Podcasts about asian american women

Can you believe its been 10 years? In this special episode, we're taking a heartfelt trip down memory lane to celebrate the 10th anniversary of Equity by Design (EQxD). We discuss the origins of EQxD, from the “Missing 32%” initiative to the “Architect Barbie” campaign, and reflect on how a small AIA San Francisco committee grew into a national movement fueled by surveys and power poses. Annelise Pitts AIA, Ántonia Bowman AIA, Rosa T. Sheng FAIA, Lilian Asperin, AIA, and Julia Mandell, AIA open up about their personal journeys, emphasizing the importance of connection, support, and relentless advocacy in shaping a more inclusive and equitable future for architects. Show Notes Women in Architecture Series (2013) Caitlin's Podcast- Architectette Ántonia Bowman, AIA, NCARB, LEED AP BD+C, Assoc. DBIA is a Senior Associate at ELS. She joined the firm in 2017 and is a licensed architect in California and Texas. A core team member of AIA San Francisco's Equity by Design, Ántonia is an advocate for greater visibility and equitable opportunities for women, LGBTQ+, people of color, and others who are underrepresented in the profession. She received a Master of Architecture from The University of Texas at Austin and a B.A. in Studio Art from Smith College. Annelise Pitts, AIA, Associate at Shepley Bulfinch is a passionate designer, facilitator, and advocate for justice, equity, diversity and inclusion in the built environment. In her role as a design strategist with LENS, a design strategy, research, and innovation practice group within Shepley Bulfinch, Annelise offers participatory visioning and planning, change management, and organizational development services, collaborating with clients to develop holistic responses to purpose-aligned issues at the heart of the design experience  — sustainability & resilience, health and wellness, and justice, Equity, Diversity, and Inclusion. Rosa T. Sheng, FAIA, LEED AP BD+C is a Vice-President at SmithGroup serving multiple roles as Higher Education Studio Leader in Northern California and national Director of Justice, Equity, Diversity, Inclusion. After founding Equity by Design [EQxD] in 2014, Rosa served as AIA San Francisco President in 2018, the first Asian American Women to serve in the organization's 136 year history. Recognized as an industry thought leader, architect, strategist, and advocate, she is known for developing new processes and design solutions with transformational impact in the built environment.  Lilian Asperin, AIA is a partner at WRNS Studio, where she helps lead the design process and build teams that deliver aspirational outcomes. Serving as an At-Large Director of the Board of the Society for College and University Planning (SCUP), Lilian continues the work she started with the Pacific Regional Council where she has led workshops and conversations investigating equity, well-being, evolving learn/work modalities, and innovative project delivery models. Committed to advancing the practice of architecture, Lilian has also served as a Board Director of AIA San Francisco and is the Co-Chair of the Equity by Design Committee, a call to action for equitable practice and to communicate the value of design to society. Julia Mandell, AIA is an experienced architect and planner with broad project experience in architecture, urban design and landscape design. Currently practicing with Wilson Associates, a design/build/development firm in Oakland, California, Julia work includes the design of spaces for living, working, eating and making, with a focus on adaptive reuse. Julia also currently serves as the Co-Chair of Equity by Design, working to increase access to the field of architecture and promote equitable outcomes throughout the architectural process. She received her Masters of Architecture from Rice University and her Bachelor of Arts in Architecture from Columbia University. She is a licensed architect in the state of California.

Crashing Waves: War. From “Making Waves: An Anthology of writings by and about Asian American Women”, 1989

Two high-profile Indian American women – Democratic presidential candidate Kamala Harris and Usha Vance, wife of Republican vice-presidential candidate JD Vance, are shining a spotlight on South Asian women in politics. They're just two of the 4.4 million Indian Americans in this country – the largest Asian demographic identifying solely from one country, and an increasingly powerful voting bloc. As Vice President Kamala Harris officially accepts the Democratic nomination this week, will South Asian women mobilize for her campaign? And how are they shaping the 2024 elections in their communities and states, both as active voters and as candidates? 

What are the unique challenges & opportunities of Asian American women in ministry? Soojin Park (Events Manager, TGC), Ruth Chou Simons (Author, Now and Not Yet) Watch on YouTube: https://youtu.be/0LCRaKl52ys Follow on Instagram: https://www.instagram.com/thesolanetwork/ Our new book: A Letter to the Asian American Church: https://sola.network/book Donate to SOLA Network: https://sola.network/donate/

Enjoy this short guided meditation from Sharon Suh, called, "Compassionate Touch Meditation."Guest:SHARON SUH is professor of Buddhism at Seattle University and author of Being Buddhist in a Christian World: Gender and Community (2004); Silver Screen Buddha: Buddhism in Asian and Western Film (2015); and Occupy This Body: A Buddhist Memoir (2019). She focuses on racialized trauma experienced by people of color and emphasizes the importance of embodiment. She's also President of Sakyadhita International Association of Buddhist Women. Her upcoming book, Emergent Dharma: An Anthology of Asian American Feminist Buddhist Women scheduled for Fall 2025.Links to social media:www.mindfuleatingmethod.com; @mindfuleatingmethodIn addition to books mentioned in bio: •.      “Western Buddhism and Race,” co-authored with Joseph Cheah, Oxford Research Encyclopedia (Oxford University Press, May 2022).• “Jeong as the Expression of the Interrelationality of Self and Other in Korean Buddhist Cinema” in Edward Y. J. Chung and Jea Sophia Oh, eds. Emotions in Korean Philosophy and Religion: Confucian, Comparative and Contemporary Perspectives.” (Palgrave, 2022).• “Taking Refuge in the Body to Know the Self Anew: Buddhism, Race, and Embodiment,” Embodying Knowledge: Asian and Asian American Women's Contributions to Theology and Religious Studies, ed. by Kwok Pui Lan (Palgrave MacMillan).• “We Interrupt Your Regularly Scheduled Programming to Bring You This Very Important Public Service Announcement . . .”: aka Buddhism as Usual in the Academy,” in Emily McCrae and George Yancy, eds., Buddhism and Whiteness: Critical Reflections (Rowman & Littlefield). •Suh. Sharon., “Buddhist Meditation as Strategic Embodiment: An Optative Reflection” in Flashpoints for Asian American Studies, ed. by Cathy Vials-Schlund. (Fordham University Press, 2017).•Suh, Sharon. A., “Buddhism and Gender” in Oxford Handbook of Contemporary Buddhism, ed. by Michael Jerryson. (Oxford: Oxford University Press, 2016):635-649.•Suh, Sharon A., “Buddhism, Rhetoric, and the Korean American Community: The Adjustment of Korean American Buddhists to the United States” in Richard Alba, Albert J. Raboteau, and Josh DeWing, eds., Immigration in America: Comparative Historical Perspectives. (New York: New York University Press, 2009):166-190.

A layered and engaging discussion with Prof. Sharon Suh on what "Asian American Buddhism can be defined as; including the refusal to be silenced.Guest:SHARON SUH is professor of Buddhism at Seattle University and author of Being Buddhist in a Christian World: Gender and Community (2004); Silver Screen Buddha: Buddhism in Asian and Western Film (2015); and Occupy This Body: A Buddhist Memoir (2019). She focuses on racialized trauma experienced by people of color and emphasizes the importance of embodiment. She's also President of Sakyadhita International Association of Buddhist Women. Her upcoming book, Emergent Dharma: An Anthology of Asian American Feminist Buddhist Women scheduled for Fall 2025. Links to social media:www.mindfuleatingmethod.com; @mindfuleatingmethodIn addition to books mentioned in bio: •.      “Western Buddhism and Race,” co-authored with Joseph Cheah, Oxford Research Encyclopedia (Oxford University Press, May 2022).• “Jeong as the Expression of the Interrelationality of Self and Other in Korean Buddhist Cinema” in Edward Y. J. Chung and Jea Sophia Oh, eds. Emotions in Korean Philosophy and Religion: Confucian, Comparative and Contemporary Perspectives.” (Palgrave, 2022).• “Taking Refuge in the Body to Know the Self Anew: Buddhism, Race, and Embodiment,” Embodying Knowledge: Asian and Asian American Women's Contributions to Theology and Religious Studies, ed. by Kwok Pui Lan (Palgrave MacMillan).• “We Interrupt Your Regularly Scheduled Programming to Bring You This Very Important Public Service Announcement . . .”: aka Buddhism as Usual in the Academy,” in Emily McCrae and George Yancy, eds., Buddhism and Whiteness: Critical Reflections (Rowman & Littlefield). •Suh. Sharon., “Buddhist Meditation as Strategic Embodiment: An Optative Reflection” in Flashpoints for Asian American Studies, ed. by Cathy Vials-Schlund. (Fordham University Press, 2017).•Suh, Sharon. A., “Buddhism and Gender” in Oxford Handbook of Contemporary Buddhism, ed. by Michael Jerryson. (Oxford: Oxford University Press, 2016):635-649.•Suh, Sharon A., “Buddhism, Rhetoric, and the Korean American Community: The Adjustment of Korean American Buddhists to the United States” in Richard Alba, Albert J. Raboteau, and Josh DeWing, eds., Immigration in America: Comparative Historical Perspectives. (New York: New York University Press, 2009):166-190.Host: REV. LIÊN SHUTT (she/they) is a recognized leader in the movement that breaks through the wall of American white-centered convert Buddhism to welcome people of all backgrounds into a contemporary, engaged Buddhism. As an ordained Zen priest, licensed social worker, and longtime educator/teacher of Buddhism, Shutt represents new leadership at the nexus of spirituality and social justice, offering a special warm welcome to Asian Americans, all BIPOC, LGBTQIA+, immigrants, and those seeking a “home” in the midst of North American society's reckoning around racism, sexism, homophobia, and xenophobia. Shutt is a founder of Access to Zen (2014). You can learn more about her work at AccessToZen.org. Her new book, Home is Here: Practicing Antiracism with the Engaged Eightfold Path. See all her offerings at EVENTS

Madalene Xuan-Trang Mielke is a nationally recognized civil rights leader and a member of USA Today's Inaugural Leaders of Change. As President & CEO of the Asian Pacific American Institute for Congressional Studies (APAICS). She joins us to talk about her work preparing AANHPI women for opportunity and challenges in America. Tweet us at @podcastcolors. Check out our partner program on international affairs Global with JJ Green on YouTube. Please subscribe. Email us at colors@the colorspodcast.com.

 In this episode, we feature guest Dr. Debbie Gin as she shares her history with being a part of Asian American Women on Leadership (AAWOL) with Young almost 20 years ago and how the key needs and themes are still needed today for the AAPI Women: increasing visibility, understanding one's own agency and leadership from Multivocal Spaces, and giving back to organizations like ISAAC who seek to advance AAPI faith leaders.  Please consider donating to ISAAC for GiveInMay at isaacweb.org/donate.Debbie Gin is ATS Director of Research and Faculty Development.  Debbie's areas of personal research include pedagogy, higher education administration, multicultural education engagement, and diversity inclusivity.  Debbie has been a frequent invited speaker on topics related to race, excellence, and inclusion.

