Podcasts about ADSR

Die Erfolgsgeschichte geht weiter! Nach einer viel zu langen Pause kommt hier eine neue Folge Hackerfunk. Diesmal waren wir bei ZeHa im Tonstudio der Toolbox-Bodensee in Markdorf zu Gast und haben über Synthese, ADSR, LFO, Effekte und Synhesizer im allgemeinen geredet. Nebst Hörbeispielen gibt’s auch das eine oder andere Lied zu hören! Trackliste Workshop 3 In The Box Christian Gleinser – Night Runner Fourrierreihe :: Fourrierreihe Beispiele Rechteckschwingung :: Rechteckschwingung Sägezahn :: Kippschwingung Reverb :: Hall (Varianten) Talkbox :: Zapp & Roger - So rough, so tough Toolbox Bodensee :: Die Toolbox Bodensee in Markdorf File Download (221:00 min / 215 MB)

Today, we sit down with the multi-talented Greg David, a guitarist, music producer, and engineer.In Part 1 of this conversation, we explore Greg David's journey through music production, the evolution from working with loops to embracing live takes, and his deep understanding of mixing and dynamics. Greg shares his perspective on creating authentic music by experimenting with non-traditional panning techniques, understanding the importance of dynamics, and the impact that recording in live settings can have on a track's energy and feel. His reflections on how the recording techniques of the past can still influence today's music provide a fresh perspective on approaching music production in modern times.Throughout the episode we discuss:* The influence of Sharon Jones and The Dap-Kings on recording techniques.* How live takes differ from overdubbing and their impact on a track's authenticity.* The importance of dynamics and how Greg incorporates them into his production.* The impact of saturation and how different levels can change the feel of a mix.* Greg's transition from sample-based music to creating his own unique sound using live instruments.* How Greg's mixing philosophy revolves around creating space and balance within a track.Timeline:0:00 - Intro 1:14 - Welcome Greg David1:50 - Track 1: "Sail On" by Sharon Jones & The Dap-Kings4:59 - Discussion on Sharon Jones & The Dap-Kings recording techniques9:33 - Track 2: "Be Better" by DJ Harrison12:28 - Organic textures and glued mixes of DJ Harrison15:11 - Live takes vs overdubbing18:52 - Toru's recent experience using live takes in his production23:46 - Track 3: "She's Gone" by Disclosure28:24 - Discussion on the modern, clean mix of the Disclosure track32:31 - Starting with drums35:33 - Greg explains why he gave up sampling and began creating all his sounds41:10 - Explanation of ADSR and how it applies to mixing45:56 - Beginning the discussion on Greg's mixing philosophy47:03 - OutroList of References from the Interview:Songs:* "Sail On" by Sharon Jones & The Dap-Kings* "Be Better" by DJ Harrison* "She's Gone" by DisclosureProducts:* Ableton Live (mentioned in Greg's workflow)* Tascam 388 (used for recording drum breaks)Connect with Greg David:* Instagram: @gregory_david_gtr* Spotify: Gregory David* YouTube: @GregorydavidmusicConnect with Toru:* Website: torubeat.com* Instagram: @torubeat* YouTube: @torubeat* Spotify: Toru* Apple Music: ToruCredits:This episode was co-produced, engineered and edited by Matthew Diaz. From ProducerHead, this is Toru, and in a way, so are you. Peace. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit torubeat.substack.com

We've talked about reframing instruments as frequencies and harmonics, but what about looking at everything like a synth? Attack, Decay, Sustain, and Release are a powerful lens to look at all music. And I break out my trusty Juno for some demonstrations! Want to hear my music? Visit ScoobertDoobert.pizza for all things links. For 30% off your first year with DistroKid to share your music with the world click: DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠ It's about frequency. Podcast Produced by Beformer --- Send in a voice message: https://podcasters.spotify.com/pod/show/scoobertdoobert/message

Тайм-коды: 00:00 — Всем привет 01:59 — Вводная часть 05:58 — Тема выпуска: сэмплирование 08:52 — Что такое сэмплирование? 22:43 — I. Чтобы звучало как в жизни: возникновение техники сэмплирования57:16 — II. Создание вспомогательных музыкальных инструментов, способных имитировать ритм, которые впоследствии превратились в драм-машины и сэмплеры01:26:10 — III. Ямайский след: влияние даба и тоастинга на формирование хип-хоп культуры, а в частности на технику сэмплирования01:36:55 — IV. Развитие техники сэмплирования внутри хип-хоп культуры; битмейкинг как современный вид хип-хоп искусства 01:38:18 — Хип-хоп культура — результат техники сэмплирования в глобальном смысле 01:41:42 — 8 периодов развития битмейкерского ремесла 01:44:58 — 1. Барабанные брейки (1973-1978) 01:50:10 — 2. Сессионные музыканты и студийная работа (1979-1982) 02:03:01 — 3. Электронные драм-машины (1983-1987) 02:13:47 — 4. сэмплеры и расцвет битмейкинга (1988-1994) 02:17:45 — 15 хип-хоп альбомов, являющихся олицетворением техники сэмплирования 02:43:16 — 5. Криминализация и отказ от сэмплов (1995-2000) 02:49:51 — 6. Экспансия южного хип-хопа (2001-2004) 02:56:28 — 7. Ностальгия и возвращение сэмплов (2005-2009) 03:00:38 — 8. Трэп-музыка и живые выступления битмейкеров (2009-2015) 03:07:32 — Итоги 8 периодов развития битмейкерского ремесла 03:13:31 — Что происходило после 2015 года 03:25:18 — Заключение Дополнительные материалы к выпуску: • Материальная поддержка (https://t.me/hippiehippiehop/63) подкаста; • Фрагмент (https://t.me/hhhmedia/549) про конкретную музыку из фильма «Новые звуки музыки»; • Демонстрация возможностей (https://t.me/hhhmedia/550) Chamberlin M-1R; • Устройство (https://t.me/hhhmedia/551) Mellotron M400; • Гарри Мендел и его изобретение (https://t.me/hhhmedia/552) — устройство Melodian; • Фрагмент (https://t.me/hhhmedia/553) из шоу «Косби», где Стиви Уандер показывает, что такое сэмплирование; • ADSR-огибающая (https://t.me/hhhmedia/554): визуализация; • Ролик (https://t.me/hhhmedia/555) с австралийского телевидения, где Питер Фогель и Ким Райри демонстрируют возможности CMI; • Фильм (https://t.me/hhhmedia/556) «История драм-машин» от студии Reverb 2018 года; • Ролик (https://t.me/hhhmedia/557) про драм-машину EKO ComputeRhythm; • Фильм (https://t.me/hhhmedia/558) про драм-машину Roland TR-808; • Демонстрация (https://t.me/hhhmedia/559) возможностей Linn 9000; • Рэковый сэмплер AKAI S612 (https://t.me/hhhmedia/560); • История сэмплеров (https://t.me/hhhmedia/561) линейки MPC от Akai Professional; • Ролик (https://t.me/hhhmedia/562) про феномен передвижных саунд-систем на Ямайке; • Небольшое видео (https://t.me/hhhmedia/563) про историю даба; • 8 периодов (https://t.me/hhhmedia/564) развития битмейкерского ремесла в хип-хопе по версии Амира Сэда; • Сингл "The Adventures Of Grandmaster Flash On The Wheels Of Steel (https://t.me/hhhmedia/565)" за авторством Grandmaster Flash; • Фрагмент (https://t.me/hhhmedia/566) из сериала «Эволюция хип-хопа», посвящённый отелю "The Roosevelt", где проходили съезды продавцов виниловых пластинок; • Фрагмент (https://t.me/hhhmedia/567) из сериала "Wu-Tang: An American Saga", где RZA работает с сэмплами; • Ролик (https://t.me/hhhmedia/568) про J Dilla и его битмейкерский почерк; • Выступление (https://t.me/hhhmedia/569) AraabMuzic с двумя Akai MPC в амстердамском клубе; • Tracklib Sampling Awards (https://t.me/hhhmedia/570): итоги года в мире сэмплов.

