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WFTY-DT (channel 67) is a television station licensed to Smithtown, New York, United States, serving Long Island and owned by TelevisaUnivision. Its main channel broadcasts the True Crime Network; it also rebroadcasts the main channels of its New York City–area Univision and UniMás stations, WXTV-DT (channel 41) and WFUT-DT (channel 68), from its transmitter in Middle Island, New York. Channel 67 was originally assigned to Patchogue, New York, where television producer Theodore Granik obtained the construction permit for a new TV station in September 1968. Granik envisioned a group of ultra high frequency (UHF) stations carrying public affairs programming, but he died in 1970 with channel 67 unbuilt. The permit was acquired by the Suburban Broadcasting Corporation, which believed it could fill a void in providing news, sports, and entertainment programming from and for Long Island. On this basis, WSNL-TV began broadcasting on November 18, 1973. As much as 70 percent of its lineup consisted of live, local programming—a level far ahead of most stations—ranging from local news and sports to children's and cooking shows and a Long Island–set soap opera. The station struggled to build a viewer and advertiser base owing to reception difficulties—lampooned so frequently by Newsday writer Marvin Kitman that he was sued—and economic troubles. It left the air on June 20, 1975, and filed for bankruptcy the next year. In 1978, Canwest Capital Corporation, a Canadian company whose U.S. subsidiary Universal Subscription Television was in the subscription television (STV) business, paid off all of Suburban's debts in exchange for the rights to broadcast STV programming on channel 67. Canwest then entered into a joint venture with Wometco Enterprises, majority owner of channel 68 and operator of the Wometco Home Theater (WHT) STV service that served the New York City area and northern New Jersey. Beginning in June 1980, WSNL-TV began providing WHT on Long Island. Wometco terminated the joint venture in 1981 and became the sole owner of channel 67. At its peak, WHT served more than 111,000 subscribers and was the fourth-largest STV system in the nation. The death of Wometco majority owner Mitchell Wolfson in 1983 triggered a leveraged buyout by Kohlberg Kravis Roberts (KKR). As subscriptions declined due to rising cable penetration, Wometco sold off the WHT business but kept channels 68 and 67, which began broadcasting a music video service known as U68 on June 1, 1985. U68 was a locally programmed competitor to MTV with a more eclectic mix of music. The stations were put on the market in December 1985 because KKR executed a second leveraged buyout, this time of Storer Communications, and chose to retain Storer's cable systems in northern New Jersey and Connecticut over WWHT and WSNL-TV. The two stations were sold to the Home Shopping Network (HSN) as part of its foray into broadcasting; renamed WHSE and WHSI, they broadcast home shopping programming for the next 15 years. While an attempt by company owner Barry Diller to convert the stations to general-entertainment independents was slated as late as 2000, Diller ultimately sold WHSE and WHSI and other USA Broadcasting stations to Univision in 2001. Many of these stations formed the backbone of Telefutura (now UniMás), which launched in January 2002. PICTURE: https://logos.fandom.com/wiki/WFTY-DT --- Send in a voice message: https://podcasters.spotify.com/pod/show/thequeensnewyorker/message
In this episode of the show we are joined by our good friend Hillary to talk about Leave No Trace, Debra Granik's drama about a man and his daughter living off the grid. Over the course of our conversation you will hear us talk about Granik's filmmaking being rooted in sociopolitical activism, Ben Foster's performance as a traumatized vet and Thomasin McKenzie's understated brilliance., as well as the fact the general audiences did not respond to this film as well as critics did. We also talk again about PTSD, how state-backed safety nets have flaws, the importance of socialized upbringing of children and how a single visual may be worth more than a scene full of dialogue. Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Featuring: Hillary White Intro: Infraction - Cassette Outro: Infraction - Daydream Head over to uncutgemspodcast.com to find all of our archival episodes and more! Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and Facebook (@UncutGemsPod) Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod) Subscribe to our Patreon! (patreon.com/uncutgemspod)
On our latest pocast we are joined by Elyse Granik who attended a retreat with us in May 2023. Over the last couple of months since the retreat Elyse has been gracious in sharing her experience with the horses post retreat. We asked Elyse to come and share about her time here and how the horses and her experience with them has integrated into her life. We are grateful for Elyse coming on to share her experience and her journey with the horses and their medicine.
