Podcasts about Mort Garson

Episode 168 Chapter 28, Moog Analog Synthesizers, Part 1. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 1 from my book Electronic and Experimental music.   Playlist: EARLY MOOG RECORDINGS (BEFORE 1970)   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Emil Richards and the New Sound Element, “Sapphire (September)” from Stones (1967). Paul Beaver played Moog and Clavinet on this album by jazz-pop mallet player Richards, who also contributed some synthesizer sounds. 02:21 01:44 2.     Mort Garson, “Scorpio” (1967) from Zodiac Cosmic Sounds (1967). Mort Garson and Paul Beaver. Incorporated Moog sounds among it menagerie of instruments. Garson went on to produce many solo Moog projects. 02:53 04:04 3.     Hal Blaine, “Kaleidoscope (March)” from Psychedelic Percussion(1967). Hal Blaine and Paul Beaver. Beaver provided Moog and other electronic treatments for this jazzy percussion album by drummer Blaine. 02:20 06:58 4.     The Electric Flag, “Flash, Bam, Pow” from The Trip soundtrack (1967). Rock group The Electric Flag. Moog by Paul Beaver. 01:27 09:18 5.     The Byrds, “Space Odyssey” (1968) from The Notorious Byrd Brothers (1968).  Produced by Gary Usher who was acknowledged for having included the Moog on this rock album, with tracks such as, “Goin' Back” (played by Paul Beaver), “Natural Harmony,” and unreleased track “Moog Raga.” 03:47 10:48 6.     The Monkees, “Daily Nightly” from Pisces, Aquarius, Capricorn, and Jones Ltd. (1967). Moog effects provided by Micky Dolenz of the Monkees and Paul Beaver. 02:29 14:40 7.     Jean Jacques Perrey and Gershon Kingsley, “The Savers,” a single taken from Kaleidoscopic Vibrations (1967). The first Moog album by this duo known for their electro-pop songs. 01:48 17:08 8.     Wendy Carlos, “Chorale Prelude "Wachet Auf" from Switched-On Bach (1968). The most celebrated Moog album of all time and still the gold standard for Moog Modular performances. 03:34 18:54 9.     Mike Melvoin, “Born to be Wild” from The Plastic Cow Goes Moooooog (1969). Moog programming by Paul Beaver and Bernie Krause. 03:03 22:28 10.   Sagittarius, “Lend Me a Smile” from The Blue Marble (1969). This was a studio group headed by Gary Usher, producer of The Byrds, who used the Moog extensively on this rock album. 03:09 25:30 11.   The Zeet Band, “Moogie Woogie” from the album Moogie Woogie(1969). Electronic boogie and blues by an ensemble including Paul Beaver, Erwin Helfer, Mark Naftalin, “Fastfingers” Finkelstein, and Norman Dayron. 02:43 28:40   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. Music Two from Lambert: Fremd and The Open Plantasia from Mort Garson's amazing, ridiculous album of the same name. Two from Danny Bensi and Saunder Jurriaans' score to Christine: Paranoia and Newsroom.  Learn about your ad choices: dovetail.prx.org/ad-choices

Music behind DJ: The Ventures - "Mission: Impossible" - single [0:00:00] Johnny Horton - "Rock Island Line" - single [0:05:38] Hank Snow - "The Rhumba Boogie" - single [0:07:58] Clyde & Sue Bowling & Southern Bluegrass Boys - "I Know Your Married But I Love You Still" - single [0:11:34] Red Sovine - "Kiss and the Keys" - single [0:12:42] David Hill with Mort Garson's Orch. and Chorus - "Big Guitar" - single [0:14:47] Music behind DJ: The Ventures - "Swan Lake" - EP [0:17:23] Bonnie Guitar - "Dark Moon" - single [0:21:18] Uncle Jack Hilsinger with Miss Joy Jean - "Detroit to Nashville" - single [0:23:53] Charlie Feathers - "Nobody's Darling" - single [0:27:57] Sharon Haley - "Shooting Star" - single [0:30:16] Vera Blum - "Take Care of Your Other Business" - single [0:31:11] Music behind DJ: The Ventures - "The Good, The Bad And The Ugly" - EP [0:33:16] Whitey Gallagher - "Gotta Roam" - single [0:37:05] Ronnie Hawkins - "Nobody's Lonesome For Me" - single [0:38:56] Connie Hall - "The Bottle Or Me" - single [0:41:27] Roger Miller - "I Believe In The Sunshine (live on the Burt Reynolds Late Show)" - single [0:43:48] Barbara B - "All Shook Up" - single [0:45:56] Music behind DJ: The Ventures - "Swan Lake" - EP [0:49:28] Pamela Goodwin - "Your Cheating Heart" - single [0:52:43] Charlie Albertson - "The Ballad Of Frisco Bay" - single [0:55:29] Music behind DJ: The Ventures - "The Good, The Bad And The Ugly" - EP [0:58:21] https://www.wfmu.org/playlists/shows/148630

Music behind DJ: The Ventures - "Mission: Impossible" - single [0:00:00] Johnny Horton - "Rock Island Line" - single [0:05:38] Hank Snow - "The Rhumba Boogie" - single [0:07:58] Clyde & Sue Bowling & Southern Bluegrass Boys - "I Know Your Married But I Love You Still" - single [0:11:34] Red Sovine - "Kiss and the Keys" - single [0:12:42] David Hill with Mort Garson's Orch. and Chorus - "Big Guitar" - single [0:14:47] Music behind DJ: The Ventures - "Swan Lake" - EP [0:17:23] Bonnie Guitar - "Dark Moon" - single [0:21:18] Uncle Jack Hilsinger with Miss Joy Jean - "Detroit to Nashville" - single [0:23:53] Charlie Feathers - "Nobody's Darling" - single [0:27:57] Sharon Haley - "Shooting Star" - single [0:30:16] Vera Blum - "Take Care of Your Other Business" - single [0:31:11] Music behind DJ: The Ventures - "The Good, The Bad And The Ugly" - EP [0:33:16] Whitey Gallagher - "Gotta Roam" - single [0:37:05] Ronnie Hawkins - "Nobody's Lonesome For Me" - single [0:38:56] Connie Hall - "The Bottle Or Me" - single [0:41:27] Roger Miller - "I Believe In The Sunshine (live on the Burt Reynolds Late Show)" - single [0:43:48] Barbara B - "All Shook Up" - single [0:45:56] Music behind DJ: The Ventures - "Swan Lake" - EP [0:49:28] Pamela Goodwin - "Your Cheating Heart" - single [0:52:43] Charlie Albertson - "The Ballad Of Frisco Bay" - single [0:55:29] Music behind DJ: The Ventures - "The Good, The Bad And The Ugly" - EP [0:58:21] https://www.wfmu.org/playlists/shows/148630

Hank Snow - "The Texas Plains" - Heartbreak Trail: A Tribute to the Sons of the Pioneers [0:00:00] Neeld Counts and The Tumbleweeds - "I May Never Pass This Way Again" [0:08:00] Marvin Rainwater - "Teardrops" - Marvin Rainwater Sings Golden Country Hits [0:10:59] Dave Dudley - "Subject To Change" [0:14:40] Sydney Edall - "Moon Madness" [0:15:40] Johnny Burnette - "Dreamin'" [0:18:21] "Banjo Red" Scobe - "Down Yonder" [0:20:34] David Hill with Mort Garson's Orch. and Chorus - "Wild Child" [0:25:28] Hal Howard Featuring Ken Woodfin, Steel Guitar - "I Like You" [0:27:34] Mickey Hawks with Moon Mullins and His Night Raiders - "Rock and Roll Rhythm" [0:30:39] Lee Finn - "Just Wastin' My Time" [0:32:34] Ben Hewitt - "You Break Me Up" [0:34:27] Music behind DJ: "Banjo Red" Scobe - "Pickin' The 5 String" [0:37:36] Faron Young - "Long Black Veil" - Story Songs of Mountains and Valleys [0:39:20] Charley Pride - "It's Gonna Take A Little Bit Longer" - A Sunshiny Day With Charley Pride [0:41:53] Billy 'Crash' Craddock - "Confidence and Common Sense" [0:44:27] Carl Smith - "My Friends Are Gonna Be Strangers" - Kisses Don't Lie [0:47:11] Music behind DJ: "Banjo Red" Scobe - "Down Yonder" [0:50:10] Dean Curtis - "Losers Lounge" [0:52:18] Gracie Dee - "Center Feature in the Playmore Magazine" [0:54:45] https://www.wfmu.org/playlists/shows/143961

Hank Snow - "The Texas Plains" - Heartbreak Trail: A Tribute to the Sons of the Pioneers [0:00:00] Neeld Counts and The Tumbleweeds - "I May Never Pass This Way Again" [0:08:00] Marvin Rainwater - "Teardrops" - Marvin Rainwater Sings Golden Country Hits [0:10:59] Dave Dudley - "Subject To Change" [0:14:40] Sydney Edall - "Moon Madness" [0:15:40] Johnny Burnette - "Dreamin'" [0:18:21] "Banjo Red" Scobe - "Down Yonder" [0:20:34] David Hill with Mort Garson's Orch. and Chorus - "Wild Child" [0:25:28] Hal Howard Featuring Ken Woodfin, Steel Guitar - "I Like You" [0:27:34] Mickey Hawks with Moon Mullins and His Night Raiders - "Rock and Roll Rhythm" [0:30:39] Lee Finn - "Just Wastin' My Time" [0:32:34] Ben Hewitt - "You Break Me Up" [0:34:27] Music behind DJ: "Banjo Red" Scobe - "Pickin' The 5 String" [0:37:36] Faron Young - "Long Black Veil" - Story Songs of Mountains and Valleys [0:39:20] Charley Pride - "It's Gonna Take A Little Bit Longer" - A Sunshiny Day With Charley Pride [0:41:53] Billy 'Crash' Craddock - "Confidence and Common Sense" [0:44:27] Carl Smith - "My Friends Are Gonna Be Strangers" - Kisses Don't Lie [0:47:11] Music behind DJ: "Banjo Red" Scobe - "Down Yonder" [0:50:10] Dean Curtis - "Losers Lounge" [0:52:18] Gracie Dee - "Center Feature in the Playmore Magazine" [0:54:45] https://www.wfmu.org/playlists/shows/143961

