Podcasts about Glenn Gould

durée : 00:15:05 - par : Lionel Esparza - À la fin des années 40, Glenn Gould découvre la musique d'Arnold Schönberg grâce à son professeur Alberto Guerrero. Une révélation pour le jeune pianiste canadien, fasciné par cette écriture qui marquera durablement sa manière d'entendre et de penser la musique. - réalisation : Flora Sternadel, Jeanne Lerch Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:15:05 - par : Lionel Esparza - À la fin des années 40, Glenn Gould découvre la musique d'Arnold Schönberg grâce à son professeur Alberto Guerrero. Une révélation pour le jeune pianiste canadien, fasciné par cette écriture qui marquera durablement sa manière d'entendre et de penser la musique. - réalisation : Flora Sternadel, Jeanne Lerch Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Michael Stephen Brown is a versatile American pianist and composer best known for his solo performances, rich chamber music collaborations, and unique original works. Bridging the gap between world-class piano playing and storytelling, he has recently released his debut album of all-original music, Twelve Blocks. Showcasing his distinct creative voice, the deeply personal project features a series of musical portraits, emotional detours, and true stories brought to life alongside an impressive roster of guest performers. We chat with Michael on this and get some great insights into his approach to music and composition. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Michael’s past year Michaels’ album – Twelve Blocks  The process of seeking or receiving commissions for musical performances and/or compositions The Chamber Music Society of Lincoln Center Michael’s musical upbringing Attending Juilliard  Jerome Lowenthal Samuel Adler Ursula Oppens Ursula Oppens and Jerome Lowenthal perform Michael’s piece Twelve Blocks, with poetry Composing for one piano, four hands and four albums Composing for one hand only Breakup Etude for the Right Hand Alone The Yaddo retreat The Carnival of Endangered Wonders Lake Alan Piano from Pas de trois – Michael Stephen Brown Composing with pencil and paper versus computer Michael’s piano Octavia A discussion on mental health, music and the arts Creatives Care Planning and rehearsing a repertoire before a show or tour Michael’s upcoming creative works, including release of his own piano concerto Desert Island Discs: Stravinsky: The Rite of Spring – Leonard Bernstein and London Symphony Orchestra, Live Performances 1934-1956 Vol. 1 – Art Tatum, Bach: The Goldberg Variations – Glenn Gould, Ravel: Gaspard de la nuit – Arturo Benedetti Michelangeli Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Michael Stephen Brown, Pianist and Composer appeared first on The Keyboard Chronicles.

Max Pradera se adentra en aquellas obras maestras que permanecieron en el olvido durante décadas o siglos hasta que fueron "resucitadas" y devueltas a la popularidad. Analiza los tres tipos de "resucitadores" que hacen posible este fenómeno: los intérpretes legendarios como Glenn Gould y Pau Casals, el cine de Hollywood y europeo. El amigo secreto dedica su análisis a la célebre "Torn".

The pianist, composer and sound artist Glenn Gould once wrote: "Art on its loftiest mission is scarcely human at all." What becomes of art and humanity when they are allowed to vary independently of one another? Which serves which, and to what end? In this episode, JF and Phil discuss Glenn Gould's style and vision of music through the lens of François Girard's memorable 1993 film, Thirty-Two Short Films About Glenn Gould. For details on the upcoming Weird Studies Volume 3 listening party, and to register for the event, go to the event page on the Weirdosphere website. The album will be released on May 22, 2026, on Pierre-Yves Martel's Bandcamp page. ⁠Click here⁠ to support Weird Studies on Patreon. REFERENCES Francois Girard (dir.), Thirty Two Short Films About Glenn Gould Rob Reiner, This is Spinal Tap Weird Studies, Episode 31 on Gould's “Prospects of Recording”  "The Shining Recut" "Glenn Gould Interviews Glenn Gould About Glenn Gould" Phil Ford, Dig: Sound and Music in Hip Culture Glenn Gould, "The Idea of North" Weird Studies, Episode 124 with Duncan Barford Francois Girard, Production of Wagner's Parsifal Richard Wagner, Parsifal (clip from performance conducted by Reginald Goodall)  Spear of Longinus Header image by Ana Pismel, via Wikimedia Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:16:28 - par : Lionel Esparza - La pianiste et claveciniste américaine Rosalyn Tureck a fait de Bach son territoire de prédilection. Enregistrée en 1953, sa version très remarquée du Clavier bien tempéré — à la fois claire, transparente et d'une grande expressivité, a marqué l'histoire du piano et influencé Glenn Gould. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:28 - par : Lionel Esparza - La pianiste et claveciniste américaine Rosalyn Tureck a fait de Bach son territoire de prédilection. Enregistrée en 1953, sa version très remarquée du Clavier bien tempéré — à la fois claire, transparente et d'une grande expressivité, a marqué l'histoire du piano et influencé Glenn Gould. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Generational psychology gift wrapped in Classical music.

Tapetenwechsel für den Kopf: Mozart komponiert seine C-Dur-Klaviersonate in einer Zeit des Umbruchs. Sie ist ein Meisterwerk der musikalischen Ökonomie und eine Herausforderung - selbst für Profis! Von Christoph Vratz.

You don't become one of the most successful pianists of our time without a lot of practice. That's something Lang Lang knows all about. Six years after the release of his celebrated record Piano Book, the virtuoso Chinese pianist is back with a new album, Piano Book 2. It's designed to inspire people of all ages, levels and backgrounds. Lang Lang sits down with Tom Power at the Glenn Gould piano in our studio to discuss the album, and his life in music. He tells us about the teacher who didn't believe in him, how he got past that early rejection, and how he found the right people to support him.

Ouça aqui a segunda parte da conversa com a escritora Teolinda Gersão, que revela o seu processo de escrita, a começar por uma fase indomável, danada, onde vai tudo parar ao papel, e ao ecrã do computador, vindo do inconsciente, sem nenhum filtro. A autora assume que está agora nesse lugar, na escrita do novo romance, o momento da sua literatura mais libertador e prazeroso. O que se segue é muito trabalho e dor até sentir ter escrito o que queria, o melhor que podia. Teolinda reflete ainda sobre os “loucos” que governam o mundo, o que o passado ensina, e o que espera do futuro. Teolinda Gersão recorda ainda a carta manuscrita e desenhada que um dia recebeu da pintora Paula Rêgo, depois de ter ficado maravilhada com a sua escrita e com um conto em particular sobre uma velha. E depois partilha algumas das músicas que a acompanham, lê um excerto de um dos seus contos, e outro de um livro de poesia do escritor e jornalista José Carlos de Vasconcelos e partilha uma sugestão cultural. Boas escutas! Músicas "Sonata Appassionata", por Alfred Brende, de Beethoven "Goldberg Variations", por Glenn Gould, de Bach "Partita nº2" por Martha Argerich, de Bach “Le métèque”, de George Moustaki Série A série da Netflix “O Museu da Inocência” , baseada no romance de 2008, muito biográfico, de Orhan Pamuk, com o mesmo nome. Livros "Autobiografia não escrita de Martha Freud", de Teolinda Gersão "Atrás da Porta e Outras Histórias", de Teolinda Gersão "Os Setes Sentidos e Outros Lugares", de José Carlos de VasconcelosSee omnystudio.com/listener for privacy information.

Kaum ein Pianist hat Bachs Goldberg-Variationen so geprägt wie der Kanadier Glenn Gould. Seine Einspielungen sind legendär und bis ins kleinste Detail erkundet – sollte man meinen. Aber ein neu entdecktes Tonband aus einem New Yorker Archiv stellt diese Gewissheit plötzlich in Frage. Die Aufnahme führt mitten hinein in Goulds musikalisches Denken; und das auf eine Weise, die man so noch nicht gehört hat. Michael Rebhahn über einen spektakulären Fund.

