Podcasts about alabama press

Dana Lloyd is assistant professor of Global Interdisciplinary Studies and affiliated faculty at the Center for Peace and Justice Education at Villanova University. She is the author of Land Is Kin: Sovereignty, Religious Freedom, and Indigenous Sacred Sites (University Press of Kansas, 2023) and the co-editor of American Examples: A New Conversation about Religion, vol. 3 (University of Alabama Press, 2024). A scholar of law and religion, Lloyd is now writing about how law and religion construct mothers and motherhood through an interplay between ideas about care and neglect. She is a co-PI for the research project “Critical Perspectives on Care: Social Reproduction Theory in a Global Context.” Visit Sacred Writes: https://www.sacred-writes.org/carpenter-cohort-2025-jan Visit Classical Ideas: https://linktr.ee/classicalideas Visit Critical Perspectives on Care: https://www.cpcsymposium.com/copy-of-speakers-1    

Dr. Daniel Hale Williams is often described as the first person to successfully perform an open-heart surgery. That's not entirely accurate, but he was still a surgical innovator, and he was also a huge part of the Black Hospital Movement. Research: "Daniel Hale Williams." Contemporary Black Biography, vol. 2, Gale, 1992. Gale In Context: U.S. History, link.gale.com/apps/doc/K1606000260/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=c4ae7664. Accessed 28 Jan. 2025. "Daniel Hale Williams." Notable Black American Men, Book II, edited by Jessie Carney Smith, Gale, 1998. Gale In Context: U.S. History, link.gale.com/apps/doc/K1622000479/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=80e75e7e. Accessed 28 Jan. 2025. Buckler, Helen. “Doctor Dan: Pioneer in American Surgery.” Little, Brown and Company. 1954. Cobb, W M. “Daniel Hale Williams-Pioneer and Innovator.” Journal of the National Medical Association vol. 36,5 (1944): 158-9. COBB, W M. “Dr. Daniel Hale Williams.” Journal of the National Medical Association vol. 45,5 (1953): 379-85. Cook County Health. “Celebrating 30 Years: Provident Hospital of Cook County.” https://cookcountyhealth.org/provident-hospital-30th-anniversary/ Gamble, Vanessa Northington. “Making a place for ourselves : the Black hospital movement, 1920-1945.” New York : Oxford University Press. 1995. Gamble, Vanessa Northington. “The Provident Hospital Project: An Experiment in Race Relations and Medical Education.” Bulletin of the History of Medicine, WINTER 1991. Via JSTOR. https://www.jstor.org/stable/44442639 Gordon, Ralph C. “Daniel Hale Williams: Pioneer Black Surgeon and Educator.” Journal of Investigative Surgery, 18:105–106, 2005. DOI: 10.1080/08941930590956084 Hughes, Langston. “Famous American Negroes.” Dodd Mead. 1954. Jackson State University. “Who Was Dr. Daniel Hale Williams?” https://www.jsums.edu/gtec/dr-daniel-hale-williams/ Jefferson, Alisha J. and Tamra S. McKenzie. “Daniel Hale Williams, MD: ‘A Moses in the profession.’” American College of Surgeons CC2017 Poster Competition. 2017. Office of the Illinois Secretary of State. “51. Dr. Daniel Hale Williams Letter to Governor Joseph Fifer (1889).” 100 Most Valuable Documents at the Illinois State Archives. https://www.ilsos.gov/departments/archives/online_exhibits/100_documents/1889-williams-letter-gov.html Olivier, Albert F. “In Proper Perspective: Daniel Hale Williams, M.D.” Annals of Thoracic Surgery. Volume 37, Issue 1p96-97 January 1984. https://www.annalsthoracicsurgery.org/article/S0003-4975(10)60721-7/fulltext Raman, Jai. “Access to the Heart – Evolution of surgical techniques.” Global Surgery. Vol. 1, No. 2. doi: 10.15761/GOS.1000112 Rock County, Wisconsin. “Dr. Daniel Hale Williams.” https://legacy.co.rock.wi.us/daniel-hale-williams Summerville, James. “Educating Black doctors : a history of Meharry Medical College.” University of Alabama Press. https://archive.org/details/educatingblackdo0000summ/ The Provident Foundation. “History- Dr. Daniel Hale Williams.” https://provfound.org/index.php/history/history-dr-daniel-hale-williams “Early Chicago: Hospital of Hope.” DuSable to Obama: Chicago’s Black Metropolis. https://www.wttw.com/dusable-to-obama/provident-hospital See omnystudio.com/listener for privacy information.