Doğa Konuşmaları'nda bu hafta, doğanın acil ve yakıcı gündemine kültür - sanat çerçevesinde odaklanıyoruz. Araştırma ve Programlar Direktörü Fatma Çolakoğlu, "Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri"ni, Programlar Sorumlusu Eylül Şenses ise "Havaya Dair" sergisini anlatıyor. - Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri Adını elektronik müziğin öncülerinden Mort Garson'ın bitkilere ithaf ettiği Mother Earth's Plantasia (1976) albümünden alan Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri, Salt Beyoğlu'ndaki Kış Bahçesi'nde art arda yer alacak bir dizi ses enstalasyonundan oluşuyor. Garson'ın, bitkilerin gelişiminde müzik ve ses dalgalarının etkisini irdeleyen The Secret Life of Plants [Bitkilerin Gizli Yaşamı] (1973) kitabından etkilenerek hazırladığı albüm, Los Angeles'taki Mother Earth isimli çiçek dükkânında “bitkilerin dinlemesi için” kaydedilir ve dükkândan çiçek alanlara hediye edilir. Sentezleyici ile elektronik sesleri yenilikçi biçimlerde kullanan bu çalışmadan esinlenen seri, Kış Bahçesi'ndeki bitkiler ile ses ve müzik üzerinden ilişki kuran üretimleri bir araya getiriyor. Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri, L'Internationale‘nin Museum of the Commons [Müşterekler Müzesi] projesi kapsamında ve EK BİÇ YE İÇ desteğiyle gerçekleştirilmektedir. Mekâna özgü olarak kurgulanan enstalasyonlar, 5 Haziran 2024–6 Nisan 2025 tarihlerinde beş ayrı programda sunulacak. - Havaya Dair Milano merkezli disiplinlerarası tasarım stüdyosu 2050+ tarafından Salt Beyoğlu'ndaki Forum alanı için tasarlanan Havaya Dair, maddi, işitsel ve görsel deneyler aracılığıyla hava kirliliğinin toplumsal ve ekolojik boyutlarını odağına alıyor. Sergide, ziyaretçileri havanın maddeselliğiyle ilişki kurmaya teşvik eden bir dizi müdahale yer alıyor: Azot dioksit, ozon, karbon dioksit, partikül madde, kükürt dioksit dâhil olmak üzere havanın kimyasal bileşimini ortaya çıkaran ve her biri farklı zehirlilik derecelerine karşılık gelen bir renkle tasvir edilmiş; zehirliliğin farklı ölçeklerdeki yaygınlığını gösteren veri ve görüntülerin işlendiği perdeler, havadaki bu maddelerin etkileşiminin tetiklediği kimyasal reaksiyonlar sonucu ortaya çıkan koşulları duyumsanabilir kılan bir ses enstalasyonu ile İstanbul'un gökyüzünün, genellikle hareketsiz ve üç boyutlu nesneleri kaydetmek için kullanılan fotogrametri tekniğiyle hazırlanmış bir animasyonu. Böylece, yeryüzünü çevreleyen gaz hâlindeki görünmez maddelerin belgelenip cisimleştirilmesi amaçlanıyor. Havaya Dair, soluduğumuz havaya içkin karmaşıklıklara ilişkin anlayışımızı genişletmeye yönelik bir davet. Yalnızca havaya nüfuz eden ve hava yoluyla yayılan zehirliliği değil, bu zehirliliğin işaret ettiği karmaşık toplumsal ve politik sonuçları, yerel ve küresel izlekleri, gezegen ölçeğindeki inkâr edilemez bağıntıları da irdeliyor. Bir bölgedeki faaliyetlerin geniş çaplı etkiler yarattığı ortak bir alan olarak havayı odağına alan sergi, temiz ve solunabilir havanın müşterek ve evrensel bir hak olduğu bir dünya için kolektif eylemin gerekliliğini de gündeme getiriyor. 8 Mayıs-18 Ağustos tarihlerinde Salt Beyoğlu'ndaki Forum alanında ziyarete açık olacak sergi paralelindeki kamu programları saltonline.org ve Salt'ın sosyal medya kanallarında duyurulacak. - Meraklısı için: Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri: https://saltonline.org/tr/2739/bitkiler-ve-bitkileri-sevenler-icin-sicak-toprak-sesleri?home Havaya Dair:https://saltonline.org/tr/2725/sergi-havaya-dair?home - Neden Doğa Konuşmaları? #DoğaKonuşmaları cumartesi saat 19.30'da, pazar saat 10.30'da NTVRadyo'da. Merak ettiklerimizi, bilmemiz gerekenleri uzmanlara soruyor, yanıtları bulmayı, yeni ufuklar açmayı istiyoruz. Çünkü biz sürdürülebilir gelecek için, doğayla uyumlu, sağlıklı bir yaşam istiyoruz.

Doğa Konuşmaları'nda bu hafta, doğanın acil ve yakıcı gündemine kültür - sanat çerçevesinde odaklanıyoruz. Araştırma ve Programlar Direktörü Fatma Çolakoğlu, "Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri"ni, Programlar Sorumlusu Eylül Şenses ise "Havaya Dair" sergisini anlatıyor. - Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri Adını elektronik müziğin öncülerinden Mort Garson'ın bitkilere ithaf ettiği Mother Earth's Plantasia (1976) albümünden alan Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri, Salt Beyoğlu'ndaki Kış Bahçesi'nde art arda yer alacak bir dizi ses enstalasyonundan oluşuyor. Garson'ın, bitkilerin gelişiminde müzik ve ses dalgalarının etkisini irdeleyen The Secret Life of Plants [Bitkilerin Gizli Yaşamı] (1973) kitabından etkilenerek hazırladığı albüm, Los Angeles'taki Mother Earth isimli çiçek dükkânında “bitkilerin dinlemesi için” kaydedilir ve dükkândan çiçek alanlara hediye edilir. Sentezleyici ile elektronik sesleri yenilikçi biçimlerde kullanan bu çalışmadan esinlenen seri, Kış Bahçesi'ndeki bitkiler ile ses ve müzik üzerinden ilişki kuran üretimleri bir araya getiriyor. Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri, L'Internationale‘nin Museum of the Commons [Müşterekler Müzesi] projesi kapsamında ve EK BİÇ YE İÇ desteğiyle gerçekleştirilmektedir. Mekâna özgü olarak kurgulanan enstalasyonlar, 5 Haziran 2024–6 Nisan 2025 tarihlerinde beş ayrı programda sunulacak. - Havaya Dair Milano merkezli disiplinlerarası tasarım stüdyosu 2050+ tarafından Salt Beyoğlu'ndaki Forum alanı için tasarlanan Havaya Dair, maddi, işitsel ve görsel deneyler aracılığıyla hava kirliliğinin toplumsal ve ekolojik boyutlarını odağına alıyor. Sergide, ziyaretçileri havanın maddeselliğiyle ilişki kurmaya teşvik eden bir dizi müdahale yer alıyor: Azot dioksit, ozon, karbon dioksit, partikül madde, kükürt dioksit dâhil olmak üzere havanın kimyasal bileşimini ortaya çıkaran ve her biri farklı zehirlilik derecelerine karşılık gelen bir renkle tasvir edilmiş; zehirliliğin farklı ölçeklerdeki yaygınlığını gösteren veri ve görüntülerin işlendiği perdeler, havadaki bu maddelerin etkileşiminin tetiklediği kimyasal reaksiyonlar sonucu ortaya çıkan koşulları duyumsanabilir kılan bir ses enstalasyonu ile İstanbul'un gökyüzünün, genellikle hareketsiz ve üç boyutlu nesneleri kaydetmek için kullanılan fotogrametri tekniğiyle hazırlanmış bir animasyonu. Böylece, yeryüzünü çevreleyen gaz hâlindeki görünmez maddelerin belgelenip cisimleştirilmesi amaçlanıyor. Havaya Dair, soluduğumuz havaya içkin karmaşıklıklara ilişkin anlayışımızı genişletmeye yönelik bir davet. Yalnızca havaya nüfuz eden ve hava yoluyla yayılan zehirliliği değil, bu zehirliliğin işaret ettiği karmaşık toplumsal ve politik sonuçları, yerel ve küresel izlekleri, gezegen ölçeğindeki inkâr edilemez bağıntıları da irdeliyor. Bir bölgedeki faaliyetlerin geniş çaplı etkiler yarattığı ortak bir alan olarak havayı odağına alan sergi, temiz ve solunabilir havanın müşterek ve evrensel bir hak olduğu bir dünya için kolektif eylemin gerekliliğini de gündeme getiriyor. 8 Mayıs-18 Ağustos tarihlerinde Salt Beyoğlu'ndaki Forum alanında ziyarete açık olacak sergi paralelindeki kamu programları saltonline.org ve Salt'ın sosyal medya kanallarında duyurulacak. - Meraklısı için: Bitkiler ve Bitkileri Sevenler için Sıcak Toprak Sesleri: saltonline.org/tr/2739/bitkiler-…prak-sesleri?home Havaya Dair: saltonline.org/tr/2725/sergi-havaya-dair?home - Neden Doğa Konuşmaları? #DoğaKonuşmaları cumartesi saat 19.30'da, pazar saat 10.30'da NTVRadyo'da. Merak ettiklerimizi, bilmemiz gerekenleri uzmanlara soruyor, yanıtları bulmayı, yeni ufuklar açmayı istiyoruz. Çünkü biz sürdürülebilir gelecek için, doğayla uyumlu, sağlıklı bir yaşam istiyoruz. bitkilervebitkilerisevenleriçinsıcaktoprakseslerihavayadairsaltbeyoğluçevredoğadoğayadair  

