Podcasts about The Cantos

Cantos 4-5

Hoy, desde la quinta edición de Oh Poetry!, celebrado esta semana en Albacete. Poesía, cine, talleres, conciertos, teatro.... Con su director, Andrés García Cerdán. Con Dionisio Cañas, artista, poeta, habitante del mundo, homenajeado este año. Con la artista visual Clara López Cantos, directora del documental Las palabras también tiene ojos. Posibilidades de la poesía: Dionisio Cañas. Y con la directora y guionista Marga Meliá, y su documental Cien libros juntas.Escuchar audio

Isaac Albéniz (1860-1909) - Cantos de España, Op. 2321.       Prélude 00:002.       Oriental 05:483.       Bajo la palmera 09:244.       Córdoba 13:085.       Seguidillas 19:07 Alicia de Larrocha, piano

This week, Pastor Nick begins a study of the cosmological look at the Divine Comedy by Dante Alighieri. In this first lesson, we consider the structure and theology of the Comedy as well as look briefly at Dante's life before reading Cantos 1 & 2.  

Si en su anterior disco, “Cordas históricas”, el músico gallego Pancho Álvarez rendía homenaje a la guitarra y derivados, en su más reciente “Violins no camino”, el instrumento protagonista es, claro, el violín. Empezamos La Tarataña con él y completamos la primera parte profundizando en “Cantos veniales”, el disco de los extremeños Acetre que estrenamos la semana pasada. Y la segunda parte la dedicamos a avanzar las programaciones de tres festivales: el CUCA, de Herguijuela de la Sierra, Lo Sagrado, de Navarrevisca, y el Parapanada Folk de Íllora.Estas son las de canciones que suenan en este último sábado de junio:1.- Pancho Álvarez, “Cantigas 25-159” 4:05, “A Arada” 3:29, “O Marichao” 3:08 y “Rabeles” 2:362.- Acetre, “El duende” 4:19 y “Hermosa mujer” 4:13CUCA Festival – Herguijuela de la Sierra (Salamanca)3.- La Banda Morisca, “Romance de la amada” 6:494.- Atlantic Folk Trío, “Never tell me the odds” 3:08Lo Sagrado – Matarrevisca (Ávila)5.- Blanca Altable, “Somos polvo” 5:15Parapanda Folk – Íllora (Granada)6.- Amancio Prada, “Cavalo morto” 6:157.- El Nido con Rodrigo Cuevas, “Tucucu” (Remix Delameseta) 2:54Escuchar audio

Conversation with Alexander Angeltveit about Hyperion and The Fall of Hyperion (book 1 and 2 of the Hyperion cantos series)

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=QQIINMcLJtw Rosicler Cantos te ayuda a identificar los patrones de comportamiento y relaciones que generan emociones negativas y densidades en tu vida. Abordaremos los rasgos de abuso en las relaciones y su impacto, aprendiendo a reconocerlos, poner un alto y elegir la felicidad como camino de transformación. Rosicler Cantos Máster Reiki del Sonido y Terapeuta Holístico. / rosiclercantos / rosiclercantosoficial Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=QQIINMcLJtw Rosicler Cantos te ayuda a identificar los patrones de comportamiento y relaciones que generan emociones negativas y densidades en tu vida. Abordaremos los rasgos de abuso en las relaciones y su impacto, aprendiendo a reconocerlos, poner un alto y elegir la felicidad como camino de transformación. Rosicler Cantos Máster Reiki del Sonido y Terapeuta Holístico. / rosiclercantos / rosiclercantosoficial Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Dedicamos toda la primera parte a desgranar el cartel del Folk Segovia, que celebra su 41 edición (no la 50, como erramos ayer) del 30 de junio al 6 de julio próximos. Y en la segunda parte seguimos de estrenos rigurosos llegados del norte de la península (D’Urria, Marisa Valle Roso y Eva Amieva) y de Palencia con distintas visiones (Carrión Folk y Castora Herz).Entre unas cosas y otras, este es el repertorio de esta Tarataña de domingo veraniego:Folk Segovia 20251.- Las Colmenas, “Camino a la siega” 2:512.- Grupo Audite, “Tres moritas me enamoran en Jaén” 3:333.- Mayalde, “Manolé” 5:034.- El Mariquelo, Gabarreros del Espinar” 4:125.- Parranda Los Apañaos, “Cantos al aparcero” 4:036.- El Nido, “Perdón” 3:22Más estrenos7.- Eva Amieva, “Únete al latido” 3:438.- Carrión Folk, “Que soy marinero” 3:51 y “Pingajo” 3:059.- Marisa Valle Roso, “El pañuelín” 3:4510.- Castora Herz, “Espejo sol y luna” 3:2211.- D’Urria, “Redondo” 2:50 y “Ñoceda” 5:03Escuchar audio

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=nlFmHm8j7yc Si deseas ver el vídeo completo: https://youtube.com/live/hh0Li1DuLRs #Abundancia #Prosperidad #Espiritualidad Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. -----------INFORMACIÓN SOBRE MINDALIA--------- Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Alô, alô! Os problemas das cidades têm a ver com evolução? A Ecologia Urbana, um ciência nova, surge para investigar as redes ecológicas que acontecem dentro da cidade. Um rato, uma pomba, um trevo de quatro folhas, por mais banais (e nojentos) que pareçam, fazem parte de redes que ainda estamos tentando entender. E muito além disso, suas dinâmicas e resistência às pressões da cidade formam processos evolutivos. Nesse episódio, Lucas Andrade conta a história de Lucas Nascimento, vulgo Taio Science, um ecólogo que sempre se perguntou como as pautas raciais se unem às ambientais. A vida de Taio, como uma pessoa negra vindo de periferia, aliada a reflexões acadêmicas permitiu que ele compreendesse a Ecologia Urbana com a complexidade social. Entendendo que na cidade, o que dita a distribuição das espécies passam por decisões sociais, políticas e raciais. Ouça essa história para entender as diferentes camadas e dramas que se passam pela mente de Taio e também entender como essa área de estudo tem a capacidade de mudar o mundo. Assuntos abordados:00:00 - Defesa do Dr. Taio15:50 - Ecologia da cidade (os ratos da cidade)16:38 - Plantas da cidade.20:11 - Seleção Natural na cidade28:56 - Exemplos de evolução na cidade33:05 - Questões sociais da cidade torna a evolução mais complexa. A dupla fratura de Malcom Ferdinand.38:37 - Influência do racismo estrutural .40:24 - Efeito do Luxo (Christopher Schell)43:00 - O Projeto do Sabiá-Laranjeira52:29 - Taio finalizando a defesa Referências e links: Link para o artigo do Lucas "Taio" Nascimento - Quentinho! Saiu dia 11 de junho (2025)! "Urbanization Filters Megacolorful, Small-Bodied, and Diet-Specialist Species in Tropical Bird Assemblages" Tese de doutorado do Lucas "Taio" Nascimento - "A Beleza na natureza: como a evolução, as interações ecológicas e a urbanização moldam o colorido das aves" (2024) Livro: "Uma Ecologia Decolonial" (Malcom Ferdinand, link para compra | link para PDF) Artigo: ironicamente, cidades oferecem condições positivas para algumas espécies (Bisikirskiene, 2024) Artigo: Consequências ecológicas e evolutivas do racismo sistêmico em ambientes urbanos "The ecological and evolutionary consequences of systemic racism in urban environments" (Christopher Schell, 2020) A mariposa cinza e o melanismo industrial (Cook & Saccheri, 2013) Pesquisa: Compararam como duas espécies de aves generalistas lidam com o ambiente urbano em cidade pequena (na Lituânia). (Birsikirskiene, 2024) Vídeo: Palestra de Anne Charmantier com vários exemplos de evolução na cidade. "From wild to streets, evolution never sleeps" Artigo: Dinâmica eco-social-evolutiva das cidades (Simone Des Roches, 2020) Música "Quem Nasceu pra Malandragem Pode Ser Doutor" (Taio Science) Extra: Pesquisa: Primeiro a encontrar evidência de processo evolutivo em aves de Chernobyl causado pela radiação ionizante em animais selvagens. (Galvan, 2014)Esquema: Racismo estrutural e clacismo sustentam a heterogeneidade da paisagem em cidades (retirado do artigo de Christopher Schell, 2020):

