Podcasts about Nigel Godrich

On this episode of Adventures in Vinyl Adam and I discuss the 3rd studio album by this English Rock band that won a grammy for Bester Alternative Music Album in 1998.  That band is Radiohead and the album is Ok Computer.Song of The Week!Call Me - St Paul & The Broken Bones - Half the CityThe Shakes - The MenzingersStump The BarronOcean's Avenue - Yellowcard - Ocean's AvenueRadiohead - OK ComputerGenre:  AlternativeRelease Date:  May 21, 1997Studio(s):  Canned Applause (Didcot, England), St Catherine's Court (Bath, England), Church (Crouch End, England)Producer(s):  Nigel Godrich, Radiohead Label:  Parlophone - CapitolLength: 53:21Number of Tracks:  12For more information on the band Radiohead you can check out their website Radiohead Public Library at www.radiohead.com.  IF you enjoyed this podcast be sure to check us out at our website at www.adventuresinvinyl.com where you can find links to our episodes and through our support section you can find a place to order you very own adventures in vinyl T Shirt.

IDLES 2021 Rig Rundown: https://youtu.be/ZyofmA3bJk4Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeBetween 2016 and 2024, Bristol outfit IDLES have gone from being snarling, post-punk underdogs to being snarling, post-punk champions. Their debut LP, Brutalism, was an immediate hit, and since then they've turned out a string of full-length records that have expanded their creative vocabulary while increasing their popularity. It's all come to a head this year with Tangk, their Grammy-nominated fifth album, which dropped in February.Along the way, IDLES' sound has mutated into experimental offshoots and outgrowths, so it's little surprise that the rigs of guitarists Mark Bowen and Lee Kiernan, along with bassist Adam Devonshire, have done the same. While they still tour with some of the gear they showed off on our 2021 Rig Rundown, each player has fun new trinkets that contribute to their run of shows this year. But even with all the new toys, they keep an element of danger in the mix, and certain variables mean the set sounds different every night: “People come to see an IDLES show 'cause it almost falls apart all the time,” grins Bowen.IDLES 2021 Rig Rundown: https://youtu.be/ZyofmA3bJk4Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar0:00 - Electronic Audio Experiments & D'Addario0:15 - IDLES Live0:39 - Chris Kies Intro0:59 - Mark Bowen's Baritone Stratocasters5:37 - Mark Bowen's "Stinky" 1972 Strat7:43 - Mark Bowen's Amps & Cabinets10:14 - Mark Bowen's Fender Mustang with Fishman TriplePlay12:57 - Mark Bowen's "Crawler" Pedal & Synth Rig16:17 - Recreating Tangk Album Live Onstage20:10 - Mark Bowen's Sonic Curiousity22:19 - Does Joe Talbot Get Tired of Gear Experimentation?23:17 - Working with Nigel Godrich on Tangk25:14 - Lee Kiernan Intro25:45 - Lee Kiernan's Fender 70th Anniversary Esquire27:54 - Lee Kiernan's Fender Mustang29:55 - Lee Kiernan's Jackson Soloist SL132:12 - Lee Kiernan's Amps33:20 - Lee Kiernan's Marshall 1987X Plexi35:34 - Lee Kiernan's Hiwatt Custom DR8836:35 - Lee Kiernan's 1970s Peavey Deuce40:00 - Rig Rundown & D'Addario40:23 - Lee Kiernan's Pedalboard40:55 - Lee Kiernan's Pedals for "Jungle"45:57 - Lee Kiernan's Pedals for "Dancer"50:41 - Lee Kiernan's New Earthquaker Devices Gary Pedal55:39 - Lee Kiernan's Baritone Esquire56:36 - Lee Kiernan's Pedals for "Roy"01:03:00 - Adam Devonshire Intro01:03:44 - Adam Devonshire's Fender American Ultra Jazz Bass01:04:38 - Adam Devonshire on IDLES Gear Evolution01:06:15 - Adam Devonshire on Holding Down Rhythm with Jon Beavis01:07:07 - Adam Devonshire on Bass Influences01:08:19 - Adam Devonshire Custom Neck for Jazz Bass01:09:30 - Adam Devonshire on Recreating Tangk Onstage01:11:25 - Adam Devonshire's 1970s Fender Precision Bass01:14:25 - Adam Devonshire's Serek Lincoln Bass01:16:04 - Adam Devonshire's Fender & Hiwatt Amps01:17:08 - Adam Devonshire's Pedalboard01:24:55 - D'Addario Strings[Brought to you by D'Addario: https://ddar.io/wykyk-rr]© Copyright Gearhead Communications LLC, 2024#guitar #rigrundown #idles #guitarist #guitarplayer #guitargear #bass #bassguitar

Cosa può accadere quando gli IDLES collaborano con il produttore Nigel Godrich, noto per il suo lavoro con i Radiohead più sperimentali, The Smile e Thom Yorke solista? Si prospetta un suono rinnovato, alla ricerca di nuove frontiere, arricchito dalla partecipazione di James Murphy degli LCD Soundsystem.   Cosa succede quando un artista o una band decidono di reinventarsi? Vittorio ”Vikk” Papa (ideatore del sito http://www.orrorea33giri.com/), Emanuele Pedretti e Beatrice Giachi ti accompagnano in un viaggio alla riscoperta di quei dischi di svolta, evoluzione o smarrimento. Ascoltaci su Spotify, Apple Podcasts e ovunque ci siano podcast molto belli:   •  Spotify: https://open.spotify.com/show/7EaxnMSGp1Wk138IwUp0Ot   •  Apple Podcasts: https://podcasts.apple.com/us/podcast/infedeli-alla-linea/id1586593833 Info e contatti:   •  Sito web: https://infedeliallalinea.it/     •  Instagram: https://www.instagram.com/infedeliallalinea_podcast           •  Telegram: https://t.me/infedeliallalinea           •  Proponi un disco: https://infedeliallalinea.it/proponi-un-disco/       Infedeli alla linea podcast è una produzione indipendente. Supportaci regalandoci un caffè o una birra:   •  https://ko-fi.com/infedeliallalinea       •  https://www.paypal.com/donate/?hosted_button_id=KMCEG4XYA88X6  La sigla iniziale è un estratto del brano Jazz Hole dei Blue Wave Theory https://freemusicarchive.org/music/Blue_Wave_Theory

"Bristol, England, based band, Idles, recently released their fifth album, Tangk. Produced by the band's guitarist, Mark Bowen, along with Nigel Godrich and Kenny Beats, Tangk explores new sonic territory for the band – including the use of tape loops – making for a rich and nuanced landscape for singer Joe Talbot's deeply personal lyrics and raw delivery. Geoff Stanfield caught up with Joe and Mark while the band was on tour, to discuss the making of Tangk, working with Nigel and more! Enjoy!”

Sean Woodlock - a UK record producer, mix engineer and co-founder of Hackney Road Studios - reflects on his journey into the world of music production and engineering, explains why his work sounds like a cross between Steve Albini and Nigel Godrich, and delves into his love of analogue consoles in a digital world, including Hackney Road Studios' very own Neve 66 console.

