Podcasts about Eights

Website:  www.realsiblings.com Watch Episodes on YouTube at:  REAL Siblings, It Ain't Easy  The numbers are in and 2025 was a challenging year in Real Estate.  Nationally the Median Home Value increase was 0.7%.  Experienced agents (43 years in) say 2025 was the toughest yet.  The siblings talk about the real challenges of determining Market Value (based on all available data) and Market Price (what the parties actually agree to in a contract) and how price (high or low), impacts the value moving forward.  All this and we have still have a Markets on the Eights coming up in February.   Donna Reed and Eric Seemann are both professional real estate agents. Donna lives and works in Tucson Arizona with Keller Williams Southern Arizona while Eric lives and works in San Antonio Texas with Keller Williams Heritage. They are also siblings, and they grew up in a small Northwest Ohio village of Lindsey. Their idyllic small-town childhood laid the foundation for what would become the structure of their lives and careers in real estate. We hope you will join us as we reminisce, reflect, and correlate how our childhood and life in rural Ohio still impacts our dealings with our clients today. To reach out to Donna: Email:  donna@reedtucson.com Phone: (520) 631-4638 Facebook: (2) Donna Seemann Reed | Facebook   To Connect with Eric: Email:  eric@victorsgrouptx.com Phone: (210) 389-6324 Facebook: (2) Eric V. Seemann | Facebook Texas Real Estate Commission - Information About Brokerage Services Texas Real Estate Commission - Consumer Protection Notice  

Western: Hopalong Cassidy “Blood Money” 2/8/49 Syndicated, Frontier Gentleman “Aces and Eights” 4/20/58 CBS.

