Podcasts about balsom

Interpreten: Alison Balsom, Pinnock's Players, Trevor Pinnock Label: Warner Classics EAN: 5021732273291 Es muss nicht immer zwingend Originalklang sein – das dachte sich Trevor Pinnock, als er gemeinsam mit Alison Balsom das Konzept für die aktuelle CD Baroque Concertos entwickelt hat. Herausgekommen ist ein hervorragender Klangkompromiss, von dem sich Michael Gmasz begeistert zeigt. Der Originalklangspezialist Trevor Pinnock und Trompeterin Alison Balsom arbeiten schon seit vielen Jahren gemeinsam und haben auch schon die eine oder andere CD aufgenommen. Bisher hat die Trompetenvirtuosin Balsom dafür ebenso zu historischen Instrumenten gegriffen, um dem Original so nahe wie möglich zu kommen. Für die neue CD allerdings wollte Balsom auf einer modernen Piccolo Trompete spielen, die weit mehr Möglichkeiten bietet, Trevor Pinnock ist sofort auf den Zug aufgesprungen und hat mit den Pinnock's Players auch gleich ein neues Ensemble gegründet. Mit dem Dirigenten und Organisten Simon Wright wurde ein ausgezeichneter Arrangeur gefunden, und so stand dem neuen Projekt nichts mehr im Wege. „Die Möglichkeit, chromatische und virtuosere Musik aufzuführen, wie sie ursprünglich für Solovioline oder Oboe geschrieben wurde, hat mich und meine Trompetenkollegen seit den Tagen des großen Maurice André in ihren Bann gezogen“, sagt Alison Balsom im Beiheft der neuen CD. So sind es hier also keine barocken Trompetenkonzerte sondern Bearbeitungen von Oboen- und Violinkonzerten von Telemann, Händel, Vivaldi, Albinoni und Marcello, denen Balsom neuen Glanz verleiht. Von gestochen scharf bis samtig weich ist dabei ihr Ton, scheinbar unendlich ihr Luftstrom in den langsamen Sätzen, hoch virtuos und rasant schnell im Tempo ihr Spiel in den flotten. Doppel- oder gar Tripelzunge? Ach wo … Manche der Werke klingen in diesen Bearbeitungen so, als ob sie nie für andere Instrumente geschrieben wurden. So denke ich, hätte Antonio Vivaldi sicher seine Freude gehabt, wenn er das 9. Violinkonzert aus der Sammlung L‘estro armonico einmal in dieser feierlichen Version gehört hätte. Da er das nicht mehr kann, bleibt die Freude ganz uns überlassen! (mg)

The films of Robert Kramer blend fiction and documentary modes to engage with, and expand on, traditions of militant political cinema and subjective essay filmmaking. A founding member of the New Left activist film collective Newsreel in 1967, Kramer devoted himself to the group's radical ethos, but he also began to make his own hermetic and probing fiction films—like The Edge (1967) and Ice (1969)—which turned the camera back onto the mostly white middle-class milieu of his comrades, posing thorny questions about the nature of political commitment. This process reached its peak with the sprawling, 3-hour plus Milestones (1975, co-directed with John Douglas), a vast mosaic featuring a cast of over 50 fellow travelers, union organizers, dropouts, Free Vermont commune dwellers, and more, all navigating the demands of their personal and political lives in the wake of the Vietnam War. At the end of '70s, Kramer decamped to France, where his films had been championed by critics like Serge Daney, and proceeded to work in a wide variety of contexts across Europe and beyond, making films like Guns (1980), Our Nazi (1984), Doc's Kingdom (1988), Route One/USA (1989), and Walk the Walk (1996).  Over the past several years, the French DVD company Re:Voir has been beautifully restoring and re-releasing his films, and Kramer, who passed away suddenly in 1999, is currently the subject of a major retrospective at the Viennale, running through the end of November. The retrospective is accompanied by a new book, Starting Places, published by the Austrian Film Museum, which reproduces a 1997 interview with Kramer by the French critic Bernard Eisenchitz alongside several essays written by Kramer himself. To mark the occasion, Film Comment's Clinton Krute and Michael Blair invited Erika Balsom and Benjamin Crais, two noted critics who each proudly own original Milestones posters, to discuss Kramer's life and work. A few short audio clips of Kramer talking about his films, sourced from the original 1997 interview tapes, are interspersed throughout the conversation, providing their own points of departure into this undersung filmmaker's richly heterogenous, and endlessly fascinating, body of work.   Special thanks to Volker Pantenburg. Show Notes: “The Traveller” by Benjamin Crais (Sidecar, 2023): https://newleftreview.org/sidecar/posts/the-traveller “Milestones” by Erika Balsom (4Columns, 2020): https://4columns.org/balsom-erika/milestones Serge Daney on Milestones and Route One/USA (originally published in Cahiers du cinéma, 1975 and 1989): https://sergedaney.blogspot.com/2019/06/the-aquarium-milestones.html; https://sergedaney.blogspot.com/2014/05/murmur-of-world.html  Robert Kramer: Notes de la forteresse (1967-1999) (edited by Cyril Béghin. Re:Voir, 2019):https://re-voir.com/shop/en/books/1101-robert-kramer-notes-de-la-forteresse-1967-1999.html

