing that sin arises from misused free will, not fate or stars, and critiques the separation of temporal and spiritual powers.Canto 17 concludes the wrath terrace with Virgil's discourse on love as the root of all action (“Neither Creator nor creature was ever without love... natural or of the mind” – Virgil via transcript), which can be misdirected, deficient, or excessive. Wilson highlights the shift from reason to grace: “reason can't do it alone... you need this other kind of intervention” (Dr. Jessica Hooten Wilson). The cantos underscore Purgatorio's hopeful pedagogy: purgation reorders love through grace, habituation, and contemplation, moving from misdirected to deficient love in preparation for the excessive attachments above. Wilson stresses the urgency: “the Purgatorio shows humanity in motion, dynamic humanity... it has the immediacy... that is an urgency to it” (Dr. Jessica Hooten Wilson).Chapters00:00 Introduction to the Great Books Podcast04:06 Exploring Dante's Purgatorio07:20 The Great Books Program at Pepperdine University10:18 The Significance of Purgatorio13:27 Understanding Envy in Purgatorio16:17 Contrary Virtues: Generosity and Kindness19:22 The Role of Sight and Blindness in Envy22:15 Dante's Moral Lessons on Envy25:14 Comparative Analysis with Inferno30:33 Dante's Poetic Structure and Contrapasso32:15 Comparative Analysis of Characters in Inferno and Purgatorio33:54 The Role of Good and Bad Examples in Moral Education34:14 The Shift from Temporal to Eternal Mindsets34:20 Understanding Canto 14: The Importance of Examples39:35 Canto 15: The Inquiry into Goods and Wrath49:58 Canto 16: The Purging of Wrath and Examples of Virtue51:35 Ecstatic Visions and Penitent Souls52:19 The Tyrant's Moment of Virtue53:28 Humanity in Purgatorio54:38 The Role of Mary in Purgatory56:02 Saint Stephen's Example of Forgiveness57:12 Virgil's Limitations as a Guide59:12 The Nature of Freedom in Purgatory01:03:07 The Importance of Canto 1601:04:37 Understanding Freedom in Dante's Context01:07:32 The Role of Law and Governance01:14:39 Self-Reflection and the State of the World01:23:48 Exploring Wrath in Purgatory01:30:57 Understanding the Structure of PurgatoryKeywords: Dante's Purgatorio, Cantos 13-17, spiritual growth, virtues and vices, education, great books, Dante analysis Dante's Divine Comedy, Purgatory, Virtues and Vices, Free Will, Theology, Morality, Literature, Catholic Teaching, Spiritual Journey

De la rumba sutil al pulso uruguayo, jardines poéticos con mandolines nostálgicos, ritmos transatlánticos vibrantes, diáspora global y vitalidad contemporánea.Salgamos Juntos Al Jardín – Maria Rodés – Fuimos los Dos Mandolín – Gustavo Pena - El Príncipe – Gustavo Pena - El Príncipe Por ejemplo + El Tiempo Está Después – Pepe Curioni – Otros jardinesPalabras – Hugo Fattoruso; Fernando Cabrera – Teatro Solís Montevideo (En Vivo) Oración al Tiempo – Kevin Johansen; Wiranda Johansen – The Nada Aire + Luz de mis huesos – Santiago Auserón; Juan Perro – Cantos de UltramarMoby Dick + Alessio Arena – Marco PoloDiablada + Atacama – Alessio Arena; Manuel García – Atacama La más Violeta – Cristina Narea – Cristina Narea End of the World – Gecko Turner – Somebody from Badajoz P'al Barrio – Tito Ramírez – Let Me Go / Pal Barrio y Willie Colón.Escuchar audio