How can you build iconic characters that your readers want to keep coming back to? How can you be the kind of creator that readers trust, even without social media? With Claire Taylor In the intro, Dan Brown talks writing and publishing [Tetragrammaton]; Design Rules That Make or Break a Book [Self-Publishing Advice]; Amazon's DRM change [Kindlepreneur]; Show me the money [Rachael Herron]; AI bible translation [Wycliffe, Pope Leo tweet]. Plus, Business for Authors 24 Jan webinar, and Bones of the Deep. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why Claire left social media and how she still markets her books and services What the Enneagram is and how core fears and desires shape character motivation Using Enneagram types (including Wednesday Addams as an example) to write iconic characters Creating rich conflict and relationships by pairing different Enneagram types on the page Coping with rapid change, AI, and fear in the author community in 2026 Building a trustworthy, human author brand through honesty, transparency, and vulnerability You can find Claire at LiberatedWriter.com, FFS.media, or on Substack as The Liberated Writer. Transcript of the interview with Claire Taylor Joanna: Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. So, welcome back to the show, Claire. Claire: Thank you so much for having me back. I'm excited to be here. Joanna: It's great to have you back on the show. It was March 2024 when you were last on, so almost two years now as this goes out. Give us a bit of an update. How has your writing craft and your author business changed in that time? Claire: One of the things I've been focusing on with my own fiction craft is deconstructing the rules of how a story “should” be. That's been a sort of hobby focus of mine. All the story structure books aren't law, right? That's why there are so many of them. They're all suggestions, frameworks. They're all trying to quantify humans' innate ability to understand a story. So I'm trying to remember more that I already know what a story is, deep down. My job as an author is to keep the reader's attention from start to finish and leave them feeling the way I hope they'll feel at the end. That's been my focus on the craft side. On the author business side, I've made some big shifts. I left social media earlier this year, and I've been looking more towards one-on-one coaching and networking. I did a craft-based Kickstarter, and I'd been focusing a lot on “career, career, career”—very business-minded—and now I'm creating more content again, especially around using the Enneagram for writing craft. So there's been a lot of transition since 2024 for me. Joanna: I think it's so important—and obviously we're going to get into your book in more detail—but I do think it's important for people to hear about our pivots and transitions. I haven't spoken to you for a while, but I actually started a master's degree a few months back. I'm doing a full-time master's alongside everything else I do. So I've kind of put down book writing for the moment, and I'm doing essay writing and academic writing instead. It's quite different, as you can imagine. It sounds like what you're doing is different too. One thing I know will have perked up people's ears is: “I left social media.” Tell us a bit more about that. Claire: This was a move that I could feel coming for a while. I didn't like what social media did to my attention. Even when I wasn't on it, there was almost a hangover from having been on it. My attention didn't feel as sharp and focused as it used to be, back before social media became what it is now. So I started asking myself some questions: What is lost if I leave? What is gained if I leave? And what is social media actually doing for me today? Because sometimes we hold on to what it used to do for us, and we keep trying to squeeze more and more of that out of it. But it has changed so much. There are almost no places with sufficient organic reach anymore. It's all pay-to-play, and the cost of pay-to-play keeps going up. I looked at the numbers for my business. My Kickstarter was a great place to analyse that because they track so many traffic sources so clearly. I could see exactly how much I was getting from social media when I advertised and promoted my projects there. Then I asked: can I let that go in order to get my attention back and make my life feel more settled? And I decided: yes, I can. That's worth more to me. Joanna: There are some things money can't buy. Sometimes it really isn't about the money. I like your question: what is lost and what is gained? You also said it's all pay-to-play and there's no organic reach. I do think there is some organic reach for some people who don't pay, but those people are very good at playing the game of whatever the platform wants. So, TikTok for example—you might not have to pay money yet, but you do have to play their game. You have to pay with your time instead of money. I agree with you. I don't think there's anywhere you can literally just post something and know it will reliably reach the people who follow you. Claire: Right. Exactly. TikTok currently, if you really play the game, will sometimes “pick” you, right? But that “pick me” energy is not really my jam. And we can see the trend—this “organic” thing doesn't last. It's organic for now. You can play the game for now, but TikTok would be crazy not to change things so they make more money. So eventually everything becomes pay-to-play. TikTok is fun, but for me it's addictive. I took it off my phone years ago because I would do the infinite scroll. There's so much candy there. Then I'd wake up the next morning and notice my mood just wasn't where I wanted it to be. My energy was low. I really saw a correlation between how much I scrolled and how flat I felt afterwards. So I realised: I'm not the person to pay-to-play or to play the game here. I'm not even convinced that the pay-to-play on certain social media networks is being tracked in a reliable, accountable way anymore. Who is holding them accountable for those numbers? You can sort of see correlation in your sales, but still, I just became more and more sceptical. In the end, it just wasn't for me. My life is so much better on a daily basis without it. That's definitely a decision I have not regretted for a second. Joanna: I'm sorry to keep on about this, but I think this is great because this is going out in January 2026, and there will be lots of people examining their relationship with social media. It's one of those things we all examine every year, pretty much. The other thing I'd add is that you are a very self-aware person. You spend a lot of time thinking about these things and noticing your own behaviour and energy. Stopping and thinking is such an important part of it. But let's tackle the big question: one of the reasons people don't want to come off social media is that they're afraid they don't know how else to market. How are you marketing if you're not using social media? Claire: I didn't leave social media overnight. Over time, I've been adjusting and transitioning, preparing my business and myself mentally and emotionally for probably about a year. I still market to my email list. That has always been important to my business. I've also started a Substack that fits how my brain works. Substack is interesting. Some people might consider it a form of social media—it has that new reading feed—but it feels much more like blogging to me. It's blogging where you can be discovered, which is lovely. I've been doing more long-form content there. You get access to all the emails of your subscribers, which is crucial to me. I don't want to build on something I can't take with me. So I've been doing more long-form content, and that seems to keep my core audience with me. I've got plenty of people subscribed; people continue to come back, work with me, and tell their friends. Word of mouth has always been the way my business markets best, because it's hard to describe the benefits of what I do in a quick, catchy way. It needs context. So I'm leaning even more on that. Then I'm also shifting my fiction book selling more local. Joanna: In person? Claire: Yes. In person and local. Networking and just telling more people that I'm an author. Connecting more deeply with my existing email lists and communities and selling that way. Joanna: I think at the end of the day it does come back to the email list. I think this is one of the benefits of selling direct to people through Shopify or Payhip or whatever, or locally, because you can build your email list. Every person you bring into your own ecosystem, you get their data and you can stay in touch. Whereas all the things we did for years to get people to go to Amazon, we didn't get their emails and details. It's so interesting where we are right now in the author business. Okay, we'll come back to some of these things, but let's get into the book and what you do. Obviously what underpins the book is the Enneagram. Just remind us what the Enneagram is, why you incorporate it into so much of your work, and why you find it resonates so much. Claire: The Enneagram is a framework that describes patterns of thoughts, feelings, and actions that tend to arise from nine different core motivations. Those core motivations are made up of a fear–desire pair. So, for instance, there's the fear of lacking worth and the desire to be worthy. That pair is the Type Three core motivation. If you're a Type Three, sometimes called “The Achiever,” that's your fundamental driver. What we fear and desire above all the other fears and desires determines where our attention goes. And attention is something authors benefit greatly from understanding. We have to keep people's attention, so we want to understand our own attention and how to cultivate it. The things our attention goes to build our understanding of ourselves and the world. Being intentional about that, and paying attention to what your characters pay attention to—and what your readers are paying attention to—is hugely beneficial. It can give you a real leg up. That's why I focus on the Enneagram. I find it very useful at that core level. You can build a lot of other things on top of it with your characters: their backstory, personal histories, little quirks—all of that can be built off the Enneagram foundation. Why I like the Enneagram more than other frameworks like MBTI or the Big Five is that it not only shows us how our fears are confining us—that's really what it's charting—but it also shows us a path towards liberation from those fears. That's where the Enneagram really shines: the growth path, the freedom from the confines of our own personality. It offers that to anyone who wants to study and discover it. A lot of the authors I work with say things like, “I'm just so sick of my own stuff.” And I get it. We all get sick of running into the same patterns over and over again. We can get sick of our personality! The Enneagram is a really good tool for figuring out what's going on and how to try something new, because often we can't even see that there are other options. We have this particular lens we're looking through. That's why I like to play with it, and why I find it so useful. Joanna: That's really interesting. It sounds like you have a lot of mature authors—and when I say “mature,” I mean authors with a lot of books under their belt, not necessarily age. There are different problems at different stages of the author career, and the problem you just described—“I'm getting sick of my stuff”—sounds like a mature author issue. What are some of the other issues you see in the community that are quite common amongst indie authors? Claire: One that comes up a lot, especially early on, is: “Am I doing this right?” That's a big question. People say, “I don't know if I'm doing this right. I'm going to mess it up. This person told me this was the way to do things, but I don't think I can do it this way. Am I doomed?” That's the fear. A lot of what I help people with is seeing that there isn't a single “right” way to do this. There's a way that's going to feel more aligned to you, and there are millions of ways to approach an author career because we're all constructing it as we go. You were there in the early days. We were all just making this up as we went along. Joanna: Exactly. There was a time when ebooks were PDFs, there wasn't even a Kindle, and there was no iPhone. We were literally just making it up. Claire: Right. Exactly. That spirit of “we're all making it up” is important. Some of us have come up with frameworks that work for us, and then we tell other people about them—“Here's a process; try this process”—but that doesn't mean it's the process. Understanding what motivates you—those core motivations—helps you see where you're going to bump into advice that's not right for you, and how to start making decisions that fit your attention, your life, your desires in this author role. Early on we do a lot of that work. Then there are the authors who started a while ago and have a bunch of books. They hit a point where they say, “I've changed so much since I started writing. I need to figure out how to adjust my career.” Joanna: Tell us more about that, because I think that's you and me. How do we deal with that? Claire: Well, crying helps. Joanna: That is true! There's always a bit of crying involved in reinvention. From my perspective, my brand has always been built around me. People are still here—I know some people listening who have been with the podcast since I started it in 2009—and I've always been me. Even though I've done loads of different things and changed along the way, at heart I'm still me. I'm really glad I built a personal brand around who I am, rather than around one genre or a single topic. How about you? How do you see it? Claire: I'm the same. I just can't stick with something that doesn't feel right for me anymore. I'll start to rebel against it. There's also that “good girl” part of me that wants to do things the way they're supposed to be done and keep everybody happy. I have to keep an eye on her, because she'll default to “this is the way it should be done,” and then I end up constricted. As we advance through our careers, positioning around what motivates us and what we love, and allowing ourselves to understand that it's okay to change—even though it's painful—is crucial. It's actually destructive not to change over time. We end up forfeiting so many things that make life worth living if we don't allow ourselves to grow and change. We end up in this tiny box. People sometimes say the Enneagram is very restrictive. “It's only nine types, you're putting me in a box.” It's like: no. These are the boxes we've put ourselves in. Then we use the Enneagram to figure out how to get out of the box. As we start to see the box we've put ourselves in with our personality—“that's me, that's not me”—we realise how much movement we actually have, how many options we have, while still being ourselves. Joanna: So many options. This kind of brings us into your book, because part of the personal brand thing is being real and having different facets. Your book is Write Iconic Characters, and presumably these are characters that people want to read more about. It uses the Enneagram to construct these better characters. So first up— What's your definition of an iconic character, as opposed to any old character? And how can we use the Enneagram to construct one? Claire: An iconic character, in my imagination, is one that really sticks with us after we've finished the story. They become a reference point. We'll say, “This person is kind of like that character,” or “This situation feels like that character would handle it this way.” It could be our friends, our enemies, someone we meet on the bus—whoever it is might remind us of this character. So they really get lodged in our psyche. An iconic character feels true to some fundamental part of the human condition, even if they're not strictly human. So, all the alien romance people listening, don't worry—you're still in! These characters take on a life of their own. With an iconic character, we may hear them talking to us after the book is done, because we've tapped into that essential part of them. They can become almost archetypal—something we go back to over and over again in our minds, both as writers and as readers. Joanna: How can we use the Enneagram to construct an iconic character? I'm asking this as a discovery writer who struggles to construct anything beforehand. It's more that I write stuff and then something emerges. But I have definitely not had a hit series with an iconic character, so I'm willing to give your approach a try. Claire: It works with whatever your process is. If you're a discovery writer, start with that spark of a character in your head. If there's a character who's just a glimmer—maybe you know a few things about them—just keep writing. At some point you'll probably recognise, “Okay, it's time to go deeper in understanding this character and create a cohesive thread to pull all of this together.” That's where the Enneagram becomes useful. You can put on your armchair psychologist hat and ask: which of the nine core fears seems like it might be driving the parts of their personality that are emerging? Thankfully, we intuitively recognise the nine types. When we start gathering bits for a new character, we tend to pull from essentially the same constellation of personality, even