What does it take to perform at your best in critical moments?It's what differentiates the great from the good. Being at the top of your game requires years of courage, skill, and discipline. This is why some falter whilst others shine.In this episode I am joined by the multi-award-winning trumpet soloist, Alison Balsom. She shares what it takes to get to, and sustain, the highest levels of performance. These are concepts and practises that leaders in all fields would do well to apply.Alison talks about how she chooses the right repertoires to play and people to work with. She also discusses the importance of finding your own interpretation of a piece and what it's like to perform with the conductors and musicians.Music plays a huge role in all our lives, whether we know it or not.This conversation is for anyone looking to perform at the highest of levels and pushing the frontiers of their craft.“It's certainly a high wire act” – Alison BalsomYou'll hear about:●      Alison's process for finding the right work●      How to know when the project is right for you ●      Building relationships in orchestras●      What helps Alison to excel?●      How do you know you've impacted people?●      Alison's mindset minutes before taking the stage●      You are not better in rehearsal●      Has Alison had moments of self-doubt?●      How Alison nurtures and looks after herself●      The impact Alison wants to have on the worldAbout Alison Balsom:Alison has performed as a solo trumpeter worldwide with many of the greatest conductors and orchestras of our time, including Pierre Boulez, Lorin Maazel, Claudio Abbado, the New York Philharmonic Orchestra, Philadelphia Orchestra and London Philharmonic Orchestras, as well as The Balsom Ensemble, a handpicked group of leading Baroque soloists.Balsom has commissioned much music, and had hundreds of works written for her, including by composers such as Betsy Jolas, Dobrinka Tabakova, James MacMillan, and Thea Musgrave.She has been awarded an OBE for Services to Music, and has dedicated her career to broadening the artistic horizons of the trumpet.Resources:Profile: https://bit.ly/3LTvGV0Discography: https://bit.ly/3AbVE3DConcerts: https://bit.ly/3LXD026My resources:Take my new Becoming a Strategic Leader course (https://bit.ly/3KJYDTj)Sign up to my Every Day is a Strategy Day newsletter (http://bit.ly/36WRpri) for modern mindsets and practices to help you get ahead. Subscribe to my YouTube channel (http://bit.ly/3cFGk1k) where you can watch the conversation.For more details about me:●      Services (https://rb.gy/ahlcuy) to CEOs, entrepreneurs and professionals.●      About me (https://rb.gy/dvmg9n) - my background, experience and philosophy.●      Examples of my writing https://rb.gy/jlbdds)●      Follow me and engage with me on LinkedIn (https://bit.ly/2Z2PexP)●      Follow me and engage with me on Twitter (https://bit.ly/36XavNI)

