Podcasts about hubert selby jr

El libro El otro lado. Retratos, fetichismos, confesiones reúne la obra periodística de Mariana Enríquez. Propulsada por su potente estilo, escribe sobre algunos de sus ídolos y fetiches en ámbitos como la literatura y la música, además de abordar también aspectos de su propia vida.Encontramos en estas páginas desde una entrevista delirante con el legendario Charly García hasta un textosobre la fijación de los viandantes bonaerenses con el escote de la autora. Agudas piezas personales sobre sus inicios como escritora, la primera vez que la llaman «señora», la decisión de no ser madre o la fascinación por el erotismo homosexual conviven con espléndidos retratos de escritores como Bram Stoker, Mary Shelley, Lovecraft, Bradbury, Le Guin, Ballard, Richard Matheson o Neil Gaiman. Seabordan también las novelas vampíricas y las de temática sado de Anne Rice; figuras excéntricas como las de Hubert Selby Jr., Kenneth Anger, Joe Dallesandro o Mark Ryden; músicos como Guy Clark, Townes Van Zandt, Bruce Springsteen, los Rolling Stones, David Bowie, Kurt Cobain, Nick Cave o los Manic Street Preachers; actores como AsiaArgento, Jared Leto o Daniel Day-Lewis; mitos femeninos como Sylvia Plath, Nahui Olin o Kate Moss… Un libro ineludible para fans de Enríquez y para cualquier amante del periodismo vibrante y la buena literatura.

durée : 01:00:14 - Toute une vie - par : Matthieu Garrigou-Lagrange - Ce documentaire vous emmène à la découverte du puritain rigoureux derrière l'ancien junky, un enragé qui tente de contenir dans son ventre la part effrayante de lui-même et, indéniablement, un artiste majeur du 20e siècle. - invités : Sabine Delzescaux Sociologue et maîtresse de conférence à l'université Paris-Dauphine-PSL; Olivier Cohen Editeur, romancier, fondateur des éditions de L'Olivier; Philippe Lançon Ecrivain; Ludovic Cantais Auteur d'un documentaire sur H.Selby Jr en 1998 " Selby :2 ou 3 choses" éd. La luna; Philippe Garnier Journaliste, écrivain et traducteur; Bruno Bayon Écrivain et journaliste français

Souls Dead, Eyes Dilated: Darren Aaronofsky's Requiem for a Dream On this week's episode Mr. Chavez & I sit down for a re-watch of Darren Aaronofsky's second feature, Requiem for a Dream, based on the 1978 novel by Hubert Selby Jr. Aaronofsky's adaptation is a tragic and often times painful viewing of heroin addiction and the victims (Jared Leto, Marlon Wayans, and Jennifer Connelly) it leaves in its wake. Aaronofsky and Selby contrast heroin addiction with the more "acceptable" and less recognized addiction of prescription diet pills embodied in the struggles of Ellen Burstyn's Sara Goldfarb character as she struggles to lose weight and slowly slips into madness. With brutal and traumatizing imagery, Aaronofsky's film is a chilling look into the world of addiction. This week Mr. Chavez & I are thrilled to discuss this difficult, painful, and enlightening film. Take a listen and let us know what you think. We continue to be open to messages - gondoramos@yahoo.com. Many Thanks for your continued love and support.  For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos   - Anything and Everything is appreciated from you Cheap Bastards.

On today's show, guitarist and songwriter Lorne Behrman explains how he weathered through the pandemic in New York City, has a conversation about marriage and fatherhood, and talks about sobriety, A.I. & Chat GPT, his new album and more. Lorne also performs a couple of songs: BARBARA and YOU DON'T KNOW ME LIKE THAT. GUEST OVERVIEW: Lorne Behrman is a Punk rock n' roll guitarist and singer-songwriter songwriter who has previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks, and The Sweet Things. Lorne's most recent album - his second as a solo artist - BLUE LOVE (Spaghetty Town Records) is an 11-song collection featuring "a series of New York City vignettes haunted by shadows but guided by light." The stories on BLUE LOVE are literate and lacerating, recalling the street poetics of Lou Reed, Jim Carroll, Jesse Malin, Patti Smith, Hubert Selby Jr., and Tom Waits. The songs feature stark and fluid guitar playing in the spirit of Television, The Stooges' James Williamson, Johnny Thunders, and Robert Quine with Lou Reed. Previously, Lorne issued a critically-acclaimed EP and debut album that have garnered accolades and features in Classic Rock Magazine, Vive Le Rock Magazine, Metronome, Glide Magazine, New Noise, Goldmine, and taste-making punk mag Razorcake. Lorne has played shows with Richard Lloyd (Television), Jeremy & the Harlequins, Lenny Kaye (Patti Smith Group), Jonny Polonsky, Adam Masterson, Lulu Lewis, and Diane Gentile, among many others. https://www.lornebehrmanmusic.com/