Vingt-sept ans après sa sortie, l'album OK Computer de Radiohead reste l'un des chefs-d'œuvre incontestés du groupe britannique. Véritable tournant dans la carrière du quatuor d'Oxford, cet opus les a définitivement affranchis du stéréotype de « groupe à succès unique » dans lequel ils étaient enfermés depuis le phénoménal succès de leur titre Creep quelques années plus tôt.Derrière cette œuvre ambitieuse et avant-gardiste se cache une histoire passionnante. Son titre même, emprunté au Guide du voyageur galactique de Douglas Adams, symbolise les préoccupations du leader Tom Yorke face à la montée en puissance de la technologie et de la déshumanisation de notre société. Anxieux et tourmenté, le chanteur a puisé dans ses démons personnels pour écrire des paroles sombres et glaçantes, reflétant une vision pessimiste du monde moderne.Pour enregistrer cet album-concept, Radiohead s'est retranché dans un manoir Tudor de l'ouest de l'Angleterre, loin de l'agitation du monde extérieur. Sous la houlette du producteur Nigel Godrich, le groupe a façonné une musique plus mélancolique et atmosphérique que sur les précédents opus, avec des guitares parfois nerveuses et une narration savamment orchestrée.Véritable tournant dans la carrière du groupe, OK Computer a permis à Radiohead de se démarquer de la vague Britpop et de s'imposer comme l'un des groupes les plus avant-gardistes et influents de leur génération. Un chef-d'œuvre intemporel qui continue d'inspirer les artistes d'aujourd'hui.