In this episode of the Color of Success Podcast, Dr. Stephanie J. Wong welcomes Dr. Sophia Yen, co-founder and Chief Medical Officer of Pandia Health.  Dr. Yen, a seasoned expert with over two decades in medicine, dives deep into women's health issues, focusing on menstrual health, menopause, and acne solutions.  From the inception of Pandia Health to the revolutionary approach to birth control and beyond, Dr. Yen shares her journey and the transformative health services her company offers to women across various stages of life.  Tune in to uncover the barriers to traditional healthcare solutions and the innovative ways Pandia Health is addressing these challenges, ensuring women have access to necessary health services seamlessly. Host: Dr. Stephanie J. Wong Guest: Dr. Sophia Yen, co-founder and Chief Medical Officer at Pandia Health Episode Highlights:  1. Origin and Mission of Pandia Health: Dr. Yen shares her personal and professional motivations behind creating a women-founded, women-led birth control delivery service. 2. Insight into the challenges of accessing reproductive healthcare and how Pandia Health addresses these issues. 3. Expanding Services Beyond Birth Control: Overview of Pandia Health's expansion into treatments for acne and menopause, emphasizing holistic care throughout a woman's life. 4. Menstrual Health Innovations: Discussion on making menstruation optional and the health benefits associated with fewer menstrual cycles. 5. The relationship between hormonal changes and mental health, with a focus on the effects during periods and menopause. 6. Entrepreneurial Challenges and Achievements: Dr. Yen's experiences navigating the venture capital world as a woman of color and strategies for overcoming systemic barriers. 7. Educational Outreach and Advocacy: The importance of comprehensive sex education and Dr. Yen's efforts to change healthcare policies to better serve women's needs. Conclusion: Subscribe to "Color of Success" on your preferred streaming platform to stay updated on future episodes. Visit https://www.colorofsuccesspodcast.com/ for additional resources and episode archives. Pick up your copy of  Cancel the Filter: Realities of a Psychologist, Podcaster, and Working Mother of Color: https://a.co/d/iSfK7pW Learn More: To learn more about Pandia Health and to explore their services, visit pandiahealth.com. Connect with Dr. Sophia Yen on social media for regular updates on women's health issues and advancements. https://www.tiktok.com/@sophiayenmd https://www.instagram.com/pandiamenopause/ https://www.tiktok.com/@pandiahealth https://www.instagram.com/pandiahealth/ https://www.tiktok.com/@drsophiayen https://www.tiktok.com/@pandiamenopause  https://www.facebook.com/pandiahealth/ https://twitter.com/pandiahealth https://www.youtube.com/pandiahealth Pandia Health https://www.linkedin.com/company/pandia-health/ Dr. Sophia Yen: https://www.instagram.com/drsophiayen www.pandiahealth.com/periodsoptional  TEDx talk on the bottom

Asian American Life celebrates Women History Month featuring stories of leaders who are changing the world and inspiring future generations; Representative Patsy Mink, first woman of color in Congress gets her own coin this year; Hope Against Hate campaign and Asian American Federation fights for social justice; Yellow Chair Collective addresses mental health; Think Chinatown transform community through art; and Lily Fan makes history at the New York Liquor Authority.

Buy Tickets for the Stand Up PodJam Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Lala is a Co-Founder and the Executive Director of Sister District, which builds progressive power in state legislatures. She is thrilled and humbled to be the first woman of color to take the helm of the organization. In her previous role as the Director of Engagement & Partnerships, she successfully led the expansion of the organization's volunteer infrastructure, which now has 60,000+ members and over 170 groups in 32 states. Since its founding in 2016, Sister District has raised over $4.25m in small dollar donations directly to candidates and reached out to over 3.5m voters through doors, calls, texts, and postcards on behalf of over 130 state legislative races in key swing districts. Lala also led the development of strategic partnerships with local and national organizations such as the Democratic Legislative Campaign Committee, EMILY's List, Human Rights Campaign, Vote Save America, and more. Prior to Sister District, Lala clerked for federal judges in the Northern District of California and the District of Massachusetts. She was also an attorney at Morrison & Foerster LLP in San Francisco and Kaplan Kirsch & Rockwell LLP in Denver where she practiced environmental and energy law. Lala graduated from U.C. Berkeley, School of Law and Barnard College of Columbia University. Lala serves on the Boards of the AAPI Victory Alliance and Together SF, and the Advisory Boards of Asian American Women's Political Initiative and Project Camp. She is a New Leaders Council alum.   Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll Follow and Support Pete Coe Buy Ava's Art Check out StandUpwithPete.com to learn more

As an Asian-American woman who has been a preacher since age 19, Faith Eury Cho knows what barriers are present in many churches today. In this episode, Adam & Faith discuss some of the specific challenges Asian-American women face both inside the Asian-American Church and outside of it.Instead of allowing these barriers to limit her, they've inspired her to help bring about change.In 2020, she co-founded a church with her husband. She also founded the Honor Summit, a non-profit organization dedicated to equipping and activating Asian-American women for the mission of God. And Faith shares ways non-Asian Americans can help.Adam & Faith also discuss the times of Wilderness we experience throughout life, when we feel separated from God's presence. Faith shares her powerful wilderness story and asks the question, “What if the purpose of our wandering is not to reach the Promised Land but to recognize that God is with us in the desert?”Pre-order a copy of Faith's new book here: https://amzn.to/45YhcvJGet Carey Nieuwhof's FREE guide called 4 Steps to Engage Your Church Around Money and Generosity here: engagegenerosity.comThanks to our amazing partners on this episode: Tommy John & Vern EideTommy John has thousands of five star reviews for a reason! They sell the most comfortable undershirts, modern polos, and loungewear you'll find. Tommy John is Adam's absolute favorite clothing company ever! You are gonna love them too! Check them out today at tommyjohn.comVern Eide Motorcars a faith-based company with a growing employee-owned presence that truly strives to “Deliver Dreams and Transform Lives”. Vern Eide offers sales, service, and financing of automotive, boating, motorcycle, and power sports lines in multiple locations, including brands like Acura, Ford, Chevy, GMC, Honda, Hyundai and Mitsubishi, and many other quality pre-owned vehicles that are just right for what you need. Whether you live locally or across the country, visit verneide.comSign up for The Crew emails here: adamweber.com/thecrew This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3258948/advertisement

Diana Hwang is the Founder and Executive Director of the Asian American Women's Political Initiative.  In this episode, Diana talks growing up in Houston in a Taiwanese-immigrant family, her political awakening after college in Boston, what led her to start the AAWPI, how the organization has grown over the past 10+ years, her analysis of partisan trends within the AAPI community...plus her own experience running for State Senate in 2016. This is a great conversation with an innovative political thinker on the frontlines of expanding political opportunity.IN THIS EPISODEDiana's roots growing up in Houston in a Taiwanese immigrant family...How Diana became interested and involved in politics in Massachusetts...How the process around mental health legislation revealed a shortcoming in state politics...The "life changing" experience when Diana ran for a State Senate special election in 2016...How and why Diana start the Asian American Women's Political Initiative in 2009...The hurdles in getting traction for Asian American political advocacy...The impact of the 2021 Georgia mass shooting of Asian American women on Diana's work...Diana talks the mission and tools of the AAWPI...Diana on the importance of the election of Boston Mayor Michelle Wu...Diana's 101 on some of the partisan differences within the AAPI community...Diana's analysis of why Republicans ran more competitively in some places with AAPI voters in the last election...The significance of the WeChat app in organizing the AAPI community...Diana speaks to both short-term and long-term goals of AAWPI...

Faith Eury Cho, CEO of the Honor Summit, talks about this conference designed specifically to serve Asian American women of faith. This year's event will be August 4-5, with a meet and greet offsite on Aug 4 and a one day conference held at the Yellow Box in Naperville, IL on August 5. Learn more at https://www.thehonorsummit.com/. Follow The Common Good on Facebook, Twitter and Instagram Hosted by Aubrey Sampson and Brian From Produced by Laura Finch and Keith ConradSee omnystudio.com/listener for privacy information.

Cari Gushiken is a dynamic storyteller thanks to her early time being surround by all things creative and understanding it was important to tap into what you love, are good at and have a passion to explore. Lucky for us and a number of tech companies like Adobe, Visa and Workday, she has tapped into her superpower of human connection to build communications that spark hyper growth and navigate transitions. Throughout her journey, it has always been important that she be seen as an individual and not a pre-conceived stereotype of Asian American Women. Her journey is filled with lots of inspiration on creativity, connection and community.You will learn:that you have to remember we are all humans working with other humans.the significance of being able to see your kids' eyes light up when you walk in the room.not to define yourself by your job or title no matter how passionate you are about it.You can follow Cari's story at:LinkedInFollow my story: Main site - https://www.mattestory.com/ LinkedIn - https://www.linkedin.com/in/mattestory/ IG - https://www.instagram.com/mattestory/ TikTok - https://www.tiktok.com/@mattestory Twitter - https://twitter.com/mattestory

Access the captioned version of this webcast at https://youtu.be/vHAuZabtivo

Sue Ann Hong, President and CEO of The Center for Asian Pacific American Women, joins Dr. Vanessa Weaver to speak about how Asian American women are navigating a post-COVID-19 workplace and society.  In this Episode·      A brief introduction to Sue Ann Hong and her work as President and CEO of The Center for Asian Pacific American Women·      Disparities in and barriers to representation in senior leadership roles for Asian American women, including the bamboo ceiling·      The racialization of the COVID-19 pandemic, its direct ties to a surge in anti-Asian hate crimes, and how it affects the well-being of Asian American women in the workplace and beyond·      How the Center for Asian Pacific American Women addresses the issues faced by working Asian American women·      How audience members can get involved in bettering Asian American women's working lives and experiences Resources·      Sue Ann Hong·      The Center for Asian Pacific American Women·      Dr. Vanessa Weaver·      Alignment Strategies·      Asian American women fall off by 80% at corporate leadership levels, a new report saysFollow Us on Social MediaWorkin' It Out·      LinkedIn·      Facebook ·      Instagram·      Twitter Alignment Strategies·      LinkedIn·      Facebook·      Twitter Diversity and Inclusion Television·      LinkedIn·      Facebook 

In this episode, we speak with Adriel Luis, a creative collaborator who works with artists, scholars, and community organizers to bring innovative projects to life. Adriel is currently serves as the Curator of Digital and Emerging Practice for the Smithsonian Asian Pacific American Center, where he enjoys the freedom to explore topics and mediums in fluid and complex ways. Adriel's passion lies in projects that don't fit neatly into specific identity markers or formats, and he likes to explore issues that don't yet have clear answers. We dive into his recent curated projects, such as Bravespace, a collection of music and visuals by Asian American women and nonbinary artists, which focuses on the theme of collective healing. We also discuss In the Future Our Asian Community is Safe, a mural created by Jess X. Snow, Wiena Lin, and the W.O.W. Project in Manhattan's Chinatown, which explores Asian American safety and solidarity with the area's Indigenous and Black histories.Join us as we explore Adriel's passion for creative collaboration and his commitment to exploring complex issues in the world of art and community organizing.Creators & Guests Adriel Luis

The Rev. Ajung Sojwal is an Episcopal priest, who has served as priest-in-charge, interim priest and rector at several churches in New York and Connecticut before moving to Palo Alto, CA as priest-in-charge of All Saints' Church. She is a regular blogger for Asian American Women on Leadership (AAWOL), the blogosphere of ISAAC. ResourcesAAWOL Blog: https://aawolsisters.com/--Host: ISAAC // @isaacfellowship // www.isaacweb.orgCo-host / Sound Producer: Joana ChoiMusic: Paul ChoiDisclaimer: The views, actions, and affiliations of guests invited to this podcast do not always reflect ISAAC'S official stances; they belong to the guests. This podcast is a platform for voices to be shared and perspectives to be discussed.