A Master of Wine since 2006, Lisa Granik is an authority on Georgian wines and author of the books, “The Wines of Georgia” and “Granik's Guide to Georgian Wine.” Her career in wine has included working in nearly every aspect of the distribution system and in global trade development and education. Prior to entering the wine field, Lisa worked in international law; she earned her JD at Georgetown and a doctorate at Yale. She is the recipient of two Fulbright Scholarships, both in law and wine.The Connected Table is broadcast live Wednesdays at 2PM ET.The Connected Table Radio Show is broadcast on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Connected Table Podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
Dedication opportunities are available for episodes and series at https://ohr.edu/donate/qa Questions? Comments? podcasts@ohr.edu Yeshivat Ohr Somayach located in the heart of Jerusalem, is an educational institution for young Jewish English-speaking men. We have a range of classes and programs designed for the intellectually curious and academically inclined - for those with no background in Jewish learning to those who are proficient in Gemara and other original source material. To find the perfect program for you, please visit our website https://ohr.edu/study_in_israel whatsapp us at https://bit.ly/OSREGISTER or call our placement specialist at 1-254-981-0133 today! 00:00 Can a ger be a shul rav or synagogue president? 02:46 Are non-Jews viewed as good or as bad? 08:59 Should one pray for a public revelation of Hashem? 13:05 Does the success of Jews antagonize the non-Jews? 16:27 Can one use a remote system to cook for other Jews while it is Shabbat for them but not Shabbat for him? 18:49 If a baal teshuva follows, say, the Gr"a for zmanim, does he have to become a Granik? 22:58 What is the most important thing for a parent to teach their child? 24:33 Does one owe "back taxes" for maaser? 30:21 If someone insults one's parents, one cannot forgive that someone. Does this apply to oneself if one is a cohen or talmid chacham? 36:26 Is it better to pray alone at sunrise, or to pray with a minyan later? What about a minyan earlier? 38:21 Should one do teshuva on aveiros done without knowing, and if so, how? 42:45 How does one find meaning in korbanos despite it being irrelevant today? 52:23 Is there a reliable source that Eliyahu HaNavi drinks the fifth cup at the Seder? 54:45 What is the fundamental difference between alcohol and drugs? 59:47 Does pack-up time before travel count towards the 18 minutes of travel time to a minyan? Must one still leave if engaged in another mitzvah? 1:05:00 What are some core ideas to speak about at the Seder? 1:08:58 Can one walk through a private parking lot? 1:10:26 Are non-Jews punished for negative actions that are not covered by the Noahide laws? 1:14:27 Does Rashi care about order of information in the Torah or not? 1:21:42 Why do some rabbis rely on miracles for parnassah even though it detracts from their Olam Haba? Were these miracles decided on Rosh Hashanah? 1:24:34 Why do we pray if we believe that God knows what is best for us? 1:34:06 Are bank failures common, and can we learn a message from the recent bankruptcies? 1:37:30 When can one accept an event as a "divine sign"? 1:39:15 Should the Jewish community emphasize physical health as much as spiritual health? 1:41:50 Should one seek to be on a higher level even if that increases judgment upon them? What is the benefit of a higher level? Subscribe to the Rabbi Breitowitz Q&A Podcast at https://plnk.to/rbq&a Submit questions for the Q&A with Rabbi Breitowitz https://forms.gle/VCZSK3wQJJ4fSd3Q7 Subscribe to our YouTube Channel at https://www.youtube.com/c/OhrSomayach/videos You can listen to this and many other Ohr Somayach programs by downloading our app, on Apple and Google Play, ohr.edu and all major podcast platforms. Visit us @ https://ohr.edu PRODUCED BY: CEDAR MEDIA STUDIOS
Debra Granik is an American New York City-based independent film and documentary film director and screenwriter. She is most known for 2010's Winter's Bone, which starred Jennifer Lawrence in her breakout performance and for which Granik was nominated for Academy Award for Best Picture and Best Adapted Screenplay, 2004's Down to the Bone, which starred Vera Farmiga, and 2018's Leave No Trace, a film based on the book My Abandonment by Peter Rock. Winter's Bone won Grand Jury Prize: Dramatic film at the 2010 Sundance film festival. 4 Oscar noms for best adapted screenplay, best actress in a lead role, best supporting actor, best picture. Jennifer Lawrence was nominated for Best Actress and Outstanding Leading Actress for the Golden Globes and SAG Awards, respectively. Other projects Granik has in development include a documentary about life after being released from jail and the subject of recidivism in East Baltimore - that was to feature Felicia "Snoop" Pearson from The Wire and elements of her memoir, Grace After Midnight - but is now a documentary about four former inmates in New York City. In this episode, we talk about: • How the production company for Winter's Bone pulled out at the last minute, which gave her and her partner the freedom to choose an unknown actress who was closer to the age range of the character • Recruiting a fixer: how she develops or recruits a trustworthy group of informants to provide realism and honesty to her stories • How she started: graduated college with a documentary project about a guy in Waltham, MA • Meeting her producing partner and working on the feature film of Snake Feed: Down to the Bone • How she deals mentally and emotionally with intense, dark subject matter • How in Europe, they do a great job nurturing short films as opposed to here, it's a calling card • Her journey as an independent filmmaker • How projects get presented to her Guest: IMDb Wikipedia Host: Instagram: @MentorsontheMic @MichelleSimoneMiller Twitter: @MentorsontheMic @MichelleSimoneM Facebook page: https://www.facebook.com/mentorsonthemic Website: www.michellesimonemiller.com Youtube: https://www.youtube.com/user/24mmichelle If you liked this episode, check out Executive Producer Director Jason Ensler Check out your Write your Dream Role Starter Kit by Emily Grace. Full Episode with Emily Grace here
