Podcasts about black reconstruction

ORIGINALLY RELEASED Jul 24, 2023 Dr. Gerald Horne, renowned historian, prolific author, and leading scholar of African American history, joins host Breht O'Shea and guest co-host PM Irvin for the inaugural episode of a compelling new series dedicated to exploring the profound life and influential work of W.E.B. Du Bois. A towering figure in American intellectual history, Du Bois was an innovative sociologist, pioneering Marxist socialist thinker, distinguished historian, and a passionate advocate of Pan-Africanist civil rights and liberation. In this richly detailed discussion, Dr. Horne provides his deep historical expertise and sharp analytical insight to illuminate Du Bois's groundbreaking masterpiece, Black Reconstruction in America. This seminal text revolutionized the historiography of the Reconstruction era by highlighting the central role that African Americans played in striving for democracy and liberation following the Civil War, while powerfully dismantling the myths perpetuated by white supremacist narratives of American history. Listeners will gain a profound appreciation for Du Bois's rigorous methodology, his penetrating critique of capitalist exploitation and racial oppression, and his visionary perspective on racial solidarity and international struggle. This episode not only marks the beginning of a comprehensive exploration of Du Bois's prolific intellectual contributions but also serves as a crucial foundation for understanding the historical dynamics that continue to shape racial politics and liberation movements today.   Check out our other interviews with Professor Horne over at Guerrilla History:   Texas and the Roots of US Fascism and The Counter-Revolution of 1776   Also check out Dr. Horne's writings in The Nation ---------------------------------------------------- Support Rev Left and get access to bonus episodes: www.patreon.com/revleftradio Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Follow, Subscribe, & Learn more about Rev Left Radio https://revleftradio.com/

On this new episode of THE POLITICRAT daily podcast Omar Moore on the significant news items in America on the penultimate Friday in January. Plus: Roland Martin breaks down the multiple Reconstruction eras for Black people in the U.S. Recorded January 24, 2025. Sign up NOW for affordable healthcare at https://healthcare.gov in the U.S. The deadline is Jan 31, 2025. The 50-page document that has all the cuts Republicans want to make that will hurt the everyday person: https://static01.nyt.com/newsgraphics/documenttools/28cb85c5ed1f6c52/44e83eb4-full.pdf Social media: https://fanbase.app/popcornreel https://sez.us/popcornreel https://spoutible.com/popcornreel https://fanbase.app/popcornreel