Episode 81 – Dan Puckett discusses the Alabama Holocaust Commission Air Date: January 7, 2025 Dan Puckett, chair of the Alabama Holocaust Commission, discusses the Commission's history, mission, program of work, and future. He also talks about adding Holocaust studies to Alabama's 2024 Social Studies Standards for K-12 education, the purposes of Holocaust education, and his 2014 book, In the Shadow of Hitler: Alabama's Jews, the Second World War, and the Holocaust (University of Alabama Press). Dr. Puckett is a professor of history at Troy University. Transcript here (caveat – possibly not 100 % accurate): https://tinyurl.com/mur9ap82 Links mentioned in this episode: Alabama Historical Association: https://www.alabamahistory.net/ Alabama Holocaust Commission: https://alabamaholocaustcommission.org/ Alabama Department of Archives and History: https://archives.alabama.gov/ Yom HaShoah (via Wikipedia): https://en.wikipedia.org/wiki/Yom_HaShoah Gulf Coast Center for Holocaust and Human Rights Education: https://www.gcholocaustcenter.org/ Alabama Holocaust Education Center: https://ahecinfo.org/ Alabama State Department of Education Social Studies Standards (available after ca. mid-January 2025): https://www.alabamaachieves.org/acad-stand/ Birmingham Public Library Department of Archives and Manuscripts: http://www.cobpl.org/locations/central/archives/ (Book) In the Shadow of Hitler: https://www.uapress.ua.edu/9780817381073/in-the-shadow-of-hitler/

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fitter, Happier: The Eugenic Strain in Twentieth-Century Cancer Rhetoric (U Alabama Press, 2024) is a thought-provoking exploration of the relationship between cancer rhetoric, American ideals, and eugenic influences in the twentieth century. This groundbreaking work delves into the paradoxical interplay between acknowledging the genuine threat of cancer and the ingrained American ethos of confidence and control. Agnew's meticulous research traces the topic's historical context, unveiling how cancer discourses evolved from a hushed personal concern to a public issue thanks to the rise of cancer research centers and advocacy organizations. However, she unearths a troubling dimension to these discussions--subtle yet persistent eugenic ideologies that taint cancer arguments and advocacy groups. By dissecting prevailing cancer narratives, Agnew brings into focus how ideals rooted in eliminating imperfections and embracing progress converge with concerns for safeguarding societal fitness. Fitter, Happier scrutinizes the military origins and metaphors that permeate government policies and medical research, the transformation of cancer's association with melancholy into a rallying cry for a positive outlook, and the nuanced implications of prevention-focused dialogues. Reflecting on the varied experiences of actual cancer patients, Agnew resists the neat assimilation of these stories into a eugenic framework. Agnew's insights prompt readers to contemplate the societal meanings of disease and disability as well as how language constructs our shared reality. Learn more about your ad choices. Visit megaphone.fm/adchoices

July 2024 Dante's Old South Steven Dunn (a.k.a Pothole, cuz he's deep in these streets) is a Whiting Award winner who was shortlisted for Granta Magazine's Best of Young American Novelists. He's the author of three novels: Potted Meat (Tarpaulin Sky, 2016), water & power (Tarpaulin Sky, 2018), and Tannery Bay (FC2/University of Alabama Press, 2024), which is co-authored with his homie Katie Jean Shinkle. Mathieu Cailler is the author of seven books: one novel, two short story collections, two volumes of poetry, and two children's titles. His stories, poems, and essays have appeared in over one hundred publications, including Wigleaf, the Saturday Evening Post, and the Los Angeles Times. He is the winner of numerous awards, most notably a Pushcart Prize; a Short Story America Prize; and the Paris, Los Angeles, and New England Book Festival Prizes.  Connect with him on social media @writesfromla. www.stevencdunn.com Gerardo Pacheco Matus is a Mayan Native and an award-winning poet and educator. Pacheco teaches at Cañada College and writes poetry in California. Recently he won third place in the Southern Collective Experience's Latin-American chapbook contest. Patrick Davis was born on November 12, 1976, in Murfreesboro, Tennessee. The son of Rusty and Jean Davis, He was raised in Camden, South Carolina before moving to Nashville, Tennessee.[1] to pursue a career in music. Davis attended Camden High School in Camden, South Carolina where he was an honors student and athlete. His interest in music began during high school, and at the age of 16 he joined his father on stage for his first ever performance. His talent developed throughout high school and into his college career at University of South Carolina, where he earned a bachelor's degree in History. It was during this time he became a mainstay of the Columbia, South Carolina music scene and decided to become a professional musician. www.patrickdavismusic.com Jake Diaz is a bartender, mixologist, and loving father to two beautiful daughters. I've been behind the pine for almost 11 years with varied experience that started in fine dining but expanded into many types of bars and restaurants. He's consulted with restauranteurs and bartenders alike as well as teaching zero-proof cocktail classes and is currently studying to be a wine sommelier. His goal is to take great care of people and to spread good bartending habits to professionals and amateurs alike which motivates him to be his best to provide for humanity. If you're ever in the mountains of North Carolina come to The Crown in Brasstown, NC for a unique yet comforting bar experience. thecrownbrasstown.com www.facebook.com/profile.php?id=1252282661 Additional Music Provided By: Larkin Poe: www.larkinpoe.com Special Thanks Goes to: Lucid House Press: www.lucidhousepublishing.com The Crown: www.thecrownbrasstown.com The Red Phone Booth: www.redphonebooth.com Bright Hill Press: brighthillpress.org UCLA Extension Writing Program: www.uclaextension.edu Mercer University Press: www.mupress.org Liberty Trust Hotel: www.libertytrusthotel.com NPR: https: www.npr.org WUTC: www.wutc.org Alain Johannes for the original score in this show: www.alainjohannes.com The host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-order Check out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

