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Today, we're celebrating nothing but music with three stops! First up is Opera Mississippi as they present: Wolfgang Amadeus Mozart's "THE MAGIC FLUTE," happening April 26th in Clinton, then it's stop in Natchez with blues Musician, Vasti Jackson at the Natchez Festival of Music's: BB, King of the Mississippi Blues concert, April 26th, before a final stop at Martin's Downtown in Jackson to catch Tennessee's own Southern Avenue tear up the stage! We'll check out what's happening around your neck of the woods! Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!Watch this episode on MPB's YouTube Channel: Next Stop, Mississippi | THE MAGIC FLUTE, Natchez Festival of Music, & Southern AvenueNext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.
While we are pounding the keyboard writing season two of Alpha 8, we wanted to share another incredible audio drama your ears will love.
TWR Season 4 Episode 23 of the Travels With Randy podcast is here! St Louis Baseball And The Natchez Trace Parkway Well it's been a fun week for Randy! The week started with him at Busch Stadium watching his Angels play the Cardinals. From there, he had to dodge thunderstorms, lightning, and tornadoes as he crossed over to Memphis. After driving a few hours east of there he found the Natchez Trace Parkway, and old Native American trail which is now managed by the Federal govt (a la The Blue Ridge Parkway for example) which meanders from just south of Nashville to Natchez, LA. After that, it wouldn't be TWR if the fellas didn't speak about bigger issues. Tonight, they focused on the differences between generations, how to raise men in this climate, and whether or not OnlyFans girls are justified earning their living or if they are contributing to the horrific dating/marriage/birthrate stats right now. C'mon in - the brainwater's fine! Come join the conversation on Facebook! https://www.facebook.com/travelswithrandypodcast Have a great idea for the guys? Want to sponsor us? Want to be a guest? Want to pay for both of us to go to Alaska? Email bubba@travelswithrandypodcast.com
In this month's episode of The African American Folklorist, we shine a spotlight on Dr. Constance Bailey—Assistant Professor of African American Literature and Folklore at Georgia State University, and an innovative scholar whose research explores Black women's comedy, speculative fiction, and African American oral traditions.A native of Natchez, Mississippi, Dr. Bailey's work is grounded in the richness of Southern Black culture, Black humor, and the possibilities of Afrofuturism. In this engaging conversation, we discuss her academic journey, her role as a digital media editor for the American Folklore Society, and her forthcoming book The Black Folktastic: Black Speculation and the Sankofa Aesthetic. We also explore how folklore, humor, and speculative storytelling are powerful tools of resistance, cultural memory, and imagination in Black communities.Join us as we celebrate Dr. Bailey's contributions to the field and highlight the significance of preserving and teaching Black folklore in contemporary spaces.https://constancebailey.com/
Part 2 of our interview with Shannon Eaves. "Her book, Sexual Violence and American Slavery: The Making of a Rape Culture in the Antebellum South, was published by UNC Press in 2024. This study examines how the rape and sexual exploitation of enslaved women created a rape culture that was woven into the very fabric of antebellum society, influencing daily life for both the enslaved and enslavers....Shannon earned her Ph.D. from the University of North Carolina at Chapel Hill and currently serves as an Associate Professor of African American History here at the College of Charleston. She is a specialist in 19th century U.S. History, African American History, and Slavery and Gender in the Antebellum South" (Faculty page). "It is impossible to separate histories of sexual violence and the enslavement of Black women in the antebellum South. Rape permeated the lives of all who existed in that system: Black and white, male and female, adult and child, enslaved and free. Shannon C. Eaves unflinchingly investigates how both enslaved people and their enslavers experienced the systematic rape and sexual exploitation of bondswomen and came to understand what this culture of sexualized violence meant for themselves and others. Eaves mines a wealth of primary sources including autobiographies, diaries, court records, and more to show that rape and other forms of sexual exploitation entangled slaves and slave owners in battles over power to protect oneself and one's community, power to avenge hurt and humiliation, and power to punish and eliminate future threats" (UNC Press). Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in Louisiana history. March 22, 1976. Reese Witherspoon is from New Orleans and is best known for her role in Legally Blonde and Walk the Line. This week in New Orleans history. Maximilian Ferdinand Bonzano, physician, minter, administrator. Born, Ebingen, Germany, March 22, 1821, arrived in New Orleans, 1835, working first in a printing office as a roller boy and then as printer, which provided opportunity to master the English language. Morally opposed to slavery. Also opposed secession and refused to serve the Confederacy. He was elected from his district as a delegate to the state's 1864 constitutional convention, where he chaired the committee on emancipation and personally wrote the ordinance which freed Louisiana's slaves. He lived in the mansion which had served as the headquarters of Gen. Andrew Jackson. This week in Louisiana. Cane River Creole National Park The Texas and Pacific Railway Depot Oakland and Magnolia Plantations 9:00 am - 3:00 pm daily Natchez, LA Website The Cane River region is home to a unique culture; the Creoles. Generations of the same families of workers, enslaved and tenant, and owners lived on these lands for over 200 years. The park tells their stories and preserves the cultural landscape of Oakland and Magnolia Plantations, two of the most intact Creole cotton plantations in the United States. The hours of operation for Oakland Plantation and Magnolia Plantation are 9:00 a.m. to 3:30 p.m. The plantation grounds, trails, outbuildings, and visitor restrooms are open daily. Guided tours are available Wednesday through Sunday at both sites. The park store, located in the historic Oakland Plantation Store is also open Wednesday through Sunday. The Oakland Plantation Main House is only open on Saturdays and Sundays from 10:00 a.m. to 2:00 p.m. for self-guided tours. The park does not offer visitors services, such as guided tours and shopping at the park store on Mondays and Tuesdays. The Texas and Pacific Railway Depot in Natchitoches serves as the park visitor center. The depot is open Wednesday through Sunday from 9:00 a.m. to 3:30 p.m. The park is open daily year-round with the exception of ALL federal holidays. Postcards from Louisiana. Medicare String Band in Natchitoches. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook.
Send us a textPull a seat up at the table and join us in a conversation with Matt Martin. He serves at FBC Natchez as the Associate Pastor of Discipleship & Young Adults. We get into a conversation about ministry in the historic river city, and transition into a conversation about what to expect in in the upcoming 2025 Impact Trainings. Around the Corner Events: All Events: mbcb.org/eventsMarch 16: 3:16 on 3/16March 17: Ministry Assistants Conference and Training - GaraywaMarch 20: CP 100 Dinner - OxfordMarch 20: Small Church Youth Ministry Workshop - New AlbanyMarch 21: KidMin Tool Bin - GaraywaMarch 22: Disaster Relief Training - EcruMarch 24: Multiplication Process Co-Lab - MadisonMarch 31-April 10: State Bible Drill - Various LocationsApril 3: CP 100 Dinner - BiloxiApril 4: CP 100 Dinner - MadisonContacts: Jon Martin, Chief Strategy Officer - jmartin@mbcb.orgTanner Cade, Communication Services Director - tcade@mbcb.org
Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. Warriors for Liberty: William Dollarson & Michigan's Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. Warriors for Liberty: William Dollarson & Michigan's Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. Warriors for Liberty: William Dollarson & Michigan's Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. Warriors for Liberty: William Dollarson & Michigan's Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Trey Bouler fulfilled a longtime dream when he was named superintendent of a golf course. No doubt, work was needed at the Beau Pre Country Club in Natchez, Mississippi, although he has been more than up to the task.The Beau Pre course is a beautiful one, but it struggled with multiple issues, including algae, encroachment and nematodes. Enter Redox TurfRx™, including OxyCal™ to bolster calcium, NatureCur™ for root development, Supreme™ to help turf growth and K+™ for summer stress. “I was very excited how fast I started seeing turnaround, which drew me in even more to Redox,” Bouler said. “It has been awesome.” He said his TurfRx™ experience confirms his approach to not skimp on fertilizer expenses.“We make our money in the golf course industry on our greens,” Bouler said. “That is not a place to skimp, at all. I'm a firm believer in the best nutrients possible for my budget. If I have to back off on something else, something else is going to be backed off on. I will not compromise on nutrition for my putting surfaces.”
Aubrey shares her three birth stories that tell of resilience, healing, trust, and miracles. She has had a vaginal birth, a crash Cesarean, and a VBAC– all of which presented cholestasis. Aubrey's first birth was a long but routine induction. Her second birth was a traumatic whirlwind including a complete placental abruption, general anesthesia, and her baby miraculously surviving 15 minutes without oxygen. Though her third pregnancy had many complications, the open and honest relationship Aubrey had with her provider is what ultimately led to her TOLAC and successful VBAC at 37 weeks and 6 days after another medically necessary induction. Aubrey is proof that no two births are the same, and miracles happen even when circumstances threaten to say otherwise. **Aubrey also wanted to mention that after her VBAC, she was readmitted to the hospital for postpartum preeclampsia. She had a headache every day, decided to eventually buy a blood pressure machine, and it was through the roof. She took herself to L&D, and they put her on magnesium. Aubrey had no idea it was even possible to get it postpartum and wanted to share!Managing Cholestasis SymptomsHow to VBAC: The Ultimate Prep Course for ParentsFull Transcript under Episode Details Meagan: Hello, everybody. It is almost Christmas, and I am so excited to bring another story your way. This is a VBAC story from a mama who is from Louisiana. She had quite a few roadblocks within her pregnancies that could have easily stopped her from having a VBAC, but she really established a good relationship with her provider even though her provider wasn't actually as gung-ho or excited about the VBAC specifically because she was nervous, together they communicated their feelings and understood where each other were, and came up with a plan to ultimately have a VBAC.I just respect that so much. It's important to know. We talk about providers all of the time. Providers are so important, and they make such a big impact on our outcome, but this provider, even though she wasn't really comfortable with VBAC, she truly believed in our guest, Aubrey, today. You'll have to hear it from her own words. It's awesome to hear how everything unfolded. We also have a topic today that maybe isn't shared a ton. It's called ICP or cholestasis that we are talking about. It is a liver condition that can occur during pregnancy and cause a range of symptoms. A lot of the times, it is baby being born that is the thing to end cholestasis. We are going to talk a little bit more about that, but I wanted to go over some of the symptoms. We've got dark urine, pale or light gray stools, and she'll talk about this. That is definitely something that is not normal in pregnancy, so if you are seeing that, that is a reason to contact your provider. Nausea, she described some other symptoms there. Decreased appetite, pain in the abdomen, or jaundice. These are some things to look out for. Now, there is a website called icpcare.org. We're going to make sure to attach that in the show notes, so if you have had cholestasis before or you want to learn more about cholestasis and how to manage the symptoms, and what types of things like healthy diet, they have so many amazing resources on their website. They even have recipes and different types of healthy fats and grains and legumes and things that we can focus on. We know that all of the time in pregnancy, really what we are putting into our body is so important. Definitely check out icpcare.org if you want to learn more about ICP and managing symptoms and resources and community support and all of the above. We do have a Review of the Week, so I want to get into that, and then turn the time over to Aubrey. This reviewer is reneekc89. The review title is, “A Turning Point”. It says, “When I was pregnant with my first, I was one of those ‘whatever happens is fine' moms about birth. Then I had an unplanned Cesarean after a stalled induction. It wasn't until I saw family members and friends so easily have vaginal births that I knew I had to try something different the second time around. I found this podcast through a local mom's group and immediately binged every episode. I continue to listen every week even after my successful VBAC in October 2020.”It says, “Listening to what seemed like every possible outcome helped me release my fear that I might have had. I felt emotionally prepared for anything that might have come my way. I switched hospitals and advocated through my entire 25-hour labor in the hospital, and felt like every decision was a conversation between two adults rather than demands.” Oh, what a powerful thing right there, you guys. She says, “I advocated throughout my entire 25-hour