Podcasts about i just died

Hailing from southwest Poland, DJ and producer 2SHER showcases loads of original productions blending sounds from Trance to House in his Spotlight Mix. Packed with favorites from artists like Cosmic Gate and Rivo alongside his newer productions like the euro dance cover, '(I Just) Died in Your Arms,' enjoy this innovative musical journey!

OOOHHH AHHHH, I JUST DIIIEED IN YOUR ARRRMS TOOONIGHT! ....and other songs! Follow us on Instagram⁠ or email thatnowpodcast@gmail.com Find all the playlists for our past and future episodes ⁠⁠on our Spotify Page 1. Don't Give Up - Peter Gabriel 2. Think for a Minute - The Housemartins 3. (Waiting for the) Ghost Train- Madness 4. In the Army Now - Status Quo 5. Stuck With You - Huey Lewis and the News 6. One Great Thing - Big Country 7. Greetings to the New Brunette - Billy Bragg 8. I Just Died in Your Arms - Cutting Crew 9. You Keep Me Hangin' On- Kim Wilde 10. Calling All The Heroes - It Bites 11. Doctor and the Medics with Roy Wood - Waterloo 12. French Kissin' in the USA - Debbie Harry 13. I Didn't Mean to Turn You On - Robert Palmer 14. The Wizard - Paul Hardcastle 15. (They Long to Be) Close To You - Gwen Guthrie 16. Every Loser Wins - Nick Berry

Date: September 23, 2024 Reference: Essat et al. Diagnostic Accuracy of D-Dimer for Acute Aortic Syndromes: Systematic Review and Meta-Analysis. Annals of Emergency Medicine, May 2024 Guest Skeptic: Dr. Casey Parker is a Rural Generalist from Australia who is also an ultrasounder. Case: You are working a busy shift in a rural emergency department (ED) […] The post SGEM#454: I Just Died in Your Arms Tonight – Diagnostic Accuracy of D-Dimer for Acute Aortic Syndromes first appeared on The Skeptics Guide to Emergency Medicine.

É um slow fantástico, para dançar a dois, pela letra e pelo som. O single dos Cutting Crew saiu em 1986, pouco tempo depois era passagem obrigatória nas discotecas. Cutting Crew | (I Just Died) in Your Arms (single) 1986

The escapees from Sing Sing have found Paradise, but will the long arm of the law reach out and grab them or will Lucifer get his revenge? Includes orginal song 'Happy Ending' - written and produced by Jo Boyd and Michael Keighley. Melbourne Fringe Festival 2023 - Digital Fringe BOOK BY: Samsara CAST: Jo Boyd as Peach Daniel Brasher as Celestial Prince Marlon Dance-Hooi is The Narrator Cosima Gilbert as Stardust Miss Josh Hayes as The Deputy Michael Keighley as Lothario Scott Knight as Lucifer Jaclyn Lombardo as Queen Poi Maree Shefford as Devil Woman Damian Vuleta as The Sheriff and Samsara as The Wench We use Free sound for sound FX and would like to acknowledge Deepseapro for Black Sand Beach Walk, Serge Quadrado for Magical Fantasy, Matmorfus for poolside ambience, Qubodup for the office, Bianca Botha Pure for Dropping Chess pieces on a chess board, Benboncan for unrolling and rolling a map, and Timbre for lightsaber. Samsara's Sun Set contains parodies of Justified Ancients of Mumu, Sea of Love, Money, Rasputin, Bang Bang, Man With The Hex, Happy Ending, The Power of Love, and I Just Died in Your Arms Tonight SCRIPT TRANSCRIPT This podcast is powered by Pinecast.

In this episode I chat with actors D'ann Connelly and Eva DeGuelle. They starred in the music video for I JUST DIED (watch it here:https://youtu.be/fnFPnBQvoaY )Follow them:D'Ann Connelly: https://instagram.com/dannconnellyEva DeGuelle: https://instagram.com/evadeguelle00:00: Intro01:15: Discussion on acting in Texas, especially in Austin.01:54: Process of becoming a Texas actor through auditions.04:04: Eva cast as lead spirit in the music video.05:24: Eva's role preparation and emotional connection.08:22: D'ann's cast experience and song introduction.09:09: Accessing emotions and challenges of intense scenes.10:23: D'ann's emotional day on set 11:36: Techniques for emotional scenes and on-set focus.12:46: Supportive crew and maintaining emotional state.14:12: Focus on character and scene while filming.15:30: Austin film community and collaborations.17:24: Reflections on challenging projects and friendships.18:41: D'ann's lifelong interest in acting from childhood.19:56: D'ann's transition from acting to location management.20:39: D'ann's return to acting and move to Austin.21:51: Acting inspirations and Eva's early passion for it.23:11: On training, connections, and beginnings.23:49: Eva's ongoing learning and diverse acting dimensions.25:09: Adapting tone in acting.25:53: Adapting to roles and motivations beyond glamour.27:09: Classic Hollywood inspirations and internet influence.29:11: Challenges behind the glamor of acting.29:54: Eva's realization of ensemble nature in stage theater.30:29: D'ann's pursuit of becoming different characters.31:06: Humbling experience of being an extra.31:46: Value of time, budget, and experience in projects.33:08: Versatility in budget projects and career progress.35:07: Choosing projects and maintaining consistent work.36:23: Commentary on specific scenes and music video memories.38:08: Watching and commenting on the music video44:11: Follow D'ann and Eva on instagram.

On this episode of drinks! Matt McCloskey and I chatted about the "I Just Died" music video that he directed. About how and why it was made and his journey in the world of film and music.WATCH THE MUSIC VIDEO: https://youtu.be/fnFPnBQvoaYCredits: Filmed by StoryMakers Production Co. in Austin, TXEdited by Hector Martinez ( @the.roomtone )Follow Matt on instagram.com/classypinata00:40 - Discussion about the music video "I Just Died."02:08 - Challenges in completing the video.04:39 - Balancing multiple projects and passion projects.05:16 - Matt's experience as a director and director of photography.06:34 - Matt as the Director.08:35 - Decision to make a music video instead of a short film.09:05 - Crew involvement and roles in the production.12:57 - Finding and getting a coffin.17:29 - Appreciation for the crew.18:41 - Joy and camaraderie experienced while working on the project.20:39 - Comparisons of film work to a circus or kitchen environment.21:11 - Reflections on the unique and rewarding aspects of a career in film.21:43 - Appreciation for the creative journey and shared artistic experiences.22:23 - Decision to move to Austin.24:14 - Austin, Texas.26:09 - Contrasting art scene in New Jersey to Austin's vibrant community.30:17 - Updates on Greystone band 34:44 - Sophia's involvement in the band and her own project.35:23 - Gratitude for meeting amazing people and interconnected experiences.36:07 - Reflecting on unexpected life experiences and joy of connecting with others.39:21 - Embracing the journey and unpredictability of life.41:42 - Sharing lyrics from the song "I Just Want My Hoodie Back, Bro."42:57 - Discussing creative process and connection between words and music.44:03 - Transformative power of music experiences.46:34 - The rewarding experience of playing shows and impacting others.48:24 - The fulfilling nature of writing and playing music.48:58 - Enjoying shared musical experiences and singing together.49:33 - Frank Turner's music as a common thread.50:00 - Recent work on a feature film and focusing on personal well-being.51:13 - Discussing the writer strike and its industry impact.51:49 - Embracing a normal life and enjoying outdoor activities.53:27 - Appreciating daily routines in Austin's spring.57:09 - Discussing the challenges of acting and performing emotions.58:14 - Appreciating the hard work of various film departments.1:00:25 - Reflecting on the crucial role of sound in filmmaking.1:01:43 - Director's commentary while watching the music video1:06:03 - Appreciating camera work, including the ronin and the fun zombie shot.1:07:34 - Explaining the "zolly" shot technique and mentioning the leaf blower scene.1:08:19 - Describing the car-mounted camera rig setup for certain shots.1:12:00 -  Outro Special thanks to Matt for all your time, energy and money spent on this piece.

