Podcasts about studio space

In this episode, I tackle one of the biggest decisions you'll face as your design business grows: when to move out of your home office and into a dedicated studio space. Learn the key signals that it's time to make the move, how to budget for this significant investment, and why a studio space can transform both client perception and team dynamics.Hope you enjoy the episodeBeth xxEpisode NotesThe Home Office Reality CheckWorking from home has its perks—comfy clothes, coffee on hand, and efficiency. But there comes a point where your dining table setup or spare bedroom studio no longer supports the business you're building.Let's be honest, working from home has its perks. You're in comfy clothes, coffee is always on hand, and it can feel incredibly efficient. Until it isn't.Signs you might be outgrowing your home office include:• Constantly rearranging or working around home life• Hesitating to host client meetings in your space• Needing to hire team members with nowhere to put them• Wanting to create a more professional brand experienceThe Emotional ShiftMoving to a studio space isn't just a logistical decision—it's an identity shift.You're not just moving locations, you're stepping into a new identity as a business owner. One who is investing in space, presence and scale.This transition brings up big questions around confidence, money, team structure, and what kind of studio you're creating.The Financial ConsiderationsStudio space isn't cheap, and it's not just rent you need to consider:• Internet and utilities• Furniture and fit-out costs• Insurance and security• Cleaning and maintenanceI recommend looking at this decision through the lens of revenue per square meter: What will this space help you generate? Could it allow you to bring on another team member, raise your fees, or streamline your workflow so you take on more projects with less stress?Also consider the tax implications—office expenses are deductible, and separating your business from personal life can help with tax clarity.The Perception FactorA studio space tells clients, suppliers, and collaborators that you're established, trustworthy, and in it for the long game.It becomes part of your brand story. Clients are walking into your curated environment. They're experiencing your process before you even open your mouth and that elevates everything—your confidence, your pricing, and your position in the market.Team Dynamics and Studio CultureIf you're planning to grow your team, having a studio can be a game-changer:• Creates clear boundaries between work and home• Allows for real-time collaboration• Builds a studio culture where people feel aligned with your values• Attracts talent who want to be part of something biggerPerhaps most importantly, it creates a studio culture. One where people feel proud to come in, aligned with your values, and invested in the long-term success of your business.Practical Tips for Making the LeapReady to consider a studio space? Here's some practical tips:• Start small—you don't need a huge space in the trendiest suburb• Think about client flow from parking to signage to meeting space• Do a cost-benefit review with your accountant• Get support from designers who've made this transition beforeA small, well-located, beautifully styled space can be incredibly impactful.This episode is essential for interior designers who are feeling the limitations of their home office and considering the next step in their business growth. Whether you're ready to make the move now or planning for the future, these insights will help you make a confident, informed decision. Want to work together? Here are the ways I can help you in your business. 1.Sign up to our MAILING LIST where each month you will receive helpful business tips straight to your inbox 2. Start a HEALTH CHECK today. We will work together for 8 weeks and improve your systems and processes.I only have 8 spots available every month. 3. Start my course THE PROCESS so you know exactly what to do when in your interior design studio. 4. Have a look at THE RESOURCE STOCKROOM - this is where you will find our short courses and free resources to help you run a better interior design studio 5. Want to use our tool MTTD in your studio? Start your FREE 30 DAY TRIAL today.

You're doing everything right — chasing your goals, building the life you dreamed of, maybe even raising a family along the way. So why does it still feel like you're falling short?In this episode, I sit down with Jacqui Kingswell, co-founder of the global platform The Pilates Class, to explore the emotional tug-of-war that ambitious women face daily — guilt, burnout, and the pressure to “have it all.” From starting a business during lockdown to navigating motherhood while scaling to 118 countries, Jackie opens up about the hidden cost of doing it all, and how she redefined balance on her own terms.We dive into:

The news from Northfield, Minnesota on Thursday, February 20th, 2025: District Staff Give Positive Review of the Local Charter SchoolsNorthfield Arts Guild Looking for Emerging Artists in New Studio Space

The news from Northfield, MN on Monday, February 3rd, 2025: Ohio-Based Firm Announces Acquisition of Carlson Capital ManagementArts Guild Reaches Agreement To Rent A New Building For Studio WorkspacesPrairie Creek Receives Award for All School Book Club

Yes, another Sherlock Holmes book! The longtime EIC of Tripwire, Joel Meadows, joins the Bandits to talk about the second volume of his Sherlock Holmes and The Empire Builders story. You may know Joel as a journalist, who's written extensively about comics, film, and genre narratives throughout the UK. He's written two books about comics: Studio Space (as co-author) about where and how 20 of the world's best comic artists work, and Masters of Comics, which covered more comic artists and their workspaces. Part II of The Gene Genie finds Holmes at his lowest ebb, having lost his closest friend and confidante to prime minister Oswald Mosley's thugs.The Gene Genie Kickstarter has ended, but you can still late-pledge for both volumes of the story at http://kck.st/4foyZko. And you can follow Joel on X @joelmeadows1 and on Instagram @tripwiremag.____________________Check out a video version of this episode on our YouTube channel: youtube.com/dollarbinbandits.If you like this podcast, please rate, review, and subscribe on Apple Podcasts. And if you really like this podcast, support what we do as a member of the Dollar Bin Boosters: buzzsprout.com/1817176/support.Looking for more ways to express your undying DBB love and devotion? Email us at dollarbinbandits@gmail.com. Follow us @dollarbinbandits on Facebook and Instagram, and @DBBandits on X._____________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com.Hombres en crecimientoSi has estado buscando un lugar que te ayude a crecer, simplificar tu vida.Listen on: Apple Podcasts SpotifySupport the show

NRL SuperCoach 2025: Front Row Forward Positional Analysis In this episode of The SuperCoach Experience, we break down the key players, strategies, and insights for the front row forward position in NRL SuperCoach 2025. Whether you’re looking for must-have picks, value options, or PODs, this is the ultimate guide to dominating your league! Support the Show

Ryan and Becca share some strategies for boosting attendance at upcoming workshops, emphasize the value of clear communication and marketing, and offer tips for optimizing studio spaces. They also explores affordable kiln firing options for beginners and introduces an exciting new podcast segment spotlighting emerging potters.Maker of the MomentCasia Joy - @casiajoyartAli Schorman - @ali_schormanListener QuestionsOn this episode:- Just started listing and my first one was the "Hands-on tips for short workshops". I'm a retired teacher and miss my classes, so I thought I'd give it go with something out of the ordinary, Raku! The first workshop went great, lots of work, but the 7 people who attended had a blast. I've listed 3 other workshops since the and, well, nothing but crickets. I'm working out of a well known artists' studio (he's a painter) who has a large email list, but most of these contacts are at least an hour away. I don't have an email list so I'm reaching out to ya'll for some advice on how to get more local folks out. Loved the idea of Christmas tree decorations and a paint & sip. Should I make flyers and take to business to put up, leave business cards? Anything you may think of will be helpful. Thanks for what ya'll do! -BJ Glick- What are your go-to's for storage space in your studio? I'm struggling with how to optimize my space and would love to hear your solutions. @maryclarecarr- What bare essentials are needed to safely set up a small home studio? Best/most affordable kiln or firing options for someone just doing things on their own? @ali_mac5SponsorsL&L Kilns - The durable kiln that potters trust to fire evenly & consistently. Find your L&L kiln at hotkilns.comSupport the show on Patreon for as little as $3 per month: https://patreon.com/WheeltalkpodcastFollow us on Instagram:@wheeltalkpodcast@rdceramics@5linespotteryVisit our website:www.wheeltalkpotcast.comWheel Talk YouTube ChannelSupport the show

From Amy:Molly Darling is a mixed media artist, storyteller, and creative guide with a passion for uncovering the beauty in life's messiest moments. Rooted in the philosophy that “it's all compost,” Molly's work transforms the highs and lows of existence—love, shame, resilience, and struggle—into layered, thought-provoking pieces that invite viewers to explore their own stories. In addition to her art, Molly is the creator of Compost & Creation, a Substack where she shares behind-the-scenes glimpses of her creative process, reflections, and poetry. She also co-hosts the podcast Behind the Studio Door, where she interviews fellow creatives about their journeys and the human side of making art. Through her work, Molly inspires others to embrace vulnerability and creativity as tools for self-discovery and connection, whether through her courses, community projects, or mentorship. She believes that every layer of life has something to teach us—and that art has the power to hold it all.thedarlingrevolution.org compostandcreation.substack.cominstagram.com/thedarlingrevolutionthedarlingrevolution.org/podcast Amy Hallberg is the author of Tiny Altars: A Midlife Revival and German Awakening: Tales from an American Life. She is the host of Courageous Wordsmith Podcast and founder of Courageous Wordsmith Circle for Real-Life Writers. As an editor and creative mentor, Amy guides writers through their narrative journeys—from inklings to beautiful works, specifically podcasts and books. A lifelong Minnesotan and mother of grown twins, Amy lives in the Twin Cities with her husband and two cats. Get Amy's Books and AudiobooksLearn about Courageous Wordsmith Circle for Real-Life WritersWork with Amy 1:1