Sunday, April 30, 2023. This year, we are hosting "Theology Cafés," questioning the default of white, male theology. We are blessed to have Dr. Grace Ji-Sum Kim provide a teaching for us. Dr. Kim was born in Korea, educated in Canada, and now teaches at Earlham School of Religion in Indiana. She has written over 21 books, including Healing Our Broken Humanity: Practices for Revitalizing the Church and Renewing the World, Reimaging Spirit: Wind, Breath, and Vibration, The Grace of Sophia: A Korean North American's Women's Christology, and as well as the book my small group is currently reading Invisible: Theology and Experience of Asian American Women.

Join us for part 2 for Nicole and Jean's Me-search/Research brochure project about the status of high school and college Asian American women through a career counseling lens and reactions from Daniel (long time educator). If you'd like access to our finished pdf or a printed copy of the brochure when done then check out our patreon (patreon.com/bruhabaddies), because printing, shipping, and labor will help us continue to dig. Thanks!  To be notified of its release, email us at bruhabaddies@gmail.com   Thank you to our current new Patreon supporters!   Recommendations Daniel  Heartstopper graphic novel  Tostadas (just the chip) Red Wine in stew  Nicole Platform Crocs DayQuil/NyQuil YouTube Channel “ClassicalMusicBut” Jean SJ Made @sjmade (not Vegas) Mom's Basement Theatre @moms.basement.theatre Greenlee's Bakery (not Vegas) @greenleesbakery1924 Brochure REFERENCES: Kim, Bryan, J., Choi, Y., & Kim, J. H. (2017). Understanding Asian American Student Achievement. Professional School Counseling, 21(1). https://doi.org/10.1177/2156759X18788534 Hsin. (2018). Hegemonic Gender Norms and the Gender Gap in Achievement: The Case of Asian Americans. Sociological Science, 5(32), 752–774. https://doi.org/10.15195/v5.a32 Kim, Bryan, J. G., Griffin, D., & Sharma, G. (2022). Hidden behind the model minority stereotype: Exploring disparities and the role of parent empowerment in Asian students' college enrollment. Journal of Multicultural Counseling and Development, 50(4), 183–194. https://doi.org/10.1002/jmcd.12266 Qin, A. (2022, December 6). Applying to College, and Trying to Appear ‘Less Asian'. NY Times, https://www.nytimes.com/2022/12/02/us/asian-american-college-applications.html Kim, Bryan, J., Choi, Y., & Kim, J. H. (2017). Understanding Asian American Student Achievement. Professional School Counseling, 21(1). https://doi.org/10.1177/2156759X18788534 Hom. (2015). Understanding Asian American female college students and their sense of belonging. ProQuest Dissertations Publishing. Alcantar, Nguyen, B. M. D., & Maramba, D. C. (2019). Asian American and Native American Pacific Islander Serving Institutions: The Importance of External Coalition‐Building for Supporting Internal Collaboration. New Directions for Student Services, 2019(167), 101–110. https://doi.org/10.1002/ss.20324 Mun, & Hertzog, N. B. (2019). The Influence of Parental and Self-Expectations on Asian American Women Who Entered College Early. The Gifted Child Quarterly, 63(2), 120–140. https://doi.org/10.1177/0016986218823559 Niles, S., & Harris-Bowlsbey, J. A. (2022). Career Development Interventions (6th ed.). Pearson.

In this two parter episode, Daniel as a long time educator will be reacting to our findings from me and Nicole's research project on the status of college and high school Asian American women. Daniel has not seen our finished brochure that we prepared for our graduate class on career counseling. Today we present to him and he can expand or be surprised by our information.  If you'd like access to our finished pdf or a printed copy of the brochure when done (graded and tested against time… jk) then check out our patreon (patreon.com/bruhabaddies), because printing, shipping, and labor will help us continue to dig. Thanks!  To be notified of its release, email us at bruhabaddies@gmail.com   REFERENCES: Kim, Bryan, J., Choi, Y., & Kim, J. H. (2017). Understanding Asian American Student Achievement. Professional School Counseling, 21(1). https://doi.org/10.1177/2156759X18788534 Hsin. (2018). Hegemonic Gender Norms and the Gender Gap in Achievement: The Case of Asian Americans. Sociological Science, 5(32), 752–774. https://doi.org/10.15195/v5.a32 Kim, Bryan, J. G., Griffin, D., & Sharma, G. (2022). Hidden behind the model minority stereotype: Exploring disparities and the role of parent empowerment in Asian students' college enrollment. Journal of Multicultural Counseling and Development, 50(4), 183–194. https://doi.org/10.1002/jmcd.12266 Qin, A. (2022, December 6). Applying to College, and Trying to Appear ‘Less Asian'. NY Times, https://www.nytimes.com/2022/12/02/us/asian-american-college-applications.html Kim, Bryan, J., Choi, Y., & Kim, J. H. (2017). Understanding Asian American Student Achievement. Professional School Counseling, 21(1). https://doi.org/10.1177/2156759X18788534 Hom. (2015). Understanding Asian American female college students and their sense of belonging. ProQuest Dissertations Publishing. Alcantar, Nguyen, B. M. D., & Maramba, D. C. (2019). Asian American and Native American Pacific Islander Serving Institutions: The Importance of External Coalition‐Building for Supporting Internal Collaboration. New Directions for Student Services, 2019(167), 101–110. https://doi.org/10.1002/ss.20324 Mun, & Hertzog, N. B. (2019). The Influence of Parental and Self-Expectations on Asian American Women Who Entered College Early. The Gifted Child Quarterly, 63(2), 120–140. https://doi.org/10.1177/0016986218823559 Niles, S., & Harris-Bowlsbey, J. A. (2022). Career Development Interventions (6th ed.). Pearson.  

In this episode, we chat with Diana Hwang, Founder and Executive Director of the Asian American Women's Political Initiative (AAWPI). We discuss:trying to meet parent expectations (2:57)why she founded AAWPI (22:33)the complexity of organizing in AAPI communities (38:55)where AAWPI is working now (50:25)Check out AAWPI's Instagram and website if you want to learn more about and support their work. 