Send us Fan MailJason welcomes Christine Fischer Guy for an amiable gab about ordering beers around the world, Glenn Gould, Danielle Steele, rising to touch the universal, synesthesia, & tuberculosis. Like, love, subscribe, & join the early sh*t chat on Instagram @writersreadtheirearlyshit. Thanks to Wayne Emde for the artwork, Joe Emde for help with the intro, DJ Max in Tokyo for the wizard music, and you, wherever & whoever & however you are, for listening. Support the show

Pre-order Drawing is Important — http://tomfroese.com/bookIn this episode, I take on the "myth of artistic looseness." We often envy the "spontaneous" energy of artists like Quentin Blake, but the truth is that looking effortless requires a tone of effort. I dive into why your final illustrations feel "stiff" compared to your sketches and how to bridge that gap through what I call supervised spontaneity and confidence from competence. IN THIS EPISODE • Three observations about artistic looseness • How to build "chaos" into a repeatable process.  • The Take-Two-ness of Glenn Gould: Why the best work happens in the studio, not live.  • Why even pros like Sir Quentin Blake struggle with achieving looseness. • The Exercise: A three-stage drawing challenge to help you unlock creative freedom in your drawings.EPISODE LINKS • Quentin Blake shares about his artistic neurosis in "How I draw" — https://quentinblake.com/about-drawing/how-i-draw • Glenn Gould Poster (Tom Froese, for Polaris Prize) — https://www.tomfroese.com/work/polaris-music-prize-glenn-gould • Glenn Gould's "Take-Two-Ness" — https://en.wikipedia.org/wiki/BachTheGoldberg_Variations_(Glenn_Gould_album)HOW TO SUPPORTYou can support Thoughts on Illustration by: • Sharing this episode with a friend • Leaving a comment • Leaving a rating or review on Apple Podcasts • Following the show / subscribing to this channel • Becoming a paid supporter here or on Patreon — ⁠https://patreon.com/tomfroese⁠FIND ME ELSEWHERE • Website — https://www.tomfroese.com • Instagram — https://www.instagram.com/mrtomfroese • Daily Drawings — https://www.instagram.com/drawingisimportantCREDITSMusic and cues by Mark Allan Falk — https://linktr.ee/semiathleticDRAWING IS IMPORTANT — NOW AVAILABLE FOR PRE-ORDERMy new book, Drawing Is Important, is your guide to making drawing a meaningful daily habit. Through stories, insights, and exercises, it helps you draw more often—with less pressure and more joy. Available 7 April 2026 — Pre-order now! The first 500 orders get a free hand-signed book plate! Look for "get pre-order prizes" after clicking the link.Pre-order Drawing is Important — http://tomfroese.com/book

Thu, 26 Feb 2026 17:15:00 GMT http://relay.fm/conduit/122 http://relay.fm/conduit/122 Kathy Campbell and Jay Miller Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. clean 5583 Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Guest Starring: Merlin Mann Links and Show Notes: Checked Connections - Merlin ✅ - Working on collecting the old sites and Fives list - Kathy ✅ - Get ready for unicorning cowork Keep sending those MyConduit Connections to us on Discord and through Feedback! New Connections - Merlin - Keep working on the site thing - Kathy - Take things to the post office For Our Super Conductors: Pre-Show: LIDar on iOS. How do you know if you're ladder is against the right wall? Post-Show: Embracing the chaos Credits Music: When You Smile Executive Producers: Relay FM Discord Community Conduit e122 Links Merlin's One Good Things Where Everybody Knows Your Name: Judy Greer (Ted Danson, Conan O'Brien Network) -- "I went in thinking, oh, this looks really good, and I ended up liking it probably twice as much as I expected." Judy Greer -- Cheryl/Carol on Archer, Kitty Sanchez on Arrested Development. "It was neat to hear her talk about how important it was for her to get better at acting." Typora -- WYSIWYG Markdown editor ($15). "A really nice balance of what I'm looking for" -- discovered through the 5ives redesign work with Claude. Judi Dench speech on The Graham Norton Show -- "Made me cry." Kathy's One Good Thing Flavor Flav sponsoring the US women's hockey team -- Vegas celebration for the gold-medal team. Merlin responded by rapping "Bring the Noise" from memory. Merlin's Shows Do By Friday (with Alex Cox) Reconcilable Differences (with John Siracusa) Roderick on the Line (with John Roderick) Productivity / Publishing Inbox Zero -- "I'm the inbox zero guy." Merlin originated the concept; the world turned it into a marketing term. 43folders.com -- "In 2004, there were not a lot of websites about how to deal with your productivity problems as a Mac user." Back to Work (5by5) -- former podcast David Allen / Getting Things Done -- "He claims he's the laziest man in the world, and I've always admired that he says that." Danny O'Brien and the 2005 ETech "Life Hacks" talk -- "Danny and I are both so addled and odd and different... his energy was just incandescent to be around." The conference where Merlin's laptop had Wi-Fi for the first time. Site Meter -- "There's your life before site meter and your life after site meter." The little GIF badge that counted page loads and launched a million blog vanity spirals. 5ives & Typography 5ives -- Merlin's list site (2002), 450 lists, being revived. "I'm pleased with myself. I like that I made four hundred and fifty lists that some people thought were funny in the 2000s." Matthew Butterick -- fonts, Practical Typography. "One of those people where I'm just interested in your deal," like Simon Willison or Edgar Wright. Merlin bought the entire font set during a bout of situational depression and is finally using them for the 5ives redesign. Movies & TV The Hollow Crown (BBC) -- Trailer. "Look at that stacked cast." Ben Whishaw, Tom Hiddleston, Sophie Okonedo, Rory Kinnear. Merlin told Kathy to buy it on Apple TV "or I can pirate it for you." Kenneth Branagh's Henry V (1989) -- "My number one movie that I recommend." "You don't even need to understand what they're saying. It'll still give you shivers." Mark Rylance: St. Crispin's Day speech at the Globe -- "It gives you a different kind of shivers, like a different part of your neck and your back." Merlin recited part of the speech from memory. The Death of Stalin (2017) -- "A very dark, very funny film" by Armando Iannucci. Veep / The Thick of It -- "It's gonna be difficult difficult lemon difficult." Both Iannucci. Led to Merlin imagining Matthew Butterick as a Veep restaurant reservation alias. Women Talking (2022) / Men (2022) -- Merlin's suggested double feature for mom's night. "Start with Women Talking, back with Men." Jessie Buckley, Rory Kinnear. Our Flag Means Death -- Merlin named his Mac Studio "Buttons" after Ewen Bremner's Mr. Buttons ("the guy from Trainspotting"). Rhys Darby, Kristian Nairn ("Hodor's on there. He's a big fella."). Fantastic Mr. Fox (2009) -- "Just to be available." Merlin's favorite line, from Mr. Kylie the possum wanting to know his job in the big plan. Music Vikingur Olafsson: Goldberg Variations (Deutsche Grammophon, 2023) -- Merlin's current obsession. "I care so intensely about that." Discovered after years of only knowing Glenn Gould. Glenn Gould: 1955 vs. 1981 Goldberg Variations -- The famous pair: 38 minutes of youthful showmanship vs. 51 minutes of deliberate structure. Public Enemy -- "Bring the Noise" -- Merlin rapped the full opening verse from memory when Kathy mentioned Flavor Flav. "Bass, how low can you go?" Poetry Gwendolyn Brooks -- "We Real Cool" (video of her 1983 Guggenheim reading) -- "We real cool. We jazz June. We die soon." Merlin on hearing poetry "in the air" vs. on the page. Sylvia Plath -- "Daddy" (her 1962 BBC recording) -- "You do not do, you do not do... you really hear something you didn't see on the page." Books & Podcasts Bessel van der Kolk on The Ezra Klein Show -- "One of my all-time favorite podcast episodes. It changed my life. Everything you know about trauma is screwing you up." Off Menu -- celebrities describe their dream meal. The Amanda Seyfried episode taught Merlin about a kind of olive he now puts on Brussels sprouts. Mr. Show with Bob and David -- source of the "hey everybody" drum bit Merlin does throughout. "I'm very, very, very specifically stealing it from a bit about the new Ku Klux Klan." Blank Check (Griffin Newman) -- source of "the great ___" bit. "I'll credit Griffin Newman for that bit." People James Thompson (PCalc, Dice by PCalc) -- "What if twenty-sided dice fell on your head?" Merlin on how James finds delight in close-to-the-metal Apple tech. Armando Iannucci -- "If you like English nerd comedy, he's really something." Simon Willison, Matt Webb, danah boyd -- people Merlin follows because "I'm just interested in your deal." Edgar Wright -- "I will just show up because I'm interested in what he's up to. I don't even care if I like his movie." Ecamm Live -- streaming app Kathy uses for her unicorn co-working sessions. Pre-Show (Superconductors only) LiDAR accessibility features on iPhone -- Merlin fiddled with it on the street, "pointing his phone at people for a very long time." Apple's breathing sleep LED -- the MacBook pulsing light. Kathy: "So relaxing, so unnecessary and delightful." Apple researched sleeping respiratory rates and chose the calmest end of the spectrum. Erich Brenn, plate spinner, on The Ed Sullivan Show -- the origin of "spinning plates" as a metaphor. 8 appearances in the 1950s-60s. Support Conduit with a Relay Membership