Dance Talk” ® with Joanne Carey and special guest, Artistic Director, Amanda Selwyn In this episode of “Dance Talk” ® with Joanne Carey, join host Joanne Carey as she chats with Special Guest,  Amanda Selwyn, founder of Amanda Selwyn Dance Theatre. Together they discuss Amanda's journey in dance and theater and the future plans of the newly secured Amanda Selwyn Dance Theater Space as they celebrate their 25th anniversary. Amanda stresses her commitment to the community and the importance of dance education for children and its transformative impact her dance programs in schools. Amanda shares several inspiring stories of how dance has changed her students lives, the connection between dance and academic subjects.  Tune in and check out all that upcoming for this amazing organization that is celebrating 25 years! Amanda Selwyn (Artistic Director/Choreographer) founded Amanda Selwyn Dance Theatre/Notes in Motion in 2000 and in 24 seasons, has directed over 110 productions, developed a network of artists, and created Notes in Motion's dance education program. Amanda recently taught workshops at Peridance, a Residency at Hofstra University, New Women, New York, the New York Gender Conference, and a Choreography Master Class at Temple University. Her 24th Season is being presented at BMCC Tribeca Performing Arts Center and her 20th Anniversary Season was presented at Baruch Performing Arts Center both as Residency Artists of the CUNY Dance Initiative. She has choreographed dance for Chicago's Motivity; for theatre productions including House on Mango Street, Free to be You an Me, Once Upon a Mattress, The Wiz, Little Shop of Horrors, and Charlie & The Chocolate Factory; and for her original theatre productions which include Herland, Yellow Feather, and Slitting the Clouds. In addition to her choreographic work, Amanda has directed off-broadway theatre in NYC . Amanda teaches dance and theatre to New York City children and has been on faculty at The Brearley School, Brooklyn Friends School, Beit Rabban School, Solomon Schechter School, and the New Acting Company. She has taught dance composition and technique at the Berkshire Institute for Music and Art and taught dance and theatre in Israel at the Israel Museum, English Village, and the Arad Community Center. She is the recipient of grants from the NY State Council on the Arts, The Harkness Foundation for Dance, the Friars Foundation, Dizzy Feet Foundation, Bronx Council on the Arts, NYC Department of Cultural Affairs Cultural Development Fund, NY City Council Members Bill DeBlasio, Kevin Riley, Andy King, Carlina Rivera, Althea Stevens, James Gennaro, Irma Vernikov, Marjorie Velazquez, Farah N. Louis, Margaret Chin, and Rosie Mendez, Manhattan Borough President, Met Life, City National Bank, Credit Suisse, and the Bossak/Heilbron Charitable Foundation. Her work has been presented on Jacob's Pillow Inside/Out Stage, at Tribeca Performing Arts Center Pushing Progress at Peridance to name a few. She has a Masters from NYU's Tisch School of the Arts in performance studies and a B.S. from Northwestern University in theatre, women's studies, and dance. And follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/ Find out more⁠ https://amandaselwyndance.org/ “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠https://dancetalkwithjoannecarey.com/⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Become a member to get access to perks: https://www.youtube.com/channel/UC_Cooszw61dODljoOu4ctyg/join Join Atlanta's #1 Exclusive Gathering Spot for Creatives and get Access to Perks Like Photoshoots, Branding, Studio Space and MORE! Join below: https://www.quiyspeaks.com/join Come to our next Creative Mixer! https://www.quiyspeaks.com/for-creatives #firsttimehomebuyer #realtortips #buyingahome

Where you create your art matters more than you might realize, and it's not just about having a fancy studio or the perfect supplies. It's about creating an environment that nurtures your creativity, helps you focus, and keeps you inspired. Today, I want to dive into something that's often overlooked but can make or break your creative process: your space. Get in touch with me! Instagram: https://www.instagram.com/dragospepina_art/ Youtube: https://www.youtube.com/@DragosPepinaArt Facebook: https://www.facebook.com/dragospepina

Founder, coach, and most importantly, runner, Kathleen is the legs behind Bflo Run Club & Pace Buffalo Running Studio. A certified fast girl, 1/2 Ironwoman, and type-2 fun addict, she will push the pace and bring out your strong side like no one else. Post-run run, you'll find her hanging with her soul dog, Clay, or taste-testing tacos at Casa Azul.Her creds:BS in Exercise Science // SUNY FredoniaPersonal Trainer // National Academy of Sports MedicineRunning Coach // Road Runners Club of AmericaUSA Track & Field // Level 1In this episode we chat about:Transitioning from college sports to sports-ing in adult lifeHow you made running fun againDive more into creating community with BFLO run club and PACEChallenges you face(d) as you built this fitness communityLife as a fitness professional/entrepreneur opening up PACEYour why/mission/valuesWhat you've learned in this spaceWeird fitness trendsRun clubs turning into dating clubsThings to look out for in fitness studios/personal training  if you're new to fitnessSome of the different/unique offerings at PACE to support the whole athletesChanges we hope to see in the fitness/running communityAnd more!Follow Kathleen: https://www.instagram.com/_runqueen_/Follow Pace Buffalo: https://www.instagram.com/pacebuffalo/Learn more: https://pacebuffalo.com/Follow Stevie: https://www.instagram.com/stevielynlyn/Learn More About Stevie: https://stevielynrd.com/

How to ACTUALLY Get Rich in Real Estate with No Money Become a member to get access to perks:    / @themdm_pod   Join Atlanta's #1 Exclusive Gathering Spot for Creatives and get Access to Perks Like Photoshoots, Branding, Studio Space and MORE! Join below: https://www.quiyspeaks.com/join#househacking #rentalproperty #realestateinvesting

In this episode, Peter and Tom, discuss the different studio and creative spaces they have worked in during their careers. They talk about the different forms that creative spaces may take, important factors to consider when choosing a space and some practical advice in terms of storage, health & safety and financial considerations.Tom and Peter talk in depth about their own, current, studio set-ups, share some of their own preferences, some of their studio routines and also, what their "dream" studio would be like.This Podcast is sponsored by Rosemary & Co Brushes,  Search Press publishers and Jackson's Art Supplies.For more information about our sponsors, please visit:Rosemary & Co Brushes: www.rosemaryandco.comSearch Press publishers: www.searchpress.comJackson's Art supplies: www.jacksonsart.com

Want to start creating but you just can't work at home? Perhaps there's no space, too many distractions, or you need special equipment. In this episode I help you assess whether renting an art space is best for your needs and what that looks like. 

TAKEAWAYSDiscussion of new studio spaceReturn of mall foot trafficImpact of the Apple Vision ProStubbornly high US inflationThoughts on the eclipseFunny incident involving a Mexican TV stationChallenges of adopting new technology like the Apple Vision ProInsights and commentary on current business landscapePerspectives on the impact of business on everyday life CHAPTERSThe new studio space (00:00:45) Discussion about the new studio space and plans for a live recording.Return of mall foot traffic (00:06:26) Talk about the resurgence of mall foot traffic and the impact on retail and entertainment experiences.Issues with the Apple Vision Pro (00:12:43) Discussion about the problems and user experiences with the Apple Vision Pro, including potential health risks and impact on adoption.Stubbornly high US inflation (00:17:02) Conversation about the impact of high US inflation on various aspects of daily life, including housing, groceries, and salaries.Real Estate Investment (00:22:48) Discussion on BlackRock's purchase of a real estate investment trust and potential rent increases.Billionaire Bunker in Miami (00:24:40) Jeff Bezos's real estate acquisitions in the Indian Creek community and the safety of the area.Wellness and Biohacking (00:27:09) Importance of health and wellness for billionaires, including biohacking trends and the Vibe Science podcast.Promotion of Mac Fox Bikes (00:29:13) Promotional segment for Mac Fox Bikes, including details about the X2 bike and a discount code.Weekend Update (00:29:59) Brief mention of the Masters weekend and a prediction for the winner, followed by closing remarks. If you enjoyed this episode and want to learn more, join Ryan's newsletter https://ryanalford.com/newsletter/ to get Ferrari level advice daily for FREE. Learn how to build a 7 figure business from your personal brand by signing up for a FREE introduction to personal branding https://ryanalford.com/personalbranding. Learn more by visiting our website at www.ryanisright.comSubscribe to our YouTube channel www.youtube.com/@RightAboutNowwithRyanAlford.

Want to start creating but don't know where you should you work? Need to create a studio space in your home, but space is at a premium? No problem!  In this episode, I can help you assess your space to create a studio that works with what you have and make it work for you! 

When you declutter your space, magic happens! You clear out the old energy to bring in the new, more vibrant energy

Tony Albert is one of Australia's most prominent contemporary artists. He is an avid collector of objects, particularly those depicting Aboriginal people, and it's this collection of Aboriginalia that underpins many themes in his artwork. Tony has conveyed large-scale artworks such as four giant bullets and three bullet shells that sit in Sydney's Hyde Park, as well as decorating the seats in Sydney's Allianz Stadium. Tony joins the podcast to discuss collectibles, his studio space, and his role in the Biennale of Sydney as its First Nations Curatorial Fellow. Subscribe on the LiSTNR app to make sure you don't miss an episode. And keep up-to-date on everything Broadsheet has to offer at www.Broadsheet.com.au. Broadsheet Around Town is hosted by Emma Joyce and produced by Nicola Sitch.  See omnystudio.com/listener for privacy information.

