Podcasts about Wadjda

No episódio de hoje, vou falar de três filmes que assisti recentemente, todos eles dirigidos por mulheres! São eles: - Juntos mas separados (2021) - disponível no Prime Video - O sonho de Wadjda (2012) - disponível na Mubi - Mar de rosas (1977) - disponível no Looke e no SPcine Play Quer ganhar 30 dias grátis para testar a Mubi? Se cadastra por esse link: https://mubi.com/t/web/global/WQPO7LR3 Esse episódio faz parte da iniciativa #oPodcastéDelas2023 Saiba mais no site: https://opodcastedelas.com.br/ Siga nosso Instagram @filme.da.semana Email para contato: podcastfilmedasemana@gmail.com Esse e-mail também é uma chave pix, qualquer contribuição é bem recebida :)

Ahd Kamel is a Saudi actress and filmmaker. She's known for her roles in the BAFTA-nominated film, Wadjda (2014) and BBC2/Netflix's Collateral (2018). She's also written and directed two award-winning short films, “The Shoemaker“ and Sanctity” (now playing on Netflix in MENA). She recently appeared in Amazon's “All the Old Knives” and on Hulu's season 3 of Ramy. Today, Ahd is back in the director's chair as she shoots her feature film ‘My Driver & I.' Nostalgically set in Jeddah in the 80s and 90s, it's a heartfelt coming of age story about a young girl and her lifelong bond with her Sudanese driver.

YO WHAT IS UP! We are back again with a new season, a new theme, a new film to explore AND a new format (yeah omg I know). On this one, we travel to Riyadh, Saudi Arabia, where we meet Wadjda, a young girl desperate to own a bicycle of her own. Starring the amazing Waad Mohamed, Abdulrahman AlGohani, Reem Abdullah and Ahd Hassan Kamel, this marked the first time a film was entirely shot in Saudi Arabia. Add to that, Wadjda was the first film to be directed by a Saudi Arabian woman, the truly inspiring Haifaa Al-Mansour. Often having to side step religious police, Haifaa had to direct actors from inside cars and vans just to get the shots she needed.  This film truly brought tears to our eyes and we all really enjoyed this film, so we really hope you do too. As per usual, don't forget to like, share and subscribe to The Movie Newbie. Tell all your friends, your family, or the person at your favourite corner shop. We need all the love and support you can give us

Ahd spoke about her film, "Sanctity."Ahd Kamel is an actress, filmmaker from Saudi Arabia. She is most well known for her starring role in “Wadjda” (2012) which is Saudi Arabia's first feature film. She is multi-lingual and speaks English fluently. She launched her film career in 2005 with a string of internationally successful short films, all three of which have won festival awards. Kamel moved to New York City in 1998 to study law at Columbia University, then completed her BFA in Animation & Communication from Parsons School of Design, after which, she further diversified her education, obtaining a directing degree from the New York Film Academy. Still not satiated, Kamel then went on to study acting under the personal tutelage of William Esper at the Esper Studio. Her first lead role earned her the Golden Gate Award for Best Actress at the San Francisco International Film Festival. “La Sainteté”, her 2nd directorial short, in which she also starred, received a Golden Bear nomination at the Berlinale in 2013 and won the Golden Aleph at the Beirut International Film Festival in 2013. Her move into the world of English-language features began with a position as technical adviser on Peter Berg's “The Kingdom”. Kamel was presented with a Cloeween Connection Award from Spike Lee, by the Abu Dhabi Authority of Culture and Heritage as an emerging Arab filmmaker.Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Movie Night: Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra's watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie.Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

Ahd spoke about her film, "Sanctity."Ahd Kamel is an actress, filmmaker from Saudi Arabia. She is most well known for her starring role in “Wadjda” (2012) which is Saudi Arabia's first feature film. She is multi-lingual and speaks English fluently. She launched her film career in 2005 with a string of internationally successful short films, all three of which have won festival awards. Kamel moved to New York City in 1998 to study law at Columbia University, then completed her BFA in Animation & Communication from Parsons School of Design, after which, she further diversified her education, obtaining a directing degree from the New York Film Academy. Still not satiated, Kamel then went on to study acting under the personal tutelage of William Esper at the Esper Studio. Her first lead role earned her the Golden Gate Award for Best Actress at the San Francisco International Film Festival. “La Sainteté”, her 2nd directorial short, in which she also starred, received a Golden Bear nomination at the Berlinale in 2013 and won the Golden Aleph at the Beirut International Film Festival in 2013. Her move into the world of English-language features began with a position as technical adviser on Peter Berg's “The Kingdom”. Kamel was presented with a Cloeween Connection Award from Spike Lee, by the Abu Dhabi Authority of Culture and Heritage as an emerging Arab filmmaker.Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About Movie Night: Movie Night is an interview series that calls for afikra community members who are interested in movies and films to spend time watching along with the entire community. Movies will be announced on afikra's watching list. This interview series will host filmmakers and actors who are featured in the announced movie. Community members will be asked to watch the film on online streaming platforms or online film festivals before the series and join the conversation with the creators of the film. Movie Night is an opportunity for members to ask questions about the plot, behind the scenes, themes, and information about the movie.Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience ‎on Zoom.‎ Join the live audience: https://www.afikra.com/rsvp   FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:‎afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on  afikra.com