Thu, 26 Feb 2026 17:15:00 GMT http://relay.fm/conduit/122 http://relay.fm/conduit/122 There is No One True Anything with Merlin Mann 122 Kathy Campbell and Jay Miller Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. clean 5583 Jay is gone again, so Kathy brings back Merlin Mann to discuss productivity porn as well as a ton of other topics of import. Guest Starring: Merlin Mann Links and Show Notes: Checked Connections - Merlin ✅ - Working on collecting the old sites and Fives list - Kathy ✅ - Get ready for unicorning cowork Keep sending those MyConduit Connections to us on Discord and through Feedback! New Connections - Merlin - Keep working on the site thing - Kathy - Take things to the post office For Our Super Conductors: Pre-Show: LIDar on iOS. How do you know if you're ladder is against the right wall? Post-Show: Embracing the chaos Credits Music: When You Smile Executive Producers: Relay FM Discord Community Conduit e122 Links Merlin's One Good Things Where Everybody Knows Your Name: Judy Greer (Ted Danson, Conan O'Brien Network) -- "I went in thinking, oh, this looks really good, and I ended up liking it probably twice as much as I expected." Judy Greer -- Cheryl/Carol on Archer, Kitty Sanchez on Arrested Development. "It was neat to hear her talk about how important it was for her to get better at acting." Typora -- WYSIWYG Markdown editor ($15). "A really nice balance of what I'm looking for" -- discovered through the 5ives redesign work with Claude. Judi Dench speech on The Graham Norton Show -- "Made me cry." Kathy's One Good Thing Flavor Flav sponsoring the US women's hockey team -- Vegas celebration for the gold-medal team. Merlin responded by rapping "Bring the Noise" from memory. Merlin's Shows Do By Friday (with Alex Cox) Reconcilable Differences (with John Siracusa) Roderick on the Line (with John Roderick) Productivity / Publishing Inbox Zero -- "I'm the inbox zero guy." Merlin originated the concept; the world turned it into a marketing term. 43folders.com -- "In 2004, there were not a lot of websites about how to deal with your productivity problems as a Mac user." Back to Work (5by5) -- former podcast David Allen / Getting Things Done -- "He claims he's the laziest man in the world, and I've always admired that he says that." Danny O'Brien and the 2005 ETech "Life Hacks" talk -- "Danny and I are both so addled and odd and different... his energy was just incandescent to be around." The conference where Merlin's laptop had Wi-Fi for the first time. Site Meter -- "There's your life before site meter and your life after site meter." The little GIF badge that counted page loads and launched a million blog vanity spirals. 5ives & Typography 5ives -- Merlin's list site (2002), 450 lists, being revived. "I'm pleased with myself. I like that I made four hundred and fifty lists that some people thought were funny in the 2000s." Matthew Butterick -- fonts, Practical Typography. "One of those people where I'm just interested in your deal," like Simon Willison or Edgar Wright. Merlin bought the entire font set during a bout of situational depression and is finally using them for the 5ives redesign. Movies & TV The Hollow Crown (BBC) -- Trailer. "Look at that stacked cast." Ben Whishaw, Tom Hiddleston, Sophie Okonedo, Rory Kinnear. Merlin told Kathy to buy it on Apple TV "or I can pirate it for you." Kenneth Branagh's Henry V (1989) -- "My number one movie that I recommend." "You don't even need to understand what they're saying. It'll still give you shivers." Mark Rylance: St. Crispin's Day speech at the Globe -- "It gives you a different kind of shivers, like a different part of your neck and your back." Merlin recited part of the speech from memory. The Death of Stalin (2017) -- "A very dark, very funny film" by Armando Iannucci. Veep / The Thick of It -- "It's gonna be difficult difficult lemon difficult." Both Iannucci. Led to Merlin imagining Matthew Butterick as a Veep restaurant reservation alias. Women Talking (2022) / Men (2022) -- Merlin's suggested double feature for mom's night. "Start with Women Talking, back with Men." Jessie Buckley, Rory Kinnear. Our Flag Means Death -- Merlin named his Mac Studio "Buttons" after Ewen Bremner's Mr. Buttons ("the guy from Trainspotting"). Rhys Darby, Kristian Nairn ("Hodor's on there. He's a big fella."). Fantastic Mr. Fox (2009) -- "Just to be available." Merlin's favorite line, from Mr. Kylie the possum wanting to know his job in the big plan. Music Vikingur Olafsson: Goldberg Variations (Deutsche Grammophon, 2023) -- Merlin's current obsession. "I care so intensely about that." Discovered after years of only knowing Glenn Gould. Glenn Gould: 1955 vs. 1981 Goldberg Variations -- The famous pair: 38 minutes of youthful showmanship vs. 51 minutes of deliberate structure. Public Enemy -- "Bring the Noise" -- Merlin rapped the full opening verse from memory when Kathy mentioned Flavor Flav. "Bass, how low can you go?" Poetry Gwendolyn Brooks -- "We Real Cool" (video of her 1983 Guggenheim reading) -- "We real cool. We jazz June. We die soon." Merlin on hearing poetry "in the air" vs. on the page. Sylvia Plath -- "Daddy" (her 1962 BBC recording) -- "You do not do, you do not do... you really hear something you didn't see on the page." Books & Podcasts Bessel van der Kolk on The Ezra Klein Show -- "One of my all-time favorite podcast episodes. It changed my life. Everything you know about trauma is screwing you up." Off Menu -- celebrities describe their dream meal. The Amanda Seyfried episode taught Merlin about a kind of olive he now puts on Brussels sprouts. Mr. Show with Bob and David -- source of the "hey everybody" drum bit Merlin does throughout. "I'm very, very, very specifically stealing it from a bit about the new Ku Klux Klan." Blank Check (Griffin Newman) -- source of "the great ___" bit. "I'll credit Griffin Newman for that bit." People James Thompson (PCalc, Dice by PCalc) -- "What if twenty-sided dice fell on your head?" Merlin on how James finds delight in close-to-the-metal Apple tech. Armando Iannucci -- "If you like English nerd comedy, he's really something." Simon Willison, Matt Webb, danah boyd -- people Merlin follows because "I'm just interested in your deal." Edgar Wright -- "I will just show up because I'm interested in what he's up to. I don't even care if I like his movie." Ecamm Live -- streaming app Kathy uses for her unicorn co-working sessions. Pre-Show (Superconductors only) LiDAR accessibility features on iPhone -- Merlin fiddled with it on the street, "pointing his phone at people for a very long time." Apple's breathing sleep LED -- the MacBook pulsing light. Kathy: "So relaxing, so unnecessary and delightful." Apple researched sleeping respiratory rates and chose the calmest end of the spectrum. Erich Brenn, plate spinner, on The Ed Sullivan Show -- the origin of "spinning plates" as a metaphor. 8 appearances in the 1950s-60s. Support Conduit with a Relay Membership