jD hangs with Stephen on today's episode of the Top 50 Countdown. First, as usual, he shares his Pavement origin story and then reveals song 27!TranscriptTrack 1:[0:00] Previously on the Pavement Top 50. You can exhale now because track 28 is Stop Breathing. Amir, what are your initial thoughts about this song? I love this song. It appears in my Top 20 that I sent you. I think it's number 14 there. So it's half of your number. Hey, this is Westy from the Rock and.Track 3:[0:22] Roll Band Pavement, and you're listening to The Countdown. Hey it's jd here back for another episode of our top 50 countdown featuring seminal indie rock band pavement week over week we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballots i then tabulated the results using an abacus and some fucker named gene how will your favorite song fare in the ratings well you'll have to tune in to find out. So there's that. This week, I'm joined by Pavement superfan, Stephen. Stephen, how the fuck are you? I'm very good, JD. How are you? I'm doing quite stellar, in fact. It's a good day to be breathing and upright, you know? It is. It is. Spring's in the air. You know, winter's gone. Things are looking up. Funny enough, it's snowing here today. First, you know, we've passed spring. We didn't get any snow at all. And then, you know, it turns into spring and all of a sudden we've got snow. So, you know, who can fucking tell?Track 3:[1:30] No, no, but yeah, thanks for having me on. It's like we said before, just before we started, I've been listening to the whole countdown so far. And, you know, it's been great. It's a nice little pick me up on the Monday morning when it drops. And it's a good feeling to think that, you know, there's going to be one a week for the whole year pretty much. So, yeah, I've been really enjoying it. Well, thank you so much. That means a lot. So let's get, you know, let's make this about you now and let's get right into your Pavement Origins story. Yeah, okay, yeah. So, I mean, I'm 42 now and I got into Pavement when I was about... Sort of 15 16 so it was basically when uh terror twilight came out.Track 3:[2:19] When i was a teenager i was really into radiohead at the time i mean i still am but uh, they were they were my band at the moment so i was obsessively into everything that they did and i would read all the interviews and you know get every release and bootleg and ep and thing that came out uh from that band and i remember i was on holiday once and uh i picked up a music magazine in the airport on the way over and there was a a big article in there about pavement and the terror twilight release um and i'd kind of heard of them a little bit uh i kind of knew off them but it was always but they were always sort of mentioned in the same breath as um, the fall and john peel and things like that and so yeah in my mind i kind of built them up as a kind of scary alternative loud punky i don't know abrasive sort of band that was sort of unlistenable, um and i kind of remember at the time also around that time in the 90s um blur brought out their uh.Track 3:[3:27] Self-titled album the one that has song two on right graham graham coxson was going around on the interview circuit and saying oh yeah this this this album's influenced by you know really really hard understandable american bands like like pavement and i was like oh okay yeah so this in my head i kind of built them up as um something a bit difficult and then i read this saw this article in um this music magazine it must be key magazine or enemy or something and they just came across like a really nice bunch of guys and i thought right when i get back from holiday i'm going to buy that record it sounds really good also so yeah the other thing was that the main draw at that time was uh the radio head rich sort of connection godrich yeah so he he nigel godrich produced it they had johnny greenwood playing harmonica for some reason on uh platform blues and on billy and so i bought the album purely on that uh that sort of thought really i'd never heard any of their songs didn't know anything about them and i remember getting home putting putting the CD on, and the first song is Spit on the Stranger. So that was the first Pavement song I'd ever heard. Wow. And it's got such a lovely, warm introduction, and those sort of synth pops, and the vocal, and the melody. I thought, wow, this is great. This isn't what I was expecting at all. I was expecting something really hard, and almost the kind of stuff that you hear on Westing.Track 3:[4:51] Yes, yes. And so, no, I loved it. I got really into that album. them i loved uh every track on it really um uh especially carrot rope loved carrot rope but i don't i don't quite i don't quite get the kind of uh the sort of online hate that that song gets i think that's a great song um but yeah from terror twilight i then kind of worked backwards and picked up all the cds in kind of reverse order i got i think bright in the corners next, text uh and i kind of worked backwards uh crooked rain wowie zowie was hard to find i think in those days i couldn't find it so it took me it took me about a year or so to track that that cd down.Track 3:[5:33] Um so yeah i wonder why that is i don't know i think it it was in the 90s it was kind of like, you know there wasn't the internet wasn't so prominent you couldn't you almost didn't know what a band's back catalogue was. You had to kind of track it down and search it out in record stores and read about them in magazines and, uh yeah so for whatever reason that that record was hard to hard to track down but uh yeah so it's by the time i went to university i think i had all the albums, uh but then unfortunately they broke up yeah so i kind of missed the boat on the on the sort of original incarnation uh uh but then the the sm debut came out which is absolutely, that is my absolute favorite album by anybody of all time. It's really fucking good. Yeah, it's so good. I mean, I still listen to that album now. Like it's, what was it, 24 years old, is it? 23 years old or something, as we speak. Yeah, pretty close. I think I listened to it last week. I still get something from that album. Me too. I do. I listened to it for like three days in a row, Les, two weeks ago. Listened to it for like three days in a row, just straight. It's still got it, hasn't it? Every song on there is fantastic.Track 3:[7:00] The sort of guitar work, the melody. And I think sometimes with... It's quite a poppy, immediate album. And sometimes those sorts of albums don't really have the longevity. But for whatever reason, this one does. It's really got a lot going on. Um so so yeah so then so from that i i kind of so from 2001 onwards i kind of picked up all the, mountainous solar stuff as it came out uh uh but none of them really grabbed me like the debut did um up until um traditional techniques so yeah that that that's another one that's really got under my skin that album it's a great one um i think it came out i think it came out just at the beginning of lockdown yeah it was 2018 yeah and it might it might be something to do with that you know sort of being trapped in the house with this with this new record and i listened to it every day for for a long time over over lockdown uh but yeah that that's that's a really good one as well yeah um and it was around that sort of time that um.Track 3:[8:14] That i uh found your podcast and uh yeah oh wow it was it was kind of the traditional techniques album that made me kind of think oh i need to get a bit more into to revisiting some of the other mountainous stuff that i've not really got into the first time around and i found your podcast and the uh uh the mountainous conundrum podcast yes yes the guys did yeah that was great so uh yeah kind of that that period that lockdown period for me is kind of synonymous with listening to a lot of pavement podcasts, listening to traditional techniques, and sort of going back and re-exploring some of the other Mount Masolo stuff.Track 3:[8:55] But yeah, so yeah, I didn't catch them live. Well, I saw Mount Masolo a few times when he was touring the first album at festivals and little venues, and that was really cool. Here's one for you. I saw Radiohead, and opening for Radiohead was SM and the Jicks. Oh, really? What year was that? Yeah, that was Hail to the Thief, when they were touring for Hail to the Thief. Yeah, 2004, something like that. Oh, that'd be cool. That's about right, yeah. So they were doing, were they doing Real Emotional Trash or something at that time? What were the Jicks doing?Track 3:[9:40] Whatever came after Pig Lib. uh pig lip okay cool yeah no the one after pig lip uh shit i can't i can't think of what it was face the truth i've got it up here somewhere uh face the truth, Or Real Emotional Trash, one of those two. That's pretty cool. Yeah. So did you get a chance to see Pavement live ever? I did. Well, when they regrouped in 2010, I seem to remember. Yeah. And they did a series of shows down in London. But it was the week I was getting married.Track 3:[10:19] Tough to escape that. So I didn't go, but I thought about it. It was almost like you know travel down to london come back get married the next day and i thought no it's not that's not gonna work so i'll uh i'll skip that but then i thought yeah wise uh but then i caught them on the um on the most recent tour and that that tour was fantastic that really.Track 3:[10:40] You know i was completely obsessed with that tour it was so good where did you where did you see the manchester uh yeah so i saw them in leeds um and manchester uh and then the following year, they played a little one-off uh festival in the uk called blue dot and they were headlining right yeah yeah and that was really cool um yeah you got some of the uk gigs didn't you yeah i saw every every stop except for leeds oh no that's a shame yeah oh so you're at manchester yeah yeah that was a good one i thought yeah too yeah that i remember on that one they, they opened with major leagues didn't they which i think which is a bit i always think that's a bit of an odd uh odd intro song it doesn't really get things going in the same way it sort of set the mood for the night like it was a more mellow show for sure definitely definitely it's but still great still a great song yeah, but yeah no but then so the funny thing about the Leeds gig was um.Track 3:[11:52] I went with my brother and we went for some food beforehand and a couple of drinks. And we're in this Indian restaurant. And the waiter comes over and says, oh, are you guys going to the pavement gig later? Because he must have seen our T-shirts and things like that. Well, oh, yeah, yeah. And he goes, oh, the band ate next door just an hour ago. So there was another slightly more upper class Indian restaurant next door. And he's like, oh, no, they just ate there recently. and so i was like really really buzzing from that i was like oh yeah we've eaten in the restaurant next to the one that pavement ate in so we finished up there and we're walking up to the venue and the doors opened i think at seven and it was probably about you know one or two minutes to seven o'clock and we're walking up through the town center and as we're walking, we kind of notice that we're kind of walking in step with this other group that are kind of walking in this at the same speed and in the same direction you know it's a bit awkward when you're kind of trying to overtake each other and uh i thought hang on they've got they sound like american accent and um so i look over and it's uh it's bob and spiral walking up walking up to the venue um and bear in mind that the doors are just about to open so they're just like strolling up through the city center like they've got all the time in the world.Track 3:[13:15] And I was like, oh, you know, I don't normally, you know, don't normally do this but i'll have to i've got to say something you know and i've had a couple of pints by this point so i was feeling a bit more uh confident but uh so so as we got to the traffic lights i stopped them and said oh sorry guys you know just got to say hello you know you're a big fan and they were really really nice guys just stopped and we sort of stood there by the road and chatted for about five minutes or so and you know they were in no rush at all to to get to the venue or start the gig or anything like that um yeah so really really nice um, really nice guys uh and then and from that point yeah it was just a great gig uh yeah yeah oh that's so fun that you got to meet them they're so gracious right yeah no really good guys and just yeah just chatting like you know like it was like it was nothing you know yeah and you know asking where we were from and you know uh they were talking about how they'd played at the same venue with sonic youth like back in the 90s and you know and stuff like that just really yeah it's really nice little little moment um and then managed to to meet them a second time um at the blue dot festival uh the year after wow uh because they and i don't think this was really.Track 3:[14:40] Picked up online that much but on the first event of the day at the festival it was on the poster described as a listening party, And I thought a listening party with pavement and it was a sort of event curated by Tim Burgess from the charlatans. Okay. He does these sort of online listening parties where he plays an album and people listen along live and, you know, that sort of thing. And so I thought, okay, that's probably just, you know, in a tent somewhere, they're probably playing a pavement album and maybe talking about it on stage, that sort of thing. So I thought, well, I'll head over to that before, you know.Track 3:[15:20] Before we go and see any bands. And so I head over to this tent, turn the corner, and the entire band are in this tent, up on this little stage. And it's probably about, I don't know, maybe 200 people on sort of chairs. It's like a sort of wedding tent, you know, like chairs. And they're playing Wari Zari through the speakers. And they've got this interviewer on stage, and she's just talking to them about the album as they play it through, like track by track.Track 3:[15:50] Um and you know so you got like a sort of track by track rundown of every wow it's like it's so surreal to sort of turn the corner step into this tent and you know mount merson the rest of them were all on stage and they're doing that kind of track by track blow by blow rundown of every every you know every song on the rise alley i was just i was just like i wish i wish i had a bit of paper to write some of this stuff down or to remember what they're saying because it was it was really good really good sort of um director's commentary yeah exactly it's like you know those sort of um uh on tv here on say like you know on like a friday night we might get, a sort of behind the scenes documentary on some 80s band or something and they're sitting at the mixing desk and they're talking about how they recorded this album years ago it was like that but for a band you actually like and for an album you know um an album you're actually really invested in um yeah so that was really cool, uh and then yeah so what's your go-to record these days uh these days i would say it's um yeah uh because i think it's got the most variety sure does uh it's probably like the best.Track 3:[17:10] Single if you were to sort of say what if you were to give one record to somebody and say this This is what pavement's like. I would say it's Wari Zari because it's got the louder stuff, the quieter stuff.Track 3:[17:21] It's really eclectic.Track 3:[17:26] Yeah, when I was younger, it was Crooked Rain that was always the one that I would go to. But I think now it's Wari Zari.Track 3:[17:37] Well, what do you think there, Stephen? Should we flip the record and talk about song number 27? Let's do it, yeah. Alright, we'll be back right after this.Track 3:[23:35] It's the fourth song from Terror Twilight on the Countdown. Song number 27 is the fantastic The Hex. Stephen, what are your initial thoughts about this song, The Hex? The Hex. It's a really cool song. It's, I think it's completely different to anything else that Pavement does. I think it's very unique. um it's got a style which isn't really isn't really there in any i can't think of any other song that looks like it it's um you know it's kind of it's kind of slow kind of lurching, atmospheric um it's got a kind of it's almost a kind of proggy kind of vibe um Um, uh, but yeah, no, no, it's really, it's really cool. Um, I love the guitar solo. It's, it's absolutely brilliant. Did they play at any of the live shows you went to? They did. They did. They did, uh, at Blue Dot. Yeah. I was, um, they, they didn't take leads on Manchester and I was really hoping they would. Uh, and yeah, and then they, they played it at the last one. So I was happy. Yeah. Really happy with that. They really open it up live. Don't they? Oh, it's great. Yeah. Yeah, really cool song live.Track 3:[24:57] It's one of those kind of jammy songs. You know, you can tell it's come from a, you know, a band session rather than something that's been kind of written in advance.Track 3:[25:10] And in fact, you've got the, there's that other version of it, isn't there? And then the Hex. Yeah, and then the Hex. Yeah, that's on the B side. and that's i think that was part of the bright in the corners sessions yeah i believe so yeah yeah yeah and so that that version is pretty cool as well but that's much more it hasn't really got that kind of haunting sort of vibe to it it's more kind of crunchy and rocky it kind of i don't think it really emphasizes that sort of guitar line so much it's more straight into the kind of chorus and then like Magnus is doing the kind of scatting yelling bit over the top, it's quite a cool version. Yeah. So you can kind of see how that kind of rocky jam that they started with sort of evolved into this kind of more atmospheric, proggy song and I'd imagine quite a lot of that is probably down to Nigel Godrich. I bet you're right. I bet you're right. Because it's really dense as well, isn't it? Yeah. Whereas a lot of Pavement songs tend to be sparse production-wise, the whole Terror Twilight is so rich and atmospheric. Yeah. This song is a great example of that. Definitely, definitely. It's almost kind of claustrophobic. You can kind of get lost in it.Track 3:[26:33] Yeah, it's a really cool song. um in fact yeah on the on the nigel gottrich uh sequence i think he puts it at number two, so he obviously thinks it's like uh you know should be up there at the beginning i do think it works a bit better at the end as a uh you know as a sort of finale rather than pin it right right up there at the beginning yeah i like the sequence that that they put together for uh terror twilight uh i think i like it a little bit better than the gottrich sequence but it's cool that we have both. Definitely, yeah. Yeah. It changes the record. It does, it does. It's funny how a sequence can change the feel of something. Yeah. But like I was saying before, Spit on a Stranger is just the perfect opening for an album, I think. It's spot on to put that at the beginning.Track 3:[27:28] But to start off with The Hex, it's pretty dense. It's pretty yeah um but yeah no yeah really cool so do you have a handle on what this song is about, well i was having to think and yeah i mean i've been listening to this song a lot, over the past few weeks in preparation um and trying to get a sense of what's what's going on but to me it feels kind of it's kind of in some ways it's a bit radio heady because i think it's it's kind of, it's kind of a bit about um existence and alienation and feeling sort of lost and uh like some of the lyrics um, He's talking about, you know, sort of been reeling around a parking lot, being, you know, being lost in life and not knowing where you're going.Track 3:[28:27] There's some great stuff in the lyrics. That line about the epileptic surgeons with their eyes X'd out. You know, it's pretty creepy stuff. Yeah. You know, attending to the torn up kid. so you can kind of imagine this sort of you know you can kind of read that as someone who's sort of physically broken or someone who's maybe emotionally torn up like you know life has just got too heavy and right broken them down and you've got these sort of zombie, twitching surgeons attending you know attending to this kid um so pretty pretty sort of nightmarish childish kind of stuff um i love that line about the uh the secondary stumbles because the cadence of the count has led him astray i just love the sort of syncopation of that line it's it's brilliant um and then you've got uh uh the the sort of section about the architecture students which i love that yeah that's got to be one of his uh one of his best lines definitely It's, yeah, really funny. It kind of.Track 3:[29:50] Yeah, he has these lines like the bit about, you know, the architecture students with the itch they can't scratch, and, you know, the surgeons in the second verse and songs like Grounded where he's sort of taking a pot at doctors and it seems like he's got this kind of.Track 3:[30:09] He likes to sort of take the pot shots at the professional classes, I think. I think, you know, he's there from the sort of creative side, the artistic side and he's looking at the people that are kind of dedicating their lives to these sort of, you know to these professional and technical endeavors and he's sort of you know taking little pot shots at that I think that's I think that's great. I like that that's good but yeah it's kind of, it reminds me of a lot of like a Radiohead song something from OK Computer or something where it's talking about the state of the world and alienation and being lost and these sort of little nightmarish, the janets uh here and there um really good really good stuff um the the line about the swallow at the beginning is pretty cool as well i mean i think so too yeah i mean i think that's him kind of in some ways kind of showing off a little bit about some you know his knowledge about migratory birds which you know you can see that so it's quite humorous on that on that side but also i think it's kind of talking about um so so the line is uh swallow answer to your inner voice and please return god installed that radar in your pointy little beak so please return so it's kind of like it's a bit you know you could see it one way it's about nature about migratory birds or you could or you could see that it's something to do with kind of like destiny and fate.Track 3:[31:39] These creatures are kind of, you know, they're drawn back. They've got no sort of free will.Track 3:[31:47] And you can maybe see it like, perhaps it's kind of, maybe like a broken relationship and he's, you know, his partner's broken up with him and gone off and he knows they'll come back because they're drawn back with this sort of instinct, this kind of fate. You know, you can't escape this kind of instinct that's within you. Um good yeah so it's all yeah there's i think there's a lot of stuff in there like that which is i think i think different to to your average pavement song it's a lot more downbeat a lot darker a lot sort of um.Track 3:[32:24] A lot more sort of oppressive um and and that together with the whole sort of rhythm with the thing and the kind of sort of lurching piano guitar line that sort of just you know that sort of those sort of bass notes and then sort of that sort of descending guitar part all the way down yeah um yeah really cool really cool nice stab nice stab on the sm lyrics though because Because, for real, he's really tough to nail down, right? Like, it's really tough to figure out what he's saying because it does change so much. It is like phraseology, in a sense, you know? Like, just throwing out neat, syncopatic phrases and bits of thoughts and bits of ideas, and then you get this structure, you know? Very cool. Yeah, definitely. It's more about the kind of image. which, you know, it's kind of poetry in that sense, isn't it? Because it's more about the image it creates in your head than anything literal, you know? Yeah.Track 3:[33:28] How do you feel about the ranking of this song? Is it properly ranked? Is it 27? Should it be higher? Should it be lower? Yeah. I mean, not wanting to question the abacus, but I think it could be higher. I think uh i was just looking at my my uh submission to you and i think i had it at 13, that sounds more about right like just outside the top 10 i think it's one of the one of the one of the greats definitely i mean it's different i can i can understand why it's lower because i think i don't think it's a pavement song in that sense i think it's more of a it's not really really representative of what what they do it's quite unique um it's more of a shows you that sorry i apologize okay it all well it also shows you that terror twilight just doesn't have the same love that you know that other pavement records have you know like people like some of the songs are held back because you know people like a lot of people have terror twilight is number five. The rest of the records are interchangeable. You know, like, oh, I have Slanted at number one. Oh, I have Crooked at number one. Oh, I have Wally's Alley at number one. But most people have Terror of Twilight around five, it seems.Track 3:[34:50] Yeah, no, I can understand that. And I think maybe because this was the first record that I got, you don't come to it with all that sort of baggage, really. That's right. You can kind of see it as an isolated record rather than in the context of everything else. But no, I think it needs to be higher. Just for the guitar solo alone, it's like, it's so, so, so good.Track 3:[35:16] It's almost kind of a bit Pink Floyd-y, a bit kind of prog-y. It's probably like the cleanest guitar solo that he does really like most most of the guitar stuff he does is kind of you know sort of intentionally sloppy and and you know distorted and he's hit you know hitting these off key notes on purpose and you know like like the um like the solo on thin which is another absolutely fantastic solo but that's all like you know that's that's completely all over the place which you know in a really good way but uh in a great way yeah Whereas this solo is much more tightly controlled and sort of almost like classic rock. You know, it's really nice. Interesting. Classic rock. Okay, I can see that. Yeah, I could see it on the, you know, downside of the moon or something like that. Yeah. I was just listening to Dark Side before we got on the call. Yeah. Nice, nice. Yeah.Track 3:[36:16] Yeah. Well, man, it's been great having you on to talk about your origin story and the hacks. Is there anything that you want to plug or anything like that? No, not really. No, I don't really have much internet presence or produce anything creative. Well, that's cool. That's cool, nevertheless. No, no, no. I really appreciate your time. And I thank you so much for doing this. No worries. it's no it's been it's been a lot of fun i was i was looking forward to this for a long time and you know like i said i've been enjoying the countdown so far uh and uh looking forward to see what seeing what comes up at the top i'll never tell yeah well i'll tell in december but yeah all right steven thanks so much talk to you soon watch your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