What's good people?! Coming in hot with a reading of the essay Why I Continue To Write, by Hubert Selby Jr. And of course I do a bit of my fool's errand as well. Thanks for listening. Peace, Love and Rock & Roll, Stone --- Send in a voice message: https://podcasters.spotify.com/pod/show/stonepetoskey/message

Jonathan Lethem's Brooklyn Crime Novel brings readers to New York in the 70s and the cast of characters it contains. Lethem joins us to talk about creating something different than he'd done before, writing memory and nostalgia, the joy of bookselling and more with Miwa Messer, host of Poured Over. The Maniac by Benjamín Labatut defies genre with an examination and exploration of science and humanity from the Manhattan Project to the advent of A.I. Labatut joins us to talk about the dark art of writing, the mystery and mythology of existence, the importance of story and more with guest host, Jenna Seery.  We end this episode with TBR Topoff book recommendations from Jamie and Marc.    This episode of Poured Over was hosted by Miwa Messer and Jenna Seery and mixed by Harry Liang.            Follow us here for new episodes Tuesdays and Thursdays (with occasional Saturdays).       Featured Books (Episode):  Brooklyn Crime Novel by Jonathan Lethem  The Maniac by Benjamín Labatut  The Fortress of Solitude by Jonathan Lethem  Desperate Characters by Paula Fox  Another Country by James Baldwin  Steelwork by Gilbert Sorrentino   Last Exit to Brooklyn by Hubert Selby Jr.  When We Cease to Understand the World by Benjamín Labatut    Featured Books (TBR Topoff):  Underworld by Don DeLillo  The New Life by Tom Crewe 

Requiem for a Dream is a 2000 American psychological drama film directed by Darren Aronofsky and starring Ellen Burstyn, Jared Leto, Jennifer Connelly, Christopher McDonald and Marlon Wayans. It is based on the 1978 novel of the same name by Hubert Selby Jr., with whom Aronofsky wrote the screenplay. The film depicts four characters affected by drug addiction and how it alters their physical and emotional states. Their addictions cause them to become imprisoned in a world of delusion and desperation.

On Coney Island, four lives are destroyed by drug addiction. Directed by Darren Aronofsky. Screenplay by Aronofsky and Hubert Selby Jr. Based on Selby Jr.'s 1978 novel of the same name. Starring Ellen Burstyn, Jared Leto, Jennifer Connelly and Marlon Wayans. FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: Sharp Objects (HBO Max) Party Down (New season now airing on Starz)

Two longtime friends, Taylor and Bailey spoil, review, and discuss the 2000 film "Requiem For A Dream" written and directed by Darren Aronofsky; and based off the book Hubert Selby Jr. During their discussion they touch on various topics, such as drug addiction, the hardest scene to watch in the film, and underrated films that deserve a second chance . This episode features spoilers for Requiem For A Dream starting at 14:30. Check out our link tree to see our Instagram, Twitter, or join the Facebook group at https://linktr.ee/2idiots1podcast Please feel free to email questions, comments, or anything else to 2idiots1podcast2022@gmail.com.

Roberto Villagómez tiene 22 años, trabaja en librerías desde que tiene 18, y vende por su cuenta desde los 20. Primero en Facebook y ahora en Instagram (@LibreriadeCuarto). Si el Atlético de Madrid juega, la librería no trabaja. En este episodio reflexionamos sobre el romanticismo de las librerías anticuarias/independientes y lo que realmente significa trabajar como librero en espacios físicos y virtuales. Comparte tu opinión en nuestras redes sociales :) Sigue a Roberto: https://www.instagram.com/libreriadecuarto/ https://twitter.com/RobertoVillagm9 Librerías virtuales recomendadas: https://www.instagram.com/libreriadecuarto/ https://www.instagram.com/libreriaelmonogramatico/ https://www.instagram.com/libros_revistas_y_antiguedades/ RECOMENDACIONES DEL EPISODIO Liberías, Jorge Carrión Última salida para Brooklyn, Hubert Selby Jr. Lugar: librerías de Max Ramos SIGUE A CIUDAD LITERARIA Descubre librerías, bibliotecas y espacios librescos: https://www.instagram.com/ciudadliterariacdmx/ Descarga gratis nuestro mapa de bibliotecas: https://www.ciudadliteraria.com.mx/ Únete al club de lectura: https://www.facebook.com/groups/tertulialibrosyviajes Contacto: ciudadliterariacdmx@gmail.com