This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Olivier Assayas, Mati Diop, Bruno Dumont, Hong Sangsoo, and many more. Subscribe to the Film Comment Letter here to stay up-to-date. On today's episode, our second from Berlin, FC Editor Devika Girish is joined by critics Erika Balsom, Giovanni Marchini Camia, and Beatrice Loayza to talk about the political situation in Germany and how it's affecting the festival, before digging into films including Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor's No Other Land, Dimitris Athiridis' exergue – on documenta 14, Bruno Dumont's The Empire, Ruth Beckermann's Favoriten, and Diop's Dahomey. Stay up to date with all of our Berlinale coverage here: https://www.filmcomment.com/blog/category/festivals/berlin/

In the epigraph to his new book, writer-slash-film programmer-slash-performance artist Stanley Schtinter succinctly describes his project: “Last Movies is a dedication to the absence of choice, to chance. If there is any bias in the cast-list it is a bias coded into the tell-ing of the first century of cinema (that I parasitise); the result, a forensic of the last earthly dance of a star, and the pause they took (if indeed they did) to catch a movie.” Conceived of as both a writing project and an epic durational film program, Last Movies explores the seemingly morbid subject of the final films watched by a selection of twentieth century luminaries. Delving into the lives and ultimate viewings of figures from Franz Kafka to John F. Kennedy to Kurt Cobain to the Heaven's Gate cult, the book maps a strange and surprising cultural history from a seemingly arbitrary scatter plot. Film Comment Editors Devika Girish and Clinton Krute sat down with Schtinter and critic Erika Balsom, who wrote the book's forward, to discuss the many layers of Last Movies, how the project is actually life-affirming, why the author dressed up like a cop for a recent Q&A in London, and much more. Last Movies is available now from Tenement Press: https://tenementpress.com/Last-Movies

We have been looking forward to this episode for over a year. Mike Balsom is a Niagara legend who was a wedding DJ in the 80s and 90s. If you were at a reception during those decades, there's a good chance you will have been blessed with his mastery of the two turntables (but no microphone!). He brings to our episode the ultimate wedding dance floor filler song: "(I've Had) The Time of My Life" by Bill Medley and Jennifer Warnes. This is a landmark episode for us. Sit back and enjoy! Helpful links: Mixtape Official Music Video

This week, Film Comment is reporting from Berlin, where the 2023 Berlinale is currently underway. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Christian Petzold, Angela Schanelec, Hong Sangsoo, James Benning, and many more. On today's episode, FC co-editors Devika Girish and Clinton Krute are joined by FC contributor Erika Balsom and B. Ruby Rich, Editor-in-Chief of Film Quarterly to discuss the haul of the first couple days: Paul B. Preciado's Orlando, My Political Biography, Tina Satter's Reality, Matt Johnson's Blackberry, Luke Fowler's Being in a Place - A Portrait of Margaret Tait, and Tatiana Huezo's The Echo.

Lukas Brasiskis, associate curator of e-flux Video & Film, talks to Erika Balsom about the book and exhibition co-curated with Hila Peleg, Feminist Worldmaking and the Moving Image.  The episode was recorded at e-flux Screening Room before “No Master Territories: Feminist Worldmaking and the Moving Image,” a talk by Erika Balsom preceded by a screening of Han Ok-hee's Untitled 77A (1977, 6 minutes) and Grupo Chaski's Miss Universo en el Perú (1982, 32 minutes). Erika Balsom is Reader in Film Studies at King's College London. She is the author of four books, including After Uniqueness: A History of Film and Video Art in Circulation (Columbia University Press, 2017) and TEN SKIES (Fireflies Press, 2021, shortlisted for the Kraszna Krausz prize). Her criticism appears regularly in venues such as Artforum, Cinema Scope, e-flux, and 4Columns. With Hila Peleg, she is the co-curator of the exhibition No Master Territories: Feminist Worldmaking and the Moving Image (HKW Berlin, 2022) and co-editor of the books Feminist Worldmaking and the Moving Image (2022) and Documentary Across Disciplines (2016), both published by MIT Press. In 2018, she was awarded a Philip Leverhulme Prize and the Katherine Singer Kovacs essay award from the Society for Cinema and Media Studies.