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=nlFmHm8j7yc Si deseas ver el vídeo completo: https://youtube.com/live/hh0Li1DuLRs #Abundancia #Prosperidad #Espiritualidad Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. -----------INFORMACIÓN SOBRE MINDALIA--------- Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

A Associação de Moradores do Bairro Santo André, em Getúlio Vargas, promove um jantar dançante na noite desta quarta-feira (18), véspera do feriado de Corpus Christi. O evento, considerado o primeiro neste formato no bairro, contará com cardápio típico e animação da banda Céu e Cantos. A recepção aos convidados começa a partir das 20h na sede da associação.

Los sistemas alimentarios de los Pueblos Indígenas son una esperanza frente a las crisis alimentarias globales, pues estos sistemas promueven y conservan la diversidad, son respetuosos con la Madre Tierra, no agotan los recursos naturales, no usan agroquímicos, aseguran una alimentación más rica en nutrientes y una mejor salud. En el marco del Día de la Gastronomía Sostenible te invitamos a aprender y reflexionar sobre este tema a través de voces de personas Indígenas que envían su palabra desde México, Guatemala, Colombia y Brasil. Puedes escuchar, descargar y compartir este programa de forma gratuita. Música de introducción: - Burn Your Village to the Ground” de The Halluci Nation. Derechos de autor, propiedad de The Halluci Nation. Usada bajo su permiso. Música de fondo: - “Cocolmeca” de la Banda de Tlayacapan Brígido Santamaría. Derechos de autor, propiedad de la Banda de Tlayacapan Brígido Santamaría. Usada bajo su permiso. - “El buen vivir” de Batz Q'ojom. Derechos de autor, propiedad de Batz Q'ojom. Usada bajo su permiso. - Cantos del pueblo Indígena Pataxó grabados por Cultural Survival en el Valle de Jequitinhonha, Brasil, en febrero del 2025. - “Son de mama Kar” de Erick de Jesús “Ocelotl”. Derechos de autor, propiedad de Erick de Jesús “Ocelotl”. Usada bajo su permiso. - Música y ambientes sonoros de uso libre. Entrevistados: - Joel Aquino Maldonado, profesor zapoteco, oriundo de Yalalag, Oaxaca, México. Entrevista realizada en el 2017 por la Comisión de Medios de la Comunidad de Milpa Alta, México. - Verónica Villa Arias, integrante del grupo ETC. Entrevista realizada en 2018 por el equipo de producción del programa “Voces y Cantos de la Tierra Viva”, México. - Willy Barreno, chef maya de Guatemala. Entrevista realizada en junio de 2025 por Cultural Survival. - Benilda Tumiña Calambás, integrante del Jardín Botánico Las Delicias, Colombia. Entrevista realizada en junio de 2025 por Cultural Survival. - Murhilo Juruna, joven Indígena integrante del movimiento “Slow Food”. Entrevista realizada en febrero de 2025 por Cultural Survival. Voces: - Guadalupe Pastrana, nahua, Cultural Survival, México. - Edison Andrango, kichwa otavalo, Cultural Survival, Ecuador. Guión, producción y edición: - Guadalupe Pastrana, nahua, Cultural Survival, México. Imagen: - Cultural Survival. Enlaces: - Página del Jardín Botánico Las Delicias. https://www.facebook.com/Jardin.Botanico.Delicias/?locale=es_LA Esta es una producción de Radio de Derechos Indígenas. Nuestros programas son gratuitos para escuchar, descargar y difundir.

Antes de los himnarios y la polifonía, estuvo la salmodia. La práctica de entonar salmos marcó la espiritualidad judía y cristiana, y le dio forma al culto desde el Templo antiguo hasta la Reforma protestante.SÍGUENOSSitio web: http://biteproject.com​​​x: https://twitter.com/biteproject​​​Podcast: https://anchor.fm/biteprojectTikTok: https://www.tiktok.com/@biteprojectInstagram: https://www.instagram.com/biteproject/Facebook: https://www.facebook.com/biteproject/​​​Créditos:Producido por: Giovanny Gómez Pérez y Pilar PrietoMúsica: Envato Elements.Generación de voces: Daniel Ángel.Edición de sonido y música: Jhon Montaña.

Podcast de Mercado Abierto

El próximo 12 de junio en la Sala Teatro Mirador de Madrid vamos a grabar la edición #400lunas. Días antes de este programa tan especial nos hemos  reunido para grabar dos ediciones muy especiales. En la primera de ellas Ángel Castaño, Vicky Cantos y Pablo Loriente, las tres personas más significativas de nuestra particular historia, se reúnen para charlar sobre El hombre que se enamoró de la Luna, las primeras temporadas, sus distintas etapas, momentos divertidos, recuerdos emocionantes...una conversación distendida que sirve para conocer aspectos que no habíamos compartido antes de la Luna. Esperamos que os guste. 

