Podcast appearances and mentions of Julie Christie

After a career as an actress, Sarah Polley made her directorial debut with Away From Her, landing Oscar nominations for both her screenplay and Julie Christie's performance. Her follow-up would be a slight gear shift: the intimate character study of infidelity, Take This Waltz. The film stars Michelle Williams as a writer who begins to feel … Continue reading "347 – Take This Waltz"

James Cameron-Wilson finds the live-action remake of #1 How To Train Your Dragon a disappointment, lacking much of the original's charm. He points out that the perfectly woven farce The Wedding Banquet is still around, suggesting people catch it while they can. On Netflix, he watched Straw, a state-of-the-nation melodrama from the phenomenally successful Tyler Perry. But while it has some nice moments, it's formulaic and unrealistic. He much admires the beautiful restoration of Darling, 1965's satire of Britain in the swinging 60s. Starring Dirk Bogarde and Julie Christie as a self-obsessed model, it has sparkling dialogue and won Oscars for costumes, script and for Christie. The extras are great too. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hal Ashby's 1975 sexy satirical Nixon-era comedy, SHAMPOO, is our feature presentation this week. We talk how the Manson Murders relates to the film, if its a quintessential Hollywood Hills movie, the real-life love triangle between Warren Beatty, Goldie Hawn, and Julie Christie, and much more! We also pick our TOP 7 GOLDIE HAWN MOVIES in this week's SILVER SCREEN 7! Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

ANEM AL CINE AMB ELS JAUMES amb “Dr. ZHIVAGO”. “Dr. ZHIVAGO” és una pel·lícula rodada principalment a Espanya, va ser una coproducció internacional entre Metro-Goldwyn-Mayer i el productor italià Carlo Ponti. Excepcionalment dirigida per David Lean (també director de Lawrence de Arabia) i interpretada per Omar Sharif, Julie Christie, Geraldine Chaplin, Tom Courtenay, Rod Steiger, Alec Guinness, Ralph Richardson, Siobhan McKenna, Rita Tushingham entre altres. El guió és de Robert Bolt, basat en la novel·la del mateix nom publicada per el rus Borís Pasternak el 1957, està ambientada a Rússia durant la Primera Guerra Mundial, explicant la Revolució russa de 1917 i la guerra civil russa. Un drama amorós amb romanticisme, el ben mig d'una guerra. Molta història, molt llarga (més de tres hores), molt costosa, aconseguint molta recaptació, i 5 Óscars més 5 nominacions. Val la pena veure-la. Val la pena recordar-la. Val la pena escoltar tot seguit als nostres experts cinèfils, els Jaume's, i els seus experts comentaris. Agafeu crispetes!!! Aquest és el 26é programa de “ANEM AL CINE AMB ELS JAUMES” des del 17 de mars del 2022 Podeu veure el vídeo al enllaç https://youtu.be/22wWTOE_12E Escolta el podcast a Ona Bitlles Cine https://www.onabitlles.cat/Cine @bibliotecamat @cineclubvilafranca @kubrick_cinema #Sala Sazie @escolesvellescultura @ajspriudebitlles @informer_riudebitlles @Riudebitlles #onabitlles #Jaume Felipe #Jaume Font @ramonvila123 #Ramon Vila podcast recorded with enacast.com

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - completes Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 2, Part 2, the tragedy resolves itself in a number of deaths. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi, Nicholas Farrel, and Julie Christie; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Stephen Dillane; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Robert MacNeil; Hamlet 2007 by Alexander Fodor, starring Katie Reddin-Clancy; "She'll Never Know" by Marillion; Hamlet 2009 by Gregory Doran, starring Patrick Stewart; In a Bleak Midwinter by Kenneth Branagh, starring Michael Maloney; and "Le duel", "La mort d'Hamlet" and "Le rideau tombe" by Johnny Hallyday. Leave a comment, I love to read!

In this episode of the show we are beginning, albeit a little bit prematurely, our June excursion into the cinema of Robert Altman who would be celebrating his 100th birthday if he was still with us. And we are starting off with his anti-western McCabe and Mrs Miller. Over the course of our conversation you will hear us talk about how Altman fits into the landscape of New Hollywood, how he set out to deconstruct the form and bury the star under his aesthetic and perhaps the reasons why he did so. We also talk about the chemistry (or, ironically, lack thereof) between Warren Beatty and Julie Christie, the idea of watching a movie through a t-shirt and hiding a cultural commentary in a sparse and meandering deconstructed western. Finally, we lose our wits trying to figure out how to pronounce Warren Beatty's last name and we also, if you stay tuned long enough, end up sharing our Jack Nicholson impressions... despite the fact he was not in the movie at all. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Hillary White & Jak-Luke SharpIntro: Infraction - CassetteOutro: Infraction - DaydreamHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

The Ringer's Bill Simmons, Chris Ryan, and Van Lathan return back to earth to rewatch one last movie, Warren Beatty and Buck Henry's 1978 film ‘Heaven Can Wait,' starring Warren Beatty, Julie Christie, James Mason, Jack Warden, Charles Grodin, and Dyan Cannon. Podcast Manager: Craig Horlbeck Video Producer: Jon Jones Shopping. Streaming. Savings. It's on PrimeVisit Amazon.com/prime to get more out of whatever you're into. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nicholas Roeg's paranormal thriller, with Donald Sutherland and Julie Christie

Sean Shibe - Dathanna Geala Amháin - Julie Christie at 85

This week, editor Sam Rice-Edwards – who cut and co-directed the new documentary One to One: John & Yoko, in theaters now – unpacks the entangled structure and mounting dread of Don't Look Now, Nicolas Roeg's 1973 masterwork starring Donald Sutherland and Julie Christie as an English couple, haunted by the loss of a child, who encounter something even more awful in Venice. Your genial host Norm Wilner definitely saw this one at too early an age.

