Podcasts about warnes

Mark Levy has slammed RTBU NSW Secretary Toby Warnes, calling him a "goose" over a text message scandal rocking Sydney’s rail network. As commuters endure yet another day of mass delays, a leaked message from an RTBU convenor urged rail workers to "f**k the network up." The text, sent to members on Thursday night, has sparked outrage—but during a press conference, Warnes distanced the union from the message, suggesting it wasn’t from the RTBU.See omnystudio.com/listener for privacy information.

Our last holiday episode before we return to our regular weekly sports show next week. What better way to finish then talk about our favourite Ashes moments from yester-year. The 2005 series in England to the 06/07 return series in Australia. Peter Siddle's Hat trick on his birthday, Warnes 700th. How good is Ashes cricket! The Reggies would not have been possible in 2024 without our sponsors. The Standard Squeeze, Betr and Country Trucker Caps have taken us on a journey this year and we cannot wait to work with them again in 2025. Hosted on Acast. See acast.com/privacy for more information.

"I LOVE, LOVE, LOVE Christmas! All the happiness, laughter, friends old and new. The sleigh bells and reindeer, and Santa Claus too. But the thing that I love more than Christmas is - You!”Come on a heartwarming tale of the magic of Christmas with Miss B as she reads I Love You More Than Christmas by Ellie Hattie and Tim Warnes.Stay up to date with all things Miss B here: https://linktr.ee/StoriesForKidsWithMissB Hosted on Acast. See acast.com/privacy for more information.

Race Time Radio Aired Live Sunday Oct 6th 2024 at 5pm ET RTR Live With Your Race Time Radio Host Joe Chisholm   To Watch This Broadcast See Here:  Watch RTR Oct 6th 2024 Now  Featuring: - Grant Enfinger NASCAR Craftsman Truck Series won at Talladega, and he's going for the Championship at Phoenix, one of the final four. - Jp Josiasse Owner Promoter of Peterborough Speedway talking the 31st Annual Autumn Colours Classic Weekend, the Super Bowl of Stock Car Racing. - Richard Warnes No.90 running at Peterborough for the Annual Autumn Colours Classic for the the OMRS Ontario Modified Racing Series - Jacob Mercer No.31 Pro Late Model running Autumn Colours at Peterborough Speedway - Update on the Annual Frostoberfest Weekend from Flamboro Speedway   #racing #Motorsports #AutumnColoursClassic #Frostoberfest 

Daddy Elephant is as big and strong as a tractor. But he's terrified of mice! So when a mouse tries to steal the elephants' cheese, Daddy is too scared to stop him! Can little Patrick Elephant save the cheese - and his father?

Chris Warnes is a serial entrepreneur, independent watch dealer, business coach, life mentor, speaker, and author focused on self-awareness, purpose, spirituality, mindset, leadership, company culture, and the true meaning of entrepreneurship. His work has been recognized locally, nationally, and internationally. After two tours in Iraq with the Army, Chris was awarded The Purple Heart and now lives, breathes, and teaches the warrior mindset. His mindset is superlative.His companies operate from the culture and core values that he lives by and represents. His methodology is a tactical approach that produces results for both clients and students. His care for people, discipline, and accountability sets him apart from all his competitors. Chris is also known to many as CW, an 8-figure entrepreneur, and highly successful figure in the fitness industry. In over 15 years, Chris has built six companies, including online fitness coaching, a full-service gym, real estate investing, Warrior Time, a full-service concierge watch dealer, Warrior Consulting, an industry-leading provider with a unique approach to life and business.Most recently, he founded The Clark Initiative, a Non profit organization for veterans educational services.LinkedIn/website- chriswarnes.com  Support the Show.Follow me on Facebook ⬇️https://www.facebook.com/manuj.aggarwal❤️ ID - Manuj Aggarwal■ LinkedIn: https://www.linkedin.com/in/manujaggarwal/ ■ Facebook: https://www.facebook.com/realmanuj■ Instagram: ...

Tarra Warnes and her husband once owned two Yugos. The sub-compact three-door hatchback and two-door convertible are often cited as the worst vehicles in history. The Yugo enthusiast family's idea was to use one vehicle to provide parts for its counterpart's restoration as a race car. The outcome isn't as relevant as the irony of Warnes telling the tale. She's vice president of creative strategy at Hagerty. It's the insurance company, marketplace, magazine, website publisher and automotive event organizer focusing on classic cars and their owners. Tarra is our guest this week on The Weekly Driver Podcast. Co-host Bruce Aldrich and I interview Warnes about Hagerty's advancement from a small company to its current status with more than 1,700 employees. The company began in 1984. Husband and wife Frank and Louise Hagerty couldn't find satisfactory insurance coverage for their wooden boats, so their new Michigan company did. Insurance for cars and other vehicles followed. The couple's son McKeel Hagerty became CEO in 2000. "We started as a niche insurance company; it was built by people who love cars and it was built for people who love cars," said Warnes, a 15-year employee. "We have grown now in 40 years to insure about 2.4 million vehicles and we are a community and hub for millions of classic car lovers." From its insurance beginnings, Hagerty's magazine, the company reports, has 815,000 print subscribers and a "robust" online presence with social media channels. Hagerty is also the "steward" for multiple automotive events. The brand's most recent offering is Marketplace where consumers can buy and sell vehicles. Live auctions are also held via Hagerty's relationship with Broad Arrow Auctions. The company also owns the Greenwich Concours d'Elégance, Concours d'Elegance of America and the Amelia Island Concours d'Elegance. It also established MotorsportReg.com and Hagerty Garage. The magazine's success has prompted substantially increased public brand awareness. The publication debuted nearly 25 years ago, but it was renamed Hagerty Drivers Club Magazine in 2020 and it's part of member benefits. It's also available as a stand-alone subscription. Published six times per year, the country's largest automotive publication has a lifestyle slant. It's largely absent of engine performance nuances, gear ratio analyses and other automotive complexities. Columnists include renowned collector and entertainer Jay Leno and Wayne Carini, the car restorer and television personality whose prominence arrived with the 2008 debut of the documentary series "Chasing Classic Cars." Warnes' responsibilities encompass marketing the Hagerty brand. The company's approach is far removed from heavy-handedness. "We are not trying to hit people over the head with direct marketing or product all the time," she said. "I think that really great brands can create really compelling content that people enjoy seeing and that bring a smile to their face, that puts a tear in their eyes and that sort of connects with them on an emotional level." Recent article headlines provide ideal examples: "Tattoo artist's '56 Bel Air Sport Sedan is a rolling marquee," "This restored 1969 Ford Torino is staying in the family," and "Blind at 58, one man chose to keep loving life—and his classic Plymouth." Hagerty's year-long anniversary campaign includes a television commercial, broadcast on various networks, titled "Keepers of the Flame." It's "to signal to the automotive world that Hagerty has 'plenty left in the tank' for the next 40 years." What vehicles qualify is subjective. The Warnes sold their Yugos when they moved and downsized their garage space. They no longer own a classic, but may have a future purchase. Tarra Warnes drives a red Volkswagen Jetta turbo diesel wagon. But she desires a car from her childhood, a station wagon from the mid-1980s or a minivan from the early 1990s.

Við tókum upp þráðinn þar sem frá var horfið í síðustu viku; við héldum áfram umfjöllun um námsárangur unglinga. Ársæll Guðmundsson, sem nú er skólameistari Borgarholtsskóla, hefur unnið í skólum eða að skólamálum í tæp 40 ár. Hann spjallaði við okkur um málin vítt og breitt. Við fjölluðum líka um alþjóðleg efnahagsmál og einkum þá staðreynd að kínverskur efnahagur er nú orðinn meiri að umsvifum en bandarískur. Ásgeir Brynjar Torfason, ritstjóri Vísbendingar, fór yfir þetta. Svo fórum í ferðalag með Veru Illugadóttur. Að þessu sinni var förinni heitið til Sameinuðu arabísku furstadæmanna. Dúbæ er eitt þeirra og þar er Loftlagsráðstefnu Sameinuðu þjóðanna við það að ljúka. Vera sagði okkur frá furstadæmunum sjö, sögu þeirra, samfélagi og menningu. Umsjón: Björn Þór Sigbjörnsson og Þórunn Elísabet Bogadóttir. Tónlist: Cole, Nat King - Embracable you. Warnes, Jennifer, Cohen, Leonard - Take this waltz. Al Mazyood Band - Hamam yeghani

Við tókum upp þráðinn þar sem frá var horfið í síðustu viku; við héldum áfram umfjöllun um námsárangur unglinga. Ársæll Guðmundsson, sem nú er skólameistari Borgarholtsskóla, hefur unnið í skólum eða að skólamálum í tæp 40 ár. Hann spjallaði við okkur um málin vítt og breitt. Við fjölluðum líka um alþjóðleg efnahagsmál og einkum þá staðreynd að kínverskur efnahagur er nú orðinn meiri að umsvifum en bandarískur. Ásgeir Brynjar Torfason, ritstjóri Vísbendingar, fór yfir þetta. Svo fórum í ferðalag með Veru Illugadóttur. Að þessu sinni var förinni heitið til Sameinuðu arabísku furstadæmanna. Dúbæ er eitt þeirra og þar er Loftlagsráðstefnu Sameinuðu þjóðanna við það að ljúka. Vera sagði okkur frá furstadæmunum sjö, sögu þeirra, samfélagi og menningu. Umsjón: Björn Þór Sigbjörnsson og Þórunn Elísabet Bogadóttir. Tónlist: Cole, Nat King - Embracable you. Warnes, Jennifer, Cohen, Leonard - Take this waltz. Al Mazyood Band - Hamam yeghani

Now that we're all stuff with turkey and fattened up for the holiday season, it's time to gyrate and twist to some truly filthy dancing. With our friends P Swayze and J Grey! And also the people who sang this song, an old man and famous duet lady! Please enjoy this episode where Dan teaches Andrew about some Havana Nights.