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists Tonight on APEX Express it is A Time for Remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We Are talking with artists and lawyers and policy makers. People who help us shape our vision of what it means to be American. Host Miko Lee talks with artists Celi Tamayo-Lee and Na Omi Judy Shintani and Lawyer Don Tamaki. Join us.   Muni Raised Me February 24–April 9, 2023 Opening Reception, SOMArts Cultural Center Artist NaOmi Shintani's website The Art of Resilience: Tanforan Exhibit Tours, Panel Discussion & Memorial Walk through February 25, 2023 1-4PM PST San Bruno BART Station & AZ Gallery, San Bruno, CA & Online ongoing exhibit on the exterior plaza and inside the San Bruno BART Station.   Day of Remembrance San Francisco, February 19, 2023, 2:00 PM – 4:00 PM PST Tickets here. StopRepeatingHistory.Org   Additional information about the Cal Reparations Task Force It convened in June of 2021, and on June 1, 2022, fulfilled its first charge of publishing a sweeping, nearly 500 page report drawing a through line from the harm of 246 years of slavery, 90 years of Jim Crow and racial terror, and decades more of continuing discrimination. Here is link to  the 29 page Executive Summary, https://oag.ca.gov/system/files/media/ab3121-interim-report-executive-summary-2022.pdf   Show Transcripts: A Time for Remembering [00:00:35] Miko Lee: Tonight on apex express. It is a time for remembering. We are remembering what it is like to grow up in San Francisco and be connected to this land that is not ours. We are remembering the incarceration of 120,000 Japanese Americans and Japanese Latin Americans. We are talking with artists and lawyers, policymakers, people who help us shape our vision of what it means to be American. Hi, I'm your host, Miko Lee. And tonight on apex express I speak with artists Celi Tamayo-Lee and Na Omi Judy Shintani and lawyer Don Tamaki join us aboard apex express Welcome to Apex Express, Celi Tamayo-Lee . [00:01:19] Celi Tamayo-Lee: Thank you for having me, Miko. [00:01:21] Miko Lee: We're so happy to have you as an artist, as a community organizer. So my first question for you is, who are your people and what legacy do you carry with you? [00:01:32] Celi Tamayo-Lee: My people are creatives. people who like to eat a lot. My lineage comes from ELOs Norte in the Philippines, in the province of La Wag and also from Toisan in village, Sega, which is, in the Guandong province in China. My people love to dance. My people are nature lovers, ocean lovers, and those who wanna figure out what it fights to get to liberation. I carry with me legacies. Of deep hope and deep faith and legacies of adventuring. I think a lot about both my grandmothers, my Popo June and my Lola Anisha, who were just both very. Revolutionary in my mind, for their times. My grandmother from the Philippines coming here, from her small village, having I think just a high school degree and making a life for herself and her family in San Francisco. My other grandmother, June, who was a housewife in Palo Alto, who I think otherwise would have become a doctor, had higher education been m ore accessible for, women in her time. I think both of them were just really loving women , who hosted a lot of open space for their communities through their food, through gatherings and parties and also being a safe place for many of our relatives in the United. [00:03:09] Miko Lee: Thank you for that. I often think about my Popo who had all this power and imagination and what it would be like if she was living today. Do you feel like you carry an additional, , responsibility to fulfill some of their dreams since they could not during their time. [00:03:28] Celi Tamayo-Lee: Yeah. I think about that a lot. I think in the moments where I'm like, wow, I have just sat at a table all day on my computer. Is this what my ancestors dreamt for me? But I think especially as I have been exploring more of my gender identity. I think I identify as a non-binary person and I think that might be something that they couldn't quite, imagine in, in the language and the terms that they knew. But I think that like real freedom to express one's within their body and how they express themselves outwardly is definitely something I think they dreamt for me and. I also feel a responsibility to be a part of movement work and be a part of continuing to build community because that is something that I've benefited so much from them. [00:04:22] Miko Lee: Talk a little bit more about your community organizing and how you combine that with your artistry and your imagination. [00:04:28] Celi Tamayo-Lee: It's definitely been a journey for myself to identify as an artist and I think, mostly cuz there's so many messages about the ways in which art will never be a career path because of how dicey it is in terms of making money, in many ways, ironically, shout out my parents, who were both very creative people and also, people who have fought for social justice for most of their lives. my dad is a civil rights attorney and was a community organizer as a young person, but also, A musician and has always played in bands as a fun side gig. when he was my age, he was in a band called Stand that would perform all over the Bay Area. And my mom herself is also a cook and just a very creative person made all my Halloween costumes growing up and as an avid gardener. Having parents like that gave me just permission to continue to grow myself in a creative way. And I do think throughout so much of history movements have really succeeded because of their artistic aspects. Even within our Asian American history, there are so many important graphic designers and artists who made protest posters. Made movement graphics that really called into being like the spirit , of what people were fighting for. , I think about all of the songs that were sung throughout the Civil Rights movement and, I think culture just has a really powerful way of opening people's minds up to things that may feel out. reach when they're thinking in a more rational way. I just think that any movement that we need, is gonna depend on the way in which culture has been influenced through art. [00:06:25] Miko Lee: And speaking of that, you've been in the studio at Soma all day today, setting up a new exhibit called Muni Raised Me. Can you tell us about your latest project? [00:06:35] Celi Tamayo-Lee: This project called Muni Raised Me is a exhibit that will be in Soma Arts for six weeks, and it is a part of their curatorial residency programs. So myself and two of my really good friends, Sasha Vu and Mei Mei Lee, we saw the flyer on Instagram that they were calling for proposals and, , applied with this idea of a show called Muni Raised Me. really what It is, is, a love letter, a gathering, a dance party of so many of our friends, our talented friends who are. Visual artists, painters, collage artists, fashion designers, photographers it's really a space that we actually wanted to create for a long time, but never really found the platform to do it. And so much of it is trying to. ,I think juxtapose like the beauty and the roots that we come from having grown up in San Francisco while also naming just the struggle it has been to persist and live here. ,most of us artists were born in the early nineties and have just come of age in this tech era within San Francisco. 2011 was when Mayor Ed Lee invited tech companies like Twitter and Google and LinkedIn in with these major tax breaks. From 2009 to 2013, every time that I visited home, There were just more and more beloved businesses that had been replaced by condos and replaced by fancy coffee shops selling $6 lattes. For myself and for many of my friends it's been a painful and lonely experience to try and maintain a life here and to, make rent, to feel creative, to still work in public service. So many of the artists in our show are organizers themselves, or are teachers and educators in public schools or in afterschool programs. And so to try and live all those different multiple dreams and identities is really a struggle in San Francisco. [00:08:53] Miko Lee: So when somebody walks into Soma Arts, what will they see with Muni raised me. [00:08:58] Celi Tamayo-Lee: Ooh. I will say one of the first things they will see is a Muni bus that we were actually gifted from SFMTA. It just so happened that they were retiring a number of their buses and we got connected to the right person. , shout out Nicole Christian who knew somebody and. We have transformed that bus into an altar. You can walk through the bus, and throughout the bus there will be altars, but there will be definitely a focal point at the very back of the bus for people to view, but also for people to interact with. I think that so much of living in the city and having grown up in the city is an experience of grief and we really wanted to make space in the show for people to bring in ancestors and bring in family members who have been lost, , or, even family members who have been pushed out of the Bay Area. we also wanna commemorate lives lost to police violence. yeah, We hope that altar can be, a realm in which the spirit is felt beyond just , the material setting of a gallery. There's also gonna be a lot of amazing collage work from Erin Kimora. We have a beautiful installation from Arena Alejo, along with, Alyssa Avilas, who is a painter and multidisciplinary artist. People will just see a lot of kind of iconography from the nineties. We have a couple of painted Muni passes and a lot of, yeah, just different gestures and shout outs to this public transportation system that I know for myself, I spent hours and hours of my life on. It was a little bit of a pocket of freedom, like with my parents not necessarily knowing where I was. It wasn't home, it wasn't school. It was a place where I got to just enjoy and see my city. [00:11:02] Miko Lee: And What would you like folks to feel after they leave the show? [00:11:06] Celi Tamayo-Lee: I hope that they leave feeling reminded that San Francisco is them and that any kind of beauty or spark or funkiness or weirdness that they feel themselves missing from San Francisco actually can come back through their own creativity, through their own hello to a neighbor through their own small act of kindness. You know, I think there are deeper relationships also made through this show. I hope that there's a feeling of oh, my people are still here. I am connected to a sense of justice and community that maybe doesn't always feel present in the everyday, but is actually there. I hope that it. Reignites some sense of connectedness to other people who call this place home. [00:11:59] Miko Lee: I wonder if you could just speak a little bit about how art helps us remember the past so that we can learn and move forward in the future. [00:12:08] Celi Tamayo-Lee: Yeah, I think art is really critical to remembering our history. It's definitely one thing to read something in a book and another thing to experience it through imagery and sound and color. it was important to us in this exhibit to in our alter space, include really important historical figures of San Francisco. So we're including people like Victoria Manalo Draves who was a Filipina American olympic swimmer, she was one of the first women swimmers to win in her divisions of diving. We also have people like Mary Ellen Pleasant, who was an African-American woman, one of the first African-American millionaires in the country, who is also dubbed as the Harriet Tubman of the West. She helped hundreds of African-American people, basically find and make lives here in San Francisco. And, She challenged the government when they told her that she couldn't ride actually on a certain part of the public transportation, and it went to the California Supreme Court and she won and that is what stopped discrimination on the trolley routes in San Francisco. Art reaches people who would not normally seek out that history. I think it just gives people a much deeper sense of their own legacies or legacies that they may not even know that they're connected to. [00:13:51] Miko Lee: Celi Tamayo-Lee, thank you so much for joining us on Apex Express. [00:13:56] Celi Tamayo-Lee: Thank you for having me. Miko. For anyone who's looking for more information, you can follow us on Instagram@MuniRaisedMe and also find us online@somaarts.com/Muniraisedme. [00:14:10] Miko Lee: That was Sealy to Mio Lee talking about muni raised me. Now take a listen to pistol jazz by Hi no Tori. A taiko solo. [00:17:41] Miko Lee: Welcome back. You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org. That was a Taiko solo. Hi no Tori by pistol jazz. Welcome artist and narrator of culture, NaOmi Judy Shintani to Apex Express. [00:18:03] NaOmi Judy Shintani: Thank you for having me. I'm excited to talk with you. [00:18:06] Miko Lee: We're excited to talk with you too, and I wanna kick it off by first asking you, who are your people and what legacy do you carry with you? [00:18:16] NaOmi Judy Shintani: Well, I do quite a bit of my artwork about, the Japanese American history and so those are some of my people, I would say. But I also want my work to be visible to all kinds of people. So I'd say everyone's my people. The legacy I carry, part of that has to do with the incarceration, that is part of the history of my family. That is something that I carry with me. I think that there is intergenerational trauma. There's lessons you learn in legacy from your family and your culture. [00:18:54] Miko Lee: So we are coming along to the Day of Remembrance, which is a day that recognizes the Japanese-American incarceration. Can you tell about your family's personal connection with the incarceration. [00:19:07] NaOmi Judy Shintani: My father's family was up in Washington State in the Puget Sound area, and they lived on a houseboat and were oyster farmers. When Pearl Harbor was bombed, they immediately came and got my grandfather, who was a leader in the community. They were a concerned or worried that he might be a spy or might have information. And so He was taken away and my grandmother and my father's and his sibling didn't really know what had happened to him. A few days later they came for my grandmother and my father and his siblings. They eventually ended up at Tule Lake incarceration camp. Then my grandfather was allowed to be with the family there. On my mother's side, she was actually in Hawaii and the family was not incarcerated per se, though there's a lot of limitations and curfews that they had to live with. Her father was also a leader in the community and he was taken away for a year. And I think At that time my mother didn't really, probably up until the time of her death did not believe that they were incarcerated in Hawaii. But of course, we've learned later that there were incarceration camps in Hawaii and that my grandfather actually was incarcerated. [00:20:36] Miko Lee: Yeah, so many of these stories are hidden. Finally the one incarceration camp in Oahu is just getting turned into a, a national park soon. So More people will know about that history. That's one of the many hidden histories about the internment camps in Hawaii. [00:20:52] NaOmi Judy Shintani: Exactly. One of my goals is to explore the incarceration history in Hawaii. I've mostly been focused on my father's family cuz there's been more information. So I'm very interested in learning more about the legacy of trauma in Hawaii. [00:21:10] Miko Lee: You're an amazing artist, have created so many important pieces, and can you talk more about how you combine your sense of family history, your activism with your artistry? [00:21:22] NaOmi Judy Shintani: I think originally I started wanting to learn more about what happened to my family and also to come to grips with it for my own self. That's when I really started exploring trying to learn more, trying to Get my father to talk more about his experience and that is what really spurred me to start making art. At one point when we went to the Tule Lake pilgrimage together, he was asked how often do you think about the incarceration? It was a general question out to the elders that were at Tule Lake and they had to raise their hand and so they said every 10 years, every five years, every. Three years and they kept going and my father still had his hand raised for every day. And at that point I thought, this is something that is deep in our family, a deep trauma that's not been talked about a whole lot, and it has affected me and many families. That's when I really decided, Spend more time exploring that and exploring also meant doing research. It meant talking to other people. It meant gathering information. I did a lot of outreach to hear other people's stories written or oral. I also did surveys for descendants of people that were incarcerated cuz I hadn't heard that much from them. All of these thoughts and stories became part of my art and I think of my art as a way of educating people as well as honoring them honoring the people that were incarcerated and as a healing. [00:23:16] Miko Lee: In the byline next to your name, it says that you are a “narrator of culture, the unspoken compels me to create.” Can you share a little bit more about what that means to you? [00:23:27] NaOmi Judy Shintani: Well, I was thinking about what is it that I'm actually doing in my work and I was working with someone to come up with some sort of naming of myself, and I finally came up with the idea that I tell other people's stories, I tell stories of culture so that's why I became a narrator of culture. The unspoken compels me to create, that's because I am very Adamant about bringing these stories out to the public. I think that is through the personal stories about what people experienced. That is how we really know the history. A lot of this kind of history, these personal stories are not in history books in high school or middle school. It's about, Individuals and families. It's not just about, 120,000 people. I mean, that's a big number, but to hear the actual stories of parents and children and grandparents I think that puts a whole different light on it. [00:24:36] Miko Lee: Can you talk a little bit about your piece that's at the San Bruno BART station. [00:24:41] NaOmi Judy Shintani: I was hired by bay Area Rapid Transit Bart to create a art exhibit or historical exhibit about the Tanforan detention center that was on the land of where the BART station and the mall is now and was originally a racetrack. I came in as a curator, so I thought about what is important for people to know about Tanforan and how am I going to express that through writing and through art and through historical photographs. I actually thought that there's a lot of discrimination and hardships that Japanese immigrants, the Issei experience before. Pearl Harbor was bombed that I think had an influence on how the Japanese people were treated during that war time. So I really started talking about the history way earlier. About coming over, not being able to become citizens, not being able to own land and yet persevering and becoming successful. So that all rolled into the incarceration. There was a lot of discrimination because, the successfulness of the Japanese even though they had so many hardships. That was just an example of what things I thought were important for people to know about the incarceration, the history of Tanforan. I also spent a lot of time Expressing and telling the history of the artists that were at Tanforan art was a very important part of the incarceration. So I talked about people that were incarcerated, artists that were incarcerated, the art school they had there, and showed some of the art that was created there. and then I also included Art of Descendants. To express, you know, what's happened? How are people expressing the incarceration in art now. [00:26:48] Miko Lee: I love that you curated this kind of trauma informed practice that has been lasted for generations. Can you talk more about the art school that was at the Tanforan concentration camp? I hadn't heard that story before. [00:27:02] NaOmi Judy Shintani: Obata, who was a professor at uc, Berkeley was incarcerated. And so When he got there, he thought we have to have something that will give people some hope or some something to do while they're in prison. He had an art school that was for children as well as for adults. to Teach and encourage people to use their creativity to survive this difficult time. They had hundreds of students and a lot of different subjects as well as drawing and painting. [00:27:36] Miko Lee: So anybody can go and see this public exhibit that opened in September, right? [00:27:42] NaOmi Judy Shintani: Yes. If you want to go see it, you can of course you can ride on Bart and get off at the San Bruno BART station is, it's right on the main street level floor. If you're going by car, if you come to the Bart parking lot or the Tanforan Shopping Center, you can let the station agent know that you're there to see the exhibit. Then you'll be able to come in without having to buy a ticket. They're also encouraging classrooms and groups to come in. So you have a large group. You can call or email Bart and they will arrange that. There's also a memorial which is outside of the BART station, and that was put together by a group of Japanese Americans, some of which had connections with the incarceration there at Tanforan. They just opened a beautiful outdoor memorial, which has a statue of two of the young mochita girls that were in incarcerated photographed by Dorthea Lang. And also they have the names of the people that were . Incarcerated engraved, and they have a horse stable structure that can give you the size and the space that you would've been in if you were incarcerated there. BART and AAWAA, which is the Asian American Women's Arts Association are putting on a curatorial tour, as well as a memorial walkthrough and a multicultural artist panel on February 25th. People that wanna get more information can come have a special experience on that day. [00:29:26] Miko Lee: You're tuned into APEX express., a 94.1 K PFA and 89.3 KPFB in Berkeley and online@kpfa.org. Can you talk to me about your project that you're working on right now? [00:29:40] NaOmi Judy Shintani: Dream Refuge for Children imprisoned was originally introduced at the Triton Art Museum in Santa Clara. And it has since been traveling. It not only is about the Japanese incarceration, but I've also included children that were incarcerated in the United States, including native American children in boarding school situations that were removed from their communities and also the Central American refugee children which are the most recent group that has been incarcerated and a t the beginning were removed from their parents, and I just thought that was traumatic and horrible. It's reminded me so much of what our families went through in the incarceration of the Japanese Americans. [00:30:34] Miko Lee: Can you describe for listeners what this work looks like? [00:30:39] NaOmi Judy Shintani: I did life size drawings of children on mattresses are put onto cots. I also sewed talismans