labor in the hospital and felt like every decision was a conversation between two adults rather than demands.” That is how it should be. It says, “I have to thank this podcast for helping me gain that kind of confidence. Thank you also to the Facebook Community for always answering my questions.” Oh my gosh. Thank you, reneekc89, for that review. Just a reminder, you guys, if you have not found us on Facebook yet, check us out. You can find us at The VBAC Link Community. You have to answer a few questions to get in, and then you'll get into this amazing community. We have the community on Instagram, and Facebook, and in this Facebook group. I believe so much that this Facebook community will empower you along the way. Like she said, you can ask questions, share pictures, and share concerns, and share triumphs and feel that love and support along the journey. I also wanted to throw out that we have a CBAC group, so if you are going for a TOLAC and it does end in a Cesarean, or you choose a Cesarean birth after a Cesarean, this group is here for you as well. You can find that at The CBAC Link Community on Facebook. Meagan: All right, Ms. Aubrey. Welcome to the show. Thank you so much for being here. I know you've probably been waiting. I feel like there are so many times when people are really excited to record their story, then I'm like, “Hey, you're going to be aired this much further out.” You have two months to wait. You're recording now, and then in two months, you'll be airing on, but I'm so glad you are here to share your three stories. You had a C-section, then two VBACs, right? Aubrey: I had a vaginal birth, then a C-section, and then a vaginal birth. Meagan: That's why I'm thinking two vaginal births. So vaginal birth, then Cesarean, then vaginal birth. You've got all sorts of different things added to your story. Aubrey: So many. Meagan: Cholestasis is one of them, right?Aubrey: Yes. Meagan: Okay. I'm excited to talk about that, because I think a lot of people think with cholestasis, there's only one answer. We're going to be talking about that, but I'm going to turn the time over to you.Aubrey: Okay. I guess we'll start with my first birth. Heads up if I cry at all during it because I just do that sometimes. Meagan: That is okay. That is okay. Aubrey: My first pregnancy was totally normal. I had no complications. I was big and miserable, but that was about it. I did have SPD, so my pelvis hurt really bad. I didn't know enough about it to go to a chiropractor to fix it. That was really my only thing until right at 38 weeks, it was that night at about 11:00 at night. I started itching on my feet. I couldn't scratch the itch. I got my husband's socks, and I put gel ice packs inside of them and wore them. That helped, then the itching started in my hands. This had been going on for about 2 hours, so I got in a really cold bathtub. The itching had started to spread more. It wasn't just my hands and my feet. It wasn't a normal itch. It was coming from underneath my skin. It was like my blood was itching. Meagan: People have described it to me as an unreachable itch.Aubrey: It is. It's the most miserable. Meagan: You touch the spot, but you can't get to it.Aubrey: Yeah. It's like when the inside of your ear itches. You're like, ugh. It's like that but all over. Nothing helps. I called the after-hours line at probably 4:00 in the morning. The doctor on call was like, “Pregnancy can be itchy. Take some Benadryl.” I was like, “I've already taken Benadryl. It's not helping.” She was telling me to take some creams, and I knew something else was wrong. I spent the rest of the morning researching. I came to the conclusion that I was 99% sure that I had something called cholestasis, and that I was going to have to be induced.One thing that solidified that was that there were other symptoms that I didn't know about. My stool was white. It was really weird. It just was white-colored. I had this really violent episode of vomiting beyond anything I had ever experienced in my life. That's one of the things. It's this uncontrollable exorcist-style vomiting. Meagan: I actually did not know that. Aubrey: Yeah. It was unnatural. I remember thinking, “That was so weird,” but it was a couple of days before that, and then the next day or so was when I had the weird white-colored stool, but again, I had never been pregnant, so I was like, “I guess this is just pregnancy,” then the itching. That's when I put it all together, and I was like, “Well, I've got cholestasis.” My husband was working that weekend, so I got my best friend to bring me to the hospital. When we got there, I was scratching all over. I was saying, “I'm pretty sure I've got cholestasis.” They clearly didn't believe me. They weren't being ugly. They were like, “All right. Let's see what's really going on here.” They put me in triage, and the on-call doctor came in. She is a lovely person. I don't mean anything bad, but she walked in. She said, “Okay, here's why you don't have cholestasis.” She starts listing off all of these reasons. One of them was that I wasn't jaundiced. Later on, in my research, there's only 30% of women who have elevated bilirubin levels when you have cholestasis. I wouldn't have been jaundiced because my bilirubin wasn't elevated. I said, “Okay. I understand all of that, but can you please just run the labs?” She was like, “Okay, if you want me to run them.” She brought the lady in there. They did the labs, and about 30 minutes later, she came back in, and she was like, “Okay. You were right, and I was wrong. You have cholestasis, and we are going to induce you right now.” I was like, “Okay.”Meagan: Oh my gosh.Aubrey: I called my husband and told him he needed to leave work. At about 5:00, I think– I guess it was about 5:00. They put misoprostol. Meagan: Mhmm, misoprostol, yeah. Cytotec. Aubrey: Yeah, they inserted that. After the first dose, they determined that my cervix was not tolerating it well. They decided to not continue it. They went straight to Pitocin. I didn't know then that what they were doing was really, really fast, but they were upping it every 15 minutes 2 milliunits. Meagan: 15? Wow. That is really fast. Aubrey: It is. Now that I know. At the time, I was like, “Okay.” During my birth, I prepped. I read books, and I went to classes, and I did the Bradley method, and all of the things, but I didn't prepare for induction because I had no idea that I would ever need that, so I knew a lot about birth, but I did not know anything about induction. I was like, “Okay, if you say we're going to do that, we'll do it.” I think I felt my first contraction. It wasn't that long after the Pitocin, but it wasn't that strong. I had contractions off and on for several hours, and the nurses would come in and say, “Oh, are you okay? That was a really strong one.” They didn't feel that bad to me, so I was like, “Oh, I can do this.” That went on for a while, and I guess once I got going more, It just felt like I was always contracting. I didn't know any different, again. I didn't know any different. I just thought this was what it was. Sometimes, it would be more intense, but there was always a contraction. Even on the monitor, you could see that it never dipped down. She asked if she could break my water at 7:00 that morning. It was my doctor. I don't know if she came to check on me or if she happened to be on rounds. She asked to break my waters. I told her I didn't want her to right now. She came back later, and I was okay with her breaking it, so the floodgates opened. I had so much fluid. We did not realize how much fluid I had. That was that morning or maybe the mid-morning. That evening, I hadn't slept in two days at that point because of the itching the night before, and then the contractions. I asked the nurse, “If I get an epidural, will I sleep?” She was like, “Probably so,” then I was like, “Then give it to me. I am so tired.” I did. I slept like a baby. The nurse, I wish I knew her name, but she was so sweet. She came in the night. She put a peanut ball in between my legs. I was only 4-5 centimeters at that point. She put a peanut ball in, and she would come in every 30 minutes. She would flip me from one side to another while I was sleeping. I woke up the next morning at 6:00 in the morning. I had been in labor at that point for 39 hours. I got the epidural at 30 hours. Meagan: Wow. Aubrey: Yeah. She came in the next morning, and the doctor was like, “Okay. You're ready to push.” I was like, “I am?” The epidural was so strong. I couldn't wiggle my toes. I had no idea. She came in, and set everything up. I pushed her out in 15 minutes. Meagan: Whoa. That's awesome. Aubrey: 14 minutes actually. My doctor was like, “That's the best I've ever seen a new mom push.” I was like, “Wow, yeah. Okay.” Meagan: Go me!Aubrey: Yeah. I didn't have any reference. For me, I was like, “This is taking so long, but apparently it was very quick.” Now I know it was pretty quick. Afterwards, my uterus would not contract back. My placenta wouldn't come off. Now I know it's because afterwards, she told me that my contractions never stopped. There was never a break between contractions, so my uterus was just completely exhausted. Meagan: Uterine atrophy, yeah. Aubrey: Yeah, so she had to manually go in there inside of me and start my uterus to contract again which was not pleasant, but she just basically had to shock it. Meagan: Stimulate it, yeah.Aubrey: Yeah. Eventually, it did, and my placenta just fell out. That was that. When they broke my water, I forgot to say, they did find meconium which is common in cholestasis. It was very light, and she wasn't worried about it. It wasn't an automatic C-section because of the meconium. It was really light. She did have to be suctioned, but other than that, she was perfectly fine. We didn't know any of the genders for any of my babies, so it was fun to find out that she was a girl. That was birth number one, and that was in 2018.A year and a half or whatever it was, I got pregnant right before COVID became a big thing. I was pregnant all through the COVID scare. I was due in September, at the end of September. Again, it was non-complicated. I forgot about this. I had a subchorionic hemorrhage around 16 weeks which I didn't know about. I didn't have any bleeding or anything. They just found it on the ultrasound, and then by the next time I went, it was resolved. I was considered high-risk though the whole time because of the cholestasis, so I had frequent scans all the time. That was really the only thing that was weird. We had tested for cholestasis. There were a couple times because anyone who has had cholestasis knows that anytime you itch, you're like, “It's back.” There were several times I had her test me, and there were no elevated levels. Right before 39 weeks, I told her about some intense itching on my foot. I told her that this time was it. It was the itch. She was like, “Okay, well because of COVID, and we're not sure what the hospital bed situation is going to be like, we're going to go ahead and test your blood and find out if it's present, but in the meantime, let's go ahead and schedule your induction to make sure you have a place if we do have to induce, then you're already there.” She wanted me to induce that day. I couldn't because my husband was gone for the Army. I said, “I just need a few days for him to get back in town.” That was on a Thursday or Friday, and I was induced either Monday or Tuesday. It was on September 1, 2020. I went in for my induction. This time, I had not prepared at all. I was like, “Oh, it's like riding a bike. I've done it once. I can do it again.” I want to say upfront that anything they did during the induction, I was totally a party to it. I agreed. I never said no. I never asked questions. I was uninformed or unprepared or whatever, but I never spoke up, so I don't blame them for anything that happened because I could have spoken up, but I didn't. They always asked me. They never told me, “This is what we're doing.” They asked me my permission for everything. We got there. They did not do Cytotec because it hadn't worked before. They went straight to Pitocin. Again, the same 2 milliunits every 15 minutes. Meagan: Is this just their way?Aubrey: I think it was. I don't think it is anymore, because it was different when I went for my VBAC, but yeah. Meagan: Well, I wonder if that's because you were a VBAC though. Aubrey: No, because one of the conversations I had with one of the nurses, I asked her if we could start slow. She was like, “Well, our policy is to go 2 milliunits every 30 minutes.” I was like, “I'd like to go slower than that.” I think they must have changed their policy. I don't know. That's what my hospital records say is that they were doing 2 milliunits every 15 minutes. I got those thanks to y'all. I was like, “Let me go see what that says.” Meagan: It's nice to see what it says, yeah. Aubrey: Yeah, it is because in my situation especially with what happened to my son, it was so amazing to read what really happened and to know my son is where he is. I'll get to that. Anyway, so she came in around 7:00 in the morning. My doctor was on shift. She asked if she could break my waters. I was like, “Sure, go ahead.” She broke my water. So far, it had been a pretty uneventful induction, nothing to write home about. I didn't have an epidural. I didn't feel like I needed one. I was going to try to do it without one if I could, but that might have been at 8:00 or 9:00 in the morning. I don't know. It was in the morning. Around lunchtime, they started saying that the baby was wiggly and that they couldn't really get a reading of his heart. He had been wiggly before, and so they were like, “Is it okay if we insert an IUPC?” I had that with my daughter. It doesn't harm the baby. It didn't hurt me. I didn't mind them putting it in, which is for those of y'all who don't know, it is a–Meagan: Intrauterine pressure catheter. You've got it. Aubrey: It measures the contractions from the inside so you can see how effective they are and all that. I was like, “Fine, yeah.” My nurse, whose name is Becca, she's lovely, inserted the catheter into my uterus, and the tube that comes out is clear, and it