National Strawberry Short Cake day. Entertainment from 1978, Stars & Stripes American flag, Sandpaper invented, Bunsen burner invented, player piano invented. Todays birthdays - Harriet Beecher Stowe, Burl Ives, Marla Gibbs, Donald Trump, Nick Van Eede, Boy George, Yasmine Bleeth. Henri Mancini died.Intro-Pour some sugar on me - Def Leppard http://defleppard.com/Strawberry Short Cake Theme songYour the one that I want - GreaseTwo more bottles of wine - Emmy Lou HarrisGoing to the chapel - The Dixie CupsBirthdays - In da club - 50Cent http://50cent.com/Holly Jolly Christmas - Burl IvesJefferson's theme song(I Just) Died in your arms - Cutting CrewDo you really want to hurt me - Culture ClubExit-It isn't Love - Dokken http://dokken.net/

Through revisiting Hootie & The Blowfish's first major single, Frank is finally able to come to terms with his shame. He is so sorry, Hootie. Links: Music Video Sesame Street Segment David Letterman Show How Our Cruelty Killed Hootie and the Blowfish - and Damaged Our Souls Mixtape You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn.   Transcript Bill: [0:01] Today is redemption day at Bill and Frank's Guilt-Free Pleasures. We are going to celebrate the positive force that is Hootie and the Blowfish by taking, a deep dive into their iconic first single. Frank: [0:17] So why don't you hold our hand as we take you through this song and take you through the band's history. This is Bill and Frank's Guilt-Free Pleasures. So I have a confession to make. I know the name of the podcast is Bill and Frank's Guilt-Free Pleasures, but I am riddled with guilt. Riddled with guilt for what I have done with a band that I once loved and then turned my back on because it was popular to make fun of them. And of course we're talking about Hootie and the Blowfish, and we're going to be talking specifically about Hold My Hand today, but back in 94, Hootie and the Blowfish burst onto the scene with their album Crack to Review, and were hugely popular. Crack to Review is not only one of the best debut albums of all time, but one of the best-selling albums of all time. And then 96 they released Fairweather Johnson. So, Cracked Review has I think 26 million copies sold and then by 96 Fairweather Johnson comes out 2.3 million copies sold. So the world turned their back on Hootie and the Blowfish and I was one of those who turned his back on them. I, I denied liking them. They were a dirty secret to me. I loved their music still. I still loved their music. [1:46] I was not supportive of the band and made fun of them. And for that, I need forgiveness. Bill: [1:54] So Hootie and the Blowfish, if you're listening, we're sorry. And we're going to go from guilty to guilt-free today. Let's go through the history of hooting the blowfish. Frank: [2:10] Yeah, so they kind of burst on the scene in 94, but they weren't just brand new. They had been playing as a band for eight years. They met and started the band in 86 in South Carolina. And the story goes, Mark Bryan heard Darius Rucker singing in the shower when they were both freshmen at university. From there he said like, hey, you got the, you have this great voice. So they started a band called the Wolf Brothers. And then they brought Dean Felber and the original drummer. Give me a second here. I have his name. Brantley Smith started the band. And then after university, Brantley left the band because he wanted to pursue a career in music ministry. And that's when Jim Sonnefeld came into the band. Bill: [2:58] And Jim Sonnefeld's tryout, is that what they call it when they're trying it? That's a better word. When he had his audition, he said to them, I write songs too. So Darius Rucker is telling the story at a concert a few years ago. And he's like, oh boy. And they said they spent the whole day kind. Frank: [3:02] Or audition, I think? Yep. Bill: [3:15] Of with him. And they had been drinking beer all day and like, oh boy, here we go. He's got a song. And the song that he brought to them was Hold My Hand. Even though it says all four of them wrote it from what I gather this is Jim Sonnefeld's song I think Darius Ruckerman worked on some lyrics as well I'm not sure I mean I like the idea that they, gave themselves all writing credit which of course was financially a great thing yeah but hold my hand was what the new drummer brought into the band and it's, one of those classic stories where you have all these pieces and then you kind of switch up drummers thinking of course that thing you do and then you some or the yeah was it Ringo okay sure so hold my hand which is the song we're gonna be talking about today was written I think probably 89 somewhere around. Frank: [4:04] 89, yep. Bill: [4:05] There so there's a version of it from 1990 that is released on the Cracked Rearviews 25th anniversary and there's another version of it on their EP Koochie Pop and then it came out again and cracked rearview. So by 1994, a lot of these songs have already existed for four to five years, I think. I think, I mean, maybe two to five years, but they've been around. Frank: [4:31] Yeah, because Houdini and the Blowfish were huge in the college bar scene in South Carolina. They all stuck around there. They played, you know, they're sitting in there going from bar to bar in their van and everything and, you know, just kind of living that musician life until they caught their big break and caught it they did. Bill: [4:54] And it was tricky because they were denied the South by Southwest entry. They're never allowed in from what I can gather when they were trying out. They have these rejection letters from like Geffen Records, people saying, well, the criticism was this is the type of music people don't want nowadays. So that was there. So this sort of music from our early 90s. I mean, there's this big transition where suddenly it got darker. But this music existed. So I feel like we've talked before about this where there's this sort of dark cloud. We act as though, Existed in those early 90s this feeling of dread existential crisis, But the truth is who in the blowfish was out there playing? Someone's listening to country music non-stop on the radio too. So there's other stories going on. Frank: [5:40] Yeah, yeah, and there isn't that, like you said, it isn't doom and gloom with their music. It's called like middle of the road rock or like safe rock or whatever, but it's happy, it's positive and I think that's what we needed at that point. Bill: [5:58] Clearly the US craved it because it was the number one Billboard album. and our rock album going to number one for the year, still is kind of a rare thing. But it had that heartland feel to it. It had the positive vibes we wanted, and everyone was listening to it. And I know you feel bad about turning your back on them but you weren't the only person who owned the album. But amongst our friends, You were the only one who was willing to say you had it. Frank: [6:27] Yeah, I had already established myself as being a huge Toad the Wet Sprocket fan, and I still am. And then bringing Hooting the Blowfish into the mix as well. I was concerned about being that guy that just liked bands with ridiculous names. Bill: [6:45] And I was doing my best to try to prove that I really liked early Genesis. So I'd already staked my claim in Prague Rock, Even though it's deep down, I just want to listen to Phil Collins all day. Frank: [6:51] Hahaha. [6:58] Yeah, yeah, yeah. And I know that this is probably common knowledge, but I think it bears repeating. The name Hootie and the Blowfish doesn't refer to anyone in the band. Bill: [7:08] Right, and they have a whole sketch on Key and Peele about this. It's okay, but it's the idea that he's not Hooty. Frank: [7:09] Everyone thought that Darius Rocker was Hooty and the band was the Blowfish. [7:16] Oh do they okay yeah oh yeah yeah yeah yeah that's right. Bill: [7:22] Yeah, yeah. And that is a thing, Darius Rucker says, oh man, now that they're touring again, he keeps being called Hooty. But it was Darius Rucker who describes himself as a bit of a, he says, I'm a nice guy, but. Frank: [7:27] Oh, serious. Bill: [7:34] I can be a bit of a jerk sometimes and I would give these nicknames to people and sometimes they weren't the kindest nicknames, So he called one guy Hootie. Frank: [7:42] Yeah, because he had big eyes and looked like an owl. Bill: [7:44] Right and then another guy came out with like I don't I'm guessing he had facial features that made him look like a blowfish. Frank: [7:50] Yeah maybe like dizzy Gillespie cheeks or. Bill: [7:52] So he Yeah, so he called one of the guys Hootie and one of the guys blowfish and then he turned said Why don't we just call ourselves hooting the blowfish to whoever was in the band at that moment? But we've always thought Blowfish was plural. Turns out there was a guy named Blowfish and a guy named Hooty, according to Darius Rucker. I don't know how these two guys feel about it. But that was it. And then like so many other things, like told the Wet's Sprocket, they said, well, we put that in as a joke because they're in a battle of the bands or whatever, right? And then it never left. And this is the same thing. Well, we're gonna live. Well, I mean, the great thing is for search engine optimization, you type in Hooty. Frank: [8:21] It just stuck, yeah. Bill: [8:28] There's not too much that comes up outside of this band. Frank: [8:30] That comes up, yeah, exactly. Yeah. Bill: [8:33] So this brings us to, well, we've already talked about it. Cracked Rearview is their debut album. They've had several EPs already that sold well. I think Coochie Pop sold like 50,000 copies or something. And so they are wise enough to have already formed. Frank: [8:43] Yeah, yeah. Bill: [8:47] A corporation, Hootie the Blowfish. And they had like an office in, I think it's South Carolina or wherever they were. They already have it and they still have that office. But they set up a corporation and put in their own like insurance and stuff. So they were made sure they were paid all the time. And they were wise enough by the time that they hit it big, they were 29, I think. Yeah, they were late 20s. Yeah. Frank: [9:10] Yeah, they were late 20s by the time everything sort of panned out for them. Bill: [9:14] Yeah. So that kind of gave them career longevity, even though they seemed to be a flash in the pan in terms of, I don't know, pop zeitgeist moment or whatever. Frank: [9:25] And like the, I don't think they were ever cool necessarily, but they were popular. Bill: [9:35] Yeah. And Darius Rucker even said himself, they knew that. [9:38] Things were going great for them. But deep down, he said they knew they weren't great. Frank: [9:43] You get the feeling that there's no huge egos with that, with the band. Bill: [9:46] Yeah. Yeah, exactly. And they didn't have that. And they're all buddies. And they stayed together. Interesting side note Trivia the band members have had marriages and divorces all of them right cuz that's just life in this industry. I, Talk as though I know all about this industry. So drummer. Frank: [10:02] Well, your wife's in the industry, right? Bill: [10:06] The drummer Barry Sonnefeld Gets divorced and in 2008 he marries Mark Bryan's ex-wife. Frank: [10:16] Oh, seriously? Oh, geez. Bill: [10:16] Yeah, they all are still buddies. So that has worked out. So So that's a bit of random trivia for you there. Frank: [10:20] Okay. [10:23] I did not know that. Wow. You got to have a strong friendship for that to happen. happen. That's crazy. It's like Johnny and Joey Ramone all of a sudden. Bill: [10:29] Yeah. [10:30] Yeah. I mean, they never look at each other in interviews and they don't speak and. [10:38] I made up the don't speak part. I'm not even sure. I'm not even sure they're friends, but they still work together as a corporate unit. All right. So Cracked Rearview. This is the album you lent me in 1994. Right? So I borrowed it from you. And back then, I mean, CDs were so expensive. Frank: [10:55] Did you create a tape? Did you? Yeah. Bill: [10:57] Oh for sure. Frank: [10:58] But there's something so comforting in Darius Rucker's voice. It's that that baritone. It feels familiar and it feels comfortable and it feels safe. Bill: [11:09] And it has all these sort of elements all baked into it. So you have this Rock and roll heartland feel but you have a soul feel in there and then you also have a country feel. Frank: [11:20] You have a soul feel in there. Bill: [11:20] And that's all mixing into like well, basically all the modes of popular american music all in one voice. Frank: [11:27] Yeah and it crossed so many genres which is probably why Crack to Review did as good as it did. It spoke to so many different people. Bill: [11:36] Dears Rucker said that to him, hold my hand as a protest song. [11:41] And he said, for me, the song was always about racism, which I never thought of. Frank: [11:46] No, and we talked about this a little bit before some of the misheard lyrics. I thought it was more of a romantic type of song, almost going back to like that early 60s, that kind of like, I wanna hold your hand, like that kind of a feel. And then I just misheard some lyrics while I was listening to it when I was younger and thought it was more about romance, but it's about the way I understood it now, rereading the lyrics, it's about pulling people up and building them up and supporting people, and being there for them. The harmonies, particularly in the chorus, It just, it helps to push through that theme of what, hold my hand, what that that resembles. Bill: [12:35] You always use that word. That drives me insane. Alright. So this song has three iterations to it. So there's this one, which is the one we all know, but there was two earlier versions. So the neat thing is hearing its development as it went. But neater still is it wasn't really developed. It was already there in 1990. I read somewhere where they said 95% of the sound was already on those EPs and you can hear it. Every part of it has already been worked together by them. So the producer of this is Don Gaiman, who also worked with Mellencamp and REM in the, past. And so they thought it was a good fit. And it was and he did bring some things out there like he just pushed certain sounds out there. You can hear the bass much better. a clarity and there's way more power in the chorus, which is what makes the song what it is to me. But they already had it there. So it's kind of neat that this band knew what they were and work towards it. It wasn't as though they were created by a producer. Frank: [13:45] Yeah, the producer just took what was already there and just sort of fine-tuned it a bit. Bill: [13:49] All right. Well, let's talk about the song. Frank: [13:54] Yeah, song analysis. What I like, it starts off with that nice clean acoustic guitar strum, and it starts off with the opening line, with a little love and some tenderness. We'll walk upon the water, we'll rise above the mess. With a little peace and some harmony, we'll take the world together, we'll take them by the hand. Bill: [14:14] Now, that in itself is something worth looking over, why this band is so popular. So, with a little love and some tenderness kind of brings back some of those peace and love 60s stuff. We'll Walk Upon the Water brings in the gospel, right? We'll Rise Above the Mess with a little peace and some harmony. And so you have this sort of all of us are together. When I heard this originally, I just thought it was a love song, because I have the Beatles, I want to hold your hand in my head. that's all I think it's about. But as I'm looking at it now, the gospel throwback lines make it feel much bigger thing, that there's something much more powerful going on. And that leads of course to the pre-chorus almost, or tease pre-chorus, cause I've got a hand for you, cause I wanna run with you. I just love the notion that it's holding someone's hand and then running with them. So you're kind of taking them somewhere, you're either taking them away from something, or towards something. And I think in this song is both. Frank: [15:14] You're running towards something. [15:18] But, and it's also, you're helping them to get there. It's like, it paints this beautiful picture in my mind anyways, of like, there's an excitement behind it too, cause like you're dragging someone's like, I got like, no, no, no, no, no, you got to come here. This is super exciting. Come with me. Bill: [15:34] So you have a, the next verse or I don't know, but it's yeah, we'll call it verse. Yesterday I saw you standing there. Of course. We don't think it's yesterday. What do we think? Frank: [15:47] Yes, indeed. Bill: [15:48] Yes, indeed. Okay, so there's music yeah. Frank: [15:51] Well, and that was the other in the in the first verse, it was, when he says, we'll walk upon the water, we'll rise above the mess. I was I mean, it's just a slight change. But we'll I thought it was we'll rise above the mist. Bill: [16:04] Same with me because I thought I matched the water but the mess is is better but I but this is the same I'm realizing now other lyrics so yesterday I saw you standing there your head was down your eyes were red No comb had touched your hair. I said get up and let me see you smile, We'll take a walk together walk the road a while cuz, But what cuz as a nut cousin hasn't because that line there where the idea of finding somebody who is down in the dumps. Now, just off the top of my head, just thinking about this, how about this for a reading? You're sitting down, you're ready for this? Frank: [16:43] I'm sitting down, yep. Bill: [16:45] This is Hootie and the Blowfish talking to 1990s music. Frank: [16:55] Oh, wow. Bill: [16:56] What do you think? They're looking at the grunge movement. Frank: [16:58] Yeah. Bill: [16:58] They're looking at the people just sitting there with their red eyes are all upset. And this is the band coming to us and saying. Frank: [17:06] The band is saving the world. Bill: [17:07] The band is saving the world. Yeah, cause we didn't comb our hair. Take a look at all those grunge people. They didn't comb their hair. And he says, get up, let me see you smile. I love that. Cause like no one was smiling. It wasn't a thing. And he's gonna take us on a walk. We're walking together, walk down that road. And that's of course these classics Southern songs, beautiful pictures of this sort of harmony, hospitality. Let's get together. Frank: [17:35] And you can see that they're walking down a country road. There's like 100 year old trees lining the street and everything. and it's just a simpler time. Bill: [17:46] So here we go. Now we're headed into it. I've got a hand for you. I want to run with you. We've heard that before. And then it goes in that chorus. Hold my hand. I want you to hold my hand. and hold my hand, I'll take you to a place where you can be anything you want to be because I want to love you the best that the best that I can. Frank: [18:09] I'm getting goosebumpy and I'm getting teary-eyed right now. This is so beautiful. This is so, so beautiful. And then, like I said, Daris Rocker's voice is just so comforting and accepting. It is, oh my goodness, why did I ever turn my backs on these guys? Bill: [18:31] Listener Frank's actually crying. You are we didn't take a break here. Frank: [18:35] I might be. Yeah, no, it's just, oh, what was I doing? What was I thinking? My 20s were wasted. Bill: [18:46] Here's the thing listening to the lyrics of the song, tweeting the blowfish is not going to deny you entrance and to hootie-halla. Frank: [18:55] Oh, I know. And Darius Rucker's gonna take me by the hand and he's gonna run with me to all the fun and cool things. gonna judge you? No! It's okay. Oh man, such a beautiful song. Oh, I love this song. Bill: [18:56] You're still gonna be able to walk there with them. [19:04] He's not gonna judge you. It's okay. [19:12] Alright, let's work through some more of these lyrics because I think this is pretty rewarding. See, I was wasted and I was wasting time till I thought about your problems. I thought about your crimes. Now, I didn't think it was crimes. I thought it was crap. I thought about your crap. Okay, all right, so I thought it was tongue crap but crimes crimes is odd to me. Frank: [19:26] I heard crimes but. Bill: [19:32] So see I was wasted is wasting time thought about your problems thought about your crimes, Then I stood up and then I screamed aloud. I don't want to be part of your problems, Don't want to be part of your crowd that this this is the verse where it did throw me a bit thinking about Okay, this isn't just hey, let's hold hands and we'll be okay because when Darius Rucker says he's thinking racism, I'm trying to wonder if he's thinking about, Maybe American history or something about the I don't know if he's thinking about your the crimes that's been done in the name of, You know a segregation or what slavery all these sorts of things where he's now there. I, Don't know. I feel like when I was reading it he's screaming and he's saying I don't want to be part of this problem, Yeah, and then he's gonna grab the hand and take them away. Frank: [20:24] Yeah, that's the way I read it. Cause like you can read it one way saying, like he's just, he's getting out of there. But my understanding is he's getting out of there, but he's taking his friend with him. Bill: [20:36] Yeah, he's escaping but with so he is in a sense, saving people but this sort of notion that you could pull someone out of of whatever garbage they're in. Frank: [20:49] Oh, the muck and the mire and the crap that they're dealing with and all that. And yeah, he's being that good friend. Bill: [20:49] Yeah. [20:55] Yeah, so what this song is saying is you can be redeemed. And that's what we need to hear. In the 90s, there was so much, at least the early 90s, that sort of music was like, well, to quote a Nirvana song, that was a joke, but still it was called, I Hate Myself, I Wanna Die. But this is Hootie the Blowfish saying, no, no, no, come on up. and telling you who you are, right? You know, when Koma touched your hair, I'll show you what a good shampoo and conditioner can do. Frank: [21:23] And I just want to see you smile. Oh, when I see you smile. Bill: [21:24] And I just wanna see you smile. Yeah, yeah. Wow, that comes back to that song you danced to. Frank: [21:33] Yeah, that was an early 90s song too. Yeah. And considering that, like Hootie and the Blowfish. Bill: [21:34] Yeah, this is all coming together. Yeah, all that stuff got destroyed with the grunge movement and all this, but it wasn't able to destroy some peace and harmony. Frank: [21:47] They came like from the mid 80s. That's when they started off 86 I think it was. So you know they're putting in their time and they're this fun bar band and everything and they have this popularity but then they're they're kind of watching like you said that they got rejection letters saying, this isn't the music that people want to listen to right now. Well obviously it was because it sold as huge as it was, but watching that huge cultural shift in terms of the music style and what was popular for about two years, but just persisting on. They held each other's hands and they got themselves through all that. Bill: [22:28] And that leads to our little switch up in that next chorus that kind of takes us through to the end where they talk about what he talks about having hand for you and all that stuff but says hold my hand want you to hold my hand that's his background i guess i could read this without the background vocals let me try that again. Frank: [22:45] Yeah, but the background vocals before you go any further, the harmonies and they're singing, It rounds everything out so well. And David Crosby sang harmonies on this for the choruses. Bill: [22:58] And this is what makes the big difference between the early versions and this is that chorus the sound of the voices pushing it forward is strong and if you listen closely you can hear David Crosby because there's that Crosby stills Nash sound, at least one third of it moving in there and I can almost kind of perceive that. Frank: [23:13] This is. Yeah. Well, it really does help that chorus pop. Bill: [23:19] Vocal pushing the song up to the heights. Oh yeah. And so in that chorus, instead of saying, I'll, take you to the place where you can be, it changes to, I'll take you to the promised land, capital P, capital L. So you have two things one is a course classic gospel language, but also promised land is language of, The abolitionist movement. Yeah, right. So so I can't. Frank: [23:49] Yes, yeah, yeah, yeah. Bill: [23:51] Unsee this now, especially after Darius Rucker saying he always felt it was a protest song, So whatever he's looking at there in there or whatever Jim Sonfeld was also thinking when he wrote it I'm curious what the original version was and what? what the drummer brought to the band and then what the band did with it. Because I mean, to be fair, the song isn't what it is without that guitar bridge, right? The song isn't what it is without that sort of moving bass line that you can really hear, in this version. So I do like that they're all for credit as songwriters. Frank: [24:26] Yeah yeah yep. Bill: [24:29] The video for this, we'll come back to, we're going to come back to the song. Frank: [24:33] Yeah why's Jim gotta be the only one with his shirt off though yeah flesh. Bill: [24:36] But it was very odd why he's shirtless. At one point I wondered if he had any clothes on, like, oh good, he's got cargo shorts on or something. Frank: [24:44] Color cargo shorts or whatever. Bill: [24:46] Well, we were introduced to a band who dresses like, I mean, they dress like they're going to a university party, but also pretty close to someone who's dressing, like they're about to go play 18 holes of golf. Frank: [25:00] Yeah oh and who do the blow fit that huge golf fans all of them. Bill: [25:04] Yeah, I think part of the blowback against them was this felt like PGA rock to some extent. Frank: [25:08] Yeah. Bill: [25:10] But the video has all these sort of images, of people together. There's one point that there does seem to be like this sort of group of friends together having a pack, but then there's a moment where there's a guy reading the newspaper and kids are running around him, but he never seems to get up and change his mind. Then there's another thing where a whole bunch of people, are together in a circle running around, but I'm looking for the guy who's sitting there reading the paper and he doesn't seem to be there. So I don't know what the subtext is of it. Although the band didn't look like they're having a good time. And Jim Sonnenfeld has a smile that, yeah. Frank: [25:47] Such a goofy smile. They're all goofy guys. Bill: [25:50] Yeah, it's a lot of Care Bears smiles. Not quite Care Bears stares, but they got a lot of joy. Frank: [25:53] Yeah, yeah, yeah, yeah, I think they're I think they're just so pumped It's just like we are recording a music video right now. We have made it. This is so exciting Well, it's tough. I know it's cliche for me to say, but it's the chorus. It's the harmonies in the chorus. Bill: [26:04] Now that we talked about music video, I wanna get that out of the way. What's your favorite part of this song? Frank: [26:18] It just really moves everything the way that it needs to go. Second there's that great guitar bridge, which I really love. But yeah, like, cause I got a hand for you. I got a hand for you. And it's all like everyone singing together and then the like, hold my hand. And then Darius Rocker punches through with with his lyrics and everything. And it's just, it just comes together so nicely. Bill: [26:43] And that's mine too. That when they sing Hold My Hand, I know you took it. It was like, that bridge felt so familiar to the guitar bridge is like, oh, this is classic 90s bridge. But I. Frank: [26:47] Well, you can't have that. That's mine. Yeah. Bill: [26:56] Yeah, I think we're in agreement that that chorus is, you know, the thing. And it's a long song. It's four and a half minutes. And then other versions are about five minutes or so. And. Frank: [27:00] Yeah, that's where it's at. But it doesn't feel long. It doesn't feel long listening to it. But you're right though, like lyrically it paints this great picture. Bill: [27:07] But it doesn't feel long. No. Frank: [27:16] And the way that it's sung, you can feel it. You can feel and you can see in your head exactly what they're singing. it's just I don't know it's a great song I am sorry I am so sorry I turned my backs on you guys. Bill: [27:30] Well, you're here to stay now. Did you watch that early Letterman performance? Frank: [27:35] I remember seeing it videos of it after after they they had been on there but and I'd seen them again when they returned to because they returned a few times to Letterman. Bill: [27:48] So the first time they played Hold My Hand there, like you could sense sort of nerves. Like Darius Rucker is not as loose. Like he's a bit restrained but what was going on was Paul Schaeffer's whole backing band was in on the chorus and, They're