Podcasts about daw digital audio workstation

Du hast dich entschieden, deine Musik selbst zu Hause aufzunehmen und zu bearbeiten, und das ist ein großartiger Schritt! In dieser Folge zeige ich dir den gesamten Prozess von Anfang bis Ende, damit du auch ohne Vorkenntnisse dein Ziel erreichst. Dabei erkläre ich dir, welches Equipment du benötigst, wie du es richtig anschließt und welche Software, die sogenannte DAW (Digital Audio Workstation), sich am besten für dich eignet. Wenn du noch unsicher bist, was genau du brauchst, schau unbedingt in die Shownotes und hol dir die GarageBand-Equipment-Checkliste – komplett kostenlos! Wichtig ist: Warte nicht zu lange mit den ersten Aufnahmen – viele Fragen klären sich durch Ausprobieren. Und denk daran, es geht nicht um Perfektion, sondern darum, Freude am Prozess zu haben und deine Musik stetig zu verbessern.

On this week's show we continue our discussion of Rick Beato's argument that music is too easy to make. We read your emails and take a look at the week's news. News: Dish to Bundle Netflix Free for Existing Customers Who Re-Up for 2 Years Fubo Launches on Xumo and Xfinity Flex Streaming Devices Redbox Owner Files for Bankruptcy Apple TV+ continues to grow in the US, this time overtaking Paramount+ Netflix Just Commissioned Its Largest Number of Titles in 3 Years (ICYMI) Other: A song about the HT Guys Haptique RS90: A True universal remote controller by Cantata — Kickstarter I Know You're Angry, So Am I.. Is Music Getting Worse? - A listener followup I just listened to your podcast episode “Is Music Getting Worse,” related to Rick Beato's YouTube video, which I also watched a few days ago. He raised some intriguing points, both about changes over the years with sampling, autotune, and quantization, as well as how AI will undoubtedly impact the industry as well. It's a fascinating and complex topic, and I wanted to share some thoughts. First off, my daughter is a professional opera singer, so I am very sensitive to the fact that I would not want artists who are deep in their craft to be supplanted by technology. Losing the human aspect altogether would be a tragedy for us all, whether as creators or as consumers of music. Selfishly, for my daughter and for all artists, I want humans to be respected and compensated for the obvious heart and soul that they put into their craft. With respect to AI, one major and well-founded concern is that relying too heavily on AI could lead to a homogenization of music, where unique, human-driven creativity could become overshadowed by algorithms, resulting in music that degrades to the mean and lacks soul.  Which I would argue has happened well before AI has come on the scene. Having said that, AI also has the potential to enhance music production by automating tedious tasks and providing new tools for musicians, which could free up artists to focus more on the creative aspects of their work. One aspect that often gets overlooked in these discussions is that music production isn't just about the creative performers—the singers and musicians. It involves a vast array of professionals, including audio and sound engineers, mastering engineers, and various other technical experts who all play a crucial role in shaping the final product. The Beatles used these talented engineers at Abbey Road to come up with iconic sounds that would never have been achievable by the members of the Beatles alone. So, one must ask, where is the line? As AI improves and enables the creation of individual tracks, or stems (currently most AI song generators provide fully formed sound waves), it could open up new avenues to innovate and bring different types of music together by mixing and arranging music in virtually unlimited ways. While the focus tends to be on how AI might impact the creative people who write, sing, and play songs, it's also worth considering how it could empower the broader community of producers. This technology might unlock new channels of creativity and collaboration that we haven't even imagined yet. In addition, for the creators, the use of AI song/sound generators as “sketch pads” for fleshing out songs, similar to how demo tapes were used prior to final recording, is a fascinating thought exercise. It could serve as a tool to experiment and develop ideas before committing to a final version.  Or to bring an idea to a group of real musicians to refine and play live. I'm a child of the 70s and 80s. I love Cheap Trick and the Scorps! I also love British new wave, Alt and Psychedelia. To “prove” a point, I used a service called UDIO. It is one of the services that you mentioned are being sued at the moment. I prompted the AI to give me song snippets in the style of British pop, Alt Rock, Psychedelia, etc. I took a bunch of these song snippets and stitched them together in a DAW (Digital Audio Workstation), very much the same way that music producers currently “create” full-blown songs. I have attached the MP3 for your listening “pleasure” (take with a big grain of salt!). I share this with you as a simple example of what could be. It is not a great song by any means; it's derivative, it's corny, and it will never make the charts, but that's not the point. If it was streaming at a bar in the background, I wouldn't think it was horrible; in fact, it might be great background music for that setting. And this is version 1 of this new technology. What will it be like in the next 5-10 years? I've been listening to you guys for at least that long. Think about how the audio and video industries have changed so dramatically during that time, whether with the 400-pound TVs you guys referenced or in the quality of streaming vs physical media we have seen over that time. You guys questioned whether AI would be successful in music. I only have to look at throngs of people going to EDM concerts where there is no band, just a DJ playing “stream of consciousness” with audio loops to know that this technology will definitely have a place. The questions are, where, to what extent and how will the money flow?? Eager to hear your thoughts. Great show, and I appreciate your perspectives on all things home audio, video, and automation. Joe Albanian