This episode is also available as a blog post: https://forthenovellovers.wordpress.com/2017/06/11/requiem-for-a-dream-by-hubert-selby-jr/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

We had the pleasure of interviewing ERRA over Zoom video! Prolific metalcore progressives ERRA have dropped the deluxe version of their latest album S/T, viia UNFD. The expanded edition of S/T is beefed up with seven additional tracks, including a feature from Spiritbox's Courtney LaPlante, along with three covers. The material on the deluxe has been praised by Loudwire, Rock Sound, Knotfest, Riff, and more. With touring off the table for most of 2021, the band found other means of creative outlet, and opted to re-enter the studio with producers Carson and Grant around the time of the release of what would go on to become their career-defining self titled album. On that album, the band confronted depression, anxiety, and desperation throughout. They took listeners on a near-out-of-body journey to Aokigahara, the infamous Suicide Forest of Japan; into episodic storytelling that would make Black Mirror writers proud; and into the literary works of Cormac McCarthy and Hubert Selby Jr. Recorded, mixed, and mastered by Carson Slovak and Grant McFarland, it served as a definitive mission statement for the band, the members of which are already well-respected players revered for their inspiring technicality and raw, natural talent. The deluxe edition builds upon that foundation. ERRA have also released a new mini-documentary. The footage was filmed in January 2021 when the band was recording the new songs and offers a deeper insight into their process and the artistic choices they made regarding the additional material and cover songs on the deluxe edition. Watch it here ERRA will return to the road this spring with Beartooth, Silverstein, and The Devil Wears Prada We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #ERRA #ST #musicinterview #MusicPodcast #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Ասք նյարդային սերունդների, հոգեկան առողջության, խարաններից խուսանավելու, հյուծող հույզերի և անկիրթ փայտահատների հասարակության մասին։ Hubert Selby Jr. “Last Exit to Brooklyn” գրքի էպիզոդներից մեկը նկարագրող երգ մը։ Ասք զինվորականների լռության, արթ-թերապիայի, դիմակների ազնվության, ընկճախտի անսրտության և սիրտը լայն պահելու մասին։ Կապույտ լուսնի տակ պարելու և երազելու մասին գերմաներեն երգ մը։

We discuss a lot of books with content warnings in this episode. Content warnings for drug use, animal abuse, and gore. If you would like a personalized reading recommendation, please visit litthesedayspodcast.com Everybody Writes by Ann Handley Trainspotting by Irvine Welsh A Clockwork Orange by Anthony Burgess Requiem for a Dream by Hubert Selby Jr. Queen of Angels by Riley Hennessey Verity by Colleen Hoover Misery by Stephen King Unguarded by Scotty Pippen Adele by Leila Slimani The Country of Others by Leila Slimani The Young Elites by Marie Lu Fletch by Gregory McDonald The City We Became by N.K. Jemisin