John is joined by IDLES' Bowen, along with producer Kenny Beats, and producer and engineer Mikko Gordon, to talk about how they wrote, recorded and produced the album ‘TANGK'. Idles are a British post-punk band who gained recognition with their 2017 debut album ‘Brutalism'. Known for their gritty, powerful sound and explosive live shows, their five albums to date have earned them nominations for the Mercury Prize, BRIT & Grammy Awards. Their latest record, ‘TANGK', sees the band team up with producers Nigel Godrich and Kenny Beats, and digs into topics of love and gratitude, all while maintaining their signature Idles energy. Linking up between Kenny's LA studio and Mikko's London studio, the trio discuss how they utilised the different strands of experience and expertise from all involved. As well as dubious covers and Christmas day demos, they share stories of writing team breakouts and the unexpected moments that came when they drew inspiration beyond their usual domains.  Tracks discussed: Roy, A Gospel, POP POP POP TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 50% off. MUSIVERSAL Skip the waitlist and get your 25% discount HERE LISTEN to ‘TANGK' here. Partisan Records GEAR MENTIONS Venn Audio V-Clip Electro Harmonix Loop Station Electro Harmonix POG Pedal Moogerfooger Pedals Vongon Pedal Beyerdynamic M500 Mic Electro-Voice RE10 U47 Microphones 1176 Compressor API EQ 560 Shure SM57 Empirical Labs Distressor Altec Solid State Mixers Altec Tube Mixers Augspurger Speakers Yamaha Disklavier Piano Ableton Saturator Ableton OUR GEAR https://linktr.ee/tapenotes_ourgear Intro Music - Sunshine Buddy, Laurel Collective HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Katie-Louise Buxton  Seb Brunner-Stolovitzky  Jonathon Coughlin Learn more about your ad choices. Visit megaphone.fm/adchoices