In this episode of "The Pilates Business Podcast," host Seran Glanfield shares invaluable insights on creating the ultimate fitness studio that marries client satisfaction with peak business performance. From the strategic layout and design that enhance client experience and maximize revenue per square foot, to operational efficiencies like soundproofing and use of space, Seran dives deep into the elements that make a fitness studio not just appealing, but also profitable. She emphasizes the significance of mood-boosting lighting, color schemes that strengthen brand identity, and the undeniable power of social media appeal through photo-friendly zones. Whether you're looking to refine your studio's design or elevate its operational efficiency, this episode is packed with strategies to help you achieve your goals.GRAB YOUR FREE RESOURCE: The Studio Owner's Guide to MASTERING REELS

In this episode of the podcast, we dive into the journey of potter Lyssandra Gallup, who shares her story of self-discovery and healing through the craft of pottery. From her early days in high school art class to a transformative period at a community college in Austin, Lysandra discusses the evolution of her skills and the critical role of community in her growth as an artist. We delve into the nuances of pottery creation, from mug design to textural techniques, and explore the moment of realizing one's unique artistic voice. Both Lyssandra and the host reflect on the importance of self-compassion in the creative process, emphasizing the therapeutic joy found in artistic expression. Lyssandra's insights underscore the value of continuous creation, community support, and the courage to be kind to oneself on the artistic journey. You can learn more about Lyssandra by checking out her instagram @lyssandragal Top 3 Value Bombs: 1. Embrace the Journey of Growth and Self-Kindness: Throughout the episode, Lyssandra emphasizes the importance of self-compassion and kindness as a foundation for both personal and artistic growth. By being gentler with oneself, artists can foster a more enjoyable and productive environment for creation. This mindset also allows for the space and patience necessary to develop technical skills and discover one's unique artistic voice. 2. The Power of Community and Continuous Creation: The episode highlights the significant role a supportive community plays in an artist's development. Lyssandra's experience in a community college setting and subsequent involvement in local markets and pop-ups in Austin illustrate how learning and growing in a communal environment can lead to opportunities, connections, and feedback that propel an artist forward. Additionally, the practice of continuous creation is touted as a way to become less attached to individual pieces and more open to exploration and improvement. 3. Recognizing and Cultivating Your Artistic Voice: A key moment in the episode is the discussion around discovering and acknowledging one's artistic voice. The conversation suggests that artists may struggle to see the cohesiveness in their own work due to being deeply immersed in the creative process. By stepping back to gain perspective, seeking feedback from the community, and embracing platforms like Instagram for showcasing work, artists can better understand and develop their unique style. The advice to not put excessive pressure on oneself and to find joy in the process is a "value bomb" that encourages artists to naturally evolve at their own pace. Resources: The Questions we ask will determine how our pottery will look like that's why I created a Free 15 questions to help you discover your voice template go grab it here www.shapingyourpottery.com/questions  

By now you've probably heard that our good friend Heidi Parkes is the 15th Artist in Residence at the Pfister Hotel in Milwaukee. I talk about Heidi like everyone knows her, and if you've been in my world for very long, I'm sure you've heard me talk about her. We are both former public school educators turned professional artists and have been friends for almost a decade now. If you're not familiar with Heidi's work, she documents her life in her quilts, tracking days, places, and memories through applique and embroidery. In this conversation, Heidi gives us an inside glimpse to this new residency. It's something she's tried out for 3 times before and never got it. She decided she'd take a break for a while, and just when she did, something unexpected happened: they reached out to her. *WHY LISTEN TO THIS EPISODE?*Listen to this conversation if you ever:① applied for something and didn't get it ② have an interest in setting up a public studio, or ③ are looking for a creative transition in your own life*CONVERSATIONAL HIGHLIGHTS*04:04 Heidi's Studio Practice05:03 Transition to Public Studio05:29 The Pfister Hotel Residency06:55 Previous Artists in Residence09:30 Reflections on Rejection and Persistence15:52 The Studio Space at Pfister22:04 Interacting with the Public27:06 Expectations for the Residency30:00 Preparing for the First Public Event*REFLECTION PROMPTS*1. *Perseverance in Art:* Reflect on a time when you faced rejection in your creative endeavors. How did you respond, and what did you learn from that experience?2. *Public vs Private Creative Spaces:* Consider the differences between creating in a private space versus a public one. How do you think each environment would affect your creativity and interaction with your art?3. *Artistic Community Engagement:* How important is it for artists to embed themselves in their local community? What are some effective ways to do this?*HELPFUL RESOURCES*→ Join the QUILTY NOOK: A Curious (and Sometimes Feral) Online Textile Community https://nook.zakfoster.com/→ Top Ten SEAMSIDE Episodes Guide https://gift.zakfoster.com/pzp→ Weekly Email Goodies from Zak https://nook.zakfoster.com/newsletter/→ Visit Zak's website https://www.zakfoster.com/→ Follow Zak on Instagram https://www.instagram.com/zakfoster.quilts*ABOUT SEAMSIDE*Hosted by quilt-maker Zak Foster, we explore how working with cloth has changed who we are as people, what we call on the show *the inner work of textiles.* Zak speaks with a wide variety of textile artists from quilters to embroiderers, from activists to educators, writers, and collectors.*DON'T MISS AN EPISODE*

Marie Kondo is a organizing guru from Japan that has 6 tips for decluttering that will help you with your studio space and home. I have followed these tips myself and found them so useful. Start the new year clutter free so you can create better and create a better energetic space! --- Support this podcast: https://podcasters.spotify.com/pod/show/sheryl-benjy/support

Welcome to The Cut Flower Podcast! In this delightful episode, your host Roz engages in a captivating conversation with the talented Janne Ford. Join them as they dive into the world of cut flowers, social media, and the joys of creativity.Roz and Janne share their insights into the dynamic realm of social media, discussing the unpredictability of content going viral and the importance of authenticity and consistency in the online space. Janne opens up about her journey, from her childhood dream job to her current passion for flowers and plans for the future.Key Takeaways:1. The Viral Journey: Discover the intriguing story behind Janne's viral social media moment, emphasizing the significance of choosing trending audio and the element of luck.  2. Creativity and Nature: Janne's inspiration drawn from nature highlights the importance of observing and emulating the beauty found in the outdoors, showcasing the charm of spiky flowers like foxgloves and the allure of David Austin roses.3. Challenges and Imposter Syndrome: Gain insights into the challenges Janne faced during her career transition and her reflections on imposter syndrome, a common hurdle for those venturing into second careers.4. Future Ventures: Explore Janne's exciting plans for 2024, including the establishment of a new studio space and the anticipation of running workshops, fostering a hub of creativity and collaboration.Connect with Janne Ford: If you're as captivated by Janne's flower-filled journey as we are, connect with her on Instagram @janneford (https://www.instagram.com/janneford/) and stay tuned for updates on her upcoming workshops and creative ventures.Thank you for joining us on the Cut Flower Podcast. If you enjoyed this episode, be sure to subscribe, leave a review, and share the floral inspiration with your friends!  New Catalogue Out Now, Oct 23, https://plantsofdistinction.co.uk use the code CUTFLOWER30 for 30% off your order. This podcast episode is sponsored by First Tunnels, leaders in domestic and commercial product tunnels. A polytunnel is an amazing protective environment for plants, vegetables and flowers, extending any growing season, whether you're growing for pleasure or commercially. Whether you go for a small or a large tunnel, you can be assured of the same high quality product from First Tunnels, poly tunnels. Do pop over to their website and take a look at their range

In this supper club episode of Syntax, Wes and Scott talk with Jason Lengstorf about his journey in video creation, live streaming, and tech education. What's up with Jason's new studio? How does he prep for a live stream? Show Notes 00:32 Welcome 02:21 Syntax Brought to you by Sentry 02:39 Who is Jason Lengstorf? 05:43 Why did you decide to go full time on Learn with Jason? 10:04 Jason's new YouTube series idea 13:36 Jason gets a special delivery 14:30 What's in Jason's new studio? 20:14 What's the ideal medium for content in 2023? 24:28 Treat decisions as forever, for now. 26:01 Is live streaming as difficult to get into as it seems? 29:21 How do you prepare for a live stream? 32:58 How do you decide what to create? 38:23 How do you feel about React? 40:21 What are your thoughts on AI? 49:08 Supper Club questions 56:25 Sick Picks Sarah Drasner's Site Animation With Svelte (with Scott Tolinski) — Learn With Jason Gatsby Netlify Jessica Kobeissi ANDREW HUANG Theo Browne Cassidy Williams Bytes - The Best JavaScript Newsletter ZSA Moonlander: ErgoDox EZ Operator Fonts Night Owl SyntaxFM by SyntaxFM MD IO ILME-FX3 | Interchangeable-lens Cameras FE 24-70 mm F2.8 GM Sick Picks Synergy - Share one mouse & keyboard across computers Shameless Plugs LearnWithJason.dev: Learn. Build. Grow. Together. Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads

In our last episode we talked about some of the practicalities of downsizing, clearing out, or moving your studio, and tips about ways to deal with your artwork, supplies, and other items that you've accumulated. But what about the emotional side of this? We're going to focus today on how it feels to move out of a studio that has been a very important part of your life. You may be on top of the logistics involved in dealing with downsizing, but you are not a robot, mechanically sorting and tossing. Today we'll talk about the fact that your studio is a very personal place that can evoke a flood of memories and emotions when you need to leave it behind. And we'll also mention the benefits and positive aspects of going through this process. A studio is a place to make your work, but it's also much more. It is a sanctuary and refuge, and a place of contemplation where you have spent countless hours working, thinking, and observing your work. Your studio represents your personal history as an artist and all its ups and downs. So it's no wonder we get attached to our studios as well as fill them with a large buildup of objects and inventory. The physical objects themselves hold memories and feelings that can be overwhelming at times. Pressure to meet moving deadlines, confronting your habits of hoarding or over-purchasing art supplies, and perhaps regrets over work that was never finished or sold that can all be stressful and bring up difficult emotions. Yet there are also fascinating and rewarding parts of the process when we see connections to older work, or are reminded of art friends, mentors, and experiences as we sort through our stuff. You may feel deep gratitude for your life as an artist when you realize the depth and breadth of your work and life as an artist. Anyone who is on the other side of major downsizing tends to be pleased and relieved. The process gives you a fresh start and provides a sense of feeling more organized and purposeful. Instead of a jumble of bits of your past, with perhaps only minimal organization, in your new space you will know precisely what you own, where it is, and overall, you will have a good sense of what everything you've kept means to you. It's easy to lose sight of these positive aspects of moving while you are in the middle of this often-exhausting process, but they do await you. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). • When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. ​ www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? As Rebecca and Jerry enter the fourth year of live programming, they are bringing a special emphasis to reviewing and consolidating prior learning, as well as to increased member involvement on a variety of topics like professional development, mentoring issues, and other questions posed to the group. As always, Members are also encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, And don't forget that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions covering a broad range of topics. You don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information there, from the effective use of the visual elements and composition, to personal voice and intentions, to personal issues like procrastination and work/life balance--and much, much more. For more info and to join CWA please visit www.coldwaxacademy.com ​ Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. ​ Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." ​ Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. ​ Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. • For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast • For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com • The Messy Studio Podcast is a Tick Digital Media Production.