if we don't realise it. For instance, you might say, “This character is bold and adventurous,” and that's all you know. You're probably not going to also add, “and they're incredibly shy,” because “bold and adventurous” plus “incredibly shy” doesn't really fit our intuitive understanding of people. We know that instinctively. So, you've got “bold and adventurous.” You write that to a certain point, and then you get to a place where you think, “I don't really know them deeply.” That's when you can go back to the nine core fears and start ruling some out quite quickly. In the book, I have descriptions for each of them. You can read the character descriptions, read about the motivations, and start to say, “It's definitely not these five types. I can rule those out.” If they're bold and adventurous, maybe the core fear is being trapped in deprivation and pain, or being harmed and controlled. Those correspond to Type Seven (“The Enthusiast”) and Type Eight (“The Challenger”), respectively. So you might say, “Okay, maybe they're a Seven or an Eight.” From there, if you can pin down a type, you can read more about it and get ideas. You can understand the next big decision point. If they're a Type Seven, what's going to motivate them? They'll do whatever keeps them from being trapped in pain and deprivation, and they'll be seeking satisfaction or new experiences in some way, because that's the core desire that goes with that fear. So now, you're asking: “How do I get them to get on the spaceship and leave Earth?” Well, you could offer them some adventure, because they're bold and adventurous. I have a character who's a Seven, and she gets on a spaceship and takes off because her boyfriend just proposed—and the idea of being trapped in marriage feels like: “Nope. Whatever is on this spaceship, I'm out of here.” You can play with that once you identify a type. You can go as deep with that type as you want, or you can just work with the core fear and the basic desire. There's no “better or worse”—it's whatever you feel comfortable with and whatever you need for the story. Joanna: In the book, you go into all the Enneagram types in detail, but you also have a specific example: Wednesday Addams. She's one of my favourites. People listening have either seen the current series or they have something in mind from the old-school Addams Family. Can you talk about [Wednesday Addams] as an example? Claire: Doing those deep dives was some of the most fun research for this book. I told my husband, John, “Don't bother me. I need to sit and binge-watch Wednesday again—with my notebook this time.” Online, people were guessing: “Oh, she's maybe this type, maybe that type.” As soon as I started watching properly with the Enneagram in mind, I thought: “Oh, this is a Type Eight, this is the Challenger.” One of the first things we hear from her is that she considers emotions to be weakness. Immediately, you can cross out a bunch of types from that. When we're looking at weak/strong language—that lens of “strength” versus “weakness”—we tend to look towards Eights, because they often sort the world in those terms. They're concerned about being harmed or controlled, so they feel they need to be strong and powerful. That gave me a strong hint in that direction. If we look at the inciting incident—which is a great place to identify what really triggers a character, because it has to be powerful enough to launch the story—Wednesday finds her little brother Pugsley stuffed in a locker. She says, “Who did this?” because she believes she's the only one who gets to bully him. That's a very stereotypical Type Eight thing. The unhealthy Eight can dip into being a bit of a bully because they're focused on power and power dynamics. But the Eight also says, “These are my people. I protect them. If you're one of my people, you're under my protection.” So there's that protection/control paradox. Then she goes and—spoiler—throws a bag of piranhas into the pool to attack the boys who hurt him. That's like: okay, this is probably an Eight. Then she has control wrested from her when she's sent to the new school. That's a big trigger for an Eight: to not have autonomy, to not have control. She acts out pretty much immediately, tries to push people away, and establishes dominance. One of the first things she does is challenge the popular girl to a fencing match. That's very Eight behaviour: “I'm going to go in, figure out where I sit in this power structure, and try to get into a position of power straight away.” That's how the story starts, and in the book I go into a lot more analysis. At one point she's attacked by this mysterious thing and is narrowly saved from a monster. Her reaction afterwards is: “I would have rather saved myself.” That's another strong Eight moment. The Eight does not like to be saved by anyone else. It's: “No, I wanted to be strong enough to do that.” Her story arc is also very Eight-flavoured: she starts off walled-off, “I can do it myself,” which can sometimes look like the self-sufficiency of the Five, but for her it's about always being in a power position and in control of herself. She has to learn to rely more on other people if she wants to protect the people she cares about. Protecting the innocent and protecting “her people” is a big priority for the Eight. Joanna: Let's say we've identified our main character and protagonist. One of the important things in any book, especially in a series, is conflict—both internal and external. Can we use the Enneagram to work out what would be the best other character, or characters, to give us more conflict? Claire: The character dynamics are complex, and all types are going to have both commonalities and conflict between them. That works really well for fiction. But depending on how much conflict you need, there are certain type pairings that are especially good for it. If you have a protagonist who's an Eight, they're going to generate conflict everywhere because it doesn't really bother them. They're okay wading into conflict. If you ask an Eight, “Do you like conflict?” they'll often say, “Well, sometimes it's not great,” but to everyone else it looks like they come in like a wrecking ball. The Eight tends to go for what they want. They don't see the point in waiting. They think, “I want it, I'm going to go and get it.” That makes them feel strong and powerful. So it's easy to create external and internal conflict with an Eight and other types. But the nature of the conflict is going to be different depending on who you pair them with. Let's say you have this Eight and you pair them with a Type One, “The Reformer,” whose core fear is being bad or corrupt, and who wants to be good and have integrity. The Reformer wants morality. They can get a little preachy; they can become a bit of a zealot when they're more unhealthy. A One and an Eight will have a very particular kind of conflict because the One says, “Let's do what's right,” and the Eight says, “Let's do what gets me what I want and puts me in the power position.” They may absolutely get along if they're taking on injustice. Ones and Eights will team up if they both see the same thing as unjust. They'll both take it on together. But then they may reach a point in the story where the choice is between doing the thing that is “right”—maybe self-sacrificing or moral—versus doing the thing that will exact retribution or secure a power-up. That's where the conflict between a One and an Eight shows up. You can grab any two types and they'll have unique conflict. I'm actually working on a project on Kickstarter that's all about character dynamics and relationships—Write Iconic Relationships is the next project—and I go deeper into this there. Joanna: I was wondering about that, because I did a day-thing recently with colour palettes and interior design—which is not usually my thing—so I was really challenging myself. We did this colour wheel, and they were talking about how the opposite colour on the wheel is the one that goes with it in an interesting way. I thought— Maybe there's something in the Enneagram where it's like a wheel, and the type opposite is the one that clashes or fits in a certain way. Is that a thing? Claire: There is a lot of that kind of contrast. The Enneagram is usually depicted in a circle, one through nine, and there are strong contrasts between types that are right next to each other, as well as interesting lines that connect them. For example, we've been talking about the Eight, and right next to Eight is Nine, “The Peacemaker.” Eights and Nines can look like opposites in certain ways. The Nine is conflict-avoidant, and the Eight tends to think you get what you want by pushing into conflict if necessary. Then you've got Four, “The Individualist,” which is very emotional, artistic, heart-centred, and Five, “The Investigator,” which you're familiar with—very head-centred and analytical, thinking-based. The Four and the Five can clash a bit: the head and the heart. So, yes, there are interesting contrasts right next to each other on the wheel. Each type also has its own conflict style. We're going into the weeds a bit here, but it's fascinating to play with. There's one conflict style—the avoidant conflict style, sometimes called the “positive outlook” group—and it's actually hard to get those types into an enemies-to-lovers romance because they don't really want to be enemies. That's Types Two, Seven, and Nine. So depending on the trope you're writing, some type pairings are more frictional than others. There are all these different dynamics you can explore, and I can't wait to dig into them more for everyone in the relationships book. Joanna: The Enneagram is just one of many tools people can use to figure out themselves as well as their characters. Maybe that's something people want to look at this year. You've got this book, you've got other resources that go into it, and there's also a lot of information out there if people want to explore it more deeply. Let's pull back out to the bigger picture, because as this goes out in January 2026, I think there is a real fear of change in the community right now. Is that something you've seen? What are your thoughts for authors on how they can navigate the year ahead? Claire: Yes, there has been a lot of fear. The rate of change of things online has felt very rapid. The rate of change in the broader world—politically, socially—has also felt scary to a lot of people. It can be really helpful to look at your own personal life and anchor yourself in what hasn't changed and what feels universal. From there you can start to say, “Okay, I can do this. I'm safe enough to be creative. I can find creative ways to work within this new environment.” You can choose to engage with AI. You can choose to opt out. It's totally your choice, and there is no inherent virtue in either one. I think that's important to say. Sometimes people who are anti-AI—not just uninterested but actively antagonistic—go after people who like it. And sometimes people who like AI can be antagonistic towards people who don't want to use it. But actually, you get to choose what you're comfortable with. One of the things I see emerging for authors in 2026, regardless of what tools you're using or how you feel about them, is this question of trustworthiness. I think there's a big need for that. With the increased number of images and videos that are AI-generated—which a lot of people who've been on the internet for a while can still recognise as AI and say, “Yeah, that's AI”—but that may not be obvious for long. Right now some of us can tell, but a lot of people can't, and that's only going to get murkier. There's a rising mistrust of our own senses online lately. We're starting to wonder, “Can I believe what I'm seeing and hearing?” And I think that sense of mistrust will increase. As an author in that environment, it's really worth focusing on: how do I build trust with my readers? That doesn't mean you never use AI. It might simply mean you disclose, to whatever extent feels right for you, how you use it. There are things like authenticity, honesty, vulnerability, humility, integrity, transparency, reliability—all of those are ingredients in this recipe of trustworthiness that we need to look at for ourselves. If there's one piece of hard inner work authors can do for 2026, I think it's asking: “Where have I not been trustworthy to my readers?” Then taking that hard, sometimes painful look at what comes up, and asking how you can adjust. What do you need to change? What new practices do you need to create that will increase trustworthiness? I really think that's the thing that's starting to erode online. If you can work on it now, you can hold onto your readers through whatever comes next. Joanna: What's one concrete thing people could do in that direction [to increase trustworthiness]? Claire: I would say disclosing if you use AI is a really good start—or at least disclosing how you use it specifically. I know that can lead to drama when you do it because people have strong opinions, but trustworthiness comes at the cost of courage and honesty. Transparency is another ingredient we could all use more of. If transparency around AI is a hard “absolutely not” for you—if you're thinking, “Nope, Claire, you can get lost with that”—then authenticity is another route. Let your messy self be visible, because people still want some human in the mix. Being authentically messy and vulnerable with your audience helps. If you can't be reliable and put the book out on time, at least share what's going on in your life. Staying connected in that way builds trust. Readers will think, “Okay, I see why you didn't hit that deadline.” But if you're always promising books—“It's going to be out on this day,” and then, “Oh, I had to push it back,” and that happens again and again—that does erode the trustworthiness of your brand. So, looking at those things and asking, “How am I cultivating trust, and how am I breaking it?” is hard work. There are definitely ways I look at my own business and think, “That's not a very trustworthy thing I'm doing.” Then I need to sit down, get real with myself, and see how I can improve that. Joanna: Always improving is good. Coming back to the personal brand piece, and to being vulnerable and putting ourselves out there: you and I have both got used to that over years of doing it and practising. There are people listening who have never put their photo online, or their voice online, or done a video. They might not use their photo on the back of their book or on their website. They might use an avatar. They might use a pen name. They might be afraid of having anything about themselves online. That's where I think there is a concern, because as much as I love a lot of the AI stuff, I don't love the idea of everything being hidden behind anonymous pen names and faceless brands. As you said, being vulnerable in some way and being recognisably human really matters. I'd say: double down on being human. I think that's really important. Do you have any words of courage for people who feel, “I just can't. I don't want to put myself out there”? Claire: There are definitely legitimate reasons some people wouldn't want to be visible. There are safety reasons, cultural reasons, family reasons—all sorts of factors. There are also a lot of authors who simply haven't practised the muscle of vulnerability. You build that muscle a little bit at a time. It does open you up to criticism, and some people are just not at a phase of life where they can cope with that. That's okay. If fear is the main reason—if you're hiding because you're scared of being judged—I do encourage you to step out, gently. This may be my personal soapbox, but I don't think life is meant to be spent hiding. Things may happen. Not everyone will like you. That's part of being alive. When you invite in hiding, it doesn't just stay in one corner. That constricted feeling tends to spread into other areas of your life. A lot of the time, people I work with don't want to disclose their pen names because they're worried their parents won't approve, and then we have to unpack that. You don't have to do what your parents want you to do. You're an adult now, right? If the issue is, “They'll cut me out of the will,” we can talk about that too. That's a deeper, more practical conversation. But if it's just that they won't approve, you have more freedom than you think. You also don't have to plaster your picture everywhere. Even if you're not comfortable showing your face, you can still communicate who you are and what matters to you in other ways—through your stories, through your email list, through how you talk to readers. Let your authentic self be expressed in some way. It's scary, but the reward is freedom. Joanna: Absolutely. Lots to explore in 2026. Tell people where they can find you and your books and everything you do online. Claire: LiberatedWriter.com is where all of my stuff lives, except my fiction, which I don't think people here are necessarily as interested in. If you do want to find my fiction, FFS Media is where that lives. Then I'm on Substack as well. I write long pieces there. If you want to subscribe, it's The Liberated Writer on Substack. Joanna: Brilliant. Well, thanks so much for your time, Claire. That was great. Claire: Thanks so much for having me.The post Leaving Social Media, Writing Iconic Characters, and Building Trust With Claire Taylor first appeared on The Creative Penn.