filled with dark red blood. I knew something was wrong. I said, “That shouldn't be red like that.” She said, “It's okay. Sometimes we have a little bleeding.” I said, “Not like that. That's red.” She was trying to calm me down. Meagan: Yeah, and sometimes they can knick the cervix and it can cause bleeding, but you were like, “No. Something's not right.” Aubrey: Yeah. I just knew something was wrong, but before that, I had no symptoms. I had no clue that anything was wrong. I didn't feel bad. I didn't feel any pain. Nothing. I was like, “You need to take it out. Please take it out. Please take it out.” She called my doctor who was in her clinic down the hospital, and she said, “It's okay to take it out if she's not comfortable with it.” When she took it out, blood just came shooting out of me. It was gushing. Meagan: Really?Aubrey: I know it was blood mixed with fluid, so that's why it was so much, but it looked like it was pure blood. It was so dark. I mean, I was like, “Okay, I need the doctor.” Becca was so sweet. She said, “Okay, just give me one minute. I'm going to go outside and get the doctor.” She was so calm. I was freaking out. She went out there. My doctor was in my hospital room within a couple of minutes. I think she was across the hospital in her office. She was there within a couple of minutes. She had an ultrasound machine. There wasn't a lot of time for talking about what was going on. She just got the ultrasound machine, looked for a second, pushed it up against the wall, and my doctor has the most wonderful bedside manner with the way she talks even when she is stressed out. She said, “Okay, Aubrey, we're going to have to go back to surgery now. Brandon, I need you to tell your wife goodbye.” As she's telling him that, they're pulling my jewelry off. The other nurse handed me a consent form for a C-section. They were prepping me as we were talking. Then they ran me down the hall. It felt like Grey's Anatomy. They pushed this poor woman up against the wall. I remember her head hitting the wall. It was that fast. We were running down the hall. We got into the OR, and I just remember them prepping my body and prepping the room. They were getting the instruments lined up. There was no time for anything. I didn't have an epidural, so they didn't have time to call an anesthesiologist to my knowledge. They started putting the lidocaine where my incision was or was going to be. I started hyperventilating. The nurses threw a bedsheet over my head. They popped up under there with me. They were like, “I'm so sorry, but this is the best we can do. We don't have time to put a sheet up. We're going to have to stay under here. We'll stay here with you.”Meagan: Oh my lanta. Aubrey: Yeah, it was really scary. I remember right before they threw the sheet, I could still see the door swinging. That's how fast everything happened. They eventually, she was like, “You have to calm your breaths down because the baby needs the oxygen.” Little did I know that it really didn't matter how much breath I took. He wasn't getting anything. Eventually, they put me out with gas. Meagan: Did they put you under general?Aubrey: I had to be gassed out. I was hyperventilating. They were like, “We need you to be still.” At the time, they were literally about to cut me before they threw the sheet over. I remember the very last thing that my doctor said to her nurse was, “There's no fetal heartbeat. There are no fetal tones.” I knew at that point that he was dead. Meagan: That's the last thing you heard. Aubrey: Yeah. I woke up. I don't know how much longer it was. It was pretty quickly after surgery because I don't think they anticipated me waking up so early. I was in a hallway. I wasn't in a recovery room. Because I wasn't out all the way, I don't know, but I woke up, and two of the nurses, because there were like 18 people in the room with me when everything happened. The nurses' backs were to me. I said, “Is my baby alive?” One of them said, “Oh, she's awake.” They turned around. One of them said, “They're doing everything they can.” I passed back out. Then I woke back up in the recovery room. My doctor was waiting for me. It was COVID, so my husband wasn't anywhere near any of this. Meagan: Yeah, I was wondering. You said his name was Brandon, right? They were like, “Bye, Brandon. We have to take her.”Aubrey: Then he was just left alone in the labor and delivery room freaking out. Meagan: No one talked to him?Aubrey: He told me later that my doctor had come in after the surgery to tell him everything that happened. Immediately afterward, she came in there to tell him. She is the best doctor in the whole world. Meagan: But he had to wait. Aubrey: Yeah, he had to wait. There wasn't any time for anybody to tell him anything. Meagan: How scary for him. Aubrey: Because come to find out, my placenta had spontaneously 100% completely detached from my body in a matter of a couple of hours. If anybody has ever had a placental abruption, it starts slow. It comes off a little bit at a time. Mine came off in a couple of hours. It was completely detached. We didn't know why at the time. It was very unexpected. She was there. I woke up, and I said, “Is my baby alive?” She said, “Do you want to know what you had?” I said, “Is the baby alive?” She said, “He's alive, and he's a boy.” Then she told me what happened. He was dead when he was born. He was dead for 15 minutes. Meagan: Wow. Aubrey: Yeah, 15 minutes. He had no blood flow or oxygen flow to his brain. A lot of his blood had been drained out of him because my placenta had pulled it out of him because it was detached so quickly I guess. He was not completely exsanguinated, but he lost a lot of blood and he had no heartbeat. According to my hospital records, they tried compressions. They tried the electrode things. They tried an epinephrine shot, and they tried an epinephrine drip, and nothing started his heart, and then after 15 minutes, his heart just spontaneously started by itself. Meagan: Wow. Aubrey: Yeah. That's why it was so cool reading back my hospital records to see. My doctor and everyone involved was like, “We can't believe this. I cannot believe he is alive. I cannot believe you are alive,” but reading it and seeing how amazing it really was was really cool. She told me that the surgery had happened in just a few minutes, and that because of how quickly she had to perform that surgery, that my recovery was going to be really intense, and that most people who have a C-section would not be in as much pain as I'm going to be in because they literally had to rip my body open to get him out, but she said, “Your incision is fine.” Luckily, she's a really skilled surgeon. She did all of that perfectly. She said, “I don't expect any trouble with you healing or anything with your scar.” He was put on a cooling blanket and intubated and given maybe six blood transfusions. If anybody from the hospital is listening, I'm sorry if I get the numbers wrong. But it was a lot. There were six little stickers missing from his transfusion bracelet. He couldn't eat. We couldn't pick him up. We couldn't touch him. I couldn't see him for the first 24 hours because I couldn't move, so the nurses had taken pictures of him and brought them to me so I could see what he looked like. They didn't show me the really scary ones until later because there were some at the very beginning that were very scary-looking. My doctor came in the next day to check on me. It was her day off. She just came in to check in on me to tell me how grateful she was that I was there. I know it traumatized her too because she said she had never opened up someone and seen their placenta floating inside of their body. My nurse, Becca, came to see me. She was also pretty traumatized. But anyway, it was a lot. Once he was in the hospital, they put him on the cooling blanket and all that. He had to be on the cooling blanket for 72 hours, and then they were going to be able to test him to see how significant the brain damage was because we knew that he would have some. I mean, after 5 minutes, you start to have brain damage, and then we knew having been out for 15 minutes that we were looking at something pretty significant based on science. That was the thing that I think was different about me then than now. My background was in physiological psychology. That's what I studied in grad school. My immediate thought was, “I know what science says. I know the probability is of my baby,” and that's what I was looking at. What do we need to do to take care of this baby with significant brain damage?We waited, and on the second day, the day before I was released from the hospital, I had a really cool encounter that was just the way that God changed everything for me which came into my VBAC later because of the faith that it gave me, but I had dragged myself to the shower that morning. It was so painful. My husband was still asleep on the couch. I got in the shower, and the water was cold. That made it even worse pain because it was cold. I was in the shower, but I couldn't get up because I was frozen in pain. I was like, “Why is this water in the hospital cold? It shouldn't be cold.” I sat in there for about 15 minutes. The water stayed cold, and it never warmed up. Finally, I said, “God? If you can't save my baby, can I at least have some hot water?” The water turned hot. I just started laughing and crying at the same time. I just knew that my baby was okay. I don't know how I knew. I just knew that even if he wasn't going to be perfect, whatever was wrong with him was okay. It helped me to get through the next few days because it was hard to see him just laying there. Finally, when they were able to do his tests after 72 hours, we had to go to a different hospital. He had to go in a little ambulance and go over there. We had one of the best pediatric neurologists in the area, Dr. Holman. She's not known for her bedside manner, but she's an incredible, incredible doctor. I say that in a way that she's very to the point. She doesn't sugarcoat anything. My sister, who is a nurse, warned me, “I'm just telling you that she's the best of the best, but she's not–” Meagan: She's blunt. Aubrey: She'll give it to you straight. That's what we were expecting. They did his little scans, and when she came back she said, “I don't have a medical explanation, but your baby is perfect. There's not a single spot on his brain. The cooling blanket does incredible things, but I should see something, and I don't see anything.” Meagan: Wow. Aubrey: She said, “Your baby's going to be perfectly fine.” She told us that he's probably going to have some issues from being in the NICU and being still. He would have to have physical therapy to help his muscles and all of that, but as far as his functioning as a human being, he was perfectly fine, and nothing was wrong with him. Meagan: Yay. What a miracle. Aubrey: Yeah. That's what she said. She said, “Your baby is a miracle, and I don't get to say that with what I do very much.” Meagan: That's awesome. Aubrey: Yeah. So that was his birth, and after that, that day, my husband left and went back to the Army. I recovered from that. I recovered from that pretty much alone which was almost as traumatic as what happened in the hospital because I was in so much pain, and I had a 1.5-year-old and a new baby who screamed all the time which was one of the things they warned me about after the NICU. They said, “He's going to cry a lot. We don't know why, but coolant babies just scream a lot.” He did. For hours and hours and hours, he would scream. It felt like torture in a way because it was like I couldn't do anything. He would scream and scream and scream. My friend, Ashley, and my sister were the only way I made it through that. I would call my sister, Kelly, and be like, “I need to come over,” at 3:00 in the morning. She was like, “Come on.” She would hold him while he screamed so I could go in the back and sleep because I was so sleep-deprived and in so much pain. Then my friend, Ashley, would come over and help me clean. She helped me with my daughter. They helped me through that part. My husband was gone for the first 6 months of Amos' life. About 2 years later, I got pregnant again. I was really scared of having to have another C-section. I was on a pregnancy app, and I asked, “Has anyone ever had a vaginal birth after they've had a Cesarean?” Somebody on there was like, “Oh, you should try this thing called a VBAC. There is a place called The VBAC Link.” I was like, “Okay.” I had no idea. I had never heard of The VBAC Link or the term “VBAC”. I found The VBAC Link, and like everybody else, I became obsessed. I listened to every episode, read every article, and every post. By the time it came time for my first appointment with my doctor, I knew that I was going to at least give it my best try. When I told my husband that I wanted to have a VBAC, he was not okay with that. He was really freaked out because, I mean, everybody involved was traumatized. He was. The nurses, the doctors, everybody. He was just like, “Are you sure that's safe?” I was like, “Yes, actually. I am sure that's what is safest.” I got on The VBAC Link, and I was like, “How do I make my husband understand?” They were like, “Enroll in the course and show him the course.” Meagan: Yes. Take the course with him. Aubrey: We did. By the end of it, he was like, “Okay. If that's what you want to do, we will do it.” That's what we planned for. I was really hoping that I didn't get cholestasis for the third time. There's not really anything you can do to prevent it, but I was just really hoping that somehow it wouldn't show up. About, I guess, 20 weeks, I was told that I had complete placenta previa, so that was super fun. My maternal-fetal medicine doctor explained it, and this is for everybody who gets diagnosed with that. It made my brain so much more calm. He told me that your uterus is a muscle. It's juicy, and it has all of these blood vessels. Your cervix is a connective tissue. It doesn't have all of that. Naturally, your placenta is going to gravitate toward where it can get the most nutrients. It almost always resolves itself because it's not going to get what it needs off of your