Tuesday Oct 25th - Canadian Patient Safety Week With Dr. Cathy Balsom & Pharmacist Jeremy Macdonald by VOCM

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Join us for a conversation between two Fireflies Press film critics, as Melissa Anderson (Inland Empire) and Erika Balsom (Ten Skies) do a deep dive on their processes and their respective works. _______________________________________________   Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski. Theme: "I Love All My Friends," an unreleased demo by Fragile Gang. Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Comment naît l'émotion en musique ? Qu'est-ce qui permet à l'énergie de circuler ? Quelles sont les écoles d'interprétation de la musique baroque et qu'est-ce qui différence Harnoncourt de Gardiner ou de Jacobs ? Nous soufflons aussi ensemble les bougies d'anniversaire des Talens Lyriques : 30 ans à jouer de la musique avec Christophe Rousset !   Références musicales  :   Haendel, Royal fireworksmusic, réjouissance, Alison Balsom, Balsom ensemble  Lully, Amadis, chaconne fin acte V, Les Talens Lyriques, Christophe Rousset (dir.)  Du Mont, « Echo in lectulo meo », Sandrine Piau, Les Talens Lyriques, Christophe Rousset (dir.)  Haendel, Scipione, “Scoglio d'immota fronte”, Sandrine Piau, Les Talens Lyriques, Christophe Rousset (dir.)  Salieri, Les Danaïdes, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Verdi, Don Carlos, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Les Fêtes d'Hébé, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Mozart, La Flûte enchantée, « Ach ich fühl's », Rosa Mannion, Les Arts florissants, William Christie (dir.)  Lully, Alceste, Pompe funèbre, “La mort barbare”, Lucía Martín Carton, Les Talens Lyriques, Christophe Rousset (dir.)  Rameau, Pygmalion, « Règne amour ! », Cyrille Dubois, Les Talens Lyriques, Christophe Rousset (dir.) Bach, Oratorio de Noël, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Bach Wilhelm Friedemann, cantate, “Es ist Stimme eines Predigers in der Wüste”, die Rheinische Kantorei, das Kleine Konzert, Hermann Max  Couperin, Concert royal n°1, « Air tendre », Les Talens Lyriques, Christophe Rousset (dir.)  Purcell, Didon et Enée, « When I am laid in earth », Anna Prohaska, Il Giardino Armonico, Giovanni Antonini (dir.)  Bach, Passion selon Saint Jean, choeur d'entrée par : Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (dir.)  Collegium vocale Gent, Philippe Herreweghe (dir.)  Akademie für alte Musik Berlin, René Jacobs (dir.)  Chœur et Orchestre du Concentus Musicus de Vienne, Nikolaus Harnoncourt (dir.) Rameau, Zaïs, ouverture, Les Talens Lyriques, Christophe Rousset (dir.)  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. Sometime in May or June, I had a marvelous conversation about the sky. Not just one sky, but 10 skies, in fact, with the critic Erika Balsom. Balsom wrote an insightful book about the lovely, thought-provoking landscape film 10 Skies, from filmmaker James Benning. I think I originally saw the movie at a festival in the late 2000s, and it was a pleasure to revisit. Happily I have a new occasion to make this conversation available, thanks to a screening of 10 Skies at the Open City Documentary Festival in London. But no matter the occasion, 10 Skies is a work that always rewards looking at from a number of angles, opening up questions about art and philosophy that keep shifting and turning in your head like the clouds above. Balsom's book is available from Fireflies Press. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

In the introduction to her new book on James Benning's 2004 film, Ten Skies, critic and scholar Erika Balsom writes: “there are films that present themselves as complex objects but which are in fact quite simple … And then there are films—rarer altogether—that appear simple but harbour tremendous complexity. Such is the deception, the allure, of Ten Skies—a film messier and more profuse than my immediate love for it had allowed.” Balsom joined me to talk about the book (out now from Fireflies Press) and the many-sided approach she took to writing about one of the most deceptively simple—and beautiful—films in Benning's fantastically varied body of work. We also discussed where Ten Skies fits into his filmography, the ways in which Benning plays with his own identity, how ten static shots of clouds can be a powerful political statement, and much more. Balsom will introduce a screening of Ten Skies at Light Industry in Brooklyn on July 1.