durée : 01:58:45 - Le Bach du dimanche du dimanche 22 février 2026 - par : Corinne Schneider - Au programme de cette 372e émission : hommage au chef d'orchestre allemand Helmuth Rilling suite à son décès survenu le 11 février 2026 à l'âge de 92 ans ; Glenn Gould à l'orgue (1962) et le livre de Pierre Charvet « Le Code B.A.C.H. Enquête sur L'Art de la Fugue » (Ed. Le Mot et le reste, 20 fév.) - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Yesterday, January 29th, was the 101st anniversary of the birth of the Canadian soprano (later mezzo) Lois Marshall. Marshall was in so many ways a unique and treasurable artist. Afflicted with polio as a young child, she spent much of her early life hospitalized. It was there that she discovered the expressive power of her singing voice. Following her training at the Royal Conservatory of Music in Toronto, Marshall won two prestigious vocal competitions, including the Naumburg, she was taken on by such early mentors as Arturo Toscanini and Thomas Beecham and others. Audiences were captivated by both the spontaneity and directness of her artistry. Though she made occasional appearances in opera (and in particular televised opera, where her mobility issues could be more easily managed), she was primarily known as a concert singer. Recommended by the young Glenn Gould, she quickly became a favorite with Russian audiences and created the Canadian premieres of works by Poulenc and Britten, among others. This, the fourth Countermelody episode devoted to this artist, features her in a wide range of material, including in particular work by contemporary Canadian composers including Harry Somers, Oskar Morawetz, Srul Anthony Glick, Godfrey Ridout, Harry Freedman, and Jean Coulthard. The episode also emphasizes the purity and expressiveness of her singing in Baroque music, including Handel, Bach, Purcell, and Schütz as well as her unique way on the concert platform with both art song and folk song arrangements. Collaborating artists include Leopold Stokowski, Maureen Forrester, Glenn Gould, Seiji Ozawa, John Alexander, and Thomas Beecham. Once heard, Lois Marshall will never be forgotten. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Today we're putting The Tonearm's needle on Patricia Brennan, a vibraphonist and composer who grew up in Veracruz, Mexico, playing salsa with her dad while listening to Hendrix and Zeppelin with her mom. She studied classical percussion at the Curtis Institute, performed with Yo-Yo Ma and the Philadelphia Orchestra, then found her voice and career in jazz and improvisation.Patricia's latest album, Of The Near And Far, takes constellations from the summer sky and turns them into music. She superimposes the circle of fifths over star patterns to generate pitches, then turns them into compositions that reflect a voice as unique as the compositional approach. Patricia's ten-piece ensemble features a jazz quintet, a string quartet, and an electronic musician, all conducted by Eli Greenhoe. Hot on the heels of her 2024 release, Breaking Stretch, which won Album of the Year and Vibraphonist of the Year in the DownBeat Critics Poll, Patricia's here to talk about finding symmetry between the cosmos and composition, why she carries a telescope wherever she goes, and how ancient myths and modern astronomy shape her work.(The musical excerpts heard in the interview are from Patricia Brennan's album Of The Near And Far)–Dig DeeperArtist and AlbumVisit Patricia Brennan at patriciabrennanvibes.com and follow her on Instagram, Facebook, and YouTubePurchase Patricia Brennan's Of The Near And Far from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choicePatricia Brennan's acclaimed 2024 album Breaking Stretch on Pyroclastic RecordsEducational InstitutionsCurtis Institute of Music – Philadelphia conservatory where Patricia studied classical percussionYouth Orchestra of the Americas – Continental ensemble Patricia joined at age seventeenCollaborators and Ensemble MembersSylvie Courvoisier, pianistMiles Okazaki, guitaristKim Cass, bassistJohn Hollenbeck, drummer and composerKyle Armbrust, violistArktureye (Noel Brennan) – Electronic musician and Patricia's duo partner in MOCHEli Greenhoe, conductorMusical Influences and ReferencesKeiko Abe – Japanese marimbist who transformed the instrumentRadiohead – In RainbowsErik Satie – "Gnossienne No. 1"Glenn Gould performing BachPhilip Glass – String QuartetsGyörgy Ligeti – AtmosphèresGrachan Moncur III – Evolution featuring Bobby HutchersonKid Koala – Canadian turntablistEighth Blackbird – Contemporary chamber music ensembleFania All-Stars – Legendary salsa supergroupComposers MentionedTōru Takemitsu – Japanese composerIannis Xenakis – Greek-French composerKarlheinz Stockhausen – German composerEdgard Varèse – French-American composerJohn Cage – American experimental composerSteve Reich – American minimalist composerDavid Lang – Pulitzer Prize-winning composer, Bang on a Can co-founderAstronomical ReferencesAndromeda Galaxy (M31) – Nearest major galaxy to the Milky WayCircle of fifths – Music theory concept used in Patricia's compositional systemConstellation guide – Reference for the star patterns inspiring the albumNASA's Sounds of Space – Astronomical recordings translated into audio–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on Patricia Brennan, a vibraphonist and composer who grew up in Veracruz, Mexico, playing salsa with her dad while listening to Hendrix and Zeppelin with her mom. She studied classical percussion at the Curtis Institute, performed with Yo-Yo Ma and the Philadelphia Orchestra, then found her voice and career in jazz and improvisation.Patricia's latest album, Of The Near And Far, takes constellations from the summer sky and turns them into music. She superimposes the circle of fifths over star patterns to generate pitches, then turns them into compositions that reflect a voice as unique as the compositional approach. Patricia's ten-piece ensemble features a jazz quintet, a string quartet, and an electronic musician, all conducted by Eli Greenhoe. Hot on the heels of her 2024 release, Breaking Stretch, which won Album of the Year and Vibraphonist of the Year in the DownBeat Critics Poll, Patricia's here to talk about finding symmetry between the cosmos and composition, why she carries a telescope wherever she goes, and how ancient myths and modern astronomy shape her work.(The musical excerpts heard in the interview are from Patricia Brennan's album Of The Near And Far)–Dig DeeperArtist and AlbumVisit Patricia Brennan at patriciabrennanvibes.com and follow her on Instagram, Facebook, and YouTubePurchase Patricia Brennan's Of The Near And Far from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choicePatricia Brennan's acclaimed 2024 album Breaking Stretch on Pyroclastic RecordsEducational InstitutionsCurtis Institute of Music – Philadelphia conservatory where Patricia studied classical percussionYouth Orchestra of the Americas – Continental ensemble Patricia joined at age seventeenCollaborators and Ensemble MembersSylvie Courvoisier, pianistMiles Okazaki, guitaristKim Cass, bassistJohn Hollenbeck, drummer and composerKyle Armbrust, violistArktureye (Noel Brennan) – Electronic musician and Patricia's duo partner in MOCHEli Greenhoe, conductorMusical Influences and ReferencesKeiko Abe – Japanese marimbist who transformed the instrumentRadiohead – In RainbowsErik Satie – "Gnossienne No. 1"Glenn Gould performing BachPhilip Glass – String QuartetsGyörgy Ligeti – AtmosphèresGrachan Moncur III – Evolution featuring Bobby HutchersonKid Koala – Canadian turntablistEighth Blackbird – Contemporary chamber music ensembleFania All-Stars – Legendary salsa supergroupComposers MentionedTōru Takemitsu – Japanese composerIannis Xenakis – Greek-French composerKarlheinz Stockhausen – German composerEdgard Varèse – French-American composerJohn Cage – American experimental composerSteve Reich – American minimalist composerDavid Lang – Pulitzer Prize-winning composer, Bang on a Can co-founderAstronomical ReferencesAndromeda Galaxy (M31) – Nearest major galaxy to the Milky WayCircle of fifths – Music theory concept used in Patricia's compositional systemConstellation guide – Reference for the star patterns inspiring the albumNASA's Sounds of Space – Astronomical recordings translated into audio–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