On this episode, Jen continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:12 The Lesser Array, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several weeks. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

On this episode, Matt continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:11 Quarrels & Disputes, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several weeks. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

On this episode, Brian continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:10 Before the Break-up (of the Body), located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several weeks. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

Having received his Ph.D. in mathematical logic at Brandeis University, Rabbi Dr. Dovid Gottlieb went on to become Professor of Philosophy at Johns Hopkins University. Today he is a senior faculty member at Ohr Somayach in Jerusalem. An accomplished author and lecturer, Rabbi Gottlieb has electrified audiences with his stimulating and energetic presentations on ethical and philosophical issues. In Jewish Philosophy with Rabbi Dr. Gottlieb, we are invited to explore the most fascinating and elemental concepts of Jewish Philosophy. https://podcasts.ohr.edu/ podcasts@ohr.edu

On this episode, Brian continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:9 To Māgandiya, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several weeks. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

Impact Wrestling Turning Point 2013

On this episode, Matt continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:8 To Pasūra, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

The November 2025 aviation update covers major changes and exclusive offers for CFIs and student pilots: Black Friday / Cyber Monday Sale Now Live Get 50% off all CFI Bootcamp digital downloads and online courses. Offer ends Dec 1—perfect gift for aspiring CFIs. Final FAA 141 Modernization Meeting on Dec 2 The rewrite of FAR Part 141 is almost complete. Find out what comes next and how long we might wait before the rulemaking takes effect. Eights on Pylons Debate Settled Is it a fixed power maneuver? Yes—and we explain why, with logic pulled directly from FAA guidance and aerodynamic principles. ProTips for Safer and Smarter Flying Why you should never "line up and wait" at non-towered airports Night takeoff lighting tips Flow checks vs checklists, and how to use CIGAR TIPS before takeoff

On this episode, Brian continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:7 To Tissa-Metteyya, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

Hard Eights At Aria: On this week's episode - F1, five diamonds, live streaming, the future, Aria, hard eights, Bull Gator, One Ton, The Boobie Set and Ten Ton's fighting more ferrets in Paris. Call The Casino Tears Vent Line 229-NO SEVEN (667-3836) Now! Leave a message, ask a question or simply get something off your mind -  We might even play it on air!! NEW EPISODES DROP WEEKLY ON TUESDAYS - Please visit our home page at casinotears.com for more info, merch, and host contacts Extended versions will also drop Tuesdays on Patreon - Don't miss out :) Email: noseven@casinotears.com Patreon: https://www.patreon.com/CasinoTears Pro Shop: https://www.casinotears.vegas/shop/ Instagram: https://www.instagram.com/casinotearspodcast YouTube: https://www.youtube.com/@CasinoTears X: https://x.com/CasinoTears Reddit: https://www.reddit.com/r/casinotears

On this episode, Jen continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:6 Old Age | sutta, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

Joshua Brisco, Pre and Postgame show host for the Chiefs Radio Network, joined The Drive toi breakdown how the Chiefs can totally shift the perception around them in the next eight days.

Not all power has to be loud. In this episode, Jilann dives into the quieter side of the Enneagram Type 8 - leaders who protect, empower, and influence without overpowering. Learn how Eights can balance strength with softness and discover how to better understand the Type 8s in your life. Perfect for anyone interested in self-awareness, growth, and healthy leadership.Are you interested in learning more about the enneagram and being a quiet leader? Reach out to us here, and we'd love to help you.Take my free enneagram assessment and check out other freebies here!