Just before 10 AM on Tuesday, June 9th, 1964, in Tuscaloosa, Alabama, hundreds of people were gathered in First African Baptist, prepared to march to the new Tuscaloosa County Courthouse where they planned to drink from water fountains and use restroom facilities that were supposed to be only used by whites. Around the church were gathered hundreds of police, members of the Ku Klux Klan, and other deputized whites. At 10:15 AM, after the arrest of Reverend T.Y. Rogers, the pastor of First African Baptist, the police attacked the church. They beat those who attempted to leave with clubs and cattle prods. Then, the door being closed and locked, they brought up a fire truck, and blasted away the stained glass windows, filling the sanctuary in some places ankle-deep with water. Then they fired tear gas canisters through the windows, driving those within outside, where they were beaten, and over a hundred were hauled off to jail.  This was Bloody Tuesday, now a nearly forgotten inflection point in the Civil Rights struggle, overshadowed by the concurrent campaign then ongoing in St. Augustine, by national events in the weeks to come, and by the violence of Selma in 1965. John M. Giggie had preserved the memories of Bloody Tuesday, and complex struggle of justice in Tuscaloosa in his new book Bloody Tuesday: The Untold Story of the Struggle for Civil Rights in Tuscaloosa.  John M. Giggie is Associate Professor of History and Director of the Summersell Center for the Study of the South at the University of Alabama. He is creator of "History of Us," the first Black history class taught daily in a public school in Alabama. Giggie is also director of the Alabama Memory Project, which seeks to recapture and memorialize the over 650 lives lost to lynching in Alabama, and a founding member of the Tuscaloosa Civil Rights History and Reconciliation Foundation.   For Further Investigation Three short essays on Bloody Tuesday by John Giggie: “How Tuscaloosa's Bloody Tuesday Changed the Course of History,” Time.com, June 7, 2024 Remembering Bloody Tuesday, Alabama Heritage, June 2024 The Tuscaloosa Campaign and Bloody Tuesday, Encyclopedia of Alabama Books on the Civil Rights movement on Tuscaloosa, related to subjects in the podcast, or mentioned in the podcast: Clark, E. Culpepper. The Schoolhouse Door: Segregation's Last Stand at The University of Alabama. Tuscaloosa: University of Alabama Press, 1995. Hollars, B.J. Opening the Doors: The Desegregation of the University of Alabama and the Fight for Civil Rights in Tuscaloosa. Tuscaloosa: University of Alabama Press, 2013. Wendt, Simon. The Spirit and the Shotgun: Armed Resistance and the Struggle for Civil Rights. Gainesville: The University Press of Florida, 2007. Cobb, Charles E. Jr. This Nonviolent Stuff'll Get You Killed: How Guns Made the Civil Rights Movement Possible. Durham: Duke University Press, 2015. Marsh, Charles. God's Long Summer: Stories of Faith and Civil Rights. Princeton: Princeton University Press, 2008. Chappell, David L. A Stone of Hope: Prophetic Religion and the Death of Jim Crow. Chapel Hill and London: University of North Carolina Press, 2005.

Reformed Books Online resources page on "Administration of the Lord's Supper" -- http://tinyurl.com/adminlordssupper American Methodist Worship by Karen B. Westerfield Tucker (Oxford University Press 2001) can be borrowed for free with an Internet Archive account -- https://archive.org/details/americanmethodis0000west/page/152/mode/2up?view=theater The Poisoned Chalice: Eucharistic Grape Juice and Common-Sense Realism in Victorian Methodism by Jennifer L. Woodruff Taft (University of Alabama Press, 2011) can be borrowed for free with an Internet Archive account -- https://archive.org/details/poisonedchalicee0000tait/page/108/mode/2up?view=theater “The Progress Of The Individual Cup Movement, Especially Among Churches” Presented in the Section on State Medicine, at the Forty-eighth Annual Meeting of the American Medical Association, held at Philadelphia, June 1-4, 1897. BY HOWARD S. ANDERS, A.M., M.D. -- http://tinyurl.com/2p9zayy3 A Covenant Feast: Reflections on the Lord's Table by J. Ryan Davidson -- https://www.amazon.com/Covenant-Feast-Reflections-Lords-Table/dp/0997358947