El solsticio de invierno en el hemisferio norte ocurrió el día 21 de diciembre de 2025 a las 16 horas 3 minutos hora oficial en Europa central, el día más corto y por tanto la noche más larga del año, momento en el que el silencio invita a la reflexión, a la escucha. En un mundo lleno de ruido, no nos quedan muchos momentos de silencio, de escucha, de reflexión. Vivimos en un entorno cada vez más artificial que nos aleja de los ciclos de la naturaleza. Ciclos que alternan momentos de gran actividad alternados con momentos de reposo. Nuestras vidas se mueven en una constante actividad a menudo ruidosa. En este solsticio de invierno os invitamos a la reflexión a la escucha. Lo hacemos proponiendo músicas y sonidos de las culturas del norte, donde el silencio constituye un valor importante. En sus paisajes poco poblados, cubiertos de nieve en buena parte del año el silencio se impone. Escuchamos obras de Glenn Gould, Claude Schreyer, Aho Kalevi, Aare Merikanto y Kaija Saariaho.Escuchar audio

You don't become one of the most successful pianists of our time without a lot of practice. That's something Lang Lang knows all about. Six years after the release of his celebrated “Piano Book” record, the virtuoso Chinese pianist is back with a new album, “Piano Book 2.” It's designed to inspire people of all ages, levels and backgrounds. Lang Lang sits down with Tom Power at the Glenn Gould piano in our studio to discuss the album and his life in music. He tells us about the teacher who didn't believe in him, how he got past that early rejection, and how he found the right people to support him.Fill out our listener survey here. We appreciate your input!

Italian pianist and composer Ludovico Einaudi is a powerhouse in classical music. As one of the most streamed classical artists of all time, his atmospheric, meditative piano sound has captured the imaginations of acclaimed filmmakers and famous fans, such as Iggy Pop, Nicki Minaj and Ricky Gervais. Ludovico's new album, “The Summer Portraits,” was inspired by paintings he saw on a summer vacation that transported him back to his childhood. He joins Tom Power at the Glenn Gould piano in our studio to talk about his life, career and the healing power of music.

Singer-songwriter Sarah Slean talks about Joni Mitchell's enduring influence on music and women in the arts, as she prepares to perform orchestral versions of Mitchell's songs with the Vancouver Symphony Orchestra. Audio sources: Glenn Gould, Joni Mitchell, Sarah Slean This episode originally aired on October 5th, 2022

The outrage over threats by the U.S. to become a 51st state indicates Canadian nationalism is very much alive. IDEAS shares this 1992 award-winning documentary, which includes music compositions inspired by Glenn Gould. Composer Christos Hatzis discusses the meaning and enduring relevance of The Idea of Canada, saying, "Canada allows you to be patriotic and not to be nationalist."Credits:Composer Christos HatzisProducer Steve WadhamsAudio engineers Laurence Stevenson and Rod Crocker.

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at ⁠http://pantheonpodcasts.com⁠ Send us feedback via email at ⁠seehearpodcast@gmail.com⁠ Join the Facebook group at ⁠http://facebook.com/groups/seehearpodcast ⁠ You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a moment in Mel Brooks' “History of the World Part 1” where we're told that shortly after the first artists came the first art critics…..I'll leave you to determine what happens…. The music world is certainly not short of people with opinions in regards to others' ability to perform and provide nuance to the work they present for us as music lovers to listen to. In the classical world, interpretation of the canon of baroque, classical, romantic and modernist music can be a mystery to some of us who are not classically trained musicians.  There's no shortage of classical soloists who've captured the wider public's imagination, yet have their critics as well. Welcome to episode 128 of See Hear Podcast. Glenn Gould is regarded as one of the great pianists of the 20th century, known in particular for his love of and heavy focus on the composition of J.S. Bach. However, he wasn't unanimously revered. Pianist Alfred Brendel was vocally not a fan. Even Leonard Bernstein who did love Gould's approach  covered himself before a TV broadcast of a Brahms piano concerto by saying Gould's approach was not going to be for everybody. Therein lies the heart of the matter – when you depart from an accepted orthodox style of playing of the canon, you're going to upset people. Glenn Gould upset some people. BUT….the reason he is still being talked about was for what he DID, not what he didn't do. He's most famous for his first and last released recordings, Bach's Goldberg Variations (1955 and 1981). Even there his recordings are wildly different, and the latter upset some who championed the earlier recording. He's also remembered for his intellect and could discuss may other issues outside of music – something he did on radio and TV specials. In 1993, film director Francois Girard released a brilliant biopic / documentary called “Thirty Two Short Films About Glenn Gould”. Like its subject, the film takes a wildly different approach from the accepted norm of musician biopic. As the name implies, the film comprises of 32 shorts featuring narratives, interviews, performance and experimentation that provide a strong sense of Gould's character. There is a 3 act structure, but not in the usual way that you get in a conventional musician biography. June 2025 sees the reissue of the film by Criterion, and I was thrilled to welcome Francois to the podcast to talk about this film and Gould in general. Unfortunately, we couldn't coordinate the timing to have Tim or Kerry available, but I still had a fascinating conversation with Francois that I hope you find illuminating. If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast You can download the show by searching for See Hear on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:05:51 - Le Bach du matin du samedi 31 mai 2025 -

I've been so lucky this week to cross paths with several beloved friends and colleagues, in some cases for the first time in ages. One of those friends of many years' standing is the legendary countertenor Drew Minter, with whom I made my very first appearances on the New York concert stage… well, a few years back now! Seeing Drew made me think not only to his influence on me in my early years of singing, but also of the influence of the earliest (and still to my mind the greatest) of all American countertenors, Russell Oberlin. A few years ago, I dedicated a pair of episodes to him, and today I present to you the second of those episodes, originally fashioned exclusively for my Patreon subscribers, yet another “refurbished” Countermelody episode that now sees the light of day. I explore Oberlin's performances of medieval and renaissance music, both with the New York Pro Musica (The Play of Daniel, Dufay, and Dowland) and with the Experiences Anonymes record label (Byrd and 13th Century French Polyphony). I also offer examples of Oberlin's expertise in performance of baroque music, offering two Bach arias (one performed with Leonard Bernstein, the other with Glenn Gould), and several Handel selections, including a complete cantata from one of his rarer LP releases. In addition, we hear a live excerpt of his Oberon in Midsummer Night's Dream opposite the late British soprano Joan Carlyle, as well as a surprising outing as one of the commedia dell'arte players in Strauss's Ariadne auf Naxos, opposite the Zerbinetta of the great African American coloratura soprano Mattiwilda Dobbs. There are additional surprises along the way. The episode opens with a heartfelt tribute to Drew, my reunion with whom prompted this episode in the first place. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

We're taking a musical detour this week as Patrick throws a little classical music into your ears. All week, he's going to be counting down his top 10 classical jams! Number 10 is an album from renowned Canadian pianist Glenn Gould and number nine is a slamming set of string quartets composed by Bela Bartok. Crank it up, peoples! Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

durée : 00:25:40 - Disques de légende du vendredi 02 mai 2025 - En 1957 Glenn Gould et le Columbia Symphony Orchestra enregistrent le Concerto en ré mineur dirigé par Leonard Bernstein : une version historique.