État critique : du post-punk à Brooklyn Bookmakers #15 - L'écrivain du mois : BayonNé Bruno Taravant en Côte d'Ivoire en 1951, Bayon signe de 1978 à 2015 dans le journal "Libération" des milliers d'articles très écrits sur ses idoles, The Cure, Joy Division, Suicide, Bashung ou Christophe... Chef anticonformiste et généreux des pages musiques du quotidien, alors en plein âge d'or, l'homme sans prénom offre à Libé son record absolu des ventes en 1991 (800 000 ex.) grâce à une interview "post-mortem" de Serge Gainsbourg, qui deviendra le livre "Gainsbourg raconte sa mort" (Grasset, 2001).Adoré ou détesté, ce moine-soldat de la critique, dont la minutie confine à l'entomologie, est aussi l'auteur méconnu d'une œuvre autobiographique intense, sans succès durable et pourtant inoubliable. À lire, outre les ouvrages mentionnés dans ces trois épisodes ("Mezzanine", "Les Animals"), le sidérant "Haut fonctionnaire" (Grasset, 1993), un « mémoire hanté » sur son père diplomate. En partenariat avec Babelio. (2/3) État critiqueDans « Roulette russe » (Fayard, 2016), journal intime de ses mornes envies lors de ses débuts à Libération, Bayon se regarde dans le miroir : « B. a trente ans. Lunettes. Cheveux abîmés. Oreilles aiguisées. Bouche assez présentable. Charnue, vive, dessinée. Mais dents calamiteuses. 60 kilos, problèmes familiaux graves, jadis ou en cours. Sociaux également, donc. Résultat mi-straight mi-cool. Moitié marrant, moitié curé (…) C'est un faux adulte, ou un enfant vieilli. Gaspille ses journées morfondu, mouronnant ou râlant, n'aime rien, ne voit rien, n'attend rien. Sans famille, sans attache, sans foi, sans ami, sans espoir, sans avenir (…) Employé sans ambition, lit, dîne toujours dehors, note sans queue ni tête et sans y croire. Même yeux ouverts, larmes aux yeux. Dort. »Le reste du temps, ce graphomane pathologique griffonne, romance et tape (dur) à la machine. Après moult provocations, le « jeune homme perdu » s'impose et propulse dans les colonnes de Libé ses idoles et ses marottes : Bashung, Murat, Manset, Cure, Joy Division, Suicide, Presley ou l'écrivain américain Hubert Selby Jr., qu'il part interviewer chez lui à Los Angeles pendant quinze jours. « Bookmakers » avant l'heure, leur conversation sur l'écriture et « l'extase du désastre » est intégralement publiée dans le journal puis dans un livre, « Selby de Brooklyn » (1985).Un jour, Bayon confia que son pire ennemi sur le plan littéraire, c'est, bien sûr, sa propre complaisance envers sa « manie du jongle et des roucoulades stylistiques », tout comme « la virtuosité instrumentale est l'ennemie de la musicalité, qui se passe fort bien de brio ». A-t-il réussi, au fil des années et des romans « somnambuliques », à faire sien ce conseil de Verlaine : « Prends l'éloquence et tords-lui son cou ! » ? C'est le sujet de ce deuxième épisode, qui ne manque pas d'air. Enregistrements : novembre 21 - Entretien, découpage, lectures : Richard Gaitet - Prise de son, montage : Sara Monimart - Réalisation, mixage : Charlie Marcelet - Musiques originales : Samuel Hirsch - Illustration : Sylvain Cabot - Production : ARTE Radio - Musiques originales : Samuel Hirsch

Jesse and John are joined by their cousin, artist/musician and Bowie aficionado Justin Waterman as they take a jaunt through Bowie's "Hunger City" on the first side of the 1974 album Diamond Dogs. You can find some of Justin's work by visiting his Twitter page @WatermanArt This episode is dedicated to the great photographer Mick Rock, who's passing was announced moments after the recordings of the Diamond Dogs episodes. A NOTE ON THE EPISODE: While discussing themes in Hubert Selby Jr.'s novel “Last Exit to Brooklyn” we are not aiming to group transgender people together with some other negative themes from the novel in a negative way. The context is describing similar themes found in the novel and on the album.

BE EXCITED! BE-BE EXCITED! Darren Aronofsky é um dos diretores mais interessantes da atualidade e, goste você ou não das suas obras, há de concordar que seus filmes são difíceis de serem ignorados. Depois de Pi, Aronofsky traz Réquiem Para Um Sonho, que completa 20 anos em 2020. Adaptação do livro de Hubert Selby Jr., o filme mostra as utopias surrealistas provocadas pelas drogas na vida de seus protagonistas. Mais do que isso, o filme expõe como a palavra "droga" pode ser uma definição completamente relativa. RICARDO RENTE Youtube Twitter Instagram Letterboxd ALEXANDRE ALMEIDA Textos do Alexandre Twitter Instagram Letterboxd SIGA O CINEMOU! Twitter Instagram CINEMOU.COM --- Send in a voice message: https://anchor.fm/cinemou/message