Le musicologue et enseignant français Matthieu Thibault pour son livre "Radiohead" (Le Mot et le Reste). Fondé près d'Oxford au milieu des années quatre-vingt, héritier du rock indépendant anglais (Magazine, The Smiths) et alternatif étasunien (Sonic Youth, R.E.M.), Radiohead rencontre le succès dès son premier single « Creep », avant de convaincre la critique avec OK Computer (1997). Le groupe ne cessera pour autant de remettre en question son style et de se réinventer, à l'image du diptyque Kid A (2000) et Amnesiac (2001) qui accompagne avec brio le changement de siècle. Ses membres (Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway) cumulent neuf albums en groupe, une dizaine en solo ou en collaboration et une douzaine de bandes originales de film, étoffant au fil des années leurs racines rock au contact des musiques électroniques et savantes, et du jazz, tout en préservant une sensibilité pop inimitable. Ce livre retrace leur histoire en détaillant les sessions d'enregistrement produites par Nigel Godrich, en proposant une analyse des chansons, des pochettes signées Stanley Donwood, sans oublier les tournées et les innovations promotionnelles et esthétiques constantes qui sont autant de marqueurs d'une longévité à ce jour inébranlable. Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

La chronique de Josef Schovanec : "Le Papier peint jaune", une nouvelle de Charlotte Perkins Gilman parue pour la première fois en janvier 1892 à Boston dans le New England Magazine et considérée comme une oeuvre importante des débuts du féminisme aux États-Unis. Le musicologue et enseignant français Matthieu Thibault pour son livre "Radiohead" (Le Mot et le Reste). Fondé près d'Oxford au milieu des années quatre-vingt, héritier du rock indépendant anglais (Magazine, The Smiths) et alternatif étasunien (Sonic Youth, R.E.M.), Radiohead rencontre le succès dès son premier single « Creep », avant de convaincre la critique avec OK Computer (1997). Le groupe ne cessera pour autant de remettre en question son style et de se réinventer, à l'image du diptyque Kid A (2000) et Amnesiac (2001) qui accompagne avec brio le changement de siècle. Ses membres (Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway) cumulent neuf albums en groupe, une dizaine en solo ou en collaboration et une douzaine de bandes originales de film, étoffant au fil des années leurs racines rock au contact des musiques électroniques et savantes, et du jazz, tout en préservant une sensibilité pop inimitable. Ce livre retrace leur histoire en détaillant les sessions d'enregistrement produites par Nigel Godrich, en proposant une analyse des chansons, des pochettes signées Stanley Donwood, sans oublier les tournées et les innovations promotionnelles et esthétiques constantes qui sont autant de marqueurs d'une longévité à ce jour inébranlable. Le coup de coeur de Gorian Delpâture : "Birnam Wood" de Eleanor Catton (Buchet Chastel). Un grand naïf, une militante écologiste, un milliardaire aux ambitions démesurées. De quels compromis, de quels renoncements seront-ils capables à l'heure où leurs idéaux sont mis à l'épreuve ? Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Si hi ha un productor que exemplifica l'esclat del pop indie de guitarres a l'escena anglesa dels 90,

Si hi ha un productor que exemplifica l'esclat del pop indie de guitarres a l'escena anglesa dels 90,

Si hi ha un productor que exemplifica l'esclat del pop indie de guitarres a l'escena anglesa dels 90,

Scott is joined by IDLES lead singer Joe Talbot, one of the most exciting frontmen in rock music today! Early in their discussion, they discuss Joe's childhood in Bristol, and his early music memories, including being introduced to Van Morrison's Astral Weeks by his father at a youngg age. Along the way, they touch on his background as a DJ, and his love for U.K. hip-hop. Next, Scott asks him about the early days of IDLES. Joe shares how he supported himself before he could pursue music full-time, and how the band eventually decided to sign to Partisan Records. After giving some insight into the making of IDLES' first album, Joe discusses the band's upcoming record,Tangk produced by Kenny Beats and the legendary Nigel Godrich. Finally, the episode ends with some of Joe's Top 5's, including his top 5 underrated British rock bands, and his top 5 foods we don't have in America!

Get ready for it, we kick things off this week with “News with Nick.” Brian Wilson's conservatorship, Vultures 1 tops the charts, and four Beatles biopics are up for discussion.Song: Tapir! - “Unknown”Next up, Greg brings us “Three For Thursday.” Idles latest album Tangk is their first work with producer Nigel Godrich and the band, while staying true to form, delves appropriately deeper with the new producer than on past albums. The influential Squarepusher is out with a new album, as is Australian progressive metal band Caligula.Songs: Idles - “Gratitude”Squarepusher - “Wendorlan”Caligula's Horse - “The Stormchaser”Jay has prepared charts and diagrams to breakdown the drama over the Eagle's long lost, or apparently stolen, handwritten lyrics to Hotel California. First lent, in the late 1970s, to writer Ed Sanders for an unpublished book about the Eagles, the handwritten drafts were sold to a rare manuscript dealer. The dealer, Glenn Horowitz, is now being charged, along with two other individuals, with “possession of stolen property.” We attempt to unravel the story, with moderate success.Song: Brigitte Calls Me Baby - “Eddie My Love”

▶️ ⏪️ The Smile es una banda del Rock alternativo inglesa compuesta por los miembros de Radiohead: Thom Yorke y Jonny Greenwood con el baterista Tom Skinner. Su productor musical es Nigel Godrich, el mismo de Radiohead desde hace décadas. El proyecto se gesta durante el confinamiento por la pandemia de COVID-19. Acaban de estrenar su 2do álbum de estudio y nos dimos a la tarea de escucharlo y platicarlo con ustedes. Busca más de Play Rewind en: - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music⁠

Since releasing their critically acclaimed debut album, Brutalism, in 2017, the British band IDLES have dropped four other albums in quick succession. The band's bombastic sound brilliantly balances joy, chaos, and an often critical take on the powers that be. IDLES latest album, TANGK, was produced by the band's guitarist Mark Bowen, Kenny Beats, and Radiohead producer, Nigel Godrich. On today's episode Justin Richmond talks to Joe Talbot and Mark Bowen from the greenroom of the Tonight Show with Jimmy Fallon about their tumultuous creative partnership. They also explain how Mark helps temper Joe's sometimes passionate rage, and Joe breaks down why he will forever despise England's monarchy. You can hear a playlist of some of our favorite IDLES songs HERE.See omnystudio.com/listener for privacy information.

Joe Talbot, frontman for the ferocious U.K. band Idles, explores his artistic roots -- how his sculptor dad taught him the value of a creative purpose, how his love for hip-hop evolved as he became more politically aware, the inspiration he drew from Van Morrison's Astral Weeks, how the early oughts breakthrough by the Strokes influenced him, what it was like for Idles to find their sound in Bristol's fertile music scene, and how they learned to try new things, with help from producers Nigel Godrich and Kenny Beats, on their excellent new album Tangk.

This week we're discussing TANGK, the latest album by IDLES. We've been huge fans of these guys for years, but now the rest of the world is finally getting around to them. TANGK is their biggest record yet, with production by Nigel Godrich and a guest appearance by LCD Soundsystem. But TANGK doesn't just talk a big game—it's their best album yet and one you simply must hear. We're serious. Listen to it now.[TANGK releases February 16]Closing track: “Dancer”Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, AppleSubstackWebsite

Í fimm Mono-sendingum verða loyst nøkur fløg av yrkisleiðini hjá fimm ymiskum tónleikaframleiðarum. Talan er um fimm frægar framleiðar, sum hvør í sínum lag umboða ymisk tíðarskeið, og ymisk tónleikarák. Fimta sendingin og síðsta sendingin í hesum umfari snýr seg um enska tónleikaframleiðaran Nigel Godrich.