Welcome to Episode 963 Cynthia Chaplin interviews Lisa Granik, in this installment of Voices, on the Italian Wine Podcast. More about today's guest: Lisa Granik MW entered the wine trade following an earlier career as a lawyer and law professor. In 2010 she established Tastingworks, which offers tailored go-to-market strategies for wine regions and family-run wineries seeking to develop brands, to enter and/or improve their penetration in the American market. Her career in wine has included work in wine production, retail, import and distribution channels, working with both small and large wholesalers and importers around the United States. She was a Professor of Wine, Beer and Spirits at the New York Institute of Technology from 2013-2015. Her multiple speaking engagements include the Smithsonian Institution, the Cité du Vin et Civilization in Bordeaux, and numerous conferences. Lisa frequently judges in wine competitions worldwide. Her writings on wine have appeared in publications such as Sommelier Journal, The World of Fine Wine, and The New York Times. Lisa became a Master of Wine in 2006. She has a BS and MS in Foreign Service from Georgetown University, a JD from Georgetown, her LL.M and doctorate from Yale Law School. Widely published both in wine and in the law, she is the recipient of numerous awards and fellowships, among them two distinct Fulbright Scholarships (in 1990-91 and in 2017-18), the Villa Maria Award, a Waitrose Fellowship, and the Thomas Jefferson Award from the Pennsylvania Academy of Fine Arts. She is currently serves on the Board of the Women in Wine Leadership Symposium. She serves as a Board Member of the Institute of Masters of Wine (North America) from 2007-2018, and served as a member of the governing Council of the Institute of Masters of Wine, for which she co-chairs both the Governance and Diversity Committees. She recently was declared a “Leading Woman in Wine” in Somm Journal. Her book, The Wines of Georgia, was published in 2020 and is regarded as the definitive book on the subject. Her annual “Granik's Guide to Georgian Wine” was released in 2021. To learn more about today's guest visit: Website: granikmw.com Instagram: lagmw Facebook: Lisa Granik MW About today's Host: Cynthia Chaplin is a Vinitaly International Academy certified Italian Wine Ambassador, a professional sommelier with Fondazione Italiana Sommelier, a member of Le Donne del Vino, and a Professor of Italian wine and culture. Born in the USA, Cynthia moved to Europe in 1990 where she has lived in Spain, Belgium, England and Italy. She chose to center her career in Rome and immerse herself in the Italian wine sector, which is her passion. She has taught university students and expats, works with embassies, corporations and private clients, creating and presenting tastings, events, seminars and in-depth courses. Cynthia is a wine writer, translator, and a judge at international wine and sake competitions. She consults with restaurants and enotecas assisting in the development of comprehensive wine lists and excellent food pairings, as well as advising private clients who want to develop a comprehensive Italian wine collection. She lives with her British photographer husband on the shore of Lake Bracciano, north of Rome, where they share their beautiful garden with one massive grapevine, two border collies and an arrogant diva cat. If you want to learn more about today's host, you can by visiting: Facebook: Italian Wines in English Instagram: kiss_my_glassx Linkedin: https://www.linkedin.com/in/cynthia-chaplin-190647179/ Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodcast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, Cin Cin!
On Sunday May 23rd, 1954 at 6PM Eastern, The American Forum of the Air signed on Mutual with a discussion on the Supreme Court Decision of Brown versus The Board of Education. On May 17th, The Court ruled that racial segregation within the U.S. public school system was unconstitutional. It repealed the “separate but equal” doctrine from 1896. By the early 1950s the NAACP was filing lawsuits on behalf of plaintiffs in South Carolina, Virginia and Delaware, with Thurgood Marshall as attorney. In the most famous case, Oliver Brown filed suit against the Board of Education of Topeka, Kansas after his daughter, Linda Brown, was denied access to Topeka's all-white elementary schools. Brown claimed it violated the fourteenth Amendment. This case and four others eventually went before the U.S. Supreme court in December of 1952. At first, the justices were divided on how to rule. Chief Justice Fred M. Vinson felt the 1896 verdict should stand. But, he died in September of 1953 and President Eisenhower replaced him with California governor Earl Warren. Eisenhower knew this appointment would help overturn the nineteenth century verdict. In the decision, issued on May 17, 1954, Warren wrote that “in the field of public education the doctrine of ‘separate but equal' has no place,” as segregated schools are “inherently unequal.” Days after that decision, there was considerable debate in the media over whether desegregation was fair. In this episode of The American Forum, the debate is between Democrat Senator Paul Douglas of Illinois and Democrat Senator Price Daniel of Texas. The American Forum of the Air's roots were planted in Gimbels department store in 1928. Gimbels owned WGBS. Theodore Granik, a young law student who worked for Gimbels, did continuity, wrote dialogue, and reported sports events. He had an idea for a panel discussion on all kinds of legal issues. When the station was sold, WOR gave Granik a similar job. The American Forum of the Air premiered in 1934. By 1943, it had become a staple for those looking to stay abreast of socio-economics and politics. The format was tight. Proponents and opponents were allowed an opening statement; a panel discussion followed, questions were taken from the audience, and closing summations wrapped it all up. It was the only radio show printed verbatim in the Congressional Record and won a Peabody Award in 1949.