Podcast de Mercado Abierto

fWotD Episode 2940: Ezra Pound Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 23 May 2025, is Ezra Pound.Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem The Cantos (c. 1917–1962).Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as H. D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Sir Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II, Pound recorded hundreds of paid radio propaganda broadcasts for the fascist Italian government and its later incarnation as a German puppet state, in which he attacked the United States federal government, Franklin D. Roosevelt, Great Britain, international finance, munitions makers, arms dealers, Jews, and others, as abettors and prolongers of the war. He also praised both eugenics and the Holocaust in Italy, while urging American GIs to throw down their rifles and surrender. In 1945, Pound was captured by the Italian Resistance and handed over to the U. S. Army's Counterintelligence Corps, who held him pending extradition and prosecution based on an indictment for treason. He spent months in a U. S. military detention camp near Pisa, including three weeks in an outdoor steel cage. Ruled mentally unfit to stand trial, Pound was incarcerated for over 12 years at St. Elizabeths psychiatric hospital in Washington, D. C., whose doctors viewed Pound as a narcissist and a psychopath, but otherwise completely sane.While in custody in Italy, Pound began work on sections of The Cantos, which were published as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, causing enormous controversy. After a campaign by his fellow writers, he was released from St. Elizabeth's in 1958 and returned to Italy, where he posed for the press giving the Fascist salute and called the United States "an insane asylum". Pound remained in Italy until his death in 1972. His economic and political views have ensured that his life and literary legacy remain highly controversial.This recording reflects the Wikipedia text as of 00:31 UTC on Friday, 23 May 2025.For the full current version of the article, see Ezra Pound on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Salli.

Conducido por el cantautor Rafael Moreno, es un encuentro de oración, canto y reflexión para renovar nuestro compromiso con Cristo Jesús, que nos invita a ser siempre discípulos y profetas de su reino. Cada semana desde su propio estudio de grabación este gran productor, compositor y músico católico cantará y tocará en vivo sus más exitosos temas musicales. No te pierdas la oportunidad de tener tu propio asiento en este nuevo programa de evangelización donde la fe y la música se unirán para que puedas ser discípulo y profeta.

We have been a long time on the terrace of the avaricious (without knowing there's another sin punished there as well). We're ready to climb on up to the sixth terrace of Mount Purgatory with Virgil and Statius as the pilgrim Dante's guide.On this episode, sit back for a read-through of these three cantos.Join me, Mark Scarbrough, as I read a rough translation of PURGATORIO, Cantos XXII, XXIII, and XXIV, exploring the climb up from the fifth terrace, the discussions between Virgil and Statius, and the poetic-prophetic space that makes up the arboretum of the sixth terrace, the one with the gluttons.If you'd like to help underwrite the many costs of this podcast, you can make a one-time contribution or set up a very small monthly stipend by visiting this PayPal link right here.[01:33] A read-through of Cantos XXII, XXIII, and XXIV of PURGATORIO. No translation available--just sit back and listen. A closer, better translation lies ahead when we break down these cantos into their respective parts.

(2:00) Moncho Núñez está nun lugar secreto. (4:24) Julio Rodríguez cóntanos na súa "Bitácora do Beagle" como a terapia xénica abre vías de curación de cegueiras causadas por retinoses pigmentarias. (18:34) Moncho Núñez preséntanos o seu libro "O Calendario da Historia da Ciencia" (41:43) Cantos tipos diferentes de fluídos hai nunha vaxina? Ten a resposta a sexóloga e xornalista Laura Veiga.

Hablamos sobre cómo afecta la situación vivida, con un apagón en toda España, a Redeia con Ignacio Cantos, socio-director de atl Capital.

Hablamos sobre cómo afecta la situación vivida, con un apagón en toda España, a Redeia con Ignacio Cantos, socio-director de atl Capital.

Hablamos sobre cómo afecta la situación vivida, con un apagón en toda España, a Redeia con Ignacio Cantos, socio-director de atl Capital.

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=hh0Li1DuLRs&t=1384s El cielo y los astros se alinean para marcar importantes movimientos celestes. Descubre qué va a pasar, los cambios que traerán, cómo impactarán nuestra abundancia y qué recomendaciones seguir para aprovechar al máximo estos eventos transformadores. Rosicler Cantos Máster Reiki del Sonido y Terapeuta Holístico. / rosiclercantos / rosiclercantosoficial Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

The Agents learn much about Esinpiel and its history.Cover of 'Colquhoun's Story' by Michael Nyman & Damon Albarn performed by Chris HamjeWant to read along? Transcript available here: https://sorryhoney.captivate.fm/Support The Work at: https://ko-fi.com/sorryhoneyWant to advertise with us? See our Sponsor Kit and Rate Card.Visit Us At: https://sorryhoney.captivate.fm/Join our Discord to tell us all the things we did wrong: https://discord.gg/xuQdfzJMfaFollow us on Twitter for additional content: https://twitter.com/SorryHoneyCastLikewise, Instagram: https://www.instagram.com/sorryhoneypodcast/Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. Illustrations by Dennis Detwiller are reproduced by permission. The contents of this podcast are © GiggleDome Productions, LLC, excepting those elements that are components of Delta Green intellectual property.

The frozen heart of hell. Today, Dcn. Harrison Garlick is joined by Mr. Evan Amato to discuss the frozen wastes of the 9th Circle of Hell - the damned guilty of treachery (or complex fraud).Check out thegreatbookspodcast.com for other great books to read!A few questions from our guide to Dante's Inferno:78. What happens in the ninth circle of hell: Treachery (Complex Fraud) (Canto 34)?Pressing onward, Virgil leads the Pilgrim to “Judecca”—named after Judas Iscariot—in which those souls that have betrayed their benefactors or their lords are frozen completely in the ice.[1] The Pilgrim notes the distorted figures, saying: “To me they looked like straws worked into glass.”[2] Finally, the Pilgrim sees the gigantic figure of Satan. The figure of Lucifer, the arch-traitor against his Benefactor and Lord, God, is frozen in the ice to the waist as his six bat-like wings eternally beating—thus, causing the wind that freezes all in the pit of hell.[3] The Pilgrim observes, Satan, who has three faces on his head, “wept from his six eyes, and down three chins were dripping tears mixed with bloody slaver.”[4] Each one of Satan's faces bears a distinct color—red, yellow, and black—and in each mouth Lucifer “crunched a sinner.”[5] In the mouth of the central red face, Judas, who “suffers most of all,” and is inserted headfirst.[6] The other two souls are inserted legs first and they are Brutus in the black face—“see how he squirms in silent desperation”—and Cassius in the yellow face."[7] Bringing their journey to an end, Virgil, with the Pilgrim on his back, first climbs down the hairy shanks of Satan, and second, after passing the center of the earth, climbs up the legs of Satan.[8] Heading out toward the Mount of Purgatory, the Pilgrim and Virgil exit the earth and behold the stars in the sky.[9] 79. Why does Dante the Poet use ice to describe the bottom of hell?In Aristotle's Metaphysics, when he must answer how does the Unmoved Mover move all things if the Unmoved Mover does not move, he answers: love (eros). God is Pure Act, and all things are drawn to him by love—in other words, though unmoved himself, he is the source of all movement in the cosmos. As such, the pit of hell would be the furthest from God; thus, evil, as a type of anti-movement and anti-love finds a poetic home in the imagery of ice. Furthermore, evil is a privation of the good. Evil is not something real but rather something unreal, a lack. Evil is like a hole in the ground or like darkness is to light. Similarly, evil is like cold is the heat. Coldness is not necessarily real per se but is rather the absence of heat. Evil is the absence of good. As such, ice again makes a good image of evil and a fitting pit to a hell structured according to love.80. Why is the...