#301: We're continuing our summer series of places to explore - and this time we're stepping out of the studio and into the wild. Evan's taking Brian on a tour of a park that meant a lot to him as a kid - and we're meeting the organization that acts as its steward: Tree People.  You've probably heard of them before - they do everything from trail restoration work to planting shade trees, just about everywhere in Southern California. But this is their home base, and when they're not reforesting swaths of the Angeles National Forest you can find them in the heart of LA at the top of Coldwater Canyon. Music in this episode composed by: Austin Cross, Imaginary Softwoods, Jerimiah Chiu & Marta Sofia Honer, Josiah Steinbrick, M. Sage, Mort Garson, Nicklas Nygren, Patricia Wolf, Wilson Tanner

Vision without eyes? Intelligence without a brain? Are plants more akin to us than we have been prepared to acknowledge? Or are they different in ways we will forever strain to imagine? One way or another, a vine with some unusual abilities is shaking the field of botany to its foundations.On this episode: Zoë Schlanger (author of the newly-released, New York Times bestselling book The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth) takes us to the misty rainforests of Chile and back to report on what might just be the world's most extraordinary plant — hidden in plain sight.— — —With music by Modern Biology, Mort Garson, Hotspring, Thumbug, and Sunfish Moon Light.For credits, citations, transcript, and more, visit futureecologies.net/listen/fe-5-10-everything-will-be-vine— — —

We salute the iconic Technics 1200s with turntablist royalty Mista Sinista as he slices and dices his way through golden era hiphop and original breaks with a master's touch. Plus long-lost gold from Sharon Jones, a Moog spacewalk with Mort Garson, and a special spotlight on the X-ecutioners from their era-defining early works up to their latest releases. View the full playlist for this show at https://www.wefunkradio.com/show/1200 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Les rapprochements entre la musique électronique et la nature sont nombreux. On y parle de cycles, de boucles, de débuts, de fins et d'une électricité libre et en mouvement. La musique modulaire a quelque chose d'organique. Tout comme le sauvage, elle échappe à tout contrôle. Les pionniers des sphères musicales électroniques ont pris l'habitude de multiplier les références biophiles à travers les noms d'albums (Environments, Earth to Infinity…), d'artistes (Biosphere, Monolake…),de morceaux, de labels… Jusqu'à aller explorer les relations inter-espèces en proposant des œuvres destinées à être écoutées par les plantes (l'album Mother Earth's Plantasia de Mort Garson en 1976). Des podcasts telles que Monochrome font également le lien entre ambient, dub techno et monde vivant non-humain jusqu'à se référer aux saisons dans la fréquence de diffusions de ses épisodes. Le collectif La botanique a quant à lui créé l'orgue végétal, véritable instrument pour faire chanter les plantes. Enfin, le Collectif Exocet explore des thématiques de l'univers marin. La musique électronique serait-elle une forme de reconnexion au vivant ? Réalisation Aurélien Frances - Silence Podcast Merci pour votre écoute Par Ouïe-Dire c'est également en direct tous les jours de la semaine de 22h à 23h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Par Ouïe-Dire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/272 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Betty Amos with Judy & Jean - "Eighteen Wheels A' Rollin" [0:00:00] Hal Howard - "I Traded My Heart (For A Heartache)" [0:06:24] Hank Williams - "Baby, We're Really In Love" [0:08:35] The Willis Brothers - "Goin' To Town" [0:11:07] York Brothers - "Don't Leave Me With the Yum Yum Blues" [0:13:21] Music behind DJ: Joe Maphis - "Durango" - The New Sounds Of Joe Maphis [0:15:57] Donna Kaye - "Unwanted" [0:18:54] Ferlin Husky - "You Pushed Me Too Far" [0:23:41] Onie Wheeler - "Dancing" [0:24:00] Red Johnson - "Railroaded" [0:25:49] Peewee King - "Slow Poke" [0:27:31] Music behind DJ: Joe Maphis - "Buckaroo" - The New Sounds Of Joe Maphis [0:30:04] David Hill with Mort Garson's Orch. and Chorus - "Wild Child" [0:33:51] Mickey Hawks with Moon Mullins & His Night Raiders - "Bip Bop Boom" [0:35:58] Billy Hancock with the Tennessee Rockets - "The Boogie Disease" [0:37:28] Dale Jay / the Storms - "Shaken All Over" [0:40:07] Edie Lenore - "Johnny Be Good" [0:42:02] Music behind DJ: Joe Maphis - "Spanish Dobro" - The New Sounds Of Joe Maphis [0:45:02] The Pointer Sisters - "Fairytale" [0:48:25] Beyonce - "Dolly P" [0:54:09] Beyonce - "Jolene" [0:54:32] Billy La Sane - "Black Folks Love Country Music Too" [0:57:39] https://www.wfmu.org/playlists/shows/138573

Betty Amos with Judy & Jean - "Eighteen Wheels A' Rollin" [0:00:00] Hal Howard - "I Traded My Heart (For A Heartache)" [0:06:24] Hank Williams - "Baby, We're Really In Love" [0:08:35] The Willis Brothers - "Goin' To Town" [0:11:07] York Brothers - "Don't Leave Me With the Yum Yum Blues" [0:13:21] Music behind DJ: Joe Maphis - "Durango" - The New Sounds Of Joe Maphis [0:15:57] Donna Kaye - "Unwanted" [0:18:54] Ferlin Husky - "You Pushed Me Too Far" [0:23:41] Onie Wheeler - "Dancing" [0:24:00] Red Johnson - "Railroaded" [0:25:49] Peewee King - "Slow Poke" [0:27:31] Music behind DJ: Joe Maphis - "Buckaroo" - The New Sounds Of Joe Maphis [0:30:04] David Hill with Mort Garson's Orch. and Chorus - "Wild Child" [0:33:51] Mickey Hawks with Moon Mullins & His Night Raiders - "Bip Bop Boom" [0:35:58] Billy Hancock with the Tennessee Rockets - "The Boogie Disease" [0:37:28] Dale Jay / the Storms - "Shaken All Over" [0:40:07] Edie Lenore - "Johnny Be Good" [0:42:02] Music behind DJ: Joe Maphis - "Spanish Dobro" - The New Sounds Of Joe Maphis [0:45:02] The Pointer Sisters - "Fairytale" [0:48:25] Beyonce - "Dolly P" [0:54:09] Beyonce - "Jolene" [0:54:32] Billy La Sane - "Black Folks Love Country Music Too" [0:57:39] https://www.wfmu.org/playlists/shows/138573

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Kool Keith, "Space Mountain (feat. Marc Live)" (Black Elvis 2) 2023 Mello Music Group 2. Mort Garson, "Moon Journey" (Journey to the Moon and Beyond) 2023 Sacred Bones 3. Carlos Nino and Friends, "Taaaud (featuring Sibusile Xaba, Jamael Dean, Nate Mercereau)" ((I'm just) Chillin', on Fire) 2023 International Anthem 4. Nicol Eltzroth Rosendorf, "Immer Besser" (Internal Return) 2023 Negative Capability Editions 5. Nein Rodere, "Bristeltown (I-II)" (Form and Feeling) 2023 Horn of Plenty 6. Giovanni Di Domenico, "Minum" (Succo di formiche) 2023 Unseen Worlds 7. Gregory Kramer, "Role (1972)" (Veils Of Transformation 1972-1980) 2023 Important 8. Gunn Truscinski Nace, "On Lamp" (Glass Band) 2023 Three-Lobed 9. Charlie Butler, "Eagle's Splendour" (Spectrum) 2023 Cruel Nature 10. Maud the moth + trajedesaliva, "Cuerpo de gato" (Bordando el manto terrestre) 2023 Woodford Halse # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

《Backyard 后院》是电波策划的一本生活方式电台月刊，以图文有声杂志的形式和大家一月一会。 本期《Backyard 后院》给大家呈现的是： 桂林便当超意兴 丽华快餐打抛饭 泰国老挝迷幻乐 七色火里高速行 小山田圭吾 Cornelius ‘梦中梦' 2024 全球巡演 订票地址：https://mp.weixin.qq.com/s/eHDJwVhdvFvY54iaRPvchg 本期主播： 直立猿、韩队、欢乐龙卷、于洛 Shownotes: 04:02 关于《汉声》和鸟山明 广而告之 16:36 Cornelius小山田圭吾北京上海演出预告 夜生活才刚刚开始 24:20 DipInThePool和上海双年展—宇宙电影 饕餮天地 41:14 不是预制菜成为商家的新宣言 51:30 老乡鸡、超艺兴的优势。 58:07 桂林便当与丽华快餐 63:50 七色火- 七色火 SolidSolid 64:41中国第一张电子流行音乐唱片 “七色火” 再版。 73:17 七色火与Mort Garson 84:03 Khun Narin - Sut Sanaen #2 85:59 一盘打抛饭之后的东南亚音乐探索 玩乐时光 96:20 韩队的迷幻高速公路 117:09 JAMBINAI - The Mountain 短平快 122:18 抽象做饭艺术：没空忧伤 Songlist: 声音碎片-优美的低于生活 七色火- 七色火 khun narin - Sut Sanaen #2 117:09 JAMBINAI - The Mountain Laraaji - All of a Sudden

Ce thème, écrit pour faire pousser les plantes puis enterré pendant des années, a repris racine grâce à une pub, ça s'arrose !