In this episode, I discuss why I believe the DAW (Digital Audio Workstation) is an instrument and how treating it as such can enhance our creative flow. By learning, performing, and practicing the DAW the same way we would with a traditional instrument, we can compose better and faster and reduce the friction between having an idea and expressing it through our tools!Watch this episode on YouTubehttps://youtu.be/BVVBXA53Xnk00:00 - Intro & welcome02:00 - Weekly check-in15:00 - Main Topic: How To Play Your DAW Like An Instrument20:04 - #1: Mastering the fundamentals23:40 - #2: How to start expressing yourself26:08 - #3: Manipulating your DAW in real-time recording29:59 - #4: Practicing the DAW like an instrument34:20 - #5: Building a repertoire with templates37:09 - #6: The importance of critical listening41:29 - How to join the 52 Cues community42:50 - This week's cue: "Truth Serum"46:42 - OutroSEIDS - https://www.youtube.com/@SEIDS_Record Companies Suno and Udiohttps://bit.ly/4eIuLE2Join the 12-week Mastermind with small group accountability and weekly meeting sessions that give you focused, personalized mentorship. Plus you get a private, 1-on-1 Zoom session where we work towards your goals as a production music composer.Head over to 52cues.com/mastermind and sign up today! Registration ends soon, and seats are limited! Cymbal SFX - Bowed! Elevate your soundscapes with Cymbal SFX - Bowed—a masterful collection of 68 unique bowed cymbal performances, meticulously recorded for tension-filled tracks and cinematic trailers. Now available exclusively at Production Music Tools!https://productionmusictools.com/products/bowed-cymbals-by-52-cues Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams, cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

En este capítulo os digo que DAW (Digital Audio Workstation) usaría para cada sistema operativo para grabar y editar podcasts.Este podcast está asociado a la red Sospechosos Habituales donde podréis encontrar otros muchos podcasts de diferentes temáticas.

En este capítulo os digo que DAW (Digital Audio Workstation) usaría para cada sistema operativo para grabar y editar podcasts.Este podcast está asociado a la red Sospechosos Habituales donde podréis encontrar otros muchos podcasts de diferentes temáticas.

2023.09.03 – 0976 – The Diction-ary of Voice - A Part 2 Alveolus – the area just behind your upper teeth and where your tongue darts to in the final sound of the word ‘sin'Ambience (‘ambient noise', ‘ambi', ‘nat sound', ‘sfx' – ‘sound effects') - The general sound at a location, such as traffic noise, a protest march, birds and wind in the trees, or the sound of a studio (such as the air conditioning, slight bizz of computers and so on. The sound can be used by itself or mixed under voice clips.Amplify – to increase the signal strength to make a louder sound Announcer – an on-air role of someone who has an authoritative or commanding way of speakingArticulation – the process by which you use your teeth, tongue, mouth and lips, to shape sounds into words. Sometimes used to mean ‘clear pronunciation of words' such as the right tone, volume, pitch, and quality. (See: ‘enunciation', ‘diction'.)Artifact - undesirable sounds around words, such as random humming noises Aspirate – the release of a puff of air in the pronunciation of a word. The air is not as pronounced as a plosive might be on the initial sound of the word ‘pronounced', but softer as in Santa saying ‘ho, ho, ho'Attack time - the time it takes for a sound processor to begin adjusting the volume level, once the noise threshold has been reachedAttenuate - to reduce in force, or make quieterAttitude – speaking style that shows how a character (or the speaking actor/presenter) would feelAudacity - free audio editing software, a common first DAW (Digital Audio Workstation: the program on which you can record and edit audio)Audio book - the recording of a narrator reading a book Audio drama – the audio recording of book or play in which several voice actors take part, together with sound effects and music. Sometimes called ‘fiction podcast' Audio engineer – a term used by different studios and stations in different ways for different responsibilities, but essentially someone who uses sound equipment/software to record and edit. Possibly also a ‘sound recordist', ‘audio editor', ‘audio mixer', ‘mastering engineer' (or ‘engineer'), or even ‘producer'Audition - Adobe's paid-for DAWAuthenticity – a speaking style that shows credibility and generates trust Automation - in a DAW, the ability to automatically change an attribute over time, such as dipping the volume, or panning a sound from left to right, or any other attribute you'd like to change. See ‘envelope'AVO – Announcer Voice Over Hosted on Acast. See acast.com/privacy for more information.

In today's episode, we talk all things DAW (Digital Audio Workstation) with guru Jim Edgar. Get a free 15-minute consult with Jim at: https://justaskjimvo.studio/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/flocktalk/message

2022.11.16 – 0685 – ‘Punch And Roll' Voice RecordingVOICE BOXLearn the ‘punch and roll' technique to save recording timeThis is when you mark (‘punch in') the point in your recorded audio where you made a mistake. The DAW (Digital Audio Workstation recorder), then plays back a few seconds of you speaking before that point (the ‘pre roll'), at which moment it starts recording again. This enables you to make your correction and continue recording.Doing this will speed up your editing and because you are picking up by hearing what came before, you are more likely to match your original read (tone, intonation, speed, accent and so on) and your re-record will be better. Hosted on Acast. See acast.com/privacy for more information.

Every voice actor knows they need a DAW (Digital Audio Workstation), and most of us use some kind of office software such as Googe Workspace or Microsoft 365. In additional to those obvious staples, I'm offering five other software suggestions in this episode. Tools that can absolutely impact your business, but maybe aren't traditional pieces of software you'd normally think of.   Enjoy these five software recommendations for the Everyday VOpreneur.   -- Welcome to the Summer Series. For June / July / August 2022 I'll be offering up simple, quick hit episodes of the podcast designed to give you one good piece of advice and get you back to doing whatever you're doing to enjoy summer. The Everyday VOpreneur interview series will return in September. Marc Scott on Instagram - @marcscott RESOURCES * One Piece of Advice Free eBook https://marcscottcoaching.com/onepieceofadviceebook/ * Get an instant $25 credit when you sign up for VoiceZam Visit https://voicezam.com/marcscott * Need a little marketing help? Download a FREE eBook - 5 Steps to Marketing Like a VOpreneur Download now at https://marcscottcoaching.com/5marketingstepsebook * For voice over services: Visit https://marcscottvoiceover.com * Want VOpreneur Swag? Visit https://teespring.com/stores/vopreneur * Join the VOpreneur Facebook Group Visit https://facebook.com/groups/vopreneur   EVERYDAY VOPRENEURS IN THIS EPISODE * Thanks to "Uncle Roy" for production assistance! Visit http://antlandproductions.com * Thanks to Christy Harst for VO contributions! Visit https://christyharst.com * Thanks to Krysta Wallrauch for VO contributions! Visit http://krystawallrauch.com   If you need guidance with your voice over business or learning how to more effectively market, I can help. Book a 15 minute free consultation with me to discuss your specific needs. Book Your Consult