This week's guest is Recently named as one of “the 50 most influential women in the wine trade,” and as “a leading woman in wine,” Lisa Granik MW entered the field following an earlier career as a lawyer and law professor. Having worked in wine production, retail, import and distribution channels, she has worked with both small and large wholesalers and importers around the United States. Her writings on wine have appeared in publications such as Sommelier Journal, The World of Fine Wine, and The New York Times. Lisa became a Master of Wine in 2006. She has a BS and MS in Foreign Service from Georgetown University, a JD from Georgetown, her LL.M and doctorate from Yale Law School. Lisa and MJ discuss her unconventional path to becoming a Master of Wine, imposter syndrome, how wine is like people, where to get the best steak in Philly, Lisa's time in the Soviet Union, and why she left litigation behind. A huge thank you to Lisa Granik Follow Lisa on IG at @lisagranikmwFor more information, check out Tastingworks website at http://granikmw.com/This episode's in studio wines: Kapistoni TavkveriKapistoni Chinebuli Zulal Areni Vayots Dzor ______________________________________________________________Until next time, cheers to the mavericks, philosophers, deep thinkers, and wine drinkers! Don't forget to subscribe and be sure to give The Black Wine Guy Experience a five-star review on whichever platform you listen to.For insider info from MJ and exclusive content from the show sign up at Blackwineguy.comFollow MJ @blackwineguy Thank you to our sponsor: Taub Family Selections. Taub Family Selections is a dynamic fourth generation, family-owned wine import company with a truly enviable portfolio of fine wines from 11 countries. They are proud to represent an exceptional portfolio of high quality, terroir centric and historic producers from around the world, including Italy and France - where they have an exciting roster of burgeoning vignerons from Burgundy coming your way soon. Learn more at www.taubfamilyselections.comThank you to our sponsor: Independence Wine and Spirits - or IWS. IWS is one of the hot up and coming distributors of fine wines and spirits headquartered in New York City. Like Taub Family Selections, IWS is owned by the Taub family, who have re-entered the NY wholesale market, bringing the family back to its roots in distribution where they held court from 1951 – 2004. To learn more about IWS go to: https://independencewine.com Love this podcast? Love the cool content? Get a producer like mine by reaching out to the badass team at Necessary Media. www.necessarymediaproductions.com@necessary_media_ See acast.com/privacy for privacy and opt-out information.
We are just pleased as punch to be joined this week by actor Dale Dickey. You Might Know Her From Winter's Bone, My Name is Earl, Leave No Trace, True Blood, Iron Man 3, The Guilt Trip, and Breaking Bad. We had a blast with Dale talking about mastering “the squirt” as Annelle in the Chicago production of Steel Magnolias, acting opposite baby wolves as a werewolf on True Blood, and what the presence of Barbra Streisand or Betty White does to a set. All those goodies plus her Indie Spirit-winning role as the hot-coffee-flinging FOIL to an unknown Jennifer Lawrence and her supreme pack of Southern character actresses. Come for the incredible Dale interview and stick around for some And Just Like That musings. Follow us on social media @damianbellino || @rodemanne Discussed this week: Previous guest of YMKHF, Madhur Jaffrey (Ep #45) Our interview with Sarita Choudhury (Ep# 58) Seema Patel on And Just Like That “There You Are Peter” in Hook Sara Ramirez was SO good in Spamalot “Song That Goes Like This” “Find Your Grail” Bisexual episode of Sex and the City co-stars Alanis Morisette RIP Ronnie Spector Roughed up Jennifer Lawrence in Winter's Bone (2010, director: Deborah Granik) Shot in the Ozark Mountains of Missouri opposite local non-actors She won the Indie Spirit for Winter's Bone Leave No Trace (2018, Granik) 1989 Peter Hall production of Merchant of Venice starring Dustin Hoffman Did stage version of Steel Magnolias in 1980s Chicago Former guests, Beth Grant (Ep #90) and Connie Schulman (Ep #15) both did Steel Magnolias Playwright Robert Harling “discovered” her while serving at 107 West Restaurant Elieen Davidson talked to us about working with wolves on Ep #74 of YKMHF Dale Dickey in True Blood Meth addict in Breaking Bad Pack of Southern women: Beth Grant, Connie Schulman, Jennifer