As we take a little holiday-season break, we'd like to tide you over with a behind-the-scenes teaser. Coming in with a record of 140 KOs and 0 losses, it's our punchy conversation about "CHAMPION"! NOTE: Jacob talks about something called "social wage" in this ep. He means "psychological wage", which is an idea from W.E.B. Du Bois's "Black Reconstruction in America". --Full discussion available at www.patreon.com/thewrongstation, along with bonus episodes, our Grimoire Club, and more! The Wrong Station contains explicit content and mature themes. Episode-specific warnings can be found at www.wrongstation.com/c-w. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nancy Fraser discusses her understanding of capitalism as an integrated social order and explores its implications for envisioning a desirable postcapitalism.   --- If you are interested in democratic economic planning, these resources might be of help: Democratic planning – an information website https://www.democratic-planning.com/ Sorg, C. & Groos, J. (eds.)(2025). Rethinking Economic Planning. Competition & Change Special Issue Volume 29 Issue 1. https://journals.sagepub.com/toc/ccha/29/1   Groos, J. & Sorg, C. (2025). Creative Construction - Democratic Planning in the 21st Century and Beyond. Bristol University Press. https://bristoluniversitypress.co.uk/creative-construction International Network for Democratic Economic Planning https://www.indep.network/ Democratic Planning Research Platform: https://www.planningresearch.net/ Democratic Planning Forum: https://forum.democratic-planning.com/ --- Shownotes Remarque Institute https://as.nyu.edu/research-centers/remarque.html Nancy Fraser at The New School for Social Research: https://www.newschool.edu/nssr/faculty/nancy-fraser/ Fraser, N. (2023). Cannibal Capitalism: How our System is Devouring Democracy, Care, and the Planet and What We Can Do About It. Verso Books. https://www.versobooks.com/products/2685-cannibal-capitalism?srsltid=AfmBOopHZ8reXaCDUToeZsbdoTqnXb-wbejQdYin2J_bsa9tAu36oQCQ Ivkovic, M., & Zaric, Z. (2024). Nancy Fraser and Politics. Edinburgh University Press. https://edinburghuniversitypress.com/book-nancy-fraser-and-politics.html Fraser, N., & Jaeggi, R. (2023). Capitalism: A Conversation in Critical Theory. Verso Books. https://www.versobooks.com/products/2867-capitalism Fraser, N. (2022) Benjamin Lecture 3 – Class beyond Class (Video) https://youtu.be/jf6laSf6Eko?si=iWL-Za4pPPwF0xvb on social differentiation as discussed in sociology: https://en.wikipedia.org/wiki/Differentiation_(sociology) Rodney, W. (2018). How Europe underdeveloped Africa. Verso Books. https://www.versobooks.com/products/788-how-europe-underdeveloped-africa?srsltid=AfmBOoqKZ6g4j8UpPJD6qC5yEmKuP0h6sFTvcEX5qjBF7CtPSzedUtcP on Marx's account of surplus value: https://en.wikipedia.org/wiki/Surplus_value Robaszkiewicz, M. & Weinman, M. (2023) Hannah Arendt and Politics. Edinburgh University Press. https://edinburghuniversitypress.com/book-hannah-arendt-and-politics.html Vančura, M. (2011) Polanyi's Great Transformation and the concept of the embedded economoy. IES Occasional Paper No. 2/2011 https://www.econstor.eu/bitstream/10419/83289/1/668400315.pdf Elson, D. (2015). Value: The Representation of Labour in Capitalism. Verso Books. https://www.versobooks.com/products/159-value?srsltid=AfmBOooSko5DiXwMNN2NjSay4BP4n9cM-4y53r7G90VPbvE6itl5rxKT Robertson, J. (2017) The Life and Death of Yugoslav Socialism. Jacobin. https://jacobin.com/2017/07/yugoslav-socialism-tito-self-management-serbia-balkans Moore, J. W. (2015). Capitalism in the web of life: Ecology and the accumulation of capital. Verso Books. https://www.versobooks.com/products/74-capitalism-in-the-web-of-life Patel, R., & Moore, J. W. (2018). A History of the World in Seven Cheap Things: A Guide to Capitalism, Nature, and the Future of the Planet. Verso Books. https://www.versobooks.com/products/817-a-history-of-the-world-in-seven-cheap-things?srsltid=AfmBOoqMnr0nAUfdHOxlQPTXsnGfQtMkDKgFtJsMQ3mtk7Jcyd3Wjqko Brand, U., & Wissen, M. (2021). The Imperial Mode of Living: Everyday Life and the Ecological Crisis of Capitalism. Verso Books. https://www.versobooks.com/products/916-the-imperial-mode-of-living?srsltid=AfmBOopUs15MsSgvJ7TRVfwmo330sHvjQIAST_UymD-90i3VIfCw6vg8 Bates, T. R. (1975) Gramsci and the Theory of Hegemony. Journal of the History of Ideas Vol. 36 No. 2. https://www.jstor.org/stable/2708933 Bois, W. E. B. Du. (1935). Black Reconstruction. An Essay toward a History of the Part which Black Folk played in the Attempt to Reconstruct Democracy in America, 1860-1880. Harcourt, Brace and Company. https://cominsitu.wordpress.com/wp-content/uploads/2019/02/w-e-b-du-bois-black-reconstruction-an-essay-toward-a-history-of-the-part-which-black-folk-played-in-the-attempt-to-reconstruct-democracy-2.pdf Trotsky, L. (1938) The Transitional Program. Bulletin of the Opposition. https://www.marxists.org/archive/trotsky/1938/tp/ Morris, W. (1890) News from Nowhere. Commonweal. https://www.marxists.org/archive/morris/works/1890/nowhere/nowhere.htm Hayek, F. A. von. (1945). The Use of Knowledge in Society. The American Economic Review, 35(4). https://www.cato.org/sites/cato.org/files/articles/hayek-use-knowledge-society.pdf Schliesser, E. (2020) On Foucault on 17 January 1979 On the Market's Role (as site) of Veridiction (III) Digressions & Impressions Blog. https://digressionsnimpressions.typepad.com/digressionsimpressions/2020/06/on-foucault-on-17-january-1979-on-the-markets-role-as-site-of-veridiction-iii.html Foucault, M. (2008). The Birth of Biopolitics: Lectures at the Collège De France, 1978-1979. Palgrave Macmillan. https://1000littlehammers.wordpress.com/wp-content/uploads/2010/02/birth_of_biopolitics.pdf Marx, K. (1973) Grundrisse: Foundations of the Critique of Political Economy. Penguin. https://www.marxists.org/archive/marx/works/download/pdf/grundrisse.pdf on Bernard Mandeville and “Private Vice, Public Virtue”: https://iep.utm.edu/mandevil/ Kaufmann, F. (1959) John Dewey's Theory of Inquiry. The Journal of Philosophy, Vol. 56, No. 21. https://www.jstor.org/stable/2022592 on Habermas: https://plato.stanford.edu/entries/habermas/ on “Neurath's boat”: https://en.wikipedia.org/wiki/Neurath%27s_boat   Future Histories Episodes on Related Topics S03E24 | Grace Blakeley on Capitalist Planning and its Alternatives https://www.futurehistories.today/episoden-blog/s03/e24-grace-blakeley-on-capitalist-planning-and-its-alternatives/ S03E19 | Wendy Brown on Socialist Governmentality https://www.futurehistories.today/episoden-blog/s03/e19-wendy-brown-on-socialist-governmentality/ S03E04 | Tim Platenkamp on Republican Socialism, General Planning and Parametric Control https://www.futurehistories.today/episoden-blog/s03/e04-tim-platenkamp-on-republican-socialism-general-planning-and-parametric-control/ S03E03 | Planning for Entropy on Sociometabolic Planning https://www.futurehistories.today/episoden-blog/s03/e03-planning-for-entropy-on-sociometabolic-planning/ S03E02 | George Monbiot on Public Luxury https://www.futurehistories.today/episoden-blog/s03/e02-george-monbiot-on-public-luxury/ S02E51 | Silvia Federici on Progress, Reproduction and Commoning https://www.futurehistories.today/episoden-blog/s02/e51-silvia-federici-on-progress-reproduction-and-commoning/ S02E33 | Pat Devine on Negotiated Coordination https://www.futurehistories.today/episoden-blog/s02/e33-pat-devine-on-negotiated-coordination/ S03E23 | Andreas Malm on Overshooting into Climate Breakdown https://www.futurehistories.today/episoden-blog/s03/e23-andreas-malm-on-overshooting-into-climate-breakdown/   Future Histories Contact & Support If you like Future Histories, please consider supporting us on Patreon: https://www.patreon.com/join/FutureHistories Contact: office@futurehistories.today Twitter: https://twitter.com/FutureHpodcast Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories English webpage: https://futurehistories-international.com Episode Keywords #NancyFraser, #JanGroos, #Podcast, #Socialism, #PostCapitalism, #Capitalism, #MarketPower, #Markets, #EconomicDemocracy, #PatDevine, #WorkingClass, #WelfareState, #CriticalTheory, #Markets, #Veridiction, #Foucault, #Governmentality, #Care, #CareWork, #Labour, #Labor, #Race, #Imperialism, #DemocraticPlanning, #EconomicPlanning, #SocialReproduction, #PostcapitalistReproduction, #Ecology, #FutureHistoriesInternational, #Boundaries, #CannibalCapitalism, #Socialism  