Samkvæmt skoðanakönnunum eru töluverðar líkur á því að Donald Trump gæti orðið forseti Bandaríkjanna á ný. En í millitíðinni berst hann í dómsölum víða um landið - fjögur mál gætu leitt til fangelsisdóma, eitt ógnar viðskiptaveldi hans og nokkur mál miða að því að fá hann fjarlægðan af kjörseðlum. Sigríður Rut Júlíusdóttir, lögfræðingur og sérfræðingur í bandarískum stjórnmálum, ræddi þessi mál. Við fjöllum um efnahagsmál í útlöndum - einkum í Evrópu. Verðbólgan hér fór örlítið niður í síðustu mælingu en staðan er allt önnur og betri í viðmiðunarlöndunum, líkt og Ásgeir Brynjar Torfason, ritstjóri Vísbendingar, fór yfir með okkur. Við töluðum líka um eitt og annað fleira er varðar efnahag og peninga. Ein af þekktustu tónlistarkonum Kanada undanfarna áratugi, Buffy Sainte-Marie, var sökuð um það í fréttaþætti á dögunum að hafa villt á sér heimildir allan sinn feril. Hún sé ekki af kanadískum frumbyggjaættum eins og hún hefur haldið fram, heldur fædd og uppalin af hvítu fólki í Bandaríkjunum. Uppljóstranirnar hafa vakið mikla athygli og umræðu í Kanada. Tónlistarkonan sjálf, sem er komin yfir áttrætt og settist nýlega í helgan stein, neitar öllum sökum. Vera Illugadóttir sagði frá þessu máli. Tónlist: Benny Quartet - Stompin' at the Savoy. Cocker, Joe, Warnes, Jennifer - Up where we belong. Buffy Sainte-Marie - Bury My Heart At Wounded Knee Buffy Sainte-Marie - Universal Soldier

Samkvæmt skoðanakönnunum eru töluverðar líkur á því að Donald Trump gæti orðið forseti Bandaríkjanna á ný. En í millitíðinni berst hann í dómsölum víða um landið - fjögur mál gætu leitt til fangelsisdóma, eitt ógnar viðskiptaveldi hans og nokkur mál miða að því að fá hann fjarlægðan af kjörseðlum. Sigríður Rut Júlíusdóttir, lögfræðingur og sérfræðingur í bandarískum stjórnmálum, ræddi þessi mál. Við fjöllum um efnahagsmál í útlöndum - einkum í Evrópu. Verðbólgan hér fór örlítið niður í síðustu mælingu en staðan er allt önnur og betri í viðmiðunarlöndunum, líkt og Ásgeir Brynjar Torfason, ritstjóri Vísbendingar, fór yfir með okkur. Við töluðum líka um eitt og annað fleira er varðar efnahag og peninga. Ein af þekktustu tónlistarkonum Kanada undanfarna áratugi, Buffy Sainte-Marie, var sökuð um það í fréttaþætti á dögunum að hafa villt á sér heimildir allan sinn feril. Hún sé ekki af kanadískum frumbyggjaættum eins og hún hefur haldið fram, heldur fædd og uppalin af hvítu fólki í Bandaríkjunum. Uppljóstranirnar hafa vakið mikla athygli og umræðu í Kanada. Tónlistarkonan sjálf, sem er komin yfir áttrætt og settist nýlega í helgan stein, neitar öllum sökum. Vera Illugadóttir sagði frá þessu máli. Tónlist: Benny Quartet - Stompin' at the Savoy. Cocker, Joe, Warnes, Jennifer - Up where we belong. Buffy Sainte-Marie - Bury My Heart At Wounded Knee Buffy Sainte-Marie - Universal Soldier

We have been looking forward to this episode for over a year. Mike Balsom is a Niagara legend who was a wedding DJ in the 80s and 90s. If you were at a reception during those decades, there's a good chance you will have been blessed with his mastery of the two turntables (but no microphone!). He brings to our episode the ultimate wedding dance floor filler song: "(I've Had) The Time of My Life" by Bill Medley and Jennifer Warnes. This is a landmark episode for us. Sit back and enjoy! Helpful links: Mixtape Official Music Video

Sunday Oct 15th 2023 Race Time Radio - Live Sunday Nights at 5pm ET With Your Host Joe Chisholm Featuring: Autumn Colours Classic Feature Winners at ACC - 30th Annual at Peterborough Speedway. - Danny Benedict No.54 won the Electric City 167 Pro Late Model Event. - Miles Tyson won the Super Stock ACC event. - Richard Warnes wins his first ever feature, taking it home in an Ontario modified, event to win at ACC. - Dave Bradley wins ACC Outlaw Midget Finale at ACC, & NSCAR Pintys Announcer - Kelly Admiraal changed seats and came home first and 2nd in the Twin 100's in the AVION RS1 Series at Penticton Speedway in BC. Watch: Oct. 15th 2023 https://www.youtube.com/watch?v=YnJ1wjr2GQE   Airs Also on SiriusXM Canada Talks Live Sunday 5pm, or on RevTV Canada Tuesday nights at 4pm ET.   For Additional Info On Race Time Radio See: www.racetimeradio.com

“So the LORD commanded us to observe all these statutes, to fear the LORD our God for our good always and for our survival, as it is today” (Deuteronomy 6:24).It is clear to us that today's world is filled with problems. Satan, as the “ruler of this world” (John 12:31; 14:30) has succeeded in diluting the minds and corrupting the hearts.Meanwhile, God has been active in providing answers and solutions to today's ills. He gives us the wisdom we need in order to succeed and even prosper. Sadly, many people see the Bible as an old, antiquated, out-of-date collection of worthless nonsense. Yet to those willing to invest in a study of the Bible will soon realize the timeless wisdom it contains. The book of Psalms is appropriately classified as one of the “Wisdom Literature” books. Indeed, such a classification fits. This year's study of the Psalms taps into this divine and eternal wisdom. It is a study that shows how modern man can benefit from this ancient source.What Moses told the Israelites applies. What God gives us is “for our good” and “for our survival.” Also notice the last clause “as it is today.” God gave them those commandments years ago, but the benefits of following those commandments is for “today.” The book of Psalms is a book that will help us and help us today. The Bear Valley Lectures is a work of the Bear Valley Bible Institute International, under the oversight of the elders of the Bear Valley church of Christ in Denver, Colorado. The Bible Institute has been training preachers for work in the Lord's church since 1965 with our graduates working all over the world. For more information about our programs of study visit our website at WeTrainPreachers.com.

“So the LORD commanded us to observe all these statutes, to fear the LORD our God for our good always and for our survival, as it is today” (Deuteronomy 6:24).It is clear to us that today's world is filled with problems. Satan, as the “ruler of this world” (John 12:31; 14:30) has succeeded in diluting the minds and corrupting the hearts.Meanwhile, God has been active in providing answers and solutions to today's ills. He gives us the wisdom we need in order to succeed and even prosper. Sadly, many people see the Bible as an old, antiquated, out-of-date collection of worthless nonsense. Yet to those willing to invest in a study of the Bible will soon realize the timeless wisdom it contains. The book of Psalms is appropriately classified as one of the “Wisdom Literature” books. Indeed, such a classification fits. This year's study of the Psalms taps into this divine and eternal wisdom. It is a study that shows how modern man can benefit from this ancient source.What Moses told the Israelites applies. What God gives us is “for our good” and “for our survival.” Also notice the last clause “as it is today.” God gave them those commandments years ago, but the benefits of following those commandments is for “today.” The book of Psalms is a book that will help us and help us today. The Bear Valley Lectures is a work of the Bear Valley Bible Institute International, under the oversight of the elders of the Bear Valley church of Christ in Denver, Colorado. The Bible Institute has been training preachers for work in the Lord's church since 1965 with our graduates working all over the world. For more information about our programs of study visit our website at WeTrainPreachers.com.

کتاب سلامتی در هر سایز https://www.amazon.com/Health-At-Every-Size-Surprising/dp/1935618253 اسامی مقالات ذکر شده Akram, D. S., et al. Obesity: Preventing and Managing the Global Epidemic. Report of a WHO Consultation on Obesity. Geneva, Switzerland: World Health Organization, 1997 Ernsberger, Paul and Richard]. Koletsky, "Biomedical Rationale for a Wellness Approach to Obesity: An Alternative to a Focus on Weight Loss," journal of Social Issues 55, no. 2 (1999) Ernsberger, Paul and D. 0. Nelson, "Effects of Fasting and Refeeding on Blood Pressure Are Determined by Nutritional State, Not by Body Weight Change," Americanjoumal of Hypertension (1988) Guagnano, M. T., et al., "Weight Fluctuations Could Increase Blood Pressure in Android Obese Women," Oinical Sciences (London) 96, no. 6 (1999) Ernsberger, Paul, et al., "Consequences of Weight Cycling in Obese Spontaneously Hypertensive Rats," American journal of Physiology: Regulatory, Integrative and Comparative Physiology 2 70 ( 1996): Ernsberger, Paul, et al., "Refeeding Hypertension in Obese Spontaneously Hypertensive Rats," Hypertension 24 (1994) Chernin, K., The Obsession: Reflections on the ryranny of Slenderness. New York: Harper&. Row, 1981. Barrett-Connor, Elizabeth and K. T. Khaw, "Is Hypertension More Benign When Associated with Obesity?" Circulation 72 (1985) Cambien, Francois, et al., "Is the Relationship between Blood Pressure and Cardiovascular Risk Dependent on Body Mass Index?" American journal of Epidemiology 122 (1985): 434-42. Weinsier, Roland L., et al., "Body Fat: Its Relationship to Coronary Heart Disease, Blood Pressure, Lipids, and Other Risk Factors Measured in a Large Male Population," American journal of Medicine 61 (1976): 815-24. Uretsky, Seth, et al., "Obesity Paradox in Patients with Hypertension and Coronary Artery Disease," American journal of Medicine 120, no. 10 : 863-70. Kang, Xingping, et al., "Impact of Body Mass Index on Cardiac Mortality in Patients with Known or Suspected Coronary Artery Disease Undergoing Myocardial Perfusion Single-Photon Emission Computed Tomography," journal of the American College of Cardiology 47, no. 7 (2006): 1418--26. Nowson, Caryl A., et al., "Blood Pressure Change with Weight Loss Is Affected by Diet Type in Men," American journal of Ginical Nutrition 81, no. 5 : 983--89. McDonald, K. Colleen, Jean C. Blackwell, and Linda N. Meurer, "dinical Inquiries. What Lifestyle Changes Should We Recommend for the Patient with Newly Diagnosed Hypertension?" journal of Family Practice 55, no. ll (2006): 991-93. Delichatsios, Helen K. and Francine K. Welty, "Influence of the Dash Diet and Other Low-Fat, High-Carbohydrate Diets on Blood Pressure," no. 6 (2005): 446-54. Gregg, Edward W, et al., "Secular Trends in Cardiovascular Disease Risk Factors According to Body Mass Index in Us Adults," journal of the American Medical Association 293, no. 15 (2005): 1868--74. McGill, Henry C.,Jr., The Geographic Pathology of Atherosclerosis. Baltimore: Williams and Wilkins, 1986. Montenegro, M. R. and L. A Solberg, "Obesity, Body Weight, Body Length, and Atherosclerosis," Laboratory Investigations 18 (1968): 134-43. A Study of Interassociations," Atherosclerosis 36, no. 4 (1980): 481-90. Warnes, C. A. and W C. Roberts, "The Heart in Massive (More Than Pounds or 136 Kilograms) Obesity: Analysis of 12 Patients Studied at Necropsy," Ameri.canjourncll of Cardiology 54, no. 8 (1984): 1087-91. Chambless, Lloyd E., et al., "Risk Factors for Progression of Common Carotid Atherosclerosis: The Atherosclerosis Risk in Communities Study, 1987-1998," American journcll of Epidemiology 155, no. l (2002): 38-47 Salonen, Riitta andJukka T. Salonen, "Progression of Carotid Atherosclerosis and Its Determinants: A Population-Based Ultrasonography Study," Atherosclerosis 81, no. l (1990) Applegate, William B.,]. P. Hughes, and R. Vander Zwaag, "CaseControl Study of Coronary Heart Disease Risk Factors in the Elderly," journal of Clinical Epidemiology 44

Julie Deem invites certified health and life coach, Cathy Warnes, to share her inspiring journey and expertise on achieving a healthier and more balanced life. Cathy help women take simple action and get real results in any area of their health and life. For resources and information on how to connect with Cathy Warnes visit her website at: https://coachingcanhelp.com/ Learn more about the latest tool for dynamic professionals in the self-improvement industry, LyfQuest. A mobile CRM platform that's uniquely made for you! Learn more at: https://lyfquest.io/ Instagram: USW Podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@uswkokomo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Kalena James ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@yesitskalenajames⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Julie Deem ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@indymompreneur⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -------------------------------------------------- USW Kokomo ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Production by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Business Podcast Editor⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/united-state-of-women/message

For this episode, we welcome René Warnes, Hair Department Head on the Showtime miniseries, George and Tammy.  We discuss her impressive work on George and Tammy, especially how she recreated iconic hairstyles that spanned several decades, her start in the industry, and being a part of the hair department on hit Marvel TV series like Loki. Subscribe: Apple Podcasts | Google Play | Stitcher | RSS Contact + Follow: Email | Twitter | Facebook | Instagram | YouTube

Lead in all areas of your life, not just in the office. To be a productive, effective leader, you need to be strong, healthy, decisive, and disciplined. Getting enough sleep is the foundation for all of these things. In today's episode of Playing in the Sandbox, I meet with Chris Warnes (C.W.) to talk about how revolutionizing his sleep habits has helped him build his success. Here are some topics C.W. shares to give us a deeper understanding of sleep: Getting enough sleep is the key to being able to do lots of quality work over a long period of time. Reading Sleep Smarter by Sean Stevenson revolutionized his sleep habits. If you're struggling with your physical health and performance, you might need more sleep. To be a true leader, you have to lead in all areas of your life. This includes your family, health, etc.  Setting up a routine is incredibly important for leaders to focus, be productive, and recharge. Schedule your sleep just like you schedule your work time. Go to https://www.tammyjbond.com/podcast to learn more about taking your sleep seriously as a leader. We'd love for you to join us for our next episodes by tuning in on Apple Podcast, Amazon Podcast, or Spotify and subscribe to our Youtube channel. This podcast is produced by TSE Studios.