Time to let go of all those THINGS that are causing congestion and stagnation in your studio space. I realized a long time ago the importance of letting go of material things to clear the energy of my space and bring in new energy. Everything is so much lighter and just better. We can live happier, simpler, and more conscious lives as creatives just by being more minimalistic. --- Support this podcast: https://podcasters.spotify.com/pod/show/sheryl-benjy/support

The contents of an artist's studio tend to be anything but minimal. Most of us accumulate a lot of art supplies not only for our current needs but for other projects that we have in in mind, or just because we love the possibilities suggested by a new material or tool. Then there is our inventory of older work, sometimes going back decades, as well as lots of miscellaneous items that tend to land in a creative space. Shelves, drawers, and closets become crammed as all this stuff builds up. Whether you are planning a move or just want to clear out some space, downsizing is a major project. Downsizing a studio requires a great deal of energy and many decisions, and it may be your total focus for weeks or even months depending on the scale of what you're doing. While the basic logistics of clearing out a studio aren't very different from similar work in a garage or basement, personal attachment to what you need to get rid of is stronger when it comes to your artwork and other things in your studio space. Much of what you must deal with is intimately tied to your creative self and part of your personal history as an artist. Dealing with artwork is probably the biggest challenge you will face when you are clearing out a studio. There are some good ways to sell some of this work, including holding a studio sale or online sale, especially if you put some thought and planning into the logistics of this. Other pieces may be given away or donated to a local art center, hospital, or charity organization. Putting old work or other items from your studio in the common area of a building that houses artist studios with a "free" sign is another solution. Art supplies, art books, studio furniture, teaching supplies, and miscellaneous things you've collected for inspiration can all be problematic as you sort and decide their destinations. But there will be many items that you realize you no longer need or want. Art studios tend to accumulate decades of your various projects and ideas, many of which you will have moved past. Downsizing or clearing out living space has been a topic for several years in the general media but as artists we have special challenges due to the highly personal aspects of what we are dealing with, and the fact that in terms of the value of things, the usual categories of what can be given away, sold, or tossed, are less clear. It is a challenging project, but the rewards of finally finishing the clearing process are great. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick What's new at Cold Wax Academy? As Rebecca and Jerry reach the end of their third year of Live sessions they are launching a new phase of programming aimed at reviewing and reinforcing foundation topics--beginning with Color in their Summer quarter that starts on July 5th. This summer's sessions will also mentoring and professional development topics, as well as a painting clinic and a member critique. As always, Members of Cold Wax Academy have unlimited streaming access to over 100 previously recorded sessions. And a table of contents to easily find specific topics in the recordings will soon be available. For more info and to join CWA please visit www.coldwaxacademy.com Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production.

Antonia Perricone Mrjak invited us to interview herself and fellow studio mates so we said yes! We focussed on shared studio space as the theme. It was a really interesting chat about what they love and hate about sharing a space. A shared studio space creates a community for artists, a source of inspiration and a support network. Of course we wanted to move in y the end of the conversation. We recorded the interview at Nanda Hobbs so thanks to Ralph Hobbs and staff. list of artists interviewed -Antonia Perricone MrjakMarissa PurcellGraziela GuardinoMichael SimmsAnnalisa FerrarisCaroline Zilinksy

Hello family, I'm here with a new fresh podcast sharing the process/things to consider when investing in a studio space and commercializing it. Over the last few weeks I've been working on leasing a photography studio with the intention to of commercializing into a profitable business while also offering wonderful photographic services. During this process I've learned quite a lot about how to find the right space, owning a new business, leasing a commercial space and etc. In this podcast I'll be sharing this process, it's challenges and things to look out for when getting into the creative space rental business. I'll touch on the different types of business registrations as well as their benefits. I'll also be touching on the difference between commercial spaces and residential as well as why you'd choose one over the other. I'm excited to share this with you guys and hopefully it helps.