The Eighteenth Brumaire of Louis Bonaparte, Black Reconstruction, and The Black Jacobins. What do these three texts have in common? They all aim to make a historical moment legible as a drama. In doing so, Marx, W.E.B. Du Bois, and C.L.R. James seem to show that history has a structure of repetition. But what could repetition mean? In this episode, we discuss an essay by the Japanese Marxist Kojin Karatani on Marx's Eighteenth Brumaire. We explore Karatani's theory for why representative democracies seem condemned to degenerating into authoritarian crisis, what a Marxist concept of repetition could mean, and the relationships between political crises and economic crises. Come join us as we ring in a new year that has made it possible for “a grotesque mediocrity to play a hero's part.”References:Kojin Karatani, “On The Eighteenth Brumaire of Louis Bonaparte”, trans. Seiji M. Lippit, in History and Repetition, ed. Seiji M. Lippit (Columbia University Press, 2012).leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.socialmusic:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN 

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Brassroots Democracy: Maroon Ecologies and the Jazz Commons (Wesleyan UP, 2024) recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas—Haiti—as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today BENJAMIN BARSON is a historian, baritone saxophonist, and political activist. He is an assistant professor of music at Bucknell University. His work has been published in Black Power Afterlives: The Enduring Significance of the Black Panther Party (2020), Routledge Handbook on Jazz and Gender (2021) and Routledge Guide to Ecosocialism (2021). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this episode we interview Austin McCoy to discuss his piece “'Disorganize the State': The Black Workers Congress's Visions of Abolition-Democracy in the 1970's", which Austin wrote for the Labor and Employment Relations Association's publication A Racial Reckoning in Industrial Relations: Storytelling as Revolution from Within.  Austin McCoy is a historian of the 20th Century United States with specializations in African American History, labor, and cultural history.  He is currently working on two books:   The Quest for Democracy: Black Power, New Left, and Progressive Politics in the Post-Industrial Midwest and a cultural and personal history of De La Soul. The conversation allows us to once again return to the current of radical anti-imperialist, anti-colonial, anti-racist labor organizing that emanated from organizations like DRUM (the Dodge Revolutionary Union Movement), the League of Revolutionary Black Workers and - the focus of McCoy's essay - the Black Workers Congress.  In this episode we talk about the BWC's radical vision, which McCoy describes as in the tradition of what W.E.B. Du Bois called “abolition democracy.” And we discuss some of the organizing history of the various individuals and organizations associated with the League of Revolutionary Black Workers as well as what happened to their vision over time.  We recorded this discussion on December 18th of 2023 so while we discuss the solidarity that these revolutionary Black organizers had with Palestinians and discuss the UAW's ceasefire call and their proposal to examine divestment, there are some notes that are important to add as we release this discussion almost a year later (a delay that is entirely my fault).  The UAW has endorsed Kamala Harris despite her role in the genocide of Palestinians and her refusal to call for an arms embargo and they did so with no concessions whatsoever on that issue. This stance by the UAW in this moment in many ways reflects the very currents of racist and imperialist union organizing that groups like the League and the BWC were organizing against. So while we can talk about the folks within the UAW who organized for those statements and resolutions within their union as operating within the traditions we discuss in this episode, it is important to note - at least in my view - that the UAW as a whole has ultimately shunned that radical legacy and replicated the historical role of the labor aristocracy in this moment as they and other major unions in the US have done over and over again.  Nonetheless, I do think that it is important to not dismiss the power or potential of labor organizing in moments like this, even if that potential remains unfulfilled. I think about the lessons that Stefano Harney and Fred Moten pull from people like General Baker when they called us to “wildcat the totality” several years ago.  I'd like to send much appreciation to Austin McCoy for this discussion. If you would like to support our work please become a patron of the show for as little as $1 a month at patreon.com/millennialsarekillingcapitalism Links and related or referenced discussions: Our two part conversation with Herb Boyd about this period and the League of Revolutionary Black Workers (Part 1, Part 2)  "Finally Got the News" (film about the League) Some archival documents related to the League of Revolutionary Black Workers (visit FreedomArchives.org for more)  Our discussion with J. Moufawad-Paul on "Economism" which deals with some of the imperialist and racist trends within the labor movement (and within Communist or Socialist approaches to organizing the labor movement within empire at various times). 