Víkingur Ólafsson is one of the world's most in-demand classical pianists right now. The Icelandic musician just picked up a Grammy for his “Goldberg Variations” album, and he recently reached one billion streams for his music. Before playing a few shows in Canada, Víkingur dropped by our studio and sat down at Glenn Gould's rehearsal piano that lives here. He talked to Tom Power about why Gould is such a big influence for him. Plus, he plays us his favourite version of the “Goldberg Variations.”

Peter O'Brien is an artist, a visionary, and a life-long Joycean, with the energy to not only dream up one major Finnegans Wake-centric artistic offshoot, but is busy scheming about how to top it. We first became aware of Peter as a brilliant artist, using “letterism” to artistically annotate the pages of Finnegans Wake. Exhibited around the world and widely published, most would be satisfied with that: but not Peter, who is now pouring his unmatched attention into a new opera despite (by his own admission) knowing little about music. Join us on this fascinatingly palimpsestuous discussion that touches on the nature of genius, memorisation, Glenn Gould, Virgil, nudity, and Wagner, and shows us that you may think you can be finished with the Wake, but it's never really finished with you. This week's chatters: Peter O'Brien, Toby Malone, TJ Young Contextual Notes Peter's Wake-inspired art: https://www.peterobrienart.com/about.html Limited edition Wake prints: https://www.peterobrienart.com/store/c2/LOFWFW_-_LIMITED_EDITION.html  Peter's Globe and Mail article on his art: https://tpob.me/wp-content/uploads/2019/04/obrien-on-lofwfw-in-globe-and-mail-5.pdf  O'Brien, P. (2018). Drawing Upon Finnegans Wake. Art/Research/International:/A/Transdisciplinary/Journal, 3(2), 196–215. https://doi.org/10.18432/ari29381  Pitch deck for Plurabelle: https://tpob.me/wp-content/uploads/2023/11/p-l-u-r-a-b-e-l-l-e-pitch-27-oct-2023.pdf  For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠⁠⁠⁠⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Jed discusses recordings of Brahms' Ballades Op. 10. Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to 1973 Lugano performance with Arturo Benedetti Michelangeli - https://www.youtube.com/watch?v=z7S19Ew-fv8Link to live performance with Emil Gilels - https://www.youtube.com/watch?v=VJwLU4EmZjELink to Ballade No. 4 with Arthur Rubinstein - https://www.youtube.com/watch?v=ky6HBfnrXS4Link to Jonathan Plowright's recording - https://www.prestomusic.com/classical/products/8261243--brahms-works-for-solo-piano-volume-4Link to Glenn Gould's complete recording sessions for the Ballades Op. 10 and Rhapsodies Op. 79 - https://www.youtube.com/watch?v=NOTsc-Z2BIE

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

Yesterday was the 100th birthday of the sublime Canadian singer, Lois Marshall (29 January 1925 – 19 February 1997). I was sorry to see that there were very apparently few acknowledgements of this momentous occasion. Three years ago, in a Countermelody series on Great Canadian Singers, Lois Marshall was my first subject. If you haven't heard of her (which is entirely possible, given the vagaries of posthumous fame and reputation), you are in for an enormous treat. Possessed of a rare musical scrupulousness, an interpretive honestly, directness, and integrity, as well as a finely-honed dramatic sensibility, Lois Marshall, in a better world, would have graced the world's operatic stages. Alas, she was stricken with polio as a child, and though she managed to gain the ability to walk, staged opera was a genre which she only rarely attempted. Yet she worked with the world's greatest conductors, among them Toscanini, Stokowski, and Beecham, and was a recitalist celebrated the world over. This episode offers an extended yet partial glimpse of the range and variety of her artistry, and includes recordings of arias by both Purcell and Puccini (the title role of Turandot!), Bach and Beethoven, as well as a dazzling array of recital repertoire from Debussy to folk song arrangements. Fellow Canadians Maureen Forrester and Glenn Gould are also featured. I wanted very much to present a brand-new Lois Marshall episode in hono(u)r of her centennial, and I promise you that is in the works, but in the meantime, I listened early this morning to the first Lois Marshall tribute I posted and I have decided to republish it today as I continue to prepare the brand-new episode. Some of today's material, in particular an excerpt from Oskar Morawetz's From the Diary of Anne Frank, which Lois Marshall premiered in 1970, serves as a grim reminder of the United States' further descent into madness and inhumanity, especially since the inauguration of King Ubu. Through the darkness, however, the glorious voice and humanity of Lois Marshall provide us with an ideal example of our better selves. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLinks to recordingsOp. 49 No. 1 - Glenn Gould https://open.spotify.com/track/0kJ8kCEMbMNHkyNDbgzJM2Op. 49 No. 1 - François-Frédéric Guy https://www.prestomusic.com/classical/products/8035204--beethoven-piano-sonatas-nos-1-32?srsltid=AfmBOorQtb3ExDEwPJ6E2GIrXmVBRKIz4wAq8agM28KdGA0TLld9n53-Op. 49 No. 2 - Mari Kodama https://www.pentatonemusic.com/product/beethoven-piano-sonatas-nos-9-10-19-20-24-25/

Glenn Gould, a kanadai sztárzongorista a 20. század egyik legismertebb és legkiválóbb zongoraművésze volt. Játékában egyesült az a technikai tudás és zenei érzékenység, amely lehetővé tette, hogy különleges tolmácsa legyen Johann Sebastian Bach összetett zenéjének. Nemzetközi karrierje 1955-ben indult, amikor is lemezre játszotta Bach Goldberg-variációit, ez az album komolyzenei mérföldkővé vált, ennek ellenére 1981-ben Gould újra feljátszotta a darabot. 2007-ben aztán gondoltak egyet és digitális eljárással "leporolták" az 1955-ös felvételt, és elérték, hogy Gould akkor már több mint ötven éve rögzített zongorajátéka úgy szóljon, mintha a zongoraművész akkor és ott újra játszotta volna a darabot. Természetesen a zenei világot akkor erősen megosztotta ez a technika segítségével "felpolírozott" felvétel. Friderikusz Sándor 2007-ben felkérte Kocsis Zoltán zongoraművészt és Jeney Zoltán zeneszerzőt, hogy értékeljék együtt ezt az új felvételt, de mondanunk sem kell, nem csak erről beszélt a két kiváló művész, hanem közreműködésükkel beavatást nyertünk ennek a két embernek az igen magas nívójú zenei gondolkodásába is. Hogyan támogathatja a munkánkat? - Legújabban már a Donably felületen is támogathat bennünket, itt ÁFA-mentesen segítheti munkavégzésünket: https://www.donably.com/friderikusz-podcast - De lehet a patronálónk a Patreon-on keresztül is, mert a támogatása mértékétől függően egyre több előnyhöz juthat: https://www.patreon.com/FriderikuszPodcast - Egyszerű banki átutalással is elismerheti munkavégzésünk minőségét. Ehhez a legfontosabb adatok az alábbiak: Név: TV Pictures Számlaszám: OTP Bank 11707062-21446081 Közlemény: Podcast-támogatás Ha külföldről utalna, nemzetközi számlaszámunk (IBAN - International Bank Account Number): HU68 1170 7062 2144 6081 0000 0000 BIC/SWIFT-kód: OTPVHUHB Akármilyen formában támogatja munkánkat, nagyon köszönjük! Kövessenek, kövessetek itt is: youtube: https://www.youtube.com/c/FriderikuszPodcast Facebook: https://www.facebook.com/FriderikuszPodcast Instagram: https://www.instagram.com/friderikuszpodcast Anchor: https://anchor.fm/friderikuszpodcast Spotify: https://spoti.fi/3blRo2g Youtube Music: https://music.youtube.com/playlist?list=PLu6L9HlV4-KuNOYy_rS97rP_Q-ncvF14r Apple Podcasts: https://apple.co/3hm2vfi Deezer: https://www.deezer.com/hu/show/1000256535