DELICIOUS by Jim Backus and Friend (Jubilee, 1958)This lascivious one-off came to me via Dr. Demento, the famed broadcaster and collector of novelty records. The evocative cocktail music by Mort Garson and Buddy Kaye sets the salacious scene. I immediately recognized the familiar voice of the tipsy seducer as Jim Backus  (known for Mr. Magoo and Thurston Howell III). But, who was that sexy siren playing footsie with him? It was Kay Connell, who couldn't reveal her name on the record, as she was under contract at ABC-Paramount - so she remains deeply obscure, known to recorded history only as Jim's “friend”. Everyone loves to laugh; it's contagious. JIm and Kay's chortling is so infectious that it sparks spasms of glee in anyone who hears it. I dare you to try to listen to this record while resisting the effervescent bubbles of mirth that these two wobbly wantons are serving up.Jim Backus did some estimable dramatic acting, including as James Dean's dad in Rebel Without a Cause, but he hit comedy pay dirt with Magoo, and later on Gilligan's Island as the clueless millionaire. On this unique document, the actor demonstrates his powerfully persuasive comic gifts. 

A look back on what you have been listening to in 2023 and what PJ & Jim have been listening to too. Shout out to Mort Garson and #Plantasia! If you like what you hear here, tune into Radio Nova for the cereal messers: PJ Gallagher and Jim McCabe's radio show, "Morning Glory", every weekday from 6-10am. The IMRO Radio Award-winning show features news, sport, weather, traffic and craic every day, as well as the most seriously addictive music in town! Thanks to www.insuremyvan.ie Here it across Ireland via the free Radio Nova app on Android & iphone, online at www.nova.ie, via the Irish Radio Player, via your smart speaker (“Play Radio Nova”) on 100.3 FM in Dublin and Meath, on 100.5 FM in Kildare, on 95.7 FM in Wicklow, on 100.1 FM in Ballbriggan and on Virgin Media TV 937.  #GloryDaze #MorningGlory #RadioNova #PJGallagher #JimMcCabe #SeriouslyAddictive 

  The nice folks at Nettwerk Music Group reached out about the possibility of doing some guest mixes and I am pleased to present the first one. This mix comes to us from TJ Dumser who releases music under the moniker, Six Missing. He has a new album coming out in December so the timing is perfect. I'll let TJ tell you about his mix: "Listening to music always makes me transport to another place. And whenever a piece of music can make me travel to a place that elicits a vivid scene within my mind, I love it even more. Every time I sit and write a piece of music, I am always allowing it to take me somewhere, and then my goal is to try to capture that like a polaroid and develop it as quickly as I can so that the imagery is imprinted firmly within the makeup of the piece.  Misty Morning is a collection of tracks both old and new that allow my mind to travel. Within this mix I've included pieces from not only myself (and an unreleased sneak peak), but from other artists I respect and love. Each track on here hits you with emotion and vibe instantaneously. There is no build-up for these. With each new piece you are gently guided along what I envision being the most perfect and slow morning with a cup of coffee as you watch the mist and fog rise up from the serene mountains behind your home. Or perhaps you are drifting in and out of sleep on an airplane or in a car. But you could also be seated and just merely listening. Regardless, these pieces aim to lift you up and out of your thinking mind and usher you into the beloved "in-between."  While making my latest record "Here For Now," which comes out December 15th via Nettwerk, I was listening to artists that use sounds masterfully - Kaitlyn Aurelia Smith, Visible Cloaks, and Nils Frahm all are within complete and total control of their voices and I found that incredibly inspiring as I was working to find my own voice.  It is with great humility that I place my own music amongst artists such as Mort Garson and Ólafur Arnalds as well as the ever blissful Eydís Evensen. But thankfully, it seems to all feel like they belong there.  I had a great time designing this curated vibe-adventure for you and hope you find some new artists you've never heard before as well as some old favorites.  Thank you for listening." Six Missing Links: Website | Instagram | Facebook | TikTok | YouTube   Thanks for providing this Misty Morning. Cheers!   T R A C K L I S T : 00:00-02:27 - Possibility - Six Missing 02:16-05:12 - Dreamy - Hania Rani 05:06-06:13 - Unity - Ryuichi Sakamoto  06:05-11:06 - Dustlight - Alaskan Tapes, Moshimoss 10:42-15:13 - Waves - Six Missing 15:03-18:49 - Terrazzo - Visible Cloaks, Motion Graphics 18:43-23:08 - An Ending (Ascent) - Brian Eno 22:52-27:21 - Wandering I - Eydís Evensen 27:16-32:10 - Envelop - Kaitlyn Aurelia Smith 31:54-37:11 - Loving Kindness - Six Missing 36:54-39:47 - brot - Ólafur Arnalds 39:47-43:22- Sunflower Dance - Green-House 43:12-47:12 - Tranquility (For Sidney) - Clariloops 46:55-50:15 - Deja Vu - Ataraxia, Mort Garson 49:53-53:43 - Foreshadowed - Harold Budd, Brian Eno 53:25-57:45 - Cleanse - Six Missing (Unreleased until 12/1/23) 57:29-62:54 - Music for 18 Musicians: Pulses - Steve Reich 62:25-65:48 - Alpha 1 - Ami Shavit 65:30-70:55 - Seah Jahan - Paul Horn 70:50-77:53 - Statum - Visible Cloaks, Yoshio Ojima, Satsuki Shibano 77:42-88:18 - Sunson - Nils Frahm

Au programme de ce mercredi 8 novembre, dans la tranche information de So good Radio : des noms d'oiseaux, jugés racistes ou suprémacistes, modifiés par des ornithologues américains pour faire évoluer la mémoire collective; dans l'Ohio, le droit à l'avortement désormais inscrit dans la Constitution, et enfin, en France, les producteurs d'énergies fossiles excluent d'un nouveau label vert.En plus de votre fil info feel good, retrouvez L'appel du good de Marie, qui nous parle de l'association Toit à Moi, Le peigne dans l'maillot, la formule secrète pour s'endormir un peu moins con consacré à la bande-dessinée “Emotive, Voyages à bord du vaisseau mental” de Sandrine Martin; et enfin, la chanson qui va bien avec "Plantasia" de Mort Garson. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Easy listening studio maestro Mort Garson contributes to the healthy development of houseplants by composing an album solely on a Moog synthesizer for them to listen to.

Portland is home to one of the largest comic book and graphic novel communities in the nation. We're not just talking about fans but about writers, artists, and publishers. So with the city's biggest comics convention underway this weekend, today on City Cast Portland, we're talking with Lauren Dabb of Leftfield Media, which produces the Rose City Comic Con, and Eisner-award-winning Portland comic book writer Kelly Sue DeConnick. They're both here to tell us why our comics community is unique and why you shouldn't sleep on this weekend's Rose City Comic Con. Events mentioned in the episode: Forest Park's 75th Anniversary: https://www.portland.gov/parks/forest-park-75 Indiana Jones: Raiders of the Lost Ark in Concert: https://www.orsymphony.org/concerts-tickets/2324/indiana-jones-raiders-of-the-lost-ark-in-concert/  Laser Mort Garson: Plantasia on the Moon at OMSI: https://everout.com/portland/events/laser-mort-garson-plantasia-on-the-moon/e156197/  More on Mort Garson: https://www.portlandmercury.com/music/2023/09/19/46729036/finally-the-music-of-mort-garson-presented-as-it-should-be-with-lasers Who would you like to hear on City Cast Portland? Shoot us an email at portland@citycast.fm, or leave us a voicemail at 503-208-5448. Want more Portland news and events? Then make sure to sign up for our morning newsletter, Hey Portland, and be sure to follow us on Instagram.  Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about your ad choices. Visit megaphone.fm/adchoices

El veterano compositor Koji Kondo parece haber tomado inspiración en todo tipo de temas musicales de otros artistas para crear las emblemáticas melodías de Super Mario y The Legend of Zelda: desde bandas como T-Square, Friendship o Deep Purple a compositores como Gustav Holst o Mort Garson. Repasamos varios ejemplos de parecidos musicales entre las melodías de Kondo y otros artistas. Presentado por Nacho Bartolomé. Sintonía y sonidos del podcast por Rubén García. Puedes contactar a través de Twitter (@nintendatos) o correo electrónico (contacto@nintendatos.com). ¡Gracias por escuchar!Temas referenciados en orden de aparición: Sister Marian - T-SquareLet's Not Talk About It - FriendshipSummer Breeze - PiperApril - Deep PurpleMars, the Bringer of War - Gustav HolstConcerto for Philodendron & Pothos - Mort GarsonFuentes y enlaces de interés:https://shmuplations.com/kojikondo/

#129: Today's dual strike of WGA & SAG-AFTRA bears a striking similarity to the last time both unions joined on the picket lines: 1960. In both contract disputes, the main concern for writers and actors revolved around emerging technologies. Where today's union members are concerned about streaming residuals and AI, their forebears were concerned about their movies being rebroadcast on TV. The major studios may have changed but, in both cases, workers are saying they are not receiving their fair share of the profits. So today we're checking in with LAist's favorite history journalist, Hadley Meares, to talk about what we can learn from past strikes, and how 1960's echoes can still be felt today. Check out Hadley's article on LAist.com: https://laist.com/news/arts-and-entertainment/how-the-sag-strike-of-1960-foreshadowed-hollywoods-current-battle Music in this episode composed by: Mort Garson, indiegamemusic.com, Maston, Moon Mullins, Macabre Plaza, Mamman Sanni, Dexter Thomas, Woo