on each of the children. That represents a form of protection, a symbol of protection for the different children. So the Japanese Americans had little embroidery symbols as in Japan they would sew them on the back of children's kimonos to watch their back. I carried on that tradition of adding those kinds of symbols in red thread. For the native American children, I made little belt pouches of cedar and sage herbs that were given to me by a elder who knew I was working on this project. And so I sewed those into little red pouches that had the symbol of the four directions. For the Central American children I sewed purple crosses cuz they would often be carrying these crosses, with them when they came across the border. So those are all arranged in a circle. I just felt that the circle was such a healing shape and I wanted people to come into the space and see these sleeping children in this safe space and to relate to their experiences. And I had recordings of stories that were told by elders now about their experience when they were children. I had a woman that was in Native American boarding schools that told her stories and then also collected the stories. Belinda Arianga, a woman in Half Moon Bay that went to the border, and she told me the stories of those children. These voices were all recorded so that you can hear their stories in the room. [00:32:33] Miko Lee: So why for you as an artist, did you want to have both something that you could look at and then also listen to what was the impact of having those dual experiences for audience? What's your intention behind that? [00:32:46] NaOmi Judy Shintani: I really wanted people to experience the incarceration with different modalities. So I felt that by them seeing the children sleeping, they had one experience also walking in a circle. That was another experience. So they, there was a movement involved. To hear the stories I think gave another level and also to hear elders telling the stories that they remembered when they were children, along with hearing children speaking in Spanish and in English. And to have different ages and different genders. Telling the stories that they experienced. I think that just gave a whole nother. Way of the history entering the viewers. [00:33:32] Miko Lee: To me, there's also something quite powerful about the fact that they're sleeping children , because there's this whole innocence and kind of beauty that comes within that sleeping space, and yet they're held in detention. So it's this very intense juxtaposition. [00:33:51] NaOmi Judy Shintani: Yes. That was something that I really thought about and wanted to express that sort of vulnerability, but yet when they're sleeping, they have this time to dream of being in a different place or being in their own space. That was one of the things I really wanted people to come away with. The other thing I didn't talk about is that the Central American children I placed on the floor and they're sleeping among the Mylar blankets as well as textiles from Central America. And that really came to me when I spoke to a woman who was from Honduras who been released from those detention centers and she said whatever you do, don't put our children on beds, because they had to sleep on the cement floor. So I really took that to heart and wanted to show them in their correct plight of being imprisoned in such horrible conditions and the circle of the children around them. From the earlier generations of incarceration, I felt they were almost like guardians for the Central American children. [00:35:06] Miko Lee: And you went down to Crystal City to be part of the pilgrimage and protest, is that right? [00:35:12] NaOmi Judy Shintani: Yes. I was invited by Satsuki. Ina I wanted to talk to her about her story and about her experience. She said why don't you come along? We are going to go to Crystal City. It was the first time they were going. We're also gonna do a protest at the detention center. You can talk to a lot of people there. You can see what's happening I did talk to some families and children at the bus station that had been released when we were giving them some food and backpacks and things like that, and that was really moving and I think that actually that experience of going on that trip that sort of cemented the dream refuge for me. [00:35:56] Miko Lee: You mentioned your dad and how he kept his hand raised the whole time that he thought about the incarceration every day. Has he had the opportunity to see your work?. [00:36:05] NaOmi Judy Shintani: Yes, he has seen my work. He was very proud of it. He would often go to my art exhibits and be photographed with my work and Attend shows and I was always very happy to have him there and I think it was emotional for him. He didn't necessarily speak a lot, but he was present and I think it meant a lot to him that I was making work about his experience. [00:36:33] Miko Lee: Since we're coming up upon the day of Remembrance, how does art impact remembering and specifically about remembering about the Japanese incarceration? [00:36:44] NaOmi Judy Shintani: Well, I think it impacts it in a lot of ways. One way is that there were not a lot of cameras allowed into camp. A lot of the art that was created in camps are the only documentation, true documentation by the prisoners of what it was. To be there and how they were feeling and how they were experiencing camp. Mine Okubo's work, who I use in the Tanforan exhibition is really important because her drawings were almost the only thing I could find that showed just the. Experience of being in a horse stable, the experience of having to go to public bathrooms where people had no privacy. I mean, Those kinds of things weren't photographed by Dorothea Lang or any of the other photographers that were sent by the W R A because they were not trying to show the traumatic side of the incarceration. The fact that these artists were able to document and express themselves, that, that is, historically important and also important as a way of people understanding the emotional impact of what was going on in the camps. There's just something about a painting or a sculpture or drawing that shows such a deeper level of history it doesn't even have to be history, just the colors or the brush strokes. These are all things that you can't read about in a history book. You can't experience it in the same way. I also feel that with the descendants creating art for example, the Sansei Granddaughters is a collective I'm part of. We've all expressed our family's experience. in different ways some people are sewing, Rako Fuji, she uses glass to create kimonos with photographs. There's just different ways, that people use whatever media they think is right to express their history. [00:38:53] Miko Lee: Na Omi Shintani thank you so much for speaking with me. We're looking forward to seeing more of your artwork and your voice in the world. [00:39:01] NaOmi Judy Shintani: I really appreciate the opportunity to talk about the art and how important it is for our history in our education of this traumatic experience. I wanted to also make sure that people come to the carrying the light for Justice Bay area Day of Remembrance. Sunday, February 19th from two to four Pacific Standard Time, it's going to be at the Christ United Presbyterian Church on Sutter Street in San Francisco. In person or online. The keynote speakers can be Don Tamaki. There's gonna be spoken word performance by Lauren Ito the MCs Ryan Yamamoto, the anchor for C B s News Bay Area. And there'll be a candle candle lighting ceremony. It's always a very moving experience. It's a time for remembering and honoring those who've been incarcerated. It's a time of community and I hope people will attend. [00:40:05] Miko Lee: Welcome Don Tamaki, amazing esteemed lawyer and activist. Welcome to Apex Express. [00:40:11] Don Tamaki: Thank you. [00:40:11] Miko Lee: So first I wanna just start with the big question. Who are your people and what legacy do you carry with? [00:40:18] Don Tamaki: I'm part of the Japanese American community, I'm most known for serving on the legal team, which reopened Korematsu versus the United States. The 1944 US Supreme Court decision, widely regarded as one of the worst decisions in US Supreme Court history, our legal team reopened it some 37 years later. Newly discovered secret, intelligence reports and Justice Department memos admitting. There was no reason to lock up Japanese Americans. They were not a dangerous population. They were not engaging in espionage or sabotage , and arguments and memos between Justice Department lawyers about their legal duty and the fact that they were about to tell lies to the US Supreme Court in order to manipulate the outcome of that decision. That decision ended up in 1944 upholding the constitutionality of uprooting some 120,000 Americans of Japanese ancestry, including my parents and their extended families into 10 concentration camps, stretching from California to Arkansas. [00:41:26] Miko Lee: Wow. You've just given us a whole history lesson. Thank you so much. And you have been a part of so many critical moments in the Asian American Pacific Islander movement. You described part of that in the overturning of the Fred Korematsu 40 year conviction, but you're also the founder of Asian Law Alliance. And were the ED at Asian Law Caucus and you're the co-founder of Stop Repeating History all of your work is just so powerful and important. I wonder with the rise and attention on anti-Asian hate right now, where do you see the Asian-American movement going forward? [00:42:02] Don Tamaki: Well, I'm glad that all light is being shined on they hate incidents against Asian Americans. It has been happening for some time, but it's never really has gotten national attention let alone regional and local attention as it is now. So I think it's on balance. It's a good thing. On the other hand, I think we as Asian Americans knowing our history need to understand where the hate comes from in the first place. And by that I mean what is the cultural strain, the historical tradition, the norm of policies and laws that led to prejudice being so systemic in the first place. If you connect the dots, I think it does go back to 1619 in the very beginnings of enslavement in America, which laid the foundations propped up the institution of slavery for 246 years. 90 years of Jim Crow to follow, and decades more of exclusion and discrimination targeted first at black people. But while those policies and laws put a target on the backs of African-Americans it also Ended up targeting on occasion Asian Americans, Latinos other disfavored groups. And so this bias has really recycled over and over through our entire history. And from time to time resurfaces to impact us as Asian Americans. The Trump administration's a pretty good example where even though we have our model minority status Asian Americans became the spreaders of the Chinese virus. Mexicans were labeled as drug dealers and rapists. White supremacists declared that Jews and immigrants were poised to replace them. And the continuation of black people being killed at the hands of law enforcement, and it barely would ev evoke any reaction at all because it was deemed so normal until the May 25th, 2020 murder of George Floyd, which was captured on videotape. So this kind of thing where, you know, of course the Japanese Americans ended up in concentration camps. The Chinese Exclusion Act of 1882 was the first ban against a country. But it gets recycled in different forms, whether it's the 2017 Muslim ban that Trump put out or other things that ultimately in fact, the thinking I think, of the entire country including our own communities. While I'm very hardened that we're focusing on the hate incidents against Asian Americans, I think that's been a ignored area. I'm concerned about each group sticking up for its own tribe only and not connecting the dots I did to identify where this pathology comes from in the first. So speaking of cross solidarity work, I know your work led to the groundwork reparations for incarcerated Japanese Americans during World War ii, and last year you were appointed by Governor Newsom to a reparations task force for African Americans. Can you tell where that reparations committee is at right now? Following the murder of George Floyd triggering the largest protests in American. By September of the same year, 2020 the legislature had passed secretary Shirley will Webber's bill creating a task force to study reparations proposals for African Americans and make recommendations to the legislature. I'm one of nine members appointed by the governor in the legislature, and we have three charges. One is to document the harm of the legacy of slavery, covering two and a half centuries and another century of Jim Crow in decades, more of exclusion and discrimination, and connect those dots. To the current outcomes today, and we've done that in a very sweeping, scholarly, comprehensive report. It's been called the Interim report because it's not the final ones coming out this June. The second goal is to study reparations proposals and make recommendations to the legislature. The final report, which is due 2023 in just a few months. The third requirement is to educate the public about what's happened. Because as this is really, the subject is so buried and erased. The product of a willful amnesia call it. The fact that we're. The American public, the New York Times, Washington Post is just now publishing articles on Tulsa and Greenwood in which 300 African Americans were murdered in what was called a race riot, even though that happened over 100 years ago. People are just learning about that now. And what the I interim report that we issued last June reveals is that this is not an isolated incident. That the history is littered with Greenwood. Part about educating the public, creating curriculum to provide information to students and so on. That's really our charge going forward. And in June of 2023, we'll be issuing our final report. I know that both Tsuru for solidarity and the Japanese American Citizen League worked last year to get reparations for African Americans in the Chicago area utilizing marijuana tax. I'm wondering if there's other reparations models that have been happening in the US. There's discussion for the first time. The reparation idea is as old as the Civil War when 40 acres in a mule was promised with a period of 12 years of reconstruction that happened only to have all of that rescinded. Thereafter, and again, I think because of at least it was triggered, I think by the Floyd murder local municipalities and counties, about maybe two dozen or TA have taken this up in California so far as the only state and each of those areas are coming up with different kinds of proposals. I have to say that this is largely because of the unwillingness of Congress even to study reparations, let alone do anything about it. And so local jurisdictions have taken up the lead on this. As far as the state task force on reparations is concerned, I think all of the forms are on the table. None have been decided on yet or voted on. That will come in the run up to June of 2023. [00:48:54] Miko Lee: I believe you're the only non-African-American member of that commission. Is that right? [00:48:58] Don Tamaki: That is right. [00:49:00] Miko Lee: So how can the Japanese-American reparations and apology be utilized as a model for reparations for African-American and indigenous folks? [00:49:09] Don Tamaki: They're big differences, of course between the Japanese American experience and. The experience of black people in America. First off, as the listeners know, there's simply no equivalence between four to five years in the concentration camp, losing all of your property and your businesses. Some folks even lost their lives as compared to 400 years of two and a half centuries of enslavement followed by Jim Crow and. Legalized and customarily enforced segregation, the results of which we're seeing e every day in our communities. But there are some things that are useful. The Japanese American redress and reparations movement is maybe one of the very few examples where the government acknowledged a great, wrong, apologized for. and put meaningful compensation behind that to create a meaningful atonement and how we got there. Some of the, there are some lessons that are maybe of some use. I think the other thing in my role as the only non-black person on the task force is to demonstrate. We can and should, and we're obligated to be allies in this effort. And although Japanese Americans don't have the history of black Americans in America we do know something about racial profiling. We know something about being removed and vilified and organizing to get back our dignity and some measure of atonement and. that lesson is really an American story of the meaning of the Constitution and what it means to be an American. When democracy and institutions are being challenged and in our case failed. I think with respect to other groups, whether they're. Native people or Latinos or L G B T Q, populations, disabled and so on. We all ought to be taking a look at reparations because it shines a light on so much of where the sense of separation and inequality comes from in the first place. [00:51:17] Miko Lee: Can you talk to us about the Day of Remembrance? I know you're gonna be the keynote speaker this year. Can you talk about the importance of the day? of remembrance? [00:51:25] Don Tamaki: Well, It's certainly important from a personal standpoint for our own community. It's time to reflect on our families who were taken away and incarcerated for no good reason but for the country, it's important to memorialize, and we do this annually about the perils to democracy. When racism shouts louder than the Constitution and our community endured a time where, The facts didn't matter. The law didn't matter and the constitution didn't matter. And why is that important? Because we're seeing that play out in real time today. The January 6th Capitol insurrection the Capitol was defied, five people died. 25,000 troops were deployed to protect the peaceful transfer of power. and millions today believe the election was stolen despite the utter lack of any evidence of fraud that would've made any difference in the outcome. This kind of collapse is something our own community experienced. literally the three branches of government failed. The presidency, legislative branch, Congress, and in our case, the courts they all bowed to the will of a racist notion knowing, and the government knew it at the time that that was. A, a completely false premise and yet no one had the courage to stand up, at least within the Department of Justice and within the courts. It was so normal that it was allowed to happen. We're seeing this playbook play out. It's not peculiar to the United States. This demagoguery is something that's happening worldwide and the elements are the same, which is, number one, appeal to prejudice. Number two, engage in fear mount mongering and scapegoating and three traffic in conspiracy theories and fake news. There's certainly a parallel there And that also led to the formation of stop repeating history. To be an alert, to be a point of reflection that we've seen this before and unless we become active and intervene, it's gonna happen over and over again. So that's certainly. A big reason why the day of remember it is such an important annual event. [00:53:41] Miko Lee: How does it feel to be the keynote speaker this year? [00:53:44] Don Tamaki: Well, I've gotten more than my share of recognition. There are many other people that have done really important work, but it gives me a platform at least to talk about the importance of reparations for African Americans and why it is not just a black issue, but an issue of long overdue justice. And that by shining a light on the origins of systems of exclusion, discrimination, that it helps all of us. It gives me an opportunity to connect some of the dots between our community struggle and that which been a constant for black people in America. [00:54:20] Miko Lee: We're gonna put a link to stop repeating history onto the show notes so people can take a deeper dive into some of your work. Don, you make change happen through policy and laws, and we're also talking with artists in this episode. How do you think art can help shape and change social issues? [00:54:38] Don Tamaki: As a lawyer, I used to think that laws and cases and legal action are the most important thing. And don't get me wrong it's, important. We reopened this ancient case of Korematsu versus United States, and we made a legal point as well as a public policy point. But I think the driving force For both good and bad in America, which is an amalgamation of both is culture and what I mean to say that is to say, if the culture says you will be locked up, the laws don't matter. The constitution doesn't matter. Nothing matters. You will be locked up because the culture is saying that is the norm. and I think we're again seeing this over and over again. And so how is culture created these belief systems? A lot of it has to do with artists authors those who create. that reflect and help shape the public's values. I think Artists and writers and others play a huge role in determining or helping to determine the values of a society. In the reparations movement, as well as to happen in the Japanese American redressing, reparations. the Art was really important when we went to announce our reopening of the filing of the petition in behalf of Fred Korematsu, Gordon Hirabayshi and Minori Yasui, I called up news desks and these are educated journalists who had no idea that this had even happened in America. When I talked about American style concentration camps, they said you're talking about Japanese prisoners of war, aren't you? And they said, no, these are the removal and incarceration of an entire American population. They had not heard about that. Since that time, there've been so many books and movies and creative works and art. After how many years later Now it's in the public consciousness. People generally on both sides of the aisle, now regard this roundup is really bad idea of real travesty and an injustice. I'm glad that we played a legal role in all that. But how did the script get flipped? That was because of education. So the impact of documentary films, of books, of magazine articles, played a huge role in moving the needle of public opinion. and I think that's been true of every movement especially in the modern era. I think the artists are crucial. [00:57:07] Miko Lee: Don Tamaki, thank you so much for speaking with us. We look forward to hearing your keynote speech at the San Francisco Day of Remembrance. [00:57:15] Don Tamaki: Thank you, Miko. [00:57:16] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. Apex express is produced by Miko Lee Jalena Keane-Lee and Paige Chung and special editing by Swati Rayasam. Thank you so much to the KPFA staff for their support have a great night. The post APEX Express – 2.16.23 – A Time for Remembering appeared first on KPFA.