Nobody puts Baby in a corner, and nobody can deny this is one of the most iconic movie songs of the 80's! Guest JP Leigh helps us tackle one of the most famous movie songs, (I've Had) The Time of My Life by Bill Medley & Jennifer Warnes from the 1987 film Dirty Dancing. Support us on Patreon! www.patreon.com/thesongwillgoonNeed more The Song Will Go On in your life? Follow us @thesongwillgoon on Twitter and Instagram, and check out www.thesongwillgoon.com.

Being a leader is one thing. Being a leader who understands their personal leadership style and can effectively use it is another thing. In today's episode of Playing in the Sandbox, in the first part of a two-part episode, I meet with Chris Warnes (C.W.) to discuss how leaders can dominate their personal leadership. Here are C.W.'s lessons to help you dominate your personal leadership: Don't be afraid to go through dark times. Be willing to struggle. Be accountable and responsible for yourself before trying to lead others. Don't view mistakes as bad. View them as learning opportunities. Talk with your team clearly, concisely, and directly. Go to https://www.tammyjbond.com/podcast to learn more about dominating your personal leadership. We'd love for you to join us for our next episodes by tuning in on Apple Podcast, Amazon Podcast, or Spotify and subscribe to our Youtube channel. This podcast is produced by TSE Studios.

050223 AI To Replace Teachers Gates Warnes And Amazing Polly Right Media Rumble Warning by Kate Dalley

Too often when people fail at something that they have been working hard toward, the default reaction is to give up or rebound hard in the opposite direction, but it doesn't have to be so extreme. Or maybe the opposite is true and you reached a big milestone you have been aiming for, so you celebrate big and then fall off the wagon. When you fail at something or even reach your goal, that doesn't have to be the end. Failure can be a great gift that teaches you very valuable lessons if you know how to pay attention. Success also teaches you a great deal, but don't lose sight of the habits that got you there. Sustainability and consistency are the keys. Chris Warnes is a great example of how to build and maintain a successful business and authority, and how to take failure as a lesson. Chris Warnes is a serial entrepreneur, independent watch dealer, business coach, life mentor, speaker, and author focused on self-awareness, purpose, spirituality, mindset, leadership, company culture, and the true meaning of entrepreneurship. After two tours in Iraq with the Army, Chris was awarded The Purple Heart and now lives, breathes, and teaches the warrior mindset. His companies operate from the culture and core values that he lives by and represents. His care for people, discipline, and accountability sets him apart from others. In over 15 years, Chris has built six companies, including online fitness coaching, a full-service gym, real estate investing, dealing high-end timepieces, Warrior Consulting, and most recently, a Non-Profit. Chris has recently also become two companies' managing/equity partner for his leadership, expertise, and knowledge. In this episode of the 365 Driven Podcast, Chris shares what he learned from a near-death experience while serving in the military, and why we need to shift how we view failure and see it as an opportunity to learn and grow. The journey is more important than the finish line, and once you reach that finish line, don't take it as an excuse to go back to old habits, but instead celebrate, and then get back to work. Chris also shares how he built his online presence and became an authority in the fitness industry, and now coaching space. People often think they don't have the credibility or knowledge to be an authority in their space, but Chris and Tony offer a different perspective and share how you can get started creating content today.  Key highlights: What Chris learned about himself in combat after serving 2 tours in the military  Chris and Tony's thoughts on 75 Hard Why you should see failure as a lesson How Chris pivoted his business to meet market demand How to create content that will build authority and an audience Chris' words of advice for people that have a goal but are afraid to pursue it For resources and links mentioned in this episode, visit: 365driven.com/episode299

Hair Department Head René Warnes talks about her work in the beautiful series “George & Tammy” now on Showtime. We talk about the inspiration behind the detailed period looks and the importance of team collaboration on projects to make them successful. Also the subtle pairing of ever-changing hair looks with period wardrobe, and the fun in looking back for 'inspo' to The Brady Bunch, The Partridge Family, and Hee Haw (OMG). Watch George & Tammy on SHOWTIME Now. --- Support this podcast: https://podcasters.spotify.com/pod/show/look-behind-the-look-pod/support

