Podcast appearances and mentions of Isabelle Adjani

Nous sommes le 21 avril 1915, au château de Suresnes, une luxueuse maison de santé de la région Île-de-France. C'est-là qu'Adèle Hugo meurt, à l'âge de 84 ans dont plus de quarante passés en internement. La presse s'étonne : « Adèle Hugo ? la fille du grand poète ? Quoi ? Elle vivait encore ? Eh oui, elle vivait, végétative, doublement murée en ses souvenirs par la vieillesse et par la folie », peut-on lire, deux jours plus tard, dans le « Paris-midi ». Dans le quotidien « La Liberté », le journaliste moque la « petite vieille dame à cheveux blancs, coiffée d'un bonnet de grand-mère à faveurs roses » qui « occupait le vide de son léger cerveau », en jouant du piano dans son asile. On souligne qu'elle était à la tête d'une immense fortune et « Les Annales » ajoute que « on ne saurait la plaindre, si riche et avec un si grand nom, d'avoir été condamnée à ce sommeil.» Certains, comme dans « La France » du 25 avril, témoignent quand même d'une sorte d'empathie et rappelle « sa destinée […] lamentable » et « son inutile, longue et triste vie ». Qui était Adèle Hugo que l'actrice Isabelle Adjani incarnera, à l'écran, incandescente et indomptable, sous la caméra de François Truffaut ? Dernière fille du monument de la littérature, l'auteur des « Misérables », qu'elle suivra dans son long exil. Un exil dont elle rapportera les moindres événements dans son journal. Un journal double où se mêle les voix de ses proches et la sienne personnelle. Une voix passionnée, admirative de la figure héroïque du père mais aussi désespérée par un amour impossible qu'elle va poursuivre jusqu'à la folie. C'est du moins ce que décrètera la société. Avec les Lumières de : Laura El Makki, professeure à Sciences Po, à Paris. « Adèle Hugo – Ses écrits, son histoire » ; éd. Seghers. Sujets traités : Adèle Hugo, Victor Hugo, Misérables, poète, Isabelle Adjani, François Truffaut Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome to *Making Me Watch Movies*, the podcast where we force each other to endure films we'd never pick ourselves—and then argue about whether it was genius or just plain traumatizing. And oh boy, does today's pick deliver on the trauma.  This week, we're wrestling with Andrzej Żuławski's 1981 nightmare fuel, *Possession*—a film so batshit it was banned as a ‘video nasty,' features Isabelle Adjani screaming her way into horror history, and includes… whatever *that thing* in the apartment is. Is it a metaphor for divorce? A Cold War allegory? Or did the director just hate his audience? One thing's certain: we'll never look at raw meat, subway tunnels, or marriage the same way again.  So grab a stiff drink (you'll need it), and join us as we try to unpack this unhinged cult classic. Spoiler alert: someone on this podcast is *not* getting off the couch without an apology."Message us DIRECTLY to tell us how much you hated this episodeSupport the showFOLLOW US: INSTAGRAM - @MMwM_podcast TIKTOK - @MMwM_podcast YOUTUBE - @MMwM_podcast ALSO: @anthony_eslami @goldenroad85 @_schwizzyy_