This is the fourth installment of the Fruitless Bookclub, a show-within-a-show, featuring Chris Barker and Jake the Lawyer, where we read all those nonfiction books we've been meaning to read. Today's episode is about Ramp Hollow: The Ordeal of Appalchia by Steven Stoll. We talk peasants. We talk agrarians. We talk about peasants and agrarians getting destroy by industry. We take a closer look at rural class dynamics and the history of the Appalachians. This is probably the longest episode of Fruitless yet. Sorry.Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work here: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonOther referencesEric Waggoner, "I'm From West Virginia and I've Got Something to Say About the Chemical Spill," https://www.huffpost.com/entry/west-virginia-chemical-spill_b_4598140.Here's a massive google doc with my notes for the episode if you want more, https://docs.google.com/document/d/17JJPM3aChJqhLIQ7rJ0HTtIRjFIFJ5Ric9OcZHEBxv0.Squatters' rights battle in Florida, https://www.usatoday.com/story/news/nation/2024/03/28/squatter-rights-laws-florida-bill/73128455007.Black Reconstruction in America, by W. E. B. Du BoisThe Color of Law, by Richard RothsteinGasland (2010), directed by Josh FoxMusic & Audio creditsYesterday – bloom.Sixteen Tons - Tennessee Ernie Ford

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, W.E.B. Du Bois. William Edward Burghardt Du Bois was an American sociologist, civil rights activist, and historian. Throughout his career, Du Bois was a founder and editor of many groundbreaking civil rights organizations and literary publications, such as The Niagara Movement and its Moon Illustrated Weekly and The Horizon periodicals, as well as the hugely influential National Association for the Advancement of Colored People (NAACP) and its monthly magazine The Crisis. An adamant socialist and peace activist, his writing for these journals was pointedly anti-capitalist, anti-war, and pro-women's suffrage, on top of his core pursuit of the dismantling of systemic racism and discrimination. Possessing a large and hugely influential body of work, Du Bois is perhaps most notably the writer of the authoritative essay collection The Souls of Black Folks (1903) and his monumental work Black Reconstruction in America 1860–1880 (1935). Du Bois never stopped fighting for and evolving his beliefs, joining the Community Party at the age of 93. This episode includes a reading by Austin Antoine of Du Bois' poem, “The Song of Smoke”  featured in our 2023 Get Lit Anthology.“The Song of Smoke”I am the Smoke KingI am black!I am swinging in the sky,I am wringing worlds awry;I am the thought of the throbbing mills,I am the soul of the soul-toil kills,Wraith of the ripple of trading rills;Up I'm curling from the sod,I am whirling home to God;I am the Smoke KingI am black. I am the Smoke King,I am black!I am wreathing broken hearts,I am sheathing love's light darts;Inspiration of iron timesWedding the toil of toiling climes,Shedding the blood of bloodless crimes—Lurid lowering 'mid the blue,Torrid towering toward the true,I am the Smoke King,I am black. I am the Smoke King,I am black!I am darkening with song,I am hearkening to wrong!I will be black as blackness can—The blacker the mantle, the mightier the man!For blackness was ancient ere whiteness began.I am daubing God in night,I am swabbing Hell in white:I am the Smoke KingI am black. I am the Smoke KingI am black!I am cursing ruddy morn,I am hearsing hearts unborn:Souls unto me are as stars in a night,I whiten my black men—I blacken my white!What's the hue of a hide to a man in his might?Hail! great, gritty, grimy hands—Sweet Christ, pity toiling lands!I am the Smoke KingI am black.Support the showSupport the show

The final episode in my review of BLACK RECONSTRUCTION by W. E. B. Du Bois. These final three chapters summarize the major themes of the book quite well. One of the best books on the topic, even a hundred years after publication.

Part 6 of my review of W. E. B. Du Bois' BLACK RECONSTRUCTION IN AMERICA.

We are in the meat of the book BLACK RECONSTRUCTION IN AMERICA by W. E. B. Du Bois. In these chapters, he looks into the revolution and counter revolution of property in Mississippi and Louisiana and then Georgia, Florida, and Alabama. We see how different demographic structures led to different reactions by the ruling planter class. 

In this episode look at the middle chapters of BLACK RECONSTRUCTION IN AMERICA, exploring the broader questions at the heart of the 15th Amendment and the impact of black voting rights on the Reconstruction politics of South Carolina.

One of the most fascinating looks at Andrew Johnson is made by Du Bois in this section of BLACK RECONSTRUCTION IN AMERICA. I also discuss his sources and unique bibliography in this episode.

The Civil War ends and the reaction to emancipation starts. In the second part of my coverage of W. E. B. Du Bois' BLACK RECONSTRUCTION IN AMERICA, I look at chapters 5-6 and the beginning of the conservative reaction to the second American Revolution.