Ce 9 octobre 1966 au soir, nous allons assister à un de ces moments qui ont compté énormément dans la légende de notre pop culture mais dont bien évidemment aucun des acteurs n'a alors conscience. En effet, Marianne Faithfull, 19 ans mais déjà un mariage raté, un enfant et quelques disques à son actif, est venue à Bristol voir jouer les Rolling Stones. Mais que fait-elle là, en coulisses, alors qu'elle s'approche de Mick Jagger en plein cours de danse avec Tina Turner qui le traite de nul en le rabrouant. Marianne se demande pourquoi elle s'est tapée la route jusque-là, Jagger n'est pas son type. Deux ans plus tôt, quand le manager et producteur des Stones l'a découverte et lui a proposé une chanson signée Jagger-Richards, le contact avec Mick avait été peu probant lors de leur unique rencontre. Elle se revoit monter dans le taxi en sortant du studio et Mick lui proposer de s'asseoir sur ses genoux. Elle a 17 ans, une éducation aristocratique héritée de sa mère, c'est hors de question. Et Mick de ne rien trouver de mieux que de renverser exprès du champagne sur sa robe. Heureusement que Marianne ignore que son producteur l'a convaincu d'écrire une chanson pour elle avec ces mots : Tu vas voir mon vieux, c'est un ange avec une grosse paire de nichons.Il est vrai que les Stones ne sont pas réputés pour leur poésie. C'est une sacrée bande de gamins attardés arrivés de nulle part dans un monde qui leur offre tout au milieu de cette décennie de dingues. Ah il y a bien Keith Richard, le taiseux, pour plaire à Marianne. Il lui plaît vachement, en fait. Bref, après le concert, tout le monde rentre à l'hôtel, Marianne assiste au bazar de toute la bande dans la chambre de Mick. Ça s'agite beaucoup au début puis ça se calme. Brian Jones et sa copine Anita Pallenberg finissent par partir, suivis par Keith qui en fait se meurt d'amour pour Anita, c'est foutu pour Marianne. Quatre du mat, il ne reste plus dans la chambre que Mick, évidemment, Marianne et une danseuse-choriste de Ike et Tina Turner qui se verrait bien finir la nuit avec Mick Jagger. Mais au bout d'un moment, comprenant qu'elle est de trop, elle s'en va, elle aussi. Alors quand Mick se met à la regarder avec les yeux du Grosminet qui va dévorer Titi, Marianne lui propose d'aller faire un tour dans le parc de l'hôtel. Il est joli, non ? Et puis, Bristol, c'est beau, la nuit. Marianne a capté dans les discussions que Mick allait rompre avec Chrissie, son officielle, car il avait l'actrice Julie Christie dans le viseur. Julie Christie, c'est Lara, l'amour de Omar Sharif dans Le docteur Jivago, l'immense succès du moment aux six Oscars. Non, Marianne ne fera pas office de biscuit cette nuit, pas question. Mais voilà, au fil de la conversation, celui qu'elle prenait pour un sale gamin, la charme en répondant à ses questions sur la légende du Roi Arthur, pilier de la littérature anglo-saxonne. Et tel Lancelot pour sa Guenièvre, de retour dans la chambre, Mick se montre prévenant en mettant ses petites chaussures percées par la rosée, à sécher sur le radiateur. On est loin de la brutalité des Stones, là. Mick va appeler Marianne et lui rendre visite de plus en plus régulièrement dans son appartement londonien. Pas de Julie Christie, Mick et Marianne vont devenir le couple emblématique du Swinging London. On ne parlera pas de la fin, on va en rester à “ils furent heureux”, c'est mieux non ?

"Fahrenheit 451" es una novela distópica escrita por Ray Bradbury, publicada en 1953. La historia se desarrolla en un futuro no muy lejano donde la sociedad ha evolucionado hacia una cultura antiintelectual y hedonista. En este mundo, los libros están prohibidos y los bomberos, en lugar de apagar incendios, se encargan de quemar cualquier libro que encuentren. La temperatura de ignición de la papel, 451 grados Fahrenheit, da título a la novela. La trama sigue a Guy Montag, un bombero que comienza a cuestionar su papel en la sociedad y su relación con los libros. Montag se enamora de su vecina, Clarisse McClellan, una joven que desafía las normas sociales y le hace ver la importancia de la literatura y el conocimiento. A medida que Montag se adentra en el mundo de los libros, se vuelve más disidente y comienza a rebelarse contra la sociedad. Se une a un grupo de personas que han memorizado libros para preservar el conocimiento y la cultura. La novela explora temas como: 1. La censura y la libertad de expresión 2. El papel de la literatura y la educación en la sociedad 3. La conformidad y la rebeldía 4. La relación entre la tecnología y la humanidad "Fahrenheit 451" es considerada una de las novelas más importantes del siglo XX y ha sido adaptada en varias ocasiones al cine, la televisión y el teatro. Su mensaje sobre la importancia de la lectura, la educación y la libertad de expresión sigue siendo relevante en la actualidad. LA PELICULA FAHRENHEIT 451 DEL AÑO 1966 La película "Fahrenheit 451" de 1966 es una adaptación cinematográfica de la novela homónima de Ray Bradbury, dirigida por François Truffaut. Fue la primera película en inglés del director francés y cuenta con un elenco destacado que incluye a Oskar Werner, Julie Christie y Cyril Cusack. La película sigue la trama de la novela, con algunas modificaciones y omisiones. Se centra en la historia de Guy Montag (Oskar Werner), un bombero que comienza a cuestionar su papel en la sociedad y su relación con los libros. Montag se enamora de su vecina, Clarisse McClellan (Julie Christie), y comienza a rebelarse contra la sociedad. La película de Truffaut es notable por su visión estilizada y poética de la novela. Utiliza una paleta de colores sobria y una cinematografía innovadora para crear un ambiente distópico y opresivo. La película también cuenta con un guion inteligente y reflexivo que explora los temas de la censura, la libertad de expresión y la rebelión. Aunque la película recibió críticas mixtas en su momento, con el tiempo ha sido reevaluada y ahora se considera una adaptación clásica de la novela. La película de Truffaut es una interpretación única y personal de la obra de Bradbury, y su visión estilizada y poética sigue siendo influyente en la cultura popular. Algunos aspectos interesantes de la película son: - La utilización de la cámara y la iluminación para crear un ambiente opresivo y distópico. - La interpretación de Oskar Werner como Guy Montag, que aporta una sensibilidad y una introspección profunda al personaje. - La presencia de Julie Christie en dos papeles diferentes, como Clarisse McClellan y como la esposa de Montag, Linda. - La inclusión de elementos de la cultura popular de la época, como la televisión y la publicidad, para criticar la sociedad consumista y superficial. 😎

Julie Christie, la inolvidable protagonista de “Doctor Zhivago”, “Fahrenheit 451”, “Los vividores” y tantas otras películas es la estrella principal del episodio de esta semana. Para celebrar su 85 cumpleaños le damos un repaso a su carrera y a su vida. También recodamos que hace 160 años era asesinado Abraham Lincoln, el decimosexto presidente de los Estados Unidos. Os hemos preparado un reportaje sobre Lincoln en el cine. Charlamos con el director Víctor Matellano que acaba de estrenar un documental sobre el actor y director Paul Naschy, un auténtico mito del cine fantástico español reconocido en todo el mundo. Y en la sección dedicada al western esta semana nos ocupamos del cine de Budd Boetticher, un director que dio al cine del Oeste una serie de películas de bajo presupuesto y corta duración pero que aportaron al género un toque muy innovador. Os hablamos de uno de sus mejores films: “Los cautivos”.

Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971's McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. The hosts also discuss the spectacular screenplay by Altman and Brian McKay as well as the tone-setting songs by Leonard Cohen.

McCabe and Mrs Miller Front Row Classics is celebrating the 100th birthday of Robert Altman by taking a look at one of his greatest works. Brandon is joined by Spencer Davis to discuss 1971’s McCabe and Mrs, Miller. Brandon and Spencer discuss this classic anti-Western which features stellar performances from Warren Beatty and Julie Christie. … Continue reading Ep. 297- McCabe and Mrs. Miller →

Bonjour à tous! Joining us this week, in the strange and alienating city that is Alan Rudolph's montreal, is our friend, a filmmaker, co-host of To the White Sea - Jordan Fish! We have a lengthy discussion on Alan Rudolph's 1997 film AFTERGLOW, its characters estranged from their roots, People Magazine's 1992 Sexiest Man Alive Nick Nolte and his gruff handsomeness, Julie Christie, love triangles, how funny it is when someone is horny, Altman's budget tricks for his buddy Alan, unspoken truths, withheld secrets, a whole lot more on ALTMANIA: FRIENDS OF BOB! Follow Jordan Fish / To the White Sea: To the White Sea - a Coen brothers study group https://twitter.com/tothewhitesea https://twitter.com/jwordfish Jordan's DSA NYC ad (mentioned in the episode) Follow Altmania: Linktree Esteban Noel (Este's writing) Altman / Rudolph Archive Support us on Patreon: patreon.com/altmania

Shampoo handlar om en snygg frisör som både klipper och ligger med sina lika snygga kvinnliga kunder. Filmen gjorde succé när den hade premiär 1975. Lyssna på alla avsnitt i Sveriges Radio Play. Klädd i tajta utsvängda jeans, djupt uppknäppta skjortor, pilotbrillor och en mjuk mockajacka far frisören George Roundy, spelad av Warren Beatty, omkring i Beverly Hills på sin motorcykel för att bistå med service till kvinnliga kunder, vilket leder till en hel del svartsjuka.Filmen har blivit en klassiker, men också en outsinlig källa till inspiration när det gäller både kläder och frisyrer. Den blev en stor framgång redan när den hade premiär, 1975. Man gillade det satiriska anslaget och den rappa dialogen. Men allra mest gillade man att få titta på huvudrollsinnehavaren Warren Beatty – och de vackra kvinnor han lägrade i filmen. Det var stora namn som Julie Christie, Goldie Hawn och Lee Grant. Och alla hade han haft ihop det med, på riktigt.I veckans Stil tar vi en närmare titt på denna filmklassiker. Vi träffar den prisbelönta maskören Eva von Bahr, som vet allt om hur betydelsefull en frisyr kan vara – inte minst på film och i tv-serier. Vi gör också ett frisörbesök för att förstå varför frisörer så ofta får agera terapeuter. Och så tar vi reda på hur man egentligen tvättar håret på rätt sätt.

Denis Cadotte, Trudie Mason, Dave Williams, John Moore, Tom Mulcair, Dr. Mitch Shulman, Julie Christie, Dan Riskin

Dana and Tom welcome back guest, Sara Shea (Host and Creator of Shea Cinema; @sheacinema on X, IG) to discuss Shampoo (1975) for its 50th Anniversary: directed by Hal Ashby, written by Warren Beatty and Robert Towne, music by Paul Simon, starring Warren Beatty, Goldie Hawn, Julie Christine, Lee Grant, Carrie Fischer, and Jack Warden.Plot Summary: Shampoo is a sharp, bittersweet satire wrapped in the glitzy excess of late-'60s Beverly Hills. The film follows George Roundy (Beatty), a womanizing hairdresser whose ambition is undercut by his inability to resist the charms of his wealthy clientele. On the eve of the 1968 presidential election, George juggles a tangled web of lovers—including his current girlfriend (Goldie Hawn), his wealthy benefactor's wife (Lee Grant), and his ex (Julie Christie)—all while trying to secure financial backing for his own salon.Shampoo disguises its sharp political and social critique beneath a surface of sexual farce, letting the characters' selfishness mirror the broader moral drift of the era. The film's humor is sly but never mean-spirited, and its direction, full of casual elegance, ensures that even the most ridiculous moments feel authentic. By the film's melancholic finale, Shampoo has revealed itself as more than just a sex comedy—it's a lament for lost opportunities, both personal and political.Guest:Sara SheaHost and Creator of Shea Cinema; @sheacinema on X, IGPreviously on 12 Angry Men (1957) Revisit, Barry Lyndon (1975)Chapters:00:00 Introduction and Welcome to Our Guest02:04 Cast and Background for Shampoo03:32 Relationship(s) with Shampoo06:22 What is Shampoo About?16:15 Warren Beatty's Eclectic Film Choices22:05 Plot Summary for Shampoo23:32 Did You Know?24:44 First Break26:54 What's Happening with Sara29:05 A Listener Question30:42 Best Performance(s)39:01 Best/Favorite/Indelible Scene(s)44:09 Second Break45:12 In Memoriam46:28 Best/Funniest Lines49:36 The Stanley Rubric - Legacy52:46 The Stanley Rubric - Impact/Significance56:36 The Stanley Rubric - Impact/Significance01:02:28 The Stanley Rubric - Classicness01:07:21 The Stanley Rubric - Rewatchability01:14:03 The Stanley Rubric - Audience Score and Final Total01:16:06 Remaining Questions for Shampoo01:22:53 Thank You to Our Guest01:24:30 Final Thoughts for the Week01:28:00 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or

Warren Beatty and Julie Christie in my favorite Altman film

This week we go back to what is arguably the greatest era of film, the 70's.  1973 brought us Don't Look Now, directed by Nicolas Roeg based on Daphe Du Maurier's novel, starring Donald Sutherland and Julie Christie. The strange tale deals with loss, grief and anxiety and is set in the brooding atmosphere of Venice, Italy. #necromaniacspodcast #horsemenofthepodcastingapocalypse #necrothursday Intro: “Necromaniacs” – Mike Hill Outro: “Spiral Mirror” – David Lynch featuring Jack Cruz This episode is dedicated to the memory of Rich Hall