There's really no such thing as "the perfect DAW" (Digital Audio Workstation), however, there is a great DAW to suit everyone. A DAW needs to fit your needs and your workflow, and above all else, it needs to help you create your best, fastest, and easiest. For every person, those needs are different. In today's episode, I talk about this, since there is so much miss-information out there from people claiming the "perfect DAW" or "the BEST DAW" which, may be the case for them, but may not be at all for your needs. Things to consider when picking your DAW for those getting started: 1. The Features you need (Now and in the future) 2. Your Future Growth and where you want to end up 3. Compatibility - The computer or system you want to use, and other gear like Interfaces, plugins etc. 4. Collaboration - Who are you surrounded by, collaborating with, studios your working with etc. 5. The Price - What you get for what you pay, and what the cost will be (in time as well) to learn

Nach einer Sonderedition zum iPhone 13 letzte Woche heute wieder diverse und vollgepackte News:Das Team vom Secure Mobile Networking Lab hat die Android-App AirGuard veröffentlicht, die User:innen installieren können, um sich vor einem geheimen Orten durch AirTags zu schützen.In unserer Folge zu gRPC sprachen wir von BloomRPC und dank eines Hörers gibt es mit Kreya jetzt eine Alternative, um mal einfach Luft zu schnuppern in der gRPC-Welt.Es gab eine Entscheidung im Epic-vs.-Apple-Gerichtskampf: Apple hat seiner Ansicht nach gewonnen, trotzdem müssen zukünftig alternative Zahlungsmethoden neben den In-App-Käufen erlaubt werden.Fabi erzählt uns etwas über Spotify Pedalboard, einer DAW (Digital Audio Workstation) in Code.Wir gehen über die Updates von iOS 15, das seit dieser Woche offiziell verfügbar ist. Außerdem hat vite ein neues Update.Einen großen Teil dieser Folge nimmt das ebenso große Update von Flutter ein. Google hat ein paar Versionen übersprungen und Flutter 2.5 und Dart 2.14 sind nun verfügbar. Schreibt uns!Schickt uns eure Themenwünsche und euer Feedback.podcast@programmier.barFolgt uns!Bleibt auf dem Laufenden über zukünftige Folgen und virtuelle Meetups und beteiligt euch an Community-Diskussionen.TwitterInstagramFacebookMeetupYouTube

Warning! No 18xx talk in this bonus episode at all! Eric and Johnny have a quick 10 minute chat and test recording in Johnny's new studio space and discuss some of the upcoming improvements to the podcast's recording gear that we're excited about. Your patreon contributions are helping us immensely and we wouldn't be able to consider these kind of improvements without them. This bonus episode is still being recorded on Blue Yeti microphones (soon to be replaced by Electro Voice RE20 microphones, not Shure SM7B as we mention in the recording) but was edited for the first time using Reaper as a DAW (Digital Audio Workstation) instead of Audacity or Garageband. We've been learning a TON about what gear we should invest in, mic technique, editing and mastering technique, etc so hopefully as we move forward you'll notice an increased quality in our recordings. That's all - sorry for the lack of train talk! If you'd like to support the show visit patreon.com/trainshuffling Check out our Merchandise store (Benefits the ACLU): www.bonfire.com/store/trainshuffling/ Podcast Hotline: (410) 357-1898 - leave us a question and we may air it on a future episode! Reach out to us with questions, feedback and answers to listener questions via: Email: trainshuffling@gmail.com Twitter: @TrainShuffling Facebook: www.facebook.com/TrainShuffling/ --- Send in a voice message: https://anchor.fm/trainshuffling/message

Richard Del Connor here. As the founder and record producer of Shaolin Records I've evolved from 4-track recording to 8-track to 16-track and eventually 24-track recording in 1979. This year, 2021, I've acquired Logic Pro X music software as my DAW Digital Audio Workstation. After a decade using ProTools I've only started using Logic Pro and have not mastered it yet. Frustrating... But hopefully by the time I finish my next Shaolin Records album project I will have mastered this music software. I've also acquired Kontakt digital music software program which enables me to use samples of orchestra instruments and record them onto my songs. I am "learning to play the orchestra." As a trombonist who sadly had to sell all his trombones to remain a flutist... (I explain this in the podcast). I am excited to have purchased two different trombone sample programs that are far more than the trombone samples you get when purchasing an "ensemble" or "orchestra" package of music samples. My first album using Logic Pro and Kontakt will be "Scorpion Resurrection" by Kung Fu Cowboy. I recorded most of these instruments in Tacoma Studios, my home on wheels for 6 years. So now I am assembling them into the Logic Pro app and preparing to learn how to orchestrate with digital samples. This album will be perfect for learning how to play these digital trombones. I was imagining the guitar parts as horn sections when I performed and recorded them. "TRUST ME" was recorded in the studio where Frank Zappa was recording "Sheik Your Bootee." That's what they told me the album was titled. I never owned. it. My band, THE RICH, recorded in that same Village Recorder studio at night when Frank's band was out of the studio. I was interviewed on a radio station a couple years ago and they asked me about Frank Zappa. I ran from the topic and didn't want to say anything bad about him. I LOVE the albums "Freak Out" and "Absolutely Free," so Zappa fans may someday hear my stories of working with Frank Zappa. Ironically, I told some stories on this very podcast but my new USB microphone was causing horrible sound problems that I discovered after recording this show. So those stories are going to remain a secret since I just threw those recordings in the trash.