Today's international film pick is both the first film ever shot in Saudi Arabia and the first ever film made by a Saudi woman, director Haifaa al-Mansour's Wadjda. We talk about the film's symbolism and imagery, its genius use of American pop culture, and the big feelings we felt watching this story of a young girl fighting to express herself in a place that wants her to stay quiet. Read the Hollywood Reporter article we referenced, and this great review from Bitch Media. Join us all summer for the international films we've been meaning to see! And follow on Instagram for more content and our Summer Book Club picks! --- Send in a voice message: https://anchor.fm/pop-dna-podcast/message

In this episode, Claire and Elizabeth review the pod's first foreign film with Haifaa Al-Mansour's endearing and historic Wadjda (2012). The co-hosts talk about the movie's universal themes, the challenges of filming the first ever feature-length movie in Saudi Arabia and the country's evolving film industry. Music from Uppbeat (free for Creators!): https://uppbeat.io/t/mojo/rebel License code: 3YRZVIJ0A2DO0X49 Episode sources: https://www.hollywoodreporter.com/movies/movie-news/influences-movies-inspired-wadjda-director-665035/ https://www.independent.co.uk/arts-entertainment/films/features/haifaa-almansour-interview-saudi-arabia-s-first-female-film-director-talks-about-new-release-wadjda-8717438.html https://www.cc.com/video/ha235s/the-daily-show-with-jon-stewart-haifaa-al-mansour https://www.nytimes.com/2021/12/27/world/middleeast/saudi-arabia-films-movies.html https://deadline.com/2021/12/saudi-arabia-film-commission-strategy-establish-country-global-production-hub-cinema-sector-1202147020/ https://www.latimes.com/entertainment-arts/movies/story/2021-12-07/west-side-story-ban-middle-east-saudi-arabia https://www.npr.org/sections/parallels/2018/04/21/604269002/as-saudi-arabias-cinema-ban-ends-filmmakers-eye-new-opportunities Why the Flick? on social: instagram.com/whytheflick twitter.com/whytheflick tiktok.com/@whytheflick?

The monthly magazine podcast for film nerds with impeccable taste returns with another humdinger of an episode. In the first reel the Adamsons have reviews of new releases No Time To Die, The Last Duel and The Green Knight, plus the Year of the Carpenter reaches the top three and suspense classic Assault on Precinct 13. Our classic is 80s thriller No Way Out starring Kevin Costner, our Hidden Gem is Saudi drama Wadjda, The One That Got Away is Jodorowsky's Dune and the Remake Hatewatch is the 2005 version of Assault on Precinct 13.

Premiered Sep 27, 2020 Content warning: child marriage and rape In this RfRx session Yasmine will discuss her experience growing up in a fundamentalist Islamic home, how she was forced into a marriage with a terrorist and her search for freedom. She will also talk about her current work supporting others who denounce Islam. Canadian human rights activist, Yasmine Mohammed, advocates for the rights of women living within Islamic majority countries, as well as those who struggle under religious fundamentalism. She is also the founder of Free Hearts Free Minds, an organization that provides psychological support for freethinkers living within Muslim majority countries- where the state sanctioned punishment for leaving Islam is death. Hosted by Amaia Perez, the RfR Online Programming Director, and Eric Wells, the RfR Support Group Director. Resources: “Unveiled” by Yasmine Mohammed  “The Wind in My Hair” by Masih Alinejad  “Wadjda” a movie from Saudi Arabia about a girl who wants to ride a bike  “Honor Diaries” a documentary on honor violence/killing “Banaz” A Love Story - a documentary on YouTube about a victim of an honor killing in the UK “Infidel” by Ayaan Hirsi Ali Learn more about Yasmine Mohammed http://www.freeheartsfreeminds.com http://www.yasminemohammed.com --- Send in a voice message: https://anchor.fm/recovering-from-religion/message

Werther Krohling (@werther_k), Silvana Perez (@sealperez), Chicó (@chicoh1981) e Pena (@pena_fotografia) conversam sobre o filme “O sonho de Wadja”. Uma linda produção que retrata o dia a dia de uma menina que não se encaixa numa sociedade teocrática e machista da década de 2000. Essa obra inteiramente filmada por uma mulher na Arábia Saudita, retrata […]

Werther Krohling (@werther_k), Silvana Perez (@sealperez), Chicó (@chicoh1981) e Pena (@pena_fotografia) conversam sobre o filme “O sonho de Wadja”. Uma linda produção que retrata o dia a dia de uma menina que não se encaixa numa sociedade teocrática e machista da década de 2000. Essa obra inteiramente filmada por uma mulher na Arábia Saudita, retrata […]

00:00:00 Begrüßung 00:01:00 Rick & Morty (5. Staffel) 00:02:24 I think you should leave 00:04:20 A Quiet Place II 00:11:20 Godzilla vs. Kong 00:18:08 Weißbier im Blut 00:22:18 Nobody 00:26:21 Ain´t Them Bodies Saints 00:30:57 Das Mädchen Wadjda 00:35:19 Leave No Trace 00:40:20 The Final Girls 00:45:48 Der Exorzist 00:52:10 Das Jerico Projekt 00:57:10 True Lies 01:00:29 Point Break 01:03:55 Matrix 01:11:56 Batman: The Long Halloween Part I 01:18:07 Cable Guy 01:20:35 Teuflisch 01:25:18 Verabschiedung --- Send in a voice message: https://anchor.fm/thepopcornguys/message