Greetings, fellow fantasy fanatics and lore lovers!

“Julio es también uno de los pocos casos en los que alguien anuncia su ambición de ser una estrella total y llega a serlo. Uno de sus primeros apoyos en el mundo del disco, Enrique Martín Garea, contó que, en última instancia, lo diferencial en Julio eran unas aplastantes ganas de triunfar, pero ¿no las tendrían también otros? Al final, solo el éxito se explica a sí mismo. Y en ese éxito lo único imprescindible era él. Y quizá las personas, empezando por su padre, que tanto le ayudaron a lograrlo supieron olfatear eso mismo: esa gracia infusa, ese carisma elusivo por el cual usted y yo entramos en un cuarto y parecemos un aparador y entra Julio Iglesias y se lleva las miradas y despierta las sonrisas.” Ignacio Peyró en El español que enamoró al mundo.Kapital es posible gracias a sus colaboradores:UTAMED⁠⁠. La universidad online del siglo XXI.⁠⁠UTAMED, la universidad oficial y online de la Fundación Unicaja, nace para romper las barreras que durante décadas han limitado el acceso a la educación y la cultura. Con exámenes 100 % online y financiación sin intereses, ofrecemos una formación accesible, flexible y comprometida con el presente. Porque hoy ya no basta con obtener un título: en UTAMED te preparamos para trabajar desde el primer año. Lo hacemos junto a la empresa, adaptando los contenidos académicos a sus demandas reales, para que nuestros estudiantes adquieran las competencias más valoradas en el mercado laboral. Por ser oyente de este podcast, tienes un descuento del 30% en todo el catálogo de grados y másteres, oficiales y propios.⁠La casa ESE⁠. ¿Cómo quieres vivir?Aquí de vuelta los pesaos queridos amigos de La casa ESE. Buscando la forma de seguir inventando cosas ya inventadas hemos creado mapadecasas.com, allí tendréis la oportunidad de encontrar, más que vuestra futura casa, vuestra futura vida. Sí, es muy ambicioso. En Madrid, por ejemplo, vamos a crear un conjunto residencial donde además de habitar, podamos llevar un poquito del Mediterráneo moral. No sólo una casa, sino un lugar que tenga zonas verdes, espacios comunitarios y hasta un edificio que pueda hacer las veces de coworking entre otras cosas. A 30 minutos de Madrid y buscando gente afín al mundo tecnológico, al emprendimiento, al marketing y a la cultura. Visita la propuesta de Distrito ESE.Patrocina Kapital. Toda la información en este link.Índice:2:25 La misión del Cervantes en Roma.11:51 El templete de Bramante.17:39 Hispanofobia de Trump.20:59 ¿Predestinado al éxito?30:59 “Tuve que elegir entre el psiquiatra o las Bahamas.”34:15 La entrevista con aura de Quintero.43:23 Julio se hace con su padre. Enrique se hace contra su padre.53:55 Su relación con las mujeres.58:27 El mérito de Julio es hacerse perdonar.1:00:59 Ir a Miami antes de que Miami fuera Miami.1:02:51 La foto en el jet con un cubo del KFC y un Chateau Lafite.1:11:31 Una complejidad innecesaria en la cocina.1:21:41 Respetar la estacionalidad de los alimentos.1:24:32 Un restaurante perdido en Roma.1:29:57 Las quijotadas de juventud.Apuntes:El español que enamoró al mundo. Ignacio Peyró.Comimos y bebimos. Ignacio Peyró.Ya sentarás cabeza. Ignacio Peyró.Pompa y circunstancia. Ignacio Peyró.Class. Paul Fussell.La ciudad no es para mí. Pedro Lazaga.Cantos. Leopardi.Historias de Roma. Enric González.

We finish the 8th Circle of hell! Dcn. Harrison Garlick and Dr. Donald Prudlo of the University of Tulsa discuss pits 8-10 of the 8th Circle of Dante's Inferno (Cantos 26-31). Dr. Prudlo is an incredibly talented Catholic scholar! You'll want to hear what he has to say - especially about Odysseus, Troy, and the Garden of Eden.Visit thegreatbookspodcast.com for more resources!From our guide:64. What happens in the eighth ditch (Cantos 26-27)?Overlooking the eighth ditch, the Pilgrim and Virgil view the punishment of those souls King Minos found guilty of deception or evil counsel.[1] The Pilgrim sees columns of flames, and Virgil explains, “there are souls concealed within these moving fires, each one swathed in his burning punishment.”[2] Dante the Pilgrim observes a “flame with its tip split in two,” to which Virgil explains the flame contains the souls of both Ulysses and Diomedes.[3] The contrapasso of the eighth bolgia is that these deceivers burn as tongues of flame just as their tongues in life brought forth pain and destruction.[4] Moving on, the Pilgrim and Virgil meet another soul, Guido da Montefeltro, “a soldier who became a friar in his old age; but he was untrue to his vows when, at the urging of Pope Boniface VIII, he counseled the use of fraud in the pope's campaign against the Colonna family. He was damned to hell because he failed to repent of his sins, trusting instead in the pope's fraudulent absolution.”[5] Virgil and the Pilgrim press on, where, coming to the ninth ditch, they see “those who, sowing discord, earned Hell's wages.”[6]65. Does fire have a special role in the Inferno?Given its name, most expect fire to be the normative punishment of the Inferno—but it is not. The question is whether the role fire does play has a special pedagogical purpose. Dr. Prudlo sets forth that fire, especially as seen here as “tongues of fire,” represents an “anti-Pentecostal sin.” Fire plays a role in the punishment of the blasphemers, sodomites, usurers, simonists, and false counselors. Fire, as Dr. Prudlo notes, is the “most noble element in Dante's world,” and it plays a certain “refined punishment” in the Inferno. It seems to signify a certain “unnatural abuse” within the sin, an “abuse of some special gift that God has given us.” The role of fire in the Inferno merits further consideration.66. Is there a special relation between Ulysses (Odysseus) and Dante?Dante the Poet arguably has a certain fondness for Ulysses. As Dr. Prudlo observes: “genius untethered to virtue is one of the most dangerous things that can possibly exist.” Dante the Poet and Ulysses are both geniuses. Yet, Ulysses cannot find rest upon returning to Ithaca—the question for knowledge calls him away from his wife, son, and kingdom to journey out into unknown Ocean. He sails passed the Pillars of Heracles, which mark the boundaries of mortal men, and, upon seeing Mount Purgatory, God strikes his ship and all lives are lost. Dr. Prudlo remarks that where Ulysses attempted to make it to Mount Purgatory despite God, Dante the Pilgrim will make it to Mount Purgatory with God....