connective tissue. I just banked on what he said, and by 28 weeks, it had gone so far up that it wasn't a concern at all. Around 24 weeks, I started seeing a chiropractor for severe SPD. My pelvis was on fire. It was grinding, and all of the things. It was worse than with my daughter. I didn't have it at all with my first son, but man, it was back with a vengeance with my third pregnancy. The chiropractic care helped so much. If anybody is in the Natchez, Mississippi area, my chiropractor moved to Natchez, Mississippi after she helped me. But anyway, that's where she is if you're near there and you need a good Webster-certified chiropractor, she's amazing. Her name is Dr. Ashley Edwards. She helped me. Then she helped me with positioning and stuff. She's really good. That was 24 weeks. I started that. Early on in pregnancy, I had been coming from one doctor to the other in the same building, and I was really huffing it. My blood pressure was high. They let me sit for a minute and retest it, and it was fine. I didn't think anything of it until later on in pregnancy when that happened again. My maternal-fetal medicine doctor freaked out. He was like, “You've had two high blood pressure readings. We need to test you for preeclampsia.” That was in my third trimester at some point. I'm probably skipping around. He kept pinching me to see, and asking me if the swelling was normal. I kept telling him, “That's just my ankles. I just have big calves and ankles.” Every time, he would be like, “Is this swelling always like this?” I'm like, “That's not swelling. It's just what my ankles look like, but thank you.”Meagan: Oh my goodness. Aubrey: That was fun. I had to carry around my urine for 24 hours to the urine test. He said that I did have protein in my urine, but it didn't meet the threshold of preeclampsia, so I was not preeclamptic, but they were going to watch me for it. Toward the end, I did get, “Your baby's really big,” not from my OB, but from my maternal-fetal medicine. My OB– I guess I should rewind. I didn't even talk about how we had that conversation. My OB from the very start was so amazing. When I first came in, she was like, “I'm so excited for you.” She was like, “Is it okay if I tell Becca (my nurse from before)?” I said, “Yeah, you can tell her.” She texted Becca and told her. Becca and I stayed in touch through everything. She texted me, and she was excited for me. But I told my doctor that I wanted to try for a VBAC, and she said, “I'm perfectly fine with that. I don't see an issue.” She was like, “The only thing that could possibly present an issue is if your cholestasis comes back, and it's early on. But for now, let's plan for a vaginal birth, and that's the goal. If something changes, then we'll talk about it when it changes.”She's a very great doctor because you can talk to her, and you can be open with her and be honest and never feel like she's judging you for telling her how you feel. I can't tell you how many times I cried just with her telling me all kinds of different things. She just listens and never judges. We went through most of the pregnancy with that as the goal until at the end, around 32 weeks, my itching came back. They tested me, and I had elevated bile acids, so I was considered to have cholestasis. They put me on ursodiol. I only itched for a few hours, but I knew what the itching was. It's so different. I knew what it was. I never itched again the whole pregnancy. Even before I got on the medicine, before I had even picked up the prescription, the itching had stopped. I still took it. At that point, they were like, “Okay. We can't let you go into labor naturally. We're going to have to induce,” because that is an automatic induction. Then the whole thing with the preeclampsia came around a little bit after that, so my maternal-fetal medicine doctor was talking about, “We might need to do this at 35 or 36 weeks.” I was like, “I don't think I'm comfortable with that.” My doctor was like, “We'll see, but if you have preeclampsia, that changes everything.” My doctor, my OB doctor– I was talking to her about everything, and she was like, “The reality is that what you have could potentially be dangerous for baby. So every week from about 35 weeks on, we're just going to have to determine if baby is safer in or if baby is safer out, then at that point, we can determine how we are going to deliver the baby because we don't know what your body is going to be doing. We just have to see.” She said, “I'm not telling you that you can't have a VBAC. I'm just telling you that we need to be open to the possibility that it could turn into a C-section if this doesn't go the way we want.” She said, “I feel like as your doctor, I wouldn't be doing you any service if I didn't at least have this conversation with you because if it came to the point that we had to have a C-section, and we had never talked about it, then you would be like, where did this come from? I don't want you to feel blindsighted.” I appreciated it. I did leave really discouraged from that conversation. I cried because I thought that secretly she was trying to bait and switch me. But I should know that my doctor really is great. Anyway, so we went through the next couple of weeks where she would tell me, “Baby is safer in, so baby gets to stay in.” I had scheduled a lunch with Becca. I had asked her if she would be at my new baby's birth. She said she would be my labor and delivery nurse. We'd get to try it again. She was like, “I'm going to help you have a VBAC. You can totally do this.” We had lunch. I told her about the conversation that I had with my doctor. I said, “I just want the opportunity to try. If I get to try and something happens and it doesn't work out, then I'll be okay with that. I just want to try because I know my body can birth a baby.” I said, “I don't have to have the epidural, but if that's what makes her comfortable, I'm okay with that because I've had the epidural before. It's not like I'm anti-epidural. I'll have it if that makes her more comfortable.” I've realized that she is a person with trauma, and I knew that what I was asking her to do was scary for her because of what happened and because probably most people don't know, but cholestasis comes with the risk of placental abruption. It does something to the vascular structure, so it's not that it causes it, but it makes you more susceptible to placental abruption. I knew that she was worried about that. I knew that everything else that had popped up and popped up and popped up, she probably was like, “I don't think I want to do this anymore.” I told Becca all that, and she said, “Have you ever told your doctor that?” I said, “No,” because she knows her. She works with her. She said, “I think if you have that conversation with her, and you tell her just like you told me that she would feel a lot differently about it.” The next appointment was the appointment where we were going to do my first cervical check. We needed to know what my body was doing, so if I had to induce, they knew. Meagan: Where you were at. Aubrey: Yeah. It was one that I wanted and that I needed, I think, in that situation. Before she checked me, I knew that this time if she checked me and it wasn't doing anything that she was probably going to be leaning more toward C-section because I was going to have to be delivering within that week or a few days after based on everything that was going on. When I got in there, I said, “Before you check me, I want to tell you something.” I said, “I just want to tell you this so you don't think that my response to whatever happens in the check is me begging or anything like that. I just want you to know that this is how I feel.” I told her everything I told Becca. I told her that I wanted to meet her halfway and do whatever made her comfortable as long as I got to try. She said, “Okay. Let's just check you and see what's going on.” She checked me, and she said, “You're soft. You're 1 centimeter dilated, and we can have a VBAC.” She said– hold on. Let me get myself together. She said, “I'm uncomfortable with this, but the reason that I'm okay with this is because I trust you. I trust you enough to know that when you tell me your body can do this, I believe you. I know that you trust me enough to know that if I tell you it's time to call it, then you'll believe me and we'll call it.” She said, “The reason that we're doing this is because we have a mutual trust and understanding. We can be honest with each other.”I just sobbed and sobbed and sobbed. I mean, I was just so excited. On the way home, I got into a wreck. I totaled my car. Meagan: Oh my gosh!Aubrey: Yeah. It wasn't as bad because it was totaled because my airbag came out, but it was in very slow bumper-to-bumper traffic. I had to go back to the hospital. She was on-call, and she was like, “Why are you here?” I had to be monitored for that, but everything was okay. Saturday at midnight was my induction. I came in, and they started my IV. It took them a while because I have really weird veins and they are hard to stick. Eventually, they called in an anesthesiologist to use his machine to find my veins. If anybody has hard-to-stick veins, you can use an anesthesiologist, and it works like a charm. He got my vein, and we started fluids. About 30 minutes later, it was probably at 2:30 or so whenever the Pitocin was in. I had my first baby contraction. Rebecca– a different Rebecca, but her name was Rebecca– said, “Okay, here's the schedule we're going to go on.” I forgot to mention this too, but right before my induction, my husband surprised me with his VBAC certification doula course. He had gone through the doula course. Meagan: Oh my gosh!Aubrey: He went through The VBAC Link doula course. He was like, “Surprise! I can be your doula.” Meagan: That is amazing. Aubrey: It was cute. My husband, when she starts telling me the schedule of how we were going to do everything, was like, “Excuse me, I think we need to not be going every 30 minutes. We need to be going every 45 to an hour.” He was so well-educated about the whole thing. She did. She did it slow at first, then we did that through the night. I don't remember if I slept or not, but Becca came on her shift at 7:00. She was like, “Okay. You're doing good, but here's the reasons why I think that we need to increase the interval. We were having contractions, but we need to get a pattern going.” She told me why. I agreed with her that I was okay with it as long as it didn't go faster than 30 minutes. We did that, and that started to actually get a pattern which was really nice. She is a brilliant nurse, and she knows what she's doing. She was like, “We're going to get you moving. Come on. Get up. We're getting out of bed.” She had me walking down the hall, and with the peanut ball, and sitting on the ball. My doctor came in around 9:00. She told me that she thought we needed to break my water. I was really nervous about that because in my research of what happened to my placenta, I had found that it was likely that I had a placental abruption due to the rapid decompression of my uterus. My doctor agreed that that's probably what happened, but when they broke my water, because my vessels were already weak, the pressure suctioned it off. I was really worried about breaking my water. She was like– I've never seen her be so stern with me before because she's always so calm and nice. She said, “Aubrey, I'm very uncomfortable right now. I do not want to see you have a rupture. I do not want to see your placenta detach. We need to be real about this.” She said, “You have a lot of fluid. If we do not let some of that fluid out, your baby is not going to drop. You have a lot of fluid.” I did. I guess I forgot to mention that. I wasn't quite poly, but I was pretty close to having poly.Meagan: Borderline. Aubrey: Yeah. I told her that I was scared. She said, “You cannot make decisions based off of fear. You have to make decisions based off of what is happening and what is fact. The facts are that your baby is high. Your body is contracting. You have a pattern, but your baby is not dropping. There is a reason, and it's likely because of the fluid level.” So, she said, “I can break your water in a way that is not aggressive. I will just cut a tiny little slit and let it come out on its own, then it will come out.” I agreed. I mean, when I step back and look at it, I was like, “She's right. Scientifically, the baby is buoyant and is just floating there.” Come to find out, I definitely had poly. I had so much fluid. When it finally came out, Becca was like, “I don't think I've ever seen that much fluid come out of somebody.” It was the exact thing that the baby needed. He came down, and immediately, I went from 4 centimeters to 6 in an hour. I could feel my body doing very differently. It was changing differently than it had before. I started to get nauseous and shaky. I knew that I was probably getting closer to go-time. I told Becca, “You might want to get the guy to come give the epidural now. I promised her I would get the epidural, and if we're going to get it, we're probably going to need to get it now.” She was like, “Yep. Let's go ahead and get it put in.” She had him put it in really light though so I could still move my legs and wiggle my toes. I could even put pressure on my legs which was nice. That was maybe at 2:00 in the afternoon or 3:00. Oh no. I got the epidural at almost 5:00. I was way off on the time. It was almost at 5:00 that I got my epidural. I had been between a 6 and a 7 and about 70% effaced. After the epidural, they had to go to an emergency, her and my doctor. They came back afterward, and me and my husband were playing Scrabble. I started throwing up. I had the bag, and I was like, “I need to throw up.” Becca came in and she was like, “You're throwing up? This is the best!” She was like, “It's time. It's time.” I was like, “How do you know?” She was like, “I'm telling you. I'm telling you.” She checked me, and then Dr. Barrios came in, and she was like, “Okay, Aubrey. We're going to have this baby.” My husband caught the moment. He has a picture of me the second that she told me I was going to have my VBAC. It was just the least flattering picture I