MONOLOGUE Should Canada Pull the Plug on U.S. Oil? The High-Stakes Game We Can't Afford to Lose https://nationalpost.com/news/canada-oil-united-states NEWSMAKER Colin Grey died after routine border check — now the coverup kicks in https://www.rebelnews.com/colin_grey_died_after_a_routine_border_check_at_the_ambassador_bridge_now_the_coverup_kicks_in  David Menzies, Rebel News Mission Specialist OPEN LINES THE SOFA CINEFILE Dr. Zhivago -1965 epic historical romance film directed by David Lean with a screenplay by Robert Bolt, based on the 1957 novel by Boris Pasternak. Starring Omar Sharif, Julie Christie, Geraldine Chaplin, Tom Courtenay, Rod Steiger, Alec Guinness, and Ralph Richardson Nick Soter is the founder of a Toronto community cinema club THE LIMRIDDLER Snatch Away Treasures Snatch away treasures without being seen. Dish out a dig with intent to demean. Felines with claws Defend with their paws. Switch the display to an alternate screen. MONOLOGUE  Trump's Davos Domination: A Battle Cry Against Globalism—and a Wake-Up Call for Canada NEWSMAKER J6 Attorney Rebuffs Argument That Some J6 Defendants Shouldn't Have Been Pardoned https://www.dailywire.com/news/j6-attorney-rebuffs-argument-that-some-j6-defendants-shouldnt-have-been-pardoned  Viva Frei – Popular YouTuber, Rumbler, Host of the Viva and Barners Law Podcast… Join the VivaBarnes Law Community at vivabarneslaw.locals.com STEELHEADS TALK Brendan Lang – Brampton Steelheads Play by Plan and Colour Commentator, Host of Trout Talk on Sauga 960 THERE'S SOMETHING HAPPENING HERE! Should Canada Shut Off Oil to U.S. if Trump Imposes Tariffs? Greg Carrasco, Host of The Greg Carrasco Show, Saturday Mornings 8-11 am on SAUGA 960 THE LIMRIDDLE ANSWER AND WINNERS Answer: Swipe Learn more about your ad choices. Visit megaphone.fm/adchoices

In our last episode we took a look at films that followed Alfred HItchcock's filmmaking style. This time around we're looking at films that have deep echoes of the work of Ingmar Bergman. We start with Away From Her (2006), written and directed by Sarah Polley. Julie Christie plays a woman whose Alzheimer's is starting to advance, and her husband (Gordon Pinsent) has to deal with the guilt, the loneliness and all the other unexpected complications that come with placing her in a facility. It's probably one of the best films about Alzheimer's you'll see, and it's simultaneously sad and uplifting. In Part 2, we'll talk about a movie that's a little more on the nose, with Bergman Island. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

SITC is back with the long-awaited second installment of our horror series just in time for Halloween. Hot or not? You decide.  Body horror brings on the heat thanks to Jeff Goldblum's insectile sex symbol Seth Brundle in David Cronenberg's classic remake of THE FLY (1986). Julie Christie and Donald Sutherland prove graphic sex can have narrative value in Nicolas Roeg's enigmatic meditation on grief DON'T LOOK NOW (1973). Mia Farrow gets down with the devil and suffers the ultimate perversion of pregnancy in Roman Polanski's legendary ROSEMARY'S BABY (1968). 

Elegant. That was the adjective used by Team Vintage Sand's own Michael Edmund to describe why the films of Joseph Losey are so important to him, and why he has been such a huge fan of Losey's for nearly all of his film-going life. Losey's was a name that seemed to keep popping up in a wide variety of contexts over the course of the podcast, so, after many delays, we are proud to present Episode 54—Director's Cut: Joseph Losey. Losey's is a unique career in the sense that it really was two distinct careers. After growing up in a life of privilege in Wisconsin (where he was a high school classmate of another pretty good director, Nicholas Ray) and an education at Harvard and Dartmouth, Losey made his way to Hollywood and directed a couple of interesting, low-budget films. Among these were the stilted but prescient "The Boy with Green Hair" (1948), and the rather senseless remake of Lang's "M" (1951), the latter replete with awful soundtrack music and LA sunshine. One possible reason that Losey might have gotten involved with this misguided effort might have been to give actors (Luther Adler, Martin Gabel) and other creatives (screenwriter Waldo Salt), who had been or were about to be blacklisted, a shot at getting some work. Losey himself, an unapologetic member of the Communist Party and an important creative associate of Bertolt Brecht, knew that when Brecht was called before HUAC, it was only a matter of time before he would meet the same fate. So before he could be summoned, he fled to London, and never again worked in the United States for the remaining three decades of his life. He began his English period with some low budget films, some of which, like 1954's "The Sleeping Tiger", still hold some interest. It was during this period, however, that he met two men who were going to help him create the reputation that he still carries to this day, that of a director of great style whose films, not surprisingly given his own life experience, were always political without ever dealing directly with politics: the actor Dirk Bogarde, and the legendary playwright Harold Pinter. Their first work together, 1963's "The Servant", is generally regarded as Losey's masterpiece. It is an absolute evisceration of a rotting class system that has yet to realize its time has passed and that the empire on which it was founded has disintegrated. The complex, ever-changing relationship between upper class twit Tony (the wonderful James Fox) and Barrett, the manservant Tony hires (Bogarde), is cold, chilling and surprising right to the very end. Losey continued his obsession with social class in the World War I drama "King and Country" (1964), a film with a setup similar to "Paths of Glory" that in some ways is an even more powerful anti-war statement than Kubrick's film. Losey teamed up again, somewhat less successfully, with Pinter and Bogarde for 1967's "Accident", and with Pinter for one more masterpiece, 1971's "The Go-Between", a gorgeous period piece featuring pitch-perfect performances by Alan Bates, Margaret Leighton, newcomer Dominic Guard as the titular young man, and especially by the never-more-luminous Julie Christie. There are no easy answers when it comes to Losey, but two things come to mind. As John notes in the episode, had Losey not fled persecution and stayed in America, he probably would have been nothing more than a more-talented-than-average studio hack. Exile turned out to be the best thing that could have happened to him, and it may be a direct result of his outsider status that Losey was able to cast an even sharper eye on the follies and perils of the dying English class system more effectively even than the great native British directors of the 1960's. Whatever your thoughts on his work, in the end, it is that aforementioned elegance and intelligence that make Losey's best films worth watching today.