In this episode, Alicia McGivern, Head of Education at the Irish Film Institute, joins Arts in Junior Cycle and The JCT English team as part of the Spinning Stories Out of Light series of podcasts. In our conversation, Alicia discusses why it is so important for young people to study film and film language, and particularly focuses on The Hunt for the Wilderpeople (Waititi, 2016), Wadjda (al-Mansour, 2012) and His and Hers (Wardrop, 2009). For more visit: https://www.artsinjuniorcycle.ie/podcast-episode-alicia-mcgivern https://jct.ie/english/english

International and intersectional perspectives and stories are essential to learning and understanding more about each other as women- and we have a responsibility to be aware of the experiences of women across the world. Women abroad endure hurdles or dangers to have their voices heard and their stories told. These stories can highlight not only differences that we weren't aware of, but also shared experiences that can open our eyes to similarities we may not have ever thought we'd relate to. Katusha Jin and Dayna Hagewood join us to discuss four international films that are directed by women. Two of these films focus on young women in their home countries: The 2014 Saudi Arabian Film, Wadjda, Written and Directed by Haifaa Al-Mansour, also the First Female-Directed Saudi Film, and the 2008 Argentinian Film, XXY, Written and Directed by Lucía Puenzo. The other two films shed light on the experiences of young women dealing with the consequences of emigration: The 2017 Norwegian-Pakistani Film, What Will People Say, written and directed by Norwegian-Pakistani screenwriter and director Iram Haq, and The 2009 German Film, Desert Flower, directed by Sherry Hormann. Created and Produced by Jillian Chilingerian and Sophia Badalian. Artwork by Mike De Angelis. Music Produced by Stoic For reviews and playlists check us out on offscreen.weebly.com Follow us: @offscreenwithjillandsoph @Jillianchilingerian @sophia.badalian @ff2media

A young girl in Saudi Arabia hopes to save up enough money to buy a bicycle. The post W095: Wadjda (2012) appeared first on .

Pour bien commencer l'année, JINS, votre podcast sur la sexualité des personnes Arabes et/ou musulmanes de France, ne vous livre pas 1 mais 2 épisodes ce jeudi ! Je vous propose de plonger encore un peu plus dans le monde musulman et de parler d’une mouvance qui m’est très chère : celle du féminisme islamique. Oui, l’islam porte un message fondamentalement féministe. Oui, le féminisme islamique, dans la même vague que l’afro-féminisme, le féminisme décolonial / postcolonial, vient réclamer ses droits légitimes et fondamentaux, ceux pour une femme de disposer librement de son corps, de parler, de circuler et de croire librement, portant le foulard ou pas, respectée pour ses choix et non soumise à une logique patriarcalo-islamiste, ni à une définition réductive par certaines féministes blanches qui se veulent universalistes.     C'est un honneur pour moi d'échanger avec l'invitée du jour, Asma Lamrabet. Médecin biologiste, exégète, essayiste et féministe musulmane marocaine. Elle a dirigé le Centre des études féminines en islam dans le Royaume du Maroc. Elle a écrit de nombreux livres sur l’égalité homme-femme dans le Coran. Avec beaucoup d’académisme et de science, elle plonge dans le Coran et dans la Sunna (c'est-à-dire l’ensemble des paroles du Prophète) pour retrouver tous les épisodes constitutifs d’une place égalitaire de la femme en islam par rapport à l’homme.  Si vous voulez bouquiner

durée : 00:58:32 - Certains l'aiment Fip - Échappée en roue libre vers Les triplettes de Belleville, Le voleur de bicyclette, Alceste, Jour de fête, E.T., Jules et Jim, Ghislain Lambert, Wadjda...

Oh boy, was it a journey to get the show posted this week. The technology gods really did not want us to return to the year 2013. but we did and it is now here for you to listen to today (or any day you decide).2013 was our first year of The Movie Breakdown. As is the duty of every movie podcast or movie reviewer/critic, we had to do our top ten favourite movies of the year. As we've said many time on the podcast, movie reviews and best of lists of movies are not objective but rather a snapshot of how a movie spoke to us at that time. We wanted to revisit our lists from that year and see how we feel about it now. How do the 2013 movies speak to us in 2020?It was no surprise to see that they speak to us very differently in 2020, because we've changed a lot since 2013. This means that some movies mean a lot more to us now and some movies mean a lot less. We created new 2013 Top Ten Movie lists, and there are definitely some new movies on there but also some stood the test of time.I should also note that some of the new movies made the list not because our opinion changed on them, but we had not seen them yet when we made the list back then. Some of our new movies that ranked really high on the list were films that we loved the first time we saw them but just saw them too late to make the list the first time we did the show.It was a blast talking about great movies from 2013. We really enjoyed this concept of revisiting old lists, so let us know if you like it as well and want us to try it for the other years as well. This ended up being a super-sized episode and we really hope you love it as much as we did recording it for you. We believe it was worth the extra wait and please let us know what you think. If you love it, take a little time to promote it on social media for other movie fans to find.Reminder that you can subscribe either to The Movie Breakdown feed (a subscription link is at the top right hand of this site), or subscribe on sites like Spotify, Stitcher, Google Podcasts, CastBox and iTunes.Christopher's Top 10:10. Wadjda (previously Monster's University)9. This is the End (previously No)8. Frozen (previously 42)7. Philomena (remained the same)6. Nebraska (previously Enough Said)5. 12 Years a Slave (previously The Places Beyond the Pines)4. Gravity (remained the same)3. Her (previously The Wolf of Wall Street)2. Inside Llewyn Davis (previously 12 Years a Slave)1. The Wolf of Wall Street (previously American Hustle)Scott's Top 10:10. Iron Man 3 (previously You're Next)9. The Place Beyond the Pines (remained the same)8. Before Midnight (previously Upstream Color)7. Mud (previously Captain Phillips)6. Short Term 12 (previously Mud)5. Fruitvale Station (previously Gravity)4. Gravity (previously Before Midnight)3. The Wolf of Wall Street (previously 12 Years a Slave)2. American Hustle (previously The Way Way Back)1. Inside Llewyn Davis (previously American Hustle)