Ignacio Cantos, director de inversiones de atlCapital, cree que el efecto de los aranceles "debería ser pequeño" en Europa con respecto a lo que los mercados han descontado

O psiquiatra José Gameiro recorda como o 25 de abril mudou os relacionamentos. Separações (incluindo a sua), o ambiente de festa permanente sem ir a casa, a promiscuidade e as trocas de casais, os efeitos inusitados da pornografia nos cinemas. Mas também descreve o ano que passou no Alentejo a viver com um grupo de médicos, os alentejanos que achavam que viviam num “bacanal permanente”, as mulheres que não iam ao ginecologista, as lutas com o PCP, a sua campanha para deputado — e o 25 de novembro com uma pistola a ocupar a vila de Cuba.See omnystudio.com/listener for privacy information.

Seducers, Flatterers, Sorcerers, and more! Dcn. Harrison Garlick is joined by Noah Tyler, CFO of the Classic Learning Test, and Gabriel Blanchard, a staff writer for CLT, to discuss the first part of the 8th Circle: Simple Fraud (Cantos 18-25).Check out thegreatbookspodcast.com for more information.Check out our written GUIDE to Dante's Inferno: 80+ Questions and Answer.FROM THE GUIDE:53. What happens in the Eighth Circle of Hell: Simple Fraud (Canto 18)The Eighth Circle of Hell holds the souls of those King Minos found guilty of simple fraud and is composed of “ten stone ravines called Malebolge (Evil Pockets), and across each bolgia is an arching bridge.”[1] Each of the ten bolgias (pits, ditches, pockets, etc.) is filled with souls guilty of a different species of simple fraud: (1) panders and seducers (2) flatters (3) simoniacs (4) sorcerers (5) barrators (6) hypocrites (7) thieves (8) deceivers (9) sowers of discord and (10) falsifiers. Each bolgia in Malebolgia exhibits a different contrapasso.54. What happens in the first ditch (Canto 18)?After leaving Geryon, the Pilgrim observes the souls in the first ditch. Here, “two files of naked souls walked on the bottom” with each line walking a different direction.[2] The Pilgrim also notes, “I saw horned devils with enormous whips lashing the backs of shades with cruel delight.”[3] The souls here are pimps or panders in one line and seducers in the other. Notably, Dante the Pilgrim sees Jason the Argonaut suffering amongst the seducers.[4] Notice, however, that these seducers are not those who fell into passion, like Francisca, but rather those who act with malice to deceive others. It is the malice of malevolent nature of these sins that distinguish them from the incontinent sins.55. What happens in the second ditch (Canto 18)?Leaving the first bolgia (ditch), the Pilgrim and Virgil come upon the souls of the flatters suffering in the second ditch. The Pilgrim observes, “Now we could hear the shades in the next pouch whimpering, making snorting grunting souls… from a steaming stench below, the banks were coated with a slimy mold that suck to them like glue, disgusting to behold and worse to smell.”[5] Here, grunting in a ditch of excrement, are the flatterers. The contrapasso of the second ditch invites a stark juxtaposition between the honeyed words of flattery and the sordid reality of their deception. The Pilgrim makes this quite evident in his observation of Thais: “that repulsive and disheveled tramp scratching herself with shitty fingernails, spreading her legs while squatting up and down.”[6] Repulsed by Thais, Virgil and the Pilgrim move on. It should be noted, however, that this flattery is a malicious flattery intended to deceive.56. How is flattery a worst sin than lust, murder, or suicide?

#educación #UPR #escuela Conversan Luis Belalva y Miguel Rodríguez Casellas. Hoy discutimos el estado ruinoso de la educación pública, pre-universitaria y post-universitaria, enmarcado en las violencias cotidianas de la necro-colonia. Un mercado laboral orientado a la hospedería y el turismo desiste del proyecto social universitario, cerrando carreras y áreas de conocimiento con las que otro país es posible. El análisis identifica aspectos donde profesores, administradores y estudiantes tienen agencia para enderezar la ruina y revalidar la universidad como un proyecto de vida.

Te presentamos tres compilaciones del sello Jukebox Factory. Oscuros y divertidos singles de los años 50 y 60 extraídos de las valijas del pinchadiscos y coleccionista francés El Vidocq. Los títulos hablan por sí solos. “Monster-O-Rama Vol.4”, “Bongo a Go-Go” y “Ohana Hawaiiana”.Playlist;FRANKLYN STEIN “Zotz”ARCHIE KING “The vampire”THE MAGICS Zombie walk”BILLY WARD and HIS DOMINOES “Cave man”TOMMY BRUCE “Monster Gonzalez”IGOR and THE MANIACS “The big green”MAURICE WHITE “Big bad wolf”HARLEY HATCHER ORCHESTRA “African safari pt2”THE CATALINAS “Cha Cha Joe”LUCKY MILLINDER and HIS ORCHESTRA “Bongo boogie”FRANCES FAYE “Summertime”THE INTERNATIONAL BONGO BAND “Mr Bongo man”FRANKIE BRENT “Banging on the bongo”PRESTON EPPS “B’wana bongos”THE PLAYBOYS “Hawaiian war chant”TOMMY SANDS “Hawaiian rock”FELIX MENDELSSOHN and HIS HAWAIIAN SERENADERS “My little grass shack in Kealakekua”PEREZ PRADO and HIS ORCHESTRA “Hawaiian cha cha cha”WEBLEY EDWARDS “Hukilau”FRANKIE VAUGHAN “Little kookie paradise”LOUIS ARMSTRONG and THE POLYNESIANS “On a coconut island”Escuchar audio