"Delivery" by Black Duck from the self titled album; "Zoos of the World" by Mort Garson from Journey to the Moon and Beyondl; Fallen Angel" by Natural Wonder Beauty Concept from the self titled album; The title track to Butterfly Effect by Forest Swords; The title track to Nothing's Special by Oneohtrix Point Never; The title track to Memoire de Forme by Pierre Rosseau; "Negative Loop" by Joni Void from Everyday is the Song; "Chalky's Eyes" by The Holy Family from Go Zero; "Leon Vapor Calcio" by Lorena

Welcome back to another episode of Aquarium Drunkard Transmissions, so glad to have you with us. A major inspiration for us in the podcast zone is media theorist Douglas Rushkoff, host of the Team Human podcast. As our digital age gets stranger, more fractured, and harder to parse, we find his humanist, consciousness-centered approach very helpful. One of the things he's known for saying is “Look for the others”—the others who grok your worldview, whose enthusiasms and obsessions mirror your own. And no doubt about it, our guest this week, Andy Zax, feels very much like one of the others. Zax is a lifelong music devotee, and he's worked on pretty much every side of the music business, writing copy and liner notes, producing records, working with labels like Rhino, and generally helping to shine a light on figures like Judee Sill, David Axelrod, Talking Heads, and many more. In 2019, he oversaw the massive Woodstock 50th anniversary project, restoring virtually all the audio associated with the historic concert. For Zax, all of this is something of a holy calling, and its led him to discoveries in unexpected places, like when he found an unreleased recording by electronic pioneer Mort Garson—known these days for the hippest ever music for plants to grow by LP Plantasia—nested in the archive of spoken word artist Rod McKuen. And not just any recording: we're talking “Journey to the Moon,” music Garson composed for the live CBS News broadcast of the Apollo 11 moon landing in 1969. That recording sees release this week via Sacred Bones' Journey To the Moon and Beyond, released on Friday, July 21. Over the course of his long chat, we riff on the value of archived music, music streaming and music technology, audio quality, the merits of keeping your records unorganized, the haunting quality of Leonard Nimoy's late ‘60s studio albums, and much more.  Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on Transmissions? 20-year-old Navajo singer/songwriter Hataałii joins us to discuss his label debut and what music has meant to him growing up. Until then, this Transmission is concluded.  For heads, by heads. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support via our Patreon page

It's the thick of the summer, which means your Transmissions correspondents are spending as much time in cool dark spaces as possible. One record that particularly suits the mood in our summer bunker hideaway is Gia Margaret's Romantic Piano. Though Margaret's 2018 debut, There's Always Glimmer, was the striking work of a singer/songwriter, when medical issues put a strain on her voice, she turned to instrumental music, first with her ambient leaning self-titled 2020 album, and now Romantic Piano, a collection of moving piano compositions, mostly instrumental, that feels at once meditative and comforting. It's the kind of music that carves out more space for the listener—and it turns out, it's the kind of music that did something similar for its creator.  In our talk, we discuss the intuitive roots of Gia's music, working with previous Transmissions guest David Bazan of Pedro the Lion, and much more. It's a thoughtful, spacey conversation for you as we weather the way out heat of summers in a changing world Transmissions is part of the Talkhouse Podcast network, check out Talkhouse for more great reading and listening. Next week on the show, archivist Andy Zax shares the story of an unheard Mort Garson soundtrack and ponders alternate musical histories.

A dystopian technique for replacing a roof in one day. America's addiction to excitement. ALSO: Student loan forgiveness?? Calling vacation days "PTO." The new Can Do Cold Brew Ad. PLUS: An update on Chris's campaign, new info on the doomed submersible and a song of the week from Radio Shack occultist Mort Garson!!Mort Garson - "Tarot": https://www.youtube.com/watch?v=G2p_x3FnAwEChris's Nashville Scene Candidate Q&A: https://www.nashvillescene.com/news/pithinthewind/metro-council-at-large-q-a-chris-crofton/article_22ec4ab2-87ff-5af5-9329-b9097c94022a.htmlChannel Nonfiction: Channelnonfiction.comCan Do Cold Brew: Candocoldbrew.comCBGML Patreon: Patreon.com/ChrisCrofton

Episode 637: June 11, 2023 playlist: Kool Keith, "Space Mountain (feat. Marc Live)" (Black Elvis 2) 2023 Mello Music Group Mort Garson, "Moon Journey" (Journey to the Moon and Beyond) 2023 Sacred Bones Carlos Nino and Friends, "Taaaud (featuring Sibusile Xaba, Jamael Dean, Nate Mercereau)" ((I'm just) Chillin', on Fire) 2023 International Anthem Nicol Eltzroth Rosendorf, "Immer Besser" (Internal Return) 2023 Negative Capability Editions Nein Rodere, "Bristeltown (I-II)" (Form and Feeling) 2023 Horn of Plenty Giovanni Di Domenico, "Minum" (Succo di formiche) 2023 Unseen Worlds Gregory Kramer, "Role (1972)" (Veils Of Transformation 1972-1980) 2023 Important Gunn Truscinski Nace, "On Lamp" (Glass Band) 2023 Three-Lobed Charlie Butler, "Eagle's Splendour" (Spectrum) 2023 Cruel Nature Maud the moth + trajedesaliva, "Cuerpo de gato" (Bordando el manto terrestre) 2023 Woodford Halse Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

#113: Foraging doesn't just mean hightailing it to the Santa Monica mountains and looking through brush and wood for mushrooms. There's a whole world of wild, and not-so-wild foods growing all around us — in our Urban Forest. Los Angeles has so much to offer, whether you're looking for citrus or loquats or edible flowers. But it's a LOT to learn all by yourself. So today, HTLA newsletter writer Aaricka Washington is taking Brian De Los Santos on an edible tour of those famous Silverlake stairs... you know, the ones with the hearts on them? She was out there recently with a BIPOC foraging group to learn how to forage for the first time, and now she's sharing what she learned — and the community she gained — with Brian. Be sure to check out Aaricka's newsletter for photos and more information about the group she went out with:Want To Learn How To Forage? There's An Inclusive Workshop Right Here In LA Music in this episode composed by: Austin Cross, Mort Garson, Naran Ratan, & Woo