In this episode, Anne and Gillian stress the importance of having a high-quality home studio for voice actors. The hosts discuss the technical aspects of setting up a studio, such as having a good computer, fast internet, and a reliable microphone. They also emphasize the need for soundproofing, with Anne sharing her DIY approach to creating acoustic panels for her studio. Additionally, the hosts talk about the importance of isolation and how it can be achieved through building panels or using reflection filters. Overall, the episode provides valuable insights for anyone looking to set up a professional-grade voiceover studio.   Transcript   It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza.   Anne: Hey everyone, welcome to the VO BOSS podcast. I'm your host Anne Ganguzza, and I'm excited to welcome back to the show audio engineer, musician and creative freelancer Gillian Pelkonen for another episode in our BOSS audio series. Hey Gillian.    Gillian: Hello Anne. How's it going today?    Anne: I'm doing good. Gillian, I love talking all things audio with you, especially because for a voice actor, our home studios are so very important. And I work mostly out of my home studio, and I know that you kind of do both. You work out of professional studios and your home studio. So I thought we should discuss the important aspects of what voice actors really need and how they can fine-tune their home studio to sound their best, 'cause that's an important component of today's voice actor. We need to have great sound.    Gillian: Yeah, I definitely agree. And I'm home. This is like my working station, but when I'm really working I'm always just bopping around to different studios. So I understand why your booth is so important. It's like your second home or --   Anne: Yeah. (laughs).   Gillian: You know, you spend all your time in there.   Anne: We spend — oh yeah, we spend a lot of time in our booth. So first of all we have to be confident that it sounds amazing, that we can deliver amazing sound to our clients. And then also it's gotta be someplace where it's comforting for us because we do spend an awful lot of time in here.    Gillian: I definitely agree with my personal setup that I have here. I have like all my little mementos that I wanna see, and I have my mic of course for just meetings and talking. But really professional studios are so different than a home studio, because for me I'm always going different places. There's a ton of different gear, a ton of different stuff that we swap in and out for different uses, different clients, but really you guys are just focusing on your voice.    Anne: Yeah.    Gillian: A lot of the work that I do is just to get creative sounds, different sounds, but with voice acting you want it to be consistent and you wanna show up in the booth to do, I guess, revisions for something that you did six months ago and you need to be the same Anne that you were, which is so crazy to me.    Anne: Yeah. And even longer than that, actually I had a client just the other day that I had to provide pickups on something that I had done close to five years ago. And interestingly enough, I've actually transitioned from one studio to the next. So having I think the good bass sound, right, that you can get out of your studio area and also your mics make a big difference too in terms of the sound. And so I had to make sure that I could match it because I literally moved from my studio in Irvine, which was a different setup, a studio that my father built, to a custom studio that Tim Tippetts built here right before the pandemic. Oh, and in between I had a temporary studio, I forgot to mention that set up at an apartment that we were staying at until our new house was built and ready. So that was a different studio.    So all through those three different studios, thankfully I had the same mic, so I at least knew that I could get the same sound as long as I had a decent environment to record that in. And then also I will give props to myself because I had the audio files from five years ago. So I'm a big proponent of backing up your stuff and keeping an archive of it so you can listen and see what your performance was like, see what you sounded like and then be able to match it.    Gillian: Yeah, that's crazy. And so incredible that you have those files and I think that's one of the most important things for me personally too, just to keep everything backed up and know what's going on. But enlighten me, because I really don't know, like did you spend a lot of time working in studios before the pandemic? Like what was your experience like?    Anne: Oh, good question. So I started, gosh, I started back in the early 2000s doing voiceover, and that was when a home studio was like just a thought. It was not a requirement, it was just a thought. And you used to go to local studios to record things, and you would get your jobs based upon auditioning with either studios, or you could audition and then you would select a studio and you would rent space there, or you might be on a roster for a studio. So it's very interesting because as technology evolved and online became a thing and online casting became a thing, then all of a sudden home studios became a thing. Actually back in the day with Don LaFontaine, right, having to travel LA traffic all the time, he became, I think one of the first proponents of doing things remotely in a studio using ISDN technology.    So that I think really spurred everybody else on to start to get home studios because there's so many variables when you record in a studio. But the good thing about recording in a studio is that you go there and everything is beautiful, everything is sound -- everything is, well maybe not sound proof, but everything is optimized for recording so you didn't have to worry about it. And so for me, all of a sudden having to create a home studio or a space for me to record and sound good -- I'm not an audio engineer by trade, I didn't really study it in school. So for me that was a big hurdle in the beginning of my voiceover career. And I know it still is for voice talent that are coming up through the ranks, because that's not necessarily what we studied. We didn't study audio engineering. And of course it's a whole field.    So (laughs), it's not an easy field. And to set up a space in your home so that it can sound as good as a professional studio is really tough. So in the beginning when I went to studios to record and do my jobs, it was great, except for there was always the stress. Can I book the time in the studio? And if I had the time booked for me in the studio, that was great. All I had to do was make sure I got there on time. And then that became a stressful thing for me because of possible traffic. And back in the day, I didn't live in the LA area, but I did live in the New York area. And so traffic anywhere, just the stress of getting to the studio on time, 'cause that's the last thing. You know, that was the one piece of advice that everybody gave to starting voice talent was that don't be late, don't be late to your studio time. You wanna make sure that you show up and you're professional.    But you certainly didn't have to stress about anything other than just performing in front of the mic. And I think that was a big plus for going into studios. And people still go into studios today. And I know I love it when, even if I'm remotely connecting to a studio, I have the engineer taking care of all the sounds and levels and the files, and there's just so much to think about when you are at your home studio. And I'm rambling on here, but it's also a thing that when we are in our home studios, we have to think about things like, okay, well, it's our time to open those files, save the files, upload the files, send the files to our client, edit those files. And so that's something that when you don't go to a studio is now the responsibility of the voice actor.    Gillian: Well, that's crazy (laughs). I mean obviously a lot of these things I know to some extent and it seems like there's so many pros and cons for both. I mean, just hearing you talk about it, obviously we know showing up to record and not having to record yourself, it takes a burden off of it.    Anne: Yeah.    Gillian: Because I record myself. I mean, I'm not a voice actor by any means, not at all. But I've been working on my music for my whole life, and I think when I was like 12 or 13 I got a little ProTools CD and like a tiny interface and that was what started it and the convenience of being at home. But really it is such a treat to go into a studio.   Anne: It's a luxury. I think I consider it a luxury.    Gillian: But also hearing you talk about it, I feel performance-wise, it's gotta be easier to deliver when you're not stressed about getting there on time, you're not stressed about, you know, needing to be in front of other people. I know for myself, I love recording myself, especially when I'm doing singing or vocals because it's super vulnerable and sometimes I don't wanna have to do that in front of somebody else, especially someone I don't know, a stranger. Like, it's a little bit more difficult. But it is interesting because I work at a lot of music studios, so we don't do a ton of voiceover, but whenever we do, we always apologize to the voice talent, 'cause we have this entire gigantic beautiful studio, and we're like, okay, we're gonna give you one mic, we're gonna stick you in the corner 'cause it has the best isolation and close the door, and that's where you're gonna get to go.    'Cause it really is true. You need a good mic, you need a good setup. But voice actors don't need that whole setup. And so I guess the question or conversation is gonna be about how do you take the pros of a pro studio and incorporate them into your home studio setup and make it so that you don't wish you were at the studio. You have everything you need right there.    Anne: Yeah, yeah. It's a journey, for sure, for a voice actor, because again, I don't have the audio engineering education that you do. I know how to perform behind the mic. And so I just remember for me setting up my initial home studios --and I didn't have an ear either for it. I think when you first begin, you just don't have an ear for what good sound sounds like, and I would record and I didn't think anything of it and sent my file off to someone and they're like, mm, yeah, no Anne, that's not gonna do, that's not acceptable. And I was mortified and then it was like, wow. So what do I have to do to make my studio produce sound that is viable for my client?    Gillian: Yes, definitely an interesting conversation and thought just because it's true, like voice actors, they do have to fill the role of the audio engineer. I do believe that. But I also don't think that all voice actors need to be audio engineers.    Anne: Yes. Yeah. Yeah. I agree.    Gillian: You need to know how to record yourself. You need to know how to see if you're clipping, if you're too quiet to hear, a little bit of distortion or hear if your voice just isn't sounding right. And obviously, you know, with auditions you have to edit, you have to make it sound comparable to the other auditions and maybe a final product. But really I feel like if you tell someone who's not an audio engineer, or if you told me five years ago before I was really an audio engineer, you have to do this, it's so overwhelming. So I feel like talking about what people actually need to know, versus what you hire a professional for, or what you just kind of say, okay, this is a setting within my DAW that does not pertain to me. I don't need to be using this to get proper file delivery -- I feel like that's really important for people to just, I think make peace with. Because if you spent all your time trying to learn how to be an audio engineer, you would have no time to be a voice talent or to be doing what you actually wanna be doing.    Anne: So true, so true. So then I think maybe starting from square one, if BOSSes out there are just getting started, and I know I work with people who are just getting started in the industry, and they'll connect to me for their sessions in an office with a headset, and there will be no studio whatsoever, and they will be okay, I'm building my studio. So for me, I will always say to them, well, I certainly have a ton of people that I can recommend to you that can help you build that studio.    But there are certain principles that I know, like I can now hear if they have good sound or not. And I think the first thing to consider is, in your home, like where is a quiet area? And I know that's such a lofty question to ask, but in reality what I've learned is that if you can go somewhere inside your home that's maybe on an inside wall, maybe something that's not necessarily externally connected or near windows or near doorways or near sounds that can turn on — I mean I thought I was really great in the beginning going into my office closet, but unfortunately I found that it was very close to where I would hear water when the toilet flushed upstairs. So it was like one of those things I kept hearing noises. And so I think the first thing is to find that spot in your home that is quiet and also yet convenient to a place where you can put a microphone and also your computer, 'cause you do need your interface, your computer and your microphone.    So where can you put that and set that down so that you can record in a space and also have the functionality of being able to record into your computer, and then obviously hit the start record, stop, record, and all that stuff. And also wear a pair of headphones in the beginning so that you can kind of find out what your sound is like. All those things that people don't think about, they're like, well, I'm gonna put my studio here in my closet, but then all of a sudden their desk is like at the other side of the room, and they don't have a long enough cable.    It could be that simple, right? (laughs) They don't have a long enough cable for their headphones, and then they're like, well what do I do? Or they don't have a long enough cable for their interface is sitting on desk completely across the room, and then well do they bring the interface into the room? So it becomes all these different questions. But I think understanding that your spot in your home I think needs to be in a quiet area first. Maybe not near a window or not near anything that's within a wall that could be making noise like a heater or air conditioning or a generator, that kind of thing. What are your thoughts on that, Gillian?    Gillian: It's so funny 'cause the like doing vocals in a closet or whatever, it's a cliche because it works. Having the padding of the clothing and typically that ends up being a quiet spot in your house, but it's not sustainable to work in your closet forever. And all those things that you mentioned are totally important. You have to have a computer, all of those things. And don't take me for an example if anyone's watching the video; I'm in my office. I don't do recording in here, but I'm like by a window by a ton of noise. It's terrible. But I think finding the right spot to get set up in is totally important.    But the most important thing I think, and you can let me know what you think, but for the most part for doing voiceover work, obviously you need a microphone, but your computer, your internet connection, those are like hugely important things because how fast your computer is, how good it is at processing audio speeds, how well it connects to your interface — like all of those super technical things within — I know I have like a brand new MacBook — those are gonna really matter for how your audio sounds when you deliver it to clients. And you can have the nicest setup in the world, but if you don't have internet, or I know a lot of people also do like ethernet connections, you're not gonna make it to the job. Obviously if you're just auditioning and sending it later, that's a different scenario. But I mean, how important is it to you to obviously be able to connect to clients? That's like the number one.    Anne: Well, I think that's probably one of the most overlooked aspects of being a successful voice actor is your internet. And especially now with needing to have high capacity audio recording features like Source Connect or ipDTL or whatever connection you might be using to get to a studio — that's if you're connecting to a studio -- you need to have a reliable internet connection. And I remember I very much was adamant when I came to my new place here, because it was being built, I specified that there were three specific ethernet jacks placed on the wall, on each wall. So literally I made sure that I had ethernet hardwired, connected before I moved in because I knew it was gonna be easiest to do it then.    Because the people who move into homes, and they don't have ethernet connections, then they usually have to hire an electrician or somebody that can find out that they can run the wire through the wall to get to their modem or their router, or they have to move the router into their office and then other things become a problem. So ethernet and your hardwire connections are so important. And I don't see the technologies advancing anytime soon. Like wireless technology is great and convenient, but it's still not as great as a straight wired connection. I mean you cannot beat an ethernet connection or a fiber connection to your router that gets your data there fast.    Gillian: I think it's just sturdiness. It's true, wifi goes out or it's finicky sometimes. So those are are really important things. And obviously having the foresight to know that you need to have ethernet and all those things installed is really important. But for the people that didn't think about this, are already living somewhere, don't know what to do, find a spot where you feel comfortable, find a spot that's kind of away from extraneous noise. And I personally don't think, if you're just starting out in voiceover, you need to splurge on a booth or anything right away. I think there's a ton of DIY options that we can talk about, but I think that's also a lot of pressure, or at least from what I'm hearing. I'm also like half in the voiceover world, half out of it. So there's a lot of questions that I'm probably gonna have for you about like why people say certain things. And I know kind of random but kind of on the conversation is a lot of audio people that I know are very adamant about not updating your computer or having really, really old hardware. I understand the processes --   Anne: To support the equipment, right?   Gillian: -- behind it. Yeah. But I personally don't live that way. I update my computer. I have new stuff and there are times, like when I, I updated to a newer version of ProTools or a new version of Mac, like the Mac OS that was not supportive of ProTools, and I had a couple weeks where it was having a little bit of bugs, which is frustrating. But definitely for security of myself and all of the other things going on in my life, I don't think that you need to be using a 2010 computer.    Anne: Well, I agree. Normally I would agree with you 'cause I worked in technology for like 20 years. I would always say --   Gillian: No, no, tell me.    Anne: Update. Update.    Gillian: I'm not saying that right. This is just the way that I work. (laughs)    Anne: Update, and I love being updated to the latest and the greatest 'cause I figure it's getting rid of a lot of bugs. However, sometimes when Apple doesn't update, because I work with Apples, it's not conducive to working with my hardware for my studio. So my Apollo, which is my interface, and I have backup interfaces, but right now the latest release of Mac OS is not compatible with it. And I can't afford to struggle for two weeks. I need to have something that allows me to connect and record. And so I will wait on the update until I find out -- I usually check all the -- there's a lot of great groups out there on the internet that talk about should you update your hardware for this new release? Is it compatible with the latest release for the Apollo? And I think it's wise to keep your eyes on that.    I don't think you should be 10 releases behind for sure. But (laughs), I do think that before you upgrade, to just take a look and ask around to see if things are compatible. That's important, especially if you're required to record every day in your studio, and you don't wanna have to go to your backup recording. And that's the other thing too is that I'm very much into having a backup recording setup, because I've had things happen to me enough times. But people just starting off getting into voice acting, they probably don't even have their first setup (laughs) set up, let alone a backup set of equipment.    Gillian: So let me just talk to you on that for a second. I personally don't have any Apollo, Apollo or UAD stuff for that reason because I'm so nervous to be stuck without it. And I totally agree with you, because when I updated my computer without realizing that ProTools -- I mean I'm fortunate enough that I have five or six other places that I can go use ProTools. It wasn't like -- and it was working. It just, there were certain plug-ins that weren't working. But that's not the end of the world.    Anne: Right.    Gillian: But the lesson that I learned from that was, oh my gosh, never update without checking because it's true all the programs that you're using -- and I think within Apple they will say what is compatible and what's not compatible with these new releases, and that is totally smart person way to do it. And you get burned to realize that you can't do it, which is what happened to me and I'm sure has happened to you.    Anne: You only have to get burned once. Right?    Gillian: You get burned once and then you're like, this sucks. I'm so dumb, I have my features and now I can't do my job.    Anne: Yeah.    Gillian: Which is sucky.    Anne: Exactly.    Gillian: So learn from our mistakes, don't make your own. But there are some people, and I've met them, people that I work with too -- I mean one of these studios, we had a 10 years old ProTools rig, and when you get into the large professional studios, they are upwards of like $10-, $20-, $30,000 for new ProTools rig like expensive.    Anne: Oh yeah. And I'm sure that's why they don't upgrade to the latest and greatest all the time.    Gillian: Well, the old system was super sturdy, was working really well. And then we upgraded and there were some glitches and bugs and things that come with updating. I don't know why. I just heard people that I work with grumbling like, ah, you know, the old system was so great, now we have the new system and it keeps crashing. And so the, there is this conversation about not upgrading for like 10 years. I don't know if you've heard that within audio engineers.    Anne: That's a long time. Yeah.    Gillian: So if anyone is giving you that advice, I'm just gonna give you the counter-advice so that you can take both of them and make an educated choice about what you wanna be doing. You don't need to be doing what I'm doing and have the newest stuff. If you have an Apollo, you definitely can't always have the most updated, because it's a little bit behind and everything that's not within Apple will always be a little bit behind. But just make your own choices, people. (laughs) Listen to us, gather the info and make a good choice.    Anne: Yeah. Make an educated choice. And I, and I agree like there's always that fine line of when do you update your technology, like when does that happen? And I'm very used to just from my previous jobs -- I mean I was always living on the edge. I was always trying the new stuff. And so I'm very bold when it comes to trying new stuff. But I'm also smart enough, I've been burned enough times to know that I need backups of everything and then backups of the backups. And so I'm actually really thankful for that experience. And BOSSes out there, I say backups of backups, backups of your files, backups of your equipment, backups of your internet connection, because the one time will come when you really need it, and you won't have that backup. And that only has to happen once. I'm so old, it's happened to me multiple times.    So I feel good that I've learned from it. And so while I feel as though I'm really close to the edge on everything I possibly can be, I'm also smart about when to get on that edge with equipment and stuff that I need on a day-to-day basis. So yeah, absolutely. So when you're looking for that space in your home, that quiet space, that space that's comfortable for you and also hopefully quiet for you, right, for that home studio, then you start preparing it, right, acoustically. So Gillian, what can people do to prepare their home studios acoustically? What sorts of things can they do to have sound absorption? Like if they're in a closet, obviously they can have their clothing which is a great absorber of sound. What other things can they use?    Gillian: There are a ton of things that you can use. I know there's a few DIY boots in the sense that they're not thousands and thousands of dollars. They're like some PVC pipe and some packing blankets that will kind of isolate you, which is great.    Anne: Sure.    Gillian: I think the issue with the way that homes are built versus how sound works is you get the windows, you get all the boxy walls, and you have all these parallel surfaces, and you talk, and all the sound just bounces from side to side to side. So the whole point of having treatment on the walls and treatment around you is to stop all of that reverberation --   Anne: Reflection.    Gillian: Yeah. And the reflections. And just capture it. And really a lot of studios will be built with like diagonal walls and all of these things to just go against it. I have never built a studio, so I can't say that I've done it, but I've been in a lot of places where I'm like, that wall's really weird. Why is it like that?    Anne: Yeah.    Gillian: And of course it's not for aesthetic, it's for sound. So just making, making sure that you are blocking yourself from any windows are really reflective, just any sort of padding on the walls would be really -- I mean I see yours, all of your stuff in the background. For anyone who's watching, Anne has all those nice little --   Anne: Panels.    Gillian: Yeah. The sound panels that just absorb everything. And there's also these things that we use in studios that I haven't seen any voice actors use, so I'm gonna have to ask you about it. They're like reflection filters. Have you ever heard of them?    Anne: Does that go on a mic?    Gillian: It goes on a mic stand.    Anne: Yes, I have. I have.   Gillian: Have you seen I them?    Anne: Yeah, I have seen them and I have not had good success with them, and I actually hate them. I hate them with a passion.    Gillian: Okay, tell me about it because I'm just curious.    Anne: I think that they can work nicely in a studio that already has some acoustic absorption built into it. And then if it's in a large area, if it's in a large space and you need a little bit more, I think that they can work nicely. However, what most voice actors try to do is use it for their studio and then it just becomes the only thing that is used, and it becomes very close to the mic. And first of all, they're really bulky on the stands. I had something called a reflection filter and I paid a good amount of money for it. And like 300 some odd dollars and that was 10 years ago.    Gillian: Wow.    Anne: And it was very bulky. It weighted my microphone stand in a way that kept falling over. And then also it did not create the kind of sound absorption that I liked because it wasn't enough. It just wasn't enough. And then it became inhibitive in a way because I felt like I had something like right here in front of my face. It was very close, and I feel like it just didn't do a good enough job 'cause I think your absorption material needs to be thick.    Gillian: Yeah.    Anne: And so when they make the reflection filters, it's either thick or even if it's not thick, then it's not enough absorption, I don't believe. One thing that I learned through the years of going through, I'm gonna say, three or four different versions of a home studio is -- and by the way, the window, believe it or not, my studio right now is built in an office. It's a room within a room and right in in front of me.    Gillian: Great.    Anne: A room in a room is great.    Gillian: Yeah.    Anne: Right in front of me is a wall that had a side window on it. And we actually, before we built the studio, we frosted the window so it wouldn't look silly because we had a studio in front of it, and people would just look at a piece of plywood or (laughs), you know, so it wasn't attractive. So we frosted the window and then we actually put Rockwool insulation and then a drywall on the out. So we created a whole encasement for the window.    Gillian: Wow.    Anne: So that that blocked any potential sound that could potentially get in. And then we put the studio right up against it. And so that's how we blocked our window. So we made sure there was absolutely no way that sound could get in from the outside on these walls. So it's a room within a room. And so my acoustic panels are four inches thick. And they have Rockwool insulation and that's something you can get at Home Depot. It's awesome. It's really cost effective. It's not expensive. And these were all DIY panels that were made. And I'm gonna give a big shout out to Tim Tippetts. He's got a great YouTube video on how to make them. They're all four inches thick and they sit just slightly off the wall.    Gillian: Yeah.    Anne: So that way you have a little bit of spacing in between the panels and the wall for the sound to kind of just -- if it bounces on that wall, it'll come back in through the panel, which is four inches thick. So that you get I think the highest amount of sound absorption that you can using the panels. And if they aren't using the panels and they're using blankets, again, those blankets are giving you a certain level of absorption. Not quite as much I think as the four inch thick panels with Rockwool in there, but again, it's your choice. And I hang them everywhere. I have a ton of them in here. I also have clouds that are up above me with the same kind of thing. And then outside of my studio, because I want the outside of my studio to be quiet as well, I also have panels hung out there as well.    Gillian: See, that is just like an impressive setup, and thank you, Tim Tippetts. I know he was the previous BOSS audio guest, and that's awesome that he did all of those things for your studio. And that's just what I would say the difference between a Pro VO setup and a beginner VO setup. You gotta start somewhere, and I think that isolation is really important. And obviously, any advice we give, and this will be what I keep saying on the series, is just take what we say and apply it to your situation. Because unless we're working one-on-one, like either Anne or I working with you, there's no way to know exactly what your situation is.    But when you're starting out, I think that — I mean even if a few people built those things that Tim has a video on it and built those panels and just had them in your home office, behind you, around you, it'll help. You don't need to start with a room within a room, even though that's an amazing setup and it sounds great. And all studios are built with rooms within rooms and floating floors so that there's no sound coming from the outside world. But yeah, I think we got a really good foundation of home studio verse pro studio, how to get your space set up. And I think on the next episode, we should really dive in for the BOSSes on like what you need for a beginner home studio setup. What do you think?    Anne: Absolutely. So guys, when you are thinking about getting into voice acting, you must also think about where in your home is a good place for that studio, because you can have an amazing voice, but if you can't deliver the audio, a good quality audio to your client, you're not gonna be a very successful voice actor. So absolutely very important. But one thing I will say to give you all hope, in case you're overwhelmed at this point, is that once you get a home studio setup, like I have a home studio setup, you're pretty much good to go. I mean, your stress is over. You don't have to worry about it much after that, outside of your equipment failing, but your space, if your space is set up, it's set up, right?    Gillian: The investment is forever.    Anne: Right? Yeah. Foregoing any kind of natural disaster, right, or emergency, it stands and it will absorb your sound appropriately, and you won't have to worry about it again. So that's what I love (laughs).    Gillian: Yeah. And I love, Anne, all you shared with me because obviously I work in all these big studios, but I can't say that I've been given a tour of anyone's booth yet (laughs). So you know, hearing how you set it up and all of those things, I think it'd be great for BOSSes to know, and you taught me a little bit today too.    Anne: Awesome. Well, Gillian, thank you so much. I'm looking forward to our next episode. BOSSes, simple mission, big impact, 100 voices, one hour, $10,000 four times a year. BOSSes, visit 100Voiceswhocare.org to join in. All right. Also, a big shout-out to our sponsor, ipDTL. You too can connect and network like BOSSes, like Gillian and I; find out more at ipdtl.com. Thanks so much, guys. We'll see you next week. Bye.    Gillian: Bye.   Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voBOSS.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