Ed's Wild World of Film and Music! Podcast #3: Making Music for Movies! This episode is all about scoring a film, especially with traditional melodies, chords. Ed shows his process for melodic composing on the piano that is made to synchronize to the film. It's a fun, and light description of composing on a computer using a “DAW” (Digital Audio Workstation). This is a great show for filmmakers, composers, performers, and anyone interested in the music of film. (Includes live performance of examples). Music: Opening: Energy Cycle https://edhartmanmusic.com/track/2027684/energy-cycle Music by Ed Hartman ©Olympic Marimba Records Examples performed and composed by Ed Hartman ©Olympic Marimba Records Closing: Rivertrance https://www.amazon.com/Wood-Metal-Works-Ed-Hartman/dp/B00AFLKUPE Music by Ed Hartman ©Olympic Marimba Records Recordings available for sale: https://edhartmanmusic.com/buy Thanks, and write if you get work! Ed https://edhartmanmusic.com/ ©2020 8th Sense Productions, LLC --- Support this podcast: https://podcasters.spotify.com/pod/show/ed-hartman/support

Have you ever found yourself trying to hang with producers in the studio, feelin’ all cool

How To Start Your Podcast...NOW! (Ep 1340) Part 1: Pre-Podcast Ideation So you want to start a podcast? What do you want to share? What are you an expert in (or close to it). Who is your audience? How do you want to share it? Audio, video, or both? Much more questions answered you didn't know to ask! Part 2: The Creation Creating Cover ART for aPodcast, Coming up with a Name, and more! Part 3: Software & Hardware Choose a DAW-Digital Audio Workstation like Garage Band (MAC), Audacity (WIN & MAC),etc. Part 4: The Business Side Setup email, Money Making, Setting up a website, Setting up Social Media Accounts, before launch and launch day! Don't forget to follow our podcast! You will get notified of the latest episodes, bonus content, and our random merchandise and prize giveaways! Of course we love coffee... https://www.buymeacoffee.com/tooclevermafia Support our show here: https://anchor.fm/tooclevermafia/support Paypal: https://paypal.me/2clevermafia?locale.x=en_US Grab a T-Shirt! https://merch.streamelements.com/tooclevermafia Grab a Mask! https://teespring.com/tooclevermafia This is our empire! Click Here: https://linktr.ee/tooclevermafia www.tooclevermafia.com Follow us @TooCleverMafia on all the majors of social media "That's all I have to say about that.” The Too Clever Mafia Podcast owns the rights to all originally created content and audio files. Any third-party audio files that may be used within are used for educational, demonstrative, and/or transformative purposes only. All fair use standards and practices are strictly adhered to. Our hashtags keep growing every time we add a new show! You are welcome Mafians. #Wow #beinspired #StayAlpha #tooclevermafia #freedom #america #fridaymorning #fridaymotivation #volcano #vaccine #amazon #google #cyptocurrency #MLBShow2021 #MLB #bitcoin #dogecoin #tothemoon #elonmusk #coinbase jeffbezos #jimkrammer #spacex #theboringcompany #tothemoon #toppodcast#coinbase jeffbezos #jimkrammer #spacex #theboringcompany #tothemoon #toppodcast #bitcoin #dogecoin #tothemoon #elonmusk #fridaymorning #snl#doge #mileycyrus #fridaymotivation #dogelife #dogeforlife #onedogeequalsonedoge #billgates #microsoft #google #googlephotos #cloudstorage #startapodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/tooclevermafia/message Support this podcast: https://anchor.fm/tooclevermafia/support

Les séquenceurs audio, aussi appelés DAW (Digital Audio Workstation), permettent d'enregistrer, d'assembler et de jouer des boucles sonores de manière à les séquencer, c'est-à-dire les déclencher de façon automatisée pour créer des morceaux musicaux.Ces séquenceurs, véritables stations de travail audionumériques, offrent la possibilité d'utiliser des instruments virtuels sous forme de plugins VST, d'enregistrer des sons externes, d'appliquer des effets audio et de réaliser le mixage du rendu final.Ce nouvel épisode de Let's Prod vous propose un tour d'horizon des principaux DAW pour savoir à quel public ils s'adressent mais aussi connaître leurs fonctionnalités propres ainsi que les principaux avantages et inconvénients de chacun.Invité : Sylvain Garcia - Ableton France Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In questa puntata andremo a parlarvi di quei programmi DAW (Digital Audio Workstation) che ci consentono di lavorare con il suono (musica o voce) e poter creare qualcosa di ascoltabile, gradevole ed in qualche modo apprezabile per quanto riguarda i podcast o la musica in generale. Parleremo di Audacity, Reaper, LMMS ed altri programmi simili. Iscrivetevi al nostro gruppo telegram: @librepodcast per commentare le puntate o chiedere a noi e a tutti gli iscritti quello che volete.

Das HIP Making-of: unsere Dos and Don’ts. So entsteht der Ponyhof-Sound. Ohne Störgeräusche: Du siehst uns ja nicht. Richtmikrofone hinterlassen keine akustischen Kondensstreifen; sie sind verkabelt mit einer D(igital) A(udio) W(orkstation), verbunden mit dem PC. Welche Software? Wir sind Fans von «Hindenburg». Jedes Pony auf der eigenen Spur, über Kopfhörer im Austausch mit den anderen. Danke, Google/YouTube, für den lizenzfreien Rohstoff für unsere Episoden-Jingles! Was man nicht alles lernt beim Podcasten: Ist Dir bewusst, wie Du sprichst? Wann Du Deine Lieblingssprüche äusserst? Wo Du stolperst, holperst, loopst? Editieren und upload in die Cloud Deines Hosts. Fazit: geringe Kosten, grosse Freude. Und denk dran: Halte nicht jedem Gaul ein Mikrofon vors Maul.