Rounding the curve as we get ever closer to the finale, Gambit gets called stupid as he takes a paycheck to go after Magneto and Genosha (despite it being kind of abandoned) and nearly kicks off mutually assured destruction. (We will be posting the next 2 weeks in a row to get back on schedule since we had to miss an upload week!) Cyclops is Waiting for Me is our bi-weekly podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we've completed X-Men: Evolution and launched our companion interview show The Xavier Files! Since season 2 of X-Men ‘97 isn't coming out until summer 2026, we are dedicating this year to all of Wolverine & The X-Men. All our links: https://linktr.ee/cyclopsiwfmpodAffiliate Links: Wolverine and the X-Men DVD - https://amzn.to/3Pn53JRWolverine and the X-Men Prime Video - https://amzn.to/4fKfXEwX-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31 X-Men 97 Action Figures: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3IEmN01⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lenore's Memoir A Rogue's Tale: https://amzn.to/43xmjUJX-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Prime Video: X-Men: The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/4ae8JGu⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ "Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

On this episode, Brian continues our review of the Octet Chapter, or the Book of Eights, withSn 4:5 The Supreme Octet, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation.   Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

On this episode, Brian continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:4 The Pure Octet, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation. Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

We are back, better than ever, and we invited another of our REAL SIBLINGS to join us as a guest.  Ken Seemann, professional technical writer and former statistics instructor helps us to articulate and 'splain you that' about Mean, Median, Mode and more.  We clarify and discuss how a population of data and  best statistical measure that describes the typical member of that population is or may be different. It is loaded with info. Thank YOU for joining and for listening.  It means a great deal to us.   Donna Reed and Eric Seemann are both professional real estate agents. Donna lives and works in Tucson Arizona with Keller Williams Southern Arizona while Eric lives and works in San Antonio Texas with Keller Williams Heritage. They are also siblings, and they grew up in a small Northwest Ohio village of Lindsey. Their idyllic small-town childhood laid the foundation for what would become the structure of their lives and careers in real estate. We hope you will join us as we reminisce, reflect, and correlate how our childhood and life in rural Ohio still impacts our dealings with our clients today. Website:  www.realsiblings.com Watch Episodes on YouTube at:  REAL Siblings, It Ain't Easy   To reach out to Donna: Email:  donna@reedtucson.com Phone: (520) 631-4638 Facebook: (2) Donna Seemann Reed | Facebook   To Connect with Eric: Email:  eric@victorsgrouptx.com Phone: (210) 389-6324 Facebook: (2) Eric V. Seemann | Facebook Texas Real Estate Commission - Information About Brokerage Services Texas Real Estate Commission - Consumer Protection Notice  

Brian closes out October with a pragmatic pivot on the cabin build: muddy roads, house-wrap check, and clearing a new ground-mount solar field while mapping the balance-of-system parts and a booster-pump water setup. Then it's a look at 3I/ATLAS as it nears perihelion—sorting signal from noise—and a thought-experiment on a SNAP/EBT shutdown and what that could mean for everyday life. All with a hot cup of Food Forest Farms' Survivors Blend (Aces & Eights).Partners & resourcesSignature Solar: https://signaturesolar.com/?ref=LOTSBlockstream Jade & Jade Plus: https://store.blockstream.com/?code=TheLOTSProjectComfrey Roots (ship Mondays): https://comfreyroots.comFood Forest Farms (code LOTS10): https://foodforestfarms.comRead the companion post: thelotsproject.com/episode861Affiliate disclosure: I may earn a commission from qualifying purchases; it doesn't cost you extra and helps keep the show ad-free(-ish). Thanks!

© Richard Buskin, 2025

© Richard Buskin, 2025

A prayer for safety, logistics, and excellence in the behind-the-scenes moments.

On this episode, Matt continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:3  The Corrupted Octet, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation. NOTE: next week's class will be meditation only and the following week will be our Fall Hybrid Retreat. Please join us for both.  Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

On this episode, Brian continues our review of the Octet Chapter, or the Book of Eights, with Sn 4:2 The Cave Octet, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation.   Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

On this episode, Jen begins our review of the Octet Chapter, or the Book of Eights, with SN 4:1 Sensual Pleasures, located in the Sutta Nipāta, in the fifth book of the Pali Canon, the Khuddaka Nikāya. This part of the Canon holds some of the earliest teachings of the Buddha, cutting to the heart of his Dhamma. We will be working through this chapter for the next several months. Details and past classes can be found at Classes - Cross River Meditation.   Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.

On this episode, Brian provides a recap of the Buddha's Gradual Training, as presented in Digha Nikaya 2: Samannaphala Sutta. A group discussion follows. Next week will begin the Book of Eights. Details and past classes can be found at Classes - Cross River Meditation   Should you have any questions, or wish to join us via Zoom, please Contact us via our website.    If you are subscribed to our Podcast on Podbean, iTunes, or Spotify you will receive notifications when new episodes are posted.  

Dr. Molly sayyyyyyyyys, you're gonna love this podcast! Welcome Dr. Molly Brinkmann to The Journey! Enneagram 8, married to an enneagram 6 (Ryan), mother, veterinarian, and social media bad ass. We get a good amount of work talk in, co-parenting as an 8 and a 6, the anxiety of not only sixes, but all numbers, and more. Also a special spot appearance from fellow 8, Joey Schewee. To learn more about Molly, be sure and give her instagram account a follow, @drmollysays and check out The Dr. Molly Says Podcast! It is time to hear from Enneagram 8 listeners for a new episode of Others On The Journey! Suzanne and Molly talk about what betrayal means to them and to Eights. We would like to hear from our Enneagram 8 listeners on what betrayal means to you, and if you can give some examples. Visit theenneagramjourney.com/contact and leave a voicemail with your response for our next Others On The Journey podcast episode. Heck, this podcast is solitary work that we cannot do alone! PLUG TIME When Working Together Doesn't Work with Joey Schewee Saturday, September 27 / 9:00 am - 4:00 pm The Micah Center in Dallas or join Online Join consultant and Enneagram Theorist, Joey Schewee of @enneagramparents, and co-facilitator of The Enneagram For The Modern World Cohort, ahead of the release of her book, When Working Together Doesn't Work: An Enneagram Guide to Productive Relationships with Coworkers, for a day of Enneagram exploration. Joey will guide participants through her impactful take on triads, stances, and the core of her unique body of work: processing centers. Whether you are new to the Enneagram or well-versed in this wisdom, this workshop is thoughtfully designed to give all participants takeaways that are immediately and exponentially applicable. CLICK HERE TO REGISTER IN PERSON OR ONLINE Pre-order your copy of When Working Together Doesn't Work here on Amazon   TODAY'S INTRO Anxiety by Doechii Mean Girls (Paramount Pictures, 2004) Talladega Nights: The Ballad of Ricky Bobby (Columbia Pictures, 2006)

What happens when three of the most high-energy Enneagram types (Threes, Sevens, and Eights) work together? In this conversation with guest co-host Demetrius “D” Parker, we dig into the unique strengths and challenges of these assertive types, how they interact with each other, and the dynamics they create with other styles on a team. We also explore practical growth paths for each type, helping them channel their drive, enthusiasm, and power into stronger professional relationships and sustainable leadershipIf you happen to still be on your typing journey and stuck between two or all three of these types, be sure to check out the bonus episode where D and I talk about the similarities and key differences between these three to give you additional insight and reflection points as you narrow down your top type. Have a request for a future episode? Drop a text here!