In this episode we head across the border one more time for a consideration of the Border Trilogy as a whole.  How does knowing how the story begins and ends change how we read any of the different parts?  My guests on this filibuster over the border include Dr. Nell Sullivan, a Kentuckian who earned her BA in English from Vanderbilt University and earned her PhD from Rice University.  She is currently Professor of English at University of Houston-Downtown, where she teaches courses in American literature and the literature of the American South.  A former editor of the Cormac McCarthy Journal, she has published extensively on gender and class representation in McCarthy's novels, and has also published essays on Katherine Dunn, William Faulkner, and Nella Larsen, among others.  Her work has appeared in numerous essay collections and in such journals as Genre, Critique, The Southern Quarterly, Mississippi Quarterly, and African American Review.   She's joined by long time contributor Dr. Stephen Frye.  Steve Frye is professor and chair of English at California State University, Bakersfield and President of the Cormac McCarthy Society. He is the author of Understanding Cormac McCarthy (Univ. of South Carolina Press) and editor of The Cambridge Companion to Cormac McCarthy, and Cambridge UP's Cormac McCarthy in Context. He has written numerous journal articles on Cormac McCarthy and other authors of the American Romanticist Tradition.  Additionally, he is the author of the novel Dogwood Crossing and the book, Unguessed Kinships: Naturalism and the Geography of Hope in Cormac McCarthy, University of Alabama Press. Bringing in a breath of non-academic fresh air is Marty Priola. Voracious reader, a sometime critic, and book collector, Marty attended the Christian Brothers University of Memphis, the Publishing Institute at the University of Denver, and earned his J.D. at the University of Memphis.  Marty's website for McCarthy appreciation became the first website and a foundational part of the formation of the Cormac McCarthy Society, and he still maintains the Cormac McCarthy webpages and forums.  He has written two entries on McCarthy for the Dictionary of Literary Biography. His writing is also featured in exchanges with Peter Josyph in Cormac Mccarthy's House: Reading Mccarthy Without Walls and The Wrong Reader's Guide to Cormac Mccarthy: All The Pretty Horses, which he edited and published in its first (ebook) form.   As always, listeners should beware: there be spoilers here. Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. We appreciate favorable reviews on your favorite podcasting platform.  If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.  To contact me, please reach out to readingmccarthy(@)gmail.comThe website is at readingmccarthy.buzzsprout.com, and if you'd like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.Support the showStarting in spring of 2023, the podcast will accept minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Communication at SUNY Geneseo--interviews Bryan McCann (he/his)--Associate Professor of Communication at Louisiana State University--on a dope new work of cultural criticism The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era (University of Alabama Press, 2017). The Mark of Criminality positions the work of key gangsta rap artists--Dr. Dre, Snoop Dogg, and Tupac Shakur--as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. McCann argues that, among other well-circulated meanings, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Episode 068 – Bertis English Recipient of the 2023 C.J. Coley Award from Alabama Historical Association Air Date: November 8, 2023 Dr. Bertis English, professor of history at Alabama State University, discusses his book, Civil Wars, Civil Beings, and Civil Rights in Alabama's Black Belt: A History of Perry County (University of Alabama Press, 2020) that won the Alabama Historical Association's 2023 C.J. Coley Award for the best book on local history published in the previous two years. English argues that African American agency and the power of interracial citizens made the history of Perry County, AL, significantly different from the orthodox understanding of the Black Belt's history from the Civil War to the Civil Rights Movement as one of relentless racial strife and oppression. Links to things mentioned in the episode: Alabama Historical Association www.alabamahistory.net/ AHA's Clinton Jackson Coley Award https://www.alabamahistory.net/clinton-jackson-coley-book-award Civil Wars, Civil Beings, and Civil Rights in Alabama's Black Belt https://www.uapress.ua.edu/9780817320690/civil-wars-civil-beings-and-civil-rights-in-alabamas-black-belt/ Perry County https://encyclopediaofalabama.org/article/perry-county/ Marion, AL https://encyclopediaofalabama.org/article/marion/ Uniontown, AL https://encyclopediaofalabama.org/article/uniontown/ The Dunning School https://slaveryexhibits.ctl.columbia.edu/exhibits/show/williamdunning Alabama's Tragic Decade [John Witherspoon Dubose at BhamWiki] https://www.bhamwiki.com/w/John_DuBose Sarah W. Wiggins, The Scalawag in Alabama Politics https://www.uapress.ua.edu/9780817305574/the-scalawag-in-alabama-politics-18651881/ W.E.B. Du Bois, Black Reconstruction https://en.wikipedia.org/wiki/Black_Reconstruction_in_America Eric Foner, Reconstruction: America's Unfinished Revolution https://en.wikipedia.org/wiki/Reconstruction:_America%27s_Unfinished_Revolution,_1863%E2%80%931877 Lincoln School https://encyclopediaofalabama.org/article/lincoln-school/ Judson College https://encyclopediaofalabama.org/article/judson-college/ Howard College (Samford University) https://encyclopediaofalabama.org/article/samford-university/ Journal of African American History https://asalh.org/document/journal-of-african-american-history/ Rather read? Here's a link to the transcript: https://tinyurl.com/3968ebuc *Just a heads up – the provided transcript is likely to be less than 100% accurate. The Alabama History Podcast's producer is Marty Olliff and its associate producer is Laura Murray. Founded in 1947, the Alabama Historical Association is the oldest statewide historical society in Alabama. The AHA provides opportunities for meaningful engagement with the past through publications, meetings, historical markers, and other programs. See the website www.alabamahistory.net/