Episode: 050 Video Version: https://youtu.be/XjKXgyPJUNY #dj #edmmusic #technomusic #musicstudio #studio #radioshow The Beaumont studios is based in Vancouver and is an iconic place for music and art. The space includes many studios for art and music. As we talk about DJ'n and producing within the electronic music scene on this show the Beaumont studios is the home to many DJ's, Producers and the base for the infamous B-side radio. Over a 1000 Dj's and producers have come through the Beaumont and have grown their music careers from this space as well as hosting events here for rave events and more. I found that this space coming close to being shut down due to the rise in property taxes and rent prices and as a collective in the music scene we know how important it is to keep creative space open for the future of music and art. I hope sharing the story will bring light to the space and help for other spaces around the world as we know how important creative spaces are to people and communities for DJ's and Producers. CONNECT: The Music Matters Podcast Instagram: https://www.instagram.com/the_music_m... Patreon: https://www.patreon.com/themusicmatte... Website: www.themusicmatterspodcast.com Treat us to coffee :) https://www.buymeacoffee.com/musicmatteo CONNECT: Beaumont studios Website: https://thebeaumontstudios.com Facebook: https://www.facebook.com/BeaumontStud... Instagram: https://www.instagram.com/thebeaumont... --- Send in a voice message: https://podcasters.spotify.com/pod/show/raveroompodcast/message