Kuwaiti-Israeli musician Dudu Tassa's latest record, a collaboration with Radiohead's Jonny Greenwood, is a love letter of sorts to a variety of favorite, but potentially lost-to-the-ages songs of the Middle East.  Titled Jarak Qaribak, which translates to "Your neighbors are your friends," the Nigel Godrich-mixed record features guest vocalists from across the region taking on songs dear to Tassa's and their hearts. Essential Tremors is produced by Matt Byars and Lee Gardner and distributed by Your Public Studios.See omnystudio.com/listener for privacy information.

Welcome to Episode 36 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'.  This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'? This month, we get stuck right into Creep Show's 'Yawning Abyss' in Part 1 and in Part 2 we play Spin It or Bin It with the theme 'Super-Producers'.Part 1 | Album of the Month | Creep Show's 'Yawning Abyss'It's Guy's choice this month and he choses a bleak little oddity by Creep Show called Yawning Abyss. Creep Show are a 'Super Group' of John Grant, Phil Winter (Tuung), Stephen Mallinder (Caberet Volataire) and Ben 'Benge' Edwards (Prolific Producer). This is their 2nd album as a collective and they channel the dark, the dystopian and the hopeless across 9 tracks and 40-ish minutes of music. There are elements of each individuals previous work but there is distinctive sound that the band capture themselves. Listen to the album here or some tracks here.Visit their Bandcamp here.Here are few links to provide a little background.Read a very short interview with Creep Show here and another here. Watch Creep Show play 'Yawning Abyss' live at latitude here.The Metacritic album page can be found here.Part 2 | Spin It or Bin It? | Super-ProducersWhat is a Super-Producer? It turns out we all have a different definition, no surprises there I guess! But collectively we kind of agree that a Super-Producer is (i) successful (ii) prolific (iii) has had a significant impact on music (iv) spans numerous artists and perhaps genres.David chose 'I never loved a man' by Aretha Franklin (Jerry Wexler)Joey chose 'Gamma Ray' by Beck (Dangermouse)Nolan chose 'NY State of Mind' by Nas (DJ Premier)Guy chose 'Weird Fish / Arpeggi' by Radiohead (Nigel Godrich)In order to select our tracks we shortlist 4 each and create a 16 track playlist that can be found here.*** Enjoy the Episode ***We've been writing the blog for years come and have a look - https://thisisnothappening.net/

Podcast Overview: Lau.ra discusses navigating the music world as a mother, DJs breaking boundaries, social media & it's impact on the music industry Who Is Lau.ra: lau.ra is the new project from producer, DJ and vocalist Laura Bettinson. Hailing from the Midlands but residing in London, you may know Bettinson as 1/3rd of Ultraísta with Radiohead producer Nigel Godrich. Now Bettinson turns her attention to her own solo electronic music, dancing deeper into her role as producer and DJ. Her debut single ‘I Just Wanna' was released at the end of 2019, on Mike Mago's BMKLTSCH RCRDS. At this time Laura also penned a deal with Ninja Tune's publishing arm ‘Just Isn't Music' bringing together a fantastic team. Laura has previously featured on tracks by Sasha, Justin Martin, Cristoph, Four Tet, Maribou State, Huxley and David Lynch with many more exciting collaborations in the works for 2020. Including the huge track “Heart Attack” with the new project between Odesza and Golden Features called BRONSON DJ performances has taken lau.ra everywhere from the USA, Mexico, Russia, China, Netherlands, Sweden as well as a host of club nights and festivals in her home country UK. If you would like to join my community to carry on with all of these discussions please sign up to the link here: http://willclarke.club/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Walker and Zach close out the first season of Idiotalk by ranking Radiohead's albums and doing some Top Ten lists. They also preview what is in store for Season 2 and discuss everything they've learned about Radiohead and each other. Playlist Links (Walker):Top 10 Radiohead songs Apple Music  or SpotifyTop 10 B-Sides, Solo work, other collaborations Apple Music or Spotify  Playlist Links (Zach):Top 10 Radiohead songs Apple Music or SpotifyTop 10 B-Sides, Solo work, other collaborations Apple Music or Spotify Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach finally reckon with The Smile- the new band of Thom Yorke, Jonny Greenwood and Tom With No H- and their debut record A Light For Attracting Attention.  Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Make sure to have your rat poison and morphine ready, because we're diving into the psychedelic nightmarish wasteland that is 2003's Deloused in the Comatorium by progressive-rock band The Mars Volta - AKA the rise and fall of Cerpin Taxt. While Alex has been somewhat of a fan of them for over a decade, this is Austin's first foray into the bands music. We talk about the bands prior history as At the Drive-In, the songwriting duo of Cedric Zavala-Bixler and Omar Rodriguez-Lopez, the revolving door of musicians (including RHCP's Flea and John Frusciante), the incredible drumming by Jon Theodore, Rick Rubin and the importance of a good producer (where Alex accidentally credits Stanley Donwood instead of Nigel Godrich for Radiohead), and the albums unique mix of prog-rock, post-hardcore, psychedelic, and droning ambience. Outside of the topical discussion, we get into how busy Austin's life is getting with an upcoming wedding, house-hunting, and infatuation with emulating old SNES and gameboy games, plus the overall nothing-happening going ons of Alex's life at the moment (RIP). We're drinking Urban Artifact's berry-heavy fruited sour Audion for this one. Looks like we're doing The Last Samurai next. Want to reach us on social media? We're on Instagram and Twitter (@thewhitestguys), TikTok (@twodudesbrewsreviews), and we have an official TDBR Facebook page. For business inquires, please reach out to us at tdbr.ap.ag@gmail.com

Walker and Zach wade through the dystopian techno-hell of ANIMA, Thom Yorke's 2019 solo album/short film collaboration with PT Anderson. Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach are joined by Noel Brown- host of Stuff They Don't Want You To Know and Ridiculous History- to break down all the songs on Radiohead's 9th and final(?) album A Moon Shaped Pool. Check out Noel's music with the Shaun Piazza Band and the Cubists. Stay tuned after the episode for the original song "What the Papers Are Saying," written by Noel Brown and Brandon Skelton. Lead vocals by Brandon Skelton, produced by Noel Brown. Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach immerse themselves in the period of loss and reflection that led to Radiohead's possible swan song- the somber, beautiful A Moon Shaped Pool. They also listen to the band's rejected James Bond theme, and help each other through the DABDA process. Tune in next week for a track-by-track breakdown of AMSP w/ a special guest!Episode Citation/References:Everything in its Right Place: Analyzing Radiohead by Brad Osborn Ph.D.David Bennett Piano - Radiohead AnalysisRadiohead: Life in a Glasshouse by John AizlewoodHow Concert Ticket Monopolies Ruined Everything Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach mirror Thom's second solo album by doing an extremely half-assed episode that is still met with universal acclaim.  Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach examine the Thom Yorke/Flea side-project Atoms For Peace and their first and last album- 2013's Amok. Zach also unearths the only Yelp review he's ever written. Walker presents a manically charged email from the past.  Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach reach into the Radiohead Grab Bag and pull out some fun odds and ends. The boys rank Thom's hairstyles, give their live reactions to the solo work of the Handsome Man and the Bald King, listen to some Mario 64 remixes, and engage in an earnest discussion about separating the art from the artist.  Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach become the Kings of Listening to Radiohead as they go through the tracks of their 8th studio album, its b-sides, and live takes. They also finally reveal their deeply held opinions about the record and lay all their TKOLHTs on the table. Episode Citation/References:Influences on The King Of Limbs from Sick MouthyRadiohead's The King of Limbs: What Happens When ‘Serious Listening' Is Your Brand by Nitsuh AbebeIt's time to appreciate Radiohead's ‘The King of Limbs' by Andrew Sacher Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach discuss the making of Radiohead's "invisible album" the King of Limbs, and its curious connection to Batman Forever. They also check in on the reactions to their inflammatory Reddit post and how it's affected their standing in the community. Episode Citation/References:Influences on The King Of Limbs from Sick Mouthy Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach sit down with Casey Pegram and tap his extensive film background for an in-depth discussion of Radiohead needle drops, the band's collaboration with Paul Thomas Anderson, and the motion picture scores of Jonny Greenwood.Casey is a Supervising Producer for Podcasts at iHeartMedia and the producer of shows “Stuff You Missed In History Class”, “Dressed: The History of Fashion”, and the brand new “Svetlana! Svetlana!” (a docu podcast about Joseph Stalin's daughter).Check out Casey's work as cinematographer on “Anney in the City” available to rent here or on TubiCheck out Casey's wonderful appearances on the Podcast “Movie Crush” discussing the films of Stanley Kubrick:Kubrick Special Part I: The ShiningCasey on Kubrick Part II: Barry LyndonCasey on Kubrick Part III: Eyes Wide Shut Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach dive into the In Rainbows b-sides collection Disk 2, and try to figure out if the songs left off the album are just as great as the ones that made it on. They also gamble with their lofty status in the Radiohead fan community with an incredibly annoying Reddit post. Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach end up where they have started: discussing Radiohead. This week, the boys continue their coverage of In Rainbows with an in-depth, track by track review of the album. Fuhgetaboutit.   Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