 Taken live from Early Doors Club on Saturday 5th August - This is Danny Jarvis' emotion fuelled set to a packed crowd at World Headquarters.Tracklist Einmusik - Funkenflug [Einmusik] Kölsch feat. Troels Abrahamsen - All That Matters (Original) [Kompact] Serge Landar - Gust (Sam Scheme & Jiminy Hop Remix) Krasa Rosa - Kolybelnaya (Extended Mix) [Suprematic Sounds] Kostya Outta - Zero Gravity [INU] Golan Zocher & Choopie - SAO (Hernan Cattaneo & Simply City Extended Remix) [Univack] Cassian - Activate (Extended Mix) [Rose Avenue Records] Format - Solid Session (Joris Voorn Remix) Sonny Fodera, Vintage Culture feat. MKLA - Last Thought (Cassian Extended Remix) Rauschhaus - Awaken the World (Original Mix) [3000GRAD] Rauschhaus - ADSR (Original Mix) [3000GRAD] Elderbrook - Tied To You (Yotto Remix) [Mine Recordings] Hayden James & Cassian - On Your Own (feat. Elderbrook) (Fort Romeau Remix) Monkey Safari - Safe (Joris Voorn Remix) [Spectrum] Cassian feat. Tora - Imagination (Yotto Extended Remix) [Rose Avenue Records] The Cure - Friday I'm In Love (GEØVHÄN, Martin Fredes Remix)

JDNB Feature - Showcasing The Freshest Music! This time around we feature ADSR UK and his debut 4 track EP 'Master Chef' which is available from all good download stores now!

JDNB Feature - Showcasing The Freshest Music! This time around we feature ADSR UK and his debut 4 track EP 'Master Chef' which is available from all good download stores now!

JDNB Feature - Showcasing The Freshest Music! This time around we feature ADSR UK and his debut 4 track EP 'Master Chef' which is available from all good download stores now!

JDNB Feature - Showcasing The Freshest Music! This time around we feature ADSR UK and his debut 4 track EP 'Master Chef' which is available from all good download stores now!

Bobby Lasers In The Void DJ ADSR Guest Mix - 02 Jun 2023 by Sub FM

Welcome to the eighth episode of the produce a song from scratch series, the series where we take you through the process of producing a song from scratch. In this episode, we'll be diving into the world of synth production, specifically focusing on crafting dreamy synth strings by mastering the ADSR envelope controls.We'll also be exploring how to spice up your tracks with impact sounds for creating smooth transitions. In addition, we'll be sharing tips on creating snare build drops with EQ filter automation and snare samples, as well as adding space and depth to your tracks with reverb mix knob automation.So, whether you're an experienced producer looking to expand your production techniques or a beginner just starting out, this episode is sure to give you valuable insights and techniques to improve your production skills. Let's get started! Support the showContact Inside The Mix Send a DM through IG @insidethemicpodcastEmail me at insidethemixpodcast@gmail.comSubscribe to the podcast today: https://www.buzzsprout.com/1639201/supporters/new*******Download the 5 Essential Free Mastering Plugins guide and immediately take your music mastering to lofty new heights. Download for free at: https://mailchi.mp/synthmusicmastering/5-essential-free-mastering-pluginsThanks for listening & happy producing!*******Start your own podcast today with the fantastic Riverside.fm platform and benefit from its AI integration, it has revolutionised podcast production at Inside The Mix. Click here, to find out more: Riverside.fm