Lawrence, Margot Martindale, Kim Dickens, Holly Hunter, Kathy Bates, Jessica Lange We love Holly Hunter in Broadcast News and Miss Firecracker Contest Played two different roles in the Del Shores universe Sordid Lives (First played Glendora and then Sissy Hickey) Played Patty the Daytime Hooker on My Name is Earl but was never pressured to become a Scientologist. Betty White played her mother on My Name is Earl Starred opposite Tyne Daly in Christy and then got the Cagney and Lacey: Together Again movie from that Did a small role in Iron Man 3 with Robert Downey Jr., who arranged for an AA meeting Starred as a bartender in the Seth Rogen/Barbra Streisand movie, The Guilt Trip Oona the Wench in the Pirates of the Caribbean: Wedlocked Beth Grant episode #90 of YMKHF SJP puking on AJLT
"Well, he loved y'all. That's where he went weak." For Episode 173, we kick off our month of Female Filmmakers by talking about the career of Debra Granik. Listen as Brandon and Thomas talk about Granik's ability to cast undiscovered talent and her three fantastic films, including Down to the Bone, Leave No Trace, and Winter's Bone. Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod Medium: CineNation E-mail: cinenationpodcast@gmail.com
The history of Georgian wines can be traced back 8000 years but the modern Georgian wine industry its fairly young in the grand scheme of the world’s wines. It was only in the 80s when the Georgia opened up to western countries that their wines became influenced by modern techniques. My guest Lisa Granik, author of Georgia a Winemaking Country, describes the history and the regions of the country. A striking quote from Lisa’s book is - ‘the number of producers increased by double digits in the time writing the book’. This highlights that the country is rapidly changing with a greater global interest in their wines thanks to their unique techniques and grape variety. Now is a perfect time to learn about the regions in more depth. In this episode we discussed: The major native grapes (did you know there are more than 500 of them?!); the ancient amphoras called Qvevri or Churi, as I discovered while speaking to Lisa: Churi are Qvervri of west Georgia; What Lisa thinks is a great wine for those want to start exploring the country: lastly why Georgian grapes may play a bigger role in the years to come with the warming of the earth. As promised on the show here are the names of the grapes discussed:Saperavi produces rich dark red wines suitable for extended aging - Saperavi is one of the essential grapes used in Georgian red wines.OjaleshiOjaleshi is grown on the mountain slopes above the banks of the Tskhenistskali River, particularly in the Samegrelo region of Western Georgia.RkatsiteliRkatsiteli is responsible for both high-volume, good value whites, and high-quality examples – especially those fermented on the skins in qvevri. Rkatsiteli grapes have great acidity and good body. It’s produced in both traditional Georgian style and with European vinification methodsTsolikouri is the white grape of western Georgia. Pronounced tso-li-ko-u-ri, Imereti’s humidity makes it a challenging area for many grapes, but Tsolikouri is relatively thick-skinned which helps it to resist fungal diseases. For Further information visit: https://winesgeorgia.com/ https://www.georgianwine.uk/ https://wineriesingeorgia.com/https://www.winemag.com/2020/11/10/the-wines-of-georgia/https://www.tasteofgeorgia.co.uk/
22 maja 334 p.n.e. – Aleksander Macedoński odniósł zwycięstwo w bitwie nad rzeką Granik.22 maja 1176 – Drugi nieudany zamach asasynów na Saladyna.22 maja 1455 – Zwycięstwo armii Yorków w I bitwie pod St Albans rozpoczęło trwającą 30 lat Wojnę Dwóch Róż22 maja 1640 – W Katalonii wybuchło antyhiszpańskie powstanie, tzw. wojna żeńców.22 maja 1762 – W Rzymie została odsłonięta fontanna di Trevi.22 maja 1911 – We Lwowie powstały pierwsze 4 drużyny skautowe.22 maja 1912 – Na warszawskich Powązkach został pochowany Bolesław Prus.22 maja 1919 – Wojska ukraińskie zakończyły oblężenie Lwowa i wycofały się wobec ofensywy Wojska Polskiego.22 maja 1937 – Michaił Tuchaczewski został aresztowany pod zarzutem szpiegostwa.22 maja 1939 – Niemcy i Włochy podpisały w Berlinie tzw. Pakt stalowy.22 maja 1942 – Meksyk wypowiedział wojnę państwom Osi.22 maja 1943 – Żołnierz AK Jan Kryst zastrzelił trzech oficerów Gestapo.22 maja 1980 – Ukazała się gra komputerowa Pac-Man.22 maja 2017 – Samobójczy zamach bombowy przed halą widowiskowo-sportową w Manchesterze.