playing along so even though the band isn't, totally tight in the performance, but they have the support of Schaeffer's band and it is pretty cool to see and, I know Letterman likes, The name Hooting the Bullfish, but you could see he really liked the album and he was pushing there's certain things he pushes and that was one of them. Frank: [28:28] Yeah, yeah, yeah. When Letterman likes you, he really lets you know. Bill: [28:34] And this is like a bit over the top, but I'm going to read it because Darius Rucker mentioned it when in this interview, there's the whole thing about the hatred of Hooting the Blowfish. One thing he said a couple things. One thing he said is people hate us because we don't write songs about how much we hate our parents or how much school sucked. And then he also talked about the Letterman thing and he said, this is the day grunge ended. Frank: [28:59] I don't think he's wrong though. Bill: [29:04] We had just gone through three or four years of record sales not being that good and grunge being the big thing on the radio. And then all of a sudden we're saying hold my hand. You know these great little hooks that were undeniable and people wanted to hear that. They wanted to hear it again and again. Frank: [29:21] And he's not wrong. I think people needed something positive. After, like we said, the doom and gloom of the early early 90s rock. Bill: [29:30] I found something even more positive than the song and I can say it this way because it's still the. Frank: [29:35] Oh, yeah! Bill: [29:36] Song but it's on Sesame Street. It was one of the best appearances of a band that I've seen, And so they're there with the Muffets and it's about crossing the street, It was so good And so Elmo's there and Darius Rucker takes Elmo by the hand to help him cross the street and that's so good The lyrics are set up to be about waiting for an adult you trust to help you cross the street and it was. Frank: [30:00] Yeah, that's awesome. Bill: [30:03] Beautiful positive and the band is all in. Frank: [30:07] You can't go through life with a band name Hootie and the Blowfish and take yourself too, too seriously. I think they understood and which is why they probably set up that corporation. They they probably knew it's like, okay, this might like this might be our only shot. So like, let's make sure that we capitalize on it. And you get the feeling that I can't remember if I said this or not. but there's not really a big ego with the band. We talked about like them being in bar fights and stuff like that early on but that was you know I think for for good reason if you you can you know, justify violence and all that but you don't get the feeling that they lived that quote-unquote rock and roll lifestyle. Bill: [30:50] They certainly didn't before Crack but afterwards each of them sort of had their struggles from the sounds of it. Frank: [30:58] Oh yeah, yeah, yeah. Bill: [30:59] Yeah, so they never did heroin. But there was just reading interviews with like they, there was some crazy, yeah. Frank: [31:08] They partied pretty good. Well they were a party band to begin with. Well, Daris Rucker has that amazing country career right now too. Bill: [31:11] Right, and so I guess coming into this scene. [31:15] I think they found their way. They found their back on their feet, so to speak. and things are going well for them. I mean, so it's neat, you can kind of read up on the histories of each and then they're doing okay. [31:29] It's crazy. I remember when, yeah. We talked about him earlier for the Lionel Richie episode. Frank: [31:34] Which is bonkers. Bill: [31:35] His duet with Lionel Richie is bananas. Frank: [31:37] Is, yeah, it's crazy good. Can we put a little clip of it here? Bill: [31:44] Well, we got to. Yeah. Frank: [31:45] Yeah, okay. Bill: [31:48] All right, well, I think we got some categories we could talk about. Michael Bolton. Frank: [31:54] Okay, I'm going to say no. And there's reason because of that. The opening line is with a little love and some tenderness. I think he would get confused and just sing time love and tenderness. Bill: [32:08] I didn't think of that. That's good. I would love to see Darius Rucker, Michael Bolton duet, Ala, Lionel Richie, Darius Rucker duet. Frank: [32:16] Oh, yeah. Bill: [32:17] So I would like a thing where it's the Darius Rucker duets album and Michael Bolton comes out to sing, hold my hand. Frank: [32:23] That would be fantastic. As long as he's singing. He's not singing time love and tenderness. Bill: [32:28] Yeah, I think you'd have to have people feeding lines, also restraining Michael Bolton when he wants to go full Bolton, he's gonna have to control them. Frank: [32:35] Like a shock collar or something. You were weakened at Bernie's I was more running man. Bill: [32:36] They'll have ropes. [32:39] I was thinking of a series of pulleys and ropes, But yeah, you went more running man. [32:50] All right, Hallmark movie. I have written down here Hallmark Pure Flix movie, because I think this would make a great Christian movie. Frank: [32:59] And because there's no real romance about the song, it's all about like, building each other up and being like there for each. Bill: [33:02] The idea of that redemption is so much what I want life to be, that someone could come. Frank: [33:07] Together. Bill: [33:17] Along and help out somebody else. This is what the song is about. It's not the self-actualization of the person singing in terms of I'm going to find myself and get there. They might be they might find themselves in the act of their, charity towards their fellow human. Frank: [33:34] Yeah. Yeah. But but all they're doing is they're looking out for their fellow human. It's not a self-serving thing. Bill: [33:41] And so that really does feel like the band because they are always seen as collective. There's never a sense that I could see that they hated each other or or that Darius Rucker was gonna go on his own, even though he did, but it was amically. Frank: [33:54] Well, and they said they said like no we never broke up we were on hiatus. So in in 2008 was when Darius record left to do his solo career. but they're back together and they're touring and they're releasing albums and stuff like that And he said like, no, no, like we're always hooting the blowfish. we're always going to be us. Bill: [34:14] The great thing is the sort of vindication of time that 25th anniversary of crack free review finally came out like 2019. Their tour was sold out. Yes. And so I mean, it was, like the number one tour, I think of 2019. And of course, it's it coincides with that article. I mean, I don't know if we'd fully talked about it. But you read this article in Esquire magazine, which was titled What's the title of it? Frank: [34:42] How our cruelty killed Hooty and the Blowfish and damaged our souls. And then the byline is we need forgiveness for what we did in 1996. And this is what brought up a lot of guilt and pain for me realizing just like I have not atoned for my sins. Bill: [35:03] But 2019 ended up being a year that was amazing for Hootie and the Blowfish and the article is kind of funny reading it Because they're like 2018 was such a bad year. We got to find ourselves again. It's like, oh, no, no, no. Frank: [35:07] Yeah. You have no idea what's on the horizon here. Oh yeah. Bill: [35:18] Yeah, yeah, and he may even met anybody's like this being January 6. He mentioned someone's like, oh you have no idea What January 6 is gonna mean in the future too? So we have like COVID is just about to come right? COVID-19 comes towards the end of that year and it doesn't really hit North America till maybe March, of 2020 and now we're in 2023 now and oh my goodness so much has changed since then where this guy had no idea where we were headed. Frank: [35:43] Well, we'll put a link to the article in the show notes. Fantastic article. Bill: [35:45] Uh, yeah, Frank, I... Frank: [35:48] He takes a lot of pot shots at other artists that like we give these guys a pass, but we dump on Hootie and the Blowfish and he's calling out like Deep Blue something. I know Bill you love Breakfast at Tiffany's right? That's one of your favorite songs? Bill: [36:09] I don't know. Frank: [36:09] I don't think I've ever seen Bill shoot daggers at me before. But then like Dishwala, Dave Matthews band, Counting Crows, talking about all these bands. Bill: [36:13] Yeah. [36:13] But yeah, there is something to be said about where this music fits in within the 90s. Frank: [36:21] Just like, why did these guys get a pass but we dump on Hooty? Bill: [36:32] That's a good call. Like yeah, bands were able to survive and be given passes, but not this. Well that leads to the mixtape doesn't it? Frank: [36:40] Yeah, you go first. Okay, I have, it could be long. Bill: [36:41] Yeah. Okay I got a kind of long mixtape. Okay. Okay. I have a feeling we are going to cross over a lot here. Frank: [36:51] I'll let you go first. Bill: [36:52] Okay. Well here are the songs. I wanted to cut it down but that just wasn't happening because there's so many types of songs I wanted to put in here. So here we go. What I picked were bands from the 90s that were sort of given a dismissal by the wider culture in the end. Like they might have been popular, but then they were cast aside, especially by critics. Frank: [37:20] Okay. No, no, no, no. Mine is very, very superficial. Bill: [37:21] It's not crossing into your territory at all. Oh, good. Okay. Okay. So here we go. Enid by the Bare Naked Ladies. to me, Delamitri. It is. I know. And I'm not sure people hate. Frank: [37:35] That's a great song. I really like that song. Bill: [37:39] Delamitri because I'm like, I don't but it has that same happy feel. And Ian it is goofy happy feel and Bear Nickleys toured. Frank: [37:42] Oh, yes. Bill: [37:46] With Hootie and the Blowfish. Favorite of yours here, the Goo Goo Dolls. Sorry, slide. So, positive. I go back to them. Yeah, sorry about that. Two, Two Princes, Spin Doctors, Run Around, Blues Traveler, Flood, Jars of Clay. Frank: [38:08] I think I had all of those albums. Bill: [38:10] Next one for sure you'd have, Toad the Wet Sprocket, Nightingale Song. I picked a yeah, I just it's a beautiful song and then I end it with Found Out About You by Gin Blossoms. Frank: [38:14] Oh, beautiful song. [38:20] Oh, okay. So I went. [38:24] I went so superficial. Songs that have body parts in the title. Bill: [38:30] Okay, all right, here we go. Frank: [38:32] So this is my head and shoulders, knees and toes, mixtape. Put your head on my shoulder, Paul Anka. Betty Davis Eyes, Kim Karnes. When I'm Back on My Feet Again by Michael Bolton. Footloose, Kenny Loggins. In Your Arms Awhile by Josh Ritter. I Just Died in Your Arms Tonight, Cutting Crew. Bill: [38:59] Wow. Yeah, it was definitely. Frank: [39:02] And then we are ending it with hands by Jewel. Bill: [39:08] Just know, I, you know, I should have seen that coming. And I, I know. Frank: [39:12] How could you not? Bill: [39:14] And as soon as I saw that you were going, you're still speaking like, oh, here it comes. Well, I can't say hands doesn't fit. Are you giving us Christmas hands or the original? Frank: [39:24] No, the original. Bill: [39:25] Oh, the original. All right. I can't say that's better. Frank: [39:28] Yeah, it's the same song. It just has no jingle bells in it. Bill: [39:29] Same song. All right. Well, I guess I get that for the Cuckoo Dolls. I like Slide. I like that song. All right. Frank: [39:36] Yeah, you can like it. I like hands. Bill: [39:41] There's another song called Hold My Hand by Lady Gaga for the Top Gun soundtrack. Frank: [39:44] That's right, yeah. Yes, yeah, yeah. Bill: [39:47] Good tune. So I was going to have a category, greatest Hold My Hand song, but I'm like, that's, we're not all about that. And this leads to Garth Brooks at the American Music Awards. American Music Awards had the following nominations for Artist of the Year. And it was Hootie the Blowfish, Green Day, Boyz II Men, TLC, Garth Brooks. Garth Brooks wins. Now American Music Awards is a bit different. It's based on sales and votes, I think, or something. So Garth Brooks wins. And he says, I can't accept this award because when we choose one artist over another, we're, all diminished or something like that. Yeah. And then he left it. And so I had thought. Frank: [40:29] He was very diplomatic about it, basically saying he didn't deserve it. Bill: [40:36] I had read that he'd actually mentioned Hootie and the Blowfish, but it might have come up in interviews later where he said, Hootie and the Blowfish sold the most. This is clearly the band everyone loves. So that's why we're not picking Lady Gaga versus Hootie and the Blowfish. Garth Brooks wouldn't want that. So Dearest Rucker is hanging out with Garth bit of a side note here, but it all comes together. And Garth Brooks said, do you ever wonder what. Frank: [40:52] Yeah, exactly. Bill: [41:00] Happened to that award I left on the podium? And Darius Rucker said, well, what happened to it? He goes, nah, it's on my mantle at home. I love Garth Brooks. It's so great. So just for that. Frank: [41:08] So we took it? That's awesome. Bill: [41:17] I think maybe someday we'll get to friends in low places. Frank: [41:22] Yeah, there's a whole genre that we really haven't gotten into is then that that's country music that's really not been in our wheelhouse, but it's obviously in Darius Rucker's wheelhouse. Bill: [41:26] Yeah. [41:33] Yeah, I'm open to going there. Frank: [41:34] Oh absolutely same here. Bill: [41:39] We've gone on quite a journey here, Frank. Frank: [41:41] Yeah and I feel a little bit I won't say redeemed but I feel it's good to get this weight off my soul and admit that I was wrong and and apologize to Hootie and the blowfish that I was one of the many that turned their backs on them. Bill: [42:01] So fellow listeners, you may be feeling the same way too, right? You may be feeling that you turned your back on Hootie, but Hootie is back. And so are the blowfish. And things are okay. So I want you to picture yourself maybe as Frank. And the band comes walking by. And today they see Frank standing there. His head is down. His eyes are red. He's admitted that he's turned his back on the band. You know what they're going to say to you, Frank, and to you listeners? Get up. Let me see you smile. We're going to walk together. We're going to walk the road a while because we all got hands for you. Frank: [42:50] I can't wait for that day to happen. Bill: [42:53] Thank you for listening to Bill and Frank's guilt-free pleasures.