Fort Mac State of Emergency - Krista Balsom Regional Municipality Of Wood Buffalo City Councilor by VOCM

In this episode of the Pacey Performance Podcast, I am speaking to Fitness Coach at the Swedish national football team, Paul Balsom. Paul has almost 40 years experience working in our industry and is a true pioneer. He is heading up the UEFA fitness advisory board and is also a consultant for King Power (the owners of Leicester City and Leuven). This episode is framed around what UEFA is doing to provide a fitness framework for technical coaches through their qualifications. However, we also get an insight into what is coming down the track from UEFA as they plan to build qualifications for fitness staff which would sit on the same framework. So for anyone working in football, this is definitely something to keep an eye on. I should also give a huge shout-out to Chris Barnes who introduced me to Paul. In this episode, we discussed... Who is Paul Balsom (background, experience and current roles)? UEFA Coach education (Grassroots to Pro) – Integrated approach What are UEFA doing to support this at all levels and also specifically for the women’s game? What does the modern coach working in professional football need to know about fitness? Integration of technology Process of choosing technology What can't we measure that has the potential to change practice? The 24/7 lifestyle for players and coaches Increased touch points = increased noise? Empowering players (education) Support staff What happened to the old-fashioned fitness coach? How much does a practitioner working in football need to know about football? Paul can be found on Twitter @balsompaul This episode of the Pacey Performance Podcast is sponsored by Output Sports – a Swiss Army Knife for optimising off field performance. Output Sports have developed a one-stop portable tool for comprehensive, valid and reliable athlete assessment. You can learn more about Output on outputsports.com or follow them on social media on @OutputSports where you can schedule a demo. This episode of the Pacey Performance Podcast is sponsored by Hawkin Dynamics, the team behind the world's only wireless force plate system. Hawkin Dynamics can be found at hawkindynamics.com and you can follow them on Twitter @hawkindynamics This episode is also sponsored by IMeasureU. IMeasureU are a world leading inertial platform to precisely quantify body movement and workload metrics in the field. IMeasureU can be found at imeasureu.com and you can follow them on Twitter @imeasureu. This episode is also sponsored by Omegawave, the only non-invasive readiness technology to assess both brain and heart. Omegawave can be found at omegawave.com and you can follow them on Twitter @omegawave. This episode is also sponsored by Fusion Sport, the global leader in human performance solutions for elite sport, military, and workplace health. Fusion Sport’s data management and analytics platform, Smartabase, is designed to provide elite human performance organizations with a one stop shop solution for the holistic performance management of their teams. Visit www.fusionsport.com/smartabase to learn more about how Smartabase can help turn your data into a winning advantage. Keep up to date with everything that is going on with the podcast by following on Twitter @strengthofsci or visiting strengthofscience.com. Enjoy PP

Dans ce troisième épisode on découvre le parcours de Mark Balsom et le chemin qui l'a mené à fonder OPEX Chavornay (@opex_chavornay). Marc est un passionné de mouvement qui décide de fonder sa salle il y a quelques années après une formation universitaire dans le sport. Il y donne des cours collectifs jusqu'à ce virage réalisé l'été dernier qui le mène à transformer complètement son modèle et changer de cap. Un choix audacieux qui implique de perdre des clients pour plus loin, peut-être, en gagner d'autres et péréniser son approche. Il nous présente le cheminement qui l'aura mené jusque là et les premières impressions qui en découlent. Bonne écoute!

Paul Balsom works with some of the best soccer players in the world on the club and international level. He discusses modern training and achieving top level performance while stuck in a pandemic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jan Balsom has been studying and surveying the Grand Canyon since 1981. She and Brian chat about the human history in the park and her career with the National Park Service. Enjoy Jan Balsom!