Opulent violins and sci-fi vocals can only mean one thing: We're approaching Cloud City! Composer/music technologist Jeremy Sawruk returns to the show to discuss minutes 76-80 of The Empire Strikes Back. Discussion Guide: 0:00 - Hello there! 5:49 - Voice removal. 12:38 - Background "Morse code" sound. 16:34 - Errant horn entrance or sound design? 19:08 - Envelopes! (ADSR.) 26:25 - Open chord sound. 33:54 - Tense Han & Leia theme. 39:25 - A sharp cut in the music (visible on a spectogram). 46:34 - Methodical, meditative Force climb. 57:58 - Shroud of artificial harmonics. 1:02:03 - List of magic-evoking instruments. 1:06:53 - Another abrupt transition/cut. 1:21:00 - The best part of these minutes! (Soaring violin soli approaching Cloud City.) 1:29:08 - Sci-fi vocals. 1:35:41 - Comparing the Cloud City melody to the Sibelius Violin Concerto. 1:48:41 - Spectogram view of a busy section and R2's chirping. 2:04:02 - SWMM Questionnaire Things to Check Out: envelope (music): https://en.wikipedia.org/wiki/Envelope_(music) Sibelius Violin Concerto (Maxim Vengerov performance): https://youtu.be/YsbrRAgv1b4 Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: 8M2 "City In The Clouds" Musical Themes: 11a. Han & Leia (A Section) 14. Boba Fett 12a. Yoda (A Section) 3. Force something like 35) Cascading Trumpet Lines? 15b. Cloud City 2 (Trouble in Bespin) Where are we in the soundtrack?: "Imperial Starfleet Deployed/City in the Clouds" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? New answer: Space. Brass. Droids. Solo season answer: Big octatonic brass ANH season answer: Opera without words 2. What's something related to Star Wars music or sound that you want to learn more about? New answer: The creation of the sound effects/sound design. Can I recreate some of these sounds on my ARP 2600? Solo season answer: The score for Obi-Wan Kenobi. ANH season answer: Musical / orchestrational “filler” and sound effects/foley 3. What's a score or soundtrack you're fond of besides anything Star Wars? New answer: The Matrix by Don Davis, Bob's Burgers (series) composed by Loren Bouchard New answer: Star Trek by Jerry Goldsmith, Wall-E by Thomas Newman Previous answers: North by Northwest by Bernard Herrmann, Loki by Natalie Holt, Catch Me If You Can by John Williams --------------- Guest: Jeremy Sawruk Soundcloud: https://soundcloud.com/jsawruk Instagram: https://instagram.com/composer314 Solo 18: Powered By Thirds (Minutes 86-90 with Jeremy Sawruk) - https://youtu.be/LsNQj3D7DM0 ANH 16: Orchestration Wars (Minutes 76-80 with Jeremy Sawruk) - https://youtu.be/1owmn96ALVY ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

This is a two-hour section of a live recording of the evening's events on July 16th, 2022 - featuring Eno - aka: ?CONFUSION? of Detroit Techno Militia. The section of the recording I'm sharing is maybe 10 minutes into when Eno stepped onto the decks for a solo rip. When you notice the marked shift into full-tilt electro-mode, Eno and I started tag-teaming, trading 2-3 tracks. Hope you enjoy! (and perhaps make it out in-person if you're in/around Manchester)

Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/Audio... Special thanks: McKinleyA - Audionaut Engineer Richard Flynn - Audionaut Producer Lars Haur - Audionaut Producer Join the conversation:

Big news announced recently! This month's guest and your very own host have partnered up to bring some much needed techno to Manchester, NH. Please welcome DJ Pet to the show, and please join us on our opening night - Sat. May 21 - at Jewel Nightclub!

Music from The Reneaus, twen, soccer mommy, Total Wife, Daydream Nathan, Hydras, Klassik, Top Prospekt, Solo Graves, Bard of the Apocalypse, PONCÉ, The Nobility, Alex Fun & The Space Cadet, ADSR, Cold Lo #BEATS

ADSR, a retrocomputer oldal szerzője nem olyan rég, 1-2 éve kezdett csak régi számítógépek és videójátékok gyűjtésébe. Őt faggattuk, hogyan lehet nekifogni egy ilyen hobbinak és mik a legbecsesebb kincsei. Volt is itt minden: Amiga 500 és 1200 PC Engine vagy európai/amerikai nevén a Turbo Grafx 16, a 8 bites éra egyik ígéretes gépe, amiben dual(!) 16 bites “GPU” volt, mely akár 482 szín megjelenítésére is alkalmas volt. Nintendo Playchoice “kabinet” videójáték automata restaurálás, felújítás Gorenje TV játék Quickshot Aviátor joystick C64 trackball és a felemlegett 92-es horvát “háborús” demo, pedig a Knin Peaks Adásunk intróját pedig ismét Trash80 szolgáltatja. Köszönjük! (Eredeti megjelenés: 2012.01.23.)

Modular-Systeme können eine schwierige Sache sein. Aber Mirko Ruta kreiert damit nicht nur tolle Sounds, sondern fesselnde Songs. Diese Serie ist ein MakingOf zu einem Song und wir reden über Module. In dieser Folge geht es um ADSR Hüllkurven und LFOs. Mirko Ruta: www.ruta-sound.com   Auf youtube ansehen: https://youtu.be/_1ELXGfiPdw   Fragen und Anregungen an sounthcast@sounth.de Website Tim Heinrich: https://sounth.de Newsletter abonnieren: http://eepurl.com/dJaBMD Spotify: https://open.spotify.com/show/5VSIxSdavASHfETN64Ow8I Facebook-Gruppe: https://www.facebook.com/groups/309751689699537/ Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich

This episode also has a video.. not all episodes do, but you can see when I apply certain techniques.. (https://itsGratuiTous.com/podcast/s2e5-examples-of-low-end-bass-clashing/) The low-end of your song is make-it-or-break-it. If your low-end sucks, you song will never be at its BEST! It honestly comes down to wise sound selection to achieve the absolute best sounding mix, but wise sound selection is also luck of the draw.. you cannot perfectly select the right sounds every beat.. you can be mindful of it, but when the right sound selection does happen, you will instantly know it… your beat becomes much easier to mix, the arrangement just works, and the beat is more fun to work with than usual. In this episode, we build off the previous S2E4 on SHORT-TAILED and LONG-TAILED DRUMS(https://itsGratuiTous.com/podcast/s2e4-short-tailed-and-long-tailed-drums/). I wanted to now break down how low-end bass sounds when it clashes. When you play a kick drum with a long-tail too fast, its tail overlaps on itself, and essentially a bunch of duplicated audio gets played for a short bit until all drums are done playing. (The example was hard to hear in this example, sorry, but there was a difference.) This instantly messes up your song's bass, and overall balance of your mix, because the bass will either be WAY louder for a second, or it entirely skews the low-ends phase response.. giving you that horrible wobble sound. The final example I gave you is when we use different notes on our bass that overlap. This overlap can happen if the RELEASE is TOO LONG on our BASS's ADSR when we talk about sound design, or it can be when we change notes on our 808's. To prevent bass overlap, we can use Cut Itself.. it's really easy in FL Studio.. simply right-click any sound in the Channel Rack, and select Cut Itself. ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| EPISODE RESOURCES: SAFE SPOTS: Create Amazing Drum Loops BUNDLE (https://itsGratuiTous.com/safespots/) Xclusive-Audio DRUM BUNDLE TRIO(https://itsGratuiTous.com/product/xclusive-audio-drum-bundle-trio/) |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||

Broadcasted on Radio Relativa in Madrid on September 20th, 2021. With tracks of Nice Girl, Capricorn, Sonic Paradise, Stationdieren, Kito Jempere, Remotif, Babylon X, New Members, Sweely, ADSR, Far East Flight and gem-K. For complete tracklist visit: https://individualactiviti.es Follow Daniel Kelsan here: https://soundcloud.com/danielkelsan

In 45 episode of #celebratelifepodcast we have been listening to music from different eras and places all over the world (Skopje, England, Germany, Russia, Canada, Hong Kong, USA.. Enjoy listening to great music on this episode w/: Madonna, Joy Orbison, Pikolomini, Svetlost, ADSR, Holy Fuck (Palms Trax Remix), Parkway Rhythm ft. Boyd Jarvis, Nick Holder, NoonCat, Moloko, Octo Octa --- Send in a voice message: https://anchor.fm/indog/message Support this podcast: https://anchor.fm/indog/support

鍵盤を押してから離すまで、この時間軸の中で変化を加えるエンベロープについて紹介。attack、decay、sustain、release（ADSR）で調整していきます。 ▪︎ note https://note.com/yosikazu_eri/m/m2945564340e1 ▪︎ ツイッター https://twitter.com/yosikazu_eri ▪︎ 使用MIDIキーボード Novation Launchkey mini MK3 https://amzn.to/2LBx0jN ▪︎ 使用DAWソフト Logic Pro X (2月よりAbleton Live Liteから乗り換え) ▪︎ 使用学習サービス Melodics https://melodics.com/ ▪︎ イントロ音楽 オリジナルを使用しています。 ▪︎ 音楽経験について 高校時代に２年エレキギターに触れた時期があるくらい。ピアノは初心者です。2021年1月2日にビートメイクをはじめました。

Have you ever found yourself trying to hang with producers in the studio, feelin’ all cool

Have you ever found yourself trying to hang with producers in the studio, feelin’ all cool

Download the tutorial here ▶ https://allanmorrowstudios.com/trance-music/trance-sound-design-tutorial-trance-pads-sylenth1/ Welcome to the second Sylenth1 Sound Design Tutorial. In this tutorial, I will be showing you how to create your own Trance Pads sounds from scratch. I’ll be going over in a great amount of detail the different types of Trance Pads such as Sub Pads, Phased Pads, Saw Pads, Top/Texture Pads, Gated Pads & Multi-Layer Pads. If you have ever felt like you want to stop using presets because you want full control of the outcome, then this tutorial will equip you with the tools to produce some epic pads for your tracks. I’ll be taking you through the step by step methods that I use to create Trance Pads sounds and explaining to you in-depth what each parameter such as the ADSR, Filters, Oscillators, Mod Envelopes, LFO’s, MISC & Effects are doing, so that you understand how the sound is being built, but more importantly why I’m doing what I am doing. Quit tweaking your pads and not knowing what it’s doing! Learn where to tweak for the right results! ⬤ How to create Trance Sub Pads, Phased Pads, Saw Pads, Top/Texture Pads, Gated Pads & Multi-Layer Pads. ⬤ How to layer pads with different Oscillators. ⬤ A deep understanding of why each parameter is changed. ⬤ What waveforms to use for particular sounds. ⬤ Understanding the ADSR and shape of the sounds for pads. ⬤ What effects to use to create a desired sound. ⬤ How to use mod envelopes for more creative pads. ⬤ How to mix your Oscillators to get more dynamic Trance pads. ⬤ How to set up Sylenth for gated pads. ⬤ How to use LFO’s & Misc to create more movement. ⬤ Positioning the pad layers in the stereo field. ⬤ How to use filters A & B with your pads. ⬤ How to make textured and atmospheric Trance pads through LFO’s. ⬤ How to mix your different pad layers together. ⬤ As well as looking at using Detune, Effects, Stereo Positioning, Mixing, EQ, Mod Envelopes & More. + much more! Download the tutorial here ▶ https://allanmorrowstudios.com/trance-music/trance-sound-design-tutorial-trance-pads-sylenth1/ For more tutorials ▶ https://allanmorrowstudios.com/shop/ Trance Soundbanks ▶ https://allanmorrowstudios.com/trance-music-category/soundbanks/ Trance MIDI ▶ https://allanmorrowstudios.com/trance-music-category/trance-midi/ Trance Tutorials ▶ https://allanmorrowstudios.com/trance-music-category/video-tutorial/ Start To Finish Courses ▶ https://allanmorrowstudios.com/trance-music-category/start-to-finish/ Trance Templates ▶ https://allanmorrowstudios.com/trance-music-category/trance-templates/