Haifaa Al-Mansour was the first Saudi Arabian woman to direct a feature film. It’s pretty incredible that she has managed to do that when she’s from a country that severely limits the movement of women, and even more impressive when commercial cinemas weren’t even allowed to open in Saudi Arabia until two years ago.She also made the first ever feature film to be made there by anyone, man or woman, 2017’s Wadjda.Haifaa’s latest film is The Perfect Candidate, Which is part of the New Zealand International Film Festival.Haifaa joins Jack Tame to talk about her extraordinary career.LISTEN ABOVE

O Xiricast dessa semana analisa o filme saudita "O Sonho de Wadjda" da diretora Haifaa al-Mansour. SPOILER a partir de: (31:02) Nos siga nas nossas redes sociais: fb.me/xiricast instagram.com/xiricast

The Cinema For All Podcast is a celebration of going to the cinema Jaq and Abi round off the lockdown mini-season with a discussion on how film exhibitors put together programmes of films, without necessarily having access to all of the resources they usually do. They also chat about what they’ve been watching over the past few weeks (Multiple Maniacs, Circus of Books, The Lovebirds, Wadjda, Apple Mortgage Cake). The Cinema For All podcast is proud to be supported by the BFI, awarding funds from the National Lottery. HOSTS: Jaq Chell and Abi StandishPRODUCER: Jay Platt Thanks for listening! Please subscribe and rate and review our podcast – it really helps other listeners find us!For more on Cinema For All head to www.cinemaforall.org.uk or follow us on Twitter/ Instagram on @cinemaforallpod  

En attendant d'être déconfinés, on va s'faire un petit ciné - une chronique de conseils cinéma par Anne-Sophie Lepicard pendant le confinement, pour l'émission Ecoute ! Il y a un éléphant dans le jardin Chronique 3 - 22 avril 2020 Présentation de deux programmes de courts métrages proposés par la  société de production Autour de minuit, de Pierre et le loup sur le site  de France télévision (france.tv) et de Wadjda sur le site de Arte  télévision (arte.tv)   Deux programmes de courts métrages proposés par Autour de minuit  :  Le Bestiaire fantastique, programme composé de : 7 tonnes 3 (Nicolas Deveaux / 2 min / 2005) - Le Loup boule (Marion Jamault / 4 min / 2016) - Hedgehogs and the City (Evalds Lacis / 10 min / 2013) - 5 mètres 80 (Nicolas Deveaux / 6 min / 2012) - La Peur de voler (Conor Finnegan/ 9 min / 2012) - 1  mètre/heure (Nicolas Deveaux / 8 min / 2018) - voir   Les Petit Héros, programme composé de : L’Inventeur (collectif / 4 min / 2010) - Hedgehogs and the City (Evalds Lacis / 10 min / 2013) - Moi j’attends (Claire Sichez / 5 min / 2013)  - La Grande Histoire d’un petit trait (Antoine Robert / 7 min / 2016) - The  Orchestra (Mickey Hill / 15 min / 2015) - voir  Pierre et le Loup (Gordon, Corentin Leconte et Pierre-Emmanuel Lyet / 26 min / 2014)  Le  grand classique de Sergeï Prokofiev dans une version mêlant animation  et prise de vue réelle. voir  Wadjda (Haifaa Al Mansour / 1h32 / 2012)  Au  royaume wahhabite, Wadjda veut transgresser le précepte qui interdit aux  filles d’enfourcher un vélo... voir Entretien avec Nicolas Deveaux dans Ecoute ! Il y a un éléphant dans le jardin, 26 février 2019  - écouter

In the penultimate week of our cycling movie reviews, Dan and I check out the film Wadjda (2012). This film is about a young girl in Saudia Arabia that wants her own bicycle more than anything. Watching and unpacking this film, we find so much more than just a girl and a bike. Listen in to hear our take on why we feel you should see this movie. Happy bicycle month! Music: Back to the Woods by Jason Shaw --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dropbartexas/message