Walker and Zach return triumphant from their holiday break, rested and ready to tell you everything you need to know about Radiohead's 7th studio album In Rainbows. They also chase down a new lead in the case of a surfboard maiming that has haunted them both since childhood. Follow us on Instagram to get the inside scoop, weekly show updates, upcoming special guests, and original artwork for each episode @idiotalk.podcast Idiotalk theme song by Walker Glenn Enjoying the show? Please Rate (and) Review wherever you listen to Podcasts!

The Big Mates discuss hot tubs, Isaac Newton, Strictly Come Dancing, and In Rainbows by Radiohead.Adam, Steve, and Lucas continue their deep dive into the career and discography of Radiohead by tackling their highly praised seventh album In Rainbows. They talk about the writing and recording process, the context surrounding the songs, and offer up analysis, opinions, and thoughts from three differing perspectives on music, from being deeply into analysis and music, to not caring for art or critique, and everything in between.They touch on the lengthy writing and recording process for the album, the novel release strategy, and how the band approached the record. They also discuss death, the passage of time, the finite nature of our existence, and the soundtrack for Kevin and Perry Go Large.What was special about how the band released In Rainbows? Why did they start recording without Nigel Godrich? Is this their most sexual album? Find out on this episode of What Is Music?Our next episode is out on Monday January 16th and will continue the deep-dive into In Rainbows.Get access to more shows, exclusive bonus content, ad-free episodes of this show, and more music discussion by subscribing to our Patreon!Head to patreon.com/whatismusicpod and receive up to two new episodes of our various shows every week, ad-free archives of What Is Music?, and access to our Patron-only Discord server for even more music (and non-music) discussion!Support the show when starting your own podcast!By signing up to Buzzsprout with this link: https://www.buzzsprout.com/?referrer_id=780379Wear your fandom on your (literal) sleeve!What Is Music? now has a RedBubble shop with lots of cool and stupid designs. You can get the designs on basically any product you like, from t-shirts and mugs, to bath mats and jigsaws, via clocks and phone cases! Head to https://whatismusicpod.redbubble.comIf you'd like a different way to donate to us!You can do so at https://ko-fi.com/whatismusicAny donations very gratefully received and go towards our running costs!Join the conversation on:Twitter: https://twitter.com/whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comhttp://whatismusic.buzzsprout.com/Support the show

Joby Talbot is the only living composer to have written the music for three full-length ballets for The Royal Ballet in London. In this sixth episode of Composing Myself Wise Music CEO and Creative Director Dave Holley and Gill Graham catch up with the genre-bending maestro to talk about his “horrible” jobs before he became a composer (Night shift at the local mortuary! Laundry at a mental institution!), working with Nigel Godrich and their close professional bond, the key differences between composing for animations versus live action projects, the culinary genesis of the Like Water For Chocolate ballet score, and the upside-down sensibility of composing for choreography - “you're trying to give a platform for the choreographer and the dancers to do their thing, without knowing what that thing is”. -----http://www.jobytalbot.comhttps://www.instagram.com/jobytalbotmusic/-----Joby Talbot was born in London in 1971. He studied composition privately with Brian Elias and at Royal Holloway and Bedford New College, before completing a Master of Music (Composition) at the Guildhall School of Music and Drama under Simon Bainbridge.Talbot's diverse catalogue includes full-length narrative ballets (Alice's Adventures in Wonderland , 2011; The Winter's Tale, 2014) and contemporary dance works (Chroma, 2007); small- and large-scale choral and vocal works (The Wishing Tree, 2002; Path of Miracles, 2005; A Sheen of Dew on Flowers, 2019); orchestral pieces (Sneaker Wave, 2004; Chacony in G Minor, 2011; Worlds, Stars, Systems, Infinity, 2012); concerti (Desolation Wilderness, 2006; Ink Dark Moon, 2018); and scores for the screen (The Lodger, 1999; The Dying Swan, 2002; Vampyr, 2018).Talbot's critically acclaimed first opera, Everest, was given its premiere in 2015 by The Dallas Opera. His second opera based on the true story The Diving Bell and The Butterfly, a further collaboration with librettist Gene Sheer, premieres in November 2023. Like Water for Chocolate, Talbot's third narrative ballet with Christopher Wheeldon premiered in June 2022 at The Royal Ballet and will be presented by partner commissioner ABT, in March 2023 in Costa Mesa and at the Metropolitan Opera in New York in June 2023. Hosted on Acast. See acast.com/privacy for more information.