In this episode I look at the first four chapters of the amazing book BLACK RECONSTRUCTION IN AMERICA by W. E. B. Du Bois. It is a brilliant celebration of the potential of interracial democracy, written at a time when those potentials were forgotten by historians.

Episode 068 – Bertis English Recipient of the 2023 C.J. Coley Award from Alabama Historical Association Air Date: November 8, 2023 Dr. Bertis English, professor of history at Alabama State University, discusses his book, Civil Wars, Civil Beings, and Civil Rights in Alabama's Black Belt: A History of Perry County (University of Alabama Press, 2020) that won the Alabama Historical Association's 2023 C.J. Coley Award for the best book on local history published in the previous two years. English argues that African American agency and the power of interracial citizens made the history of Perry County, AL, significantly different from the orthodox understanding of the Black Belt's history from the Civil War to the Civil Rights Movement as one of relentless racial strife and oppression. Links to things mentioned in the episode: Alabama Historical Association www.alabamahistory.net/ AHA's Clinton Jackson Coley Award https://www.alabamahistory.net/clinton-jackson-coley-book-award Civil Wars, Civil Beings, and Civil Rights in Alabama's Black Belt https://www.uapress.ua.edu/9780817320690/civil-wars-civil-beings-and-civil-rights-in-alabamas-black-belt/ Perry County https://encyclopediaofalabama.org/article/perry-county/ Marion, AL https://encyclopediaofalabama.org/article/marion/ Uniontown, AL https://encyclopediaofalabama.org/article/uniontown/ The Dunning School https://slaveryexhibits.ctl.columbia.edu/exhibits/show/williamdunning Alabama's Tragic Decade [John Witherspoon Dubose at BhamWiki] https://www.bhamwiki.com/w/John_DuBose Sarah W. Wiggins, The Scalawag in Alabama Politics https://www.uapress.ua.edu/9780817305574/the-scalawag-in-alabama-politics-18651881/ W.E.B. Du Bois, Black Reconstruction https://en.wikipedia.org/wiki/Black_Reconstruction_in_America Eric Foner, Reconstruction: America's Unfinished Revolution https://en.wikipedia.org/wiki/Reconstruction:_America%27s_Unfinished_Revolution,_1863%E2%80%931877 Lincoln School https://encyclopediaofalabama.org/article/lincoln-school/ Judson College https://encyclopediaofalabama.org/article/judson-college/ Howard College (Samford University) https://encyclopediaofalabama.org/article/samford-university/ Journal of African American History https://asalh.org/document/journal-of-african-american-history/ Rather read? Here's a link to the transcript: https://tinyurl.com/3968ebuc *Just a heads up – the provided transcript is likely to be less than 100% accurate. The Alabama History Podcast's producer is Marty Olliff and its associate producer is Laura Murray. Founded in 1947, the Alabama Historical Association is the oldest statewide historical society in Alabama. The AHA provides opportunities for meaningful engagement with the past through publications, meetings, historical markers, and other programs. See the website www.alabamahistory.net/

Has there ever been a more important wrestling podcast episode than this one?! Well likely, but I'm supposed to sell you on this one that Bill and Doug just did, and I figured that would be a good opening line. I have a sociology degree and here it is paying off! In this week's episode the boys get into ICP, a post-Summerslam preview, Dick's Last Resort, Dynamite 200, flooring, NJPW's G1 33, getting horned up while watching Breaking Bad, upcoming shows for Lucha Libre and Laughs, Rocky Mountain Pro, Hugos Lucha Libre, Heartland Championship Wrestling, and Lucha Libre Utah, hidden forest DJs, Kommander, Swerve, dementia/CTE, MJF/Adam Cole and more! “Rule-following, legal precedence, and political consistency are not more important than right, justice and plain common-sense.” -W.E.B. DuBois in Black Reconstruction. SOCIOLOGY!   Songs Used In the Podcast: “Stars” by Hum on You'd Prefer An Astronaut “Hokus Pokus” by Insane Clown Posse on The Great Milenko “Highwayman” by The Highwaymen on Highwayman “Walk” by Pantera on Vulgar Display Of Power “Country Roads” by Me First and the Gimme Gimmes on Have Another Ball   Where To Find Everything Else: Website Page For The Podcast

Dr. Gerald Horne joins Breht and guest-co-host PM Irvin to launch our new series on the life and work of W.E.B. Du Bois, the famous American sociologist, Marxist socialist, esteemed historian, and Pan-Africanist civil rights activist, starting with his major work Black Reconstruction in America.   Check out our other interviews with Professor Horne over at Guerrilla History:   Texas and the Roots of US Fascism and The Counter-Revolution of 1776   Also check out Dr. Horne's writings in The Nation   ---------------------------------------------------------------------------------------- Support Rev Left Radio: https://www.patreon.com/RevLeftRadio

Historian, Writer, Educator, and Cultural Activist, Lisa Betty joins me for this episode of Please Say Black.  Lisa is dedicated her work in challenging mainstream social justice movements' problematic views on various issues. Lisa and I discuss the impact of white supremacy on black communities and the importance of understanding its history and patterns to challenge it.  We also touch on the importance of authenticity and storytelling in preserving the truth and countering colonial lies.     During the episode Lisa mentions Black Reconstruction in America, 1860-1880, Brittany Cooper's book "Eloquent Rage: A Black Feminist Discovers Her Superpower",    Lisa Betty is a PhD Candidate in History at Fordham University. She teaches on themes of land, labor, migration, and diaspora in the Americas, the Caribbean and Africa. Lisa has worked in the field of nonprofit advocacy serving in organizations that advocate for children, families, immigrants, and incarcerated people.  To connect with Lisa and all the wonderful things she does click here.   "I speak to the Black experience, but I am always talking about the human condition--about what we can endure, dream, fail at and survive." - Maya Angelou