John is a 35 year old laborer and driver from Burton, MI. Our friend T recommended we have him on NRTF. John is a hilarious storyteller, and we hear several of them today. We cover John's more recent experience's as a garbage man for Republic Services, his aspirations to do voice acting work, and some funny stories about growing up and working on his impressions. Several of those make appearances throughout the show. Xad and I had a great time meeting John and a huge thanks to him for coming on. Hit Subscribe if you like the show.Visit the website: notreallythatfamous.comCheck out the merch shop!Facebook/Instagram @notreallythatfamousYou can find John on Facebook @ John JacobsonWe talk a litte bit about the DAW (Digital Audio Workstation) that we use to produce the show. If anyone is interested, its called Reaper

Hoy conversamos sobre qué DAW (Digital Audio Workstation) usar, sus pro y contras. Continuando con la tercera entrega de la sección de Home Studio hablamos sobre los puntos a considerar al momento de adquirir un computador para trabajar, desde su hardware hasta el sistema operativo. No olvides de enviarnos tus preguntas, reclamos, felicitaciones a: ruidosparalelos@gmail.com También síguenos en Facebook https://www.facebook.com/ruidos.paralelos.podcast/

The next step to take to boost the quality of your audio, before you publish. Edit in a DAW! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/antialvin/message Support this podcast: https://anchor.fm/antialvin/support

Andres Melz y S0ul les hablan de cómo es su proceso para hacer un beat desde 0. Desde que abren su computadora, su DAW (Digital Audio Workstation, como FL Studio) y de cómo comienzan a seleccionar sonidos o samples para crear sus beats hasta el proceso de mezcla y master. Beat usado durante podcast hecho por Andrés Melz. Buscanos en Instagram y Twitter: @insulationpr, @s0ulpr, @andresmelz.

On this dailicast, Chris talks about the recording software you will need, often called a DAW (Digital Audio Workstation). He talks about a couple of the most popular versions including Audacity, Adobe Audition, and GarageBand.

No, this isn’t an article about using Snapchat and Instagram to promote your podcast. This is an article about packaging the contents of a single episode of a podcast by borrowing (read: stealing) a big part of Instagram stories. Which they stole from Snapchat, so turnabout’s fair play, right? Many podcasts are highly produced, often requiring more than 100 hours of work to put out a single, 30-minute long episode. Other podcasts require almost no extra work, where people just get behind the microphone and start talking. (Stop looking at me.) Between these extremes is room for many, many different effort-level approaches. One format made popular by newsletter publishers and Instagram influencers hasn’t yet taken off in podcasting. That approach is to create content “on the fly” throughout the day -- or sometimes the week --. Newsletter writers typically save the publishing until the entire “send” has been assembled, where IG stars publish each discrete bit as they go through their day. I think podcasting might be able to leverage those concepts, either as a new technology play or by Mechanical Turking our way to a new method of creating content that, for some shows, might be actually better than what they are doing today If you've listened to Podcast Pontifications for a while, you know I'm a big proponent of what I call Advancing Podcasting. That's the idea that software and technology should make podcasting better, not just easier. It also assumes that brand new business models will appear, which themselves necessitate new podcasting formats and approaches. This idea of assembling and producing content on-the-fly might be one such approach. Plenty of podcasts gather content on the fly. The work of James Cridland at PodNews.net comes to mind. James dutifully gathers the best podcasting news of the day, writes up his very popular daily newsletter, and also records a short “headlines only” version released as a podcast episode. He’s not alone. Many podcast producers gather news/information/inspiration throughout the day, write their notes about each element, adding in their own commentary on each or as a whole, create a final script, and then sit down behind a microphone to record the whole thing. Enter the Instagram Stories approach. What if, instead of only writing about each bit as it happened, the podcaster grabbed the microphone and narrated their thoughts on just that bit. OK, some writing is likely warranted. But once the writing for that bit is done, you’d narrate it. Just that bit. Were this really an Instagram Story, you’d publish that bit. And that doesn’t really (thankfully) work in podcasting. Instead, you would “publish” the bit in some sort of a queue or draft-mode. Today you could just save it locally. Though this presents an opportunity for some custom software that will enable this to be better. Rinse, repeat that five or six times throughout the day, and all that’s left to do is assemble those individually produced bits. That could be a simple as dragging your intro into your DAW (Digital Audio Workstation), maybe narrating an overview, dropping in your produced bits, adding a bit of transition music between each if you like, maybe narrating a recap, and then dragging in your outro. Done. It’s an interesting way to think differently about assembling content. Actually, it's really just a shift in how you work. Rather than being in “gathering mode” first, followed by “recording mode” and then finally “editing mode” at the end, now you’re doing all three modes at multiple times during the process of putting out an episode. Come to think about it, this sounds a lot like how some writing tools like Scrivener (https://www.literatureandlatte.com/) work. And it’s exactly how magazines and newspapers are assembled. Any of us could do this on our own right now, just saving off the pieces. But we need software to help enable this. A new Saas that lets producers Support this podcast

Last week we were 2-1 and this week we only recorded 6 points well we did play three games and each win earns a team 2 points so 2x3= heck yeah get ready for another fun episode discussing all things Vegas Golden Knights.   Sorry the sound sucked in last weeks episode. I used a new DAW (Digital Audio Workstation) and was not quite ready. Hopefully this sounds better! Last week my contest did not reach 25 entries so I will continue the contest until Sunday March 24. Listen for details! vgkbugeyeguy@gmail.com  Injury report: Marc Andre Fleury listed day to day lower body or baby? William Carrier and Eric Haula are the only other VGK Players on the IR Recalled players: Lagace called up yet again! Random News from League: Tampa Bay fastest to win the Presidents trophy winning that doesn’t guarantee squat! TB clinched against coyotes and you need to follow Coyotes mathematically they still have a chance especially for a wild card spot. GM’s mad about expansion. Think knights will have a trade advantage! Mad Vegas does not have to lose a player but Bill Foley doesn’t get any CASH$$$ VGK Rewind: In-depth recap of the DAL, EDM and SJS games. What’s On Tap: A quick preview of next weeks match up against the Winnipeg Jets and Detroit Red Wings Numbers Don’t lie:  Recap of Team and player statistics What the Puck: As an Adult you have the choice to Shovel snow or not shovel snow.  The VGKbugeyeGuy is available on Facebook, YouTube, Twitter and Instagram @VGKbugeyeGuy and at www.knightsnation.vegas The Podcast is available on Twitter and Instagram and Facebook @KnightsNationLV