Download the tutorial here - https://allanmorrowstudios.com/trance-music/trance-sound-design-trance-bass-sylenth1/ Welcome to the first Sylenth1 Sound Design Tutorial. In this tutorial, I will be showing you how to create your own trance bass sounds from scratch. I’ll be going over in a great amount of detail the different types of Trance basses such as Mid Basses, Sub Basses, Distorted Basses, Top Basses & More. If you have ever felt like you want to stop using presets because you want full control of the outcome, then this tutorial will equip you with the tools to produce some solid bass lines for your tracks. I’ll be taking you through the step by step methods that I use to create Trance Bass sounds. Explaining to you in-depth what each parameter such as the ADSR, Filters, Oscillators, Mod Envelopes, LFO’s, MISC & Effects are doing, so that you understand how the sound is being built, but more importantly why I’m doing what I am doing. Quit tweaking your bass and not knowing what it’s doing! Learn where to tweak for the right results! What you will learn from this Trance Sound Design tutorial: ⬤ How to create Trance Mid Basses, Trance Subs, Psy Trance Style Basses, Trance Top Basses & Distorted Trance Basses. ⬤ Frequency splitting with different filters across Oscilattors for more depth & dynamic basses. (Something I have not seen done anywhere else before) ⬤ A deep understanding of why each parameter is changed. ⬤ Shaping your basses to suit the type of bass you are trying to achieve. ⬤ What effects to use to create a desired sound. ⬤ How to use mod envelopes for a cleaner punchy bass. ⬤ Mixing your Oscillators to get a more balanced Trance bass. ⬤ Applying resonance to achieve different sounds. ⬤ Using LFOs & Misc to create more movement. ⬤ Choosing the right Waveform for a particular style bass. ⬤ Positioning the bass layers in the stereo field. ⬤ Understanding which Oscillators to retrig and why. ⬤ How to create more width and punch within your Oscillators. ⬤ How to add more punch to your sub basses. + much more! Download the tutorial here - https://allanmorrowstudios.com/trance-music/trance-sound-design-trance-bass-sylenth1/ Trance Soundbanks ▶ https://allanmorrowstudios.com/trance-music-category/soundbanks/ Trance MIDI ▶ https://allanmorrowstudios.com/trance-music-category/trance-midi/ Trance Tutorials ▶ https://allanmorrowstudios.com/trance-music-category/video-tutorial/ Start To Finish Courses ▶ https://allanmorrowstudios.com/trance-music-category/start-to-finish/ Trance Templates ▶ https://allanmorrowstudios.com/trance-music-category/trance-templates/

Vediamo un po' come sta mutando lo scenario dei sintetizzatori musicali, in questo grande nostalgico momento, dove tutti si sta cercando a tutti costi (letteralmente parlando) di ottenere le vecchie sonorità direttamente dai protagonisti della musica elettronica degli anni 70/80, Sintetizzatore OSCarhttps://en.wikipedia.org/wiki/OSC_OSCarSintetizzatore modulare Mooghttps://it.wikipedia.org/wiki/Moog_modularSintetizzatori modulari modernihttps://alijamieson.co.uk/2015/05/14/modular-synthesis-101-the-basics/Sintetizzatori digitalihttps://midiware.com/prodotti/57-sintetizzatori-digitaliSintetizzatori virtualihttps://www.pluginboutique.comAd ogni modo mi trovate qui:https://t.me/technopillzriothttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web

The newest episode is on how the envelopes of a synthesizer work: the ADSR envelopment.

Electro groovy tech house beats ready for you and your poolside day. Sit back and relax (or dance) as we bring you this 1 hour mix thanks to ADSR. This mix is brought to you by ADSR.

Get started with synthesisers and join Al as he explores the world of oscillators, ADSR envelopes, filters, LFOs & arpeggiators.

Welcome to a new edition of Bangers Only Hosted By Stilo Mancia and presented to you by Bang The Culture. We back at it again, and super excited to bring you a new guest mix from the homie ADSR all the way from MIami and he is bringing us some special vibes. So trust me you don't want to miss it. So make sure you keep it locked in, you dont want to go no where. So sit back, and Get ready to Set Yourself Free. Follow Us @ www.Twitter.com/BangTheCulture www.Instagram.com/BangTheCulture www.Facebook.com/BangTheculture www.Twitter.com/StiloIsHere www.Facebook.com/StiloIsHere www.Instagram.com/DjStilo www.BangTheCulture.com www.StiloMancia.com

Erano altri tempi, quando dei ragazzini squattrinati, cercando di mettere in campo abilità improvvisate, riescono a risolvere un problema, che ha segnato la loro vita, per sempre insegnandogli sul campo, davvero tante cose.Tutte le parti sonore presenti in questo episodio, sono tratte da spezzoni di brani realizzate con le nostre mani e il nostro sudore e provengono da tempi che per molti di voi è preistoria.Ad ogni modo mi trovate qui:https://t.me/technopillzriotNuovo canale youtubehttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web

Erano altri tempi, quando dei ragazzini squattrinati, cercando di mettere in campo abilità improvvisate, riescono a risolvere un problema, che ha segnato la loro vita, per sempre insegnandogli sul campo, davvero tante cose.Tutte le parti sonore presenti in questo episodio, sono tratte da spezzoni di brani realizzate con le nostre mani e il nostro sudore e provengono da tempi che per molti di voi è preistoria.Ad ogni modo mi trovate qui:https://t.me/technopillzriotNuovo canale youtubehttp://www.survivalhacking.itSostenete Runtime Radio:http://runtimeradio.it/ancheio/Sostenete Survival hackinghttps://www.paypal.me/SurvivalHackingLe mie BGM suPond5https://www.pond5.com/artist/thoroide#1/2064 Spotifyhttps://open.spotify.com/artist/1coeUect3UnQ4HjRQQu6EO Apple Musichttps://itunes.apple.com/us/album/presentation/1461490308?app=music https://itunes.apple.com/us/album/magic-ep/1461486916?app=music https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=music Ituneshttps://itunes.apple.com/us/album/presentation/1461490308?app=itunes https://itunes.apple.com/us/album/magic-ep/1461486916?app=itunes https://itunes.apple.com/us/album/sound-dimension-ep/1461536417?app=itunes Youtubehttps://music.youtube.com/playlist?list=OLAK5uy_mH3bw9JFuGk1BvhWluht0ao-LDSHuwKNw https://music.youtube.com/playlist?list=OLAK5uy_kU6l_g3Y4mgJP0B7PFJ4SP3mCIUiiocTQ https://music.youtube.com/playlist?list=OLAK5uy_l5Px6E2_RSq6V7LgjHpYrWGYOF6W7QGzs Deezerhttps://www.deezer.com/it/artist/5504122?utm_source=deezer&utm_content=album-94957612&utm_term=0_1556297485&utm_medium=web