William (Bill) S. Burroughs and Hubert Selby Jr. (A.K.A Cubby) lived improbably long lives, considering the damage they inflicted on their bodies via heroin addiction. As the rest of America gloried in the post-WW2 period of prosperity, comfort and conformity, Bill and Cubby explored the ghettos, underpasses and fringes of society, looking for the forgotten people—those cast off and dismissed as unworthy of the so-called American Dream. They were interested in the stories of the homosexuals, drag queens, sex workers, junkies, drunks and hustlers. Unlike the unlucky rest of us, Bill and Cubby became more relevant and cooler as they got older. Their radical subject matter and writing styles drew in new generations of fans and attracted notable figures from other creative fields; Nirvana’s Kurt Cobain idolised Bill, while Cubby counted among his fans punk personality Henry Rollins and Red Hot Chilli Peppers frontman Anthony Kiedis.Please visit our website, hollywordpodcast.com to find show notes, including a list of sources used, and more information. 

In today’s episode we are finishing our Hubert Selby Jr. double feature by having a look at Darren Aronofsky’s Requiem for a Dream (2000). The movie is again set mostly in Brooklyn and while also exploring themes similar to those of Last Exit to Brooklyn, Requiem’s arguably even bleaker tone and story, as well as its novel and in part experimental approach to filmmaking at the time of release, manage to make it a very distinct viewing experience. We’ll be discussing editing choices, overall themes and the movie’s main characters: the widowed Sara and a trio of junkies consisting of her son Harry, his girlfriend Marion and his best friend Tyrone.

In this episode of the Books of Some Substance podcast, Nick chats with Michael Berdan from the New York City noise-rock-slash-industrial-metal band Uniform about Hubert Selby Jr.’s The Room.  We talk about the importance of tone and aesthetic in both vocal delivery and fiction’s prose, about Berdan’s deeply personal connection to Selby Jr.’s writing, and, perhaps most importantly, about how art can be coarse while still delivering a message of hope and compassion.   Uniform’s latest full-length, Shame, is available now through Sacred Bones Records and is, truthfully, the absolute perfect musical accompaniment to Hubert Selby Jr.’s writings.  Grating, boundary-pushing perspectives of humanity abound. We might all be isolated, but we're not all alone.

In this episode we’re having a look at Uli Edel’s 1989 slice-of-life drama Last Exit to Brooklyn. The film is based on Hubert Selby Jr.’s novel of the same name, which was hotly debated in some countries when it originally came out in 1964. Naturally, the novel’s at the time controversial themes and depictions of characters also carried over into the movie adaptation. We’ll be discussing the film’s portrayal of strike action involving the unionized workers of a local factory, a married man and father discovering his homosexuality, as well as the struggles of a young woman working as a street prostitute and other “rejects” that fell through the cracks of society.

Completiamo l'ascolto dell'album dedicato da Hal Willner: oltre ai musicisti ricorrenti nell'album, troviamo come ospiti fra gli altri Chuck D dei Public Enemy, il banjoista Tony Trischka, lo scrittore Hubert Selby Jr e Leonard Cohen come voci recitanti, la vocalist Diamanda Galas, di nuovo Charlie Watts, questa volta con Keith Richards, e Dr John come vocalist. Dopo questo album-tributo, Willner ha continuato producendo album di personaggi come Lou Reed e Marianne Faithful, ma anche di scrittori e poeti come William Burroughs e Allen Ginsberg, lavorando per il cinema (America oggi e Kansas City di Altman), allestendo due album di canzoni di marinai e pirati. Concludiamo la puntata con due bonus, in attesa di ascoltare il suo album-tributo postumo dedicato a Marc Bolan, in uscita a settembre.

Guest host Jane Kaczmarek presents three stories with surprising twists and turns, a reminder that surprises can still be entertaining, even though the world has changed in unpredictable ways.  A wife finds something unexpected in her local thrift shop in “Second Hand,” by Andres Neuman.  The story is performed by Kaczmarek.  Dawn Powell’s “Dinner on the Rocks” is an elegant comedy of bad manners, performed by Christina Pickles.  And the salesman in Hubert Selby Jr.’s “Fortune Cookie” thinks he’s found a formula for success.  Michael Imperioli is the reader.