Using Self-Compassion With The Enneagram (Part 2) Last time, we explored Enneagram types One through Four—seeing how each carries its own beauty, struggle, and path toward compassion. Today, we pick up where we left off. So often, we hear messages about what we should fix or change. But the real invitation of the Enneagram is to see the truth of how we're wired and to treat that truth with kindness. It's not about boxing you in—it's about showing you the patterns you've been living out, and then inviting you back home to your truest self. As Ian Morgan Cron reminds us, “The Enneagram doesn't tell you who you are; it tells you who you think you have to be.” That's the gift—it reveals the mask we've learned to wear, and then it helps us lay it down. In this episode, we're continuing our walk through the remaining Enneagram types, not to critique but to celebrate. To honor. To offer compassion to the parts of ourselves we often overlook. And once again, we're joined by AMG coach and life coach Stephen Nichols, who has guided countless men in this very work.   TYPE 5 – THE INVESTIGATOR Ian Cron describes Fives as the wise men—those who see the world from a thoughtful distance, cutting through noise with insight. You have a brilliant, thoughtful mind that sees what others miss. Your ability to observe, analyze, and understand is a deep well of insight. You're naturally drawn to complex ideas, systems, and inner landscapes most people overlook. Your curiosity runs deep, and your insights are often ahead of their time. You bring calm clarity to chaos, offering wisdom without needing the spotlight.   Though you may prefer solitude, your presence carries quiet weight and depth. Self-compassion reminds you that you don't have to have all the answers to belong—your presence, your wisdom, and your way of seeing the world already matter. Self-compassion for Type 5 sounds like: “My curiosity is a gift. I don't need to know everything to be whole.”  “I offer wisdom, and I also deserve connection.” “It's okay to not have all the answers right now.” “My presence is enough—I don't need to over-prepare.” “Opening up is a strength, not a liability.” You make space for insight and truth. Your presence invites calm and clarity.     TYPE 6 – THE LOYALIST Your loyalty and courage are unmatched—you stand by your people through thick and thin. You think through every angle with care, always scanning for how to keep others safe and supported. Your fierce sense of responsibility drives you to prepare, protect, and prevent harm. You often see potential problems before they happen, and your questions strengthen decisions and relationships. Suzanne Stabile calls Sixes the guardians of community—reliable, grounded, and deeply attuned to group wellbeing. You hold steady when others panic, anchoring people with your presence and conviction. Your love shows up not in loud declarations, but in quiet vigilance and fierce, faithful commitment. When you extend that same loyalty inward, you become a source of wisdom and grounded courage—not just for others, but for yourself. Self-compassion for Type 6 sounds like: “My ability to anticipate is protective, not paranoid.”  “I trust myself to navigate uncertainty.” “Uncertainty is uncomfortable, but I can handle it.” “I trust myself to navigate what comes.” “Courage isn't the absence of fear—it's standing with myself in the fear.” You bring steadiness, humility, and fierce commitment wherever you go.     TYPE 7 – THE ENTHUSIAST You see the possibility in everything and bring life to the spaces you enter. Your joy is contagious, and your energy lights up the room. You're often the one who finds silver linings, who lightens tension with humor, and reminds others to savor life. You have a natural gift for storytelling, optimism, and enthusiasm that draws people in and lifts spirits. Ian Cron reminds us that Sevens teach us not to take life for granted—but to taste, savor, and adventure. Your soul is wired for wonder, and beneath your lightness is a deep, brave heart. When you stay present in discomfort, you show true courage—not escape, but engagement. Self-compassion deepens your spark. You discover that real freedom comes from living fully—joy and sorrow alike. Self-compassion for Type 7 sounds like: “My zest for life is sacred. I can experience joy and still make space for depth.”  “I don't need to escape. This moment is enough.” “I can sit with hard feelings—they won't break me.” “Slowing down helps me find deeper joy.”   You remind others that life is worth living fully, and that pain doesn't cancel out joy—it enriches it.     TYPE 8 – THE CHALLENGER You are bold, strong, and protective—you step in when others shrink back. You fight for what matters and speak truth with intensity and clarity. Your presence commands attention—not for ego, but because people feel your deep commitment to what's right. You instinctively protect the vulnerable and challenge injustice wherever it appears. Suzanne Stabile calls Eights the protectors and justice-bearers—often misunderstood, but driven by love and loyalty. Beneath your strength is a tender heart that longs for honesty, trust, and connection. When you let yourself soften and be known, your power doesn't weaken—it becomes magnetic, trustworthy, and whole. Self-compassion allows your heart to breathe so your strength can serve others without burning you out. Self-compassion for Type 8 sounds like: “My strength includes tenderness.”  “I can lead with power and still stay soft-hearted.” “Letting others in doesn't make me weak.” “Real strength includes openness.” “I can be protective and still allow myself to feel.” You give others courage just by being who you are. You model strength that protects and includes.     TYPE 9 – THE PEACEMAKER You have a calming presence that brings ease and steadiness to those around you. You instinctively see all sides and create harmony in spaces that feel divided. You are a steady presence in a loud, chaotic world—helping others breathe easier just by being near. You create room for others without needing the spotlight, offering quiet empathy and deep listening. Your non-reactivity and gentleness give others permission to pause, reflect, and reconnect. Ian Cron says Nines are the mediators of the soul—deeply attuned to what brings people together. Though you may downplay your impact, your quiet strength and inclusive spirit often hold entire communities together. Self-compassion invites you to include yourself in the peace you offer others. Your voice matters. Your presence is not just peaceful—it's powerful. Self-compassion for Type 9 sounds like: “My presence brings peace, and my voice matters too.”  “I can honor others and still choose myself.” “My voice matters.” “I don't have to disappear to keep the peace.” “Choosing myself isn't selfish—it's necessary.” You teach us how to slow down, to listen, and to find unity in difference.     CLOSING No matter where you land on the Enneagram, you bring something good and true into the world. You don't need to change who you are—you need to honor it. Self-compassion is how you do that. It's not about self-indulgence. It's about self-acceptance. The Enneagram isn't a problem to fix. It's a mirror that shows your natural design—and the gifts you carry. As Stabile reminds us, the goal isn't to be better than your number—it's to be a healthier version of the one you already are. So take this with you: You are already enough. Not someday. Not when you get it right. Now. We'll drop a free link to the AMG Assessment in the notes so you can find out your type. Bring what resonated into your next AMG group, or share it with a friend who needs to hear it. You were made to thrive—and the best way to do that is by being fully, authentically you. Link to take your Enneagram Assessment: Enneagram Assessment

Most of us think we know ourselves (and the people we work with) pretty well. But when tensions rise, deadlines loom, or feedback lands wrong, the truth comes out: we're all running on a set of deep, often invisible patterns. What if we could see those patterns clearly, and choose something better? Enter the Enneagram: a framework that maps nine core motivations, survival strategies, and ways of seeing the world. This week, Rodney sits down with Liz Orr, author of The Unfiltered Enneagram and the voice behind Rude Ass Enneagram, to explore how this tool can help us understand ourselves, our teammates, and the hidden drivers behind workplace friction. From recognizing your own “midnight zone” work to navigating type-to-type dynamics, Liz shares practical insights for breaking unhelpful patterns, building trust, and working more compassionately with others. Learn more about Liz: On Instagram: @rudeassenneagram Read her book: The Unfiltered Enneagram -------------------------------- Let's work together: ⁠⁠⁠⁠⁠⁠https://www.theready.com/working-together⁠⁠⁠⁠⁠⁠ Get our newsletter: ⁠⁠⁠⁠⁠⁠Sign up here⁠⁠⁠⁠⁠⁠⁠⁠. Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ -------------------------------- Mentioned references: Midnight Zone and Depthfinding Myers-Briggs DISC assessment Enneagram Type descriptions Enneagram Type combinations "the hero's journey" 00:00 Intro + Check-In: What would you be doing if it wasn't this? 03:30 What is the Enneagram? 06:26 101 course on the Nine Types of the Enneagram 14:04 When your Type solidifies 15:15 Exploring Rodney's Type as an example 20:44 How Types interact 23:19 Using the Enneagram to recognize and break your own patterns 26:54 Eights as leaders (CEOs, CFOs) tend to fight every battle 29:54 Debunking cultural gender stereotypes around the Enneagram 34:21 Understanding what we're “getting” in return for our behavior 37:22 Navigating the cringe of self-compassion and forgiveness 44:59 Dealing with “therapy language performance” from friends and coworkers 48:03 The Enneagram's role in the workplace 50:21 Overcoming the dismissal of “soft skills” and “soft power 52:50 Wrap up: Leave us a review and share the show with your coworkers! Sound engineering and design by Taylor Marvin of ⁠⁠⁠⁠⁠⁠⁠⁠⁠Coupe Studios⁠⁠⁠⁠⁠⁠⁠⁠⁠.