Brian Granik is a great person. He was super involved in the NJ scene back in the late 90s from promoting shows, being apart of Umbilical Records, playing with Houseboy and 5 Driver, and just always being front row to point that sweet finger of his up in the air when he sang along. He was hesitant for a good amount of time until one day the stars aligned and he finally gave in. So I got him on Skype while we had many drinks and this is what we talked about: Going to school with other NJ punk rockers His thoughts on the scene itself Working at Hot Topic in the Rockaway Mall How Modesty Panel’s record got funded White Powdered Donuts Comp And a ton more Go check out houseofmerch.com which is run by Sean from Lanemeyer. You can find a ton of shirts from your favorite bands large and larger. The prices are super low compared to other websites out there and you can take an extra 10% off by using the promo code “scene”. So go do that. If you haven't watched one of the quarentunes live streams on the NJPP Facebook group you have been missing out! Performers have included a number of people who have been interviewed on the podcast(including me). The next live stream is next Friday, May 22nd beginning at 8 pm. Musical guests include Jeff from Mother Mania, Jonah Matranga from far and One Line Drawing, Mikey ERG, Shane from Valencia, John Maiello from Dead Bars, The Archivist himself, Joe Pulito, Chris Schulz from Suicide Pact, and Michael Joncas of Harrison Ford Mustang. You are not going to want to miss this one! Tune In by joining the North Jersey pop-punk 1994 - 2002 Facebook group or by visiting the NJPP archives YouTube channel. Feel free to support the podcast for as little as $1 a month through Patreon Or go to thiswasthescene.com to possibly buy some merch.
Debra Granik deserves to be included on any list of the best filmmakers of the 21st century. That should give you an idea of what we thought of Granik's four films, which include the Oscar nominated Winter's Bone and last year's Leave No Trace. Show Notes/Sources: https://www.hollywoodreporter.com/news/director-debra-granik-explains-why-been-eight-long-years-between-winters-bone-leave-no-trace-1123551 https://variety.com/2019/film/news/debra-granik-oscar-insider-leave-no-trace-1203101924/ https://tisch.nyu.edu/grad-film/alumni/debra-granik- https://thedissolve.com/features/interview/1087-winters-bone-director-debra-granik-says-the-new-st/ https://podcasts.apple.com/us/podcast/debra-granik-and-jennifer-lawrence-winters-bone/id417057875?i=1000092364504 http://www.shedoespodcast.com/listen/debra-granik https://www.stitcher.com/podcast/turner-podcast-network/filmstruck/e/55203585 https://www.metacritic.com/feature/film-critic-top-ten-lists https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2018 https://www.tiff.net/the-review/tiff-long-take-ep-73-debra-granik-leave-no-trace-breakout https://player.fm/series/indiewires-filmmaker-toolkit/leave-no-trace-director-debra-granik https://www.stitcher.com/podcast/national-public-radio/bullseye-with-jesse-thorn/e/58880875 https://www.indiewire.com/2019/02/debra-granik-marielle-heller-oscars-2019-1202044494/ https://www.nytimes.com/2015/07/03/movies/review-stray-dog-documents-a-complex-veteran.html https://www.indiewire.com/2018/12/jane-campion-debra-granik-oscar-nom-best-director-leave-no-trace-1202029649/
The 18-year-old New Zealander reflects on her breakout year (after Debra Granik's latest premiered at Sundance, she shot four other films), frequent comparisons with J-Law (the star of Granik's last film, 'Winter's Bone') and her plans for the future. Credits: Hosted by Scott Feinberg, recorded and produced by Matthew Whitehurst.