Low-frequency oscillation A low-frequency oscillator (LFO) generates an electronic signal, usually below 20 Hz. LFO signals create a periodic control signal or sweep, often used in vibrato, tremolo and other effects. In certain genres of electronic music, the LFO signal can control the cutoff frequency of a VCF to make a rhythmic wah-wah sound, or the signature dubstep wobble bass. #low-frequencyoscillator #lfo Envelope Main article: Envelope (music) Schematic of ADSR Envelopes control how sounds change over time. They may control parameters such as amplitude (volume), filters (frequencies), or pitch. The most common envelope is the ADSR (attack, decay, sustain, release) envelope:[7] Attack time is the time taken for initial run-up of level from nil to peak, beginning when the note is triggered. Decay time is the time taken for the subsequent run down from the attack level to the designated sustain level. Sustain level is the level during the main sequence of the sound's duration, until the key is released. Release time is the time taken for the level to decay from the sustain level to zero after the key is released. LFO #Synthesizers generate sound through various analogue and digital techniques. Early synthesizers were analog hardware based but many modern synthesizers use a combination of DSP software and hardware or else are purely software-based (see softsynth). Digital synthesizers often emulate classic analog designs. Sound is controllable by the operator by means of circuits or virtual stages that may include: Oscillators typically produce waveforms (such as sawtooth, sine, or pulse waves) with different timbres.[7] #Lowfrequencyoscillators (LFOs) produce waveforms used to modulate parameters, such as the pitch of oscillators (producing vibrato).[7] Voltage-controlled filter (VCFs) – "shape" the sound generated by the oscillators in the frequency domain, often under the control of an envelope or LFO. These are essential to subtractive synthesis. Envelope generators – provide envelope modulation to "shape" the volume or harmonic content of the produced note in the time domain with the principal parameters being attack, decay, sustain and release. These are used in most forms of synthesis. ADSR control is provided by envelope generators. Voltage-controlled amplifiers (VCAs) control the volume or gain of the audio signal. VCAs can be modulated by other components, such as LFOs and envelopes.[7] After the signal generated by one (or a mix of more) VCOs has been modified by filters and LFOs, and its waveform has been shaped (contoured) by an ADSR envelope generator, it then passes on to one or more voltage-controlled amplifiers (VCAs). A VCA is a preamp that boosts (amplifies) the electronic signal before passing it on to an external or built-in power amplifier, as well as a means to control its amplitude (volume) using an attenuator. The gain of the VCA is affected by a control voltage (CV), coming from an envelope generator, an LFO, the keyboard or some other source.[51] Filter weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

ADSR Schematic of #ADSR The most common kind of envelope generator has four stages: attack, decay, sustain, and release (ADSR).[3] #envelopegenerator Attack is the time taken for initial run-up of level from nil to peak, beginning when the key is pressed. Decay is the time taken for the subsequent run down from the attack level to the designated sustain level. Sustain is the level during the main sequence of the sound's duration, until the key is released. Release is the time taken for the level to decay from the sustain level to zero after the key is released.[4] While, attack, decay, and release refer to time, sustain refers to level.[3] The Hammond Novachord in 1938 uses an early implementation of an ADSR envelope. A seven-position rotary knob set preset ADS parameter for all 72 notes; a pedal controls the release.[1] The envelope generator was created by the American engineer Robert Moog in the 1960s. While experimenting with the first Moog synthesizers, composer Herbert Deutsch suggested Moog find a way to articulate the instrument so notes did not simply trigger on and off. Moog wired a doorbell button to the synthesizer and used a capacitor to store and slowly release voltage produced from hitting a key. He refined the design to remove the need to push a separate button with every key press, with two switches on every key: one to produce the control voltage and the other to trigger the envelope generator.[2] The envelope generator became a standard feature of synthesizers.[2] Following discussions with engineer and composer Vladimir Ussachevsky (then head of the Columbia-Princeton Electronic Music Center) in 1965, Moog developed a new envelope module whose functions were described in f T1 (attack time), T2 (initial decay time), ESUS (sustain level), and T3 (final decay time). These were later simplified to the modern ADSR form (Attack time, Decay time, Sustain level, Release time) by ARP.[2] In sound and music, an envelope describes how a sound changes over time. It may to relate to elements such as amplitude (volume), filters (frequencies) or pitch.[citation needed] For example, a piano key, when struck and held, creates a near-immediate initial sound which gradually decreases in volume to zero. Envelope generators, which allow users to control the different stages of a sound, are common features of synthesizers, samplers, and other electronic musical instruments. The most common form of envelope generator is controlled with four parameters: attack, decay, sustain and release (ADSR). weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