The first of a two-part series on the short-lived 80s American distribution company responsible for Dirty Dancing. ----more---- The movies covered on this episode: Alpine (1987, Fredi M. Murer) Anna (1987, Yurek Bogayevicz) Billy Galvin (1986, John Grey) Blood Diner (1987, Jackie Kong) China Girl (1987, Abel Ferrera) The Dead (1987, John Huston) Dirty Dancing (1987, Emile Ardolino) Malcolm (1986, Nadia Tess) Personal Services (1987, Terry Jones) Slaughter High (1986, Mark Ezra and Peter Litten and George Dugdale) Steel Dawn (1987, Lance Hook) Street Trash (1987, Jim Muro)   TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   Have you ever thought “I should do this thing” but then you never get around to it, until something completely random happens that reminds you that you were going to do this thing a long time ago?   For this week's episode, that kick in the keister was a post on Twitter from someone I don't follow being retweeted by the great film critic and essayist Walter Chaw, someone I do follow, that showed a Blu-ray cover of the 1987 Walter Hill film Extreme Prejudice. You see, Walter Chaw has recently released a book about the life and career of Walter Hill, and this other person was showing off their new purchase. That in and of itself wasn't the kick in the butt.   That was the logo of the disc's distributor.   Vestron Video.   A company that went out of business more than thirty years before, that unbeknownst to me had been resurrected by the current owner of the trademark, Lionsgate Films, as a specialty label for a certain kind of film like Ken Russell's Gothic, Beyond Re-Animator, CHUD 2, and, for some reason, Walter Hill's Neo-Western featuring Nick Nolte, Powers Boothe and Rip Torn. For those of you from the 80s, you remember at least one of Vestron Pictures' movies. I guarantee it.   But before we get there, we, as always, must go back a little further back in time.   The year is 1981. Time Magazine is amongst the most popular magazines in the world, while their sister publication, Life, was renowned for their stunning photographs printed on glossy color paper of a larger size than most magazines. In the late 1970s, Time-Life added a video production and distribution company to ever-growing media empire that also included television stations, cable channels, book clubs, and compilation record box sets. But Time Life Home Video didn't quite take off the way the company had expected, and they decided to concentrate its lucrative cable businesses like HBO. The company would move Austin Furst, an executive from HBO, over to dismantle the assets of Time-Life Films. And while Furst would sell off the production and distribution parts of the company to Fox, and the television department to Columbia Pictures, he couldn't find a party interested in the home video department. Recognizing that home video was an emerging market that would need a visionary like himself willing to take big risks for the chance to have big rewards, Furst purchased the home video rights to the film and video library for himself, starting up his home entertainment company.   But what to call the company?   It would be his daughter that would come up with Vestron, a portmanteau of combining the name of the Roman goddess of the heart, Vesta, with Tron, the Greek word for instrument. Remember, the movie Tron would not be released for another year at this point.   At first, there were only two employees at Vestron: Furst himself, and Jon Pesinger, a fellow executive at Time-Life who, not unlike Dorothy Boyd in Jerry Maguire, was the only person who saw Furst's long-term vision for the future.   Outside of the titles they brought with them from Time-Life, Vestron's initial release of home video titles comprised of two mid-range movie hits where they were able to snag the home video rights instead of the companies that released the movies in theatres, either because those companies did not have a home video operation yet, or did not negotiate for home video rights when making the movie deal with the producers. Fort Apache, The Bronx, a crime drama with Paul Newman and Ed Asner, and Loving Couples, a Shirley MacLaine/James Coburn romantic comedy that was neither romantic nor comedic, were Time-Life productions, while the Burt Reynolds/Dom DeLuise comedy The Cannonball Run, was a pickup from the Hong Kong production company Golden Harvest, which financed the comedy to help break their local star, Jackie Chan, into the American market. They'd also make a deal with several Canadian production companies to get the American home video rights to titles like the Jack Lemmon drama Tribute and the George C. Scott horror film The Changeling.   The advantage that Vestron had over the major studios was their outlook on the mom and pop rental stores that were popping up in every city and town in the United States. The major studios hated the idea that they could sell a videotape for, say, $99.99, and then see someone else make a major profit by renting that tape out fifty or a hundred times at $4 or $5 per night. Of course, they would eventually see the light, but in 1982, they weren't there yet.   Now, let me sidetrack for a moment, as I am wont to do, to talk about mom and pop video stores in the early 1980s. If you're younger than, say, forty, you probably only know Blockbuster and/or Hollywood Video as your local video rental store, but in the early 80s, there were no national video store chains yet. The first Blockbuster wouldn't open until October 1985, in Dallas, and your neighborhood likely didn't get one until the late 1980s or early 1990s. The first video store I ever encountered, Telford Home Video in Belmont Shores, Long Beach in 1981, was operated by Bob Telford, an actor best known for playing the Station Master in both the original 1974 version of Where the Red Fern Grows and its 2003 remake. Bob was really cool, and I don't think it was just because the space for the video store was just below my dad's office in the real estate company that had built and operated the building. He genuinely took interest in this weird thirteen year old kid who had an encyclopedic knowledge of films and wanted to learn more. I wanted to watch every movie he had in the store that I hadn't seen yet, but there was one problem: we had a VHS machine, and most of Bob's inventory was RCA SelectaVision, a disc-based playback system using a special stylus and a groove-covered disc much like an LP record. After school each day, I'd hightail it over to Telford Home Video, and Bob and I would watch a movie while we waited for customers to come rent something. It was with Bob that I would watch Ordinary People and The Magnificent Seven, The Elephant Man and The Last Waltz, Bus Stop and Rebel Without a Cause and The French Connection and The Man Who Fell to Earth and a bunch of other movies that weren't yet available on VHS, and it was great.   Like many teenagers in the early 1980s, I spent some time working at a mom and pop video store, Seacliff Home Video in Aptos, CA. I worked on the weekends, it was a third of a mile walk from home, and even though I was only 16 years old at the time, my bosses would, every week, solicit my opinion about which upcoming videos we should acquire. Because, like Telford Home Video and Village Home Video, where my friends Dick and Michelle worked about two miles away, and most every video store at the time, space was extremely limited and there was only space for so many titles. Telford Home Video was about 500 square feet and had maybe 500 titles. Seacliff was about 750 square feet and around 800 titles, including about 50 in the tiny, curtained off room created to hold the porn. And the first location for Village Home Video had only 300 square feet of space and only 250 titles. The owner, Leone Keller, confirmed to me that until they moved into a larger location across from the original store, they were able to rent out every movie in the store every night.    For many, a store owner had to be very careful about what they ordered and what they replaced. But Vestron Home Video always seemed to have some of the better movies. Because of a spat between Warner Brothers and Orion Pictures, Vestron would end up with most of Orion's 1983 through 1985 theatrical releases, including Rodney Dangerfield's Easy Money, the Nick Nolte political thriller Under Fire, the William Hurt mystery Gorky Park, and Gene Wilder's The Woman in Red. They'd also make a deal with Roger Corman's old American Independent Pictures outfit, which would reap an unexpected bounty when George Miller's second Mad Max movie, The Road Warrior, became a surprise hit in 1982, and Vestron was holding the video rights to the first Mad Max movie. And they'd also find themselves with the laserdisc rights to several Brian DePalma movies including Dressed to Kill and Blow Out. And after Polygram Films decided to leave the movie business in 1984, they would sell the home video rights to An American Werewolf in London and Endless Love to Vestron.   They were doing pretty good.   And in 1984, Vestron ended up changing the home video industry forever.   When Michael Jackson and John Landis had trouble with Jackson's record company, Epic, getting their idea for a 14 minute short film built around the title song to Jackson's monster album Thriller financed, Vestron would put up a good portion of the nearly million dollar budget in order to release the movie on home video, after it played for a few weeks on MTV. In February 1984, Vestron would release a one-hour tape, The Making of Michael Jackson's Thriller, that included the mini-movie and a 45 minute Making of featurette. At $29.99, it would be one of the first sell-through titles released on home video.   It would become the second home videotape to sell a million copies, after Star Wars.   Suddenly, Vestron was flush with more cash than it knew what to do with.   In 1985, they would decide to expand their entertainment footprint by opening Vestron Pictures, which would finance a number of movies that could be exploited across a number of platforms, including theatrical, home video, cable and syndicated TV. In early January 1986, Vestron would announce they were pursuing projects with three producers, Steve Tisch, Larry Turman, and Gene Kirkwood, but no details on any specific titles or even a timeframe when any of those movies would be made.   Tisch, the son of Loews Entertainment co-owner Bob Tisch, had started producing films in 1977 with the Peter Fonda music drama Outlaw Blues, and had a big hit in 1983 with Risky Business. Turman, the Oscar-nominated producer of Mike Nichols' The Graduate, and Kirkwood, the producer of The Keep and The Pope of Greenwich Village, had seen better days as producers by 1986 but their names still carried a certain cache in Hollywood, and the announcement would certainly let the industry know Vestron was serious about making quality movies.   Well, maybe not all quality movies. They would also launch a sub-label for Vestron Pictures called Lightning Pictures, which would be utilized on B-movies and schlock that maybe wouldn't fit in the Vestron Pictures brand name they were trying to build.   But it costs money to build a movie production and theatrical distribution company.   Lots of money.   Thanks to the ever-growing roster of video titles and the success of releases like Thriller, Vestron would go public in the spring of 1985, selling enough shares on the first day of trading to bring in $440m to the company, $140m than they thought they would sell that day.   It would take them a while, but in 1986, they would start production on their first slate of films, as well as acquire several foreign titles for American distribution.   Vestron Pictures officially entered the theatrical distribution game on July 18th, 1986, when they released the Australian comedy Malcolm at the Cinema 2 on the Upper East Side of New York City. A modern attempt to create the Aussie version of a Jacques Tati-like absurdist comedy about modern life and our dependance on gadgetry, Malcolm follows, as one character describes him a 100 percent not there individual who is tricked into using some of his remote control inventions to pull of a bank robbery. While the film would be a minor hit in Australia, winning all eight of the Australian Film Institute Awards it was nominated for including Best Picture, Director, Screenplay and three acting awards, the film would only play for five weeks in New York, grossing less than $35,000, and would not open in Los Angeles until November 5th, where in its first week at the Cineplex Beverly Center and Samuel Goldwyn Pavilion Cinemas, it would gross a combined $37,000. Go figure.   Malcolm would open in a few more major markets, but Vestron would close the film at the end of the year with a gross under $200,000.   Their next film, Slaughter High, was a rather odd bird. A co-production between American and British-based production companies, the film followed a group of adults responsible for a prank gone wrong on April Fool's Day who are invited to a reunion at their defunct high school where a masked killer awaits inside.   And although the movie takes place in America, the film was shot in London and nearby Virginia Water, Surrey, in late 1984, under the title April Fool's Day. But even with Caroline Munro, the British sex symbol who had become a cult favorite with her appearances in a series of sci-fi and Hammer horror films with Peter Cushing and/or Christopher Lee, as well as her work in the Bond film The Spy Who Loved Me, April Fool's Day would sit on the proverbial shelf for nearly two years, until Vestron picked it up and changed its title, since Paramount Pictures had released their own horror film called April Fools Day earlier in the year.   Vestron would open Slaughter High on nine screens in Detroit on November 14th, 1986, but Vestron would not report grosses. Then they would open it on six screen in St. Louis on February 13th, 1987. At least this time they reported a gross. $12,400. Variety would simply call that number “grim.” They'd give the film one final rush on April 24th, sending it out to 38 screens in in New York City, where it would gross $90,000. There'd be no second week, as practically every theatre would replace it with Creepshow 2.   The third and final Vestron Pictures release for 1986 was Billy Galvin, a little remembered family drama featuring Karl Malden and Lenny von Dohlen, originally produced for the PBS anthology series American Playhouse but bumped up to a feature film as part of coordinated effort to promote the show by occasionally releasing feature films bearing the American Playhouse banner.   The film would open at the Cineplex Beverly Center on December 31st, not only the last day of the calendar year but the last day a film can be released into theatres in Los Angeles to have been considered for Academy Awards. The film would not get any major awards, from the Academy or anyone else, nor much attention from audiences, grossing just $4,000 in its first five days. They'd give the film a chance in New York on February 20th, at the 23rd Street West Triplex, but a $2,000 opening weekend gross would doom the film from ever opening in another theatre again.   In early 1987, Vestron announced eighteen films they would release during the year, and a partnership with AMC Theatres and General Cinema to have their films featured in those two companies' pilot specialized film programs in major markets like Dallas, Denver, Detroit, Houston and San Francisco.   Alpine Fire would be the first of those films, arriving at the Cinema Studio 1 in New York City on February 20th. A Swiss drama about a young deaf and mentally challenged teenager who gets his older sister pregnant, was that country's entry into the Best Foreign Language Film Oscar race. While the film would win the Golden Leopard Award at the 1985 Locarno Film Festival, the Academy would not select the film for a nomination, and the film would quickly disappear from theatres after a $2,000 opening weekend gross.   Personal Services, the first film to be directed by Terry Jones outside of his services with Monty Python, would arrive in American theatres on May 15th. The only Jones-directed film to not feature any other Python in the cast, Personal Services was a thinly-disguised telling of a 1970s—era London waitress who was running a brothel in her flat in order to make ends meet, and featured a standout performance by Julie Walters as the waitress turned madame. In England, Personal Services would be the second highest-grossing film of the year, behind The Living Daylights, the first Bond film featuring new 007 Timothy Dalton. In America, the film wouldn't be quite as successful, grossing $1.75m after 33 weeks in theatres, despite never playing on more than 31 screens in any given week.   It would be another three months before Vestron would release their second movie of the year, but it would be the one they'd become famous for.   Dirty Dancing.   Based in large part on screenwriter Eleanor Bergstein's own childhood, the screenplay would be written after the producers of the 1980 Michael Douglas/Jill Clayburgh dramedy It's My Turn asked the writer to remove a scene from the screenplay that involved an erotic dance sequence. She would take that scene and use it as a jumping off point for a new story about a Jewish teenager in the early 1960s who participated in secret “Dirty Dancing” competitions while she vacationed with her doctor father and stay-at-home mother while they vacationed in the Catskill Mountains. Baby, the young woman at the center of the story, would not only resemble the screenwriter as a character but share her childhood nickname.   Bergstein would pitch the story to every studio in Hollywood in 1984, and only get a nibble from MGM Pictures, whose name was synonymous with big-budget musicals decades before. They would option the screenplay and assign producer Linda Gottlieb, a veteran television producer making her first major foray into feature films, to the project. With Gottlieb, Bergstein would head back to the Catskills for the first time in two decades, as research for the script. It was while on this trip that the pair would meet Michael Terrace, a former Broadway dancer who had spent summers in the early 1960s teaching tourists how to mambo in the Catskills. Terrace and Bergstein didn't remember each other if they had met way back when, but his stories would help inform the lead male character of Johnny Castle.   But, as regularly happens in Hollywood, there was a regime change at MGM in late 1985, and one of the projects the new bosses cut loose was Dirty Dancing. Once again, the script would make the rounds in Hollywood, but nobody was biting… until Vestron Pictures got their chance to read it.   They loved it, and were ready to make it their first in-house production… but they would make the movie if the budget could be cut from $10m to $4.5m. That would mean some sacrifices. They wouldn't be able to hire a major director, nor bigger name actors, but that would end up being a blessing in disguise.   To direct, Gottlieb and Bergstein looked at a lot of up and coming feature directors, but the one person they had the best feeling about was Emile Ardolino, a former actor off-Broadway in the 1960s who began his filmmaking career as a documentarian for PBS in the 1970s. In 1983, Ardolino's documentary about National Dance Institute founder Jacques d'Amboise, He Makes Me Feel Like Dancin', would win both the Academy Award for Best Documentary Feature and the Emmy Award for Outstanding Children's Entertainment Special.   Although Ardolino had never directed a movie, he would read the script twice in a week while serving on jury duty, and came back to Gottlieb and Bergstein with a number of ideas to help make the movie shine, even at half the budget.   For a movie about dancing, with a lot of dancing in it, they would need a creative choreographer to help train the actors and design the sequences. The filmmakers would chose Kenny Ortega, who in addition to choreographing the dance scenes in Pretty in Pink and Ferris Bueller's Day Off, had worked with Gene Kelly on the 1980 musical Xanadu. Well, more specifically, was molded by Gene Kelly to become the lead choreographer for the film. That's some good credentials.   Unlike movies like Flashdance, where the filmmakers would hire Jennifer Beals to play Alex and Marine Jahan to perform Alex's dance scenes, Emile Ardolino was insistent that the actors playing the dancers were actors who also dance. Having stand-ins would take extra time to set-up, and would suck up a portion of an already tight budget. Yet the first people he would meet for the lead role of Johnny were non-dancers Benecio del Toro, Val Kilmer, and Billy Zane. Zane would go so far as to do a screen test with one of the actresses being considered for the role of Baby, Jennifer Grey, but after screening the test, they realized Grey was right for Baby but Zane was not right for Johnny.   Someone suggested Patrick Swayze, a former dancer for the prestigious Joffrey Ballet who was making his way up the ranks of stardom thanks to his roles in The Outsiders and Grandview U.S.A. But Swayze had suffered a knee injury years before that put his dance career on hold, and there were concerns he would re-aggravate his injury, and there were concerns from Jennifer Grey because she and Swayze had not gotten along very well while working on Red Dawn. But that had been three years earlier, and when they screen tested together here, everyone was convinced this was the pairing that would bring magic to the role.   Baby's parents would be played by two Broadway veterans: Jerry Orbach, who is best known today as Detective Lenny Briscoe on Law and Order, and Kelly Bishop, who is best known today as Emily Gilmore from Gilmore Girls but had actually started out as a dancer, singer and actor, winning a Tony Award for her role in the original Broadway production of A Chorus Line. Although Bishop had originally been cast in a different role for the movie, another guest at the Catskills resort with the Housemans, but she would be bumped up when the original Mrs. Houseman, Lynne Lipton, would fall ill during the first week of filming.   