Canto 11 11.2.37 https://vedabase.io/en/library/sb/11/2/37/ 11.2.40 https://vedabase.io/en/library/sb/11/2/40/ 11.2.42 https://vedabase.io/en/library/sb/11/2/42/ 11.2.45 https://vedabase.io/en/library/sb/11/2/45/ 11.2.46 https://vedabase.io/en/library/sb/11/2/46/ 11.2.47 https://vedabase.io/en/library/sb/11/2/47/ 11.3.21 https://vedabase.io/en/library/sb/11/3/21/ 11.5.2 https://vedabase.io/en/library/sb/11/5/2/ 11.5.3 https://vedabase.io/en/library/sb/11/5/3/ 11.5.11 https://vedabase.io/en/library/sb/11/5/11/ 11.5.32 https://vedabase.io/en/library/sb/11/5/32/ 11.5.33 https://vedabase.io/en/library/sb/11/5/33/ 11.5.34 https://vedabase.io/en/library/sb/11/5/34/ 11.5.36 https://vedabase.io/en/library/sb/11/5/36/ 11.5.41 https://vedabase.io/en/library/sb/11/5/41/ 11.5.42 https://vedabase.io/en/library/sb/11/5/42/ 11.9.29 https://vedabase.io/en/library/sb/11/9/29/ 11.11.18 https://vedabase.io/en/library/sb/11/11/18/ 11.14.20 https://vedabase.io/en/library/sb/11/14/20/ 11.14.21 https://vedabase.io/en/library/sb/11/14/21/ 11.17.27 https://vedabase.io/en/library/sb/11/17/27/ 11.19.17 https://vedabase.io/en/library/sb/11/19/17/ 11.19.21 https://vedabase.io/en/library/sb/11/19/21/ 11.20.9 https://vedabase.io/en/library/sb/11/20/9/ 11.20.17 https://vedabase.io/en/library/sb/11/20/17/ 11.23.57 https://vedabase.io/en/library/sb/11/23/57/ 11.29.6 https://vedabase.io/en/library/sb/11/29/6/ Canto 12 12.1.40 https://vedabase.io/en/library/sb/12/1/40/ 12.2.1 https://vedabase.io/en/library/sb/12/2/1/ 12.2.3 https://vedabase.io/en/library/sb/12/2/3/ 12.2.4 https://vedabase.io/en/library/sb/12/2/4/ 12.2.5 https://vedabase.io/en/library/sb/12/2/5/ 12.2.6 https://vedabase.io/en/library/sb/12/2/6/ 12.2.8 https://vedabase.io/en/library/sb/12/2/8/ 12.2.9 https://vedabase.io/en/library/sb/12/2/9/ 12.3.51 https://vedabase.io/en/library/sb/12/3/51/ 12.3.52 https://vedabase.io/en/library/sb/12/3/52/ 12.13.1 https://vedabase.io/en/library/sb/12/13/1/ 12.13.15 https://vedabase.io/en/library/sb/12/13/15/ 12.13.16 https://vedabase.io/en/library/sb/12/13/16/ 12.13.18 https://vedabase.io/en/library/sb/12/13/18/ 12.13.23 https://vedabase.io/en/library/sb/12/13/23/ ------------------------------------------------------------ To connect with His Grace Vaiśeṣika Dāsa, please visit https://www.fanthespark.com/next-steps/ask-vaisesika-dasa/ ------------------------------------------------------------ Add to your wisdom literature collection: https://iskconsv.com/book-store/ https://www.bbtacademic.com/books/ https://thefourquestionsbook.com/ ------------------------------------------------------------ Join us live on Facebook: https://www.facebook.com/FanTheSpark/ Podcasts: https://podcasts.apple.com/us/podcast/sound-bhakti/id1132423868 For the latest videos, subscribe https://www.youtube.com/@FanTheSpark For the latest in SoundCloud: https://soundcloud.com/fan-the-spark ------------------------------------------------------------ #vaisesikaprabhu #vaisesikadasa #vaisesikaprabhulectures #spirituality #bhaktiyoga #krishna #spiritualpurposeoflife #krishnaspirituality #spiritualusachannel #whybhaktiisimportant #whyspiritualityisimportant #vaisesika #spiritualconnection #thepowerofspiritualstudy #selfrealization #spirituallectures #spiritualstudy #spiritualexperience #spiritualpurposeoflife #spiritualquestions #spiritualquestionsanswered #trendingspiritualtopics #fanthespark #spiritualpowerofmeditation #spiritualgrowthlessons #secretsofspirituality #spiritualteachersonyoutube #spiritualhabits #spiritualclarity #bhagavadgita #srimadbhagavatam #spiritualbeings #kttvg #keepthetranscendentalvibrationgoing #spiritualpurpose

We enter the circle of violence. This week Dcn. Harrison Garlick is joined by Fr. Thomas Esposito, O. Cist., a Cistercian priest who teaches at the University of Dallas, to discuss the seventh circle of Dante's Inferno: (1) violence against neighbor (2) violence against self and (3) violence against God & nature.Check out our website for more info: thegreatbookspodcast.com.Check out our 80+ Question and Answer Guide to the Inferno.From the guide:43. What happens in the Seventh Circle of Hell: Violence Toward Neighbor (Canto 12)?As Virgil and the Pilgrim press on toward the Seventh Circle of Hell, Virgil explains the topography of hell. The City of Dis marks the transition from upper hell to lower hell, while the Seventh Circle of Hell marks the beginning of the sins of violence (represented by the lion in the dark woods in Canto 1). Virgil explains, “violence can be done to God, to self, or to one's neighbor.”[1] Next, Virgil explains there are two types of fraud. First, there is the “simple fraud” of the second circle of lower hell, the Eight Circle of Hell overall, in which “hypocrites, flatters, dabblers in sorcery, falsifiers, thieves, and simonists, pander, seducers, grafters, and like filth” are punished.”[2] Second, there is “complex fraud" of the final circle of hell, the Ninth Circle, in which are punished traitors who betrayed the “love Nature enjoys and that extra bond between men which creates a special trust.”[3]Virgil and the Pilgrim enter into the Seventh Circle of Hell, which is guarded by the Minotaur—a half-man and half-bull creature from classical mythology known for its undying rage.[4] With the Minotaur consumed by its own anger, Virgil and the Pilgrim continue on and come upon a great “river of blood that boils souls of those who through their violence injured others”—known as the Phlegethon.[5] The contrapasso is made more severe by herds of centaurs galloping along the bloody riverbanks and shooting with arrows at “any daring soul emerging above the bloody level of his guilt.”[6]As the Pilgrim observes, the souls are sunk in a river of blood to a depth commensurate with their violence: the tyrants, such as Alexander, Dionysius, and Attila, who “dealt in bloodshed and plundered wealth” are sunken to their eyelids; the murders who dealt in bloodshed are sunk up to their throats; and the rest of the violent are sunk to various lesser degrees.[7] Musa notes, “the sins of violence are also the Sins of Bestiality,” and the bestial and violent nature of these sins are seen in the theme of half-animal and half-human creatures: the furies on the walls of the City of Dis, the Minotaur whose very enraged existence spawned from an act of bestiality, and the centaurs who were known in classical mythology for violence and rape.[8]44. What else should be noted about the first area of the seventh circle?Lower hell is characterized by sins of malice, and Fr. Thomas offered malevolent as another good...