On this week's Talkhouse Podcast we've got the Scottish singer and songwriter behind some of the catchiest songs of the past two decades along with the super producer who helped bring those songs into the world: Fran Healy and Nigel Godrich. Healy is the singer, guitarist, and chief songwriter of the band Travis, which really broke big with 1999's The Man Who, scoring mainstream hits with songs like “Why Does it Always Rain on Me” and “Turn.” They've since created a deep catalog that numbers nine albums. But for today's purposes we're going to concentrate on 2001's The Invisible Band, which Travis is giving a belated 20th birthday celebration for at the moment, including a US tour that starts this week. It can be difficult to follow up a massive success like The Man Who, and Travis turned once again to Godrich to help them chart the proper course. It wasn't the beginning, but rather the continuation of a long and fruitful relationship. Check out “Sing” from The Invisible Band. Godrich, by the time Invisible Band came around, had found massive success as the producer of Radiohead's OK Computer, and of course he would go on to be the sort of unofficial sixth member of that band—recording all of their albums and even playing music with Thom Yorke in Atoms for Peace. As you'll hear in this conversation, Godrich had some solid advice for Healy heading into The Invisible Band, though it's not necessarily advice he would give anymore. Beyond his work with Radiohead and Travis, Godrich has also produced classics by Beck—including Mutations and Sea Change—and Air and Arcade Fire and Roger Waters. The list goes on. In this conversation, the two old friends talk about their state of mind and state of life back when they commenced recording The Invisible Band in Los Angeles. They talk about Godrich's recent revelatory experience seeing the Pavement reunion tour—he also produced that band's swan song, Terror Twilight. There's even a story about a baby goat peeing in a very expensive guitar case. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Fran Healy and Nigel Godrich for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting and social media platforms. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Mikko Gordon is a record producer, audio engineer, and mixing engineer based out of London, England, UK! In our chat, Mikko shares his story; from playing in bands to doubling down on the studio thing, meeting and working with Nigel Godrich, and working with some of today's biggest indie/alternative acts! We chat about finding artists he really wants to work with, establishing an aesthetic on a record, his philosophy on drum sounds, and being fast and fearless in the tracking stage. We also talk about mixing, reverb, working with The Smile, lessons from FOH, transitioning from a local scene to the global music scene, and so much more! Check it out!You can learn more about Mikko at https://www.mikkogordon.com/You can follow Mikko on Social MediaIG - https://www.instagram.com/mikkogordon/***Thanks to our sponsors!***Save 20% off your first year of Filepass at - https://filepass.com/secretsonicsSave 50% off your first 3 months of Easy Funnels at - https://easyfunnels.io/secret-sonicsClick here to listen to "Thanks for Thinking" - https://www.carlbahner.com/thanks-for-thinking ***Join the Secret Sonics Discord community here(!) - discord.gg/UP97b72W6tYou can listen to the song we discussed in the "Sauce" segment here: "Octopus" by Island - https://youtu.be/XXYWEAwMwp8References:Nigel Godrich - https://en.wikipedia.org/wiki/Nigel_GodrichRadiohead - https://en.wikipedia.org/wiki/RadioheadLaura Bettinson - https://www.instagram.com/lau.ra.lau.ra.lau.ra/Ultraista - https://www.instagram.com/ultraistamusic/Island - https://www.instagram.com/islandislandisland/Tim O'Sullivan - https://www.benwallick.com/podcast-episodes/2022/9/18/secret-sonics-158-tim-osullivan-fostering-inspiration-in-the-studioThe Smile - https://en.wikipedia.org/wiki/The_Smile_(band)Nigel on Hanging Out with Audiophiles - https://hangingoutwithaudiophiles.libsyn.com/howa-ep-100-nigel-godrichHackney Road Studios - http://www.hackney-road.com/Tchad Blake - https://en.wikipedia.org/wiki/Tchad_BlakeConsider rating and reviewing our show on Apple Podcasts and sharing this or any of your favorite episodes with a friend or two.Thank you to Zvi Rodan, Mendy Portnoy, and Yakir Hyman for contributing to the podcast theme music!Thanks to Gavi Kutliroff for helping edit this episode!You can find out more about Secret Sonics and subscribe on your favorite podcast app by visiting www.secretsonics.co Have a great week, stay safe, and dig in!-Ben

En este episodio nuestro equipo analiza el impacto de "Kid A" de Radiohead, conversando sobre la incorporación de distintos estilos musicales que hizo la banda, la estructura de sus canciones, su influencia posterior para la escena, algunos de sus tracks destacados, y más.

Nigel is my kind of producer He has a strong sense of quality, a strong sense of who he is and what potentials artists have to be cultivated and captured. He's my kind of producer because he gets his hands dirty and doesn't just act as a fan of the band and take on that guru role but he's in the trenches, setting up the mics for perfect phase alignment, getting all the sonic chains correct but without a limiting rule book. There's so much inventiveness in the productions alongside the incredible, undeniable tone. Of course there's that ego and strong sense of self and I ran into his resolute perspective a couple of times by asking questions he deemed sub par or misguided. Let's put it this way, you know where you stand with Nigel and of course he has a strong perspective. Imagine the courage and strength of conviction it would take to tell Thom Yorke or Paul McCartney that they could better a take or that a lyric felt cheesy or what have you. We might all think we want to be told yes all the time but Nigel, it feels, understands when to say no and let his point be known and I love that about him. I have immense respect for him. He's made some of my favorite records and I think it's fair to say that he's my favorite living producer. So needless to say it's an absolute thrill to have him on the show. It's even more special to me that he agreed to do episode 100. NIGEL!!!!! Nitty 100 is a BIG one I get my hands on a rare Chamberlin M1 from the excellent Rob Burger and sample it in a most painstaking manner yielding a set of 8 instrument captures that showcase the sounds on the tapes in a way that's never been heard before. I sent the finished pack to some amazing musicians and they all came back with beautiful music to demo the sounds. You'll hear tracks from Dave Sitek Hainbach Dana Wachs Andrew Huang RJD2 Money Mark and I also made one that sneaks in at the end of the show

In this episode we chat a bit about depression, coming down off of medications when they affect your brain chemistry, the mighty and amazing band IDLES, some television shows we've been watching like Yellowstone and The Anarchists, and a whole lot more! Check out our Patreon to JOIN THE C.U.L.T.! You'll get early episode access, behind-the-scenes content, an extra episode a month, as well as the full episode completely unedited and uncensored ONLY for our Patreon subscribers. JOIN US HERE - www.patreon.com/snwfcult Instagram - @sharingneedleswithfriends Twitter - @SNWFpodcast TikTok - @snwfcult  Listen on : Spotify - https://open.spotify.com/show/20Rty7FioKIUvoruEWpqfX?si=b78a365376cf4452 iTunes - https://podcasts.apple.com/us/podcast/sharing-needles-with-friends/id1638761513 Google - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9wSHpyOXVMag

Does music theory always help with songwriting, or can it sometimes become a hindrance to the process? Is good songwriting essentially a matter of theory, luck, or talent? Here are some of the topics that we go over in this episode: Is a lot of good songwriting just comprised of clever "illusion" and proper "compensation"? Who is Nigel Godrich and who has he produced? What is the reason why people like hit songs, despite their catchiness and tendency to be annoying?

Check out the interview here: https://www.bbc.co.uk/sounds/play/m0017rhn Resources (May Contain Affiliate Links): Train Your Ears: Ear Training For Audio Engineers

Mikko Gordon is a London based mix engineer and producer. He graduated from Goldsmiths with a degree in music and has worked with much of the exciting talent coming out of that university since then. After building a relationship with Radiohead producer Nigel Godrich through his act Ultraísta, Nigel recognised Mikko's talents, and brought him on to his team. Since then Mikko's worked on some incredible projects, most recently The Smile, a supergroup which include Radiohead members Thom Yorke and Johnny Greenwood, alongside Sons of Kemet drummer Tom Skinner, and the new Arcade Fire album 'WE'. Here, we join Mikko in the Neve room at his Hackney Road Studios base.The Process of Production is a music production podcast presented by Lawrence Diamond and Bob Matthews. Lawrence cut his teeth playing and writing in Indie bands before finding international success and touring the world with his band CITIZENS! During that time he worked with a host of revered producers including Liam Howe, Mark Ralph and Alex Kapranos. Since the band ended in 2016 he's been using that experience to help other artists develop their careers as a writer and producer while continuing to release his own music under various different guises. Bob learned his trade as the producer and multi-instrumentalist in Electronic Pop duo Alpines, whose career spans 3 albums, releases on major and indie record labels, shows with Florence + The Machine, The xx, Emeli Sandé, and a top 20 hit 'Tidal Wave' in collaboration with Sub Focus. In recent years he has turned his focus to producing other acts and has a studio in Chiswick in West London. If you have any feedback or questions, please email us: processofproductionpodcast@gmail.com Follow The Process of Production on Instagram @processofproduction If you like the podcast, please consider giving us a review on your podcast provider of choice! Thank you

Bob Nastanovich and Steve West of Pavement, and reissue overseer Jesper Eklow (also of Endless Boogie) discuss the revelatory new expanded edition of Terror Twilight: Farewell Horizontal, its original NYC/London sessions with producer Nigel Godrich and special guests, the potential treasure trove of Stephen Malkmus demos for every Pavement record, his work with David Berman in Silver Jews, tackling Jim Brown, Pavement's 2022 reunion tour dates, future plans, and more! Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

Longtime MAGNET contributor Hobart Rowland takes a deep dive into the influential albums championed by the magazine over the years, with exclusive, in-depth interviews with the artists, producers and other key players. For episode three, Rowland gets the real story behind the making of Travis' 2001 international smash, The Invisible Band, produced by Grammy-winning Radiohead collaborator Nigel Godrich. Craft Recordings has reissued The Invisible Band as a special 20th-anniversary double CD and vinyl boxed set, and Travis embarks on a U.S. tour in the fall, performing the album in its entirety for the first time ever. --- Support this podcast: https://anchor.fm/magnet-magazine/support