Filming on Dirty Dancing would begin in North Carolina on September 5th, 1986, at a former Boy Scout camp that had been converted to a private residential community. This is where many of the iconic scenes from the film would be shot, including Baby carrying the watermelon and practicing her dance steps on the stairs, all the interior dance scenes, the log scene, and the golf course scene where Baby would ask her father for $250. It's also where Patrick Swayze almost ended his role in the film, when he would indeed re-injure his knee during the balancing scene on the log. He would be rushed to the hospital to have fluid drained from the swelling. Thankfully, there would be no lingering effects once he was released.   After filming in North Carolina was completed, the team would move to Virginia for two more weeks of filming, including the water lift scene, exteriors at Kellerman's Hotel and the Houseman family's cabin, before the film wrapped on October 27th.   Ardolino's first cut of the film would be completed in February 1987, and Vestron would begin the process of running a series of test screenings. At the first test screening, nearly 40% of the audience didn't realize there was an abortion subplot in the movie, even after completing the movie. A few weeks later, Vestron executives would screen the film for producer Aaron Russo, who had produced such movies as The Rose and Trading Places. His reaction to the film was to tell the executives to burn the negative and collect the insurance.   But, to be fair, one important element of the film was still not set.   The music.   Eleanor Bergstein had written into her script a number of songs that were popular in the early 1960s, when the movie was set, that she felt the final film needed. Except a number of the songs were a bit more expensive to license than Vestron would have preferred. The company was testing the film with different versions of those songs, other artists' renditions. The writer, with the support of her producer and director, fought back. She made a deal with the Vestron executives. They would play her the master tracks to ten of the songs she wanted, as well as the copycat versions. If she could identify six of the masters, she could have all ten songs in the film.   Vestron would spend another half a million dollars licensing the original recording.    The writer nailed all ten.   But even then, there was still one missing piece of the puzzle.   The closing song.   While Bergstein wanted another song to close the film, the team at Vestron were insistent on a new song that could be used to anchor a soundtrack album. The writer, producer, director and various members of the production team listened to dozens of submissions from songwriters, but none of them were right, until they got to literally the last submission left, written by Franke Previte, who had written another song that would appear on the Dirty Dancing soundtrack, “Hungry Eyes.”   Everybody loved the song, called “I've Had the Time of My Life,” and it would take some time to convince Previte that Dirty Dancing was not a porno. They showed him the film and he agreed to give them the song, but the production team and Vestron wanted to get a pair of more famous singers to record the final version.   The filmmakers originally approached disco queen Donna Summer and Joe Esposito, whose song “You're the Best” appeared on the Karate Kid soundtrack, but Summer would decline, not liking the title of the movie. They would then approach Daryl Hall from Hall and Oates and Kim Carnes, but they'd both decline, citing concerns about the title of the movie. Then they approached Bill Medley, one-half of The Righteous Brothers, who had enjoyed yet another career resurgence when You Lost That Lovin' Feeling became a hit in 1986 thanks to Top Gun, but at first, he would also decline. Not that he had any concerns about the title of the film, although he did have concerns about the title, but that his wife was about to give birth to their daughter, and he had promised he would be there.   While trying to figure who to get to sing the male part of the song, the music supervisor for the film approached Jennifer Warnes, who had sung the duet “Up Where We Belong” from the An Officer and a Gentleman soundtrack, which had won the 1983 Academy Award for Best Original Song, and sang the song “It Goes Like It Goes” from the Norma Rae soundtrack, which had won the 1980 Academy Award for Best Original Song. Warnes wasn't thrilled with the song, but she would be persuaded to record the song for the right price… and if Bill Medley would sing the other part. Medley, flattered that Warnes asked specifically to record with him, said he would do so, after his daughter was born, and if the song was recorded in his studio in Los Angeles. A few weeks later, Medley and Warnes would have their portion of the song completed in only one hour, including additional harmonies and flourishes decided on after finishing with the main vocals.   With all the songs added to the movie, audience test scores improved considerably.   RCA Records, who had been contracted to handle the release of the soundtrack, would set a July 17th release date for the album, to coincide with the release of the movie on the same day, with the lead single, I've Had the Time of My Life, released one week earlier. But then, Vestron moved the movie back from July 17th to August 21st… and forgot to tell RCA Records about the move. No big deal. The song would quickly rise up the charts, eventually hitting #1 on the Billboard charts.   When the movie finally did open in 975 theatres in August 21st, the film would open to fourth place with $3.9m in ticket sales, behind Can't Buy Me Love in third place and in its second week of release, the Cheech Marin comedy Born in East L.A., which opened in second place, and Stakeout, which was enjoying its third week atop the charts.   The reviews were okay, but not special. Gene Siskel would give the film a begrudging Thumbs Up, citing Jennifer Grey's performance and her character's arc as the thing that tipped the scale into the positive, while Roger Ebert would give the film a Thumbs Down, due to its idiot plot and tired and relentlessly predictable story of love between kids from different backgrounds.   But then a funny thing happened…   Instead of appealing to the teenagers they thought would see the film, the majority of the audience ended up becoming adults. Not just twenty and thirty somethings, but people who were teenagers themselves during the movie's timeframe. They would be drawn in to the film through the newfound sense of boomer nostalgia that helped make Stand By Me an unexpected hit the year before, both as a movie and as a soundtrack.   Its second week in theatre would only see the gross drop 6%, and the film would finish in third place.   In week three, the four day Labor Day weekend, it would gross nearly $5m, and move up to second place. And it would continue to play and continue to bring audiences in, only dropping out of the top ten once in early November for one weekend, from August to December. Even with all the new movies entering the marketplace for Christmas, Dirty Dancing would be retained by most of the theatres that were playing it. In the first weekend of 1988, Dirty Dancing was still playing in 855 theaters, only 120 fewer than who opened it five months earlier. Once it did started leaving first run theatres, dollar houses were eager to pick it up, and Dirty Dancing would make another $6m in ticket sales as it continued to play until Christmas 1988 at some theatres, finishing its incredible run with $63.5m in ticket sales.   Yet, despite its ubiquitousness in American pop culture, despite the soundtrack selling more than ten million copies in its first year, despite the uptick in attendance at dance schools from coast to coast, Dirty Dancing never once was the #1 film in America on any weekend it was in theatres. There would always be at least one other movie that would do just a bit better.   When awards season came around, the movie was practically ignored by critics groups. It would pick up an Independent Spirit Award for Best First Feature, and both the movie and Jennifer Grey would be nominated for Golden Globes, but it would be that song, I've Had the Time of My Life, that would be the driver for awards love. It would win the Academy Award and the Golden Globe for Best Original Song, and a Grammy for Best Pop Performance by a Duo or Group with Vocals. The song would anchor a soundtrack that would also include two other hit songs, Eric Carmen's “Hungry Eyes,” and “She's Like the Wind,” recorded for the movie by Patrick Swayze, making him the proto-Hugh Jackman of the 80s. I've seen Hugh Jackman do his one-man show at the Hollywood Bowl, and now I'm wishing Patrick Swayze could have had something like that thirty years ago.   On September 25th, they would release Abel Ferrera's Neo-noir romantic thriller China Girl. A modern adaptation of Romeo and Juliet written by regular Ferrera writer Nicholas St. John, the setting would be New York City's Lower East Side, when Tony, a teenager from Little Italy, falls for Tye, a teenager from Chinatown, as their older brothers vie for turf in a vicious gang war. While the stars of the film, Richard Panebianco and Sari Chang, would never become known actors, the supporting cast is as good as you'd expect from a post-Ms. .45 Ferrera film, including James Russo, Russell Wong, David Caruso and James Hong.   The $3.5m movie would open on 110 screens, including 70 in New York ti-state region and 18 in Los Angeles, grossing $531k. After a second weekend, where the gross dropped to $225k, Vestron would stop tracking the film, with a final reported gross of just $1.26m coming from a stockholder's report in early 1988.   Ironically, China Girl would open against another movie that Vestron had a hand in financing, but would not release in America: Rob Reiner's The Princess Bride. While the film would do okay in America, grossing $30m against its $15m, it wouldn't translate so easily to foreign markets.   Anna, from first time Polish filmmaker Yurek Bogayevicz, was an oddball little film from the start. The story, co-written with the legendary Polish writer/director Agnieszka Holland, was based on the real-life friendship of Polish actresses Joanna (Yo-ahn-nuh) Pacuła (Pa-tsu-wa) and Elżbieta (Elz-be-et-ah) Czyżewska (Chuh-zef-ska), and would find Czech supermodel Paulina Porizkova making her feature acting debut as Krystyna, an aspiring actress from Czechoslovakia who goes to New York City to find her idol, Anna, who had been imprisoned and then deported for speaking out against the new regime after the 1968 Communist invasion. Nearly twenty years later, the middle-aged Anna struggles to land any acting parts, in films, on television, or on the stage, who relishes the attention of this beautiful young waif who reminds her of herself back then.   Sally Kirkland, an American actress who got her start as part of Andy Warhol's Factory in the early 60s but could never break out of playing supporting roles in movies like The Way We Were, The Sting, A Star is Born, and Private Benjamin, would be cast as the faded Czech star whose life seemed to unintentionally mirror the actress's. Future Snakes on a Plane director David R. Ellis would be featured in a small supporting role, as would the then sixteen year old Sofia Coppola.   The $1m movie would shoot on location in New York City during the winter of late 1986 and early 1987, and would make its world premiere at the 1987 New York Film Festival in September, before opening at the 68th Street Playhouse on the Upper East Side on October 30th. Critics such as Bruce Williamson of Playboy, Molly Haskell of Vogue and Jami Bernard of the New York Post would sing the praises of the movie, and of Paulina Porizkova, but it would be Sally Kirkland whom practically every critic would gush over. “A performance of depth and clarity and power, easily one of the strongest female roles of the year,” wrote Mike McGrady of Newsday. Janet Maslim wasn't as impressed with the film as most critics, but she would note Ms. Kirkland's immensely dignified presence in the title role.   New York audiences responded well to the critical acclaim, buying more than $22,000 worth of tickets, often playing to sell out crowds for the afternoon and evening shows. In its second week, the film would see its gross increase 12%, and another 3% increase in its third week. Meanwhile, on November 13th, the film would open in Los Angeles at the AMC Century City 14, where it would bring in an additional $10,000, thanks in part to Sheila Benson's rave in the Los Angeles Times, calling the film “the best kind of surprise — a small, frequently funny, fine-boned film set in the worlds of the theater and movies which unexpectedly becomes a consummate study of love, alienation and loss,” while praising Kirkland's performance as a “blazing comet.”   Kirkland would make the rounds on the awards circuit, winning Best Actress awards from the Los Angeles Film Critics Association, the Golden Globes, and the Independent Spirit Awards, culminating in an Academy Award nomination, although she would lose to Cher in Moonstruck.   But despite all these rave reviews and the early support for the film in New York and Los Angeles, the film got little traction outside these two major cities. Despite playing in theatres for nearly six months, Anna could only round up about $1.2m in ticket sales.   Vestron's penultimate new film of 1987 would be a movie that when it was shot in Namibia in late 1986 was titled Peacekeeper, then was changed to Desert Warrior when it was acquired by Jerry Weintraub's eponymously named distribution company, then saw it renamed again to Steel Dawn when Vestron overpaid to acquire the film from Weintraub, because they wanted the next film starring Patrick Swayze for themselves.   Swayze plays, and stop me if you've heard this one before, a warrior wandering through a post-apocalyptic desert who comes upon a group of settlers who are being menaced by the leader of a murderous gang who's after the water they control. Lisa Niemi, also known as Mrs. Patrick Swayze, would be his romantic interest in the film, which would also star AnthonY Zerbe, Brian James, and, in one of his very first acting roles, future Mummy co-star Arnold Vosloo.   The film would open to horrible reviews, and gross just $312k in 290 theatres. For comparison's sake, Dirty Dancing was in its eleventh week of release, was still playing 878 theatres, and would gross $1.7m. In its second week, Steel Dawn had lost nearly two thirds of its theatres, grossing only $60k from 107 theatres. After its third weekend, Vestron stopped reporting grosses. The film had only earned $562k in ticket sales.   And their final release for 1987 would be one of the most prestigious titles they'd ever be involved with. The Dead, based on a short story by James Joyce, would be the 37th and final film to be directed by John Huston. His son Tony would adapt the screenplay, while his daughter Anjelica, whom he had directed to a Best Supporting Actress Oscar two years earlier for Prizzi's Honor, would star as the matriarch of an Irish family circa 1904 whose husband discovers memoirs of a deceased lover of his wife's, an affair that preceded their meeting.   Originally scheduled to shoot in Dublin, Ireland, The Dead would end up being shot on soundstages in Valencia, CA, just north of Los Angeles, as the eighty year old filmmaker was in ill health. Huston, who was suffering from severe emphysema due to decades of smoking, would use video playback for the first and only time in his career in order to call the action, whirling around from set to set in a motorized wheelchair with an oxygen tank attached to it. In fact, the company insuring the film required the producers to have a backup director on set, just in case Huston was unable to continue to make the film. That stand-in was Czech-born British filmmaker Karel Reisz, who never once had to stand-in during the entire shoot.   One Huston who didn't work on the film was Danny Huston, who was supposed to shoot some second unit footage for the film in Dublin for his father, who could not make any trips overseas, as well as a documentary about the making of the film, but for whatever reason, Danny Huston would end up not doing either.   John Huston would turn in his final cut of the film to Vestron in July 1987, and would pass away in late August, a good four months before the film's scheduled release. He would live to see some of the best reviews of his entire career when the film was released on December 18th. At six theatres in Los Angeles and New York City, The Dead would earn $69k in its first three days during what was an amazing opening weekend for a number of movies. The Dead would open against exclusive runs of Broadcast News, Ironweed, Moonstruck and the newest Woody Allen film, September, as well as wide releases of Eddie Murphy: Raw, Batteries Not Included, Overboard, and the infamous Bill Cosby stinker Leonard Part 6.   The film would win the National Society of Film Critics Award for Best Picture of the year, John Huston would win the Spirit Award and the London Film Critics Circle Award for Best Director, Anjelica Huston would win a Spirit Award as well, for Best Supporting Actress, and Tony Huston would be nominated for an Academy Award for Best Adapted Screenplay. But the little $3.5m film would only see modest returns at the box office, grossing just $4.4m after a four month run in theatres.   Vestron would also release two movies in 1987 through their genre Lightning Pictures label.   The first, Blood Diner, from writer/director Jackie Kong, was meant to be both a tribute and an indirect sequel to the infamous 1965 Herschell Gordon Lewis movie Blood Feast, often considered to be the first splatter slasher film. Released on four screens in Baltimore on July 10th, the film would gross just $6,400 in its one tracked week. The film would get a second chance at life when it opened at the 8th Street Playhouse in New York City on September 4th, but after a $5,000 opening week gross there, the film would have to wait until it was released on home video to become a cult film.   The other Lightning Pictures release for 1987, Street Trash, would become one of the most infamous horror comedy films of the year. An expansion of a short student film by then nineteen year old Jim Muro, Street Trash told the twin stories of a Greenpoint, Brooklyn shop owner who sell a case of cheap, long-expired hooch to local hobos, who hideously melt away shortly after drinking it, while two homeless brothers try to deal with their situation as best they can while all this weirdness is going on about them.   After playing several weeks of midnight shows at the Waverly Theatre near Washington Square, Street Trash would open for a regular run at the 8th Street Playhouse on September 18th, one week after Blood Diner left the same theatre. However, Street Trash would not replace Blood Diner, which was kicked to the curb after one week, but another long forgotten movie, the Christopher Walken-starrer Deadline. Street Trash would do a bit better than Blood Diner, $9,000 in its first three days, enough to get the film a full two week run at the Playhouse. But its second week gross of $5,000 would not be enough to give it a longer playdate, or get another New York theatre to pick it up. The film would get other playdates, including one in my secondary hometown of Santa Cruz starting, ironically, on Thanksgiving Day, but the film would barely make $100k in its theatrical run.   While this would be the only film Jim Muro would direct, he would become an in demand cinematographer and Steadicam operator, working on such films as Field of Dreams, Dances with Wolves, Sneakers, L.A. Confidential, the first Fast and Furious movie, and on The Abyss, Terminator 2, True Lies and Titanic for James Cameron. And should you ever watch the film and sit through the credits, yes, it's that Bryan Singer who worked as a grip and production assistant on the film. It would be his very first film credit, which he worked on during a break from going to USC film school.   People who know me know I am not the biggest fan of horror films. I may have mentioned it once or twice on this podcast. But I have a soft spot for Troma Films and Troma-like films, and Street Trash is probably the best Troma movie not made or released by Troma. There's a reason why Lloyd Kaufman is not a fan of the movie. A number of people who have seen the movie think it is a Troma movie, not helped by the fact that a number of people who did work on The Toxic Avenger went to work on Street Trash afterwards, and some even tell Lloyd at conventions that Street Trash is their favorite Troma movie. It's looks like a Troma movie. It feels like a Troma movie. And to be honest, at least to me, that's one hell of a compliment. It's one of the reasons I even went to see Street Trash, the favorable comparison to Troma. And while I, for lack of a better word, enjoyed Street Trash when I saw it, as much as one can say they enjoyed a movie where a bunch of bums playing hot potato with a man's severed Johnson is a major set piece, but I've never really felt the need to watch it again over the past thirty-five years.   Like several of the movies on this episode, Street Trash is not available for streaming on any service in the United States. And outside of Dirty Dancing, the ones you can stream, China Girl, Personal Services, Slaughter High and Steel Dawn, are mostly available for free with ads on Tubi, which made a huge splash last week with a confounding Super Bowl commercial that sent millions of people to figure what a Tubi was.   Now, if you were counting, that was only nine films released in 1987, and not the eighteen they had promised at the start of the year. Despite the fact they had a smash hit in Dirty Dancing, they decided to push most of their planned 1987 movies to 1988. Not necessarily by choice, though. Many of the films just weren't ready in time for a 1987 release, and then the unexpected long term success of Dirty Dancing kept them occupied for most of the rest of the year. But that only meant that 1988 would be a stellar year for them, right?   We'll find out next episode, when we continue the Vestron Pictures story.   Thank you for joining us. We'll talk again next week.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Otto wants to know EVERYTHING!"Why is mud so sticky, Daddy? "Why do dropped things go SMASH?" If only finding out wasn't quite so MESSY!