As bridal seamstresses, it's not uncommon to start our businesses in our homes. We spruce up a spare bedroom or an office space, arrange the family schedule to accommodate clients, and steer clear of fried foods or garlic-infused recipes when fittings are on the books! But for some of us, the time comes when the business outgrows the home. Whether the gowns physically cannot fit in the house anymore (that was me!), or the home life/business life balance can't be maintained, some find themselves in need of a professional space. Whatever your reasoning for finding a professional studio space, the decision to finally move out is a BIG one. You're looking for the right location, the right studio size, and of course, the right price. In today's episode, Madison Lee, owner of Madison Conner Designs, shares how she made the decision to find a new studio space. After launching her in-home sewing business, she saw immediate growth, and at a faster rate than she had anticipated. In addition to the initial concern of space, Madison shares other factors that affected her decision to seek a new location. If you're on the fence about your current work location, this episode is for you! To learn more about Madison, go to MadisonConner.com or follow her on Instagram @_madisonconner_

Privacy and solitude are important factors in producing creative work, allowing an artist to feel secure to explore and take the time needed to develop meaningful work without judgement or observation. Yet the outside world can sometimes push against these needs. It may seem hard to set the boundaries around your studio time, to preserve the time and space you need to focus exclusively on your work without distractions. Today we will talk about setting boundaries around your privacy as an artist and what you choose to share of your unique creative space. Having any other person in the studio, even someone who is respectful and quiet, means your attention is divided. Making art requires complete focus, and disruptions and distractions can derail your process. You never know when you'll enter a state of flow or when you'll be challenged by something that needs your complete attention. Not being secure in your privacy is therefore unsettling. Making art is also very personal, and when you're alone in a private setting you are most in touch with your inner self. Of course, studio visits are not always a bad thing. It can be very positive to have other artists come to visit, or to hold an open studio and welcome in the public. But most of us want control over the timing and duration of that, in order to guard privacy and working time. Along with people from the art world, many artists also have friends and family with whom they need to set limits. It may be hard for non-artists to understand how much you need privacy in the studio. For all issues relating to privacy, the most important thing is to figure out what your boundaries are. Who and what will you let in? What makes you uncomfortable and how can you change that? How much of a sense of privacy do you need to create your best work? It is always your right to maintain your privacy however you see fit. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? Rebecca and Jerry are now midway through their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning and growth. Upcoming sessions include a presentation by guest author Shaun McNiff, tips on photographing your artwork, a painting clinic for works in progress, and the final critique session for this quarter with a special focus on composition. As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. It's never too late to join Cold Wax Academy! All live sessions are recorded and there are now nearly 100 previous sessions in the member library. Please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. Please visit http://www.coldwaxacademy.com for more information. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production.

1. Learn how to clean up after your materials properly! Be responsible with your materials.2. Don't pour your acrylic paint down the sink!3. Let it get dirty4. Have a ritual around starting your work5. Have another ritual around cleaning up your space6. Keep your space well stocked for your craft, if you are able to7. Be generous with your materials 8. Have an intention with what your art work is doing9. Learn how to be in solitude. How to be alone but not lonely.10. Decorate it in a way that encourages you to make art vs being comfortable.11. Is the surrounding area easy to be in/get to? Is your space accessible?12. Keep it tidy- Sweeping at the end of every session, washing your brushes, having a clear surface, etc13. Orient your materials so that the things you use most often are the easiest to reach.14. Have a plant! Having something to take care of and is living in your space will get you there more often.15. Spill some paint on purpose to get over the ‘white wall fear'16. Make a good storage systemA good studio space should inspire you! Hope these tips are helpful~Host and artist Stephanie Scott breaks down the practicality of the art career with topics including: sustainable creative practices, social media skills, and the mindsets that keep it all together. New episodes every Tuesday!Instagram: https://www.instagram.com/stephaniescott.art/ Website: http://www.stephaniescott.art/brushwork Music by @winepot https://www.instagram.com/thewinepot/ Podcast Cover photo by Maryna Blumqvist https://www.instagram.com/blumqvist/

Jeff Stotland, executive VP of global studios for Hudson Pacific, explains why the real estate investment trust has been buying up studio lots in Los Angeles and other production hubs around the world. Stotland explains the ins and outs of managing soundstages and related services amid the exponential growth of TV and film production.See omnystudio.com/listener for privacy information.

Do you ever feel like your studio space isn't big enough or doesn't live up to your expectations of what you thought it should look like?  On today's mini episode, I'm sharing why it's so important to embrace whatever your current studio space is- no matter how big or small- so you can push past your mindset blocks and continue creating your work.  Join The Works Membership:  https://theworksmembership.com/membership-opportunity/ I Like Your Work Links: Exhibitions Studio Visit Artists I Like Your Work Podcast Instagram Submit Work

First things first, this is the link to donate towards our new studio

In this weeks episode we're talking about how to make your art studio into your own sanctuary.  I'll share with you the various types of art studios I have had over my career and how I've learnt to make them into a beautiful space with limited resources and space. WHEN YOU FINISH LISTENING, YOU'LL DISCOVER:Why you don't need a big fancy studio to be a successful artistHow to love the space you have8 cost effective ways to make your space a sanctuary If this episode inspires you, leave a review and share your biggest takeaway with me. And while you've got your phone out, make sure to follow me on Instagram  @natalieparkerstudio to see behind the scenes of how I run my art business so that you can be inspired to pursue your creative dream too. LEARN MORE FROM NATALIE PARKER:ART COURSES | ARTWORK | INSTAGRAM 

Roberta interviewed the three Summer Artists in Residence about their ten-week stay at GoggleWorks, which ends in early August. The three loved the shared studio at the facility as well as the shared townhouse provided for the live-in residency, and found they could spread their wings with new materials in the multi-faceted arts facility and garden. This lively conversation, sponsored by GoggleWorks Center for the Arts, took place on Zoom, and is 35 minutes long.

Check out Storyblocks and sign up for the Unlimited All-Access Plan: http://storyblocks.com/corridorcast Jake sits down with Younglings Dean, Fenner, and Jordan Allen to discuss the generations, Acting on a Greenscreen, Punch 4 Punch updates and more! SUPPORT ► Join Our Website: https://bit.ly/Crew_Membership Instagram: http://bit.ly/_Corridor_Instagram Sub-Reddit: http://bit.ly/_Corridor_Sub-Reddit Buy Merch: http://bit.ly/Corridor_Store OUR GEAR, SOFTWARE & PARTNERS ► Our Go-To Gear: https://bhpho.to/3r0wEnt Puget Systems Computers: http://bit.ly/PC_Puget_Workstations ActionVFX: https://bit.ly/TheBest_ActionVFX Lighting by Aputure: http://bit.ly/CORRIDOR_LIGHTS Cinema4D: http://bit.ly/Try_Cinema4D Insydium: https://bit.ly/Insydium_Plugins Octane Render by OTOY: http://bit.ly/Octane_Wrender Boris FX - Mocha, Sapphire & Continuum: https://bit.ly/2Y0XLUX Motion Captured with Xsens Suit: http://bit.ly/Xsens_MoCap_Suit Reallusion: https://corridor.video/Reallusion_3Dsoftware Unreal MegaGrant: http://bit.ly/Unreal_MegaGrant CHAPTERS; 0:00 - Musical Intro 4:05 What Comes after Gen Z 7:30 SOAD Greenscreen Bones Curse 17:31 Fenner worked on Thor: Love and Thunder 22:08 The Art of Sound Design 27:15 How Actors Commit 35:05 Studio Space ideas 47:28 The Power / Inspiration of What a Single Artist Can Make 52:20 The Batman Debacle

Guys… WE MADE IT TO OUR 100TH EPISODE!