Guests: Tom McGovern, Ethan Edenburg, and Eric Jackowitz of Wolves of Glendale. Walk-in music: ‘Many Rivers to Cross' by Jimmy Cliff; '(I Just) Died in Your Arms' by Cutting Crew. Follow Punch Up The Jam on Twitter and Instagram Get the punch-ups for yourself and support the show on Patreon Like the show? Rate Punch Up The Jam 5 stars on Spotify and Apple Podcasts and leave a review for Andrew and Evan. Advertise on Punch Up The Jam via Gumball.fm See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

'80s August and Season 10 slam forward with another #1 hit! "(I Just) Died in Your Arms" (Tonight?) is one of the '80s most enduring rock hits, and Cutting Crew frontman and writer Nick Van Eede is with us to discuss the legendary track, along with a surprising number of revelations, including, and we kid you not--how the tragic death of Kobe Bryant almost saved the life of an American brand icon, and how Cutting Crew was directly connected. Seriously. Also: - Elon Musk and Oprah? - Private mini concerts! - Van Eede on recording the original demo of Cher's iconic hit “Believe,” and what he received for it ---------- Join us on PATREON for early access, extended interviews, weekly reaction mini-sodes, full bonus shows, and more ways to be part of the show! patreon.com/greatsongpod Visit greatsongpodcast.com for archives, merch, and more! Connect with us on Facebook, Twitter, and Instagram @greatsongpod, and join the Facebook group at Facebook.com/groups/greatsongpod. The Great Song Podcast is a Tiger Leap Production. Check out the other fine Tiger Leap podcasts like Curio with Dan Buck, Project SSA, and The Punnery. Patreon Producers: Andrea Konarzewski, Ari Marucci, Michael Conley, Peter Mark Campbell, David Steinberg, Randy Hodge, Chaz Bacus, Juan Lopez, Jason Arrowood, Howard Passey, Micah Murphy, and Tim Jahr --- Send in a voice message: https://anchor.fm/greatsongpod/message