Rhona Mitra is known for her countless roles in film and television. Underworld: Rise of the Lycans, Boston Legal, The Last Ship. Rhona stars in the new film Hounds of War, an action-packed revenge story that's streaming right now. This week, Rhona tunes in #TrulyOffGrid to talk about the film AND how she feels seen by the headstrong lead of the British epic period drama FAR FROM THE MADDING CROWD. From Rhona's former life in Los Angeles to the divine intervention of one such horse, this conversation is certified fresh! Then, buddy up with us because Jordan has one quick thing about the upcoming horror thriller Companion. The heat is on with this one!***With Jordan Crucchiola and Rhona Mitra.

We get duped again as Viva Pod Vegas seemingly promises two Elvises (Elvii?) with Double Trouble, but we only get one! We talk about how this movie tries to take on the British Invasion with a movie set entirely in Europe, but, you know… Colonel Tom… We talk about Elvis Presley in a Julie Christie role, a nice change of pace for Elvis movies (in terms of filmmaking), and the story behind Elvis's co-star's only film role. We (somewhat) explore the year at the box office, discuss Elvis's breaking point when recording the music for this movie, and wonder why Elvis tells no one about getting punched in the face. We admire the slapstick, break down the wildest version of Old Macdonald we've ever heard, and love one of the wildest turns in an Elvis movie so far. Elvis jumps through a window! We look ahead to Clambake.

All three of us are back to review DragonHeart starring Dennis Quaid, David Thewlis, Pete Postlethwaite, Dina Meyer, Julie Christie, and Sean Connery as the voice of Draco. Chris picked this for his appreciation of Pete Postlethwaite so there's heavy discussion around his career. Also there is a shout out to a gracious listener from Letterboxd--thanks again and enjoy! If you like what you heard, please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple. Submit your mailbags to us at thesearcherspodcast@gmail.com. We'll read both on air. Follow us on Letterboxd.com if you'd like to see what we've recently watched and/or reviewed. Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/

Machines are designed to make our lives easier but what happens when they malfunction or want something beyond their programming. (with special guest DJ and filmmaker, Otis Johnson). We discuss the films Demon Seed (1977), Runaway (1984), and Chopping Mall (1986). Follow Otis on https://www.instagram.com/grindhauselektor/* Content Warning- The "Demon Seed" segment of this episode includes discussions of sexual assault. Listener discretion is advised.  Original Music and episode audio mastering by Beau Hitt. Check out more of Beau's music at the link below.https://spoti.fi/3OcxTMSFollow us on :FacebookInstagramLetterboxd

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 4, Scene 7, Part 2, Gertrude describes Ophelia's death. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 2009 Hamlet, starring David Tennant; and the 1980 Hamlet, starring Derek Jacobi. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Julie Christie; Hamlet 1948 by Laurence Olivier, starring Eileen Herlie; Hamlet 1980 by Rodney Bennett, starring Claire Bloom and David Robb; Hamlet 1990 by Franco Zeffirelli, starring Glenn Close; Hamlet 2000 by Michael Almereyda, starring Diane Venora and Liev Schreiber; Hamlet 2007 by Alexander Fodor; Hamlet 2009 by Gregory Doran, starring Penny Downie; and "La Mort d'Ophélie" by Johnny Hallyday. Leave a comment, I love to read!

Daphne du Maurier was a prolific English writer of novels, plays, and short stories resonant with what she termed "a sense of unreality." In this episode, JF and Phil discuss her great short story "Don't Look Now," which Nicholas Roeg famously adapted to the screen in 1973 in a film starring Donald Sutherland and Julie Christie. Recorded live at Shannon Taggart's Lily Dale Symposium on July 25th, 2024, the discussion takes a number of turns, exploring the ghost as an "image of itself," the phenomenon of "deathishness," the experience of derealization, the human capacity to break time, and grief as a rift in time. Visit the Weirdosphere (http://www.weirdosphere.org) and sign up for JF's upcoming course of lectures and discussions, "Whirl Without End: Fairy Tales and the Weird," starting on September 5th, 2024. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Daphne du Maurier, "Don't Look Now" (https://bookshop.org/a/18799/9780765333629) Nicholas Roeg (dir.), Don't Look Now (https://www.imdb.com/title/tt0069995/) Weird Studies, Episode 66 on “Diviner's Time” (https://www.weirdstudies.com/66) Chuck Klosterman, "Tomorrow Rarely Knows” (https://bookshop.org/a/18799/9781416544210) Thomas Mann, Death in Venice (https://bookshop.org/a/18799/9780141181738) Peter Medak (dir.), The Changeling (https://www.imdb.com/title/tt0080516/) Philip K. Dick, “Schizophrenia and the Book of Changes” (https://bookshop.org/a/18799/9780679747871)