Anais is 1/2 hosts for Lash Artists Unfucked Podcast and today you guys will get to hear all about her story and lash career. We touch on her new studio space, product launches, online academy launch, what she did career wise before lashes, her very passionate opinions regarding the lash industry and so much more! Visit Lash Lounge Miami Website: lashloungemia.com | here you can book lash trainings, 1 on 1 coaching calls, view the online academy, and purchase Lash Lounge Pro Products To submit your questions send an email to lashartistsunfckedpodcast@gmail.com with your name, instagram handle, and the question/topic you would like our advice or feedback on! We are also looking for funny and/or horror stories you have experienced as a lash artist or client. These stories can also be emailed to us and if you would like it to remain anonymous leave us a note in your email stating so. These will be read at the end of an episode or compiled into one episode depending on submissions. Leave us and review or comment and don't forget to follow us on Instagram @lashartitsunfucked! We love hearing your feedback. Tell us who you want on the show or what topics you would like covered next! xoxo You can connect with Anais at @lashloungemia via Instagram or at www.lashloungemia.com to view her course dates and shop pro lash supplies. You can connect with Lynn at @_lrlashparlor via instagram or at www.lrlashparlor.com to shop pro lash supplies.

In this episode I talk about how Marie Kondo inspired me to be more organized and I share her tips with you.  Her book "The Life-Changing Magic of Tidying Up" has sold over 7 million copies and her consultations have a 6 month waiting list.  Kondo shares how its important to hold an object and feel if it "sparks joy".  I hope this episode inspires you to organize with more joy! --- Support this podcast: https://podcasters.spotify.com/pod/show/sheryl-benjy/support

Anxious artists Bea and Molly chat about studio spaces. The anxiety scale this week gets saucy and there's a big house update. Send your questions and thoughts to outofinkpodcast@gmail.com | Find Bea and Molly on Instagram: @beatheillustrator @mollylemonart | Music © Alex Baranowski

This week on #WisdomWednesdays, Tessa speaks with Margo Kellison Lightburn about her transition to online yoga teaching pre-pandemic. The online yoga community is ever-growing. Even pre-pandemic, there were already fully online yoga practices. Nevertheless, creating genuine connections can get lost in this teaching format. It's a challenge for teachers and students to reach out and support one another. Overcoming this learning curve can open doors in forging invaluable lifetime connections.This episode is brought to you by: Rothy'sGet $20 OFF your first purchase at www.rothys.com/loved Here are three reasons why you should listen to the full episode: 1.Discover the importance of reaching out and going out of your own way in making connections.2.Learn some valuable tips in transitioning to a fully online yoga teaching practice.3.Find out the value of getting to know your students as an online yoga teacher.Episode Highlights[01:23] How Margo Started Her Podcast[08:16] The Full Circle Moment[13:02] Coming from a Place of Service[16:46] Online Yoga Classes: The Transition[19:10] Remote Yoga Teaching[21:46] Yoga Teaching Barriers: Online vs. Face-to-Face[25:08] Online Yoga Classes Format[30:45] The Process of Online Yoga Classes[35:18] Creating Connections through Online Yoga Classes[38:55] Approaching Safety Outside the Studio Space[42:27] The Importance of Knowing Your Students[49:41] Creating a Genuine Connection for Yoga TeachersResources:●Connect with Margo Kellison Lightburn:○Website: https://margoyoga.com/ ○Instagram: https://www.instagram.com/margoyoga/ ●Episode 141 | Margo Lightburn on Being a Real Yoga Teacher: https://podcasts.apple.com/us/podcast/episode-141-margo-lightburn-on-being-a-real-yoga-teacher/id1077634041?i=1000406179289 ●The Lightburn Podcast: https://podbay.fm/p/the-lightburn-with-margo-kellison-lightburn ●Yoga Pearl: https://www.yogapearl.com/ ●The Book of Awakening by Mark Nepo: https://www.amazon.com/Book-Awakening-Having-Present-Anniversary/dp/1590035003 ●Tracy Anderson's Studio: https://tracyanderson.com/ ●Bowspring: https://bowspring.com/ ●Ashtanga Yoga Primary Series: https://ashtangayogaworldwide.com/wp-content/uploads/2016/04/Primary-Series-sequence.jpg ●Pre-order Rosie's book, You are Radically Loved: https://www.amazon.com/You-Are-Radically-Loved-Self-Love/●Radically Loved is now part of the iHeartMedia Podcasts: https://www.iheartmedia.com/podcasts ●Have a specific topic in mind? Email us at info@radicallyloved.com. Don't forget to add the subject Wisdom Wednesday topic!●Create a daily meditation ritual in just seven days! Download BUILD YOUR DAILY MEDITATION RITUAL and other freebies at https://www.radicallyloved.com/free-stuff!●FREE Action Guide! Apply the lessons you learn from this episode as you listen! Sign up at https://www.radicallyloved.com/episode-show-notes, and I'll send it right away!●Stay updated!○Instagram: https://www.instagram.com/rosieacosta/○Twitter: https:twitter.com/rosieacosta○Facebook: https://www.facebook.com/radicallylovedrosie○TikTok: https://www.tiktok.com/@itsrosieacosta

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In todays episode, we are discussing the creation of an art space- a studio space- for your little creators. “A Child has 100 languages” and an appropriate studio space in your home and classroom can help your children to explore each of these languages. Your classroom Atelier is the ultimate third teacher in the classroom, and should exist in a way that adds to your teaching and enhances your students learning experience.Join us as we breakdown the creation of a studio space into three easy partsWHY you should build a studio spaceWHAT to include in your childs studio spaceHOW to create a stress free and productive space for you and child/children to grow and learnDoes your classroom or home environment contain a functional art studio space? We want to hear your answers! Leave a review, your comments, and concerns with one of our social media pages and JOIN the conversationResources-https://docs.google.com/document/d/1C4lbqFMPM_xWZRQfvsy2LAx02xB0zUBo8n7Xr1GM2U0/edit#-https://reggioemilia2015.weebly.com/the-100-languages.html-https://www.reggiochildren.it/en/ateliers/Support the show (https://www.buymeacoffee.com/speckeledbees)Support the show (https://www.buymeacoffee.com/speckeledbees)

In this podcast episode, Taylor & Katie share some of the things in their studio that bring them joy, comfort, and inspiration throughout their work day. Making your work space comfortable and inspiring is honestly about the stuff that's in it - so that's why in this episode, Taylor & Katie chat about the little things that matter in their space, from baby plants to Katie's electric tea kettle, and their favorite office chairs to their business vision board. - What if you could feel like a thriving artist & make consistent sales in your handmade business every day? ...and you actually made a profit because you know exactly what to charge? ...and you could market your handmade products without feeling guilty, sales-y, or fake when it comes to posting on Instagram? ...and you didn't have to feel overwhelmed or lost when it comes to getting it all done and understanding algorithms! In Dream, Create, Sell, we teach you how to do *exactly* this, step-by-step. Get $100 off the course with the code READY: https://studiosisters.teachable.com/p/dream-create-sell - Looking for our Show Notes? https://www.shopstudiosisters.com/podcast Get our FREE worksheet on how to learn the basics of Etsy SEO, what a long-tail keyword is, and some basic do's/don'ts of Etsy search tags in just 15 minutes: https://www.shopstudiosisters.com/etsyseoguide Want to learn how to do keyword analytics with Sale Samurai? Use our code SHOPSTUDIOSISTERS for 20% off this *awesome* keyword research tool, Sale Samurai: https://www.shopstudiosisters.com/salesamurai Visit our website, www.shopstudiosisters.com, and sign up for our weekly newsletter for more creative magic & small business strategy.

Just showing up is no longer good enough on the internet. If we want people to take us seriously as creators and communicators, we have to level up from everyone else just pulling out their cell phone. When we do, we immediately communicate that we have our act together, and we have something worth our audience's attention.Our guest today is an expert at helping creators do exactly that – Kevin Shen helps creators, authors, and thought leaders create their very own dream studio space in their own home. And not only does he demystify the technical details of camera, sound, and design, he does it in light of the psychology of what's taking place. That's what we dig into today.Learn more about Kevin and see some amazing before/after transformations at https://www.storygreenlight.com/dreamstudio LEAVE A VOICE MESSAGE: Got comments, reactions, or just wanna say hi? Leave a voice message for us and we may use it in an upcoming episode: https://www.speakpipe.com/StoryGreenlight  RESOURCESRich Dad Poor Dad: What the Rich Teach Their Kids About Money That the Poor and Middle Class Do Not!, by Robert Kiyosaki https://amzn.to/33Qi9vj SHOW NOTES2:40 How Kevin helps people set up their own studio spaces, and the need to show up well in the digital world5:07 How Kevin started as a gear geek and computer programmer6:31 How introversion plays into video creation7:41 How video can scale our personal presence and impact8:37 The power of moving pictures is now available to everyone, not just movie and TV stars9:36 Kevin's transition from high school to college and unsatisfying start-up life12:02 Kevin's decision to start as a YouTuber13:21 Why you need to have an actual business model to make money15:09 Jeff's journey of learning about emotional impact and turning it into a viable business17:23 The tension between the meaning and the money, and how it needs to overlap20:09 How emotional reasoning can pull us down20:59 How entrepreneurs are like surfers – the need to maintain balance23:11 How Kevin decided to make a change – finding the balance of meaning while building business structure29:23 How Kevin picked his new business direction – helping people do what they were already asking for31:34 What results do people get from upgrading the look and sound of their space? Adding visual credibility, removing audio distractions34:40 If you want to create connection on the internet, you have to craft your internet persona37:25 The personal benefit of having a good studio space: you're more likely to want to create content!40:00 How to join the new cohort for the Dream Studio course --Kevin has done a more in-depth presentation on the elements for setting up your own dream studio for members of The Green Room here at Story Greenlight. If you'd like access to that training, along with a host of other storytelling, communication, and filmmaking resources, try out The Green Room for a month for free. Get started now at https://www.storygreenlight.com/greenroomfree.  Use the power of Story to build your audience connection and increase your channel watch time, no matter your content type or storytelling experience. Get your copy now at https://www.storygreenlight.com/storyguide.