#SUBTRACTIVESYNTHESIS Subtractive is the most common method that gave birth to the concept of sound synthesis. And is also one of the most popular synthesis types of all, perhaps due to its inherent simplicity and application. This type of synthesis is a very simple signal chain of an oscillator (or the combination of multiple oscillators) running through a filter (EQ curve) which is then sent to an amplifier for gain staging and ADSR (attack, decay, sustain and release) for controlling the envelope response. The harmonics present within the oscillators tones can be whittled into harmonic structures that mirror those of actual instruments. This method is very easy to achieve in both analog and digital realms and can be used to create numerous (possibly infinite) instruments, effects, and sounds. The analog subtractive synthesizer was initially designed for this purpose–as an alternative to hiring musicians to play on recordings, however, it quickly morphed into its own instrument, creating various sounds never before made by any acoustic instrument. Subtractive synthesis is the most closely associated with the analog synthesizers of the ‘60s and ‘70s. In which the harmonics of simple waveforms, such as the ones previously mentioned, are attenuated with a voltage-controlled resonant low-pass filter. Some of the Vintage synths most known in this type are the Minimoog, and the Korg Ms-20, maybe you recognize them! topmusicarts/4-main-types-of-synthesis-explained-wavetable-fm-additive-and-subtractive Figure 5.1 Sine, square, triangle, and sawtooth waveforms An oscillator is a repeating waveform with a fundamental frequency and peak amplitude and it forms the basis of most popular synthesis techniques today. Aside from the frequency or pitch of the oscillator and its amplitude, one of the most important features is the shape of its waveform. The time-domain waveforms in Fig. 5.1 show the four most commonly used oscillator waveforms. Although it is possible to use all kinds of unique shapes, these four each serve a range of functions that are suited to a range of different synthesis techniques; ranging from the smooth, plain sound of a sine wave, to the harmonically rich buzz of a sawtooth wave. Oscillators are generally controlled by a keyboard synthesiser or MIDI protocol device. A key press will result in a MIDI note value which will be converted to a frequency value (Hz) that the oscillator will accept as its input, and the waveform period will repeat accordingly to the specified frequency. From here, the sound can be processed or manipulated in a variety of ways in the synthesizer or program to enrich or modify the sound further. weki --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/vegansteven/message

For the 5th edition of the ADSR zine (@adsrzine), I wrote a piece on 'in-between' spaces in art practice, when one idea is completed and the new one only yet to be born. The writing was inspired by my conversation with Sydney-based artist Lux Eterna and this is a sound collage extracted from the larger interview and carried by sound design of Trevor Brown who engaged with the theme in terms of space, its fulness and emptiness. In this sound collage, Lux and I touch upon the role of time and the durational, as well as the importance of giving into the unknown and trusting that "in this deafly darkness of nothingness something gets reborn." (Lux Eterna) FOR THE FULL TEXT SEE: https://www.adsrzine.com/ FOR THE FULL INTERVIEW WITH LUX RECORDED ON 30 SEPTEMBER 2019 FOR DANCECINEMA.ORG IN RELATION TO LUX'S BUTOH AND BODYWEATHER INSPIRED DANCE VIDEO 'AURA NOX ANIMA', SEE: https://soundcloud.com/artemis-projects/dance-cinema-lux-eterna IN THIS SOUND COLLAGE THE WORDS ARE COMBINED WITH SOUND DESIGN OF @trevorbrownmusic WHO USED THE FOLLOWING TO RESPOND TO THE THEME AND CREATE A BEAUTIFUL FLOW: *Clock Tick (recorded in the Artemis Projects apartment in Zagreb, Croatia) *Japanese traffic lights (https://youtu.be/F-7k2y-mXAw?t=73) *Boiler, Carriageworks, Sydney *Subterranean waterfall, Pazin, Croatia(https://www.istria-culture.com/en/the-castle-of-pazin-i37)

Fisch and Chip sit down with Julian, Eric, and Sam of the ADSR Band, we learn about Trump's loyalty list, Florida or Nah, and how to beat Nazis at beer pong

Fisch and Chip sit down with Julian, Eric, and Sam of the ADSR Band, we learn about Trump's loyalty list, Florida or Nah, and how to beat Nazis at beer pong

The latest installment in our 'Delayed with...' series comes from incredibly talented producer from Leipzig, Mary Yalex. Mary caught our attention with her phenomenal EP on KANN records last year after which she had another two very successful releases on ADSR and just recently her latest EP 'Remember when' via Dichotomy which hit the stores on March 1st. This mix is perfect for 'you' time. Moments when you want to space out and relax from everyday craziness. Blue Veil - A kind Of adventure Gigi Masin - Talk to the sea Geir Jenssen & Pete Namlook - A Way To Focus The Mind Warmth - Essay Benoît Honoré Pioulard - Ribbon Tomas Nordmark - Giving Secede - Shrine Geir Jenssen & Pete Namlook - In Heaven Kareem Lotfy - kwkab Mary Yalex - Coral reef 36 - Midnight Tether Hilary Woods - Inhaler Mary Yalex on SoundCloud: https://soundcloud.com/mary-yalex Mary Yalex on FB: https://www.facebook.com/maryyalexmusic artwork by https://www.instagram.com/sergvidal

Hot on the wheels of ADSR studios, our monthly selection of the most captivating cuts, for you to press play on repeat.

between a couple of summer releases on local labels ADSR and RF Music, and his upcoming set at Electric Love Festival, I pulled local producer MI DI into the studio for a guest mix. He brings some low key heat, including a ton of unreleased tunes by himself and other locals. You heard it here first...

Представляем авторский микс, записанный специально для музыкального сайта  promodj от Dj KaukOFF. Все приятного прослушивания 1 - Bes & Meret - My Cocoon (Tom Leeland Remix) 2 - Nando Rodriguez - Day Of The Days (Original Mix) 3 - Nebogitel - Riders (Original Mix) 4 - Grisha - Lonely Night (Original Mix) 5 - Corporate Fony - South Station (Corporate Fony Remix) 6 - Adsr & Soul Addicts - Pieces (Alexander Orue Remix) 7 - Sven Sileno - I Know Who You Are 8 - Lee View - Silverlining 9 - Escadia - Hedonism 10 - Burhan Yuksekkas - Feeling The Tension

Представляем авторский микс, записанный специально для музыкального сайта  promodj от Dj KaukOFF. Все приятного прослушивания 1 - Bes & Meret - My Cocoon (Tom Leeland Remix) 2 - Nando Rodriguez - Day Of The Days (Original Mix) 3 - Nebogitel - Riders (Original Mix) 4 - Grisha - Lonely Night (Original Mix) 5 - Corporate Fony - South Station (Corporate Fony Remix) 6 - Adsr & Soul Addicts - Pieces (Alexander Orue Remix) 7 - Sven Sileno - I Know Who You Are 8 - Lee View - Silverlining 9 - Escadia - Hedonism 10 - Burhan Yuksekkas - Feeling The Tension