Bienvenue dans cet épisode passionnant de Pop Culture, où Mathieu Alterman nous plonge dans les trésors comiques des années 80 du cinéma français. Mathieu nous fait découvrir des pépites oubliées de l'humour hexagonal, méritant d'être remises sous les feux des projecteurs.Il nous replonge dans l'effervescence de cette décennie folle, où les comédies à faire décrocher les mâchoires se succédaient sur les écrans. Bien que les incontournables comme "Le Père Noël est une ordure" et "Trois hommes et un couffin" soient connus, Mathieu met en lumière des perles plus confidentielles.Nous découvrons les deux Josiane Balasko pour le prix d'une, avec la ressortie en DVD de "Les Hommes préfèrent les Gros" et "Sac de nœuds". Mathieu souligne les dialogues savoureux et les scènes cultes de ces comédies.Mathieu nous fait également redécouvrir "Clara et les Chic-Tips", une comédie de 1981 avec Isabelle Adjani, Christian Clavier et Coluche, ainsi que "Le téléphone sonne toujours deux fois", et "Twist Again à Moscou".Il nous fait découvrir des films à sketches comme "Tranche de vie" et "Les secrets professionnels du professeur Abfelgluck". Mathieu partage son rêve de voir un retour en grâce des films de Francis Perrin, comme "Ça n'arrive qu'à moi".Cet épisode de Pop Culture est une invitation à explorer les trésors comiques oubliés des années 80, un voyage passionnant à travers l'histoire du cinéma français, ponctué d'anecdotes savoureuses et de citations inoubliables. Préparez-vous à rire aux éclats !Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"Depuis sa plus tendre enfance, Natacha est bien décidée à devenir hôtesse de lʹair pour voyager et découvrir le monde. Quand elle se retrouve mêlée malgré elle au vol de la Joconde, elle y voit l'opportunité de réaliser enfin son rêve. Accompagnée d'un steward maladroit, elle traverse la France et l'Italie dans une course-poursuite qui pourrait bien changer sa vie…" Après La Connasse Princesse des Cœurs, Telle mère telle fille ou encore la série Netflix Plan Coeur, la scénariste et réalisatrice Noémie Saglio présente sa dernière comédie, adaptation de la bande dessinée franco-belge Natacha, publiée dès 1970 aux éditions Dupuis. Avec Camille Lou, Vincent Dedienne, Isabelle Adjani, Elsa Zylberstein, Didier Bourdon et Fabrice Luchini dans les rôles principaux. "Natacha (presque) Hôtesse de l'air" à voir en salles romandes dès le 2 avril. Noémie Saglio est lʹinvitée dʹAnne Laure Gannac. Avec lʹinterview-portrait de Yacine Nemra.

Elizabeth Gouslan publie «À la recherche d'Isabelle Adjani ». Son ouvrage se compose de lettres écrites par une certaine Anna, une femme imaginaire. De l'adolescence à l'âge adulte, Anna, lycéenne de Seine-Saint-Denis grandit avec Isabelle Adjani. La préface précise : « elle suit chacune des étapes de son existence, décrit au jour le jour la carrière de son idole, ses errances, ses traversées du désert, ses chagrins d'amour, ses joies de mère, ses triomphes au cinéma ou au théâtre ». En filigrane, cette âme sœur se raconte aussi. On assiste à la naissance d'un mythe. On se rend compte que la comédienne n'est pas juste une interprète mais une véritable muse. « À la recherche d'Isabelle Adjani » d'Elizabeth Gouslan est paru chez l'Archipel.

Welcome to Foreign film February! This month we will explore some of the foreign films of New World Pictures! FFF, as it's affectionately known, starts off with A LOT of heart (maybe even a little too much heart) with the tragic STORY OF ADELE H directed by Francois Truffaut. Set in 1863 - oh la la mon ami a period piece - we follow a young woman (Isabelle Adjani, POSSESSION) in her absolute QUEST in pursuit of her love interest Lieutenant Pinson (Bruce Robinson, director of WITHNAIL AND I). Using a fake identity, and the power of the pen, she tries to win Pinson's heart the old fashioned way, through love letters, stalking, hypnosis, and, of course, moving to Barbados! (If you couldn't tell already, Erica once studied French so naturally this film was juste dans son allée!) Listen in as we talk about how little Erica, the self proclaimed Francophile, actually knows about who Adele H really is. Let Marc's thoughts on hypnosis mesmerize you, and we know we aren't at final questions yet, but you know that we asked them. Foreign Film February may be the shortest month of the year, but trust us when we say, the films have never felt longer. For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, head here: https://newworldpicturespodcast.com/ For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/  

Not so silent anymore! Al & Siena are pausing for Pyramid Head and screaming in subways over SILENT HILL (2006) x POSSESSION (1981)! Hear how 165 unique sets were blended to create the setting of Silent Hill, learn what direction Isabelle Adjani was given for that infamous subway scene, and discover which rom-com star was up for the role of Rose Da Silva on this psychotic and surreal edition of Splice & Splatter. Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!THIS VIDEO IS SPONSORED BY BEASTLY BOOKSSAVE 10% OFF ONLINE WITH CODE SPLICE10 AT CHECKOUT!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferFollow us on social media at linktr.ee/spliceandsplatterpodEnjoy full length video episodes and behind-the-screams on Youtube!Support the show