W. E. B Du Bois is best known for his seminal collection of essays on the African-American experience, The Souls of Black Folk, and his magnum opus, Black Reconstruction in America, which reframed the story of freed slaves in the Civil War and the brief window of political promise that followed. Du Bois is less remembered for his support for America's entry into the First World War, an endorsement that surprised many of his Black and radical allies. Moreover, he pushed for African Americans to join the ranks, in the hopes of accelerating the fight for freedom at home. He would soon regret his decision, and he spent the next two decades of his life grappling with the complex legacy of the war, and African Americans' experience of it. As the historian Chad Williams puts it, this manuscript—called The Black Man and the Wounded World—was “Du Bois's most significant work to never reach the public,” and the struggle to write it would irrevocably shape his politics. Williams, a professor of history and African-American studies at Brandeis University, joins the podcast to talk about his new book, The Wounded World: W. E. B. Du Bois and the First World War.Go beyond the episode:Chad Williams's The Wounded World: W. E. B. Du Bois and the First World WarRead Williams's reflection on the centenary of Du Bois's 1920 book Darkwater: Voices from Within the Veil“War is organized murder, and nothing else,” Harry Patch maintained; the last surviving British soldier in World War I died in 2009 at the age of 111. He once told Tony Blair: “Politicians who took us to war should have been given the guns and told to settle their differences themselves, instead of organizing nothing better than legalized mass murder.”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we are joined by Michael Thomas to talk about Black aesthetics and hip hop in particular. We work through what it means for hip hop to be a 'problem space' that reconstructs the cultural contradictions and political messaging of a racist society in a way that is not essentializing and that aspires to address social problems without producing easy answers. Main themes include hip hop's form, vibe, and story-telling capacity across generations.leftofphilosophy.com | @leftofphilReferences:Michael Thomas, "Singing Experience in Section.80", in Kendrick Lamar and the Making of Black Meaning, eds. Christopher M. Driscoll, Monica R. Miller, and Anthony B. Pinn (New York: Routledge, 2019)Paul C. Taylor, "Black Reconstruction in Aesthetics", Debates in Aesthetics 15.2 (2020): 9-47Lissa Skitolsky, Hip-Hop as Philosophical Text and Testimony: Can I Get a Witness?  (Lanham: Lexington Books, 2020)The five of us put together a playlist for this episode!Big K.R.I.T. feat. Devin The Dude, Curren$y, and Killa Kyleon, “Moon & Stars”Gary Clark Jr., “This Land”GZA feat. Method Man, “Shadowboxin'”Kanye West, “Blood on the Leaves”Little Simz, “Venom”Lupe Fiasco, “WAV Files”Makaveli, “To Live And Die in L.A.”Mobb Deep, “Shook Ones, Pt. II”Nas, “N.Y. State of Mind”Nicki Minaj, “All Things Go”Nicki Minaj, “Here I Am”Saba feat. Day Wave, “2012”Vince Staples, “Like It Is”Young Money, “Lookin Ass”Music: Vintage Memories by Schematist | schematist.bandcamp.com

We discuss the banking crisis and update on world events. We also assess our Korea event titled "Korean Civilization and Paths to Peace and Reunification." Finally, we discuss March 18's rally in Washington, D.C., and finish our reading of W.E.B. Du Bois's Black Reconstruction in America.

We conclude this round of our reading of Black Reconstruction. In the coming weeks, we will return to Hegel's Science of Logic. In studying Hegel, we'll explore some of the logical questions in Black Reconstruction and the philosophical questions that are presented in contemporary physics and Artificial Intelligence. Also, we say a few more things concerning how to understand the current financial and banking crisis in the West.

We discuss the Saturday Free School's upcoming plans and journal. Then we discuss Hegel's Science of Logic in exploring some of the logical questions in Black Reconstruction and the philosophical questions that are presented in contemporary physics and Artificial Intelligence.

We discuss and assess our Black Reconstruction symposium which took place February 25th. We also assess the Rage Against the War Machine rally which we attended in Washington, D.C. on February 19th. We had a further examination of our slogan for this year: "With W.E.B. Du Bois and Martin Luther King, we march to achieve our nation," as well as gave updates on our upcoming event on Korea.

We finish the 10th chapter of Du Bois's Black Reconstruction of America, "The Black Proletariat in South Carolina," and begin the 14th chapter, "Counter-Revolution of Property." We also discuss the anti-war rally, Rage Against the War Machine, which we will attend.

We continue our reading of Du Bois's Black Reconstruction of America by discussing the 10th chapter, "The Black Proletariat in South Carolina." We also discuss the Rage Against the War Machine rally.