THE PODCAST VERSION WILL ALWAYS BE AVAILABLE EVERY SATURDAY MORING, AT 7AM ON ALL PODCAST PLATFORMS! SEARCH HAMIN MEDIA GROUP @HaminMediaGroup It's time to spotlight one of the greatest heel turns in TNA wrestling history!!! The PWR Boys will discuss how Bully Ray fooled everyone and exposed himself as the leader of the Aces and Eights group in 2013!!! Was this a long drawn-out storyline or was the 9 months worth the payoff??? The boys will discuss how Bully Ray needed this to not be labeled as just a tag team wrestler... This is a great discussion Reflectionites!!! FOLLOW THE BOYS ON TWITTER: The Professor - @pwhustleprof Tommy Wonder - @TheeTommyWonder Jay B - @TheP1JB  The Pro Wrasslin' Reflection - @PWReflection #HulkHogan #hulkamaniaforever #tv #television #tvshowreview #tvshow #movies #moviereviews #MovieReview #WWE #WWERaw #Smackdown #TNA #TNAImpactwrestling #impactwrestling #WWENXT #AEW #aewdymamite #aewallout #aewcollision #wrestling #prowrestling #retro #retrowrestling #oldschoolwrestling #WWF #NWA #Wrestlemania #RoyalRumble 

This week on From the Front Porch, it's another episode From the Archives! In this series, we're sharing some of our favorite past episodes of the show while Annie is on maternity leave. Enjoy today's episode about Annie's favorite books of all time from 2023. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 542) or download and shop on The Bookshelf's official app: Libro.fm Bookshelf storefront Gilead by Marilynne Robinson A Place for Us by Fatima Farheen Mirza To Kill a Mockingbird by Harper Lee Go Set a Watchman by Harper Lee The Mothers by Brit Bennett The Road by Cormac McCarthy Crossing to Safety by Wallace Stegner Little Women by Louisa May Alcott An Old-Fashioned Girl by Louisa May Alcott (unavailable to purchase) Homegoing by Yaa Gyasi Transcendent Kingdom by Yaa Gyasi The Year of Magical Thinking by Joan Didion Station Eleven by Emily St. John Mandel Updated mentions since the podcast originally aired: Olive, Again by Elizabeth Strout Tell Me Everything by Elizabeth Strout James by Percival Everett Matrix by Lauren Groff From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading The Eights by Joanna Miller. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Two sisters, two completely different genres, one fascinating conversation. In this week’s Writes4Women, Ali Lowe and Joanna Miller talk sibling dynamics, the winding road to publication, and the writing tips they wish they’d known sooner. From Hollywood interest to years of research, it’s a candid look at the highs, lows, and luck that shape an author’s career. Listen now—and for paid Substack subscribers, there’s a bonus segment packed with influences, career highlights, and unfiltered writing wisdom. SHOW NOTES: Writes4Women www.writes4women.com Facebook @writes4women Instagram @w4wpodcast W4W Substack Ali Lowe Website: click here Facebook: click here Instagram: click here Johanna Miller Website: click here Facebook: click here Instagram: click here Pamela Cook www.pamelacook.com.au Facebook: click here Twitter: click here Instagram: click here Writes4Women on Substack: click here This episode produced by Pamela Cook for Writes4Women on unceded Dharawal country. Support the show: https://www.patreon.com/writes4women?fan_landing=trueSee omnystudio.com/listener for privacy information.

This week on From the Front Porch, we have another episode of Summer Readings! In this series, Annie introduces you to one book you should read this summer by reading an excerpt (with permission from publishers). Today, Annie reads a passage from Sophie Elmhirst's book A Marriage at Sea. Use code SUMMERREADINGS at checkout to get 10% off A Marriage at Sea. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 541) or download and shop on The Bookshelf's official app: A Marriage at Sea by Sophie Elmhirst From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading The Eights by Joanna Miller. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

Tag Team Wrestling is currently experiencing a revival. : #AGREE or #DISAGREE?• Extreme Days of ECW• Tag Team Innovators in WWE  • TNA and Aces & Eights• Return to WWE & the HOF• Team 3D vs The Hardy'sFrom their days of taking it to the extreme in ECW to creating history and changing Tag Team wrestling forever along with his tag team partner Bubba Ray, D-Von Dudley is one of the most influential in-ring performers in the history of professional wrestling. He's a WWE Hall of Famer and one half of one of the most decorated tag teams in history.We sit down and talk with D-Von about his memorable career, covering an array of topics including the ECW revolution, their historic rivalries in WWE with the Hardy's and Edge & Christian, TLC, WrestleMania moments, their run in TNA, as well as the Aces & Eights faction. We'll also discuss their return to WWE in 2015 as well as the massive announcement this past Sunday at TNA Slammiversary that Team 3D will face The Hardy's one final time at Bound For Glory in October.It's a conversation you won't want to miss a single second of!S/P: Specialized Physical Therapy | specializedphysicaltherapy.com

Join me as I talk about the making of the song "Tethered". It was written by Dan Murphy (Soul Asylum / Golden Smog / the Scarlet Goodbye) and I.Nick Leet - Vocals, acoustic guitar, electric guitarDan Murphy - Vocals, electric guitar, bass, keysChad Wheeling - Electric guitar and backing vocalsMark Devaraj - DrumsKayla Wheeling - Backing vocals

For Type 8s, growth often begins with recognizing that strength doesn't always mean control. It takes a different kind of strength to soften, to be vulnerable, and to trust others without having to test them first.Eights are natural leaders — bold, decisive, and unafraid to take charge. But when that powerful energy is driven by a need to protect or dominate, it can unintentionally shut others down, create conflict, or block the very connection they crave.These derailers represent common challenges for Eights. While they may not apply to every individual Eight or apply all the time, they reflect general tendencies that can emerge when trust is low, pressure is high, or emotions feel like a threat.If you're still exploring your dominant Enneagram type, seeing a few of these in yourself might help provide some clarity.If you already identify as a Type 8, what helps you get back on track when your intensity is getting in the way of collaboration or connection? What helps you lead from your power and your heart?Derailer series source: The Awareness to Action Enneagram The Enneagram DIY Workshop Kit:https://www.enneagrammba.com/enneagram-workshop-kitHave a request for a future episode? Drop a text here!

In this episode of the Awareness to Action Enneagram podcast, Mario Sikora, María José Munita and Seth “Creek” Creekmore talk about coaching Enneagram Type Eight. With Mario being a Type Eight himself, he provides personal insight on how this type strives to feel powerful, which makes them tough, strong willed and assertive, which can make them resist feedback. Rather than share more of what they coach to an Eight, they discuss how to speak to an Eight to gain the most results.TIMESTAMPS[00:01] Intro[01:36] Mario, how do you coach yourself?[06:03] Resistant to feedback[10:29] Striving to Feel Powerful[12:37] Mario's cat food dish story[16:11] Find a way to speak to an Eight[23:59] Being stubborn vs being strong[32:03] Do you have enough to offer?[33:37] Specific things they work on with Eights[37:26] The three subtypes[38:42] Other things for Eights to work on[43:28] Control is a way to feel powerful[50:18] Final words[54:52] OutroConnect with us:Awareness to ActionEnneagram on DemandIG: @ataenneagrampodEmail: info@awarenesstoaction.comSend a voice message: speakpipe.com/AwarenesstoActionMario Sikora: IG: @mariosikoraTikTok: @mariosikoraWeb: mariosikora.comPod: Enneagram in a MovieSubstack: mariosikora.substack.comMaría José Munita: IG: @mjmunitaWeb: mjmunita.comSeth "Creek" Creekmore: IG: @_creekmorePod: Fathoms | An Enneagram PodcastPod: Delusional Optimism

From strategic Threes and assertive Eights who get in and out of the store swiftly, to impulsive Fours and adventurous Sevens who might buy everything but what they came for! Tune in as we unpack the unique shopping habits of each type

Overly emotional Twos, domineering Eights, and paranoid Sixes — in this episode, we'll cover common stereotypes and misconceptions about each Enneagram type! Join us as we kick off the first-ever summer season of The Mule Mindset!