Episode 95 Early Intersections of Rock and Electronic Music   Playlist Frank Zappa, The Mothers of Invention, “The Return of the Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)” from Freak Out! (1966 Verve). Bass, Guitarrón, Soprano Vocals, Roy Estrada; Drums, Jimmy Carl Black; Guitar, Vocals, Arranged By, Written-By, Leader, Musical Director, Frank Zappa; Lead Guitar, Rhythm Guitar, Elliot Ingber; Vocals, Harmonica, Tambourine, Finger Cymbals, Ray Collins. Having been gifted a copy of the Mother's album Freak Out! In 1966, it was apparently this song that stuck in Paul McCartney's mind, inspiring the “Carnival of Light” recording to follow. 12:15 The Beatles, “Carnival of Light” an unreleased track that was commissioned by the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on January 28 and February 4, 1967. Recorded during a session for the song "Penny Lane" in January 1967. Working with the recording studio as a creative tool, this was a project brought to band by Paul McCartney who had been asked by the festival sponsors to create a tape to be featured at the event. It was reported later that McCartney explained the exercise to his bandmates by saying, "This is a bit indulgent, but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it." The result was this sound piece. The Beatles were already conditioned for turning out spectacular sound effects in the studio. This was before the Moog Synthesizer came to Abbey Road. Nonetheless, they had access to all manner of guitar effects, echo, reverb, a Mellotron, electronic piano, organ, Lesley speakers and other devices with which to improvise. 13:08 The Riders Of The Mark, “The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg” from The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg/Gotta Find Somebody (1967 20th Century Fox). I wish I knew more about this band, but I don't. They had this one single. It has sometimes been included on compilation of psychedelia. Rock music, tape reversal, tape echo, fuzz tones, guitars. 2:13 Pink Floyd, “Interstellar Overdrive” from The Piper At The Gates Of Dawn (1967 Columbia). UK release of the formidable Pink Floyd, then making an impact with their first LP. No synthesizers, but there were electronic rock instruments galore and some imaginative stereo imaging, a benefit of working with tape in those days. Bass Guitar, Vocals, Roger Waters; Lead Guitar, Vocals, Syd Barrett; Drums, Nicky Mason; Piano, Organ, Rick Wright. 9:40 Bernard Parmegiani, “Pop'eclectic (1968)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Parmegiani was one of the lesser-known composers associated with the French musique concrete school, although he was no less prolific in many genres, including electronic music for commercials. He was adept at experimenting across genres, providing musique concrete vividness to works for jazz and rock music. I always find his work to be refreshing and uncluttered by musical cliches. 11:03 (Frank Zappa) The Mothers of Invention, “Are You Hung Up?” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 1:30 Silver Apples, “Velvet Cave” from Silver Apples (1968 Kapp). Composed and Arranged by, Dan Taylor, Simeon; Percussion, Dan Taylor; The Simeon (oscillators, filters), Simeon; Vocals, Dan Taylor, Simeon. “INSTRUCTIONS: Play Twice Before Listening.” This two-man group used a genius combination of drums and oscillators, a match made in heaven. 3:27 (Frank Zappa) The Mothers of Invention, “Nasal Retentive Calliope Music” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 2:03 The United States of America, “The American Metaphysical Circus” from The United States of America (1968 Columbia). While the entire psychedelic scene in America was adding tape manipulation, fuzz tones, and echo to their recordings, The United States of America brought a blend of rock musicianship and serious tape collage work to the fore. The tape effects in their music were not the usual brief hooks or the sake of novelty, but fully composed blocks of electronic and found sounds integrated in the core of their tunes. Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. 5:07 The United States of America, “Hard Coming Love” from The United States of America (1968 Columbia). Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. No synthesizers as such, but Tom Oberheim built ring modulators and other devices for them. 4:48 Bernard Parmegiani, “Du Pop À L'âne (1969)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Of special interest on this track is a sampled chunk of a song by the Doors that appears about 6 minutes in, altered and accompanied by editing and effects. This use of sampling speaks to the liberties that musique concrete musicians were taking with found materials. 10:14 Pierre Henry & Michel Colombier, “Prologue,” “Psyché Rock,” “Jéricho Jerk,” and “Teen Tonic” from Mass For Today / The Green Queen (1969 Limelight). Compilation of earlier works first released in 1967. These four works were part of “Mass for Today,” an electronic rock ballet.” This is a decent collection, with selections from other Henry musique concrete works. The electronic sounds and tape effects seem somewhat heavy-handed now, but at that time, this was what one could do without a synthesizer. Henry was already a maestro of musique concrete by that time so it's especially interesting to see what sounds he added without seeming trite or cliched. Réalisation Sonore, Pierre Henry; Written by, Michel Colombier, Pierre Henry. 9:54 Spooky Tooth and Pierre Henry, “Have Mercy” from Ceremony: An Electronic Mass (1969 Island). Bass Guitar, Andy Leigh; Composed by Gary Wright, Pierre Henry; Drums, Mike Kellie; Electronics, Realisation Sonore, Pierre Henry; Lead Guitar, Luther Grosvenor; Lead Vocals, Mike Harrison; Lead Vocals, Keyboards, Gary Wright. 8:10 The Free Pop Electronic Concept, “Pish! Pshaw!” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 4:47 The Free Pop Electronic Concept, “Cosmos Rhythms” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 3:01 Tommy James and the Shondells, “Cellophane Symphony” from Cellophane Symphony (1969 Roulette). This title track was a rare instrumental from this group normally associated with rock vocal hits. This is the only track in this podcast featuring the Moog Modular Synthesizer. There were certainly other examples of the Moog since it was first used in 1967, but I wanted to choose an example of how the synthesizer could be used by a rock band, rather than a pop artist such as Jean Jacques Perrey or Mort Garson. This is a terrific example that I would bet many of my listeners have never heard before. Tommy James, lead vocals, guitars, keyboards; Eddie Gray, lead guitar, backing vocals; Ronnie Rosman – keyboards, backing vocals; Mike Vale, bass guitar, backing vocals; Pete Lucia, drums, percussion, backing vocals. 9:37 West Coast Pop Art Experimental Band, “As Kind as Summer” from Vol. 3 - A Child's Guide To Good & Evil (1968 Reprise). American psychedelic rock band, formed in Los Angeles in 1965, broke up in 1969. Three teens (brothers Dan and Shaun Harris and their friend Michael Lloyd) teamed up with 30-year old Bob Markley, who got them a record deal with Reprise. Each of their albums was most bizarre, combining hummable pop tunes and spacey production. I included this particular track because it starkly demonstrates the use of tape loops and sound reversal. 1:10 Toshi Ichiyanagi, The Flowers, "Electric Chant” and “The Flowers (内田裕也とザ・フラワーズ)” from Opera "From The Works Of Tadanori Yokoo (1969 The End Record). Composed by Toshi Ichiyanagi and performed by the Japanese rock group The Flowers: Bass, Takeshi Hashimoto; Drums, Joji Wada; Guitar, Vocals, Remi Aso; Percussion, Backing Vocals, Yuya Uchida; Steel Guitar, Katsuhiko Kobayashi; Vocals, Hiroshi Chiba, Kento Nakamura. I'm including two pieces from this opera from 1969. The first, “Electric Chant” is electronic and includes tape collage while the second, “The Flowers” was performed by the Japanese pop rock band The Flowers and is loaded with distortion, echo, feedback, and reverberation, transforming the simple rock format into a discourse in electronic sound. 5:17 & 7:18 Tim Buckley, “Starsailor” from Starsailor (1970 Bizarre). Engineer, Stan Agol; Vocals, Producer, Written by, Tim Buckley. According to Larry Beckett, Buckley's chief lyricist and collaborator, who was there when they recorded this track, Buckley had a basic lyric track to which he recorded 18 additional vocals tracks on top of it. “He didn't write it out as a classical musician does, but it was thoroughly composed.” From the standpoint of rock music, this was more akin to composing with tone clusters than chord progressions. 4:34 Opening background music: Luc Ferrari, “Dialogue Ordinaire Avec La Machine (1984)” from Dialogue Ordinaire Avec La Machine / Sexolidad (2019 Elica). Composed and performed by Luc Ferrari. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Само нежно кон себе во понеделник! Зборувавме за Животот, Рефлексии на утрото и пролетта, Банирањето на тротинетите во Париз, Заминувањето на Ruichy Sakamoto итн… Уживавме во музиката на: Alice Coltrane, Dazed and Confused, Pablo Bolivar & Mind Groove, Mort Garson, Speakers Corner Quartet, Kwake Bass, Raven Bush, Peter Bennie, Biscuit, Tirzah, Frank Ocean, Wynton Kelly, Yaya Bey Feat Exaktly, Beastie Boys, Blood Orange, Jitwam, Yungmorpheus, Jaydonclover, Antonelli, Ekatarina Velika, Swayzak feat. Kirsty Hawkshaw, Magnus, New Sector Movements ft Mike City, Lamore, Future Islands, Novos Baianos, Dego, Rod Lee, Tony Allen, T.I., Santigold, Zebra Katz, James Murphy, Midland, Fila Brazillia. Се слушаме наредниот понеделник во 09:00 во новата епизода на АМ шоу на Радио МОФ --- Send in a voice message: https://podcasters.spotify.com/pod/show/indog/message Support this podcast: https://podcasters.spotify.com/pod/show/indog/support

In a very electric Get Bakedthoven, Grace teaches us about Mort Garson's trippy album for plants, Plantasia! Later, Stephani laments about allergens in 60 Second Bong Box. ---- Our Slashtag.orgsies: ⁠www.stonerchickspodcast.com⁠ Become a Patron! ⁠patreon.com/stonerchicks⁠ Grace Penzell (⁠@savinggrapes⁠), Phoebe Richards (⁠@27phoebe27⁠), Kayla Teel (⁠@kayla_teel⁠), and Stephani Thompson (⁠@fannytragic⁠). Instagram: ⁠@stonerchickspodcast⁠ Twitter: ⁠@stonerchickspod⁠ Facebook: ⁠Stoner Chicks Podcast⁠ TikTok: ⁠@broccolibroads⁠ Email: stonerchickspodcast@gmail.com Snail Mail: PO Box 80586, Seattle, WA 98108 --- Edited by German at YPEditor.com; Theme Song by ⁠Jessica DiMari⁠; Cover Art by ⁠Ben Redder⁠, ⁠AJ Dent⁠, and Kayla Teel

Composer Zak Engel joins me to kick off 2023, and end my brief interview hiatus. We primarily chat about his score for the mind-bending sci-fi thriller Ultrasound, which released a couple of years ago but for which Zak's score has only recently come out. It's a really cool, engaging score filled with older analog synth sounds and more modern electronics, building on influences from folks like Mort Garson, Disasterpeace, and Daniel Lopatin/Oneohtrix Point Never. We also talk about some of Zak's personal influences, how he got into film, and Zak even tackles a few of my surprise and unfair abstract questions about film, music, and the art of scoring. You can find out more about Zak on his website or on bandcamp. Ultrasound is currently available on Hulu, while Zak's score (and many of his prior works) is available on all major digital platforms.