Completiamo l'ascolto dell'album dedicato da Hal Willner: oltre ai musicisti ricorrenti nell'album, troviamo come ospiti fra gli altri Chuck D dei Public Enemy, il banjoista Tony Trischka, lo scrittore Hubert Selby Jr e Leonard Cohen come voci recitanti, la vocalist Diamanda Galas, di nuovo Charlie Watts, questa volta con Keith Richards, e Dr John come vocalist. Dopo questo album-tributo, Willner ha continuato producendo album di personaggi come Lou Reed e Marianne Faithful, ma anche di scrittori e poeti come William Burroughs e Allen Ginsberg, lavorando per il cinema (America oggi e Kansas City di Altman), allestendo due album di canzoni di marinai e pirati. Concludiamo la puntata con due bonus, in attesa di ascoltare il suo album-tributo postumo dedicato a Marc Bolan, in uscita a settembre.

Completiamo l'ascolto dell'album dedicato da Hal Willner: oltre ai musicisti ricorrenti nell'album, troviamo come ospiti fra gli altri Chuck D dei Public Enemy, il banjoista Tony Trischka, lo scrittore Hubert Selby Jr e Leonard Cohen come voci recitanti, la vocalist Diamanda Galas, di nuovo Charlie Watts, questa volta con Keith Richards, e Dr John come vocalist. Dopo questo album-tributo, Willner ha continuato producendo album di personaggi come Lou Reed e Marianne Faithful, ma anche di scrittori e poeti come William Burroughs e Allen Ginsberg, lavorando per il cinema (America oggi e Kansas City di Altman), allestendo due album di canzoni di marinai e pirati. Concludiamo la puntata con due bonus, in attesa di ascoltare il suo album-tributo postumo dedicato a Marc Bolan, in uscita a settembre.

«Je change sans aucun complexe de temps, de pronom, de voix, 3ème personne, 1ère personne. Je vais en tous sens, selon l’exigence de l’œuvre» H. Selby 1998. Hubert Selby, écrivain américain, est né le 23 juillet 1928 à New York. Il est mort le 26 avril 2004 à Los Angelès. Il écrit avec les «nerfs». Son écriture est rythmée et rapide. Le démon est sorti en 1976. Le roman raconte l’histoire de Harry White, jeune cadre new yorkais en proie à ses obsessions. On y lira bon nombre de similitudes avec American Psycho, écrit 15 ans plus tard par Bret Easton Ellis. Bibliographie Last Exit to Brooklyn – 1972 La Geôle – 1972 Le Démon – 1976 Retour à Brooklyn (Requiem for a dream) - 1978 Chanson de la neige silencieuse – 1986 La Saule – 1988 Waiting period – 2005 Filmographie Jour et nuit – 1986 Requiem for a dream – 2000 Inside job - 2002

Í þriðja þætti Hátalarans um Hal Willner hljómar tónlist af einu sólóplötunni sem hann gerði. Einnig eru leikin dæmi um hvernig hann vann með tónlist og talað orð. Ljóðlist Edgars Allan Poe og William S Burroughs kemur þar við sögu. Flytjendur eru Hubert Selby Jr., William S Burroughs, Iggy Pop, Christopher Walken, Jeff Buckley og Marianne Faithful - svo einhverjir séu nefndir.

Í þriðja þætti Hátalarans um Hal Willner hljómar tónlist af einu sólóplötunni sem hann gerði. Einnig eru leikin dæmi um hvernig hann vann með tónlist og talað orð. Ljóðlist Edgars Allan Poe og William S Burroughs kemur þar við sögu. Flytjendur eru Hubert Selby Jr., William S Burroughs, Iggy Pop, Christopher Walken, Jeff Buckley og Marianne Faithful - svo einhverjir séu nefndir.

It's another duo book club episode! Curl up next to the fire, forget Coronavirus, and listen to some literal out of this world content from Ray Bradbury as well as hellish drug-fueled New York stories from Hubert Selby Jr. Enjoy!

HUBERT SELBY JR raccontato da Luca Briasco

Las adicciones no son cosa de broma, ni siquiera nos toca muy de lejos… Cualquiera es suceptible de caer en ellas, incluso si nos paramos a pensar, o a preguntar, conocemos a algún que otro adicto, si es que nosotros mismos no lo somos. Y cómo no, en la literatura nos encontramos muchos ejemplos, tanto de autores que cayeron en ellas como de libros que hablan de las mismas… Así que, aquí lo tenéis, un programa dedicada a ellas. ¿Os lo váis a perder?

Edição de 17 de outubro 2017 - Requiem por um Sonho, de Hubert Selby Jr.

Author and poet Saleena Godden joins John Mitchinson, Andy Miller and Mathew Clayton to discuss Hubert Selby Jr's legendary transgressive novel of dead end life in working class 50's Brooklyn. WARNING: contains obligatory reference the The Fall.