could possibly have, but it's so cool because it's a live picture, and I could see the wave of emotion washing over me. I could feel pretty much everything. I mean, I'm sure if I had no epidural whatsoever, and I think Becca said she turned it down, but I'm sure it was way more intense if I was doing it without completely. I could feel everything. I could feel the ring of fire. I could feel opening up. To me, it didn't feel like I had to poop. It felt like I had a bowling ball just sitting there. They were still setting up while I was trying to push. They were like, “Wait. Let somebody get there, so we can catch it.” Right as they were finished setting up and getting dressed and everything, I was like, “Okay, we're pushing now.” I pushed. I don't remember how many times I pushed, but I felt the head come out. I said, “Is that what the head feels like?” She was like, “Yep. That was the head. We just need one more push and we can get the body.” I pushed. He was out in 4 minutes. Meagan: Wow. Aubrey: Yep. It was crazy. I had to go back and make sure I was not crazy. I looked at the timestamps of the pictures because I was like, “There was no way that it was that fast. It felt like an eternity.” It was 4 minutes. Everybody cried. My husband got a picture of the first time they put him on my chest. As soon as I pushed him out, it was like all of the trauma and everything from before just washed off of me. It was so amazing. Meagan: I bet it was so healing for you to see that you could have a different experience. Aubrey: It was. Meagan: Even though you had a different experience with your first, after having that experience the second time, I'm sure that weighed over you for sure.Aubrey: Yeah. I love the fact that both my doctor and my nurse from the time before were there and we all got to do it again. Meagan: Yeah. Yeah. I was going to say that. I bet this was really healing for your provider and your nurse, and not even just healing for your provider, but something that stepped up her experience to see that birth could go a different way after a very traumatic experience. Aubrey: Yeah. Yeah. I think so. I hope that. I would say she's not, “Woo, I love VBACs.” She was not anti-VBAC at all, but I would like to think that it helped her see VBACs in a more positive and more probable light. Meagan: Mhmm, exactly. I think you probably did a lot for her that she may not have even known that you did. Aubrey: She did a lot for me. She's the best. The sad thing is that I have different insurance now so if I got pregnant again, I can't have her. But she's incredible. She really is. My baby– we didn't have a name picked out. One of the other nurses, Jordan, who helped me deliver my baby was like, “I know you don't have a name picked out. You don't have to use this if you don't want to, but I was just thinking that y'all wanted a cute, short name that started with A, and Becca's last name is Anders, and it would just be really cute.” So we named our son Anders.Meagan: Cute. Oh my gosh. That's adorable. I bet Becca is so happy. Aubrey: Yeah. When she left the hospital that night, because she charted forever and she left at 11:00 that night, we still hadn't picked out a name. Jordan came in after she had left. She suggested it, and we were like, “That's it. That's his name.” I sent her a picture of the announcement with his name on it. She said, “I had to pull my car over on the road. Don't do that to me while I'm driving.” Meagan: Oh my gosh. That is so cool and so special.Aubrey: Yeah. There were so many times on The VBAC Link where I see people who are like, “I don't know if I should do it. I'm scared.” Just do it. Just try. If you succeed, it changes you. It's so, so powerful. Meagan: It really is. It's hard to explain. It's so hard to explain that feeling that you get after having a VBAC. It's unreal. It really is unreal. We just had a client the other day who had to be induced due to some pretty severe preeclampsia, and she was a VBAC. The second she found out that she had preeclampsia and needed to be induced, I think a lot of her faith slipped and her belief that it was going to happen slipped. We too have a very raw, beautiful, live photo of the second she saw her baby and her hands reaching down to grab the baby. It tells the whole story within that and that one image tells her whole story. It's incredible. It's incredible. Aubrey: The picture that I submitted to y'all is a picture of right when they put him on my chest, and I mean, it was so surreal. Another thing that I think I didn't really mention is that there was a point when– because I had so much going on. I had all of these different complications and week to week. We don't know if you're going to have a baby this week. It was so stressful. Eventually, I just had to say, “Okay, God. You healed my baby. You started his heart. You healed his brain. You can make my body do what it's supposed to do. I can only do so much. I can eat the dates. I can drink the tea, but after a certain point, there's nothing else I can do other than just walk it out and just trust that God's going to walk me through that.” I had to keep reminding myself of that with every single step because it got really hard. There's a community called “Labor Nurse Mama”, and I was a member of that community too. There's a doula on there. Her name is Lamay Graham. I think she's in Milwaukee. I'm going to tell you where she is, but she's a doula, and she's incredible. We would have these live chats and Zoom calls. They would talk to you.She would help remind me, “You can only do so much, Aubrey. You're doing everything that you can. Stop putting it on you because your body is going to do what it's going to do, and you're not going to change that the more you stress yourself out. You have to just trust God.” She is one of the reasons I kept being able to come back to reality. It was because she would remind me, “You have to just remember. Stop trying to do it all yourself.” Meagan: Yeah. We have to trust, have faith, and do everything we can within our own power, but then understand that there are going to be other things, and you have to have faith in those things. The more educated we are and prepared we are, we can navigate through those things. Well, I am just so stinking happy for you. I can see the emotion. I can hear the emotion. I saw the pictures. If you guys are listening right now, go over to our Instagram or Facebook page, and check out this beautiful image of her just holding your baby. You've got Jordan in the background, your nurse Jordan. I mean, really, it's so beautiful and I'm so happy for you. Congrats. Aubrey: Thanks. I'm sorry I was kind of all over the place. Meagan: No. Listen, that's okay. That is totally okay. I'm just so happy you are here to share your stories. Aubrey: Thanks. I appreciate you. ClosingWould you like to be a guest on the podcast? Tell us about your experience at thevbaclink.com/share. For more information on all things VBAC including online and in-person VBAC classes, The VBAC Link blog, and Meagan's bio, head over to thevbaclink.com. Congratulations on starting your journey of learning and discovery with The VBAC Link.Support this podcast at — https://redcircle.com/the-vbac-link/donationsAdvertising Inquiries: https://redcircle.com/brands
A few weeks before his death in November 1966, Mississippi John Hurt's rendition of “Payday” was released as the opening track on his Today album for Vanguard Records.At the time, many fans believed the 74-year-old bluesman wrote the song, despite his introduction in which he characterized it as “an old tune… a ‘bandit tune.'” And we now know that a quarter of a century earlier, folklorist John Lomax recorded a version of “Payday” by lesser-known blues artists Willie Ford and Lucious Curtis in Natchez, Mississippi.Still, it is the John Hurt version that has become loved among syncopated fingerpicking guitarists; to this day his take on “Payday” is taught in classes and on YouTube videos.The John Hurt Odyssey: Part IThe Today album, hitting record stores in October 1966, marked the end of a remarkable three years for the venerable blues artist, who was born the son of freed slaves around 1892 in Teoc, Mississippi. John Smith Hurt grew up in the Mississippi Delta, living in Avalon, which sits midway between Greenwood and Holcomb just west of Highway 51.He left school at age 10 to be a farm hand and was taught guitar by a local songster and family friend. Hurt lived most of his life without electricity, did hard labor of all sorts and played music as a hobby at local dances. In the late 1920s, performing with local fiddler Willie Narmour, he won a competition and a chance to record with Okeh Records in two sessions, one in Memphis and another in New York City. John Hurt: Part IIThe resulting records were not a great commercial success — John went back to farming and raising a family that would grow to 14 children — but a quarter of a century later, his music entered the folk music canon. That's when two of those 1928 tracks were included in the holy grail of American music, Harry Smith's 1952 Anthology of American Folk Music, considered one of the main catalysts for the folk and blues revival of the 1960s and ‘70s. A decade later, in 1962, the presence of those old cuts — “Frankie” and “Spike Driver Blues” — on in the Smith anthology prompted musicologist Dick Spottswood and his friend, Tom Hoskins, to track Hurt down. Hoskins persuaded him to perform several songs for his tape recorder to make sure he was the genuine article. Quickly convinced — in fact, folkies found Hurt even more proficient than he had been in his younger Okeh recording days — Hoskins encouraged him to move to Washington, D.C., to perform for a broader audience.For the last three years of his life, Hurt performed extensively at colleges, concert halls and coffeehouses, appearing on television shows ranging from “The Tonight Show” with Johnny Carson to Pete Seeger's “Rainbow Quest” on public TV. Much of Hurt's repertoire also was recorded for the Library of Congress, and his final tunes, recorded in 1964 and released two years later, are on Today.He also developed a delightful friendship with a young folksinger named Patrick Sky who produced that final album for Vanguard, where “Payday” is the opening track.Deeper Roots of “Payday”By the way, in the brand new book, Jelly Roll Blues: Censored Songs & Hidden Histories, published last spring, author Elijah Wald finds a much longer tail on the tune, not to mention a possible connection to another Flood favorite.Wald notes that back in 1908, Missouri pianist Blind Boone published a pair of “Southern Rag” medleys that African Americans were singing in that region around the turn of the century.“Medley number one was subtitled ‘Strains from the Alleys',” Wald writes, and included the first publication of “Making Me a Pallet on the Floor.'” Wald says the medley also featured “a song that probably reaches back to slavery times and would be recorded in later years as ‘Pay Day,' ‘Reuben,' and various other names.”Our Take on the TunePurists say this doesn't sound much like Mississippi John Hurt's original, but that's pretty much by design. Once The Flood folks learn a song, they usually stop listening to the original so it is free to find its own form in the Floodisphere. That's their take on what Pete Seeger's folklorist father Charles called “the folk process.”And in this instance, “Payday” has been processing in Floodlandia for more than 20 years now, ever since its inclusion on the band's first studio album back in 2001.Here's the current state of its evolution, taken from a recent rehearsal. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
2024 is quickly coming to a close, and what an inspiring episode this week with Tejuana Johnson, First Lady of First Church of Natchez, on living intentionally.She shared her heart for fostering strong marriages within the church, building a united family, and passing on Truth to the next generation. She also shared the powerful testimony of how her daughter, Ciara, was miraculously brought back to life and given a second chance!Living for God and cultivating a strong family doesn't happen by accident. May God help us to live intentionally every day!
This week, horticulturist Felder Rushing brings in the tale of his Natchez bottle tree, advice on fire ants, and why Mississippi gardens can truly bloom all year round. Let's get dirty!Email Felder anytime at FelderRushing.Blog and listen Friday mornings at 9 and Saturday mornings at 10 to The Gestalt Gardener on MPB Think Radio. In the meantime, in Felder's words, "get out and get dirty."If you enjoyed listening to this podcast, please consider contributing to MPB: https://donate.mpbfoundation.org/mspb/podcast Hosted on Acast. See acast.com/privacy for more information.
Historical fiction told from a different perspective. Two sisters on a journey to discover family find they've inherited more than an ancestral home. They become heirs to a supernatural legacy when they relocate from Harlem, New York, to Natchez, Mississippi — just beyond The Devil's Punchbowl. Link: https://bayouswrath.podbean.com RSS Feed: https://feed.podbean.com/bayouswrath/feed.xml
The Natchez Trace Parkway is a scenic byway that rolls 440 miles through Mississippi, Alabama and Tennessee. A unit of the National Park Service, the trace winds its way through lush landscapes, diverse ecosystems and interesting historical sites. Originally the trace was a foot path for Native Americans and later used by early pioneers and traders. Today it's popular for motorists, cyclists and others seeking adventure, tranquility and a peek into America's past. Most recently, it was the chosen location for a remarkable initiative by four women interested in promoting living kidney donations. All living kidney donors themselves, these women tackled the parkway's entire 444 miles, beginning in Nashville, Tennessee, and finishing in Natchez, Mississippi….and did it in only four days. This week the Traveler's Lynn Riddick visits with these donor athletes to learn about their journey that they call ”4Women 4Kidneys 444Miles 4Days” and also to get a sense of what the Natchez Trace Parkway can offer to everyone.