(00:22) ¡Bienvenidos al NortCast! ¿El podcast de los intrépidos? Fake it until you make it! (03:11) ¿Y a ti, donde te agarró el temblor? (22:07) La moda nos trajo a Zoom, pero no es Abe approved. (24:54) Algunos negocios ya no van a ver la luz… en este caso el elegido fue Game Stop. (36:10) De la realeza a Disney Plus, Meghan Markle consiguió un proyecto. (39:46) Ahsoka Tano tiene el endorsement de la actriz que brindó su voz durante años. (43:41) NortRecomendación de la semana Truth be Told. (48:18) Nos fuimos al cine… de la casa y les traemos reseñas y recomendaciones. Empezando por Dolittle. (55:02) Togo. (58:54) Cine de arte: Wadjda y Milagro en la Celda 7. (01:02:55) El Hoyo. (01:07:52) Despedida. Síguenos:TwitterFacebookSuscríbete:Apple PodcastsGoogle PodcastsSpotifyRSSContacto

 Mais IPzin da saga Oscar 2020! Neste episódio, três indicações: Adoráveis Mulheres e todas as muitas adaptações do livro Mulherzinhas; Harriet e sua batalha por liberdade dela e dos seus; e Um Lindo Dia na Vizinhança com Tom Hanks sendo um amorzinho! E depois que ouvir, não esquece pra dizer pra gente o que achou? ---- Participaram desse podcast: Kaio Anderson, Luiza Lima, Igor Vieira e Filipe Teixeira. Arte por JP Martins. Podcast editado por Kaio Anderson. ---- -Neste Episódio Adoráveis Mulheres (Filme) Harriet (Filme) Um Lindo Dia na Vizinhança (Filme) -Links VOTE NO P.I.T.U. 2019 Thread da Lu com os filmes indicados ao Oscar 2o20 que estão disponíveis em canais de streaming Julia Roberts já foi cotada para papel de heroína afro-americana da escravidão Harriet Tubman The Definitive Mr. Rogers Profile: 'Can You Say... Hero?' (artigo da revista Squire que inspirou o filme Um Lindo Dia na Vizinhança) Discurso do Tom Hanks no Globo de Outro 2020 Episódios do ONDEM sobre o Afeganistão Episódio da R.I.P.A. citados: Oscar 2020 no Iradex | IP 160: O Oscar 2018 está bom de filme? | IP 205: O Oscar 2019 está bom de filme? | Taika Waititi no Iradex Bonustrack: Luiza: Learning to Skateboard in a Warzone (If You're a Girl) (documentário curta metragem) | Igor: História de um Casamento (filme) | Filipe: O Sonho de Wadjda (filme) - Taika Waititi (filme) Mais do convidado no Iradex: Igor Vieira | Filipe Teixeira Playlist no Spotify -Contatos Facebook: /iradex Twitter: /iradex Instagram: /iradexnet E-mail: podcast@iradex.net Canal do Telegram: @iradexnet

Diretora e roteirista, Renata Diniz está cheia de projetos. Além da divulgação do curta O Véu de Amani em festivais e de escrever inúmeros roteiros de filmes, séries e documentários, ela conversa um pouco sobre a carreira e os gostos. Entre os assuntos abordados, Renata divide muito sobre os processos de escrever um roteiro. Desde o equilíbrio entre inúmeros projetos, passa pelas diferenças entre roteiros de ficção e de documentário, até salas de roteiro para séries de TV. Também lembra com nostalgia da finada Academia de Tênis, em Brasília. Sem falar de diretores e filmes como "Adaptação", "Waking Life" e "O Sonho de Wadjda". Outra referência são séries de TV, como "Fleabag", "Porque ninguém está olhando", "Sintonia". Como já falamos com parte grande da equipe de "O Véu de Amani", aproveitamos para pegar o feedback de Renata em relação à equipe majoritariamente feminina. O que é uma produção humanizada, e as consequências da escolha para o set de filmagem. Outra questão relevante nos sets dos filmes de Renata são as crianças. Os dois curtas que dirigiu são protagonizados por meninos e meninas, e os atores mirins representam um desafio a parte. O Na Sala é um dos podcasts do site Aquela Velha Onda – velhaonda.com E-mail: velhaonda@velhaonda.com Facebook: www.facebook.com/AquelaVelhaOnda/ Instagram: @aquelavelhaonda Twitter: @OndaVelha Música final: Nocturna, da Tosca Tango Orchestra

Edição de 07 Novembro 2019

Le 8 mars, c'est la Journée pour les Droits de la Femme, et on a décidé de leur consacrer une émission.  Mais quels droits ont les femmes à vélo ? Comment sont elles perçues ? Qu'est-ce que le vélo leur a apporté ? Ce sont les sujets sur lesquels on s'est penché, et franchement, c'est pas glorieux... Pour cette émission particulière, on a même réussi à renverser les majorités : 3 femmes, 2 hommes. On parle d'eux : la page Wikipédia de Wadjda https://fr.wikipedia.org/wiki/Wadjda L'article des Inrock sur les Ovarian Psychos https://www.lesinrocks.com/2016/06/13/style/brigade-ovarian-psycos-veille-femmes-deastside-l-a-nuit-a-velo-11845443/ Les Heures Félines de l'Atelier du Chat Perché à Lyon http://www.chatperche.org/reparer/heures-felines/ Agenda : L'Autre Salon : www.autre-salon.ch Projection de Bike for Bread à Laons-le-Saunier : https://www.rdv-aventure.fr Assemblée Générale de l'af3v : https://www.af3v.org/Les-16-et-17-mars-2019-a-Paris.html