Musique Mécanique par le Théâtre Électrique ::"I Just Died in your Arms Tonight" by Cutting Crew

Сборник красивой музыки для красивого фона или стильных танцев! Без джиглов! Свежие и лучшие радийные хиты! Разбирайте! Я трепетно отбираю лучшие хиты прошлых лет в модной house-обработке и замешиваю их в часовой романтический коктейль! Всем любви за мой счет! Я угощаю!! 001 - DJ Kaprizz_CoverMix 3 Dont Speak 2:03 002 - DJ Kaprizz_CoverMix 3 Walking Away 2:42 003 - DJ Kaprizz_CoverMix 3 Umbrella 2:22 004 - DJ Kaprizz_CoverMix 3 All The Things She Said 2:28 005 - DJ Kaprizz_CoverMix 3 Gangstas Paradise 2:46 006 - DJ Kaprizz_CoverMix 3 Come Along 2:19 007 - DJ Kaprizz_CoverMix 3 Aint No Sunshine 3:03 008 - DJ Kaprizz_CoverMix 3 Beggin 1:56 009 - DJ Kaprizz_CoverMix 3 – Rapture 2:03 010 - DJ Kaprizz_CoverMix 3 Careless Whisper 1:48 011 - DJ Kaprizz_CoverMix 3 Desert Rose 2:11 012 - DJ Kaprizz_CoverMix 3 Life 2:36 013 - DJ Kaprizz_CoverMix 3 18 мне уже 2:34 014 - DJ Kaprizz_CoverMix 3 Yeah 1:48 015 - DJ Kaprizz_CoverMix 3 Dont Be 2:34 016 - DJ Kaprizz_CoverMix 3 Trick Me 1:45 017 - DJ Kaprizz_CoverMix 3 -Breaking me 018 - DJ Kaprizz_CoverMix 3 Summer Jam 2:26 019 - DJ Kaprizz_CoverMix 3 A Little Taste 2:14 020 - DJ Kaprizz_CoverMix 3 Head & Heart 3:12 022 - DJ Kaprizz_CoverMix 3 Мои Рок–н–Ролл 2:26 023 - DJ Kaprizz_CoverMix 3 Love Me Again 3:06 024 - DJ Kaprizz_CoverMix 3 Sweet Dreams 2:03 025 - DJ Kaprizz_CoverMix 3 Paradise 2:09 026 - DJ Kaprizz_CoverMix 3 All That She Wants 2:57 027 - DJ Kaprizz_CoverMix 3 Sunny 2:34 028 - DJ Kaprizz_CoverMix 3 Hung Up 2:03 029 - DJ Kaprizz_CoverMix 3 Smells Like Teen Spirit 3:01 030 - DJ Kaprizz_CoverMix 3 (I Just) Died in Your Arms

Planvenguts dins la tuta de l'ors ariejes/ Bienvenue dans la grotte de l'ours ariégeois Dans sa grotte, un ours vit, hiberne, claque parfois ses réserves de nourritures, bref c'est son refuge dans lequel il peut s'abriter, se reposer ou fuir la bêtise de ses contemporains. Je vous invite à pénétrer dans ma grotte. Vous trouverez dans cet espace de la musique, tous styles de musiques même, de l'humour, parfois second degrés ou sous la ceinture et des anecdotes. Allez vous êtes devant la porte « acabatz d'entrar » (finissez d'entrer). https://www.radiolocalitiz.fr/le-coin-de-lours-ariegeois/ Titres diffusés : Léo Ferré - Ne Chantez Pas La Mort : https://music.apple.com/fr/album/ne-chantez-pas-la-mort/1442884628?i=1442884993 Lou Dalfin - L'oste del Diau : https://music.apple.com/fr/album/loste-del-diau/277330156?i=277330230 Iron Maiden - Powerslave : https://music.apple.com/fr/album/powerslave/980112277?i=980112287 Pit Baccardi - Si loin de toi : https://music.apple.com/fr/album/si-loin-de-toi/521400724?i=521400796 Cutting Crew - (I Just) Died in Your Arms : https://music.apple.com/fr/album/i-just-died-in-your-arms/724597652?i=724598224 Queen - Who Wants To Live Forever : https://music.apple.com/fr/album/who-wants-to-live-forever/1422664192?i=1422664697

Producer, audio engineer, guitarist and songwriter, Tim Palmer, reflects on getting his start by mixing (I Just) Died in Your Arms for Cutting Crew, producing David Bowie's debut LP with Tin Machine in 1989, why patience paid off when working with Ozzy Osbourne, and reveals why he recently upgraded to Genelec 8341A monitors.

01. Robin Schulz, B-Case, Baby E - Can't Buy Love (feat. Baby E) (Extended Mix) 02. Andrea Belli, Elisabetta, Julian Moss - What About Us (Extended Mix) 03. John Modena, Crazibiza - Jamma (Sante Cruze Remix) 04. Laura van Dam - Moonlight (Adagio, Piano Sonata No. 14, Moonlight) (Beethoven Remixed) 05. ARTY - Live For (Extended Mix) 06. Sp3ctrum, Santorelli, Durte Dom, Scarlett Skies - Morning Sun (feat. Scarlett Skies) (Original Mix) 07. Francesco Dell'Elce, Cicchini - You're Not Alone (Extended Mix) 08. Reflekt, Delline Bass, Dannic - Need To Feel Loved feat. Delline Bass (Dannic Extended Remix) 09. Joel Fletcher, HOOX - Oh No (Remix) (Extended Mix) 10. Zafrir - Lonely Wolf (Extended Mix) 11. Keno, newclaess - (I Just) Died in Your Arms (Extended Mix) 12. Ben Rainey, Miranda Myles - Wherever You Will Go (feat. Miranda Myles) (Extended Mix) 13. RMA - Yanitcha (Extended Mix) 14. Curbi - Safe & Sound (Extended Mix) 15. Laidback Luke, Raphi, Los Padres - If There is Love (Los Padres Extended Mix) 16. Remady, Jessica Jolia - A Little Taste feat. Jessica Jolia (Extended Mix) 17. Ra5tik - Innocent (Extended Mix) 18. Michael Meaco, King Topher - Praise You (feat. Michael Meaco) [King Topher & MADDOW Extended Remix] (Original Mix) 19. NuKey - Falls Down (Extended Mix) 20. DJ Lutique - Ready to Rock (Original Mix) 21. Berlin, Frents - Under G (Original Mix) 22. Corrupt (UK), KDYN - Gucci Prada (Original Mix) 23. AC Slater, Kate Wild, Bleu Clair - Green Light (feat. Kate Wild) (Moksi Extended Remix) 24. Wolvero - Terminate (Original Mix) 25. Dirty Brothers - Control (Original Mix) 26. David Guetta, Farruko - Pepas (David Guetta Remix)