Today, we finish lower hell. Dcn. Harrison Garlick is joined by Dr. Jason Baxter of Benedictine College to discuss cantos 6-11 of Dante's Inferno.Check out thegreatbookspodcast.com for other great books!Check out our Patreon for our 80+ Question & Answer guide to the Inferno.From our guide:27. The Third Circle of Hell – Gluttony (Canto 6) Musa explains the third circle and the contrapasso, “the shades in this circle are the gluttons, and their punishment fits their sin. Gluttony, like all the sins of incontinence, subjects reason to desire; in this case desire is a voracious appetite. Thus, the shades howl like dogs—in desire, without reason; they are sunk in slime, the image of their excess. The warm comfort their gluttony brought them in life here has become cold, dirty rain and hail.”[1] The beast Cerberus—a “three-headed doglike beast”—dwells in the third circle.[2] The beast both represents the sin of gluttony through its own immense appetite and further punishes those shades in the third circle as he “flays and mangles” the shades of that circle.[3] Musa also notes “with his three heads, he appears to be a prefiguration of Lucifer and thus another infernal distortion of the Trinity.”[4] On their way toward the fourth circle, Dante the Pilgrim asks Virgil whether the punishment of the souls in hell will be increased or lessened on the Final Judgment.[5] Virgil explains that the pain of those in hell will be “more perfect” after the Final Judgment, as the souls in hell will be reunited with their bodies after the bodily resurrection.[6]30. The Fourth Circle of Hell – the Prodigal & Miserly (VII)As Virgil and the Pilgrim enter into the fourth circle of hell, they are greeted by Plutus (Pluto), the Roman god of wealth, who speaks incoherently and whom Virgil dismisses by calling him “cursed Wolf of hell.”[1] The reference to “wolf” recalls the she-wolf at the beginning and reminds the reader the Pilgrim is still journeying through the circles of sins related to incontinence. Here the Pilgrim sees shades “to the sound of their own screams, straining their chests, they rolled enormous weights, and when they met and clashed against each other… screaming ‘Why hoard?,' the other side, ‘why waste?'”[2] The Pilgrim sees the contrapasso of the miserly and the prodigal, who, forming two semi-circles, push their heavy weights (symbolizing their material wealth) and shove against each other (as their disordered uses of wealth were opposite).[3] Virgil teaches the Pilgrim about Lady Fortune, who serves as an angel of God determining the fortunes of men and nations.[4] Note that Lady Fortune is often depicted with a wheel, and that this circle of hell resembles a giant broken wheel of the shades that mismanaged their...

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=-HrajyhbVt0&t=618s El 19 de noviembre marcó el inicio de un poderoso movimiento global de transformación, diseñado como un regalo perfecto para esta Navidad. Rosicler Cantos nos guía en un viaje desde quienes creíamos ser hacia nuestro ser auténtico, para liberarnos de limitaciones y abrirnos a una expansión inminente. Rosicler Cantos Máster Reiki del Sonido y Terapeuta Holístico. / rosiclercantos / rosiclercantosoficial Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------INFORMACIÓN SOBRE MINDALIA----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Dante approaches the gates of hell! Dcn. Harrison Garlick is joined by Dr. Jennifer Frey, the Dean of the new Honors College at the University of Tulsa, and Dr. Jessica Hooten Wilson, the Fletcher Jones Chair of Great Books at Pepperdine University, to discuss cantos 2-5 of Dante's Inferno.Check out thegreatbookspodcast.com. Check out OUR GUIDE to Dante's Inferno: 80+ Questions and Answers.13. What happens in the Vestibule of Hell (Cantos 2-3)?The narrative of the Dark Woods in Canto 1 is arguably the introduction to the entire Divine Comedy, and as such, Canto 2 serves as the introduction to the first volume or canticle, the Inferno.[1] Note that Dante begins the Canto by invoking the Muses, which was common in the “classic epic tradition.”[2] The Canto explains that the Virgin Mary took pity on Dante, and she told Saint Lucia to help him. St. Lucia then asked Beatrice, a soul in heaven who knows Dante, to help Dante; Beatrice then went into hell and asked Virgil to be Dante's guide.[3] Whereas the three beasts of Canto I represent the threefold structure of hell, the three ladies of Canto 2 represent grace.[4] His heart emboldened, Dante and Virgil enter the “deep and rugged road” and arrive at the gate of hell.[5] The inscription of the gate reads:I AM THE WAY INTO THE DOLEFUL CITY / I AM THE WAY INTO ETERNAL GRIEF, /I AM THE WAY TO A FORSAKEN RACE. JUSTICE IT WAS THAT MOVED MY GREAT CREATOR; / DIVINE OMNIPOTENCE CREATED ME, / AND HIGHEST WISDOM JOINED WITH PRIMAL LOVE. BEFORE ME NOTHING BUT ETERNAL THINGS / WERE MADE, AND I SHALL LAST ETERNALLY. / ABANDON EVERY HOPE, ALL WHO ENTER.[6] Upon passing through the gates, the Pilgrim hears the “sighs and cries and shrieks of lamentations echo[ing] throughout the starless air of Hell.”[7] Virgil and the Pilgrim enter into the Vestibule of Hell, which is populated by souls who lived a lukewarm life with “no blame and no praise,” and by the angels who at Lucifer's great rebellion remained undecided.[8] Here, Dante the Poet introduces the concept of contrapasso, i.e., “the just punishment of sin, effected by a process either resembling or contrasting with the sin itself.”[9] In the Vestibule, the contrapasso for the souls and angels who lived undecided is to eternally march after a banner.[10] Amongst “great a number,” the Pilgrim sees the shade of the “coward who had made the great refusal.”[11] While there are many interpretations, “perhaps it is most likely that this shade is Pontius Pilate, who refused to pass sentence on Christ.”[12] Virgil and the Pilgrim come to the river Acheron where they