De flesta av oss berörs på något sätt av ljud. Men inte alla tänker på hur och vad som påverkar hur våra ljudsystem låter. I detta avsnitt pratar vi om ljudsystem och saker att tänka på vid köp och användning av olika ljudsystem, till exempel hörlurar och högtalare. Ni får även reda på hur simulering av ljudkällor för VR kan gå till. Dagens spaning:SOM-institutets rapport: Svenska trender, utveckling kring åsikter och trender i Sverige sedan 80-talet. Länkar: - Roomeqwizard, gratisprogram för att mäta akustiken i ditt ljudsystem i ett rum. - Ardour, en open source DAW (Digital Audio Workstation), bra för att producera musik och redigera poddar. - Binaurial recording, ljudinspelning med konsthuvud. - Equalization, dämpning och boostning av frekvenser, bra att känna till. - Roland TB-303, klassisk bassynth, som mer har bidragit till elektronisk musik än att låta som en bas. - Equal loudness contour, plottar av hur öronen uppfattar ljudnivå för olika frekvenser som funktion av ljudtryck. - Youtube - förklaring av Dirac Live, för aktiv rumsequalizer. - Youtube - exempel på binaural ljudinspelning med konstuvud. - Youtube - ljud och uppfattning/objektiva mätningar. - Jämför olika kompressionsgrad och se när du hör skillnad. Vi har för närvarande inga externa samarbeten och alla åsikter är våra egna. Inget vi pratar om är någon typ av investeringsrekommendationer. Medverkande i avsnittet: - Henning Hammar, doktorand i fysik på Uppsala Universitet, driver även tjänsten Börslabbet, @investerarfys - Daniel Constanda, IT-konsult i finansbranchen på Clara Financial Consulting, @DanielConstanda - Martin Nordgren, jobbar på Tobii, tidigare på Dirac, @martinjnordgren Kontakta oss:dataspaning.se @dataspaning @ Twitter dataspaning@gmail.com

Cool Stuff to Check Out:Recommended Gear: https://kit.com/thepodcastdudePodcast: https://thepodcastdude.simplecast.comTwitter: https://twitter.com/thepodcastdudeYoutube: https://www.youtube.com/c/thepodcastdudeSuccessful Podcasting: http://successfulpodcasting.comTwitter Thread: Podcast Producer Job PostingsWithout Fail: Ira Glass: The Man Who Launched a Thousand Podcasts (That Gimlet podcast interview I mentioned, real good)Most Jobs Don't Have An Official Job PostingNot everyone can become a great artist, but a great artist can come from anywhere. - Anton Ego, RatatouilleThe best jobs are never advertised. - UnknownThe jobs I linked to in that Twitter thread just the ones I found easily on job boards with a quick Google search.I know there are more podcasting jobs that aren't being shared on job boards because I've landed a few of them myself over the past 5 years, and that was before the big podcasting boom of 2017.Podcasting is still a relatively new field, and many people, companies, and brands are only now beginning to think about starting a podcast.They might want to hire someone to produce a podcast, but they may not know how to put together a job posting, or they may not want to. They might not know which skills are required or what kind of person they need to hire in order to end up with a good podcast.This is a time of opportunity for motivated podcast producers at all levels.Q: If I want to be a professional podcast producer, what do I need to know and be good at?I took a look at the job postings again to get a sense of the most commonly listed skills and requirements, and here's what I think are the essential skills for podcast producers.Essential Skills for Podcast Producers:Content creation and direction: You should have experience developing shows and episode content, writing scripts and stories, participating in brainstorming sessions, etcAudio recording and editing: You should know how to record audio that sounds good, how to put a project together and edit it in audio software, how to write narration (if necessary), add music, mix and master, and whatever else the production requiresWorking well with others: You should be able to work with—and possibly manage—producers, writers, audio engineers, editors, freelancers, guests, and so onAbility to work under deadlines: You can get stuff done and shipped on schedule (time management skills)Proactive problem-solving skills: There's going to be stuff they don't know, stuff you don't know, so you should be able and willing to figure it outLeadership skills: This means you have opinions and taste and are comfortable with setting goals and identifying how you'll measure successQ: What if I don't have all those skills yet?That's ok, I didn't have all those skills when I started producing podcasts either, and I'm still working on getting better at all of them.Study those podcast producer job postings for insights into what you should study, but remember that you don't need to be a master of everything to produce a great podcast, and the best producers are always learning on the job anyways.The important thing is to have a firm grasp on the basics and a willingness to work hard, experiment, take feedback and criticism, and keep learning.But since this is a prescriptive advice podcast, here are a few things I believe you should focus on if you want to increase your chances of landing a job producing podcasts.How to Increase Your Chance of Landing a Job Producing Podcasts1. Learn everything you can about recording and working with audioStudy all the various options for capturing audio in studio and live environments: Microphones, audio interfaces, soundboards, etc.Practice recording with different gear and in different locations. Learn how the gear and the room or environment changes the sound of a recording.Learn everything you can about how to manipulate and work with audio once it's been recorded. Learn about editing and post-production: EQ, compression, noise removal, limiting, and loudness metering.Learn how to organize and share your audio files, and how to backup and archive your finished projects.You can learn the basics in a few hours, but mastering recording and working with audio is a life-long project. That might sound intimidating, but I promise that it's actually a lot of fun (doing the same thing every day sucks).2. Learn pro audio software like ProTools, Logic Pro X, or AuditionMany people get started with podcasting using the free or easy tools like GarageBand or Audacity, but if you want to be a powerhouse podcast producer, you should acquire and master a professional DAW (Digital Audio Workstation) like ProTools, Logic Pro X, or Audition.While it's true that you can make a successful podcast with almost any editing program, the professional DAWs have useful (maybe even essential) features that the free or cheap DAWs don't, including non-destructive and multitrack editing and other features for tweaking or enhancing audio once it's been recorded.Professional production studios and other podcast producers are also likely using the one or more of these pro DAWs, so if you're serious about producing podcasts, try to master at least one of the three DAWS I listed above (Pro Tools, Logic, or Audition).3. Learn the most popular technology and software tools used by podcastersIn addition to your DAW of choice, you should also learn and be familiar with (if not good at) all the various apps and software used by podcasters and podcast producers.That includes:Recording gear & softwareWriting apps and other collaboration software for communicating with co-workers, developing episode ideas and scripts, show notes, and so onGraphic design apps for developing visual assetsContent management systems (websites) and podcast hosting software (like Simplecast)Social media platformsand whatever else podcasters are using to make or grow their showsYou don't have to master every single app or software in each of the categories I listed above, but you should be able to learn and use them quickly if needed.If you tell yourself you can't (or don't want to) learn new software tools, you're right, and you'll probably have a hard time being successful as a podcast producer. Keep an open mind and be willing to learn.4. Study and learn from other producers (especially the great ones)Producing great audio is a craft, and there are many great audio producers to learn from.Keep your eyes open for them. Seek them out. Follow them on social media, subscribe to their shows, read their articles and books, and take their online courses.Ask them questions when you get the opportunity, but analyze their work either way. It's a great way to learn about how things are done and may give you some ideas about things to improve or how to do things differently (and hopefully better).5. Don't wait to get hired, start your career as a producer todayDon't wait for someone to hire you: Go out and start your own show, or help your friends start shows and try to figure out how to make them successful. Do the best you can and try to make work you can be proud of.A good self-initiated portfolio will go a long way towards convincing other people to hire you, and you'll gain more experience (and probably even learn more) by doing instead of just reading or watching tutorials.Q: What if I don't live in one of the big cities where these jobs are?Good news! While it can certainly help to live near a large city like New York City or Los Angeles where there are podcast companies or businesses looking to hire podcast producers, you can help produce podcasts from almost anywhere.The internet has made it possible to connect with people all over the world and the rise of broadband and fast internet means you can collaborate in real time or easily send audio files back and forth over Dropbox or Google Drive. And you can certainly learn everything you need to learn about podcast production as long as you have access to the internet and a library.If you'd like to land a gig producing podcasts, I'd encourage you to invest time in developing the skills I listed earlier, but also in networking and connecting with other people in the industry or similar industries. For example, I've learned a lot from writers, web designers, programmers, marketers, managers, folks who work in the film and book industries, and many other kinds of professionals.Again, don't wait to get hired as a producer. Start studying and producing shows today.Have a question, or just want to say hi? Send an email to aaron@thepodcastdude.com. I love connecting with other podcasters.Happy podcasting!