Welcome to Sitting in the Dark, the podcast that illuminates the shadowy corners of horror cinema. This month, your host, Kynan Dias, and a coven of his most insightful monster aficionados – Pete Wright, Kyle Olson, and Tommy Metz III – go under the sheets into a chillingly erotic realm: the intersection of horror and sex.Now, we're not talking about the gratuitous, the exploitative. No, this is a deeper dive, a plunge into the murky waters where fear and desire intertwine. Think of it as the uncanny valley of emotion – that unsettling space where repulsion and attraction collide.Our cinematic subjects? A trio of films that span decades and genres, each offering a unique perspective on this monstrous ménage à trois. First, we confront the hallucinatory, emotionally raw world of Andrzej Żuławski's Possession. Isabelle Adjani's Cannes-winning performance anchors this psychosexual nightmare, a film that pushes the boundaries of body horror and marital breakdown. Prepare for tentacles. Prepare for existential dread. Prepare to question everything you thought you knew about love and divorce.Next, we shapeshift into Mike Nichols' Wolf, a film that explores the beast within. Jack Nicholson's transformation from corporate drone to lycanthrope becomes a metaphor for unleashed primal instincts.Finally, we sink our teeth into Karen Kusama's Jennifer's Body. This darkly comedic horror-satire tackles the complexities of female desire and monstrous appetites. Megan Fox, as the titular Jennifer, embodies the seductive power of the demonic feminine, a force that both allures and devours.Film SundriesPossession: Apple • Amazon • JustWatchWolf: Apple • Amazon • JustWatchJennifer's Body: Apple • Amazon • JustWatch (00:00) - Welcome to Sitting in the Dark (03:22) - Sexy, Sexy Monsters (07:22) - Possession (26:04) - Wolf (47:59) - Jennifer's Body (01:11:54) - Coming Attractions: Last Woman Standing Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Before we tackle Robert Eggers' Nosferatu (2024), Brandon and I take on Werner Herzog's Nosferatu the Vampyre (1979). Klaus Kinski stars as Count Dracula, not Count Orlock in this version. Isabelle Adjani stars as Lucy Harker. Kinski played Renfield opposite Christopher Lee's Dracula in Jess Franco's Count Dracula (1970)! 1979 was a big year for Dracula! There were three films featuring Bram Stoker's Vampire Count...Dracula directed by John Badham starring Frank Langella, Love at First Bite directed by Stan Dragoti starring George Hamilton, and Nosferatu the Vampyre! Join us on our Nosferatu journey and let us know your favorite! Plot: Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror. Taglines: Nosferatu...he who is doomed to wander alone in darkness. Nosferatu...he who is condemned to destroy even those whom he loves. Nosferatu...a tale of seduction in the dark night of the soul. It is fear and fun. It is a scream of horror and a cry of delight. It is Nosferatu, the Vampyre. ...He who is doomed to wander alone in darkness. ...He who is condemned to destroy even those whom he loves.

De veertiende aflevering van het vierde seizoen van Cinepraatjes, de podcast van Cinemaatjes. JP was naar De Efteling geweest en is dus ook in de nieuwe attractie ‘Danse Macabre' geweest. We staan even stil bij het aankomende Winter BUT Festival in Breda. We hebben het nog even over de nieuwe tier op onze Patreon-pagina, die we toch anders gaan opzetten. Uiteraard is Marino er ook weer met een nieuw sonnet, maar raden we het dit keer wel? William heeft de HBO-serie ‘The Penguin' gezien en wil dat kort even bespreken. JP zag de nieuwe horrorfilm met Halle Berry ‘Never Let Go'. William kon na het zien van een film deze niet loslaten en besloot deze toch maar eens op BluRay te kopen en keek ‘m ook meteen en bespreekt deze ook meteen. Het is de geweldige film ‘Possession' uit 1981 en JP zag ook een film met Isabelle Adjani, eigenlijk twee verschillende versie ervan nl. ‘Nosferatu: Phantom der Nacht'. We trokken de DVD ‘The Awful Dr. Orlof' uit de kast, die William niet heeft gezien en JP vond het wel wat. In onze Special doen we eigenlijk wat we voor de vorige podcast al hadden voorbereid. Een Special die vaker kan terugkomen. We kozen nl. willekeurig een jaartal tussen 1970 en 2020 en deze eerste keer hebben we het over het filmjaar 1991 met o.a. onze top 10. Ook beantwoorden we weer vragen van luisteraars over niet-kerstfilms die wel een kerstsfeertje kunnen gebruiken, het verschil tussen remakes en reboots, maskers & helmen, acteurs waarvan de hele filmografie mag worden gewist en wat we zouden doen tijdens een ‘Purge'. Veel luisterplezier! www.youtube.com/@cinemaatjes www.instagram.com/cinemaatjes013 www.facebook.com/cinemaatjes www.patreon.com/cinemaatjes www.letterboxd.com/cinemaatjes