Soumia Bardhan is Assistant Professor of Communication at the University of Colorado Denver. Operating at the transdisciplinary intersection of intercultural communication, global communication, and Islamic studies, she explores the complex ways diverse communication practices associated with Islam/Muslims shape MENA (Middle East and North Africa) culture and politics, challenge Islamophobia, facilitate the deliberative capacities of Muslim minority groups, and influence U.S. foreign policy. Her first monograph, on the digital rhetoric of the Egyptian Muslim Brotherhood, is under contract with the University of Alabama Press. This book nuances how we understand the rhetoric of Islamism and challenges U.S./Euro-centric narratives of the relationship between (and future of) religion and politics in the MENA region. Soumia was awarded the University of Notre Dame's Global Religion and Research Initiative grant to develop an interdisciplinary course titled “Religion and Communication in the Middle East.” She teaches intercultural/critical intercultural communication; transnational rhetoric; religion, culture, and communication; gender, politics, and Islam; and directs Global Study courses focusing on Islam and intercultural dialogue in Spain, France, Morocco, and India. Visit Sacred Writes: https://www.sacred-writes.org/luce-cohort-spring-2023

This week marks the return of Michael Keaton to the big screen as Batman in The Flash. So I thought it was an opportune time to revisit Batman (1989) with Blake Scott Ball. This is a large episode--the longest we've released yet, and for good measure. We get into why Batman is a necessary addition to the superhero pantheon, what happens if Gotham is in Mississippi, and finally, we rank all of the Batmen. This episode is so much fun.About our guest:Dr. Blake Scott Ball joined the Huntingdon faculty in the fall of 2017 after completing his doctoral degree. He has previously taught as an assistant professor at Miles College, as an adjunct professor at the University of North Alabama, and as an adjunct professor at the University of Alabama. He served as assistant director for the New Summersell Center Public History Initiative at the University of Alabama, and as a graduate assistant for the Alabama Historical Association. An avid writer, he served as editor for the Southern Historian graduate history journal and as a contributor and assistant editor for The Historian behind the History, a collection of oral stories documenting historians' graduate training and insights into the historical profession, published by the University of Alabama Press in 2014. His book, “Charlie Brown's America: The Popular Politics of Peanuts,” was published by Oxford University Press in 2021. You can find him on twitter at @bsb1945

Our guest today is Civil War scholar Lesley Gordon. Lesley is the Charles G. Summersell Chair of Southern History at the University of Alabama. Prior to moving to Tuscaloosa, she was a professor of history at the University of Akron, and she started her academic career at Murray State University. Lesley received her BA from the College of William and Mary, and her M.A. and PhD from the University of Georgia. Lesley's first book General George E. Pickett in Life and Legend (UNC Press) was a History Book Club Selection. She published “This Terrible War”: The Civil War and its Aftermath with Daniel E. Sutherland and Michael Fellman in 2003 and the book is now in its third edition. In 2014, Lesley published A Broken Regiment: The 16th Connecticut's Civil War (LSU Press). She has also co-edited four volumes, including Intimate Strategies of the Civil War: Military Commanders and Their Wives, with Carol K. Bleser (Oxford), and Race and Gender at War: Writing American Military History, with Friend-of-the-Pod Andrew Huebner, which is forthcoming with the University of Alabama Press. She has also written more than a dozen essays and articles. Lesley is extremely active in her field and she is currently the president of the Society of Civil War Historians. She chairs the editorial board at the University of Alabama Press and served on the editorial board of The Journal of the Civil War Era. She is a current member of the advisory board for Civil War Times. Since 2009, Lesley has been an Organization of American Historians Distinguished Lecturer. Join us for a fun and fascinating chat with Lesley Gordon. We'll talk girls drawing Civil War soldiers in middle school, being a tour guide at Mark Twain's home, sports bandwagons, Noah Wyle, writing biography, a little Alison Krause, and Daisy Joines & The Six, so tune in! Check out the MHPTPodcast Swag Store on Zazzle! Rec.: 03/14/2023