Whale Rider, Wadjda, and Pieces of April

I take a look at the latest from WADJDA director Haifaa Al-Mansour. A literary romance that clunks when it focuses on the romance, but utterly shines on the literary front. Apologies for the awkward part here where I accidentially pause the recording and then um and ahhh for a while about if it's working or not. This podcast remains staunchly edit-free (even when it's to the detriment of quality).  Ratings System: Longneck of Melbourne Bitter - an excellent film. Sublimely entertaining, meaningful or both.  Pint of Kilkenny - a very good, highly recommended film.  Stubby of Reschs - a good film and worth your time.  Schooner of Carlton Draught - Not great aye. But perhaps an interesting idea or two.  Schooner of Tooheys New - Shithouse 

Precious few films celebrate the joys of riding a bike. Haifaa Al Mansour's Wadjda is more than just a celebration; it is a dissection of an entire culture. The post 308. Wadjda appeared first on Steven Benedict.

Film critic Kristen Lopez (Roger Ebert, Hollywood Reporter) fills in as guest co-host while Andrew is on hiatus. In this episode we spend time with the 2012 Saudi Arabian drama directed by Haifaa Al Mansour. Our short film pick of the week is Mo'ne Davis: I Throw Like a Girl by Spike Lee. Show Notes: 5:40 - Mo'ne Davis: I Throw Like a Girl by Spike Lee 15:21 - Wadjda by Haifaa Al Mansour

Anywhere but Home is a six-episode audio drama brought to you by Save the Children - based on true stories of incredible journeys. Deep in a forest in South Sudan a sick baby is found hidden under a pile of leaves. With gunmen all around, the race to get her to safety and find her family begins. A teacher risks everything to give the girls in his village a proper education but when he pays the ultimate price his daughter cannot forgive herself. Until a chance meeting with a boy soldier gives her the courage to go on. In a town surrounded by minefields, with bombs exploding overhead, an elderly woman undertakes an epic journey to bring her grandchildren to safety. But if even if they make it, will they ever recover from the horrors they’ve witnessed?To meet the people whose journeys inspired these stories go to: www.savethechildren.net/anywherebuthomeStories read by actors including Michael Smiley (Kill List, The Lobster, Free Fire), Amira Ghazella (Games of Thrones), Zoe Tapper (Mr Selfridge and Liar), Emma Cunniffe (Royal Shakespeare Company), and Ahd Kamal (Collateral, Wadjda).Written, created and directed by Alexia Singh; produced by Natasha Coleman; sound design, editing and music by Nikky French; casting by Meryl&Leslie; script editing Ben Lambert. Recorded at The Blue Studios and One Louder Studios. See acast.com/privacy for privacy and opt-out information.

Gespräch mit Miriam Seyffarth zum Kinderfilm "Das Mädchen Wadjda" (Saudi-Arabien/Deutschland 2012, Regie: Haifaa Al Mansour)

País Arabia Saudí Director Haifaa Al-Mansour Guión Haifaa Al-Mansour Música Max Richter Fotografía Lutz Reitemeier Reparto Reem Abdullah, Waad Mohammed, Abdullrahman Algohani, Sultan Al Assaf, Ahd Kamel Sinopsis Wadjda tiene diez años y vive en una sociedad tan tradicional que ciertas cosas como ir en bicicleta le están totalmente prohibidas. A pesar de todo, es una niña divertida y emprendedora que bordea siempre el límite entre lo autorizado y lo prohibido. Wadjda desea tener una bicicleta para poder competir con su amigo Abdullah en una carrera, pero su madre no se lo permite porque las bicicletas son un peligro para la dignidad de una chica.

We speak this morning to Latanya d. Tigner who has been with Dimensions since 1986, studying and performing traditional West and South African dance, modern, contemporary, jazz, Haitian, Cuban, and Congolese dance. She has traveled to Cuba, Guinea, Brazil, Jordan, Germany, and throughout the U.S. Latanya was selected as one of three emerging artists for the first annual Black Choreographers Here and Now Festival in 2005. This past summer she participated in Urban Bush Women's acclaimed Summer Leadership Institute in New Orleans, where she worked with dancers and other social activists to serve the New Orleans community. She also did a residency with Shaka Zulu to study the traditions of mask dance in New Orleans. Latanya is the artistic diector and choreographer for Dimensions‘ youth ensemble, Dimensions Extensions Performing Ensemble (DEPE). She joins us to talk about the 20th Anniversary performance of Rites of Passage, Sunday, Dec. 5, 3 p.m. in Oakland. Visit www.dimensionsdance.org We close with two archival interviews, the first with director, Haifa Al Mansour. Her film Wadjda is the first film by a Saudi woman (2013). We close with an interview with the former director of the Museum of the African Diaspora, Grace C. Stanislaus. Our conversation with Ms. Stanilaus is about the exhibit Desert Jewels. Music: Gina Breedlove's  "Breathe" and "Wind."  