durée : 00:15:28 - Journal de 12h30 - Niels Arestrup est mort à 75 ans. Avant tout comédien de théâtre, il avait obtenu 3 fois le César du meilleur acteur dans un second rôle. Taiseux, il avait aussi été décrit comme un partenaire de jeux violent par les actrices Isabelle Adjani et Miou-Miou. - réalisation : Brice Garcia

durée : 00:15:28 - Journal de 12h30 - Niels Arestrup est mort à 75 ans. Avant tout comédien de théâtre, il avait obtenu 3 fois le César du meilleur acteur dans un second rôle. Taiseux, il avait aussi été décrit comme un partenaire de jeux violent par les actrices Isabelle Adjani et Miou-Miou. - réalisation : Brice Garcia

Ancien rugbyman professionnel ayant évolué 7 ans au Stade Français Paris, Raphaël a été plusieurs fois Champion de France et international tricolore de rugby.Raphaël détient également d'autres expériences comme celle d'acteur de théâtre. Il a joué notamment avec Isabelle Adjani. Il est également coach mental diplômé et auteur du livre « Quand j'étais Superman »

This week we return to our video nasties feature looking at the banned films of 70's and 80s Britain.  Our focus this time is the long banned and controversial divorce horror Possession from 1981.  We discuss this mind manipulating Sam Neill and Isabelle Adjani starring psychological body horror including its interesting themes of divorce melded in with some of the most unusual characters we've met on screen.  Come and tell us your thoughts on possession @cmthpodcast on Twitter and Instagram. If you enjoy our content then please subscribe and leave us a lovely rating and review to help our podcast grow. 

PODCAST - C'est l'une de nos plus grandes actrices, la plus récompensée de l'histoire de notre cinéma : Isabelle Adjani. Elle-même avoue être plus douée pour le cinéma que pour sa propre vie. Mais pourquoi a-t-elle si bien et si souvent joué des personnages en proie à la folie ? Et d'où vient son image de star capricieuse et mystérieuse ? "Isabelle Adjani, l'insaisissable, c'est le nouvel épisode de Confidentiel.

PODCAST - C'est l'une de nos plus grandes actrices, la plus récompensée de l'histoire de notre cinéma : Isabelle Adjani. Elle-même avoue être plus douée pour le cinéma que pour sa propre vie. Mais pourquoi a-t-elle si bien et si souvent joué des personnages en proie à la folie ? Et d'où vient son image de star capricieuse et mystérieuse ? "Isabelle Adjani, l'insaisissable, c'est le nouvel épisode de Confidentiel.

Sam Neilloween continues with Andrzej Żuławski's 1981 cult-classic, Possession! This week finds our hero caught in a psychological domestic divorce horror opposite a Cannes Best Actress-winning performance from Isabelle Adjani. Ben, Cory, and Noah discuss the fully... committed? unhinged? performances and vague plot of Possession. Directed by Andrzej Żuławski and starring Sam Neill and Isabelle Adjani.