Today on Ascend: The Great Books Podcast, Deacon Garlick and Mr. Luke Heintschel, headmaster of Coeur du Christ Academy, discuss the rest of ante-purgatory and then the first terrace--the purging of pride.Check out our GUIDE: 51 QUESTIONS ON THE PURGATORIO.Visit thegreatbookspodcast.com for more information.The conversation explores the transition from Ante-Purgatory into the proper mountain of Purgatory and the first terrace dedicated to purging the sin of pride. Garlick describes this section as one of his favorites in the entire Purgatorio, praising Dante's ability to provide a rich “liturgy” and spiritual library of resources for reshaping the soul into the beautiful image of Christ. The episode emphasizes Purgatorio as a positive map for sanctification and theosis, contrasting sharply with the Inferno's exposure of sin's ugliness.Guest Introduction and Classical Education InsightsLuke Heintschel shares his personal journey from evangelization and biblical theology into classical education, explaining how he came to see the liberal arts tradition—long cultivated by the Church—as the most effective means of making Catholicism relevant to contemporary young people. He describes his school's mission of forming saints, scholars, and servants through the historic Catholic educational model. Deacon and Heintschel discuss the harmony of faith and reason, noting how reading great books alongside Scripture and theology reveals that the God who grants intellect is the same God who died on the cross. They highlight the value of using Dante's Purgatorio in moral theology classes, where it serves not as a list of rules but as a vivid portrayal of transforming the heart's disordered loves toward their divine end.Chapters00:00 Introduction to Ascend and Dante's Purgatorio09:02 Understanding Purgatorio: A Map for Spiritual Growth15:17 Dante's Intercessory Prayer and Its Significance24:13 The Role of Beatrice and the Nature of Beauty34:53 Dante's Political Critique and the State of Italy43:05 The Call to Higher Patriotism53:44 Understanding Virtue: Natural vs. Theological59:35 The Valley of the Kings: Political Failures and Redemption01:15:02 Dante's Heroism and Divine Grace01:19:41 The Three Steps to Purification01:28:10 The Role of Humility in Purgatory01:51:27 The Purpose of Purification01:59:24 Contrappasso: The Nature of Punishment in Purgatory02:04:44 Examples of Pride: Lessons from the Past02:16:26 The Beatitudes and the Path to Humility02:23:47 Eagerness to Ascend: The Transformation of the SoulMoral Theology and the Purpose of PurgatorioThe hosts stress that moral theology is not merely about avoiding sin but about becoming beautiful like Christ through active configuration to His image. Purgatorio offers a lifelong guide for this ascent, presenting prayers, hymns, scriptural examples, and artistic visions tailored to remedy each vice. They critique modern reductions of ethics to a “negative list” of prohibitions, arguing that Dante invites readers to pursue positive virtue and interior change.In Canto 6, the souls in Ante-Purgatory eagerly seek Dante's prayers, illustrating the Catholic doctrine of intercession for the dead as a participation in Christ's merits. Virgil explains that purgation is possible through the resurrection, and the episode includes a brief catechesis on the communion of saints across the Church Militant, Penitent, and Triumphant. Beatrice is presented as an icon of divine beauty and grace, with the...

This week on the LTHM Podcast, Cantos and Diego Valle go back to back for a special 2-hour set recorded live at the Haut Côte 10 Year Anniversary Party.Deep, rhythmic beats carried the room from start to finish, keeping the energy elevated and the dancefloor full all night long. The chemistry between both DJs builds naturally throughout the session — layered grooves, steady momentum, and underground house energy designed for a locked-in crowd.Recorded live.Two hours.One packed room.Follow:https://www.instagram.com/djcantos1https://www.instagram.com/diegovalle_lthm/More episodes https://soundcloud.com/listentohousemusic/sets/lthm-podcast

As we've done across the second canticle of Dante's masterpiece, COMEDY, we're taking some time to read through the final two cantos of PURGATORIO, XXXII and XXXIII.I'll read my rough English translation of the cantos. I'll finesse these more when we take the cantos apart passage by passage.For now, just sit back and listen to the narrative sweep of the final two cantos of PURGATORIO, truly the climax of the canticle.[01:43] A read-through of my loose translation of PURGATORIO, Cantos XXXII and XXIII.

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick and Dr. Donald Prudlo, the Warren Chair of Catholic Studies at the University of Tulsa, discuss the Ante-Purgatory, the foot of Mount Purgatory (Cantos 1-5).Check out our guide on Dante's Purgatorio (out soon!)Visit Dr. Jason Baxter's website and use "Ascend" in the promo code for 20% off his Purgatorio audiobook.Thanks for the Center for Beauty and Culture at Benedictine College for their support!The conversation with Dr. Prudlo and Deacon Garlick on Cantos 1–5 of Purgatorio opens with the dramatic shift from the despair of Inferno to the hope and refreshment of Purgatory.In Canto 1, Dante and Virgil emerge from Hell onto the shores of Mount Purgatory at Easter dawn, where Dante humbly invokes Calliope, the Muse of epic poetry, signaling his project as “the Christian epic” (Dr. Donald Prudlo). They meet Cato the Younger, a pagan suicide saved by special grace, who embodies the four cardinal virtues and serves as Purgatory's guardian. Prudlo emphasizes the shock: “Cato the pagan, the suicide is going to heaven. And we have got to confront that or we're going to miss so much of what Dante has to tell us here” (Dr. Donald Prudlo). The ritual of washing with dew and girding with the humble reed contrasts the broken plants of the suicides in Hell and symbolizes the beginning of true humility and ascent.Cantos 2–5 introduce the late-repentant souls and the mountain's structure. In Canto 2, an angelic boat ferries souls singing “In exitu Israel de Aegypto,” a psalm of liberation that Prudlo calls “a multifaceted song” evoking Exodus, baptism, and community (Dr. Donald Prudlo). Casella's song of Dante's own poetry enchants the group until Cato rebukes their idleness.Cantos 3–5 explore excommunicated sinners like Manfred (“even under a curse like mine, no one's ever so lost that eternal love cannot come back, as long as hope has any sprouts of green” – Manfred via transcript) and the slothful Belacqua, who banters with Dante like old friends. Prudlo highlights the power of last-minute mercy and intercession: “Mary is the last refuge of sinners” (Dr. Donald Prudlo). The cantos teach that Purgatory is a place of communal hope, where grace reaches even the unlikely, and purification begins with humility, prayer, and rightly ordered love—setting the stage for the active ascent through the terraces.Chapters00:00 Introduction to Dante's Purgatorio04:42 The Importance of Reading Purgatorio08:02 Themes of Emancipation and Freedom10:57 The Role of Cato in Purgatorio13:49 Cato's Significance and Political Implications17:00 Cato as a Precursor to Christ19:51 Dante's Literary Techniques and Inspirations22:56 Contrasting Ulysses and Dante25:36 Cato's Death and Its Symbolism28:52 The Nature of Purgatory and Salvation31:51 Cato's Virtues and Their Relevance34:49 The Relationship Between Cato and Christ37:48 Conclusion and Reflections on Purgatorio50:03 Understanding Cato's Role in Purgatorio52:43 The Heartbreaking Choice of Cato54:39 Rituals and Purification in Purgatory01:00:18 The Arrival at Purgatory01:06:34 The Significance of Water in Salvation01:12:09 Virgil's Role and the Nature of Guidance01:24:57 Manfred: A Case of Late Repentance01:29:38 The Role of Intercessory Prayer in Purgatory01:34:00 Understanding Mount Purgatory and Its Significance01:40:15 The Character of Belacqua and Themes...