This week on And the Runner-Up Is, Kevin welcomes podcaster and YouTuber Steffi Acain to discuss the 2007 Oscar race for Best Actress, where Marion Cotillard won for her performance in "La Vie en Rose," beating Cate Blanchett in "Elizabeth: The Golden Age," Julie Christie in "Away from Her," Laura Linney in "The Savages," and Elliot Page in "Juno." We discuss all of these nominated performances and determine who we think was the runner-up to Cotillard. 0:00 - 13:30 - Introduction 13:31 - 36:05 - Cate Blanchett 36:06 - 1:00:18 - Julie Christie 1:00:19 - 1:18:50 - Laura Linney 1:18:51 - 1:44:00 - Elliot Page 1:44:01 - 2:09:51 - Marion Cotillard 2:09:51 - 3:02:56 - Why Marion Cotillard won / Twitter questions 3:02:57 - 3:08:00 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Steffi Acain on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Rockfield is a converted farmhouse in the Welsh countryside where, for over 50 years, bands have lived while recording. In the ‘70s Tiffany Murray's mum was the in-house cook, filling Motorhead to the brim with boeuf bourguignon and Black Sabbath with salmon en croute. Her touching memoir My Family And Other Rock Stars – hailed as “a rock and roll Cider With Rosie” – sees a succession of visiting bands though the wide eyes of a child and in a wholly new light - Freddie Mercury is the man who “smelt of sweet wood and oranges” and was nice to her dog, Julian Cope is “pretty and dressed in a white sheet”. It's a movie waiting to happen. We loved this highly original and revealing book and our conversation with Tiff which involves … … the ‘Saffy from Ab Fab' relationship she had with her mum who began her professional life spying on the Duchess of Argyll from a wardrobe. … floppy hats, Biba dresses and a purple beach buggy. … the only woman who recorded at Rockfield in the ‘70s. … the realisation that the men singing “Galileo” repeatedly in the stables were the same people later on Top Of The Pops. … her mother's Book Of Rules for visiting rock stars, “a matron in the body of Julie Christie in Darling”. … ample proof that rock music allows a life of extended adolescence. … shelved albums and unpaid bills. … Tiff's stepfather and in-house Rockfield producer Fritz Fryer. … Nick Lowe through the eyes of a 10 year-old – “tall, kind and looked like a bird”. ... Graham Parker's trout in almonds and how the cook was paid extra “just to get food into Lemmy”. … and mentioned in despatches – Squeeze, the Tyla Gang, Showaddywaddy, Van Der Graaf Generator and Dr Feelgood. Order ‘My Family And Other Rock Stars' here:https://www.amazon.co.uk/Family-Other-Rock-Stars-groundbreaking/dp/0349727538Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Rockfield is a converted farmhouse in the Welsh countryside where, for over 50 years, bands have lived while recording. In the ‘70s Tiffany Murray's mum was the in-house cook, filling Motorhead to the brim with boeuf bourguignon and Black Sabbath with salmon en croute. Her touching memoir My Family And Other Rock Stars – hailed as “a rock and roll Cider With Rosie” – sees a succession of visiting bands though the wide eyes of a child and in a wholly new light - Freddie Mercury is the man who “smelt of sweet wood and oranges” and was nice to her dog, Julian Cope is “pretty and dressed in a white sheet”. It's a movie waiting to happen. We loved this highly original and revealing book and our conversation with Tiff which involves … … the ‘Saffy from Ab Fab' relationship she had with her mum who began her professional life spying on the Duchess of Argyll from a wardrobe. … floppy hats, Biba dresses and a purple beach buggy. … the only woman who recorded at Rockfield in the ‘70s. … the realisation that the men singing “Galileo” repeatedly in the stables were the same people later on Top Of The Pops. … her mother's Book Of Rules for visiting rock stars, “a matron in the body of Julie Christie in Darling”. … ample proof that rock music allows a life of extended adolescence. … shelved albums and unpaid bills. … Tiff's stepfather and in-house Rockfield producer Fritz Fryer. … Nick Lowe through the eyes of a 10 year-old – “tall, kind and looked like a bird”. ... Graham Parker's trout in almonds and how the cook was paid extra “just to get food into Lemmy”. … and mentioned in despatches – Squeeze, the Tyla Gang, Showaddywaddy, Van Der Graaf Generator and Dr Feelgood. Order ‘My Family And Other Rock Stars' here:https://www.amazon.co.uk/Family-Other-Rock-Stars-groundbreaking/dp/0349727538Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Rockfield is a converted farmhouse in the Welsh countryside where, for over 50 years, bands have lived while recording. In the ‘70s Tiffany Murray's mum was the in-house cook, filling Motorhead to the brim with boeuf bourguignon and Black Sabbath with salmon en croute. Her touching memoir My Family And Other Rock Stars – hailed as “a rock and roll Cider With Rosie” – sees a succession of visiting bands though the wide eyes of a child and in a wholly new light - Freddie Mercury is the man who “smelt of sweet wood and oranges” and was nice to her dog, Julian Cope is “pretty and dressed in a white sheet”. It's a movie waiting to happen. We loved this highly original and revealing book and our conversation with Tiff which involves … … the ‘Saffy from Ab Fab' relationship she had with her mum who began her professional life spying on the Duchess of Argyll from a wardrobe. … floppy hats, Biba dresses and a purple beach buggy. … the only woman who recorded at Rockfield in the ‘70s. … the realisation that the men singing “Galileo” repeatedly in the stables were the same people later on Top Of The Pops. … her mother's Book Of Rules for visiting rock stars, “a matron in the body of Julie Christie in Darling”. … ample proof that rock music allows a life of extended adolescence. … shelved albums and unpaid bills. … Tiff's stepfather and in-house Rockfield producer Fritz Fryer. … Nick Lowe through the eyes of a 10 year-old – “tall, kind and looked like a bird”. ... Graham Parker's trout in almonds and how the cook was paid extra “just to get food into Lemmy”. … and mentioned in despatches – Squeeze, the Tyla Gang, Showaddywaddy, Van Der Graaf Generator and Dr Feelgood. Order ‘My Family And Other Rock Stars' here:https://www.amazon.co.uk/Family-Other-Rock-Stars-groundbreaking/dp/0349727538Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We kick off a new mini-series this week celebrating the work of the late Donald Sutherland, who passed away last month. We start by one of the most highly regarded horror films in his whole catalog: the dread-soaked, melancholy tale of grief and premonition called DON'T LOOK NOW.Set in Venice amidst the tragedy of a deceased child, married couple John and Laura (Donald Sutherland and Julie Christie) are trying to move on with their lives when two older women approach them with the news that their daughter is in a happier place now, but is trying to warn them. The encounter sparks a chain of events that touches on matters of memory, intimacy, faith, and ultimately horror as they seek to make sense of what to do next.Also featuring our preliminary thoughts on Ti West's recent thriller MaXXXine, exclusively for our Patrons, this is a thoughtful, contemplative, and often disarmingly funny conversation that we really hope you enjoy.Patron Only Segment: Ti West's MaXXXine4:00 - DON'T LOOK NOWSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Cinema of Mad Men continues, with “The Crash” and Richard Lester's Petulia. In the classic season 6 episode, the office is visited by a Dr. Feelgood, Don retraces his sexual pathology to his childhood, and his kids get burglarized. In the 1968 film Petulia, George C. Scott and Julie Christie strike up a post-screwball romance from hell in the hippest, strangest parts of San Francisco. Infidelity, drugs, and the commodification of counter-culture are all over this pairing. 00:00 - The Crash 39:41 - Petulia Get an extra episode every week for $5/mo at https://www.patreon.com/Extended_Clip and send your questions, concerns, etc to extendedclippodcast@gmail.com