Can you succeed in real estate and stay present for your family? In this episode of The Christian Agent Podcast, Garrett Maroon shares how to build a business that aligns with your faith, family, and priorities—without sacrificing success.Garrett unpacks core principles like the Hierarchy of Attention, the Rule of Eights, and how to choose lead generation strategies that align with who you are. With practical wisdom and biblical insight, this episode is a powerful reminder that you can win at work without losing what matters most.Key Takeaways:✅ True success doesn't require sacrificing family time✅ The Hierarchy of Attention helps prioritize God, spouse, and children✅ Quality of attention matters more than quantity✅ The Rule of Eights can guide rhythm and focus throughout your day✅ Stick to a few lead gen methods and master them with excellence✅ Authenticity attracts the right clients and builds lasting relationships✅ Know your numbers—track, measure, and lead with clarity✅ Create a daily rhythm that balances work and life✅ Rest is biblical—you can take time off when you've done the work✅ God's calling includes both your business and your homeEpisode Chapters:⏳ 00:00 – Winning at Work Without Losing at Life

Andrew For America talks about authoritarianism and technofascism in the new digital age. This episode includes Klaus Schwab from the World Economic Forum talking about "black swan" events, journalist Carole Cadwalladr talking about the coming "digital dictatorship," Erich Fromm on mental health in the industrial era, actor Jeff Cober on the commodification of human life in this world, Paul Tudor Jones on a concerning meeting he had with the biggest names in Big Tech, Ray Dalio warns of the changing world order, how NATO is running "Operation Maven" with Palantir company partnering with world leaders and the military to create a futuristic surveillance world where they can flag people for "pre-crimes," and how ChapGPT is hacking the minds of humans!The song selections are the songs, "Starseed" by the band The Grey Company, and "The Safe Choice" and "Aces & Eights" by the band Agent 51.Visit allegedlyrecords.com and check out all of the amazing punk rock artists!Visit soundcloud.com/andrewforamerica1984 to check out Andrew's music!Like and Follow The Politics & Punk Rock Podcast PLAYLIST on Spotify!!!Check it out here: https://open.spotify.com/playlist/1Y4rumioeqvHfaUgRnRxsy...politicsandpunkrockpodcast.comhttps://linktr.ee/andrewforamerica

In this illuminating mini-episode for anyone who finds themselves in a reactive Enneagram Eight space, Christa unveils tools for finding and accessing the hidden vulnerability healthily beneath the Eight armor. Whether you're an Eight, have an Eight wing or arrow connection, or love someone with Eight energy, this episode offers crucial insights into navigating those critical moments when an Eight hits their wall. Learn why fight-or-flight responses are so instinctive for Eights and discover the powerful "3-3-3 Method" for processing emotions without feeling exposed. This episode goes beyond basic type descriptions to explore how Eights can access their strength through acknowledging vulnerability, and how loved ones can create safe containers that honor the Eight's need for both power and authentic connection. A must-listen for anyone seeking to understand the complex interplay of protection and vulnerability in the protective Eight's journey. Find more relationship tools at www.EnneagramandMarriage.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joanna Miller's The Eights (G. P. Putnam's Sons, 2025) follows four women attending the University of Oxford in 1920. They are not the first female university students in the United Kingdom, or even the first who can hope to attain a degree, but they are the first class of women who can, if they fulfill all the requirements, attain a university degree from Oxford. Perhaps unsurprisingly, not everyone on the campus regards their presence as a plus. Views of women as lightheaded, emotionally unstable creatures incapable of mastering sophisticated thought or living without male guidance have begun to fade since the Great War of 1914–1918, but they continue to influence popular thinking. Unlike the men, women students live under strict restrictions against partying or even entertaining male visitors who are not blood relatives. Defy the rules, and they risk being “sent down” (suspended, in effect) or even dismissed from the program altogether. So what brings the four heroines to Oxford? Each has her own story, much of which becomes obvious only later in the book. Beatrice Sparks, the daughter of a suffragette, considers herself unattractive and unlikely to find a husband; Ottoline Wallace-Kerr, known as Otto, is fleeing a family bent on marrying her off to the first man who asks; Theodora (Dora) Greenwood lost her brother, then her fiancé, in France and doesn't quite know how to go on; Marianne Grey must make her own way in the world. Together, they are known as the Eights, because they live on Corridor Eight. Although different in character, background, and interests, the four women bond, helping one another cope with the challenges that face them, individually and collectively. These include Oxford, of course, but also the lingering effects of the Great War, their personal situations, and the challenges that face most twenty-somethings as they struggle to define their place in the world. As they do, they draw us in and make us root for them to succeed—and what else would we want from a novel? Joanna Miller, a poet and former teacher, is a graduate of Oxford University's Exeter College, as well as the university's teacher training and creative writing programs. The Eights is her debut novel. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, will be released in June 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Get a first listen of my new solo album "Detours" along with some stories behind the songs.Album is available on the High on Stress Bandcamp page this Friday, May 2nd.

In this interview, I chat with Joanna Miller about The Eights, creating a strong sense of place, how she decided to write this book, her focus on the small details, including the Timeline, Glossary, and Author's Note at the end of the book, her covers and all of the meaning in them, incorporating eights throughout the book, and much more. Joanna's recommended read is Mere by Danielle Giles. Looking for some great winter reads? Check out my printable 17-page 2025 Winter Reading Guide with 45 new titles vetted by me that will provide great entertainment this winter. I also include mystery series recommendations, new releases in a next-in-the-series section and fiction and nonfiction pairings. Want to know which new titles are publishing in January - May of 2025? Check out our third Literary Lookbook which contains a comprehensive but not exhaustive list all in one place so you can plan ahead.     The Eights can be purchased at my Bookshop storefront.      Connect with me on Instagram, Facebook, YouTube, and Threads.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on From the Front Porch, it's another New Release Rundown! Annie, Erin, and Olivia are sharing the April releases they're excited about to help you build your TBR. When you purchase or preorder any of the books they talk about, enter the code NEWRELEASEPLEASE at checkout for 10% off your order! To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search episode 524), or download and shop on The Bookshelf's official app: Annie's books: Passion Project by London Sperry (4/8) When the Harvest Comes by Denne Michele Norris (4/15) Ordinary Time by Annie B. Jones (4/22) Olivia's books: Gifted & Talented by Olivie Blake (4/1) Midnight in Soap Lake by Matthew Sullivan (4/15) The Trouble with Heroes by Kate Messner (4/29) Erin's books: A Change of Habit by Sister Monica Clare (4/29) The Amalfi Curse by Sarah Penner (4/29) The Eights by Joanna Miller (4/15) From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Annie is reading Everything is Tuberculosis by John Green.  Olivia is reading Candle Island by Lauren Wolk.  Erin is listening to Sunrise on the Reaping by Suzanne Collins. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Beth, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, Jammie Treadwell, and Amanda Whigham.

In this episode of Enneagram and Coffee, we continue our Shadow Work series with a deep dive into Enneagram Type Eight—the Challenger. We explore the often-hidden struggles of emotional repression, control, and fear of vulnerability, and how these patterns shape daily life. Through thoughtful reflection and practical shadow work practices, we'll uncover how Eights can begin to soften, trust, and reconnect with their emotional world without losing their powerful presence. If you've ever felt like strength means going it alone, this episode is for you. Grab your coffee, and let's get into it! Call/Text Your Enneagram Questions into (828) 338 - 9127 Grab a copy of my books at www.thehonestenneagram.com & www.theenneagramletters.com Check out my youtube channel for more behind-the-scenes content www.youtube.com/sarajanecase Learn more about your ad choices. Visit megaphone.fm/adchoices