Philip spends time with author and educator Leslie Kern discussing her latest book Gentrification is Inevitable & Other Lies. In their conversation they explore the ways in which the harms of gentrification are rooted in several overlapping systems and how to identify and work against the lies of gentrification inevitability. The Drop – The segment of the show where Philip and his guest share tasty morsels of intellectual goodness and creative musings. Philip's Drop: Black Reconstruction in America – WEB Dubois (https://www.simonandschuster.com/books/Black-Reconstruction-in-America-1860-1880/W-E-B-Du-Bois/9780684856575)  Reconstruction – Eric Foner (https://www.harpercollins.com/products/reconstruction-updated-edition-eric-foner?variant=32116709523490)  Leslie's Drop: Sons of Elsewhere Elamin Abdelmahmoud (https://www.penguinrandomhouse.com/books/611405/son-of-elsewhere-by-elamin-abdelmahmoud/) Special Guest: Leslie Kern.

In 1935, W. E. B. Du Bois, scholar, public intellectual, and social and political activist, published his magnum opus: Black Reconstruction in America. In it, he tackled the subject of the American Civil War and, especially, the decade or so that followed, a period known as Reconstruction. During Reconstruction it seemed, for a time, that the South and the United States as a whole, might be remade as a radically more equitable society. What was achieved during Reconstruction and why these efforts ultimately failed, is what concerns Du Bois in Black Reconstruction. He was also concerned with challenging and correcting the racist histories of Reconstruction that were prevalent in both popular and academic circles in his day. Black Reconstruction is a widely respected and celebrated book today, but many of its early readers were dismissive, perhaps none more than the academic historians who Du Bois was justifiably calling out. The American Historical Review, for its part, ignored the book entirely. No review. Well, until now. Almost a century later, the AHR just published a review of Black Reconstruction in the December 2022 issue, penned by Yale historian Elizabeth Hinton. Professor Elizabeth Hinton serves as our guide exploring W.E.B. Du Bois' Black Reconstruction. We also hear from Eric Foner, Chad Williams, Sue Mobley, and Kendra Field. Produced by History in Focus, a podcast from The American Historical Review, hosted and produced by Daniel Story, Digital Scholarship Librarian at UC Santa Cruz. Voices in this Episode Elizabeth Hinton (Associate Professor of History and African American Studies at Yale University, with a secondary appointment as Professor of Law at Yale Law School) Eric Foner (DeWitt Clinton Professor Emeritus of History at Columbia University) Chad Williams (Samuel J. and Augusta Spector Professor of History and African and African American Studies at Brandeis University) Sue Mobley (New Orleans based organizer/activist/urbanist; Director of Research at Monument Lab) Kendra Field (Associate Professor of History and Director of the Center for the Study of Race and Democracy at Tufts University; Project Historian for The Du Bois Freedom Center) Daniel Story (Host and Producer, Digital Scholarship Librarian at UC Santa Cruz)

Guest host Fabiola Cineas talks with author, lawyer, and organizer Derecka Purnell about her recent book Becoming Abolitionists. They discuss Derecka's journey to defending the idea of police abolition, and what that position really entails. They explore questions about the historical and social role of policing in society, how to imagine a future where we radically rethink our system of criminal justice, and how we can acknowledge and incorporate current data about crime — while still rethinking our inherited assumptions about police. This was originally released in Jan. 2022 as an episode of Vox Conversations. Host: Fabiola Cineas (@FabiolaCineas), reporter, Vox.com Guest: Derecka Purnell (@dereckapurnell), author References:  Becoming Abolitionists: Police, Protests, and the Pursuit of Freedom by Derecka Purnell (Astra House; 2021) Police shootings database 2015-2023 (Washington Post) The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution by C.L.R. James (Vintage; 1989) Black Reconstruction in America 1860–1880 by W.E.B. Du Bois (1935) "One American city's model of policing reform means building 'social currency'" by Nathan Layne (June 12, 2020; Reuters) "The Camden Police Department is Not a Model for Policing in the Post-George Floyd Era" by Brendan McQuade (June 12, 2020; The Appeal) "Murder Rose by Almost 30% in 2020. It's Rising at a Slower Rate in 2021" by Jeff Asher (Sept. 22, 2021; New York Times) Enjoyed this episode? Rate The Gray Area ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of The Gray Area by subscribing in your favorite podcast app. Support The Gray Area by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Engineers: Patrick Boyd & Paul Robert Mounsey Editorial Director, Vox Talk: A.M. Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices

We continue our reading of Chapter Four of Black Reconstruction in America 1860-1880, "The General Strike." We also discuss some of the contradictions manifesting in the American political system.

We read excerpts from Chapter Nine of Du Bois's Black Reconstruction of America, "The Price of Disaster." We go to that chapter in order to amplify Du Bois's theory of class and the American revolutionary process.

We continue to read excerpts from Chapter Nine of Du Bois's Black Reconstruction of America, "The Price of Disaster."

For this week, we continue our reading of Chapter Four of Black Reconstruction in America 1860-1880, "The General Strike." You can read along with us here: https://cominsitu.files.wordpress.com/.../w-e-b-du-bois...