The use of mental practice or mental imagery to enhance learning and performance is extremely common amongst  athletes in sports. And it's something that musicians like Horowitz, Rubinstein, Glenn Gould, and learners at all levels have been known to use in music as well.But I've had students and professional musicians alike tell me that they sometimes have difficulty making the imagery feel real. Or that they have difficulty staying engaged with it. As in, one minute they're visualizing some music, and the next, their mind has drifted off to food. Or they fall asleep.

We discuss desert island discs as a thought experiment, though we didn't agree on the ground rules. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes: Episode #130 - Desert Island Discs, Part 1 (https://www.thenexttrack.com/133) Episode #133 - Desert Island Discs, Part 2 (https://www.thenexttrack.com/136) Schubert: Winterreise, Ian Bostridge & Thomas Adès (https://amzn.to/3Absge9) Bach: Goldberg Variations, Glenn Gould 1981 (https://amzn.to/4fbzvlh) Morton Feldman: Piano and String Quartet, Kronos Quartet and Aki Takahashi (https://amzn.to/4h8CX1T) Hume: Musicall Humours, Jordi Savall (https://amzn.to/4eUNgoE) Elastica: Elastica (https://amzn.to/4eSpZ6O) The Who: Quadrophenia (https://amzn.to/4f4whjs) Joe Strummer & The Mescaleros: Streetcore (https://amzn.to/3A98bFh) Gustaf: Package, Pt.2 (https://amzn.to/3NAXwGE) The Rolling Stones: Get Yer Ya-Yas Out (https://amzn.to/3NzLRYB) The Clash: London Calling (https://amzn.to/3Yy72Re) Brian Eno: Music for Airports (https://amzn.to/3YAhkAl) Bang on a Can: Music for Airports (https://amzn.to/3UgVeAd) Grateful Dead: American Beauty (https://amzn.to/3Yz61bi) Bill Evans: The Complete Village Vanguard Recordings, 1961 (https://amzn.to/3YxVRYE) Bob Dylan: Blonde on Blonde (https://amzn.to/4eP8bJN) King Crimson: Red (https://amzn.to/3A9taI2) Castaway (https://amzn.to/3NzMMZ3) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

 Voici 40 ans, disparaissait le pianiste canadien Glenn Gould, quelques jours seulement après son cinquantième anniversaire. Sa notoriété dépasse largement celle de musiciens classiques, à de rares exceptions près. Sa large discographie est constamment rééditée et il continue d'inspirer les créateurs les plus divers.      Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Programa 5x26, amb N

Programa 5x26, amb N

The writer David Nicholls is best known for his 2009 novel One Day which has sold 6 million copies, been made into a film and a Netflix series which reached the top 10 in 89 countries. He's written six novels and his work as a screenwriter has won him a BAFTA and an Emmy nomination. He was born in 1966 and studied Drama and English Literature at Bristol University. This partly inspired his novel Starter for Ten. After university he spent one year in New York studying acting before returning to the UK to try and forge a career as an actor. He spent three years at the National Theatre but was mostly an understudy which inspired his novel Understudy. After a few years, David left acting and pursued a writing career and had success as a TV screen writer. Alongside his award-winning career as a TV writer he has won many prizes for his novels. David lives in London with his partner, Hannah and their two children.Presenter Lauren Laverne Producer Sarah TaylorDISC ONE: I Say a Little Prayer - Aretha Franklin DISC TWO: Cloudbusting - Kate Bush DISC THREE: Life on Mars? - David Bowie DISC FOUR: Goldberg Variations, BWV 988: Aria. Composed by Johann Sebastian Bach and performed by Glenn Gould (piano) Coyote - Joni Mitchell DISC FIVE: Coyote - Joni Mitchell DISC SIX: We Belong Together - Rickie Lee Jones DISC SEVEN: Who Knows Where The Time Goes? - Fairport Convention DISC EIGHT: Protection - Massive Attack featuring Tracey Thorn BOOK CHOICE: Anna Karenina by Leo Tolstoy LUXURY ITEM: A piano and sheet music CASTAWAY'S FAVOURITE: I Say a Little Prayer - Aretha Franklin

For your *continued* pleasure: a second, special bonus episode. The response of our audience has been overwhelmingly enthusiastic about the world premiere of the private, recorded conversation between Tim Page and Glenn Gould. They wanted to learn more about this unique audio document, and we're happy to oblige. In this special program, Tim Page reflects on his spontaneous phone conversation with Glenn, and contrasts it with a later scripted interview for the 1982 Goldberg Variations recording, and recounts personal anecdotes, including a private piano performance by Gould. The episode also highlights Gould's appreciation for in-depth conversations free from clichéd questions and his humour, expressed through his fictitious alter egos, Theodore Slutz, Nigel Twitt-Thornwaite and Karlheinz Klopweisser. The discussion encompasses Gould's enormous influence on restoring the reputations composers like Strauss and Sibelius.

For your pleasure: a special bonus episode. The response of our audience has been overwhelmingly enthusiastic about the world premiere of the private, recorded conversation between Tim Page and Glenn Gould. They wanted to learn more about this unique audio document, and we're happy to oblige. In this special program, Tim Page reflects on his spontaneous phone conversation with Glenn, and contrasts it with a later scripted interview for the 1982 Goldberg Variations recording, and recounts personal anecdotes, including a private piano performance by Gould. The episode also highlights Gould's appreciation for in-depth conversations free from clichéd questions and his humour, expressed through his fictitious alter egos, Theodore Slutz, Nigel Twitt-Thornwaite and Karlheinz Klopweisser. The discussion encompasses Gould's enormous influence on restoring the reputations composers like Strauss and Sibelius.

This episode, Adam and Nate will definitely hit their CanCon quota as they review Thirty Two Short Films About Glenn Gould (1993), the namesake of perhaps their favorite Simpsons episode, “22 Short Films about Springfield” (S7E21). This unconventional biopic about eccentric pianist Glenn Gould achieved escape velocity to find its way beyond the Canadian film world and into American media, from Siskel & Ebert to The Simpsons.Also in this episode:• A statistical analysis of title parodies on The Simpsons (where some of the spiciest movie references live!)• How this movie deconstructs the biopic genre through a series of mixed-media shorts • Our most Canadian episode yet, featuring Heritage Minutes, the National Film Board, an appreciation of Colm Feore, and the Genies!• Plus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further readingNext time, former Simpsons and showrunner Bill Oakley joins Adam and Nate as they continue their celebration of “22 Short Films about Springfield” (S7E21) and its parody of Pulp Fiction (1994).Follow us @simpsonsfilmpod on Instagram, TikTok, YouTube, Twitter, and Letterboxd.