In Episode 24 of The Halloween Podcast, host Lyle Perez takes listeners on a haunting journey through the eerie history of Mississippi. Known for its antebellum mansions, Civil War battlefields, and eerie bayous, the Magnolia State has long been home to ghostly encounters and tragic tales. From the notorious McRaven House to the Witch of Yazoo, this episode delves deep into the spirits that still linger in Mississippi's most haunted spots. Featured Haunted Locations: McRaven House Address: 1445 Harrison St, Vicksburg, MS 39180 Known as the most haunted house in Mississippi, McRaven House has been the site of countless ghost sightings, including the spirit of Mary Elizabeth Howard, who died at a young age. Paranormal investigators have captured EVPs, and many visitors report experiencing cold drafts and mysterious figures. The house offers both historical and ghost tours for the brave. King's Tavern Address: Closed Once a staple of haunted Natchez, King's Tavern was known for the ghost of Madeline, the mistress of Richard King. Though the tavern is now closed, the stories of Madeline's murder and her restless spirit continue to captivate ghost hunters. Windsor Ruins Address: 15095 Rodney Rd, Port Gibson, MS 39150 The haunting remains of Windsor Ruins stand as a reminder of a once-grand mansion. Visitors have reported seeing shadowy figures among the columns and hearing the sounds of Confederate soldiers marching through the ruins. Windsor Ruins is open to the public and remains a popular destination for history enthusiasts and ghost hunters alike. The Mississippi State Capitol Address: 400 High St, Jackson, MS 39201 The Mississippi State Capitol, built in 1903, is known for strange occurrences. Visitors report disembodied footsteps, cold spots, and shadowy figures in the halls. Some believe the ghost of a former legislator haunts the building, still lingering to finish his work. Longwood Mansion Address: 140 Lower Woodville Rd, Natchez, MS 39120 Longwood Mansion, an unfinished architectural marvel, is haunted by the spirit of its owner, Haller Nutt, who died before the mansion was completed. Guests often report hearing footsteps in the unfinished rooms and seeing Nutt's ghost staring out the upper windows. Rowan Oak Address: 916 Old Taylor Rd, Oxford, MS 38655 The former home of author William Faulkner, Rowan Oak is said to be haunted by Faulkner himself. Visitors have reported seeing his ghost walking the grounds and hearing the sound of typewriter keys late at night. The house is open to the public, offering both literary history and ghostly encounters. Stuckey's Bridge (Closed) Address: Near Meridian, MS Known for the gruesome legend of the innkeeper Stuckey, who robbed and murdered travelers, Stuckey's Bridge is said to be haunted by his restless spirit. Visitors report hearing the creak of a rope and seeing ghostly figures near the bridge, despite it being closed to the public. Mont Helena Address: 1049 Mont Helena Rd, Rolling Fork, MS 39159 Built on a ceremonial Indian mound, Mont Helena is home to the spirit of Helen Johnstone Harris, who is said to wander the grounds in search of her lost love. Paranormal investigators have captured eerie piano music and sightings of a woman in white. Duff Green Mansion Address: 1114 First E St, Vicksburg, MS 39183 Once a Civil War hospital, Duff Green Mansion is haunted by the spirits of soldiers who died there. Ghostly apparitions and the sounds of moaning and crying echo through the halls, making it one of Vicksburg's most haunted locations. Merrehope Address: 905 Martin Luther King Jr. Dr, Meridian, MS 39301 A beautiful antebellum home, Merrehope is haunted by spectral figures in period clothing and the sound of ghostly music. Visitors often report feeling watched and experiencing unexplained cold spots. Like Our Facebook page for more Halloween fun: www.Facebook.com/TheHalloweenPodcast ORDER PODCAST MERCH! Website: www.TheHalloweenPodcast.com Email: TheHalloweenPodcast@gmail.com X: @TheHalloweenPod Support the Show: www.patreon.com/TheHalloweenPod Get bonus Halloween content and more! Just for Patreon supporters! Check out my other show! Find it on iTunes - Amazing Advertising http://amazingadvertising.podomatic.com/ Keywords: Haunted Mississippi, Mississippi Ghost Stories, Haunted Locations, Paranormal Mississippi, Haunted America, McRaven House, King's Tavern, Windsor Ruins, Witch of Yazoo, Longwood Mansion, Rowan Oak, Stuckey's Bridge, Mont Helena, Duff Green Mansion, Merrehope Tags: #HauntedAmerica #GhostStories #MississippiHaunts #ParanormalPodcast #HauntedLocations #StaySpooky
In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery's legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi's free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery's legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi's free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery's legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi's free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Episode 55, Julian interviews Ian Barnes about a Deep South music road trip. In this journey, he and his family travel to the major music destinations of the Deep South, while learning about the South's history1. Memphis. The home of blues music2. 3. Natchez. An elegant but fading town on the Mississippi4. New Orleans. The home of jazz music and drunkenness5. Montgomery. Civil Rights history6. Atlanta. The home of hip-hop7. Pigeon Forge. Dollywood8. Nashville - the highlight of the trip. Country music's homeOther Show NotesLearn more about how America's culture developed in Julian Bishop's High, Wide, and Handsome.Learn more about America's future in Julian's second book, Are We There Ye
In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery's legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi's free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery's legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi's free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery's legal demise in 1865. Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi's free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system. Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves. For more, see the "Generations of Freedom" website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
Better Lawns and Gardens Hour 1 – Coming to you from the Summit Responsible Solutions Studios. It's National Blueberry Month! Garden expert, Teresa Watkins discusses growing blueberries with Dana Venrick, Quality Green Specialists Nursery owner. Lizzie loves her marigolds and hibiscus, but bemoans the monsoon rains that are saturating her landscape. Garden topics and questions include Cat whiskers, what to plant in the summer heat, using pine straw as a mulch, fertilizing Bahiagrass, what's causing a Natchez crapemyrtle' s sawdust, and more. https://bit.ly/3c1f5x7 UF/IFAS Growing Blueberries Sign up for Teresa's monthly gardening newsletter, “In Your Backyard” where you can read Teresa's what to do in your landscape tips, Landscape Malpractice: How to know when to fire your landscaper,” Teresa's Design Tips; and more. https://bit.ly/2YRBbsT Want to travel with Teresa on her garden tours? Check out Art in Bloom Garden Tours for more information! Come join Teresa and garden enthusiasts on a future garden tour. Graphic credit: Blueberry.org, Teresa Watkins Listen every Saturdays from 7am - 9am EST on WFLA- Orlando. Call in with your garden questions and text messages on 1-888.455.2867 and 23680, Miss the live broadcast? Listen on Audioboom podcast 24/7. https://bit.ly/3c1f5x7 #WFLF #WFLA #FNN #WNDB #BetterLawns #gardening #Florida #planting #gardeninglife #radio #southflorida #northflorida #centralflorida #Deland #SHE #Orlando #Sarasota #Miami #FortLauderdale #podcast #syndicated #BLGradio #WRLN #WiOD #gardening #SummitResponsibleSolutions #QualityGreenSpecialists #BlackKow
In this conversation, the hosts discuss the movie Crossroads (1986) and its portrayal of Southern lore, witchcraft, and the blues. They share their initial opinions of the movie and discuss the characters, including Ralph Macchio's portrayal of a young musician and Joe Seneca's performance as Blind Willie Brown. They also explore the significance of the crossroads in folklore and the cultural relevance of the blues in Mississippi. The conversation touches on the role of the bartender in Natchez and the guitar duel scene. Overall, the hosts provide insights into the movie's themes and characters. The conversation revolves around the movie 'Crossroads'. It covers various topics, such as the portrayal of blues culture, the role of the devil in the story, the themes of serving two masters, and the power of music. The hosts discuss the characters, plot, and their personal experiences with blues music and Southern culture. They also touch on the significance of the crossroads in blues mythology and the historical context of segregation in the South. Overall, the conversation provides insights into the movie and its cultural references. Crossroads (1986) explores Southern lore, witchcraft, and the blues. The movie portrays the significance of the crossroads in folklore and the cultural relevance of the blues in Mississippi. The characters, including Ralph Macchio's portrayal of a young musician and Joe Seneca's performance as Blind Willie Brown, add depth to the story. The bartender scene in Natchez and the guitar duel scene are notable moments in the movie. Overall, Crossroads (1986) provides insights into the themes of music, folklore, and personal growth. The movie 'Crossroads' explores the blues culture and its significance in American history. The portrayal of the devil in the story raises questions about serving two masters and the pursuit of fame. The power of music is highlighted as a means of expression and catharsis. The crossroads symbolize a mythological element in blues culture, representing a place of transformation and choice. The movie touches on the historical context of segregation in the South and its impact on the characters' journey. **Reviews Mentioned** Hard Times (1975) - https://youtu.be/3QQnJl2_Jbo The Warriors (1979) - https://youtu.be/xx2ufGe4yDE Backwoods Witchcraft (Affiliate) - https://amzn.to/3y24Mag Creepy Americana (Katherine) - https://podcasts.apple.com/us/podcast/creepy-americana/id1121092499 LouderThanMost.com (Jaimie) - https://louderthanmost.godaddysites.com/ **My Links** My Merch - jcornelison.redbubble.com My Site - https://classicmovierev.com/ My Books - https://www.amazon.com/John-E-Cornelison/e/B00MYPIP56 Mystery of the Cave - Book two of the Michael Potts Archaeological Mystery novel - https://amzn.to/3EvGCEE **Affiliates** Libsyn Podcast Hosting - https://signup.libsyn.com/?promo_code=CMR Grammar Checker Links - https://grammarly.go2cloud.org/SH1ax Internal Link Juicer WordPress - https://r.freemius.com/2610/2395752/ **The Equipment I Use for YouTube** Camera - https://amzn.to/3SjOUnI Audio - https://amzn.to/3gsatFu Teleprompter - https://amzn.to/3CQZQUf GoPro 9 - https://amzn.to/3ITZcbw **Say Hi on Social** Website: https://www.classicmovierev.com Instagram: https://www.instagram.com/classicmovierev/ Twitter: https://twitter.com/classicmovierev **Disclaimer** CMR is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to www.amazon.com. This is for entertainment and informative purposes only. Classic Movie Reviews claims no ownership of content. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.”
580. Part 1 of our interview with Matthew Teutsch about his article, "Blood in the Pool: The 1868 Bossier Massacre." "Violent, racist attacks didn't just occur in Bossier. They occurred across the Red River in Caddo Parish and all throughout the Red River Valley. Gilles Vandal notes that during Reconstruction 45% of the murders in Louisiana were concentrated in the northwestern part of the state. Caddo accounted for 16% of the homicides even though it only accounted for 3% of the state's population. People may have tried to cleanse the soil of the blood, but the blood remains deep within the earth." "Matthew Teutsch is the Director of the Lillian E. Smith Center at Piedmont College. He maintains Interminable Rambling, a blog on literature, culture, and pedagogy, and has published articles and book reviews in various venues including Lear, Melus, Mississippi Quarterly, African American Review and Callaloo. His research focus is African American, Southern, and Nineteenth Century American literature. He is the editor of Rediscovering Frank Yerby: Critical Essays (UPM 2020), and his current project examines Christopher Priest's run on Black Panther. Follow him on Twitter at @SilasLapham." Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. June 30, 1870. Robert E. Lee and the Natchez began their famous riverboat race. This week in New Orleans history. On June 27, 1957, Hurricane Audrey reached peak sustained winds of 145 mph, making it a major hurricane. Without decreasing windspeed, it made landfall between the mouth of the Sabine River and Cameron, Louisiana the following day. Damage in Louisiana resulted in 60-80 percent of the homes and businesses from Cameron to Grand Cheniere being severely damaged or destroyed. Audrey killed at least 416 people, the majority of which were in Cameron Parish. 40,000 people were left homeless, over 300 homeless in Louisiana. This week in Louisiana. Tunes on the Teche 4th of July Breaux Bridge St. Bernard Catholic Church 204 North Main Street Breaux Bridge, LA 70517 Website Live Music with Steve Riley and the Mamou Playboys on the Bayou Teche at Parc des Point in Breaux Bridge for the 4th of July Celebration! Thursday July 4th at 6:00 PM! A family-friendly and free night of music, food, drinks, and fireworks on the banks of the Bayou Teche. Postcards from Louisiana. Long Haul Paul. "Mercy Now." Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook.