Hello there, and welcome back to BOP! Stan and Jon couldn't make it this time, but Jonny, Mike and Karl are here to give you the skinny on some great flicks, including Frank, Wadjda, Only Lovers Left Alive and the IMAX re-release of Forrest Gump. Then, in the second segment, it's time to discuss El Topo. Was the acid western up our alley, or did it leave us bleeding out in the desert, desperately contemplating the meaning of our existence? You'll have to listen to find out! Have a question for BOP? Let us know via Twitter (@crosstawk), email (crosstawk@gmail.com) and in the comments section on the site. And head on over to iTunes to leave us a rating and review - we could always use more! Thanks for listening, folks!

The 2014 Oscars have come and gone. Among the winners were the Italian film “The Great Beauty” for Best Foreign Language Film. Fresh from a screening of the film, Alan & Chris weigh the film’s merits and consider whether the Academy made a good choice. Time is also spent discussing “Wadjda” which has the distinction of being the first feature length film ever to be shot entirely in Saudi Arabia. The results from the Oscar challenge are also revealed…someone is headed to a screening of “Ride Along”. Recommendations – “Drug War”, “Psychos”

In The News: "Baby Messiah" judge censored; bibles finally removed from ISU hotels; Arizona atheist legislator offers another nonreligious "prayer" in the House; religious violence in Africa. We promote the premier of the new "Cosmos: A Space-Time Odyssey," and the Saudi movie Wadjda. Then we talk with Madison's own Bobby Hinds, 84, an FFRF Life Member who was just inducted into the National Fitness Hall of Fame.

Critique Blu-ray/DVD Wadjda

Au programme : Creature Shock Radio (album, pour fans) Dragons (Film d'animation, pour tous) Wadjda (film, pour fans) Plus d'infos sur l'épisode : Les animateurs sont Vivian Roldo, Marion et Patrick Beja. Le générique est composé par Daniel Beja. La mise en ligne est assurée par Florent Berthelot. Commentez cet épisode et retrouvez d'autres émissions sur frenchspin.com !  See acast.com/privacy for privacy and opt-out information.

Weekly JourneywithJesus.net postings, read by Daniel B. Clendenin. Essay: *The Best of the Rest, 2013: Books and Films* for Sunday, 29 December 2013; book review: *The Green Boat; Reviving Ourselves in Our Capsized Culture* by Mary Pipher (2013); film review: *Wadjda* (2013); poem review: *BC:AD* by U.A. Fanthorpe.

The Counsellor, starring everybody, is the headliner this week, but will we have a hung jury? As Oscar season approaches, we take a look at another contender for best foreign film in Wadjda, the first, and only, and therefore bestest-ever movie to be filmed entirely in Saudi Arabia. Witches of East End sees a spirited debate about the importance of scaffolding in TV production, and Mike is accused of having unnatural motives for watching Charmed. We finish up with Almost Human, showing on Fox, where Rick Deckard teams up with Sonny the android to take down some Omnicorp scum in Team Deathmatch and get the artifact back to the Warehouse in time for tea.

As we prepare to get into Oscar contender mode here at the PDC there isn't a quite moment. Even this weekend, the calm before the storm, we have three big movies to bring to you. First up is the 'Taken'-esque Prisoners with Jake Gyllenhaal and Hugh Jackman, then we're gonna do our best to pop, lock, and drop it with Battle of the Year. Finally, getting us into the mood many of our Oscar hopefuls will be looking to get us in, it's Wadjda. Make sure to tune in for reviews of all these films plus all the news to keep you up to date with what's going on in Hollywood this week!

Haiffa Al-Mansour is the writer/director of "Wadjda" -- the first film entirely shot in Saudi Arabia, a country that's banned movie theaters. 

Today we play a couple of interviews, one from the archives. We start with an interview with Haifaa Al Mansour, first female director in Saudi Arabia about her first feature length film, Wadjda, opening in the theatres Sept. 20 and Sept. 27, 2013. We conclude with an interview with Tiffany Mann, Blueswoman in San Jose Rep's production, up through October 6, 2013, One Night with Janis Joplin.

Cinema Royale host Travis Hopson sits down with director Haifaa al-Mansour, whose critically-acclaimed film Wadjda is the first ever by a Saudia Arabian female.

On the latest episode of Conversations, we sit down with the Saudi Arabia's first female director, Haifaa al-Mansour to discuss her upcoming coming-of-age story, Wadjda. The official Oscar selection from Saudi Arabia, Wadjda tells the story of an 11-year-old girl who dreams of owning a green bicycle. We'll have all that and more on the next episode of Conversations.  

Welcome to this week’s slightly less shambolic Failed Critics podcast. We’ve tinkered with the format, and are hopefully this close to solving our audio problems. For the time being though, sit back, relax, and let us talk you through the week in cinema. We’ve got reviews of new releases Elysium, The Heat, and The Way, Way Back; plus Beware of Mr Baker, Wadjda, and the Coen Brother’s True Grit in What We’ve Been Watching. We’ve also got recommendations for the next week on television, Lovefilm, and new on DVD, and we discuss the online flap over the casting of Ben Affleck as Batman.