Without a doubt, editing is the one aspect of podcasting that we're most frequently asked about. In this episode we're going to run through some of the options available to you when it comes to editing. What Can I Edit With? You can use a DAW (Digital Audio Workstation) to edit your podcast. Commonly used […]Support the show (https://pod.academy)

Without a doubt, editing is the one aspect of podcasting that we’re most frequently asked about. In this episode we’re going to run through some of the options available to you when it comes to editing. What Can I Edit With? You can use a DAW (Digital Audio Workstation) to edit your podcast. Commonly used […]Support the show (https://pod.academy)

Aaron and Drew introduce themselves and answer a handful of questions from the community.   Show Notes Intro Music: "Pistachio" by Drew Zaremba, recorded by the University of North Texas One O'Clock Lab Band https://music.unt.edu/store/lab-2015 Ending Music: "Take Your Time" by Aaron Hedenstrom, recorded by the University of North Texas One O'Clock Lab Band https://music.unt.edu/store/lab-2016 Index/Questions Introductions (0:32-04:28) Drew's Story (04:28-07:47) Drew's site: http://drewzaremba.com/ Aaron's Story (07:47-12:46) http://www.aaronhedenstrom.com/  Q and A (13:10)  Question 1 (13:58) Paul Birk: When arranging, do you find it helpful to do a 3-line sketch of your ideas, designating lead lines and accompanimental figures within a form before actually scoring the arrangement? John Williams Scoring Session Indiana Jones Gil Evans: http://gilevansproject.com/recordings/ Question 2 (21:09) Justin Pierce: As an arranger, what are your favorite books/transcriptions/exercises to practice on piano? The Jazz Piano Book by Mark Levine http://www.shermusic.com/0961470151.php Piano Intro (Bobby Tucker): "I Loves You Porgy" Billie Holiday Billie Holiday - I Love You Porgy (Decca Records 1948) June Lee: https://www.youtube.com/user/war3gate Jacob Collier: http://www.jacobcollier.co.uk/ Inside the Score by Rayburn Wright https://www.jwpepper.com/2104842.item Jazz Composition and Arranging in the Digital Age https://global.oup.com/ushe/product/jazz-composition-and-arranging-in-the-digital-age-9780195381009?cc=us&lang=en& Michael Abene http://www.michaelabene.com/ Richard Sussman http://www.richardsussmanjazz.com/ Question 3 (26:10) Cole Dapprich: What is the best way to handle doubling in an arrangement, specifically in Finale 2012 or 2014? How do I switch a part to a double and then back within the same file? http://www.finalemusic.com/blog/instrument-doubling-with-finale-2012/ Question 4 (27:38) Toshi Clinch: How do you work out the price of a commission for a client? Gordon Goodwin: http://www.bigphatband.com/ Brett McDonald: BrettMcMusic Question 5 (36:05) Toshi Clinch: When selling your own arrangements, how do you decide on the price? Legality of selling arrangements: http://ostrowesq.com/no-you-dont-own-your-arrangement-of-that-hit-song/ ASCAP: https://www.ascap.com/ BMI: https://www.bmi.com/  Question 6 (38:18) Toshi Clinch: What tactics do you have when you have writer's block but still have to meet a deadline? Sharp-9 chord: https://en.wikipedia.org/wiki/Dominant_seventh_sharp_ninth_chord The Unity Orchestra: http://drewzaremba.com/unity-orchestra/  Question 7 (43:50) Toshi Clinch: How often do you find yourself following general arranging rules when writing, and how often do you find yourself breaking away from those rules? Aleatoric Music: https://en.wikipedia.org/wiki/Aleatoric_music Doritos Sponsorship: https://sponsorpitch.com/sponsors/doritos Question 8 (50:29) Toshi Clinch: As a professional arranger, how often do you work on your own material vs. working on material for others? Drum and Bass music: https://en.wikipedia.org/wiki/Drum_and_bass The Tortured Artist Stereotype: https://en.wikipedia.org/wiki/Tortured_artist  Question 9 (55:35) Toshi Clinch: How do you go about finding arranging work and maintaining a consistent workload? Aaron Hedenstrom Orchestra: Aaron Hedenstrom Orchestra: A Father's Love Drew Zaremba Big Band: http://drewzaremba.com/tag/big-band/ S. Carey: http://scarey.org/ Eaux Claires Festival: http://eauxclaires.com/ UW Eau Claire Jazz Ensemble: http://www.uwec.edu/academics/college-arts-sciences/departments-programs/music-theatre-arts/academic-offerings/ensembles/jazz-studies/  Question 10 (1:06:12) Chris Sharpe: What factors do you take into consideration when making an instrumental arrangement of music originally written with text? Do you feel the need to compensate for the lack of text? Night and Day (Cole Porter): Night And Day - Cole Porter Morse Code:  http://morsecode.scphillips.com/translator.html  But Not For Me (George and Ira Gershwin) Ella Fitzgerald version: Ella Fitzgerald - But Not For Me Harry Connick Jr. version: But Not for Me  Question 11 (1:09:22) Camille DeVore: What are your schematics for setting up an arranging workstation (with regards to gear) MIDI controller: https://www.sweetwater.com/c513--MIDI_Controllers Macbook Pro: https://en.wikipedia.org/wiki/MacBook_Pro Audio Interface: https://www.sweetwater.com/shop/computer-audio/audio_interfaces/ Studio Mixing Monitors: https://www.sweetwater.com/c405--Active_Monitors External Hard drives: https://www.amazon.com/External-Hard-Drives-Storage-Add-Ons/b?ie=UTF8&node=595048 Computer Monitors: https://www.amazon.com/s/ref=nb_sb_noss_2?url=search-alias%3Delectronics&field-keywords=computer+monitor&rh=n%3A172282%2Ck%3Acomputer+monitor&ajr=0 Staff Paper: https://www.amazon.com/s/ref=nb_sb_noss_2?url=node%3D1292115011&field-keywords=manuscript+paper&rh=n%3A1292115011%2Ck%3Amanuscript+paper Sibelius Software: http://www.avid.com/sibelius Finale Software: http://www.finalemusic.com/ Dorico Software:  https://www.steinberg.net/en/products/dorico/start.html Musescore Software (FREE): https://musescore.org/ Logic Pro X Software: http://www.apple.com/logic-pro/ Pro Tools Software: http://www.avid.com/pro-tools Ableton Live Software: https://www.ableton.com/en/ Gear Acquisition Syndrome: http://www.homestudiocorner.com/gear-acquisition-syndrome/ DAW (Digital Audio Workstation): http://www.musicradar.com/tuition/tech/the-20-best-daw-software-apps-in-the-world-today-238905  Question 12 (1:15:00) Scott Neary: I would love to know how you break into the world of commission writing, arranging, and breaking into the professional world beyond writing for your own projects See Question 8 at 55:35 Question 13 (1:15:18) Jordan Coffing: I wanted to know how you communicate with clients who are either non-musicians or not very musically educated? Rich DeRosa: http://richderosa.com/ Thelonious Monk Quote: http://www.goodreads.com/quotes/459943-writing-about-music-is-like-dancing-about-architecture Trombonists and Pizza Delivery: http://www.musicomic.com/comic/17-bone-gig/ Temp Track: https://en.wikipedia.org/wiki/Temp_track Question 14 (1:21:56) Eddie Eby: I would like to know how you guys approach writing in a new style or for a new ensemble? Romantic-era Composers: https://en.wikipedia.org/wiki/List_of_Romantic-era_composers Walking bass line: http://www.dummies.com/art-center/music/bass-guitar/how-to-create-a-walking-bass-line/ Latin Jazz: https://en.wikipedia.org/wiki/Latin_jazz Clave rhythm: https://en.wikipedia.org/wiki/Clave_(rhythm)  Question 15 (1:27:40) David Rice: I'd like to see how you guys approach writing drum parts: what do you guys feel is a good balance between writing out hits and just using slashes? Drumset notation: http://www.timusic.net/debreved/jazz-notation-chords-drums/ Philly Joe Jones: Philly Joe Jones Elvin Jones: Elvin Jones drum solo Poinciana (Ahmad Jamal): Ahmad Jamal - Poinciana (Song of the Trees) Argo Records 1958

What equipment and gear do I use to record this podcast? What do I recommend for one man band and content creators in the planning stage of starting a podcast or ramping up content creation? The Basics: Audio Chain Microphone XLR Cables Cloud lifter or Fethead1 Audio Interface (Mixer or Audio Interface) Interface to DAW (Digital Audio Workstation)

Stephan Kuczera, CEO der Schulen für Tontechnik, stellt in diesem Video die Audio-Software Auria für das Ipad vor. Es lassen sich damit bis zu 48 Audio-Spuren aufnehmen, editieren und abmischen. Jeder Kanal, die acht Subgruppen und der Master haben eine Klangbearbeitung. Mit Hilfe dieser Plug-In´s lässt sich der Sound der Einzelspuren optimieren: EQ, Expander (Noise Gate), Kompressor, Hall und Delay. Zusätzliche Plug-In`s (z.B. Drumagog) lassen sich nachkaufen.