It's Christmas! https://amzn.eu/d/2jumW7b

Host Chaz Wolfe brings on Christopher Warnes, a 7+ figure king in the consulting industry. Christopher is the Founder of Warrior Consulting, which encompasses his mastermind, podcast, and YouTube channel. Christopher has a passion for teaching others and couples it with his experience in order to equip other entrepreneurs. In this episode, Chaz and Christopher discuss the concept of agreement, emotional intelligence, the necessity and pitfalls of ego, mastering the mundane inefficiencies, and operating with fundamental principles at a high level. Tune in today to glean insight from Christopher's wisdom and experience to take back to your business now! During this episode, you will learn about;[02:10] Intro to Christopher and his businesses[05:13] Why Christopher continues to push[09:55] Deeper dive into Christopher's businesses[11:55] A good decision Christopher made[14:52] Christopher's advice on owning your stuff[23:12] A bad decision Christopher made[33:14] What a controlling ego looks like to Christopher[35:15] Christopher's thoughts on ego keeping you down[42:36] What would Christopher tell his younger self?[46:47] How to connect with Christopher[49:18] How to connect with Chaz and info on the GTK 90 day intensiveNotable Quotes“I'm driven by purpose, to deliver my philosophies, my view on the world, my philosophy, impact, influence, and hopefully value.” - Christopher Warnes“All the high level stuff is all the basic fundamental stuff. It's just executed at a high level. Consistently.” - Christopher Warnes“You never, ever throw your team under the bus, and every shortcoming in your business is your responsibility. Is it your fault? Arguably. Is it your responsibility? One hundred percent.” - Christopher Warnes“The sooner you take accountability and responsibility for everything in life, let alone your business, the sooner you will cross the mark of whatever it is you desire. It just takes time.” - Christopher Warnes“What I find is people say the same thing differently.” - Christopher Warnes“High level people use basic concepts.” - Christopher Warnes“There's no wrong way of doing it other than not doing it.” - Christopher Warnes“If you don't understand ‘you' or the way that you communicate and then have an ability to understand the other person, nothing happens.” - Chaz Wolfe (Host)“The ego, when you allow it to control you, it's gonna give you a glass ceiling.” - Christopher Warnes“Ego is probably one of the biggest things keeping that person on the job site.” - Chaz Wolfe (Host)Books and Resources Recommended:Napoleon Hillhttps://www.amazon.com/Napoleon-Hill/e/B000APAMYELet's Connect!Christopher Warnes:Christopher's Book Link: https://www.amazon.com/dp/0578300109Website: https://chriswarnes.com/Facebook: https://www.facebook.com/christopher.warnesInstagram: https://www.instagram.com/chriswarnes_og/Linktr.ee:

Chris Warnes is an online business coach and life mentor, located in CT who teaches seasoned entrepreneurs how to take their business to the next level. Through years of trial and error, he's developed a process that helps business owners get laser-focused on their goals so they can achieve massive success.After two tours in the military, Chris lives and breathes the warrior mindset. And that's exactly what he brings to the table when working with his clients. The warrior ethos is all about having a powerful, purposeful direction in your life, business, and community.Throughout the interview, we talk about how Chris developed The Warrior Mindset through his years in the military and how he was able to shift the trajectory of his life despite facing near death situations numerous times.Here are the timestamps… *update with edited podcast's timestamps0:00 Intro2:58 The military changing Chris' perspective9:52 How Chris developed The Warrior Mindset20:11 Getting into meditation30:48 Meditating effectively (Zen Mind, Beginners Mind By Shunryn Suzuki: https://www.amazon.com/Zen-Mind-Beginners-Meditation-Shambhala/dp/1590302672/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr=)36:44 How fear holds you back47:09 The Clark InitiativeCONNECT WITH ME HERE:FacebookInstagramLinkedInTwitterTikTokYouTubeSUBSCRIBE TO THE PODCAST HERE:Apple PodcastsSpotifyYouTubeCONNECT WITH CHRIS WARNES:InstagramFacebookYouTubeLinkedIn

Jon Stevens tells us about one of his most emotional performances everSee omnystudio.com/listener for privacy information.