Welcome to the Instant Trivia podcast episode 1235, where we ask the best trivia on the Internet. Round 1. Category: Holy Cow. With Cow in quotation marks 1: The Random House Dictionary calls it a children's game involving shooting, chasing, and capturing. cowboys and Indians. 2: A form of leather, or what has to happen before other cow go seek. cowhide. 3: The 3rd line of "Hey Diddle Diddle", it sounds like an attempt to get into Guinness. the cow jumped over the moon. 4: As a verb, it means to make a monk of someone; as a noun, it's the hood they wear. a cowl. 5: A chicken. coward. Round 2. Category: Also In The Circus 1: 2-word term for insurance or social programs designed to assist those that have "fallen" on hard times. safety net. 2: This Adobe product helps you read a pdf pdq. Acrobat. 3: A secondary event, especially one that distracts attention from something of import. a sideshow. 4: Tolkien wrote that these were "for the Elven-kings under the sky". three rings. 5: Foremost of the Muses, she was said to be mother to Orpheus. Calliope. Round 3. Category: Art Exhibits 1: In 1999 this U.S. city's Museum of Art mounted a show of the work Edgar Degas did when he visited relatives there. New Orleans, Louisiana. 2: A 1995 exhibit at California's Laguna Art Museum traced the history of this body art. tattoo. 3: In 1995 this art movement was on view in a Monet exhibit and in a Caillebotte show. Impressionism. 4: A recent exhibit at this St. Petersburg museum focused on art plundered by the Red Army during WWII. the Hermitage. 5: In 2003 the Getty brightened the L.A. scene with an exhibit on these decorated manuscripts. illuminated manuscripts. Round 4. Category: Oscar! Oscar! 1: He was nominated for Best Actor, Best Director and Best Screenplay for 1978's "Heaven Can Wait" and 1981's "Reds". Warren Beatty. 2: This actress won her second Oscar for her role in the 1951 film version of "A Streetcar Named Desire". Vivien Leigh. 3: For a 1936 film bio, Paul Muni won an Oscar for portraying this French scientist. Louis Pasteur. 4: Julie Christie won an Oscar as a beautiful but empty woman in this "endearing" 1965 film. Darling. 5: He earned Oscar nominations for producing "The Color Purple" and for composing its score. Quincy Jones. Round 5. Category: The Ill-Iad 1: This disease is more properly known as bovine spongiform encephalopathy. mad cow disease. 2: When this lung disease was still called consumption, it was one of the leading causes of death. tuberculosis. 3: The swelling that's the main symptom of this contagious viral infection is caused by enlarged salivary glands. mumps. 4: High pressure in the eye is often the cause of this disease that can damage the optic nerve and cause a loss of vision. glaucoma. 5: The name of this bacterial infection caused by contaminated water comes from an old word for bile. cholera. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

This week (and next) we'll be looking at films that use genre as an overlay for their larger message. And we begin with two films that use the Western genre to convey their messages. We start with McCabe and Mrs. Miller (1971), directed by Robert Altman and starring Warren Beatty and Julie Christie, along with several others from the Altman stable of actors. We often see this film listed as an "anti-Western" because it inverts so many tropes in the genre, and we can't really argue with that. In Part 2, we'll look at a perhaps lesser-known film, The Claim, from 2000. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Welcome back to another episode!! I know I said that the last episode was going to be our last for a while....that's still true but in light of the recent passing of the legendary actor, Donald Sutherland, we decided to replay Ep. 34, Don't Look Now. Don't Look Now is a 1973 thriller/horror/mystery directed by Nicolas Roeg and stars Julie Christie, Donald Sutherland, Hilary Mason, and Clelia Matania. Synopsis: A married couple grieving the recent death of their young daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond. We recorded this back in May of 2021. Enjoy! RIP Donald Sutherland --- Support this podcast: https://podcasters.spotify.com/pod/show/scarymovieandchillpodcast/support

In this connector of an episode, we bring Warren Beatty into our investigation, as it concerns his very active love life for many a decade before his marriage in 1992 to Annette Bening. Spiderwebs include Jane Fonda, Joan Collins, Natalie Wood, Cher, Vivien Leigh, Mamie van Doren, Brigette Bardot, Leslie Caron, Faye Dunaway, Julie Christie, Britt Eckland, Carly Simon, and a special Joni Mitchell bonus addendum to the story. All sources can be found at doneanddunne.com. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/DoneDunne. Learn more about your ad choices. Visit podcastchoices.com/adchoices

País Estados Unidos Dirección Robert Redford Guion Lem Dobbs. Novela: Neil Gordon Reparto Susan Sarandon, Shia Labeouf, Nick Nolte, Julie Christie, Stanley Tucci, Robert Redford Música Cliff Martinez Fotografía Adriano Goldman Sinopsis Jim Grant (Robert Redford), un antiguo activista radical, vive ahora de forma anónima con su hija en los alrededores de Albany, en Nueva York. Pero su tranquila vida dará un vuelco cuando Ben Shepard (Shia LaBeouf), un joven periodista, revela su paradero al FBI, que llevaba buscándolo tres décadas por su participación en el atraco a un banco. Thriller político basado en la novela homónima de Neil Gordon.

*DISCLAIMER* After recording we realized we had techincal issues with Garrett's mic. Apologies for the less than ideal audio this week, but it's still a killer episode that we know you'll dig!This week on the Erotic Thriller Club we're joined by Megan Sampson (Meg & The Wheelers) to talk about the 1973 film Don't Look Now! Does a controversial sex scene make this count as an erotic thriller? We're talking milky eye fashion, interesting looking people, grief porn, awkward married sex and more as we break down this bonkers movie!

This week on And the Runner-Up Is, Kevin welcomes back writer, editor, and podcaster Lauren LaMagna to discuss the 1997 Oscar race for Best Actress, where Helen Hunt won for her performance in "As Good as It Gets," beating Helena Bonham Carter in "The Wings of the Dove," Julie Christie in "Afterglow," Judi Dench in "Mrs. Brown," and Kate Winslet in "Titanic." We discuss all of these nominated performances and determine who we think was the runner-up to Hunt. 0:00 - 12:11 - Introduction 12:12 - 37:24 - Helena Bonham Carter 37:25 - 59:09 - Julie Christie 59:10 - 1:24:11 - Judi Dench 1:24:12 - 2:02:30 - Kate Winslet 2:02:31 - 2:27:07 - Helen Hunt 2:27:08 - 3:10:33 - Why Helen Hunt won / Twitter questions 3:10:34 - 3:15:26 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Lauren LaMagna on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