Sunday, February 12, 2023. This year we're introducing Theology Cafe. We're going to start questioning the default by looking at the wide variety of other ways of constructing our theology. Everyone does theology. Even the statement, "I don't need theology," is a form of theology.  Our plan for 2023 is to every few months take a look at a different lens and experience of theology. Feminist, Asian American Women, Queer, Latinx, and Indigenous Theology. This month, in light of Black History Month, we're taking a look at Black Theology. In each Theology cafe, we're going to invite a practitioner and scholar of the week's theme to share with us.  Today, we have a pre-recorded video by Dr. Adam Clark of Xavier University in Cincinnati, OH. He currently serves as co-chair of the Black Theology Group at the American Academy of Religion and actively publishes in the area of black theology and black religion and participates in social justice groups.  He is committed to the idea that theological education in the twenty-first century must function as a counter-story—one that equips us to read against the grain of the dominant culture and inspires one to live into the dictum of St. Ignatius, of going forth "to set the world on fire."

How are we invited to live out the identity that Christ offers us? Weylin Lee invites us to embody Jesus' images of salt and light as we collaborate in God's work, reveal injustice, and  see scripture as wisdom rather than a rulebook. [Matthew 5:13-18]   Reflection How can we participate and collaborate in God´s work around us? Where are the injustices we are invited to reveal and uncover? How might we engage scripture as a journey to wisdom? Resources Book: Invisible: Theology and the Experience of Asian American Women by Grace Ji-Sun Kim Book: How the Bible Actually Works: In Which I Explain How an Ancient, Ambiguous, and Diverse Book Leads Us to Wisdom Rather Than Answers–and Why That's Great News by Peter Enns TV Show: Hulu's The 1619 Project by Nikole Hannah-Jones

Finance Degree? or Art Degree? Play it safe? or Shoot for the Moon? What's the right order? When Sculptor, Caretaker, Job seeker, Dreamer, Debbie Vu of Alief, Houston reached out to me on *LinkedIn, a 30 min conversation turned into an episode on why being (only) good at school can leave you (really) lost when it comes to real life.  Meanwhile, CALLING ALL HOUSTON VIETNAMESE FINE ARTISTS - Connect to Debbie (IG: @art_dtv) to create a community of artists that understand and represent you!Disclaimer:  I am not a professional coach, therapist, (anything, really) - My opinions in this episode are purely from my own experience and observations working across corporate, small business, consulting, and nonprofit organizations for 16+ years. Listen at your own risk!Note 1: Editing this episode made me realize where I got "useless potato" from (last episode, recorded after this one). So, thanks Debbie. To us, celebrating potato-ship. Potato-ness?Note 2: Talking to Debbie made me realize why I call everyone "girllll or dude" indiscriminately - it's an Alief thing?  I need to update it to be "huumann..." or maybe.. "BeinG" *LinkedIn = an American job hunting / networking website. They are not paying me to mention them. They should.Recorded: 1/4/2023, the day after my cousin and I were harassed/chased in NY at a subway station by a man asking if we were from China. Takeaways:Spending 90% of your time applying for jobs isn't efficient or effective.Aiming for jobs lower than your skill set is actually hurting you.Your resume should reflect where you want to be, not just where you were.Rejections should not define you. You NEED to know your worth. In everything.You NEED a passion project outside of your job.