Episode 80   Electronic Music for Astral Tripping Or, Better Music Through Pharmacology  Playlist Hal Blaine, “Flashes” from Psychedelic Percussion (1967 Dunhill). Drums, Hal Blaine; Electronics (Moog), Paul Beaver; Keyboards, Organ, Electric Piano, Mike Lang; Percussion, Emil Richards, Gary Coleman. 2:22 Raymond Scott, “LSD”public service announcement for the film, The Trip (1967), plus some electronic music snippets from Electronium (2007 Electronium). I'm not sure who the voice of the announcer is but the recording was produced by Raymond Scott and and I sandwiched the PSA between two snippets of Scott's electronic music. Let this be a warning to you. 1:58 Mort Garson, “Astral Projection” from Ataraxia–The Unexplained (Electronic Musical Impressions Of The Occult) (1975 RCA). Composed with an electronic music score (Moog Modular) by Mort Garson. 5:12 Pierre Henry, “Electro-Genèse” from Mise En Musique Du Corticalart De Roger Lafosse (1971 Philips). Live improvisations recorded Feb. 15-21, 1971 by Pierre Henry using Roger Lafosse's Corticalart device, allowing one to transform brainwaves into electronic signals for further raw manipulations. Technical realization by Groupe Artec (Bordeaux) with electroacoustic equipment from Apsome and J. Heuze. I thought that we needed at least one piece that tapped directly into brain waves. 7:39 Ron Jacobs, “Eating Food” and “Listening to Music” from A Child's Garden Of Grass (A Pre-Legalization Comedy) (1971 Elektra). Timely yet instantly dated, this relic capitalized on explaining marijuana to squares. The Electronic Music was by Alex Hassilev, which probably means that Paul Beaver did the synthesizer patchwork (both were involved in 1967 on the Zodiac Cosmic Sounds by Garson). 3:31 Nik Raicevik, “Methedrine” from Numbers (1970 Narco). Although Raicevik went by the name 107-34-8933 for the initial release of this record on his Narco label, it was re-released by Buddha Records under the title Head by Nik Raicevik. Buddha dropped him and Raicevik went on to create several more crazy electronic albums for his Narco label. This was primarily a Moog Modular album. 5:59 Steve Hillage, “Hurdy Gurdy Glissando” from L (1976 Atlantic). This album was produced by Todd Rundgren and featured some of his Utopia bandmates, Kasim Sulton (bass) and the mind-blowing Roger Powell on synthesizers (R.M.I. Keyboard Computer, Minimoog). But the star is guitarist Steve Hillage (Guitar, Guitar-synthesizer, ARP, EMS, Voice) and a 15th Century Hurdy Gurdy by Sonja Malkine. This is an extrapolation of the Donovan Leitch song, “Hurdy Gurdy Man,” also featured on the album. 8:54 Eberhard Schoener and the Secret Society, “Trance-Formation” from Trance-Formation (1977 Harvest). Bass Guitar, Hansi Ströer; Choir, Members Of The Tölzer Knabenchor; Guitar, Andy Summers; Keyboards, Raimund Elleder; Orchestra, Orchestra of the Munich Chamber-Opera; Percussion, Nippi; Moog Synthesizer, Organ, Piano, Mellotron, Conductor Orchestra Conducted By, Composed By, Arranged By, Produced By, Sleeve Notes, Eberhard Schoener; Vocals, Mary Gregoriy, Monks Of The Monastery of Sama. 11:42 Kitaro, “Astral Trip” from 天界 = Ten Kai / Astral Trip (1978 Wergo). Shakuhachi, Biwa, Ryusuke Seto; Sitar, Lavi; Moog, Korg, ARP, and Roland synthesizers, Koto, Mandolin, Acoustic Guitar, Drums, Percussion, Bass, Kitaro. Written and Arranged by Kitaro. 7:40 Ozric Tentacles, “Lull Your Skull” from There Is Nothing (1986 Self-Released). Bass, Adam Mace; Drums, Nick Van Gelder; Guitar, Keyboards, Ed Wynne; Keyboards, Joie Hinton. 3:00 Bill Nelson, “Opium” from Sounding The Ritual Echo (Atmospheres For Dreaming) (1985 Cocteau Records). "Sounding the Ritual Echo was recorded in the privacy of my own home on broken or faulty tape machines & speakers, each track possessing its own technological deformity. For this I offer no apology as the music owes its existence to a very personal & selfish obsession. As a direct result, some pieces will require a little patience.” Bill Nelson. 1:44 Michael Magne, “Trip Psychiatrique” from Elements Nº 1 "La Terre" (1978 Egg). Bongos, Percussion, Grégori Czerkinsky; R.M.I. Keyboard Computer, ARP Odyssey, ARP Omni Polyphonique, ARP 2600, and Minimoog synthesizers, Clavinet D6, Electric Piano (Fender and Yamaha, composed, adapted, arranged by Michel Magne; Drums, Syn-drums, Jean-Paul Batailley. 4:35 Pure Energy, “Spaced Out” from Spaced Out (12” vinyl) (1983 Say What!? Records). From the Netherlands. Need I say more? I'm not sure if this was about space or being spaced-out but it is definitely psychologically disorienting. This is the long version. 7:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “Stone Stoner” from Absolutely Freak Out (Zap Your Mind!!). Bass Monster Bass, Acoustic Guitar, Vocals, Other Cosmic Joker, Tsuyama Atsushi; Drums, Ichiraku Yoshimitsu; Drums, Percussion, Other Sleeping Monk, Koizumi Hajime; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Violin, Tambura, Effects Cosmic Ringmodulator, Rds900, Synthesizer, Organ, Electric Harpsichord, Vocals, Other Speed Guru, Producer, Engineer, Kawabata Makoto; Jew's Harp, Electric Guitar, Other Erotic Underground, Magic Aum Gigi; Narrator Cosmic Narration, Other Freak Power, Wellens Johan; Saxophone, Mano Kazuhiko; Vocals, Suzuki Chisen; Vocals, Synthesizer, Acoustic Guitar, Other Beer and Cigarettes, Cotton CasinoVoice, Other Cosmos, Ginestet Audrey; Recorded at Acid Mothers Temple and FTF Studio, May to July, 2000. Yes, this is what psychedelic music should sound like. I promise to do an entire podcast around Japanese psychedelic music soon. 16:19 Opening background music: Steve Hillage, “Hurdy Gurdy Man” (edit) from L (1976 Atlantic). Steve Hillage (Guitar, Guitar-synthesizer, ARP, EMS, Voice) and a 15th Century Hurdy Gurdy by Sonja Malkine. This is a cover version of the Donovan Leitch song, “Hurdy Gurdy Man.” Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

i’ve got this week and then one more week on the kcsb programming schedule and then i’ll go back to just doing the podcast. it was very gracious of kcsb.org to allow me and other alumni programmers to come back remotely when the pandemic started but it looks like most folks are going back to in-person at this point. plus, maybe it will encourage me to check out kdvs.org and kdrt.org - the two community stations in davis. i think one of the important things about these stations is that they have limited syndicated programs and focus on locally made content. sooo, goodbye santa barbara, for real this time. love ya forever!DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 Sister Mantos “Anoche Me Enamore” Songs in the Key of Destroy Capitalism04:08 Mort Garson “Symphony for a Spider Plant” Mother Earth’s Plantasia06:45 Jes Kramer “The Same” Jes Kramer10:14 Alice Skye “Friends with Feelings” Friends with Feelings14:26 Rat Paws “Bad Arcade” Let’s Cool17:01 Powerplant “Snake Eyes” People In The Sun19:11 Lushloss “Gutter” Asking22:34 Dustin Wong “spring / summer” seasons33:42 Homebody “Slow Design” Human Ecstasy35:18 MANEKA “Salty (feat. Alex Molini)” Is You Is36:54 Dave “Move It” Demo Tape38:53 Goon “Deny” Heaven is Humming41:07 Perhapsy “Baptism ‘89” THE45:56 Laura Barrett “Chidiya” Victory Garden50:12 Scorn Dog “TV BB” Spicy Boys50:55 Algebra II “Swim House” Why Would Anyone Think This Goes Here?54:34 Penelope Isles “Underwater Record Store” Until The Tide Creeps In

Bill chatrs with Mort Garson who was one of the most unique and outright bizarre resumés in popular music, spanning from easy listening to occult-influenced space-age electronic pop. Born July 20, 1924, in the Canadian city of St. John, New Brunswick, Garson attended the Juilliard School of Music, briefly graduating to the ranks of professional pianist and arranger before he was drafted to serve in World War II. Upon returning from duty, Garson cemented a reputation as a top session hand, tackling arranging, conducting and composing.

Tracklist: Jack White - The White Raven Phife Dawg - Residual Curiosities (feat. Lyric Jones) Rain Parade - Kaleidoscope Pinch - Returnity Nothing - Bernie Sanders trauma ray - Nühevan Momma - Medicine Ataraxia - Deja Vu Should - Memdrive Elephant Tree - Wither Iron Curtain - Love Can Never Die Seam - Berlitz Learn more about your ad choices. Visit megaphone.fm/adchoices

Tracklist: Jack White - The White Raven Phife Dawg - Residual Curiosities (feat. Lyric Jones) Rain Parade - Kaleidoscope Pinch - Returnity Nothing - Bernie Sanders trauma ray - Nühevan Momma - Medicine Ataraxia - Deja Vu Should - Memdrive Elephant Tree - Wither Iron Curtain - Love Can Never Die Seam - Berlitz

Tracklist: Jack White - The White Raven Phife Dawg - Residual Curiosities (feat. Lyric Jones) Rain Parade - Kaleidoscope Pinch - Returnity Nothing - Bernie Sanders trauma ray - Nühevan Momma - Medicine Ataraxia - Deja Vu Should - Memdrive Elephant Tree - Wither Iron Curtain - Love Can Never Die Seam - Berlitz

The brilliant & beautiful John Grant joins me to talk yardbird curry, Cuddle Dungeon, Squirt, Truvada loans, double features, “Wild At Heart”, hefty selections, the magic of Mort Garson, Siskel & Ebert, RomperRoom, John's fabulous “Boy From Michigan” album, touring again, mandatory quizzes, Susan Sohmerz, root-beer floats, Barry DeMuir, Randy's Donuts and much much more! Head on over to https://www.patreon.com/CraigAndFriends to support the show and get hours and hours of exclusive content, including more John Grant chats

Love is a funny thing. We don't control it. It's more like it controls us. Tonight on Clairaudience, your host Ersa Lowly hears from a 1-877-WASTOIDS caller who shares a message about their time at church camp...sharing the feeling of falling in young love and much more. Plus, far out synth sounds from Don Muro, electronic bliss from Mort Garson, and space ambiance from Troyka. 