Alison Balsom's new album, Royal Fireworks, is a collection of virtuoso baroque works performed on natural trumpet. For the latest Gramophone podcast she joins Editor Martin Cullingford to talk about the natural trumpet and about the repertoire on the album. Royal Fireworks is available from Warner Classics.

Welcome to the Training Ground Guru Podcast, in association with Hudl. For this episode, we spoke to Paul Balsom, Head of Performance Innovation for Leicester City. He spoke about the approach sports science during the title-winning season, player empowerment, building a culture at the club and using data in the future. Follow us on Twitter: @ground_guru https://trainingground.guru/

Eric Balsom is 3rd generation family ownership of Kenny Carpet and Floors. Born and raised in Williamsville, Eric has a passion for design and interacting with the local community. Eric received his business degree from Lynn University in Boca Raton, Florida before moving back home in 2008. He recently started his own carpet and upholstery cleaning company Deep Clean 716. Although he swears he works 8 days a week in his free time he loves to play golf, go out to dinner and is a wine enthusiast.

Asset Protection for your small business, with attorney Mark Balsom. Mark explains various aspects of an effective comprehensive asset protection plan for your business and your personal assets. Mark and the team at Presser Lay Firm help their clients protect their hard-earned assets from lawyers, malpractice claims, creditors, foreclosure deficiencies, former or current spouses, children, relatives, and greedy lawsuit-obsessed citizens.  While many people can make money, few know how to protect it. Henry Lopez is a serial entrepreneur, small business coach, and the host of this episode of The How of Business show – dedicated to helping you start, run and grow your small business. (TheHowOfBusiness.com)

With the scholar and critic Erika Balsom at King's College London, where Balsom is senior lecturer in Film Studies. Balsom talks about her experience of working between the worlds of art and cinema, and academia and criticism, as well as the inspiration behind her latest project – the exhibition and essay ‘An Oceanic Feeling: Cinema and the Sea'. The Apollo 40 under 40 podcast is presented by Gabrielle Schwarz

On this edition of Fort McMurray Matters, we speak with Mayor Don Scott about the motion made against councillor Krista Balsom surrounding the conflict of interest investigation. He also discusses why the Reflection of the River art piece is staying put at its original location.

Ten Talks 3rd June 2018 | Part 0 | A look at how Jesus performs each of the BLESS steps on us.

To celebrate both Women's History Month and Arizona Archaeology and Heritage Awareness Month our March interview is with Jan Balsom, archeologist by trade, and Senior Adviser to the Superintendent at Grand Canyon National Park. Listen along as Jan shares her career experiences and helps Sharlot and Matt realize whatever work they face, Jan's been there! **Links in this episode** Grand Canyon National Park Archeology: https://www.nps.gov/grca/learn/historyculture/arch.htm

Join NEW:VISION Award-winning artist Chen Zhou in conversation with art critic, researcher and senior lecturer at King's College London Erika Balsom for a salon that takes Chen's Life Imitation as a starting point for a conversation about identity, subjectivity and desire in a technologically mediated world where the fragility of the self intersects with the hyper-stereotyped gender roles of online representations. See acast.com/privacy for privacy and opt-out information.

Trompetivirtuoos Alison Balsom on barokkmuusikapärlid koondanud uuele albumile "Jubilo". Tema inspiratsiooniallikaks olid King's College'i kabeli orel Cambridges ja vanamuusikaansambel Academy of Ancient Music, kellega tal oli esmakordselt au koos mängida. Balsom mängib albumil nii modernsel trompetil kui ka ajastupillil ning kõlavad Faschi, Bachi, Torelli ning Corelli teosed.

Trompetivirtuoos Alison Balsom on barokkmuusikapärlid koondanud uuele albumile "Jubilo". Tema inspiratsiooniallikaks olid King's College'i kabeli orel Cambridges ja vanamuusikaansambel Academy of Ancient Music, kellega tal oli esmakordselt au koos mängida. Balsom mängib albumil nii modernsel trompetil kui ka ajastupillil ning kõlavad Faschi, Bachi, Torelli ning Corelli teosed.