On today's episode, we discuss our trip to New York for Chelsea's 40th birthday, Netflix's extremely homoerotic Monsters: The Lyle and Erik Menendez Story, the flash mob dance sequence in The Perfect Couple, the tragic reedited version of Nicole Kidman's AMC commercial, Perry Farrell and Isabelle Adjani's wrinkle-free faces, Dave Grohl's love child, Karen Elson's star-studded wedding, Vogue's new app, Naomi Campbell's Anna Wintour diss, and the new Hulu series In Vogue: The 90s.

Qu'est-ce que les livres ont encore à nous apprendre ? Cette semaine, La Grande Librairie célèbre la valeur de la littérature : son pouvoir, son utilité, son avenir... À l'heure où beaucoup semblent en douter, six écrivains nous rappellent combien raconter des histoires est un pari gagnant !Avec : James Ellroy, Philippe Jaenada, Yasmina Reza, Justin Morin, Antoine Compagnon et Isabelle Adjani

La série américaine Netflix dans laquelle elle joue avec Nicole Kidman est numéro 1 de la plateforme depuis plusieurs jours.

Monocle's Fernando Augusto Pacheco speaks with Danish award-winning director Susanne Bier to discuss her latest series, ‘The Perfect Couple', on Netflix. It's a new must-watch murder-mystery with an incredible cast that includes Nicole Kidman, Liev Schreiber and Isabelle Adjani. See omnystudio.com/listener for privacy information.

Cet été dans Pépites, on vous propose de découvrir Les Vagues, le podcast co-produit par Louie Media et le magazine Elle où Marion Ruggieri interroge des personnalités sur le moment où elles se sont senties à leur place pour la première fois. Cet épisode des Vagues a été diffusé pour la première fois le 24 octobre 2023.Bonne écoute !Dans ce tout premier épisode des Vagues, Marion Ruggieri, grand reporter au magazine ELLE, interroge Isabelle Adjani. L'actrice se raconte comme jamais : d'une enfance trouble, en périphérie de la ville, à la vie rêvée d'actrice, métier d'errance, où elle a enfin trouvé sa place.

En 1984, le film L'été meurtrier remporte 4 Césars dont celui de la meilleure actrice et celui du meilleur scénario et achève de lancer la carrière d'une actrice qui fit scandale: Isabelle Adjani. Le film de Jean Becker, révèle, pour ceux qui l'ignoraient encore, le sex appeal d'Adjani. la comédienne passe ainsi d'étoile montante à actrice qui pèse dans l'industrie du cinéma. Mais il aussi fige Adjani dans le rôle de la fille snob qui n'en fait qu'à sa tête. Une actrice scandaleuse qui méritait bien un épisode de la série ! Les extraits dans cet épisodela bande annonce https://youtu.be/XDVZoMlxzJA?si=mLKWywRRH6LNrH0SLes archives de l'INA et le boycott des photographes https://youtu.be/7YZbuqY7ADk?si=VONpDG_szf7HK68LAdjani chez Bruno Masure https://youtu.be/BZ2d_EyNc2g?si=XMFpw8JxE_6wX3mtLe générique du podcast c'est toujours David Nilsson. Plus d'infos sur notre label Podcut et notre patreon : podcut.studio Merci pour vos contributions !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La Gifle, un film de Claude Pinoteau, sorti en 1974, prix Delluc en 1975. Lʹhistoire est celle dʹun quinquagénaire confronté à sa fille, Isabelle, étudiante en première année de médecine, à qui, un jour, il administre une baffe monumentale. Cette gifle est le déclencheur dʹune grande remise en question. Isabelle fugue et Jean doit sʹinterroger, se réapproprier sa vie et réparer ce quʹil a cassé avec sa fille. La Gifle, comédie de mœurs dans la France des années 70, raconte une crise de générations : la génération des gens qui se situent au printemps face à ceux qui se trouvent à lʹautomne de leur vie. Lino Ventura et Isabelle Adjani incarnent le père et la fille. Véritable révélation à 19 ans, Isabelle Adjani démontre un talent indéniable de comédienne. Face à elle, Lino Ventura, joue la force tranquille. La remise en question lui va bien. Annie Girardot, la mère, est mutine et rigolote. Francis Perrin est le chien dans le jeu de quille, lʹétudiant amoureux, jaloux. Claude Pinoteau fait aussi jouer dʹautres jeunes premiers : Nathalie Baye, Richard Berry et on voit apparaître brièvement André Dussolier. La Gifle, cʹest donc également le portrait dʹune nouvelle génération de comédiens français. Pinoteau est un excellent dénicheur de talents. Le scénario est signé Jean-Loup Dabadie avec qui Claude Pinoteau avait déjà collaboré pour son premier film lʹannée précédente. Car Pinoteau est un tout jeune réalisateur de près de 50 ans. Il a été lʹassistant des plus grands, mais passe sur le tard à la réalisation. On vous racontera tout ça dans cette émission. REFERENCES Claude Pinoteau à LʹESRA Isabelle Adjani au micro de Michel Thoulouze Un reportage sur le tournage du film Le tournage de la Gifle vu par Francis Perrin