01. Robin Schulz, B-Case, Baby E - Can't Buy Love (feat. Baby E) (Extended Mix) 02. Andrea Belli, Elisabetta, Julian Moss - What About Us (Extended Mix) 03. John Modena, Crazibiza - Jamma (Sante Cruze Remix) 04. Laura van Dam - Moonlight (Adagio, Piano Sonata No. 14, Moonlight) (Beethoven Remixed) 05. ARTY - Live For (Extended Mix) 06. Sp3ctrum, Santorelli, Durte Dom, Scarlett Skies - Morning Sun (feat. Scarlett Skies) (Original Mix) 07. Francesco Dell'Elce, Cicchini - You're Not Alone (Extended Mix) 08. Reflekt, Delline Bass, Dannic - Need To Feel Loved feat. Delline Bass (Dannic Extended Remix) 09. Joel Fletcher, HOOX - Oh No (Remix) (Extended Mix) 10. Zafrir - Lonely Wolf (Extended Mix) 11. Keno, newclaess - (I Just) Died in Your Arms (Extended Mix) 12. Ben Rainey, Miranda Myles - Wherever You Will Go (feat. Miranda Myles) (Extended Mix) 13. RMA - Yanitcha (Extended Mix) 14. Curbi - Safe & Sound (Extended Mix) 15. Laidback Luke, Raphi, Los Padres - If There is Love (Los Padres Extended Mix) 16. Remady, Jessica Jolia - A Little Taste feat. Jessica Jolia (Extended Mix) 17. Ra5tik - Innocent (Extended Mix) 18. Michael Meaco, King Topher - Praise You (feat. Michael Meaco) [King Topher & MADDOW Extended Remix] (Original Mix) 19. NuKey - Falls Down (Extended Mix) 20. DJ Lutique - Ready to Rock (Original Mix) 21. Berlin, Frents - Under G (Original Mix) 22. Corrupt (UK), KDYN - Gucci Prada (Original Mix) 23. AC Slater, Kate Wild, Bleu Clair - Green Light (feat. Kate Wild) (Moksi Extended Remix) 24. Wolvero - Terminate (Original Mix) 25. Dirty Brothers - Control (Original Mix) 26. David Guetta, Farruko - Pepas (David Guetta Remix)

Musique Mécanique par le Théâtre Électrique ::"I Just Died in your Arms Tonight" by Cutting Crew

Our review of the absolutely massive 1986 song "(I Just) Died in Your Arms" by the legendary Cutting Crew

15. Déjà vu - Cover Songs Show  Tuesday 19th January. Presented by Rich Davies   TRACK 1 All along the Watchtower - Eddie Vedder & The Million Dollar Bashers (Bob Dylan 1967) TRACK 2 Take me to the River- Annie Lennox 1995 (Al Green 1974) TRACK 3 White Flag - Felix Schorn & Chris van Dutch (Dido 2003) TRACK 4 The Man Who Can't be Moved (live) - N-Dubz (The script 2008) TRACK 5 September (Live from Nashville) - Taylor Swift (Earth, Wind and Fire 1978). For Marty. TRACK 6 Bad Guy - Violet Orlandi. (Billie Eilish 2019) Thanks to Stuart for introducing me to the talented Violet. TRACK 7 You Belong to Me - Jason Wade from Shrek (Joni James 1952) For Jason. TRACK 8 Crying at the Discoteque - Alcazar 2001. (samples Spacer by Sheila B. Devotion from 1979) For Gary. TRACK 9 Crying at the Discoteque - Sophie Ellis Bextor 2021. TRACK 10 Nothing Else Matters - Macy Gray (Metallica 1992). TRACK 11 I'll be There for You - Scott Brandlee's Postmodern Jukebox (The Rembrandts from Friends 1994) For Phoebe. TRACK 12 Lovecats - Paul Anka (The Cure 1983). TRACK 13 Louder - Escala (DJ Fresh 2011) TRACK 14 I Just Died in Your Arms - Northern Kings (Cutting Crew 1986) For Glen, TRACK 15 Changes - Puddles Pity Party (David Bowie 1971) For my old mate Paul B.   If you have any cover requests, send them to rich@solihullradio.com

Musique Mécanique par le Théâtre Électrique ::"I Just Died in your Arms Tonight" by Cutting Crew

1. Fresh (Naughty Daughty Edit) - Kool & The Gang 2. Owner Of A Lonely Heart (ID Edit) - Yes 3. Too Much (ID Edit) - Luther Vandross 4. You Spin Me Round (Paul Adam Remix) - Dead or Alive 5. Africa (TGID & Barry Harris Mix) - Toto 6. I Can't Go For That (Vanucci Edit) - Hall & Oates 7. Papa Don't Preach (ID Edit) - Madonna 8. I Won't Let You Down (Original Mix) - JSquared 9. Whitney Save The Day (Original Mix) - Ladies On Mars 10. Eye Of The Tiger (ID Edit) - Survivor 11. Money Only (Clean) (Extended) - Ramon Kreisler 12. The Billy of Queens (Original Mix) - Ladies On Mars 13. I Just Died in Your Arms (C-Mireles Edit) - Cutting Crew 14. Give Me Tonight (Philly Jump Mix) - Shannon

Musique Mécanique par le Théâtre Électrique ::"I Just Died in your Arms Tonight" by Cutting Crew

Way Back When is a new show created to help us celebrate TuneFM's 50th birthday. For 50 weeks we will be playing some amazing music from each of the 50 years in TuneFM's existence while also looking at student life throughout TuneFM's history and major UNE events that may have occurred each year. Come and join us on a music nostalgia trip back through the ages!Tracklist (-SPOILERS-)1. The Final Countdown - Europe2. Bad - Michael Jackson3. I Wanna Dance with Somebody - Whitney Houston4. (I Just) Died in Your Arms - Cutting Crew5. Sweet Sixteen - Billy Idol6. Old Time Rock and Roll - Bob Seger and the Silver Bullet Band7. Wanted Dead or Alive - Bon Jovi8. What's My Scene - Hoodoo Gurus9. Run to Paradise - The Choirboys10. Crazy Crazy Nights - KISS11. Beds Are Burning - Midnight Oil12. Livin' on a Prayer - Bon Jovi13. Electric Blue - Icehouse14. You're the Voice - John Farnham15. Never Gonna Give You Up - Rick Astley

Musique Mécanique par le Théâtre Électrique ::"I Just Died in your Arms Tonight" by Cutting Crew

Tim Palmer special - discussing The Mission, David Bowie, Pearl Jam & much more - with David Eastaugh  Palmer started his career in London. In the early 1980s, Palmer was an assistant engineer at Utopia Studios in London where he worked with musicians such as Mark Knopflerand Dead or Alive. By age 21, he had his first number one single, mixing "(I Just) Died in Your Arms" (1986) for Cutting Crew. In the latter half of the 1980s, Palmer became a producer, and his ears and technical knowledge contributed to groups such as the Mighty Lemon Drops, The Mission, with whom he worked for several years, and Gene Loves Jezebel. In 1988, Palmer produced Now and Zen for rock singer Robert Plant (Top 10 U.S. album) as well as Tin Machine, David Bowie's debut LP with Tin Machine in 1989.

Nick Van Eede is co-founder and lead singer of Cutting Crew, which had two Top 10 hits in the '80s, including "(I Just) Died in Your Arms"-- #1 in the U.S. and 16 other countries. Nick has great stories about his colorful history in music,including how he got discovered, the meaning of Cutting Crew's #1 hit, and when the group knew it was time to call it quits for a time. And we discuss his terrific new album -- "Ransomed Healed Restored Forgiven."

Broadcast (1986) es el primer álbum de estudio de la banda de rock inglesa Cutting Crew. Se lanzó por primera vez en el Reino Unido el 22 de noviembre de 1986, y luego se lanzó más ampliamente, incluso en los Estados Unidos el 30 de julio de 1987 con diferentes presentaciones y cuatro pistas remezcladas ("Any Color", "One for the Mockingbird", " I've Been in Love Before"y" (I Just) Died in Your Arms "), todos los cuales fueron lanzados como singles. Fue el primer álbum lanzado en los Estados Unidos por la nueva impronta estadounidense de Virgin Records, Virgin Records America.