In this Q&A conversation Debra Granik, director and co-writer of Leave No Trace (2018), is joined by moderator and Pollock Theater Director Matt Ryan. The event is part of the Carsey-Wolf Centers Script to Screen series and covers the development of the film and its adaptation from Mindy Mejias novel of the same name. Granik discusses how characters and story were reworked for the film, the research that she did in preparation, and the ways the film seeks to represent family relationships and post-traumatic stress disorder. The conversation also covers the production process, the significance of the films setting in Oregon, and the actors preparations for their roles. Granik is also the director of Winters Bone (2010) and this Q&A draws comparisons between her work on these two films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34294]
In this Q&A conversation Debra Granik, director and co-writer of Leave No Trace (2018), is joined by moderator and Pollock Theater Director Matt Ryan. The event is part of the Carsey-Wolf Centers Script to Screen series and covers the development of the film and its adaptation from Mindy Mejias novel of the same name. Granik discusses how characters and story were reworked for the film, the research that she did in preparation, and the ways the film seeks to represent family relationships and post-traumatic stress disorder. The conversation also covers the production process, the significance of the films setting in Oregon, and the actors preparations for their roles. Granik is also the director of Winters Bone (2010) and this Q&A draws comparisons between her work on these two films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34294]
In this Q&A conversation Debra Granik, director and co-writer of Leave No Trace (2018), is joined by moderator and Pollock Theater Director Matt Ryan. The event is part of the Carsey-Wolf Centers Script to Screen series and covers the development of the film and its adaptation from Mindy Mejias novel of the same name. Granik discusses how characters and story were reworked for the film, the research that she did in preparation, and the ways the film seeks to represent family relationships and post-traumatic stress disorder. The conversation also covers the production process, the significance of the films setting in Oregon, and the actors preparations for their roles. Granik is also the director of Winters Bone (2010) and this Q&A draws comparisons between her work on these two films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34294]
In this Q&A conversation Debra Granik, director and co-writer of Leave No Trace (2018), is joined by moderator and Pollock Theater Director Matt Ryan. The event is part of the Carsey-Wolf Centers Script to Screen series and covers the development of the film and its adaptation from Mindy Mejias novel of the same name. Granik discusses how characters and story were reworked for the film, the research that she did in preparation, and the ways the film seeks to represent family relationships and post-traumatic stress disorder. The conversation also covers the production process, the significance of the films setting in Oregon, and the actors preparations for their roles. Granik is also the director of Winters Bone (2010) and this Q&A draws comparisons between her work on these two films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34294]
Movie Meltdown - Episode 452 This week we sit down with actor Jeff Kober to learn the secrets of not just life... but also to surviving in the entertainment industry. And while we decide which celebrities we plan to pretend to have a relationship with, we also bring up… La La Land, China Beach, Devon Sawa, Taserface, Tank Girl, dark endings, that was my target audience, The First Power, Debra Granik, Beauty Mark, James Remar threw a bottle at my frickin’ face, I followed a woman to California, Sully, everything happened for the reason… the way it was supposed to, Catherine Curtin, Billings, Montana, it’s all perspective, Chris Sullivan, I was the leader of a cult, Corey Haim, my first, last and only office job, Richard Ramirez, coming through the mask, perfectly awkward, Lori Petty, it was entirely based on being a dog and slightly damaged, The Walking Dead, not as therapy but as expression, Bruce Greenwood, the guy who had seen too much, Crazy Stupid Love, Auden Thornton, Hereditary, I really went into the darkness of that... and it took me a while to come back out of it, working with Clint Eastwood, a hot piece of man meat, no chemistry, if I kill enough of them… my fear will go away, he had his mom with him the whole time, really really deep feelings and Chuck either kicks my ass or kills me. “Where I came from... actors were different than people… so I didn’t think that I could… it never even occur to me.” For on Jeff, go to: https://jeff-kober.com/
In this episode of the Basketball Hall of Fame Legends Podcast, host Kyle Belanger sits down with Class of 2013 Enshrinee and former NBA executive Russ Granik. Topics include the challenges of marketing the NBA in the mid-1970s, his contributions to the international game with the cultivation of the Dream Team, and his relationship and partnership with former commissioner David Stern in the NBA league offices. Make sure to watch Russ Granik’s Hall of Fame Induction Speech at https://www.youtube.com/watch?v=VxYQ3xsRm2M and view his Hall of Fame profile at http://www.hoophall.com/hall-of-famers/russ-granik/ .
Eight years after her last feature, Winter’s Bone director Debra Granik is back with a brand new movie.Leave No Trace tells the story of a man and his teenage daughter living in the wild in Portland, Oregon. When they are caught and forced into traditional housing, the tension divides the once close parent-child relationship.In Winter's Bone, Granik discovered jennifer Lawrence, directing her to her first Oscar nomination. Now, it's a Kiwi getting all the attention. Actress Thomasin McKenzie Harcourt has created a lot of buzz with her performance, with the role shooting her to stardom.Debra Granik talks with Jack Tame about working with Thomasin and the themes of the movie.LISTEN ABOVE
In episode forty-one of movies imo., Ben, Brandon, and Daniel yell over each other about LEAVE NO TRACE, Debra Granik's long-awaited return to feature filmmaking/the woods. Afterwards they climb up the family tree to discuss three more daddy-daughter stories in Peter Bogdanovich's PAPER MOON, Benh Zeitlan's BEASTS OF THE SOUTHERN WILD, and Maren Ade's TONI ERDMANN. Ben has little to say about the Granik but plenty of love for the way screenwriter Lucy Alibar weaves Hushpuppy's childlike perspective into very adult situations throughout BEASTS, Daniel has trouble remembering the name of Dale Dickey's character in WINTER'S BONE, and Brandon solves the lingering mystery of whatever happened to Woman Driver from LEAN ON PETE. See acast.com/privacy for privacy and opt-out information.
Debra Granik's new movie, ‘Leave No Trace' follows a father and daughter living completely off the grid, in the woods. Granik could have cast a big name to play the daughter, and perhaps gotten a bigger budget, but she says that's not how her style of filmmaking works. Instead, she went with an unknown teenager from New Zealand.