Today's guest is historian and ballet dancer Allison Finkelstein. Allison is Senior Historian at Arlington National Cemetery. She is an alumna of the College of William and Mary and earned her PhD in History at the University of Maryland at College Park. Allison previously worked as a historian for the US Citizenship and Immigration Services History Office & Library and as a Historical Consultant for the American Battle Monuments Commission and the US Vietnam War Commemoration Office. From 2017-2018, she served as the Chair of the Arlington World War I Commemoration Task Force. In 2020, The National Alliance of Preservation Commissions (NAPC) recognized her work on the Clarendon War Memorial with the Excellence Award in Best Practices: Public Outreach/Advocacy. Allison is the author of Forgotten Veterans, Invisible Memorials: How American Women Commemorated the Great War, 1917-1945, which is part of GFOP Steve Trout's War, Memory, and Culture Series at the University of Alabama Press. The book won the Mid-Atlantic Regional Archives Conference's 2022 Arline Custer Memorial Award for the best book written in the Mid-Atlantic region. Her articles have been published in Buildings & Landscapes: The Journal of the Vernacular Architecture Forum and World War I Remembered, the National Park Service's book of essays on the First World War. Allison and her work have been featured in the Washington Post and the New York Times, and she has appeared on several media outlets. Join us for a feel-good chat with Allison as we discuss growing up visiting battlefields in Virginia, public history, Gilbert & Sullivan, being in the recent Kennedy Center production of Giselle, and a singer-to-listen-to-for-the-rest-of-your-life choice that caused Brian and Bill to fall out of their chairs! Shoutout to Rocklands BBQ in Alexandria and Pierce's BBQ in Williamsburg! Rec.: 02/16/2023

Frequent guests Steven Frye and Stacey Peebles join me for another roundup of All the Pretty Horses, the National Book Award winning novel which finally forced the literary world to sit up and take notice of McCarthy.  We climb on and hold tight for this ride through this incredible novel.  Stacey Peebles is Chair of the English program, Director of Film Studies, and the Marlene and David Grissom Professor of Humanities at Centre College in Danville, Kentucky.  She is the author of Welcome to the Suck: Narrating the American Soldier's Experience in Iraq (Cornell Univ Press, 2011) and Cormac McCarthy and Performance: Page, Stage, Screen (Univ of Texas, 2017).  She is editor of the collection Violence in Literature and, with Ben West, is co-editor of the volume Approaches to Teaching the Works of Cormac McCarthy, published this past year by MLA.  She has published widely on the representation of contemporary war and on McCarthy, and has been editor of the Cormac McCarthy Journal since 2010.   Steve Frye is professor and chair of English at California State University, Bakersfield and President of the Cormac McCarthy Society. He is the author of Understanding Cormac McCarthy (Univ. of South Carolina Press) and editor of The Cambridge Companion to Cormac McCarthy, and Cambridge UP's Cormac McCarthy in Context. He has written numerous journal articles on Cormac McCarthy and other authors of the American Romanticist Tradition.  Additionally, he is the author of the novel Dogwood Crossing and the forthcoming book, Unguessed Kinships: Naturalism and the Geography of Hope in Cormac McCarthy, University of Alabama Press.  Listeners are reminded this is a show of approachable literary criticism and not a review show, and so we don't always shy away from spoilers; discussions of his novel may spoil other parts of the Border Trilogy. Thanks as well to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. Download and follow us on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  Listeners may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt.  To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is also on Twitter; the website is at readingmccarthy.buzzsprout.com.   Support the showStarting in spring of 2023, the podcast will accept minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Neil Oatsvall hails from and resides on the East Coast but he spent over a decade landlocked in the middle of the country. He did his undergraduate work at the University of North Carolina in Asian Studies (Japanese language) and history, and received his doctorate in history from the University of Kansas. Currently, Neil teaches high school history at the Triangle Math and Science Academy in Cary, NC. He has published in various outlets, including Agricultural History, Environment and History, and Gastronomica: The Journal of Critical Food Studies. His book manuscript, Atomic Environments: Nuclear Technologies, the Natural World, and Policymaking, 1945-1960, is forthcoming with the University of Alabama Press.

In this week's episode of Politics In Question, Paul Elliott Johnson joins Julia and James to discuss conservative populism. Johnson is Assistant Professor of Deliberation and Civic Life in the Department of Communication at the University of Pittsburgh. His research focuses on rhetorical theory, argumentation, and American politics, with a particular focus on the rhetoric of populism and American conservatism. He is the author of I the People: The Rhetoric of Conservative Populism in the United States (University of Alabama Press, 2022).What is conservative populism? Does it define American conservatism? How does it differ from liberal populism? And what does it tell us about the next chapter in American politics? These are some of the questions Paul, Julia, and James ask in this week's episode.