Sometimes I feel like a useless potato. Sometimes YOU may feel like a useless potato. But you are NOT a useless potato!  I am also NOT a useless potato!"There's no such thing as a Useless Potato. Potatoes can be made in so many ways. Fried, scalloped, mashed, julienned, salad-ed, turned into a battery. Just because potato you is sitting in a (sad) sack in the dank cellar right now, wondering what is to become of you, does NOT mean you are not destined to turn into something yummy."- Special Potato

There's so much we're grateful for, eager to release, and hopeful about as 2022 comes to a close. Vision boards are a great way to visualize your goals and hopes for 2023, so listen along and let's make one together! How to support bamboo & glass:  

How do you usually respond to something that's unexpected? On the third week of advent, Weylin Lee invites us to glimpse restoration and healing for ourselves and those around us, even in the most uncomfortable places and seemingly invisible people. [Matthew 11:2-11] Reflection What are the glimpses of restoration around us in the midst of disappointment? What are the uncomfortable truths that we're invited to hear and engage? Who are the invisible that we need to acknowledge and advocate for? Resources Invisible: Theology and the Experience of Asian American Women by Grace Ji-Sun Kim

Invisibility persists throughout the Asian American story. Grace Ji-Sun Kim shares her experience as a Koren woman growing up Asian in the western world. On the one hand, xenophobia has long contributed to racism and discrimination toward Asian Americans. On the other hand, terms such as perpetual foreigner and honorific whites have been thrust upon Asian Americans, minimizing their plight with racism and erasing their experience as racial minorities. Grace Ji-Sun Kim shares this and more in her book "Invisible." The compounded effects of a patriarchal Asian culture and a marginalizing American culture are formidable, steadily removing the recognition of these women's lives, voices, and agency. Purchase Your Copy of Invisible - https://www.amazon.com/Invisible-Theology-Experience-Asian-American/dp/1506470920 Read more on Grace's blog: https://gracek.substack.com/

Tutti Taygerly coaches cofounders and tech leaders to embrace their unique leadership style to achieve professional impact and a sustainable company culture. She focuses on working with women, people of color, and immigrants. Previously she was a design leader at design firms, startups, and large companies including Disney and Facebook. Tutti writes for Harvard Business Review, Business Insider, and Fast Company and her book Make Space to Lead shows high achievers how to reframe our relationship to work. Tutti grew up in seven countries on three continents and is settled in San Francisco as her home base. She spends her time parenting two spirited girls, obsessively reading, and paddling out for the next wave. Find her at https://www.tuttitaygerly.com We went live using my favorite livestream tool, Restream. It's the easiest way to create video podcast and repurpose your content: https://feisworld.com/go/restream --- Send in a voice message: https://anchor.fm/feisworld/message

How do American, Korean, and Indian/Indian-American dating shows differ? We break down the best moments of Indian Matchmaking, Love is Blind, The Ultimatum, and Change Days. (We've already done an episode about Single's Inferno.) We also chat about what's been on our TikTok FYP (For You Page) lately. Related episodes:Flirting 101: 10 Tips with Song Jia (Single's Inferno) Looking for "Your Next Date"? (Teaser)How to support bamboo & glass:  

How do these stereotypes harm Asian American and Asian women? Can they lead to violence? Simultaneously - in what ways are some AAPI women taking control of their own sexual narratives? And how can we support the vulnerable, change the conversation, and move forward?A content warning for listeners: In this episode, we're talking about sex trafficking, domestic violence, and sex.We talk with Professor Tessa Winkelmann, assistant professor of history at UNLV who specializes  in Asian American history and U.S. foreign relations— she gives us insight into moments in history where the hypersexuality of AAPI women became so firmly rooted. We also get to sit down with Angela Little, a writer and Las Vegas sex educator, who shares her experience in the BDSM community and beyond! She discusses the importance of sexual education and consent as well as her journey of educating others. Amy Marie-Merrell the Executive Director of The Cupcake Girls, a Las Vegas nonprofit "that provides confidential support to those involved in the sex industry, as well as trauma-informed outreach, advocacy, holistic resources, and referral services to provide prevention and aftercare to those affected by sex trafficking." Amy Marie-Merrell discusses some important information on statistics surrounding sex trafficking in Las Vegas and how we can have effective and respectful conversations when discussing these real life experiences of women. Exit Spring Mountain is a podcast from Nevada Public Radio. Our team includes senior producer Nessa Concepcion, academic research consultant Mark Padoongpatt and assistant producer, researcher and social media manager, Isabelle Chen Rice. Joe Schoenemann oversees podcasts as news director at Nevada Public Radio, and our sound editing, mixing, and mastering is by Christopher Alverez.For more information on non-profit organizations in Las Vegas that help those affected by sex trafficking, please visit:The Cupcake Girls Website:  "Providing support + resources to individuals working in the adult industry & aftercare to those affected by sex trafficking."Bamboo Bridges Website: "Serving victims of domestic violence & sexual assault, with culturally-competent services for the APAI community in Southern Nevada."

You want LGBTQIA+ rights? You want reproductive justice? You want to end mass incarceration? You want environmental protections? You want living wages? You better vote for state legislature, b**ch.Sister District co-founders Gaby Goldstein and Lala Wu return to Getting Curious for a conversation all about the upcoming midterm elections, and specifically what's in store for state legislative races. Listen in as they discuss what it'll take for Democrats and progressives to hold their ground; how we can invest in year-round, state-level organizing; and why we need to think in a timeline of decades, not just election cycles. Gaby Goldstein is an attorney and political strategist who focuses on the growing importance of state legislatures. She is co-founder at Sister District, whose mission is to build progressive power in state legislatures and co-moderator of the State Power Series, a virtual event series co-sponsored by Vote Save America/Crooked Media and Sister District.Lala Wu is a co-founder and the Executive Director of Sister District, which builds progressive power in state legislatures. Prior to Sister District, Lala was a lawyer, specializing in environmental and clean energy law. Lala graduated from U.C. Berkeley, School of Law and Barnard College of Columbia University. Lala serves on the Boards of the AAPI Victory Alliance and Together SF, and the Advisory Board of Asian American Women's Political Initiative. She is a New Leaders Council alum.You can follow Gaby and Lala on Twitter @gaby__goldstein and @_lala_wu_. To keep up with Sister District, you can follow them on Twitter @Sister_District. Want to get involved with Sister District? Check out the Sister District & Partners National phonebank!  Follow us on Instagram and Twitter @CuriousWithJVN to join the conversation. Jonathan is on Instagram and Twitter @JVN and @Jonathan.Vanness on Facebook. Transcripts for each episode are available at JonathanVanNess.com. Love listening to Getting Curious? Now, you can also watch Getting Curious—on Netflix! Head to netflix.com/gettingcurious to dive in. Our executive producer is Erica Getto. Our associate producer is Zahra Crim. Our editor is Andrew Carson. Our theme music is “Freak” by QUIÑ; for more, head to TheQuinCat.com. Getting Curious merch is available on PodSwag.com.

In this episode, Jenn Fang, founder and editor of Reappropriate, the oldest and most popular Asian American and Pacific Islander (AAPI) race advocacy and feminism blogs, returns for another convo with Dawn. In the second part, Dawn and Jenn dig into the issue of reproductive rights, Asian American women's health care, and the implications of the recent Supreme Court decision to overturn Dobbs.Credits: Podcast logo designed by Charisse Ann Celestial. Podcast theme created by QT. Shout out to Jeanne Tyan for coming up with our podcast name. Some resources related to this episode:Fang, Jenn. (2022). Fighting for AAPI abortion care means disaggregating data.

Can God move in unexpected ways? Can everyone have a purpose?How can we all support women, specifically women of color, on their faith and recovery journey?Join host Caroline Beidler, MSW as she talks with Faith Eury Cho about the way that God moved in her life and how she is helping to equip and support others on a faith journey."Impact is determined by the power of God." – Faith Eury ChoFaith is from Korea and has been a gospel preacher since she was 19-years-old. Currently, she is a pastor, a pastor's wife, writer, and an itinerant speaker. Faith is the CEO and founder of  The Honor Summit, a nonprofit organization that centers Asian American women in the mission of God. One of the goals of The Honor Summit is to encourage every church to be fully equipped to be able to disciple a diversity of women.Alongside her husband, Pastor David Cho, she is also the co-founder and co-pastor of  Mosaic Covenant Church in NJ. Her most precious role, however, is being a mom to her 4 children— Moriah, Elias, River and Adalynn.You can connect with Faith Eury Cho here:https://www.instagram.com/faitheurycho/Follow news from The Honor Summit:https://www.instagram.com/thehonorsummit/

Michelle is 20 years old, battling not just Lymphoma and chemo, but her mental health, her friendships, her confidence, her outlook on life and on .... everything.In a world that fosters everyone knowing everything about everyone, does caring too much what others think ultimately lead to us caring LESS about what really matters?This episode is deeply emotional, and beautiful - just like Michelle - and a great reminder to all of us of what really matters in life."Cancer doesn't define me, it empowered me to become the best version of myself again" - MichelleIG: @ellekcimThank you to all my first lucky 8 Patreons - who motivated me to get this episode out today. Michelle, Terence, Christina, Jennifer, Janet, Tracy, James, Gardener - this post is for you. All of it.