2022 LECTURESHIPAs a part of this year's Bear Valley Lectures, Clinging to Hope and Trust in Difficult Times, Laura Warnes brought a lesson entitled "Women in the Word: Be Still and Know". The 2022 Bear Valley Lectures - Clinging to Hope and Trust in Difficult Times was held Sept 15-18, 2022 at the Bear Valley church of Christ in Denver, Colorado. Today there is much happening that makes our souls “troubled.” We sing “troublesome times are here” and indeed they are. But our God is great and He is in control. This series of lectureship lessons is full of insightful, informative, and encouraging talks and studies to help us maintain our faith in the almighty God. They will help you cling to hope and trust in difficult times.The Bear Valley Lectures is a work of the Bear Valley Bible Institute International, under the oversight of the elders of the Bear Valley church of Christ in Denver, Colorado. The Bible Institute has been training preachers for work in the Lord's church since 1965 with our graduates working all over the world. For more information about our programs of study visit our website at WeTrainPreachers.com.

Aeron Nix sits down with the School of Slam Prodigy from Essex: Arron Warnes to discuss his incredibly cool sense of athleticism and maturity, working some of the biggest shows at the back end of 2022 including WAW Frightmare and more! Booking equiries message: arronwarnes008@hotmail.co.uk #GETPLUGGEDIN SOS Tickets: https://www.ringsideworld.co.uk/event3341/october-outcast#buy-tickets Arron Warnes Twitter: https://twitter.com/ArronWarnes Arron Warnes FB: https://www.facebook.com/ArronWarnesPW Arron Warnes Insta: https://www.instagram.com/ArronWarnes/ Arron Warnes Merch: https://www.onthegear.co.uk/product-category/on-the-gear/arron-warnes/ PWT: https://www.prowrestlingtees.com/wrestleplug Tanvir Twitter: https://twitter.com/virdee_tanvir Cameron Anderon Socials: @Cameron1pw Ebeneeza Twitter: https://twitter.com/FTG_Ebeneeza Alex Dellanzo Youtube: https://www.youtube.com/user/amoahthegreat Aeron Nix Design: https://www.facebook.com/AeronNixDesign/ Kyle Twitter: https://twitter.com/xKyle_Wilkinson Wrestle Plug Twitter: https://twitter.com/WrestlePlug Wrestle Plug Insta: https://www.instagram.com/wrestleplug/ Wrestle Plug Facebook: https://www.facebook.com/WrestlePlug/ Wrestle Plug Merch: https://wrestleplug.bigcartel.com/

This week's #14 pick in the Top 50 '80s Movie Soundtrack Songs comes from Jason. He chose "(I've Had) The Time of My Life" by Bill Medley and Jennifer Warnes from the movie Dirty Dancing. Listen to get the scoop on the song's history, commercial success, and the hosts' review. To find the song on your favorite music service, use the link below:"(I've Had) The Time of My Life" by Bill Medley and Jennifer Warneshttps://songwhip.com/bill-medley/ive-had-the-time-of-my-lifeThis episode has two bonus songs: "She's Like the Wind by Patrick Swayze https://songwhip.com/patrickswayze/sheslikethewind "He Ain't Heavy, He's My Brother" by Bill Medley https://songwhip.com/bill-medley/he-aint-heavy-hes-my-brother Follow us on Twitter, @GreatestLists, and give us  your feedback on this episode's song choice! You can also stream episodes from your browser at our website → https://www.greatestlistspodcast.com/This link will get 20% OFF YOUR ENTIRE ORDER at HalloweenCostumes.com and can be redeemed multiple times per customer. Valid now thru 10/31/22 https://www.halloweencostumes.com/?CouponCode=trnhalloween2022When the promo link is clicked, it will take you to the shop where a large window will appear saying “Welcome, fans of The Retro Network! Enjoy 20% Off your order!” and the savings are automatically calculated in the cart. No promo code needed. ★ Support this podcast on Patreon ★

As the season draws to a close, tensions in the Rotherham dressing room are starting to boil over after a 3-0 loss to Portsmouth. Manager Paul Warne is trying to dissect why his side is self-imploding having previously been top of the league. The post-mortem lasts half an hour before Warne has to address the waiting press. As night falls, Warne reveals that he's considering his position and that this may be his lowest moment in management. He talks of the abuse fans have been shouting at him and how much he is dreading speaking to the club owner about the side's performance. Sounding exhausted with how frustrating his job has become, he mentions how lonely he felt on the sidelines. Like Rotherham, Oxford have also suffered three straight defeats. They need to win each of their last four to give themselves any chance of making the play-offs. Rotherham need to stop a slide that's seen them take just five points from the last available 21. As The U's travel up to Fleetwood for the Easter Friday game, anything less than a win would be enough to end their season. The pressure, not only on the staff and players but their families, is beginning to show. Karl Robinson's mum Carol talks about her own stress watching the games and how the abuse Karl has received from fans has affected their family. Despite the tension, Oxford takes a quick 3-0 lead and just manage to hang on to a 3-2 victory during nine minutes of stoppage time. The win keeps their season alive but at the cost of midfielder James Henry, who is taken to hospital for two hours of facial surgery after a sickening clash of heads. He will be lost for the rest of the season. Ahead of Rotherham's fixture against Ipswich, Warne's family are also feeling the pressure. His wife Rachel worries that her husband hasn't been sleeping and dreads the abuse from fans if the side goes a goal down. In the tunnel, Paul says it is the most scared he has ever felt. Fortunately for the Warnes, Michael Smith nets a 78th-minute winner for Rotherham and favourable other results mean The Millers were now back in automatic promotion places – albeit on goal difference. For one night, there is relief. How quickly the picture can change.

Clive faces off against Jonathan in this Thursday edition of the PopMaster Podcast.

For the last 10-20 years, church planting has become formulaic and systematized, as large church planting organizations brought corporate practices and values into the church world. This kind of business thinking has created an "industrial church starting complex" that according to author Nick Warnes, needs to be re-examined. In this conversation, we talk about a better model for church starts, the need for churches to shift from internal growth to reproduction, and why denominations are no longer a viable protocol to start new churches. Nicholas Warnes (Masters of Divinity, Fuller Theological Seminary, Emphasis in Worship Theology and Art) is the Founder and Executive Director of Cyclical. He enjoys the regular pattern and rhythm of being both the Executive Director of Cyclical Inc. and Director of Cyclical LA, a ministry of the San Fernando Presbytery in Los Angeles. Nick is also a recognized speaker on church planting, coach for New Worshiping Communities with the Presbyterian Church USA, and is the chair of the board of the Church Planting Program at Fuller Theological Seminary where he is also an adjunct professor (church planting certificate). Nick is the author of several books including Deconstructing Church Planting. Nick lives with his wife, Whitney, and son, Lee, in Los Angeles, CA.  The Future Christian Podcast is a production of Torn Curtain Arts and Resonate Media.

Chris is an online business coach and life mentor, located in CT who teaches seasoned entrepreneurs how to take their business to the next level. Through years of trial and error, he's developed a process that helps business owners get laser-focused on their goals so they can achieve massive success.After two tours in the military, Chris lives and breathes the warrior mindset. And that's exactly what he brings to the table when working with his clients. The warrior ethos is all about having a powerful, purposeful direction in your life, business, and community.Chris is also known to many as CW, an 8-figure entrepreneur and highly successful figure in the fitness industry. In over 13 years, Chris has built five businesses, ranging from online fitness coaching and a full-service gym, to Real Estate, and even high-end timepiece and watch trading.Most recently, Chris launched Warrior Consulting to pursue his purpose in life, as a teacher. He teaches others how to find themselves, build, scale, and grow their companies. Website: https://chriswarnes.com/Dominate Your Day Book: https://chriswarnes.com/book/Warrior Time (Your Timepiece Plug): https://chriswarnes.com/warrior-time/The CW Clinic Podcast: https://podcasts.apple.com/us/podcast/the-cw-clinic/id1453320245Chris Warnes Youtube: https://www.youtube.com/channel/UCEhoIBf0R2hvZVDBBFkLolAInstagram: https://www.instagram.com/chriswarnes_og/Facebook: https://www.facebook.com/christopher.warnesConnect and tag me at:https://www.instagram.com/realangelabradford/You can subscribe to my YouTube Channel herehttps://www.youtube.com/channel/UCDU9L55higX03TQgq1IT_qQFeel free to leave a review on all major platforms to help get the word out and change more lives!

If you are a high performer or want to become one this conversation is for you. In this episode of Best Year Ever, Rob Cressy chats with Chris Warnes, Founder at Warrior Consulting, about the mindset it takes to be the best. How do you build a bulletproof mindset and how do you reprogram yourself to deal with risk & challenges? When scaling to 8 figures, what questions do those leaders ask that 6 and 7 figure earners are not? - Joining Our Next Podcasting Cohort - http://www.robcressy.com/voice/ Join my Facebook community for growth inspired creators: https://www.facebook.com/groups/317582412908323 - Connect with us: Rob Cressy - Instagram: @rob_cressy - LinkedIn: /cressy/ - Twitter: @RobCressy - Personal Growth Coaching: www.RobCressy.com - Sports Content Studio: www.baconsports.com Chris Warnes - Instagram: @chriswarnes_og - Website: ChrisWarnes.com - Best Year Ever is a personal growth podcast from Rob Cressy designed to inspire you to create your best year ever. It is for those who want to create growth, leadership, and impact in their business & personal life. From self improvement & forward thinking strategies, to improving your mindset and helping others, to building your brand & marketing. Because the best way to have the best year ever is to have the best month ever, best week ever, best day ever, best hour ever, best minute ever, and best moment ever. Best Year Ever is a way of thinking and being. One way you can help support the show is by subscribing to Best Year Ever and letting your friends who are into personal development and entrepreneurship know about it. That way we can help them on their journey and grow all of our networks at the same time.