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We are reading the Inferno together! Dcn. Harrison Garlick is joined by Dr. Jeremy Holmes of Wyoming Catholic College to give an introduction to Dante's Inferno and discuss the first canto. Visit thegreatbookspodcast.com for more information.Reading Schedule for Lent 2025:Introduction & the Dark Woods1. Intro & Canto 1 (3.4.25) with Dr. Jeremy Holmes (Wyoming Catholic)Vestibule of Hell, Limbo & Lust2. Cantos 2-5 (3.11.25) with Dr. Jennifer Frey (TU) and Dr. Jessica Hooten Wilson (Pepperdine).Gluttony, Spendthrift/Hoarders, Wrathful/Acedia & Heretics3. Cantos 6-11 (3.18.25) with Dr. Jason Baxter of Benedictine College.Violence: Against Neighbor, Self & God4. Cantos 12-17 (3.25.25) with Fr. Thomas Esposito, O. Cist., of the University of Dallas.Simple Fraud: Pits 1-75. Cantos 18-25 (4.1.25) with Noah Tyler, CFO of CLT, and Gabriel Blanchard, Staff Writer for CLT.Simple Fraud: Pits 8-106. Cantos 26-31 (4.8.25) with Dr. Donald Prudlo (TU)Complex Fraud: The Traitors7. Cantos 32-34 (4.15.25) with Evan Amato.Questions from our Reader's Guide:What is the Divine Comedy by Dante Alighieri?The Divine Comedy (or the Comedy as Dante called it) tells the story of Dante the Pilgrim's penitential journey through hell, purgatory, and heaven in three volumes or canticles: Inferno, Purgatorio, and Paradiso. It is called a comedy in the classical sense of ending well, as opposed to tragedy which ends poorly. Dante the Poet masterfully weaves together Holy Scripture, Greco-Roman mythology, Aristotle, Roman history, St. Thomas Aquinas, and more to present the reader an excellent map of the human soul and its loves. “It is the Summa Theologiae in poetry,” says Dr. Prudlo, “and I think it's one of the greatest, greatest achievements, single achievements by a human being that's ever been attained.”What is the Inferno?The Inferno tells of Dante's pilgrimage through hell alongside his pagan guide, the Roman poet Virgil. The Inferno is less an eschatological treatise attempting to explain the actual geography of hell and more a moral tale on the reality of human desire and the soul. It not a mystical vision akin to St. John's Revelation or the ecstasies of St. Teresa of Avila. As such, Dante the Poet will place mythological characters in hell, like the three-headed dog Cerberus or the Roman god of the underworld, Pluto. The purpose is not literal but pedagogical. In a similar fashion, the placement of a soul in hell, like a Pope Nicholas III or Helen of Troy, is not a eschatological claim of who is actually in hell but a moral one. Everything in the Inferno is intended to instruct us in virtue and the proper rectitude of the soul.Why should we read Dante's Inferno?The Inferno is an invitation to examine your soul. Dante the Poet is a master of the soul and its loves. He tears away the acceptable veneer on human desire and exposes the ugly reality of sin and its transformative effect upon the human soul into something imploded and bestial. And Dante the Poet invites the reader to contemplate his or her soul and its loves within an ordered whole. As stated, the Divine Comedy is St. Thomas Aquinas' Summa Theologiae is poetic form, and Dante the Poet weaves together Holy Scripture, Aristotle, mythology, astronomy, and more into one intelligible cosmos. Reality is intelligible and holds lessons for our sanctification and salvation. We are invited to become...

Over the past three decades, A.J. Croce has established his reputation as a piano player and vocal stylist who pulls from a host of musical traditions and anti-heroes — part New Orleans, part juke joint, part soul. From his 10 studio albums, it's clear that he holds an abiding love for all types of musical genres: Blues, Soul, Pop, Jazz, and Rock n' Roll. A virtuosic piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and over his career, he has performed with a wide range of musicians, from Willie Nelson to the Neville Brothers, to Béla Fleck and Ry Cooder. A.J. has also co-written songs with such formidable tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen, and multi-Grammy winner Gary Nicholson. His albums have all charted on an impressive array of charts: Top 40, Blues, Americana, Jazz, College, and Radio 1. The Nashville-based singer/songwriter has landed 22 singles on a variety of Top 20 charts.  His songwriting and style has evolved from Jazz & Blues on his debut and sophomore albums, to the roots-rock of the more recent collaborative recordings like Cantos with Ben Harper, Twelve Tales with Allen Toussaint, and Just Like Medicine with Vince Gill. He recently toured with his show "Croce Plays Croce" where he paid tribute to his father, singer/songwriter Jim Croce.   

En Ivoox puedes encontrar sólo algunos de los audios de Mindalia. Para escuchar las 4 grabaciones diarias que publicamos entra en https://www.mindaliatelevision.com. Si deseas ver el vídeo perteneciente a este audio, pincha aquí: https://www.youtube.com/watch?v=CF-JKVYqvqg Plutón entra directo en Acuario desde ahora hasta el 2043, provocando profundas transformaciones en esta era de energía pura de consciencia. Hacemos una redefinición de conceptos para que todos sepan cómo afrontar este nuevo comienzo. Rosicler Cantos Máster Reiki del Sonido y Terapeuta Holístico. / rosiclercantos / rosiclercantosoficial #Astrología #Predicciones #PrediccionesFuturo Más información en: https://www.mindalia.com/television/ PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. -----------INFORMACIÓN SOBRE MINDALIA--------- Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS Facebook: / mindalia.ayuda Instagram: / mindalia_com Twitch: / mindaliacom Odysee: https://odysee.com/@Mindalia.com *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas.

Kori Morgan’s writing has been featured in such publications as Shenandoah, SN Review, Blanket Sea, Agape Review, Switchback, Rubbertop Review, Cantos, and Clayjar Review. She is the founder and Chief Literary Strategist of Inkling Creative Strategies, an author services company that helps writers reach their full creative potential so they can impact and inspire readers. She is also a stalwart of the Habit Membership. Her new book is Why I Dyed My Hair Purple & Other Unorthodox Stories. In it she explores the integral role of the arts in her Christian testimony. In this episode, Kori and Jonathan Rogers discuss Flannery O’Connor, flash nonfiction, Kori’s creative upbringing, the value of MFA programs and the very different values of The Habit Membership. Kori also addresses the question of why she dyed her hair purple.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.