Friendly Vancouver music collective ADSR is launching their first book! Comprised of interviews with artists from literally all over the world, exclusive tracks, and other gems, it's sure to be an entertaining read. ADSR boss man Sean comes by the studio to talk about the book, what's in store for ADSR in 2016 (hint hint, record label), and give us a very ADSR guest mix, full of mostly couch-oriented electronic music. Come celebrate the launch of the book, Wednesday January 27 @ the Anza club in Vancouver ( https://www.facebook.com/events/230466620618421/ ), and keep up with ADSR via their blog ( http;//adsrvancouver.tumblr.com/ )

Hi There, first of all i want to say: best wishes for 2014 filled with love, happiness and joy! May all your dreams come true in this brand new year! We have so much things coming up this year, from good music till the best parties you can imagine! To celebrate this new year I will broadcast my second mix of the top charter "can you feel it series" I did on ADSR records filled with the best House music of the present moment! After that a new Dutch rising star will takeover the floor and his name is Pelle, so stay tuned for that! 01. Mike Newman - Freedom Together 02. DJ Synchro - The Spirit (Instrumental Mix) 03. Cole Jonson - Bantu 04. Tom Geiss & Mark Simmons - Dream On (Phonk d'or Remix) 05. Tim Berg - Alcoholic (Albin Myers) 06. Brown Sneakers - You Get What You Give (Brown Sugar & Niko De Luka Remix) 07. Josh The Funky 1 - It's The Music (Bingo Players Remix) 08. Firebeatz & Joeysuki - Filterfish 09. Helvetic Nerds - Salto (Leventina Remix) 10. Cunnie Williams - Saturday (Nari & Milani Remix) 11. Cevin Fisher - You Got Me Burning Up! (DJ Chus & D-Formation Extended Mix) 12. Extrano - Stories 13. Peter Brown - Let Me Go (Peter Gelderblom Sexomatic Dub) 14. The Cruzaders - Scale (Fehrplay Remix) Pelle Guest Mix 1. Graffiti6 - Stare In To The Sun (Sickindividuals Remix) 2. Tradelove-The Race (Original Mix) 3. Oliver Heldens - Gecko (Original Mix) 4. Love Me Aphrodite (Eyedentity Mashup) 5. Reepublic -Pantheon (Extended Mix) 6. Martin Garrix & Jay Hardway - Wizard (Steerner Bootleg) 7. Merk & Kremont - Zunami (Original Mix) 8. Pelle - Rock Solid (Original Mix) 9. Krewella - Alive (TJR's Bouncy Version) 10. Erik Arbores-Get Ready (Original Mix) 11. Lush -Adrenaline (Original Mix) 12. Paris & Simo, Merk & Kremont - Tundra (Original Mix) 13. Armin van Buuren feat. Miri Ben-Ari-Intense (Dannic Remix) 14. Mako-Beam (Dannic Mix) 15. Calvin Harris & Alesso ft. Hurts - Under Control (Oliver Heldens Bootleg) 16. R3hab, Nervo, Ummet Ozcan-Revolution (Instrumental Mix) 17. Blasterjaxx-Snake (Original Mix) 18. Thomas Newson-Pallaroid (Original Mix)

The original mix starts with a bubbling bassline before tidy, tiny clicks, whirrs and gurgles dance in complex formations around the stereo spectrum. Soon we're spun off course with four rising analogue tones, wound in and out of focus by deft ADSR twiddling. These become the dominant focus until midway through, at four minutes, a whole new tune emerges, one filled with contrasting, competing, bouncing tones.The Wady's remix comes with a marimba drained of sustain and thicker daubs of electronic tone. These two squabble amid the detail before things wind up after seven and a half minutes. Both tracks are firmly of the less-is-more tech house school and don't aim for euphoria, but the restless detours and use of incongruous, blunt sounds lift this safely above the rabble.Delivered using Promo-Cloud.com

The original mix starts with a bubbling bassline before tidy, tiny clicks, whirrs and gurgles dance in complex formations around the stereo spectrum. Soon we're spun off course with four rising analogue tones, wound in and out of focus by deft ADSR twiddling. These become the dominant focus until midway through, at four minutes, a whole new tune emerges, one filled with contrasting, competing, bouncing tones.The Wady's remix comes with a marimba drained of sustain and thicker daubs of electronic tone. These two squabble amid the detail before things wind up after seven and a half minutes. Both tracks are firmly of the less-is-more tech house school and don't aim for euphoria, but the restless detours and use of incongruous, blunt sounds lift this safely above the rabble.Delivered using Promo-Cloud.com

Adam Png and Dan Kiener offer a surprisingly sober insight into the history of Oberheim, followed by the obligatory drunken interview with Peter Chapman and his Oberheim OB-8. Music by Nik Lust, with additional research, transport and good vibes by Trent Scott.

In this episode, we have a few drinks and discuss the basic concepts of voltage-controlled oscillators, how Robert Moog founded Moog Music, what makes the Minimoog Model D so iconic, and we interview Toronto composer/musician Peter Chapman.

Seven tracks from BT, Iio, Deadmau5, Pryda, Amos - overlaid & mixed harmonically, with additional programming on a Roland MC-303 and Pro Tools software - All feedback welcome tim@timjonesmusic.co.uk, bookings riseandshine@btinternet.com, please leave a comment on iTunes and rate it, spread the love - More information at www.timjonesmusic.co.uk

The original Hammond used rotating tone wheels to generate harmonics which were added using drawbars; not true harmonics though. The principle is known as additive synthesis. The organ is usually played through a Leslie speaker which utilizes the Doppler principle to produce chorale and tremolo effects. Modern digital synthesizers such as the Nord Electro simulate both the drawbars and the Leslie speaker. In subtractive synthesis, used for example on the Korg MS20, tones with complex spectra are generated and unwanted components filtered out. The most common transient generator is the ADSR where the letters stand for Attack, Decay, Sustain and Release. The Yamaha DX7 uses Frequency Modulation (FM). Sidebands are generated in the frequency spectrum spaced at multiples of the modulation frequency from the carrier. MIDI allows you to control the sounds of one instrument from the keyboard of another.