Mary Ann Sieghart profiles Haifaa Al-Mansour, Saudi Arabia's first female film director. Haifaa Al-Mansour directed the recently-released Wadjda, the first film entirely shot in Saudi Arabia. The film follows the dreams of an 11-year-old girl who is desperate to own a bike, and was partly inspired by Al-Mansour's early years, growing up in a small town near Riyadh. After working for an oil company, Haifaa al-Mansour decided to become a film-maker, using some of her 11 willing siblings to help her with her first short films. Her very first short film, 'Who', was about a serial killer disguised as a woman in a burka. She says she doesn't think women can change things in Saudi Arabia if they are "aggressive", but it's better to "have a career and pursue a dream." Producer: Helena Merriman.

With John Wilson. Wadjda is the first film from Saudi Arabia to be directed by a woman, Haifaa Al Mansour. It's the story of an 11-year-old girl who enters a Koran recitation competition in order to buy a bike with the winnings, even though women are discouraged from cycling and are banned from driving cars. Critic Shahidha Bari delivers her verdict. American writer Philipp Meyer's ambitious new novel, The Son, maps the legacy of violence in the western United States. When a young man is taken captive by the Comanches, he learns to adapt to their way of life before their tribe is destroyed by disease, starvation and an overwhelming number of armed, white settlers. Philipp Meyer discusses the breadth of scope - and the five years it took to research and write - of his epic 560-page novel. Starring trumpet soloist Alison Balsom, Gabriel opens at Shakespeare's Globe this evening. The play, set during the Glorious Revolution, showcases the music of Purcell through a combination of drama, instrumentals and songs. John talks to Balsom, as well as the play's director Dominic Dromgoole, about the project. Producer Karla Sweet.

Nous traversons les palmarès des Césars, de la Berlinale, puis des Oscars Les critiques individuelles de Wadjda par Laura et de Antiviral par DaviD Les Critiques des nommés aux Oscars : Happiness Therapy, Lincoln, Les Misérables & Flight. Derrière les micros : Charlotte, Laura, Flavien, Kévin, DaviD & Introducing Célia !

Haifaa Al-Mansour är Saudiarabiens första kvinnliga filmregissör. I veckans Kino berättar hon om arbetet med sin hyllade film Den gröna cykeln. Suzanne Osten tittar på tv-serien Girls och pratar kropp och komplex tillsammans med Nina Asarnoj. Karin Arrhenius och Fredrik Edfeldt som gjort den nya svenska filmen Faro kommer till studion. Och så berättar Gunnar Bolin om sina upplevelser på Fespaco-festivalen i Ouagadougou i Burkina Faso - Afrikas största och viktigaste filmfestival. En ny app som skapar sex sekunder långa filmer, som sedan loopas i oändlighet. Ett nytt verktyg som befäster Ulf Malmros ställning som svensk films sociala medier-kung. Roger Wilson skaffade Vine i veckan. I helgen har Den gröna Cykeln premiär. Den första Saudiarabiska filmen som gjorts av en kvinna, och dessutom den första långfilm som spelats in i Saudiarabien. Ganska bra jobbat av regissören Haifaa al Mansour, i ett land där kvinnor och män lever skilda liv, kvinnor retuscheras bort ur Ikea-kataloger och inte ens får köra bil. Den gröna cykeln handlar om Wadjda, en tio-årig tjej som gärna vill ha en cykel. Problemet är bara att hon inte får cykla. Just för att hon är tjej och lever i Saudiarabien. Haifaa al Mansour har regisserat filmen om hur längtan efter en hoj utmanar ett helt samhälle. Och Lisa Bergström har träffat henne. TV-serien Girls har blivit motor i ett flera veckor långt flöde av debattartiklar och krönikor. Texter som påfallande ofta har handlat om seriens skapare Lena Dunham. Dock ganska sällan om det faktum att hon skriver manus, regisserar, spelar huvudrollen och producerar serien. Utan mest har det handlat om hennes vikt och bröst. Så ovanligt är det fortfarande att någon utan de perfekta måtten visas avklädd på tv. Vi på Kino är lite avundsjuka på SVT:s Tv-cirkeln där Johanna Koljonen, Linnea Wikblad och Nour El-Refai diskuterar varje veckas avsnitt av Girls, och bestämde oss för att hitta ett surrogat. Nina Asarnoj styrde stegen till teatergruppen Unga Klara i Stockholm för att prata om kroppar och Girls med konstnärliga ledaren Suzanne Osten. Ni som brukar lyssna på Kino vet kanske hur förtjusta vi var i den svenska filmen Flickan som kom för några år sedan. Nästa vecka har en ny film av manusförfattaren Karin Arrhenius och regissören Fredrik Edfeldt biopremiär. Faro, heter den. Och handlar på nytt om en ung tjej, men den här gången med en lite mer dramatisk inramning. Pappa och dotter är på flykt undan polisen, eftersom pappan är misstänkt för mord. De flyr långt in i skogen, där tiden liksom stannar upp och ett nästan magiskt tillstånd uppstår. Karin Arrhenius och Fredrik Edfeldt är veckans gäster i Kino-studion. Ni som lyssnade på Kino förra veckan hörde Gunnar Bolin rapportera direkt från Ouagadougou och afrikas största och viktigaste filmfestival Fespaco. Nu har han satt samman ett lite längre reportage om sina upplevelser i Burkina-Faso. Och vi börjar den 23 februari, på festivalens högtidliga invigning. Programledare: Roger Wilson Producent: Lisa Bergström