This episode is two of my favorite people talking about Star Wars and how it fits in discussing archival research and the North American borderlands. And yes, we rank the films, definitively.About our guests:Alejandra Dubcovsky is an associate professor of history at the University of California, Riverside. She is also the inaugural fellow in the Program for the Advancement of the Humanities, a partnership of The Huntington and UC Riverside that aims to support the future of the humanities. She received her BA and PhD from UC Berkeley. She also has a Masters in Library and Information Science from San Jose State.Her first book, Informed Power: Communication in the Early American South (HUP 2016), won the 2016 Michael V. R. Thomason Book Award from the Gulf South Historical Association. Her forthcoming book, Talking Back: Native Women and the Making of the Early South will be released by Oxford University Press in May 2023.Alan Malfavon is assistant professor of history at washington state university. He is a historian of late-colonial and early independent Latin America.  His first book, Men of the Leeward Port: Veracruz's Afro-Descendants in the Making of Mexico, under contract with the University of Alabama Press, focuses on the understudied Afro-Mexican population of Veracruz and its hinterland of Sotavento (Leeward) and uses it to reframe the historical and historiographical transition between the colonial and national period.

Content Warning: discussion of execution gets a bit gruesome.  Jennifer Lodine-Chaffey, A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England (University of Alabama Press, 2022) provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.  The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Content Warning: discussion of execution gets a bit gruesome.  Jennifer Lodine-Chaffey, A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England (University of Alabama Press, 2022) provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.  The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Content Warning: discussion of execution gets a bit gruesome.  Jennifer Lodine-Chaffey, A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England (University of Alabama Press, 2022) provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.  The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Content Warning: discussion of execution gets a bit gruesome.  Jennifer Lodine-Chaffey, A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England (University of Alabama Press, 2022) provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.  The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Content Warning: discussion of execution gets a bit gruesome.  Jennifer Lodine-Chaffey, A Weak Woman in a Strong Battle: Women and Public Execution in Early Modern England (University of Alabama Press, 2022) provides a new perspective on the representations of women on the scaffold, focusing on how female victims and those writing about them constructed meaning from the ritual. A significant part of the execution spectacle-one used to assess the victim's proper acceptance of death and godly repentance-was the final speech offered at the foot of the gallows or before the pyre. To ensure that their words on the scaffold held value for audiences, women adopted conventionally gendered language and positioned themselves as subservient and modest. Just as important as their words, though, were the depictions of women's bodies. Drawing on a wide range of genres, from accounts of martyrdom to dramatic works, this study explores not only the words of women executed in Tudor and Stuart England, but also the ways that writers represented female bodies as markers of penitence or deviance. The reception of women's speeches, Jennifer Lodine-Chaffey argues, depended on their performances of accepted female behaviors and words as well as physical signs of interior regeneration. Indeed, when women presented themselves or were represented as behaving in stereotypically feminine and virtuous ways, they were able to offer limited critiques of their fraught positions in society.  The first part of this study investigates the early modern execution, including the behavioral expectations for condemned individuals, the medieval tradition that shaped the ritual, and the gender specific ways English authorities legislated and carried out women's executions. Depictions of the female body are the focus of the second part of the book. The executed woman's body, Lodine-Chaffey contends, functioned as a text, scrutinized by witnesses and readers for markers of innocence or guilt. These signs, though, were related not just to early modern ideas about female modesty and weakness, but also to the developing martyrdom tradition, which linked bodies and behavior to inner spiritual states. While many representations of women focused on physical traits and behaviors coded as godly, other accounts highlighted the grotesque and bestial attributes of women deemed unrepentant or evil. Part Three considers the rhetorical strategies used by women and their authors, highlighting the ways that women positioned themselves as stereotypically weak in order to defuse criticism of their speeches and navigate their positions in society, even when awaiting death on the scaffold. The greater focus on the words and bodies of women facing execution during this period, Lodine-Chaffey argues, became a catalyst for a more thorough interest in and understanding of women's roles not just as criminals but as subjects. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest today is the very generous and enthusiastic Steve Trout. Steve is a Professor of English at the University of Alabama - yes, the one in Tuscaloosa - where he recently stepped back from serving as Chair of that Department. Before moving to Tuscaloosa, he was Chair of the Department of English at the University of South Alabama, where he founded and co-directed the Center for the Study of War and Memory. Steve began his career at Fort Hayes State University in Kansas, serving as Chair of the Department of English and interim Dean of Graduate Studies and Research. He earned a BA and MA in English at the University of Missouri-Kansas City and then a PhD in Modern British Literature at the University of Kansas. Steve is a prolific scholar and has contributed to broadening the military history field. He is the author of three books: The Vietnam Veterans Memorial at Angel Fire: War, Remembrance, and an American Tragedy (University Press of Kansas), On the Battlefield of Memory: The First World War and American Remembrance, 1919-1941 (University of Alabama Press), and Memorial Fictions: Willa Cather and the First World War (University of Alabama). He has also edited four volumes, including Portraits of Remembrance: Painting, Memory, and the First World War, with Margaret Hutchingson (University of Alabama Press). He has published more than two dozen articles and essays, and he edits the War, Memory, and Culture series for the University of Alabama Press. Steve's many awards include the 2017 Mid-America Award for Distinguished Contributions to the Study of Midwestern Literature and the 2020 Southwest Book Award for The Vietnam Veterans Memorial at Angel Fire. We are thrilled to have Steve with us today - military history, war memory, crossing academic disciplines, and, of course, BBQ! Rec.: 08/19/2022

Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast (U Alabama Press, 2018), however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten. Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy. Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast (U Alabama Press, 2018), however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten. Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy. Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast (U Alabama Press, 2018), however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten. Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy. Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast (U Alabama Press, 2018), however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten. Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy. Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast (U Alabama Press, 2018), however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten. Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy. Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast (U Alabama Press, 2018), however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten. Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy. Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics (U Alabama Press, 2020) moves away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver's new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores. Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia's czarist empire. In his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States' melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver's analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In the late 1880s Bob Sims declared himself a prophet with more than 100 followers in his Choctaw County Alabama cult. His belief that no man could establish laws over him led to a bloody chapter in Alabama history Want more Southern Mysteries?  Hear the Southern Mysteries show archive and immediately access exclusive content when you become a patron of the show.  Join now at patreon.com/southernmysteries Connect Website: southernmysteries.com Facebook: Southern Mysteries Podcast Twitter: @southernpod_ Instagram: @explorethesouth Email: southernmysteriespodcast@gmail.com    Episode Sources Sims War Siege. Choctaw County Geological Society Robert Bruce Sims. Find A Grave. The Sims War Connection. Rebellion Leader Robert Bruce Sims. Campbell Family History Bad Literature. Bob Sims Paper ‘The Veil is Rent'. The Standard Gauge. September 10, 1891 Robert Sims, Thomas and Young Savage. Strange Fruit and Spanish Moss. December 26, 2014 A Southern Terror: Arrest of the Bloody Bob Sims and His Bad Gang. The Pittsburgh Press. December 27, 1891 Stars Fell on Alabama by Carl Carmer. University of Alabama Press (1985)   Episode Music Argonne by Zachariah Hickman Licensed under Creative Commons Bring Me Your Sorrows by Dan Lebowitz. Licensed under Creative Commons Theme Song “Dark & Troubled” by Pantherburn. Special thanks to Phillip St Ours for permission for use

The Joint Geeks of Staff are back from mid-season hiatus! Claude Berube (@cgberube) returns with historian of colonialism Annie Muirhead (@LariaHoD), cinematographer, sci-fi superfan, and podcaster extraordinaire Andy Poulastides (@Andy3E), and professor, historian, and merchant mariner Sal Mercogliano (@mercoglianos) for a retrospective look at the show “The Expanse.” What can we learn about competing great powers, the lawless seas, and the militarization of space from this great sci-fi franchise? Should merchant vessels be armed? How will non-state actors affect trade security and international cooperation moving forward? Check out Claude's new book On Wide Seas: The US Navy in the Jacksonian Era now available from the University of Alabama Press: http://www.uapress.ua.edu/product/On-Wide-Seas,7681.aspx Check out Andy's amazing podcast “The Great Derelict” for deep-dive discussions of all things science fiction: https://greatderelict.libsyn.com/ Can't get enough of “The Expanse”? Check out Andy's amazing in-depth podcast looking at the series “Into the Expanse”: http://roguetwomedia.com/show/into-the-expanse/ Check out Sal's YouTube channel, “What's Going on with Shipping?” for more information on global shipping and merchant mariners: https://www.youtube.com/c/WhatisGoingonWithShippingwSalMercogliano Recommended Reading: Requiem for Battleship Yamato by Yoshida Mitsuru: https://www.google.com/books/edition/Requiem_for_Battleship_Yamato/T1KQ-Ti99dEC?hl=en&gbpv=1&printsec=frontcover Check out our Discord at discord.gg/6xg2sApfGJ The Joint Geeks on this episode are: Claude Berube (@cgberube), Eric Muirhead (@StarfleetHIST), and Ian Boley (@IBBoley) “The Mandalorian” and “The Book of Boba Fett” are solely the property of Lucasfilm and The Walt Disney Company, all rights reserved.