Episode 67 Music for Plants   Playlist In this episode, we feature electronic music created for, inspired by, or generated by plants. The following music was created as a stimulation for plant growth, sometimes based on the “latest” scientific data and in keeping with the artist's interpretation of that data. Or simply, inspired by plants but not actually based on any science whatsoever. Mort Garson, “Rhapsody in Green” from Mother Earth's Plantasia (1976 Homewood Records). Moog Modular Synthesizer, all compositions, and performances by Mort Garson. Produced at Garson's Patchcord Production in Hollywood. One of the last great Moog Modular Albums before the onset of polyphonic and computer-controlled synthesizers. The album had a very limited distribution upon release, only being available to people who bought a houseplant from a store called Mother Earth in Los Angeles or those who purchased a Simmons mattress from a Sears outlet, both of which came with the record. From the liner notes: “Full, warm, beautiful mood music especially composed to aid in the growing of your plants.” “It has been proven beyond any doubt that harmonic sound waves affect the growth, flowering and seed yield of plants.” (Dr. T. C. Singh, Dept. of Botany, Annamalai University, India)” Jerry Cammarata, “Opus 1000” from Plant Serenade (1975 Jerem). "A Collection Of Tonal Experience For Your Lawn, Vegetable Garden And Exotic Plants.” Electronic frequency tones to stimulate plant growth. Yes, this record was actually released. It shows a violin player and some house plants on the cover. But the sounds are purely electronic. Each of the seven tracks features a tone of a different frequency. That's it. It is apparently based on theories in the book The Secret Life of Plants (1973, Avon), for which a film was also made a couple of years later and inspired Stevie Wonder to create his more musical soundtrack of the same name (1979 Tamla). From the line notes: “You are encouraged to provide a program of good nutrition to your plants during your stimulation program with this album.” “Pure tones, particularly those in the higher range, have been more aggressively used in recent years to stimulate plant growth because they apparently change the physiological state of the plant and permit it to function in a accelerated manner.” Baroque Bouquet, “Moses on a Raft” from Plant Music (1976 Amherst Records). Music by Baroque Bouquet; produced by Tom Shannon, Tony Di Maria. This album refers to various academic studies linking music to plant growth, coming to the conclusion that music which departed from loud, percussive sounds and toward harmonic, uniformly structured forms, such as baroque music, was ideal for plants. From the liner notes: “Within the limitations we have described, it appears that growing plants respond both toward and away from contrasting sound energies introduced into their environments.” We know our music will stimulate a favorable response within your growing plants.” Vale of Pnath, “Heart of the Deep Forest” from Hymn of the Plants (1998 Self released). A self-released, single-sided cassette by American independent artist Dale Tomel. Burkard Schmidl, “Part 04,” “Part 05,” and “Part 06” from KlangGarten Vol. II (Music For Plants And Humans) (1993 Innovative Communication). Music for a special project commissioned by the IGA Expo 93 in Stuttgard, the international gardening exhibition. This was one of the tracks of music composed for the SoundGarden portion of the exhibit, presented using a 12-speaker system in a garden setting. This track is one of 16 released on an exhibition CD. Marco Madia, “Photosynthesis” from Music For Plants (2013 Dewtone Recordings). This Canadian release is by Italian electronic music producer Madia, based in Berlin since 2006. Modern Biology, “Swordfern in the Morning ((Raag Bhairavi)” from Plant Music Vol 1 (2021 Self-release). Modern Biology is a Vancouver based artist who bioelectricity, Indian raga, and analog synthesis. He says, “This is not science, this is art. I think of these pieces as sketches of some of the plants in my environment. All tracks were recorded live, in nature, in the northern Gulf Islands of British Columbia.” Joshua Bonnetta, “Cactus (Cactaceae Sp.)” from The Folklore of Plants Vol. 1 (2017 Folklore Tapes). A UK compilation of short compositions around local plants of the southwest region of the England. Researched and executed by 31x artists. This is one of them. Zoe Naylor, “Nettle (Urtica Dioica)” from The Folklore of Plants Vol. 1 (2017 Folklore Tapes). A UK compilation of short compositions around local plants of the southwest region of the England. Forty-page pamphlet included plant-lore and illustrations from artists and herbal medicine section by herbalist Zoe Naylor. Mary & David, “Rowan (Sorbus Aucuparia)” from The Folklore of Plants Vol. 1 (2017 Folklore Tapes). A UK compilation of short compositions around local plants of the southwest region of the England. Devon Folklore Tapes is an ongoing research, storytelling and musical project covering and soundtracking the folklore of the southwest county of Devon in volumes of tapes housed in bespoke books. Exploring mysteries, myths, legends, and strange phenomena of the old county. Mice Parade, “Guitars for Plants” from Obrigado Saudade (2004 FatCat Records). Performed and recorded by Adam Pierce. Paul Chihara, “Logs XVI” from Tree Music (1970 CRI). Bass, Bertram Turetzky; Moog Modular Synthesizer and Buchla Modular Synthesizer, composed by, Paul Chihara. Realized at the electronic music studios of UCLA. “Logs XVI was so named because it was the sixteenth “take” in the recording studio. Meaning that this is a real-time performance by Chihara using two famous modular synthesizers, the Moog and Buchla. Douglas Leedy was also recording in this studio around that time. The end of the previous work, “Driftwood,” is heard first before it blends into the electronics of “Logs XVI.” The piece uses bass previously recorded, remixed, and modulated using the synthesizers. Chihara was inspired by trees and made this homage to their lifecycle. The following music was generated by plants, using electronics, amplification, and audio processing. Plasma Palace, “Music of the Plants” (2013 Self Release). Created with a device called Bamboowhich is connects directly to a plant, perceiving its electromagnetic signals and translating it into musical harmonies. This recording was made with two Bamboo devices connected to house plants. I guess you'd call it a duet. Shane Mendonsa, “Lavender (Generative)” from Plant Music (2021 Digital release). “Lavender” is a Generative Music performance featuring a Lavandula angustifolia. The Plant is connected to the Eurorack modules and the Moog synthesizers through a biofeedback sensor which distributes the data from the plant to the instruments allowing the plant to the instruments. The pulsating Bass is a result of the Raw data output from the sensor that is modulating the Pulse width on the Moog Oscillators. More about Shane's plant music can be found on his website.   Background music: Jerry Baker, “House Plants” from Plants are Like People (1973 Lion Records). With the appearance of popular books around the subject of house plants, came the inevitable audio recordings to accompany them. This is a spoken word album by “America's Master Gardener.” Maria Sabína, Excerpt from the “Mushroom Ceremony Of The Mazatec Indians Of Mexico” (1957 Folkways). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Keith Courvale - "Trapped Love" [0:00:00] Gar Bacon with the Teacho Wiltshire Orchestra - "Justice" [0:02:06] Huelyn Duvall - "Three Months To Kill" [0:04:10] Don French - "Lonely Saturday Night" [0:06:50] Charlie Rich - "Philadelphia Baby" [0:09:08] Music behind DJ: Hot-Toddys featuring Bill Pernell - "Rockin' Crickets" [0:11:11] The Johnny Burnette Trio - "Oh Baby Babe" [0:14:03] The Johnny Burnette Trio - "Honey Hush" [0:16:09] The Johnny Burnette Trio - "Midnight Train" [0:18:10] The Johnny Burnette Trio - "The Train Kept A Rollin'" [0:20:13] Ray Smith - "Right Behind You Baby" [0:22:28] Sid King & The Five Strings (The King Bros.) - "But I Don't Care" [0:24:51] Johnny Knight - "Rock & Roll Guitar" [0:27:05] David Hill with Mort Garson's Orch. and Chorus - "Wild Child" [0:29:21] Music behind DJ: The Rockin' R's - "The Beat" [0:31:14] Johnny Faire - "If The Law Says Stop" [0:34:19] Link Davis - "Sixteen Chicks" [0:36:10] Clyde Stacy - "Baby Shame" [0:38:23] The Rockin' R's - "Crazy Baby" [0:40:42] Hot-Toddys featuring Big John - "Shakin' and Stompin'" [0:43:10] Whitey Gallagher - "Searching (I'm Always Looking)" [0:45:39] Jimmy Dee & The Offbeats - "Henrietta" [0:48:03] Carl McAvoy - "Little John's Gone" [0:50:47] Music behind DJ: Hot-Toddys - "Rockin' Crickets" [0:53:16] Joe Henderson - "I Ain't Never" [0:55:59] Music behind DJ: The Rockin' R's - "The Beat" [0:58:29] https://www.wfmu.org/playlists/shows/111455

Hey, it's Matt Herrmann and today is the 2nd of November making it TUNEFUL TUESDAY here on HAIR the american tribal love-rock podcast. Today's episode features Mort Garson's Electronic HAIR Pieces. Mort Garson, the leading exponent of electronic music, re-created the music of HAIR using a Moog Synthesizer, with many oscillators, patch cords, filters, various forms of modulation and program sequences. In result, he has given new dimension and clarity to the brilliant musical created by Gerome Ragni, James Rado and Galt MacDermot. We hope you enjoy and look forward to our time together again on HAIR the american tribal love-rock podcast.

Jim adds an obscure synth track to the desert island jukebox.

Episode Notes What is a constable? When do I have to pay my lextran fares? What the hell is going on in Frankfort?! All of these questions and more on this episode of L.A.M.E. Follow us on twitter @LAMEpod Send us death threats, lynching threats, and interview requests at lexLamePod@gmail.com Music this week is Ode to an African Violet off of Mort Garson's Album Plantasia This podcast is powered by Pinecast.

Some say the best way to deal with something that's bothering you is to confront it head on. That's what's happening this week on A Place For Film. Elizabeth, David, and special guest (and friend!) Saul Kutnicki are talking about the end of the world. Apocalyptic horror films to be exact. Each brings a different film that explores a unique aspect of the end of days. Along the way they discuss everything from religion, family, music and just exactly what the apocalypse means to them. If that sounds heavy: It's not! These dorks can't help but having a laugh. Here for a good time, not for a long time, right? Films discussed: 28 Days Later Night of the Comet Prince of Darkness Featuring the music of Mort Garson

The Elephant in the Room. YouTube Link Special thanks to Ross for the Cover Art And Thanks to all these bands for the snippets of their songs we used in the opening: The Long Winters, Bo en, The Taxpayers, Mort Garson, BrentalFloss. And thanks to the McElroy brothers for not suing us and making such amazing content. This podcast is powered by Pinecast.