This week on TIFF Long Take, Rob and Geoff sit down with award winning independent film director and writer, Debra Granik. Granik, whose films include Down to the Bone and Winter’s Bone, is recognized as one of film’s great talent spotters, casting actors Jennifer Lawrence and Vera Farmiga in their star-making roles. Her latest film, Leave No Trace, starring Ben Foster and rising star Thomasin McKenzie, is playing now at TIFF Bell Lightbox. Granik discusses what she looks for most in her leading actors, how she’s able to spot talent in relatively unproven actors, and how she prepares her cast for such physically and emotionally demanding roles. She also talks about about why she chooses to set her films in less conventional locations like the Ozarks or the Oregon wilderness, the challenges of making films about the disenfranchised, and where in America she hopes her next film will take her.
Debra Granik is perhaps best known for her casting and direction of Jennifer Lawrence’s breakout role in WINTER’S BONE, which was nominated for an Oscar for Best Picture in 2011. In her latest, LEAVE NO TRACE, which premiered at Sundance earlier this year and is now hitting theaters, her casting is spot-on once again with a new young actress Thomasin McKenzie and actor Ben Foster of HELL OR HIGH WATER fame. In this episode, Liz Nord learned some of the secrets behind the organic feeling of her films, including fostering an environment throughout casting and production where every cast and crew member has a willingness of to be flexible and adaptive to changes in circumstance. Nord and Granik are joined by LEAVE NO TRACE producers Anne Rossellini and Anne Harrison to discuss how they cultivate this quality among their collaborators, the steps they had to take to shoot in an unpredictable outdoor environment, and lots more.
Will (Ben Foster) and his teenage daughter, Tom (Thomasin Harcourt McKenzie), have lived off the grid for years in the forests of Portland, Oregon. When their idyllic life is shattered, both are put into social services. After clashing with their new surroundings, Will and Tom set off on a harrowing journey back to their wild homeland. The film is directed by Debra Granik (Winter’s Bone) from a script adapted by Granik and Anne Rosellini and based on the novel My Abandonment by Peter Rock. Director Debra Granik joins us to talk about her modern day tale of two people grappling with a sense of place, loyalty, love, and deep wounds. For news and updates go to: bleeckerstreetmedia.com/leavenotrace
Benicio Del Toro joins us on the Truth & Movies sofa to discuss his role in the cartel crime saga Sicario 2: Soldado, the second part of a proposed trilogy. Michael Leader, Adam Woodward and Manuela Lazic are on hand to offer their thoughts on that film, as well as Debra Granik’s tender father-daughter survival story Leave No Trace, starring Ben Foster and impressive newcomer Thomasin McKenzie. It’s Granik’s first narrative feature since 2009’s Winter’s Bone, which gets a second pass from our expert panel in this week’s Film Club – just how good is Jennifer Lawrence’s breakout performance? See acast.com/privacy for privacy and opt-out information.
It's Thanksgiving time, and that's means it's time for families. But before you head to twitter to compete for the dysfunctional family Thanksgiving award, give this episode a listen. You thought your family caused problems when they get together? They've got nothin' on the families in this episode. First up is Jeremy Saulnier's sophomore film, BLUE RUIN. A tight, noir-ish thriller starring the talented Macon Blair. Dwight is a character mourning for his murdered mother and father. When the man who was convicted of the crime is released from jail, the awkward and quiet Dwight decides to take a vengeance most savage. Following that: John Hawkes and Jennifer Lawrence team up in this Ozark Mountain sleuthing noir. A years-ahead-of-her-age teen must track down her delinquent father or risk losing the family home. It's the Oscar nominated WINTER'S BONE rounding out this episode.
Debra Granik is the Academy-award nominated director and writer of Winter’s Bone, which features a young Jennifer Lawrence in a gripping story set in the Ozarks. Winter's Bone won several awards including the Grand Jury Prize for Dramatic Film at the 2010 Sundance Film Festival. It also received four 2011 Academy Award nominations: Best Picture, Best Adapted Screenplay, Best Actress and Best Supporting Actor. Previously, she wrote and directed Down to the Bone, starring Vera Farmiga. Her narrative work is heavily influenced by real life and real people. So it makes sense that recently Debra has found herself exploring the non-fiction world. She recently released Stray Dog, a contemplative portrait of Ron 'Stray Dog' Hall: biker, Vietnam Vet, and lover of small dogs. It has screened over 60 times around the world and was nominated for a 2015 Film Independent Spirit Award for Best Documentary. In this episode, Debra talks about learning her craft from politically-active women in the 1970s, being inspired by real life, where ideas come from, how stories take seed, and the ins and outs of her many productions. Granik reflects on her past, present, and the future of the industry. SHE DOES PODCAST, hosted by Elaine Sheldon and Sarah Ginsburg, is a bi-weekly show featuring creative women. We hold live discussions with each of guests, one week after each show releases, where you get to ask your questions.