On the 83rd program of the independent artist spotlight, we're taking you around the world with a various artists album with tracks made in to mixes, lounge sounds, and played in bars. Next, we're going to feature some material from one of my favorite artists on Magnatune. Kitka has a great sound. We'll also take you around the world. Set 1: Eve Corporation, No Scrubs (R&B Rework) Sun Electric, O'Locco (Karma Sutra) The Piano Girls, Mr. Saxobeat Kaare Norge, Romantico - Suite Andalucia Katherine Roberts Perl, Suite No 2 in C minor BWV 813: Courante Kendra Springer, Where Sky Meets Sea Kinky Atoms, It's No Time Set 2: Kitka, Kalimanku Denku Keri Newdigate, Cumulus Acappella, Find Your Way Cleveland Wehle, Metropolis David Youngman, Lagrima Elizabeth Byrd: Cellist - Breath and the Chakras, Crown - transcendence (B tonal center) Gaelynn Lea, Bound by a Thread Various Artists, Brainvoyager - The Sun Forms Set 3: Paninaro, West End Girls (RFN Sunset Chill Edit) Jon Richards, The Sacred Tree Kitka, Shto Mi E Milo (Macedonia) George and the Good Vibes, Haklaut (Funk / Fusion / Jam Song) Low Fat Getting High, Police Cop (Rock / Hard Rock Song) Don Bodin, Seven Olympians (Instrumental EP) Kitka, Predite Prelye (Croatia) Kettleblack, Same Day Kurt Hunter, Distracted Kitka, Tec, Peleite, Zernju Zogtu (Latvia) Kiwi, Change Juan Padilla, Hijo de la Luna (Extended Mix) Larry London, Josephine (Bargrooves Mix) Goa Foundation, (I Just) Died in Your Arms Tonight (Unplugged MTV Mix) Hôtel de Paris, Missing (Buddha Bar Mix) Supershake, Good Feeling (Jersey Shore Mix) Natascha Wright, Ain't Nobody (Live in Las Vegas) Groove Thievery, Killer (Groove Thievery Remix) Kitka, Sculati Gazde, Nu Dormiti (Romania) Set 4: Dang Show, Cheers To Hossein Alizadeh Elizabeth Byrd: Cellist - The Healing Cello, Listening Station (2:25) Kirsty Hawkshaw, Sunday Morning Kourosh Dini, Waters At Midnight Laetoli Steps, Dr Diels' Jam Kitka, Byla Cesta (Moravia) Kitka, Betlehem, Betlehem (Hungary) Lilly Wolf, Jealousy Lisa Lynne, This Old Man The Quebe Sisters Band, Don't Let The Deal Go Down Robin Carnes, Extended Body Scan Meditation This will complete the program. I hope you enjoyed the wide variety of music, and our featured album and artist. See you next time!

I catch up with Nick Van Eede, lead singer of Cutting Crew, who had some of the biggest hits of the 80’s in (I Just) Died in Your Arms and I’ve Been in Love Before. Nick talks about the success of their first album, Broadcast and why their follow-up, The Scattering, which is another great album, failed to have the success that their first album had. The band released their latest album, Add to Favourites, a couple of years ago. Nick talks about what band he auditioned to become the lead singer for and the Cher song he helped write.

This Ep: Special Guest: Nick Van Eede of Cutting Crew Greg goes in-depth with Nick Van Eede of iconic Brit-band Cutting Crew. Busting on the world music scene in 1986 with their album "Broadcast", Nick & Kevin MacMichael were the driving force behind this Grammy-nominated band's chart-topping success.  Two songs, "[I Just] Died in Your Arms" (which hit #1 in Canada & US) and "I've Been In Love Before" (Top 10 in Canada & US) influenced an entire generation of Gen-X'ers in 1987 and continue to stand the test of musical time.  Genuine Classics without a doubt.   Caution: This episode includes saucy language, kazoo tales, and many great story's by a great story-teller! 

It took six seasons for our Tree Hill Crew to realize their dreams and achieve them and while some characters had their happy ending and were last seen driving off into the sunset (Leyton), season seven is here to remind us that just because you achieve your dreams, doesn’t mean you don’t have to work to keep them. One Tree Hill enters its 7th year (in our timeline not theirs) with some new characters (hopefully they aren’t as bad as Felix and Anna) and a whole lot of drama! A cheating scandal that plays out in the eyes of the public, a couple heading towards a divorce, drug addiction, suicide attempts, ghosts and you know it wouldn’t be Tree Hill without stalkers and family drama! Buckle in as we head towards the first season without Leyton, and endure the growing pains of a show and characters trying to find themselves. Heartbreak, mistakes and death will hit close to home, old characters will return to stir up drama, new loves burn and old love dies while the music is as loud as ever! Season Seven; a dream achieved is not necessarily a dream kept. Welcome to One Tree Hill 3.0! Join us as we discuss all things One Tree Hill (and then some) in our bingecasting of the series! This week our trio sits down and discusses the season 6 episodes “I and Love and You” and “I Just Died in Your Arms Tonight”   Join as this week we sit down and start talking about all the new things to unpack in Season 7 of One Tree Hill. We happen to discuss moving on from dead spouses, what makes a person happy and edible drugs..... we also talk a bit about these episodes!   If you like what you hear, or you don't please send us feedback and don't forget to rate, review and subscribe!   Follow us on Twitter: https://twitter.com/OnlyOthPod Like Our Facebook Page: https://www.facebook.com/OnlyOTHpod/ Email us at: theresonlyothpod@gmail.com Itunes Feed: https://itunes.apple.com/us/podcast/theres-only-one-tree-hill.../id1144795491  Our website where you can find all our eps and donate is here: http://theresonlyoth.podbean.com/ We're on Stitcher, check us out and rate us! We are on google play music as well!

We bring to you a dope subject for this week's music episode. We list some of our favorite hooks across any genre. #20 Travis Scott - "lose" #19 James Bay - "Let It Go" #18 CeCe Peniston - "Keep On Walkin" #17 Hoobastank - "The Reason" #16 The Isley Brothers - "Contagious" #15 Passenger - "Let Her Go" #14 50 Cent feat. Akon - "I'll Still Kill" #13 Rufus feat. Chaka Khan - "Please Pardon Me" #12 Kendrick Lamar - "Alright" #11 The Script - "Breakeven" #10 Amerie - "I Just Died" #9 Frank Ocean - "Pink + White" #8 Marvin Gaye - "What's Going On" #7 Queen - "We Will Rock You" #6 The Doobie Brothers - "What a Fool Believes" #5 Alanis Morissette - "Uninvited" #4 Future - "March Madness" #3 2Pac - "Ambitionz Az A Ridah" #2 Wale, Meek Mill feat. Rick Ross & T-Pain - "Bag of Money" #1 Stevie Wonder - "Overjoyed"

In 1986 Nick van Eede released a song ("I Just Died in Your Arms") that will be played long after we are all dead. But he's got a lot more going on than that, and on his new album (still under the moniker "Cutting Crew") he's recorded his best songs from the last decade without regard for continuity with the sound that made him famous. We discuss "Reach for the Sky" from The Scattering (1989), "Berlin in Winter" from Add to Favourites, "Frigid as England" from Compus Mentus (1992), and wrap up by listening to "Looking for a Friend," also from the new album. Learn more at cuttingcrew.biz. Hear more Nakedly Examined Music.

In 1986 Nick van Eede released a song ("I Just Died in Your Arms") that will be played long after we are all dead. But he's got a lot more going on than that, and on his new album (still under the moniker "Cutting Crew") he's recorded his best songs from the last decade without regard for continuity with the sound that made him famous. We discuss "Reach for the Sky" from The Scattering (1989), "Berlin in Winter" from Add to Favourites, "Frigid as England" from Compus Mentus (1992), and wrap up by listening to "Looking for a Friend," also from the new album. Learn more at cuttingcrew.biz. Hear more Nakedly Examined Music.

Welcome to the 2nd Anniversary of The Requiem's reformation. The 20th official episode of The Confessional is more of a guitar heavy mix while still showcasing those nice odd electronic sounds I have come to love over the years. Stop by and like me @ www.facebook.com/DjDirtyMessiah and don't forget to subscribe to the podcast via iTunes where you can catch all the other great DJs that grace our “stage”. Enjoy the show! 1. Sweet Candy Bullets (TSIDMZ Remix) ~ Chemical Waves2. Poczucie Zagrozenia ~ Wieze Fabryk3. ...Algorithm Of None ~ Aeon Sable4. Living By Proxy ~ Cauda Pavonis5. Thrill B ~ Curious6. To Woke ~ Christine Plays Viola7. A Prayer To The Rainbow ~ Melanculia8. Heroine ~ Brotherhood9. Dance To The Rhythm Of Lead ~ Twinmachine10. Prudence ~ Golden Apes11. (I Just) Died in Your Arms Tonight ~ Déesse12. Black Gold ~ Tiny Boys13. Suburbs ~ Defekt 8614. Opening Act (Evol Temptation Mix) ~ The Foreign Resort15. You Can See Through Me ~ The Bellwether Syndicate