The English Chamber Orchestra, under its Charitable Trust’s new artistic director Lawrence Power, launches an exciting new season at Kings Place this autumn, featuring Christian Zacharias, Nicolas Altstaedt, Vilde Frang, Mark Padmore and Alison Balsom. kingsplace.co.uk/ECO

Leicester City’s league title was widely seen as one of the biggest upsets in sporting history. But was it really that surprising? Christian Barton (La Trobe University) talks to Dr Paul Balsom, the Head of Sports Science at Leicester City and analyst with the Swedish National Football Team. In this podcast, Paul explains how teamwork and culture led to players avoiding the medical room. We then go on to discuss the role of evidence-based medicine in sports, and how the ideas employed by Leicester can be transitioned between sports. Lastly, the conversation moves on to the ongoing season, which will see an increased number of matches for the team and how to manage this load. Link to the upcoming SMA Conference where you can see Dr Balsom: http://tinyurl.com/jx739en And a podcast with one of the other keynote speakers: http://tinyurl.com/zaoncqq Timeline: 0.40 - The key factors behind the success of Leicester. 2.00 - How do you achieve good communication in a football club? 3.55 - Keeping all the players fit - by putting responsibility onto them! 5.40 - Optimising performance - what role does EBM have in sport? 7.22 - What medical teams can learn from each other. 9.02 - How to manage an injury free rate with increased load - looking at the new season. 10.45 - The principles behind measuring load in players.

Han är född i Torquay på den engelska sydkusten. Han har arbetat med det svenska herrlandslaget i fotboll sen hösten 1998 och varit i Leicester City sen 2008. Han ansvarig för sportvetenskap och prestationsanalys. I Leicester är han chef över tio personer. Han var delaktig i Leicester City:s sensationella ligaseger säsongen 2015/16 och att laget var det minst skadade i Premier League. Hör Paul Balsom berätta om det och mycket annat i höstens första Holmgren Möter. God lyssning! Mvh Niklas Holmgren See acast.com/privacy for privacy and opt-out information.

Our latest podcast is a special extended edition of Backstage Pass, recorded live at Henley Festival. On the 10 July 2015 the Philharmonia Orchestra performed with Gregory Porter, Alison Balsom, Laura Mvula, Shona McGarty, Ballet Black and Ji Liu in a celebration of George Gershwin's music, led by Troy Miller and Fabio D'Andrea. Follow the musicians backstage in this episode for a glimpse of this spectacular event. The podcast features interviews with Alison Balsom, Gregory Porter, Laura Mvula and dancers from Ballet Black as well as a host of other special guests. 

Kithio Mwanzia of the Greater Niagara Chamber of Commerce, Mike Balsom, The Blackflies play live. Produced by Dave Jones. Sun. Feb 2nd Get bonus content on PatreonSupport this show http://supporter.acast.com/jimfannon. See acast.com/privacy for privacy and opt-out information.

With John Wilson. Wadjda is the first film from Saudi Arabia to be directed by a woman, Haifaa Al Mansour. It's the story of an 11-year-old girl who enters a Koran recitation competition in order to buy a bike with the winnings, even though women are discouraged from cycling and are banned from driving cars. Critic Shahidha Bari delivers her verdict. American writer Philipp Meyer's ambitious new novel, The Son, maps the legacy of violence in the western United States. When a young man is taken captive by the Comanches, he learns to adapt to their way of life before their tribe is destroyed by disease, starvation and an overwhelming number of armed, white settlers. Philipp Meyer discusses the breadth of scope - and the five years it took to research and write - of his epic 560-page novel. Starring trumpet soloist Alison Balsom, Gabriel opens at Shakespeare's Globe this evening. The play, set during the Glorious Revolution, showcases the music of Purcell through a combination of drama, instrumentals and songs. John talks to Balsom, as well as the play's director Dominic Dromgoole, about the project. Producer Karla Sweet.

Dudamel, Lang Lang, Uchida, Balsom and others - Gramophone Artist of the Year 2011