Reggie & Akili are joined by Amber O. & Sean P. to talk about their exciting initiative taking place throughout 2023: The Du Bois Literary Society. Get Your Copy of Black Reconstruction from Resist Booksellers Follow Amber O. Follow Sean P. Join The Fellowship—BAPC's Patreon Community Follow BAPC on Instagram Shop BAPC's Bookshop:

Sean Illing talks with historian and author Peniel Joseph about his new book The Third Reconstruction, which argues that the time we're currently living in can be understood as on a continuum with the civil rights era of the '50s and '60s. and the original American Reconstruction following the Civil War. Sean and Peniel discuss the Black Lives Matter movement, the Obama presidency — and important differences between the two — as well as the dangers of American exceptionalism and the importance of maintaining hope in the ongoing fight for racial justice. Host: Sean Illing (@seanilling), host, The Gray Area Guest: Peniel Joseph (@PenielJoseph), author; founding director, Center for the Study of Race and Democracy, Lyndon B. Johnson School of Public Affairs, University of Texas at Austin References:  The Third Reconstruction: America's Struggle for Racial Justice in the Twenty-First Century by Peniel E. Joseph (Basic; 2022) "DeSantis claims it was only the American Revolution that caused people to question slavery" by Graig Graziosi (The Independent; Sept. 23) Black Reconstruction in America by W.E.B. Du Bois (1935) "The Undoing of Reconstruction" by W. Archibald Dunning (The Atlantic; Oct. 1901) Barack Obama's Speech at the 2004 Democratic National Convention (C-SPAN; YouTube) The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander (New Press; 2010, updated 2020) Shelby County v. Holder (570 US 529; 2013), in which the Supreme Court struck down Section 4 of the Voting Rights Act of 1965 "Harming Our Common Future: America's Segregated Schools 65 Years after Brown" by Gary Orfield, et al. (Civil Rights Project; 2019) Parents Involved in Community Schools v. Seattle School District No. 1 (551 US 701; 2007) "A North Carolina city begins to reckon with the massacre in its white supremacist past" by Scott Neuman (NPR; Nov. 10, 2021) How to Be an Antiracist by Ibram X. Kendi (One World; 2019) White Fragility by Robin DiAngelo (Beacon; 2018) "Why I hope 2022 will be another 1866" by Manisha Sinha (CNN; Oct. 12) President Kennedy's Televised Address to the Nation on Civil Rights (June 11, 1963)   Enjoyed this episode? Rate The Gray Area ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of The Gray Area. Subscribe in your favorite podcast app. Support Vox Conversations by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Editor: Amy Drozdowska Engineer: Patrick Boyd Editorial Director, Vox Talk: A.M. Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thank you for listening to Brown Mama Bear hosted by Shanera Williamson.  Today on the show, Shanera welcomes filmmaker CJ Hunt to the show.  They discuss his award-winning documentary, The Neutral Ground, and our nation's journey of removing Confederate monuments.   Mentioned: The Neutral Ground documentary Charleston church shooting The Daily Show Take Em Down NOLA History of the Lee monument in New Orleans The Lost Cause narrative Black Reconstruction in America, W. E. B. Du Bois book   Connect with Shanera and Brown Mama Bear: Facebook, Instagram, Website   Make sure you share Brown Mama Bear with at least 3 friends so you have someone to talk with about these things.

What does it mean to reckon with the violence, the tragedy, and the numerous contradictions of America? That is the focus of this conversation – originally aired in July of 2021 – with Nikole Hannah-Jones and Ta- Nehisi Coates. On one level, the conversation is a reflection on the fights over teaching critical race theory and the 1619 Project. But it is really focused on the deeper meaning behind those skirmishes: The ongoing fight over the story we tell about America and why that fight has so gripped our national discourse. What changes when a country's sense of its own history changes? What changes when who gets to tell that story changes? What are the stakes here, and why now?My guests for this conversation need little introduction. Nikole Hannah-Jones is an investigative journalist for the New York Times Magazine where she led the 1619 Project, and, before that, did incredible work on racial inequality in the American education system. Ta-Nehisi Coates is the author of books including “Between the World and Me” and “The Water Dancer,” essays including “The Case for Reparations,” and, for Marvel Comics, “Captain America” and “Black Panther.” Each of them has won more prestigious awards for their work than I could possibly list here, and both will be taking faculty positions at Howard University.We discuss the 1619 Project, whether patriotism can coexist with shame and regret, the political power of American exceptionalism, the cracked foundations of American democracy, how journalism is and should be taught, our relationships to Twitter, what journalists can learn from children and much more. It's a conversation that feels just as relevant today as when it first aired. Nikole Hannah-Jones book recommendations:Black Reconstruction in America, 1860-1880 by W.E.B Du BoisThe Warmth of Other Suns by Isabel WilkersonTa-Nehisi Coates book recommendations:Postwar by Tony JudtAvengers of the New World by Laurent DuboisYou can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld; audience strategy by Shannon Busta. Special thanks to Kristin Lin and Kristina Samulewski.

In 1935, famed Black sociologist and scholar W.E.B. Du Bois published Black Reconstruction, a revolutionary reassessment of the period of Reconstruction after the Civil War. The book was also a critique of the flawed way others had been telling the story—including leading scholars of the day. Sally Helm sits down with professors Eric Foner and Henry Louis Gates Jr. to discuss Du Bois' insights. They hone in on his argument that a biased portrayal of Reconstruction was used for over a century to justify the oppression of Black Americans.Visit History.com/Reconstruction for more. See acast.com/privacy for privacy and opt-out information.