The Midnight Feast by Lucy Foley It's the opening night of The Manor, and no expense, small or large, has been spared. The infinity pool sparkles; crystal pouches for guests' healing have been placed in the Seaside Cottages and Woodland Hutches; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen. But under the burning midsummer sun, darkness stirs. Old friends and enemies circulate among the guests. Just outside the Manor's immaculately kept grounds, an ancient forest bristles with secrets. And the Sunday morning of opening weekend, the local police are called. Something's not right with the guests. There's been a fire. A body's been discovered. THE FOUNDER * THE HUSBAND * THE MYSTERY GUEST * THE KITCHEN HELP It all began with a secret, fifteen years ago. Now the past has crashed the party. And it'll end in murder at… The Midnight Feast. Southern Man by Greg Iles Fifteen years after the events of the Natchez Burning trilogy, Penn Cage is alone. Nearly all his loved ones are dead, and his old allies gone. Pursued by enemies and demoralized by a divided community, he's found sanctuary on a former cotton plantation above the Mississippi River. But Penn's self-imposed exile comes to an abrupt end when a brawl at a Bienville rap concert triggers a shooting - one that nearly takes the life of his daughter Annie. Before the stunned city can process the tragedy, an arsonist starts torching antebellum plantation homes in Natchez and Bienville. When an unknown Black radical group claims the deadly fires as acts of historic justice, citywide panic ensues, driving a prosperous Southern town to the brink of race war. Drafted by Bienville's mayor to end the crisis and restore peace, Penn investigates the fires as casualties mount and armed marchers move toward a decisive clash. But Penn suspects that the arson attacks may not be what they seem - not retribution by radicals, but false-flag strikes designed to trigger the very chaos he sees roiling the streets. For that mayhem provides state and county leaders the excuse to dissolve the Black-run Bienville city government and seize control. It's up to Penn and a band of locals to uncover the truth and expose those trying to destabilize the city. LISTEN ABOVE See omnystudio.com/listener for privacy information.
Welcome to the P.E.G. Podcast, where we bring you up close and personal with the movers, shakers, and game-changers in the community. In this episode, we're sitting down with Byron Sago, better known as Pastor B. He's a Natchez, Mississippi native, an Army vet with over 23 years of service, the powerhouse behind Light Of Hope Fellowship Ministries in Harker Heights, Texas, and a killer musician. Pastor B takes us on a journey from his roots in Natchez, through his transformative years in the military, to founding a church that's all about taking God's Word to the streets. We also dive into his music career, from dropping hits with G Playaz to his solo comeback with the “Proverbs and Pushups” series. Now, he's back with his latest project, "Throne Muzic," and you'll get the inside scoop on his first single, "I Live," featuring CeCe, JayB33Mussik, and Jen Born Again, hitting all streaming platforms on June 17th. If you're looking for real talk, inspiration, and some dope beats, you've come to the right place. Check out the P.E.G. Podcast and catch Pastor B's new single – it's all happening here. Stay tuned and stay inspired. Don't miss out on this exclusive interview! Subscribe to the P.E.G. Podcast, follow us on social media, and stream Pastor B's latest tracks. Share your thoughts with us using the hashtags below. #PEGPodcast #PastorB #ThroneMuzic #LightOfHope #GospelMusic #NewMusic #InspirationalStories #ArmyVeteran #FaithJourney #TakeGodsWordToTheStreets ***NO COPYRIGHT CONTENT*** (All content belongs to the original owner) Additional Credit: LoFi Hip Hop with Saxophone Part 1 (1243028) Song: BEST LIFE by Pastor B ft Lyrikal Lyriks & Rep Album: Proverbs and Pushups, Vol. 3
Interview with Jim Basnight discussing his book about Sonny Boy Williamson and we also discussed blues guy Hound Dog Taylor. Jim Basnight is a musician and songwriter best known for his contributions to the power pop and rock genres. He has been active in the music scene since the late 1970s and has been involved in various bands and solo projects. Sonny Boy Williamson is a name associated with two influential American blues harmonica players, each of whom made significant contributions to the blues genre. Both Sonny Boy Williamson I and II are celebrated for their contributions to blues music, each leaving a lasting legacy through their recordings and performances. Hound Dog Taylor, born Theodore Roosevelt Taylor on April 12, 1915, in Natchez, Mississippi, was a distinctive and influential blues guitarist and singer known for his raw, energetic style. Hound Dog Taylor's contributions to the blues genre remain significant, with his raw style and powerful performances leaving a lasting mark on the music world. https://jimbasnightmusic.com/home https://www.facebook.com/share/CkreT2kas4PzUsLH/?mibextid=LQQJ4d https://x.com/jimbasnight?s=21&t=Mzw5de5zsR-SDDbhyzH0Lg https://www.amazon.com/dp/B01G4C69DE/ref=cm_sw_r_as_gl_api_gl_i_2RB8WRE2ZNTNS44BPJKB?linkCode=ml2&tag=robertorossi-20 #JimBasnight #TheMoberlys #RockMusic #PowerPop #IndieRock #songwriter #LiveMusic #SonnyBoyWilliamson#BluesHarmonica #ChicagoBlues #BluesLegend #ClassicBlues #HarmonicaMaster #DeltaBlues #SlideGuitar #BluesRock #HouseRockers #AlligatorRecords #BluesMusic #ElectricBlues Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://www.patreon.com/Gettinglumpedup
Tras la Guerra Civil estadounidense, miles de esclavos liberados llegaron a Natchez, Mississippi. Para controlar la afluencia, soldados de la Unión crearon un campo de concentración llamado Devil's Punchbowl. Mujeres y niños fueron encerrados tras muros de concreto y dejados morir de hambre y enfermedades. Más de 20.000 ex esclavos perecieron en un año. Los hombres fueron capturados y forzados a trabajos duros. Los cuerpos fueron enterrados en fosas comunes. Hoy, melocotones silvestres crecen alimentados por restos humanos. Una tragedia olvidada del período post-Guerra Civil. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Britt Williamson(Senior Pastor - First Baptist Church of Rolling Fork) won the first of their houses being completed, and Chef Regina Charboneau(Biscuit Queen of Natchez) on how her love for biscuits has had such an amazing impact on her life!
Today, we're swinging by Ridgeland to check out the 2024 Snappy Sync Soiree and Firefly Tours, at the Bill Waller Craft Center, May 16th through the 19th, we'll also check in live with Germaine at the MPB Antique Showcase in Natchez, in addition to hearing her convo with Veteran NPR host Rachel Martin, around the launch of her new podcast "Wild Card with Rachel Martin," then we're off to Starkville for the world's largest wiener dog race, The 2024 Starkville Derby, happening May 4th… and of course, we'll check out what's happening around your neck of the woods! Stay tuned, buckle up and hold on tight for your Next Stop MS!Next Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and Kamel King, Tourism Development Bureau Manger with Visit Mississippi, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. They'll not only tell you what's going on in your neck of the woods, but also share the history and people behind the markets, sporting events, concerts, fairs and festivals all over Mississippi. Hear the personal stories and traditions behind that favorite event you attend each year on Next Stop, Mississippi. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.
Chateaubriand l'avait bien souligné : les Natchez sont liés à l'histoire de l'Amérique française. Aux yeux des colons du Mississippi, leur société, avec son chef suprême, ses temples et sa hiérarchie sociale, offrait tous les gages de la sophistication. Mais, surtout, un événement spectaculaire de leur histoire va marquer au fer rouge l'histoire de la Louisiane. Le 28 novembre 1729, en effet, les Natchez massacrent les colons installés depuis une quinzaine d'années dans leur voisinage. Ce coup d'éclat sanglant fera l'objet de représailles féroces de la part des Français, qui conduiront le peuple natchez au bord de la disparition. Près de trois siècles après les faits, l'auteur mobilise toutes les sources disponibles, tant écrites qu'orales, pour interroger la violence en contexte colonial et tenter de résoudre l'énigme de cet événement. Ce faisant, il restitue aux Natchez leur épaisseur culturelle et cherche à rendre leur dignité en tant que nation. Mais qu'est-ce qui constitue une nation ? Une langue ? Un sang ? Une mémoire ? Des rites partagés ? C'est cette question que pose Gilles Havard, dans une enquête historique et ethnographique qui redonne vie et destin à un peuple amérindien oublié. Gilles Havard est notre invité pour les interviews Histoire de Timeline
We're toting our family heirlooms and antiques to Natchez for our first stop at MPB's Antique Showcase at the Natchez Convention Center, May 3rd – 4th, then we'll check out what's happening around your neck of the woods before our final stops in Jackson to check out the annual Kentucky Derby Party hosted by the Friends of the USA IBC before we celebrate the Midtown District at MIDFEST 2024, Saturday May 4th! Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!Next Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and Kamel King, Tourism Development Bureau Manger with Visit Mississippi, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. They'll not only tell you what's going on in your neck of the woods, but also share the history and people behind the markets, sporting events, concerts, fairs and festivals all over Mississippi. Hear the personal stories and traditions behind that favorite event you attend each year on Next Stop, Mississippi. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.
Faites un don et recevez un cadeau : http://don.storiavoce.com/ Aujourd'hui méconnue, l'histoire coloniale de la Nouvelle-France a pourtant fait l'objet de romans. Celui de Chateaubriand, intitulé les Natchez, dépeint un événement spectaculaire au cœur de la Louisiane du XVIIIe siècle. Le 28 novembre 1729, 600 guerriers amérindiens du peuple Natchez tuent plus de 200 colons français. Cette nation est pourtant alliée des Français, qui admirent son organisation hiérarchisée perçue comme un miroir de leur monarchie natale. S'il a longtemps été analysé seulement sous le prisme de la révolte, Gilles Havard mène lui une véritable enquête historique et ethnographique haletante pour comprendre les motivations derrière cet assaut meurtrier. L'invité : Gilles Havard est historien, directeur de recherche au CNRS au sein du laboratoire Mondes américains. Spécialiste de l'histoire des relations entre Amérindiens et Européens en Amérique du Nord, il a écrit plusieurs ouvrages de référence sur le sujet comme Histoire des coureurs de bois (Les Indes savantes, 2016, 904 pages, 35 €), qui a reçu le Grand prix des rendez-vous de l'histoire de Blois, ou l'Amérique Fantôme, les aventuriers francophones du Nouveau Monde (Flammarion, 2019, 656 pages, 26 €). Il vient de publier les Natchez, une histoire coloniale de la violence (Tallandier/Flammarion, 2024, 608 pages, 26,90 €). *** Facebook : https://www.facebook.com/HistoireEtCivilisationsMag Instagram : https://www.instagram.com/histoireetcivilisations/ Twitter : https://twitter.com/Storiavoce
It's episode 372: we've done some soul searching and we just don't like hot tomatoes, OK?! This week Em brings us creepy tales from King's Tavern in Natchez, Mississippi, which may involve some "light" possession. Then Christine covers the gut-wrenching case of the murder of Seath Jackson. And don't forget your weekly reminder to drink some water, you thirsty little rats... and that's why we drink!Milwaukee! You're our only On the Rocks show left with tickets available! Come join us in one of our favorite places - get your tickets at andthatswhywedrink@gmail.com
The episode "A Slow, Mississippi Burning" provides a comprehensive historical perspective on the state of Mississippi, delving into the deep-seated social, political, and racial challenges it has faced. The discussion sheds light on the enduring impact of events such as "The Blood Bowl" in Natchez, Mississippi, "Bloody Lowndes," and the rise of the Ku Klux Klan, highlighting the negative connotations associated with the state's history. The episode also focuses on the racialized encounters and pushback against black activists and freedom fighters, featuring insights into the work of Malcolm X, Ella Baker, and the NAACP in the Mississippi Delta, as well as the role of the Freedom Fighters in Jackson, MS. Additionally, the episode explores the rich history of electing black individuals, including women, to public office in Mississippi, with a specific focus on Alderwoman Nicole Robinson and her contributions. The discussion aims to provide valuable insights into the state's history and the ongoing efforts to address its negative connotations, offering a powerful exploration of Mississippi's complex and tumultuous past. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theafrocentricpodcast/message
Today's episode of End User Talk features Chef Jarita Frazier-King of Hulu's "Searching For Soul Food" as she talks about her life story that led to her passion in culinary creations, being featured on the popular Hulu docuseries, the importance of giving back and what inspired her to start her Natchez Heritage School of Cooking, utilizing food science and health benefits and the importance of understanding the ins and outs of different ingredients and their benefits, making up for family recipes not being documented, and much more!