In Today's Episode of the podcast I chat with Julie Christie about creating engaging content, especially for family photographers. We discuss the impact of connection content, building trust with the audience, and the value of authority content. You'll learn how to develop a photography brand with a personality, appeal to introverts in business, and strategically navigate the balance between connection and sales content in your marketing efforts.The Big Ideas:Connection Content: Share glimpses of your values and personality without revealing private details to build trust and likability with your audience.Brand Personality: Create a photography brand that reflects your values and personality, emphasizing connection with the audience over price or quality.Introverts in Business: Market with integrity, emphasize empathy, and cater to like-minded introverts in your marketing to build trust and loyalty.Authority Content: Utilize website for authority content to address buyer's questions and concerns, efficiently converting them into customers.Implementation Plan:1: Create Connection Content: Julie emphasizes the power of showing your personality and values through connection content to engage your audience, especially for family photographers. This approach helps clients feel like they know you, which can be a strong factor in their decision to book your services. Photographers can harness this insight by showcasing behind-the-scenes snippets of their work life, sharing personal but not private anecdotes, or even their philosophy on capturing precious family moments.Exercise: Share a brief story or insight on your social media that relates to why you love capturing family moments. It could be a throwback to your childhood family photos, a recent warm interaction with a client, or why you cherish the candid in-between moments. This helps potential clients see the person behind the lens and fosters a sense of familiarity and trust.2: Showcase Authority: As per Julie's experience, authority content might not rake in high engagement but is crucial for conversion. It establishes you as a knowledgeable expert, which can be especially persuasive when potential clients are considering who to trust with their memories.Exercise: Write a blog post or create an infographic for your website that answers a common photography-related question you've encountered, such as "How to prepare your kids for a photo session" or "The best time of day for outdoor family photos." Include helpful tips that showcase your expertise and experience.3: Embrace the Learning Curve:  There are so many advantages to the mistakes you make in the journey of growth as a photographer. For new photographers, this lesson is vital: being unafraid to make and learn from mistakes is what ultimately refines your craft.Exercise: Select a past photo that you're not particularly proud of and analyze it to understand what didn't work. Then, attempt to recreate the shot by applying your new Start Building Your Dream Photography Business for FREE with CloudSpot Studio. And get my Wedding and Portrait Contract and Questionnaires, at no cost! Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Ian and Jeff board the grief gondola for a look at Nicolas Roeg's 1973 thriller, Don't Look Now!Donald Sutherland and Julie Christie star as a couple who move to Venice, following the accidental drowning of their young daughter. The bereaved couple is soon visited by a pair of sisters, one of whom claims to have psychic visions of the child--and shares a warning of impending doom.Oh, did we mention there's also a killer on the loose?Through haunting imagery, innovative editing, and a truly eerie conception of time and space, Roeg's landmark film has inspired the likes of Steven Soderbergh and Danny Boyle. In this spoilerific review, Ian and Jeff talk life, death, superstition--and wonder why this movie didn't quite make the cut for "Accademia Giallo"!Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksWatch the Don't Look Now trailer.Order Criterion's recently released 4K UHD Blu-ray of Don't Look Now.Keep up with Jeff York's criticism and caricatures at The Establishing Shot!Bonus! See what happened when Ian confronted the Accademia Giallo faculty about Don't Look Now's “non-Giallo” status!Chicagoans! Help the Music Box Theatre close out their 2024 "January Giallo" series with two nights of terror from Sergio Martino!This Monday and Tuesday (1/22 - 1/23), you can catch the Maestro's classics, Torso and The Strange Vice of Mrs. Wardh on the big screen--with an ultra-rare in-person Q&A following both screenings!Click here for times, tickets, and more information!Continue your education with our "Accademia Giallo" Playlist!

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act III, Scene 4, Hamlet finally confronts his mother! Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon and Kenneth Branagh; and the 1948 Hamlet, starring Laurence Olivier. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Richard Briers, Kenneth Branagh, Brian Blessed and Julie Christie; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Claire Bloom and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Glenn Close and Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; Hamlet 2009 by Gregory Doran, starring Oliver Ford Davies, Penny Downie and David Tennant; Slings & Arrows, starring Martha Burns and Luke Kirby; and In a Bleak Midwinter by Kenneth Branagh, starring John Sessions and Michael Maloney. Leave a comment, I love to read!

Harvey Brownstone conducts an in-depth Interview with Amirreza Tayebi, Author, “A Very British Revolution”, about the British Invasion About Harvey's guests: Today's guest, Amirreza Tayebi, has written a compelling and insightful book entitled, “A Very British Revolution” about an often misunderstood and sometimes unappreciated decade in the life of every baby boomer: the 60s – better known as the Swinging Sixties, which put London, England at the center of a cultural phenomenon.   The book discusses the genesis, development and global impact of the fashions, social attitudes, movies and music that became known as “the British Invasion”, which defined and exemplified 60's pop culture.  He writes about iconic music artists like the Beatles, the Rolling Stones, the Animals and the Kinks.   He discusses the influence of groundbreaking movies like “The Servant”, “A Hard Day's Night”, “Alifie”, “Blow-Up” and “Georgy Girl”.  And he talks about trendsetting celebrities like Julie Christie, Dirk Bogarde, Michael Caine, Lulu, Twiggy, Marianne Faithful and Mick Jagger.  And of course, we can't forget those colourful psychedelic fashions coming out of Carnaby Street.    Our guest is a contemporary historian who studied politics and international relations, and is currently working in the broadcasting industry.   For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Amirreza Tayebi, go to:https://www.amazon.ca/Very-British-Revolution-Amirreza-Tayebi/dp/1803814934 #AmirrezaTayebi   #harveybrownstoneinterviews

TICKETS TO OUR 2023 TOUR ARE NOW LIVE! INCLUDING AN ADDED NYC SHOW AT THE PALLADIUM ON SALE TODAY! OK so there's another Jackie-O grandkid lookalike whose wife owns a restaurant in Ohai that has been visited by Jason Segel???!!! Only one of the many, many things you'll be learning on today's iconic episode of Who's There? thanks to our callers. We love you! And you love: reminding us we already knew Ava Max was from Wisconsin (along with Mark Ruffalo), asking us whyyyyyyyy Ekin-Su and Davide are over (and if they were really ever "under"), introducing us to a star named Miss Benny, telling us that a baseball slugger announced his divorce during the home run derby and pointing out a CERTAIN celebrity-filled Mexican swimming pool. Maybe. Call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Support us and get a TON of bonus content over on Patreon.com/WhoWeekly To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

GGACP celebrates the birthday (May 28) of Oscar-winning producer Irwin Winkler ("Rocky," "Goodfellas," "Raging Bull," "The Right Stuff") with this ENCORE of a fascinating interview from 2019. In this episode, Irwin looks back on a half-century of movie-making and shares behind-the-scenes stories about working with Robert De Niro, Jane Fonda, Sydney Pollack, Martin Scorsese, Jessica Lange and Kevin Kline (to name a few). Also, Al Pacino walks off the set, Sly Stallone sticks to his guns, Jerry Orbach befriends a mobster and Irwin tackles the Hollywood blacklist. PLUS: "They Shoot Horses, Don't They?" Remembering Burgess Meredith! Peter Bogdanovich rides again! Elvis replaces Julie Christie! And Irwin reveals the movies he never made! Learn more about your ad choices. Visit megaphone.fm/adchoices