Have you ever wondered what it would be like to have received one of the legendary nocturnal phone calls from pianist Glenn Gould? For the first time, Gould Standard listeners will have the chance to eavesdrop on such a conversation, albeit one that took place in the daytime. Pulitzer prize winning music critic, Tim Page, is widely recognized as one of America's leading writers on music and the arts. From an early age, he was fascinated by the music and ideas of the Canadian pianist, Glenn Gould. In October 1980, Gould agreed to a print interview with him to appear in the SoHo News. Tim scheduled a telephone conversation to prepare his article, which he recorded on cassette tapes. Rediscovering the tapes years later, Tim realized what a precious souvenir and historical document he had preserved. During this candid conversation, Gould unabashedly expresses his innermost feelings on topics such as recording vs. live musical performance, the concept of “The Idea of North,” and his perspectives on various composers and their works. The Gould Standard is grateful to Tim Page for letting us share this unprecedented and intimate look into the musical philosophies and eccentricities of one of the most brilliant musical minds of our era, in this world premiere presentation.

A conductor, harpsichordist, and organist, Masaaki Suzuki stands as a towering figure in Baroque music, renowned for his comprehensive and top-tier recordings of Bach's works, including all of Bach's sacred and secular cantatas. Suzuki's unparalleled dedication extends beyond Bach, with significant contributions to the works of Mozart, Handel, and other 18th-century composers. He is the founder of the Bach Collegium Japan, an artist in residence at Yale, and conducts orchestras and choruses around the world.  Tyler sat down with Suzuki to discuss the innovation and novelty in Bach's St. John's Passion, whether Suzuki's Calvinist background influences his musical interpretation, his initial encounter with Bach through Karl Richter, whether older recording of Bach have held up, why he trained in the Netherlands, what he looks for in young musicians, how Japanese players appreciate Bach differently, whether Christianity could have ever succeeded in Japan, why Bach's larger vocal works were neglected for so long, how often Bach heard his masterworks performed, why Suzuki's  favorite organ is in Groningen, what he thinks of Glenn Gould's interpretations of Bach, what contemporary music he enjoys, what he'll do next, and more. Read a full transcript enhanced with helpful links, or watch the full video.  Recorded November 1st, 2023. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.    

He's a poet, art critic, curator, translator, cultural theorist -- and someone who helps make sense of our world. Ranjit Hoskote joins Amit Varma in episode 363 of The Seen and the Unseen to talk about his life, his times and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ranjit Hoskote on Twitter, Instagram and Amazon. 2. Jonahwhale -- Ranjit Hoskote. 3. Hunchprose -- Ranjit Hoskote. 4. I, Lalla: The Poems of Lal Dĕd -- Translated by Ranjit Hoskote. 5. Poet's nightmare -- Ranjit Hoskote. 6. State of enrichment -- Ranjit Hoskote. 7. Nissim Ezekiel, AK Ramanujan, Arun Kolatkar, Keki Daruwalla, Dom Moraes, Dilip Chitre, Gieve Patel, Vilas Sarang, Arvind Krishna Mehrotra, Agha Shahid Ali, Mani Rao, Mustansir Dalvi, Jerry Pinto, Sampurna Chattarji, Vivek Narayanan and Arundhathi Subramaniam. 8. Ted Hughes, Geoffrey Hill, Seamus Heaney, Sharon Olds, Louise Glück, Jorie Graham and Rita Dove. 9. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 10. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 11. कुँवर नारायण, केदारनाथ सिंह, अशोक वाजपेयी and नागार्जुन. 12. Ravi Shankar, Ali Akbar Khan, Bismillah Khan, Igor Straviksky, Pyotr Ilyich Tchaikovsky, Steve Reich and Terry Riley. 13. Palgrave's Golden Treasury: From Shakespeare to the Present. 14. The Rime of the Ancient Mariner -- Samuel Taylor Coleridge. 15. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 16. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 17. Arun Khopkar, Mani Kaul and Clement Greenberg. 18. Stalker -- Andrei Tarkovsky. 19. The Sacrifice -- Andrei Tarkovsky. 20. Ivan's Childhood -- Andrei Tarkovsky. 21. The Color of Pomegranates -- Sergei Parajanov. 22. Ranjit Hoskote's tribute on Instagram to Gieve Patel. 23. Father Returning Home -- Dilip Chitre. 24. Jejuri -- Arun Kolatkar. 25. Modern Poetry in Translation -- Magazine and publisher founded by Ted Hughes and Daniel Weissbort. 26. On Exactitude in Science — Jorge Luis Borges. 27. How Music Works — David Byrne. 28. CBGB. 29. New York -- Lou Reed. 30. How This Nobel Has Redefined Literature — Amit Varma on Dylan winning the Nobel Prize. 31. The Fire and the Rain -- Girish Karnad. 32. Vanraj Bhatia on Wikipedia and IMDb. 33. Amit Varma's tweet thread on Jonahwhale. 34. Magic Fruit: A Poetic Trip -- Vaishnav Vyas. 35. Glenn Gould on Spotify. 36. Danish Husain and the Multiverse of Culture -- Episode 359 of The Seen and the Unseen. 37. Steven Fowler. 38. Serious Noticing -- James Wood. 39. How Fiction Works -- James Wood. 40. The Spirit of Indian Painting -- BN Goswamy. 41. Conversations -- BN Goswamy. 42. BN Goswamy on Wikipedia and Amazon. 43. BN Goswamy (1933-2023): Sage and Sensitivity -- Ranjit Hoskote. 44. Joseph Fasano's thread on his writing exercises. 45. Narayan Surve on Wikipedia and Amazon. 46. Steven Van Zandt: Springsteen, the death of rock and Van Morrison on Covid — Richard Purden. 47. 1000 True Fans — Kevin Kelly. 48. 1000 True Fans? Try 100 — Li Jin. 49. Future Shock -- Alvin Toffler. 50. The Third Wave -- Alvin Toffler. 51. The Long Tail -- Chris Anderson. 52. Ranjit Hoskote's resignation letter from the panel of Documenta. 53. Liquid Modernity -- Zygmunt Bauman. 54. Rahul Matthan Seeks the Protocol -- Episode 360 of The Seen and the Unseen. 55. Panopticon. 56. Tron -- Steven Lisberger. 57. Gita Press and the Making of Hindu India — Akshaya Mukul. 58. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 59. Ramchandra Gandhi on Wikipedia and Amazon. 60. Majma-ul-Bahrain (also known as Samudra Sangam Grantha) -- Dara Shikoh. 61. Early Indians — Tony Joseph. 62. Tony Joseph's episode on The Seen and the Unseen. 63. Who We Are and How We Got Here — David Reich. 64. पुराण स्थल. 65. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 66. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 67. The Speaking Tree: A Study of Indian Culture and Society -- Richard Lannoy. 68. Clifford Geertz, John Berger and Arthur C Danto. 69. The Ascent of Man (book) (series) -- Jacob Bronowski. 70. Civilization (book) (series) -- Kenneth Clark. 71. Cosmos (book) (series) -- Carl Sagan. 72. Richard Dawkins, Steven Pinker, Stephen Jay Gould and Oliver Sacks. 73. Raag Darbari (Hindi) (English) — Shrilal Shukla.. 74. Raag Darbari on Storytel. 75. Krishnamurti's Notebook -- J Krishnamurty. 76. Shame -- Salman Rushdie. 77. Marcovaldo -- Italo Calvino. 78. Metropolis -- Fritz Lang. 79. Mahanagar -- Satyajit Ray. 80. A Momentary Lapse of Reason -- Pink Floyd. 81. Learning to Fly -- Pink Floyd, 82. Collected poems -- Mark Strand. Amit Varma and Ajay Shah have launched a new video podcast. Check out Everything is Everything on YouTube. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Dancing in Chains' by Simahina.