G'sta peels back the layers of being a successful hip hop musician, producer and studio owner. A hip hop baby, Sean Self, known as G'sta, began writing and performing as a child in the 7th Ward of New Orleans, hitting his stride in the late 1990s.This year, G'sta celebrates 20 years of owning his own studio, So Stimulus Entertainment. He recently released “Classic Status” to celebrate hip hop's 50th anniversary. Along the way, he and his family escaped Hurricane Katrina, he hit rock bottom and faced deep depression over a failed music contract, and he reclaimed his self-esteem, rising to the top in Las Vegas, where he owns a home and lives with the love of his life.G'sta talks openly about embracing his corporate self while fueling the creativity that has never left him, fusing the two with a new vision of licensing the personal brand he has created.G'sta's collaborators and shoutouts (a selection, in no particular order):DJ Blaknificent, Bone Thugs-N-Harmony, Money Shot Chris, L.A. Create, Dizzy Wright, Carl Marshall, Travis Snow, Korg USA, Robert King at Red Giant Rights Group, Popeye Calliope, Master P, No Limit Records, Jay-Z, Nas, Ice Cube, Doug E. Fresh, The Outlaw, Big Boy's Neighborhood, Derek McLeod, Horacio Sigler, Geneus Branding, among many othersPlaces mentioned:New Orleans, Louisiana; Atlanta, Georgia; Houston, Texas; Las Vegas, Nevada; Jamaica; Natchez, Mississippi, Birmingham, Alabama; Shreveport, Louisiana"Classic Status" copyright (c) So Stimulus Entertainment. Used by permission."Classic Status" official video featuring D.J. Blacknificent - on WorldStar:https://worldstarhiphop.com/videos/wshhY8H86Qah9KG6Cywt/gsta-classic-status-feat-d-j-blaknificent-so-stimulus-entertainment-sponsoredG'sta on SoundCloud:https://soundcloud.com/gsta-gG'sta on Instagram, @gsta_ghttps://www.instagram.com/gsta_gSean G'sta Self on Facebook:https://www.facebook.com/sean.gsta.self/G'sta on YouTube:https://www.youtube.com/user/7GstaGEverything G'sta, on the So Stimulus Entertainment website:https://sostimulusent.com/--------- EPISODE CHAPTERS ---------(0:00:04) - Life Transitions and Travel Experiences(0:14:58) - Music, Careers, and Collaborations(0:26:46) - Navigating Creativity in Traditional Job(0:38:52) - Importance of Life Coaching and Growth(0:51:08) - Maintaining Health and Creativity(0:55:54) - Creative Album Production in Studio--------- EPISODE CHAPTERS WITH SHORT KEY POINTS ---------(0:00:04) - Life Transitions and Travel ExperiencesSean G'sta's journey from New Orleans to Las Vegas, including travel, relocation, cultural experiences and resilience.(0:14:58) - Music, Careers and CollaborationsMultifaceted artist's journey from music to insurance and IT, reigniting passion for music through album covers and celebrating hip-hop's 50th anniversary.(0:26:46) - Navigating Creativity in Traditional JobNature's balance between a day job and creative career, using collaborations, licensing, and mentorship to inspire the next generation.(0:38:52) - Importance of Life Coaching and GrowthTiming, personal growth and supportive individuals are crucial in achieving goals.(0:51:08) - Maintaining Health and CreativityOvercoming challenges of MS while pursuing music career, maintaining positivity, adapting lifestyle, staying in good shape and connecting with fans.(0:55:54) - Creative Album Production in StudioExcitement for new album, creative process, #IWin, gratitude for support and inspiration, artist-audience mutual appreciation. CREDITSHost and creator: Christi CassidyContact: christi@movingalongpodcast.comArtwork by Phyllis BusellMusic by Eve's Blue. Show notes written with assistance from Podium.page. LINKS:More information and to listen to past episodes: https://movingalongpodcast.comPast episodes are here too: https://moving-along.simplecast.com/Tag and like Moving Along episodes on Facebook and Instagram!
ouest de la Nouvelle-Orléans. Il est 9 heures du matin, lorsque des Natchez, des Amérindiens, rendent visite aux colons installés dans un fort, deux plantations de tabac et des habitations éparses à proximité de leurs villages surplombant le fleuve Mississippi. Depuis plusieurs années, la vie de voisinage est réglée par des gestes de convivialité qui sont reproduis ce matin-là. Sauf, que soudainement les Indiens attaquent les Français. Une heure plus tard, deux cents colons gisent à terre, scalpés ou la tête tranchée. D'autres sont capturés puis torturés. Une partie des femmes et des enfants, ainsi que tous les esclaves africains de l'établissement, sont épargnés. Cet assaut marque un tournant dans l'histoire de la Louisiane qui perd, ainsi, 10 à 15% de sa population européenne. Aux cours des deux années suivantes, les Natchez subiront de terribles représailles de la part des Français et de leurs alliés amérindiens. Dans une lettre, datée de janvier 1798, qu'il adresse au libraire parisien Buisson, François-René de Chateaubriand, écrivain et homme politique, évoque le récit qu'il a consacré à cette histoire. Il écrit : « La catastrophe épouvantable qui termine l'ouvrage est partie historique, partie imaginée. Tout ceci est dans le goût des temps, où l'on ne veut que des scènes qui remuent et ébranlent fortement les âmes ». Quel sens donner à cet événement. Qu'est-ce qui constitue une nation ? Quels ont été les partages, car il y en a eu, entre autochtones et colons ? Comment interroger la violence colonial. Quelle est la place des Natchez dans la mémoire collective ? Invité : Gilles Havard, directeur de recherche au CNRS-France. « Les Natchez – Une histoire coloniale de la violence » aux éd. Tallandier/Flammarion. Sujets traités : Natchez , Amérindiens, colons, Louisiane , révolte, François-René de Chateaubriand, violence, colonial Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 15h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Stéphane Bern raconte un terrible épisode oublié de la colonisation française des Amériques, un peuple, aujourd'hui disparu aux États-Unis, qui a tissé des liens amicaux avec des colons qu'ils ont fini pourtant par massacrer. Ou la véritable histoire de la révolte des Natchez, les Indiens de Louisiane… Qui étaient les Natchez ? Quelles étaient leurs relations avec les colons français ? Que s'est-il passé, en Louisiane, le 28 novembre 1729 ?Pour en parler, Stéphane Bern reçoit Gilles Havard, historien, directeur de recherches au CNRS et auteur de "Les Natchez, une histoire coloniale de la violence" (Tallandier)
Dans son récit, Stéphane Bern nous raconte l'histoire de la révolte des Natchez, les Indiens de Louisiane, aux États-Unis.
The Mississippi Supreme Court is considering if allocating coronavirus relief dollars to private schools violates the state constitution.Then, an author examines the journal and life story of a black barber from Natchez. He's speaking at today's History is Lunch.Plus, MPB Television and Think Radio are celebrating the state's rich culture of gospel music. Hosted on Acast. See acast.com/privacy for more information.
On Washington Wednesday, Republicans push the Biden administration to take action on the border crisis; on World Tour, news from Niger, Turkey, France, and Honduras; and hot air balloon teams in Natchez, Mississippi, embrace the uncertainty that comes with flying where the wind blows. Plus, disciplining fowl-mouthed parrots, Jerry Bowyer on standing up to Apple's discrimination against religious app developers, and the Wednesday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Compelled Podcast, featuring missionaries, addicts, prisoners, and other Christians sharing their unique and compelling testimonies. Listen on your favorite podcast app or CompelledPodcast.com.And from Free Lutheran Bible College. Students learn on campus, building a firm foundation for life in Christ through an Associate's or Bachelor's degree in Bible & Ministry. More at flbc.edu/world
Unrefined hosts Brandon and Lindsy are joined by guest host BT as they interview MK Davis. They explore the mysteries of the Lovelock Cave, red-haired giants, and Nephilim. MK discusses his research, including the legends of the Paiutes' battles with cannibalistic giants, the significance of Sarah Winnemucca, and the migration of the Natchez people. The conversation also covers Bigfoot sightings, the physical characteristics of giant skulls, and the cultural connections between ancient peoples. Additionally, they touch on the reluctance of the scientific community to accept the existence of giants, the discovery of Egyptian artifacts in Alabama, and the potential for undiscovered indigenous tribes in America. The episode concludes with a discussion on the importance of oral traditions and the challenges of conducting non-conventional research to uncover historical mysteries.Timestamps:Discussion about deepfake technology (00:02:20) Exploring the Lovelock Cave and Red Haired Giants (00:03:16)Sarah Winnemucca and her significance (00:04:34)Discussion about the Paiutes and their history (00:05:52) IConnections to the Natchez and Mississippi (00:08:31)Encounters with Bigfoot in Mississippi (00:09:42)Comparing Skunk Apes and Bigfoot (00:11:31)The Nephilim in Lovelock Cave (00:14:33)The story of the giant buried in stones (00:18:07)Other caves with stories of giants (00:21:31)The museum basement adventure (00:23:07)Connections between Paiutes and Peruvians (00:26:55)Discovery of unusual skull in Paiute camp (00:28:02)The skull with a crest (00:29:22)Paiute skull worship (00:31:51)Influences on Native American mounds (00:34:03)Legends of camels and giant sloths (00:37:14)The Choctaw and Bigfoot (00:47:00)Ancient connections and petroglyphs (00:56:19)Mysterious artifacts in New York (00:57:38)The Natchez Indians and the Green Grass (00:57:47)Hidden Indigenous Tribes (00:58:46)Documentaries and Books on Lovelock Caves (01:00:35)Excavation Work at Lovelock Caves (01:01:19)Discovery of Giant Skull (01:05:20)Atlantis and Fertile Crescent (01:07:32)Egyptian Sites in North America (01:09:19)Origin of the Nephilim (01:10:18)Front Porch Conversation (01:14:20)
Clip From Ep #672 Of The Clay Edwards Show On 103.9 WYAB (01/09/24) Three Jackson juvenile thugs escaped from the Henley-Young Juvenile detention center in Jackson Sunday night, they have know stolen one vehicle and carjacked two others at gun point, and in the 2nd one they shot a little church lady in a church parking down in Natchez, Ms. twice (once in the back and once in her neck) Check out my website at Www.ClayEdwardsShow.Com for all things Clay
Ep #672 Of The Clay Edwards Show On 103.9 WYAB (01/09/24) 1. We opened the show talking about a homeless man in Jackson that was sleeping in a dumpster this morning who got dumped head over heels into the back of a garbage truck and had to be rescued and hoisted out by The Jackson Fire Department. The took me down another rabbit hole discussing the panhandlers in Jackson running a rent & tax free business at major intersections in Jackson, Mississippi. 2. Former Hinds County D.A. Shaun Yurtkuran joins me to discuss Fulton County Georgia D.A. Fani Willis (who's leading the Donald J. Trump prosecution in Georgia over claims from the 2020 election theft fallout) being accused of having a sexual affair with the head prosecutor on the case, which her office hired and has already paid over $650,000 dollars of tax payer money 3. Three Jackson juvenile thugs escaped from the Henley-Young Juvenile detention center in Jackson Sunday night, they have know stolen one vehicle and carjacked two others at gun point, and in the 2nd one they shot a little church lady in a church parking down in Natchez, Ms. twice (once in the back and once in her neck) 4. In a funny story that could only happen in a democrat hell hole like Memphis, TN. or Jackson, MS. A Memphis hairdresser and her friend have been arrested for holding a women hostage at gun, cutting her braids out and pointing a gun at her all while beating her over not paying for her braids. Check out my website at Www.ClayEdwardsShow.Com for all things Clay
Hear how Croatia's capital city Zagreb is a hidden gem of Central Europe, a respite from the tourist crowds of other more-famous cities. Listen in as author Richard Grant tells us why Natchez is called the quirkiest town in Mississippi. Plus, find out from TV reporter Conor Knighton about visiting each one of the U.S. National Parks in a year. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.
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