Chris Warnes is back on Alison Answers: Mission Awake, with another very important episode all about relationships, and how we can strengthen the relationships in our lives. Alison and Chris dive into the topic of dealing with someone in our life that often plays a victim, aims to make us feel guilty and at fault, and may be unaware of how to communicate more effectively. Relationships are all about communication, yet so many people don't know how to communicate in a way that both expresses your feelings, and doesn't trigger a defensive feeling in another person. Getting to the root of our feelings and actions is the real key, yet is often overlooked. Someone with an “eggshell ego” may not know how to communicate effectively, so Alison and Chris share how you can make space for that person to come to a realization of the effect of their actions. It is also our responsibility to do the work to undo our subconscious programming and learn to be in a healthy relationship. Tune in to hear more!Key highlights:Alison's example of a relationship with someone that is always the victim and makes you feel guiltyChris' journey of healing and overcoming anger and triggersBoundaries within ourselves- why we need to set themDealing with an eggshell egoEffort to change is keyRedirect to understand the other personYou need to understand yourself and make space for the other personFind the lesson and action plan to not make the mistake againWe have been taught to always fight to be rightWe need to undo our subconscious programmingBreaking the bot in usEpisode resources:Book: Dominate Your Day: A high performer's guide to winning at life by Chris WarnesBook: How to Win Friends and Influence People by Dale CarnegieConnect with Chris:Website: chriswarnes.comInstagram: @chriswarnes_ogYouTube: Chris WarnesPodcast: The CW ClinicFacebook: Christopher WarnesConnect with Alison:Instagram: @alisonanswers | @lagercounselingWebsite: LagerCounseling.comYouTube: Alison AnswersFacebook: Alison Lager Lcsw Casac

World class coach and author Christopher Warnes hits us with some serious knowledge today! Chris served two tours overseas in combat and is the recipient of the Purple Heart. He is an athlete, multiple business owner, and a great guy. Get ready to Dominate Your Day! How to contact Chris: Facebook: www.facebook.com/christopher.warnes Instagram: chriswarnes_og Youtube: www.youtube.com/channel/UCEhoIBf0R2hvZVDBBFkLolA Book: Dominate Your Day Website: chriswarnes.com Podcast: The CW Clinic #Dominateyourday #christopherwarnes #warriorconsulting #thecwclinic

On today's episode, Logan chats with Andrew Warnes about how to engage and lead youth ministry. Youth Pastors, this one's for you. Check it out! If you have a question for Logan, contact him at logan@wisedisciple.org Get your ALL NEW line of Wise Disciple merch here: www.wisedisciple.store Want to watch our latest episode of Debate Teacher Reacts? Watch it here: https://youtu.be/V0UeufdTGMs Want a BETTER way to communicate your Christian faith? Check out our website: www.wisedisciple.org OR Book Nate as a speaker at your next event: https://wisedisciple.org/reserve/​​​​ ​ Got a question in the area of theology, apologetics, or engaging the culture for Christ? Send them and we'll answer on an upcoming podcast: https://wisedisciple.org/ask/​​​ "Day by Day" by Citizens is used with permission. Check out their website: wearecitizens.net

This episode is a must listen for everyone, as it is all about a very important topic that applies to us all - relationships. Whether it's a relationship with a spouse, partner, your children, friends, family, or any one important to you, we have always heard that relationships are a two way street, but what does that mean exactly, and how do we apply that concept in our lives? In this episode of Alison Answers: Mission Awake, Alison has a very in depth conversation with Chris Warnes, all about something that is plaguing our society - toxic relationships. Unfortunately the majority of us have experienced some sort of trauma in our lives, and without being aware of it, we can project our trauma onto the people in our lives that mean the most to us, causing harm to that relationship. In this episode, Alison and Chris are kicking off the start of something very exciting: “Relationship truths: A New Series for Success”, and they are teaming up to break the cycle of destructive relationship patterns. This episode is part 1 of this series, and you don't want to miss the realness, vulnerability, and psychology-based explanations of what is happening in so many relationships, and how you can start to reverse them now. Tune in!Key highlights:Introducing this new series about relationships with Chris WarnesPeople are operating from unwritten rules that they got during childhood and they're ruining relationships and don't even know itSelf awareness and emotion intelligence is rarely executed these daysThe importance of understanding our triggersDisempowered males are plaguing our societyWhat is a masculine male What is a disempowered maleMasculine vs. feminine energyThe problem with men being raised to not talk about feelings, which leads to no emotional intelligence and problems in relationshipsHow women want to be taken care of but sometimes have a hard time trustingIf you rage, you need to learn to put yourself in checkWhat yelling is saying about you and why you need to stopThe goal of this series is to fix the “Connected in brokenness relationships”Chris' experience with relationships with others that have unhealed traumaHow everything is a two way street and no one should be ragingWe're all responsible for our own emotions The key to a great relationship: listen and be selfless and everything will fall into placeBe willing to be wrong and be grateful when someone corrects youEpisode resources:Book: Dominate Your Day: A high performer's guide to winning at life by Chris WarnesBook: The Wake Up Call: A Guide for Harnessing Your True Power by Alison LagerConnect with Chris:Website: chriswarnes.comInstagram: @chriswarnes_ogYouTube: Chris WarnesPodcast: The CW ClinicFacebook: Christopher WarnesConnect with Alison:Instagram: @alisonanswers | @lagercounselingWebsite: LagerCounseling.comYouTube: Alison AnswersFacebook: Alison Lager Lcsw Casac

Video version - ASMR reading of The Book by HP Lovecraft. A very special thank you to my subscribers and a shout out to Elden Lich Amunedal and Tortisebear for reaching out when you did. Support this channel: Donate: https://paypal.me/TomeByTome https://www.podpage.com/tome-by-tome-asmr/ "The Book" is an unfinished short story by American horror fiction writer H. P. Lovecraft, believed to have been written in late 1933. It was first published in the journal Leaves in 1938, after Lovecraft's death. In the story fragment, the narrator is given an ancient book by a strange bookseller, and when he takes it home and examines it, weird and sinister events ensue. In October 1933, Lovecraft wrote in a letter: I am at a sort of standstill in writing—disgusted at much of my older work, and uncertain as to avenues of improvement. In recent weeks I have done a tremendous amount of experimenting with different styles and perspectives, but have destroyed most of the results. The H. P. Lovecraft Encyclopedia suggests that "The Book" was one of the undestroyed experiments—an attempt to translate Lovecraft's poem sequence Fungi from Yuggoth into prose. (The completed fragment corresponds to the first three sonnets, which form more of a coherent narrative than the rest of the sequence.) "The Black Tome of Alsophocus", first published in New Tales of the Cthulhu Mythos (1969), is an attempt by Martin S. Warnes to complete "The Book" Warnes turns the fragment into a tale of possession by Nyarlathotep. In 2019, the latter Warnes completion was adapted into a short film of the same name. The aforementioned film was featured in 2020 Edition of the H.P. Lovecraft Film Festival & CthulhuCon and it its included in the Festival's Best of 2020 Short Film Collection bluray. --- Send in a voice message: https://anchor.fm/lovecraft-asmr/message Support this podcast: https://anchor.fm/lovecraft-asmr/support

ASMR reading of The Book by HP Lovecraft. A very special thank you to my subscribers and a shout out to Elden Lich Amunedal and Tortisebear for reaching out when you did. Support this channel: Donate: https://paypal.me/TomeByTome https://www.podpage.com/tome-by-tome-asmr/ "The Book" is an unfinished short story by American horror fiction writer H. P. Lovecraft, believed to have been written in late 1933. It was first published in the journal Leaves in 1938, after Lovecraft's death. In the story fragment, the narrator is given an ancient book by a strange bookseller, and when he takes it home and examines it, weird and sinister events ensue. In October 1933, Lovecraft wrote in a letter: I am at a sort of standstill in writing—disgusted at much of my older work, and uncertain as to avenues of improvement. In recent weeks I have done a tremendous amount of experimenting with different styles and perspectives, but have destroyed most of the results. The H. P. Lovecraft Encyclopedia suggests that "The Book" was one of the undestroyed experiments—an attempt to translate Lovecraft's poem sequence Fungi from Yuggoth into prose. (The completed fragment corresponds to the first three sonnets, which form more of a coherent narrative than the rest of the sequence.) "The Black Tome of Alsophocus", first published in New Tales of the Cthulhu Mythos (1969), is an attempt by Martin S. Warnes to complete "The Book" Warnes turns the fragment into a tale of possession by Nyarlathotep. In 2019, the latter Warnes completion was adapted into a short film of the same name. The aforementioned film was featured in 2020 Edition of the H.P. Lovecraft Film Festival & CthulhuCon and it its included in the Festival's Best of 2020 Short Film Collection bluray. --- Send in a voice message: https://anchor.fm/lovecraft-asmr/message Support this podcast: https://anchor.fm/lovecraft-asmr/support

In this episode we talk about meeting Emmylou at Trisha's wedding to Robert Reynolds and how Emmylou got my song Hold On and also about writing songs for Trisha Yearwood and even a song for her Revlon TV commercial in the 90s.  Also we discuss the cat and mouse game with the record companies back in the 80s.  And we add a few pearls of wisdom from Leonard Cohen and Jennifer Warnes. This one is jam packed with music, all of which is available on Spotify and your other streaming platforms. Enjoy!Please support our show at Venmo @Jude-Johnstone

La Argentina se forjó gracias al sacrificio de muchos hombres y mujeres que dieron todo, hasta la vida, por la Patria, algunos de ellos relegados a un lugar brumoso de nuestra memoria. En este nuevo episodio rescatamos la figura del coronel Ignacio Warnes, quien con su coraje y dedicación fue protagonista clave de nuestra independencia. Nos sumergiremos en la misteriosa épica de este gran oficial, en la narración emocionada de Paul Dougall, en su doble rol de autor de la obra Warnes, Caudillo de Belgrano, y protagonista de nuestro Laberinto Argentino

In today's episode of Alison Answers: Mission Awake, Alison welcomes Chris Warnes. Chris is an online business coach and life mentor who teaches others how to be in control of their money and be successful in life and business. He is a two-tour combat veteran and once wounded in combat, Chris lives and breathes the warrior mindset. He is an 8 figure entrepreneur and very successful in the fitness industry. Over the past 13 years, Chris has built five successful businesses, and wrote the book Dominate Your Day: A high performer's guide to winning at life, which teaches you how to create self-awareness, dive deep into who you are, and ultimately lead down a path to success. In this episode, Chris shares all about his journey going from an angry combat veteran, to a successful entrepreneur that exudes gratitude for life, and helps other people to find their path to success. Key highlights:Chris shares his story and experience of being in combat in IraqChris dives into the idea of forgiveness affirmations that helped overcome his traumaWhat Chris believes the world needs to see and how we can contribute to making it a better placeThe idea of the warrior mindsetHow he started meditating to overcome trauma and forgive what he had gone throughHow you can't allow your thoughts to control youIf you learn to control your thoughts, you can have what you desireWe are programmed to pay victim and allow our circumstances to control usSuccess is multifacetedEpisode resources:Book: Dominate Your Day: A high performer's guide to winning at life by Chris WarnesConnect with Chris:Website: chriswarnes.comInstagram: @chriswarnes_ogYouTube: Chris WarnesPodcast: The CW ClinicFacebook: Christopher WarnesConnect with Alison:Instagram: @alisonanswers | @lagercounselingWebsite: LagerCounseling.comYouTube: Alison AnswersFacebook: Alison Lager Lcsw Casac

Chris Warnes is a serial entrepreneur with a military background. He is constantly pushing himself to the next level. Some great value in this discussion. https://chriswarnes.com/ Warrior Consulting Helping you plan, build and scale your life and business with purpose Buy Chris Book Below https://chriswarnes.com/book/

Host: Wayne Jones  |  Released Wednesday, October 13, 2021 Wayne continues to look at the heart of the kingdom life as Jesus describes it in the Sermon on the Mount. This week Jon Warnes of World Video Bible School joins the discuss to help explain and apply Matthew 5:38-42). What do phrases like “and eye […]