Do you find yourself shouldering a lot of responsibility, not just in the workplace, but in your family, friendships, and other relationships?  We share examples of responsibilities we feel empowered vs burdened to uphold, and tools for re-evaluating, reprioritizing, and communicating new expectations about responsibilities.Episodes we recommend:180. Options for Tactfully Saying No175. Discovering Negative Self-Talk & Hidden TalentsFamily-specific episodes:126. Expectations of a Lifelong Caregiver ft. Rachel Cao113. Happy Cleaners: Surviving Crisis and Heartaches as a Family ft. Julian Kim & Peter S. LeeFriendship-specific episodes:149. Deepening Friendships as a Creator132. Thriving Friendships in Your 30's ft. Two Horny GoatsRelationship-specific episodes:168. Exploring the Expectations, Hopes, and Surprises of Our Relationship ft. Kevin Shanchen Pu39. On Entrepreneurship, Authenticity, and Powerful Partnership: Tubby Nugget ft. Jenine Pastores & Josh JacksonHow to support bamboo & glass:  

Despite stigmas, Asian American and Pacific Islanders are making a big difference in the cannabis industry. On this episode, we're joined by Eunice Kim, founder and CEO of HiVi, a digital cannabis product that matches people to the right cannabis products, and Judy Yee co-founder and CEO of K-Zen, a cannabis beverage company. They talk about why they got into cannabis and the challenges they've had to overcome.

Despite stigmas, Asian American and Pacific Islanders are making a big difference in the cannabis industry. On this episode, we're joined by Eunice Kim, founder and CEO of HiVi, a digital cannabis product that matches people to the right cannabis products, and Judy Yee co-founder and CEO of K-Zen, a cannabis beverage company. They talk about why they got into cannabis and the challenges they've had to overcome.

In this episode we're joined by Dr. Grace Ji-Sun Kim to talk about the Invisibility of Asian American Women. Dr. Kim is Professor of Theology at Earlham School of Religion and the author of Invisible: Theology and Experience of Asian American Women (published by Fortress Press). Over the course of our conversation, Dr. Kim explains that the concept of invisibility gets at the marginalization that Asian American women experience in relation to the white majority culture, on the one hand, and patriarchy on the other hand. Along the way Dr. Kim addresses damaging concepts such as white Christianity and the model minority myth, and promotes the possibility of creative reflection using Asian terms and concepts for the purpose of constructive theology. Team Members on the episode from The Two Cities include: Jennifer Guo and Dr. Grace Sangalang Ng.

When the COVID-19 pandemic began more than two years ago, reported violence and hate incidents targeting Asian Americans spiked.   The national organization Stop AAPI Hate recorded close to 6,300 reports of hate incidents against Asian Americans in 2021. That's a 35 percent increase from the year before. And more than half of those hate incidents happened to Asian women. One-third of Asian Americans say they fear threats and physical attacks, according to a 2021 survey by the Pew Research Center.  MPR News host Angela Davis talks with two Asian American women in Minnesota about how they are doing and how their communities are responding.  Guests:  Naomi Ko is a performer, filmmaker, activist and founding member of Funny Asian Women Kollective. Rep. Samantha Vang is a DFL lawmaker in the Minnesota House of Representatives. She represents Brooklyn Center.  Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS.

When the COVID-19 pandemic began more than two years ago, reported violence and hate incidents targeting Asian Americans spiked.   The national organization Stop AAPI Hate recorded close to 6,300 reports of hate incidents against Asian Americans in 2021. That's a 35 percent increase from the year before. And more than half of those hate incidents happened to Asian women. One-third of Asian Americans say they fear threats and physical attacks, according to a 2021 survey by the Pew Research Center.  MPR News host Angela Davis talks with two Asian American women in Minnesota about how they are doing and how their communities are responding.  Guests:  Naomi Ko is a performer, filmmaker, activist and founding member of Funny Asian Women Kollective. Rep. Samantha Vang is a DFL lawmaker in the Minnesota House of Representatives. She represents Brooklyn Center.  Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS.

An audio replay of the "Dear Asian Americans, What Now?" Panel from SXSW 2022 featuring Nydia Han, Muna Hussaini, Dion Lim, and Jerry Won. March 15, 2022 - Austin, Texas// The week of SXSW 2022 marks the one year anniversary of the Atlanta massacre, an event that forever changed the Asian American community. Dear Asian Americans, What Now? features a conversation with community leaders as we share our lived experiences, lessons learned, and actions steps to forge a new path forward. The panel features Dion Lim, author, speaker, & anchor at ABC7 in San Francisco, Muna Hussaini, a technology executive and highly respected community activist based in Austin, Nydia Han, an Emmy Award winning tv journalist at WPVI-TV 6ABC and creator of #ThisisAmerica based in Philadelphia, and is hosted by Jerry Won, speaker, community builder, & creator of Dear Asian Americans.Meet Nydia Han // @nydiahan on IG // @nydia_han on TwitterNydia Han is an Emmy award winning television journalist. She is currently a news anchor and consumer investigative reporter for WPVI-TV in Philadelphia. She is committed to using her platform to uplift, empower, and give voice to traditionally underrepresented, marginalized groups. She is a TEDx speaker and creator of #ThisIsAmerica, a provocative three-part documentary series about race, racism, and the diverse American experience. Nydia has also appeared on ABC News Live and 20/20 to discuss discrimination, bias, and hate against Asian Americans.Her work has been recognized by a number of groups. #ThisIsAmerica received the 2019 national AAJA award for Best TV/Online (AAPI) and was chosen for a special viewing at the Women's Film Festival. Nydia is also the recipient of the Pearl S. Buck International Woman of Influence award, Inspire Award from the National Association of Asian American Professionals, and Global Voice Award from the World Woman Summit. She was also named "Outstanding Ally" of Diversity and Inclusion by the Philadelphia Inquirer.She graduated from the Medill School of Journalism at Northwestern University and her career has taken her to television stations in Idaho, Oklahoma City, and Texas.Nydia is on the community advisory board for the Asian American Women's Coalition. She is also passionate about raising awareness and desperately needed funds for lung cancer research in memory of her mother.She enjoys good food, wine, and most of all a good laugh. And she is trying really, really hard to teach her two young children to speak Korean.Meet Muna Hussaini // @salam_yall on IG & TwitterMuna H. is a mother, tech executive, and accidental community activist. She is currently the Head of #ESG Governance at Indeed.com and has worked in tech for 20+ years.Muna was a victim of several hate crimes after 9/11. She now spends her personal time reclaiming the Muslim-American narrative and working to eradicate hate. Muna is a founder of Muslim Space, an inclusive Muslim organization. She is a co-founder for Recode the Quo, helping Austin-based tech startups be more diverse, inclusive, and equitable. Muna is a member of the Austin/Travis County Hate Crimes Taskforce.  She has served on the board of Interfaith Action of Central Texas to cultivate peace and respect through interfaith dialogue, service, and celebration.Lastly, Muna attended the The University of Texas at Austin and is a proud Longhorn. Hook' em!Meet Dion Lim // @dionlimTV on IG // @dionlimTV on TwitterDion Lim is an Emmy Award-winning TV news anchor and reporter at ABC7/KGO-TV in San Francisco and author of Make Your Moment: The Savvy Woman's Communication Playbook to Getting The Success You Want based on her experiences as the first Asian American woman to be at the helm of a weekday newscast in three major markets including Kansas City, Charlotte and Tampa Bay.Dion is passionate about amplifying voices of color and had led the charge worldwide in shedding light on the hate and assaults targeting Asian Americans in the Bay Area. Her work has resonated across the country on ABC News Live, Nightline, Good Morning America and 20/20.The San Francisco Board of Supervisors and mayor also recently awarded Dion with a commendation for her dedication to reporting on discrimination and xenophobia toward Asian Americans and the Black communities. She was also voted a 2021 Goldhouse 100 A1 recipient for Media and Journalism for storytelling in the midst of the #StopAsianHate movement.Meet Jerry Won // @jerryjwon on IG // @jerrywon on TwitterJerry Won is a keynote speaker, workshop facilitator, and host who has worked with some of the world's most recognized brands in corporate and higher education. He speaks on a variety of topics including authentic storytelling, personal branding, and the Asian American experience in the workplace.He is the Founder & CEO of Just Like Media, an Asian American storytelling company whose podcast brands include Dear Asian Americans, MBAsians, The Janchi Show, and Asian Podcast Network; partnerships include McDonald's, US Census 2020, and US Dept. of Health and Human Services.Prior, he was a Senior Strategy Consultant at Accenture and sales leader at start-ups and Fortune 500 companies. Jerry has a BS from USC Marshall and an MBA from Michigan Ross, where he served as President of the Student Government Association. Learn more at www.JerryWon.com// Support Dear Asian Americans:Merch: https://www.bonfire.com/store/dearasianamericans/Buy Me a Coffee: https://www.buymeacoffee.com/jerrywonLearn more about DAA Creator and Host Jerry Won:LinkedIn: https://www.linkedin.com/in/jerrywon/Instagram: https://www.instagram.com/jerryjwon/// Listen to Dear Asian Americans on all major platforms:Transistor.fm: http://www.dearasianamericans.comApple: https://apple.dearasianamericans.comSpotify: https://spotify.dearasianamericans.comStitcher: https://stitcher.dearasianamericans.comGoogle: https://google.dearasianamericans.com  Follow us on Instagram: http://www.instagram.com/dearasianamericans Like us on Facebook: http://www.facebook.com/dearasianamericans Subscribe to our YouTube: http://www.youtube.com/dearasianamericans // Join the Asian Podcast Network:Web: https://asianpodcastnetwork.com/Facebook Group: https://www.facebook.com/groups/asianpodcastnetwork/Instagram: https://www.instagram.com/asianpodcastnetwork/Dear Asian Americans is produced by Just Like Media:Web: http://www.justlikemedia.comInstagram.com: http://www.instagram.com/justlikemedia

On March 16, 2021, a white gunman killed 8 people in Atlanta spas — including 6 Asian women. One year later, host Cecilia Lei and 4 Asian women in the Bay Area reflect on the tragedy, and how it's changed their ideas around work, personal safety and community. | Unlimited Chronicle access: sfchronicle.com/pod Learn more about your ad choices. Visit megaphone.fm/adchoices

Excited to feel safe meeting people in person, but nervous about meeting new people? Want to enjoy meeting new people, fulfill your intentions, and build sincere relationships? We share ideas for what you can do as a guest before the event, during the event, and after the event.  We also share ideas for hosts and for tricky situations...like how to gracefully exit a conversation that's getting awkward.   Episodes mentioned:

Time to play games and test the strength of our friendship

My friend and brilliant theologian, Dr. Grace Ji-Sun Kim, is back on the podcast and we have a stimulating conversation about her newest book Invisible: Theology and the Experience of Asian American Women. Check out my visit to Grace's podcast -Here's the audio & here's Mandang on YoutTube:) Grace Ji-Sun Kim is Professor of Theology at Earlham School of Religion. She received her M.Div. from Knox College and her Ph.D. from the University of Toronto. She is the author or editor of 19 books most recently, Keeping Hope Alive; Intersectional Theology co-written with Susan Shaw and Embracing the Other. Kim is a Series Editor for Palgrave Macmillan Series, “Asian Christianity in the Diaspora”. Eerdmans included her in their list of Five Great Women Scholars, and the Englewood Review of Books named her in their list of Ten Important Women Theologians You Should Be Reading Follow the podcast, drop a review, send feedback/questions or become a member of the HBC Community. Learn more about your ad choices. Visit megaphone.fm/adchoices