Henry Rollins and Heidi May come to you with their first ever podcast, Heidi & Henry. Fourteenth episode: Henry & Hubert Selby Jr.    

They were a group of American post-World War II writers who came to be known as The Beat Generation. They were a cultural phenomena that both documented and inspired.The Halli Casser-Jayne Show brings you the voices of The Beat Generation in a conversation with San Francisco author and poet Alan Kaufman, author and publisher Brenda Knight, and founder and curator of The Beat Museum Jerry Cimino.Alan Kaufman is the author of two critically acclaimed memoirs Jew Boy and Drunken Angel and a novel Matches. Praised by authors as diverse as Hubert Selby Jr, Dave Eggars and David Mamet, e is also the editor of the bestselling anthologies The Outlaw Bible of American Poetry and more. He recently co-directed The Allen Ginsberg Festival and is co-founder with Clayton Patterson of The Acker Awards, an annual tribute given to members of the international avant garde underground. His works have been translated and appeared internationally.Brenda Knight is a twenty-year publishing veteran, starting at Harper Collins. She is the author of American Book Award-winning Women of the Beat Generation. She has worked with many bestselling authors including Mark Nepo, Phil Cousineau, and Paolo Coehlo. She is founding editor of Viva Editions, a division of Cleis Press.Jerry Cimino is the founder of The Beat Museum, which began in 2003 in Monterey, California and moved to San Francisco in 2006. The museum is dedicated to spreading the spirit of The Beat Generation, which is defined as tolerance, compassion and having the courage to live individual truth. The Beat Museum is home to an extensive collection of Beat memorabilia, including original manuscripts and first editions, letters, personal effects and cultural ephemera. Alan Kaufman, Brenda Knight, Jerry Cimino: The Beat Generation on The Halli Casser-Jayne Show. For more information about The Halli Casser-Jayne Show visit http://bit.ly/U4EEMd.

[...] Consternée par la descente aux enfers de Silvio Berlusconi, condamné par une justice inique à essuyer des anus de vieux plus jeunes que lui, la Salle 101 rétablit certaines vérités universelles en parlant d’oeuvres notables : L’univers de carton, de Christopher Miller, Last Exit to Brooklyn, de Hubert Selby Jr. et Zoo City, de [...]

[…] Consternée par la descente aux enfers de Silvio Berlusconi, condamné par une justice inique à essuyer des anus de vieux plus jeunes que lui, la Salle 101 rétablit certaines vérités universelles en parlant d'oeuvres notables : L'univers de carton, de Christopher Miller, Last Exit to Brooklyn, de Hubert Selby Jr. et Zoo City, de […]

A group of prostitutes, union workers, and drag queens all lead difficult lives within an existence of drugs, crime and violence in a working-class Brooklyn neighbourhood. Based on the 1964 novel by American author Hubert Selby Jr. The novel has become a cult classic because of its harsh, uncompromising look at lower class Brooklyn in the 1950s and for its brusque, everyman style of prose. Although critics and fellow writers praised the book on its release, Last Exit to Brooklyn caused much controversy because of its frank portrayals of taboo subjects, such as drug use, street violence, gang rape, homosexuality, transvestism and domestic violence. It was the subject of an important obscenity trial in the United Kingdom and was banned in Italy. Stream online: https://amzn.to/3e5at8y Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

A group of prostitutes, union workers, and drag queens all lead difficult lives within an existence of drugs, crime and violence in a working-class Brooklyn neighbourhood. Based on the 1964 novel by American author Hubert Selby Jr. The novel has become a cult classic because of its harsh, uncompromising look at lower class Brooklyn in the 1950s and for its brusque, everyman style of prose. Although critics and fellow writers praised the book on its release, Last Exit to Brooklyn caused much controversy because of its frank portrayals of taboo subjects, such as drug use, street violence, gang rape, homosexuality, transvestism and domestic violence. It was the subject of an important obscenity trial in the United Kingdom and was banned in Italy. Stream online: https://amzn.to/3e5at8y

The nightmare continues. After the success of Last Exit to Brooklyn, Selby pursues his bleak vision in Waiting Period...

In the first of a two-part interview, Hubert Selby, Jr, now in his seventies, reviews and relives the tumult created by his debut novel, Last Exit to Brooklyn.