La cantante Génesis Campos lanza 2 sencillos: "Unidad" y "Cantos de Liberación". En uno de ellos, incorpora el género Klezmer. En una calidad entrevista con Johanna la cantante explica por qué hace un llamado a la unidad en un mundo dividido por la política y la religión.

This week on the LTHM Podcast, Cantos delivers a live set recording from the HMNI Day Party at Faces in Sacramento. Recorded after Diego Valle's set from last week's episode, this mix captures the flow of a packed daytime dancefloor with deep, rhythmic house grooves and steady movement throughout day — rhythmic, fluid, and locked in. Big thanks to the HMNI crew for continuing to curate these moments and pushing the local underground forward.

Live recording from the HMNI Day Party at Faces Nightclub, featuring Diego Valle delivering a deep, soulful, and rhythm-forward house set built for daytime movement and connection.This session focuses on warm grooves, flowing transitions, and feel-good energy — the kind of house music that works just as well for listening as it does for dancing.Also on the lineup that day: Cantos and Slope114.

¡Bienvenidos al único programa que vuelve a grabar y no sabe si la humanidad continúa! ¡Esto es otro gran programa de Bájale 2! Sí, volvemos a grabar, porque somos responsables, pero no sabemos si el mundo continuará porque lo recibimos, con muertes, raptos presidenciales, bombazos y las fiestas de la Calle San Sebastián. El mundo se hunde y nosotros estamos como los músicos del Titanic, no se ofendan por lo que hablamos aquí y si te ofendes…¡Bájale 2!

For “deep tech” or industrial tech investors, a captivating idea on paper doesn't always translate into a sustainable or viable business. Even a remarkable technological breakthrough isn't guaranteed to survive the long sales cycles of the industrial world. So which companies are worth the investment? Ian Rountree, founder and partner at the venture firm Cantos, wrote a bare-bones thesis on X that offers guidance on this question. In it, Rountree lays out a stark list of the companies he invests in—and the ones he passes on. In this episode, Shayle and Ian unpack his post and explore how it applies to the current landscape of hardware and industrial startups. They cover topics like: Why selling technology to large incumbents like automakers or utilities can be a death sentence for startups The pitfalls of "commercializing science"  Why capital risk to sell an end-product can be better business than licensing technology Why "weird" companies—"N of 1" startups—can generate huge amounts of talent and capital Why selling commodities (like electrons or minerals) can actually be a safer bet than entering a new market Real-world examples of full-stack success in the mining industry, including Earth AI and KoBold Metals Latitude: Earth AI's play in the hunt for critical minerals Catalyst: Calibrating hype with Akshat Rathi Catalyst: Climate tech startups need strong techno-economic analysis Open Circuit: Pain, resilience, and bargain hunting for climate tech investors Credits: Hosted by Shayle Kann. Produced and edited by Max Savage Levenson. Original music and engineering by Sean Marquand. Stephen Lacey is our executive editor.  Catalyst is brought to you by Uplight. Uplight activates energy customers and their connected devices to generate, shift, and save energy—improving grid resilience and energy affordability while accelerating decarbonization. Learn how Uplight is helping utilities unlock flexible load at scale at uplight.com.  ResourcesCatalyst is brought to you by Antenna Group, the public relations and strategic marketing agency of choice for climate, energy, and infrastructure leaders. If you're a startup, investor, or global corporation that's looking to tell your climate story, demonstrate your impact, or accelerate your growth, Antenna Group's team of industry insiders is ready to help. Learn more at antennagroup.com.

As we have done throughout PURGATORIO, let's read through a chunk of the canticle to get the plot down so that we can then focus on the many moving parts that comprise it.Here are cantos XXX and XXXI, in many ways the climax of the first part of COMEDY: the arrival of Beatrice, long awaited since INFERNO, Canto II.Her arrival is like nothing we can expect. In fact, it's her second coming . . . like Christ, in judgment. Get ready. She's not one to be toyed with![01:29] A read-through of PURGATORIO, Cantos XXX and XXXI.