Having amassed more than 100 episodes in its run, PACCTS' sixth season will focus its sights on “the greatest films of all time” (both in the US and internationally), as assembled by the British Film Institute's 2022 Sight and Sound Poll of industry critics. Corey will be choosing American films from the list, and Paul will be choosing international ones.  Our goal is to examine the films that are considered great, and why that may be the case.   Ranked 243, Andrzej Żuławski's Possession (1981) has only recently gotten the attention it deserves. A difficult and overwhelming examination of divorce (and tentacles), the film was banned in countries, highly edited in America, and labeled as a Video Nasty in the UK. It's been difficult to find, and only recently has Possession been readily available in its entirety in the US, streaming on Shudder. Sam Neill and Isabelle Adjani play a married couple in West Berlin. The film begins with him returning home from a spy mission, only to learn his marriage is over. Things don't get better from there. Both Neill and especially Adjani give some of the most intense performances committed to film. You've never seen anything like this...

Cʹest un film dramatique sous le soleil de la Provence, la folie en bandoulière, la vengeance en horizon, avec Isabelle Adjani et Alain Souchon, Suzanne Flon, Michel Galabru et François Cluzet. Ce film, cʹest lʹEté meurtrier, de Jean Becker, dʹaprès le roman de Sébastien Japrisot sorti en 1983. Un polar, un film noir inspiré dʹun fait divers qui marque les esprits part la présence lumineuse dʹIsabelle Adjani. Elle y campe un personnage de jeune femme sexy, fruit du viol de sa mère par trois hommes du village, qui se prend pour une star, une miss camping-caravaning, qui va mettre un petit village de Provence à feu et à sang. Lʹété meurtrier, cʹest le roman à succès de Japrisot qui sʹattache aux pas de cette jeune femme quand elle bascule dans la manipulation, dynamite une famille, sʹengage avec folie et rage dans la vengeance aveugle. Eliane, dite Elle, fait tourner les têtes. Pin-Pon, Alain Souchon, deviendra meurtrier pour ses beaux yeux. Pas de répit pour les âmes. Pas de répit pour les corps. Celui dʹAdjani, nue, raconte toutes les fêlures du personnage. Pas de répit dans le film, tiré au cordeau du cinéma social-réaliste. Japrisot tire un scénario de son roman à la Faulkner quʹadapte, après des années dans la publicité, hors des écrans de cinéma, son complice, Jean Becker. La narration en voix off souligne, à la grecque, la tragédie qui se joue. Les collines vibrent sous le soleil, les morts sʹalignent, cet été 1983 nʹest pas celui des vacances. A sa sortie, le film, véritable succès en salle, reçoit quatre César, dont ceux du meilleur scénario et de la meilleure actrice. REFERENCES Jean Becker n 2018 sur FILMO https://www.youtube.com/watch?v=kCtW8pe6EsY ROUCHY, Marie-Elisabeth, " lʹEté meurtrier ", in le Nouvel Observateur du 22.07.2010 Adjani, les Césars. https://vimeo.com/79196547 Jean Becker sur lʹengagement de Souchon https://www.dailymotion.com/video/x4n14fc

durée : 01:00:00 - Les Nuits de France Culture - par : Philippe Garbit - Surnommée la reine du casting, Margot Capelier a endossé un métier essentiel du 7e art. En 1990, à 80 ans, elle revient sur 50 ans de carrière. Quatre ans après, elle dirigera le casting de la "Reine Margot" de Patrice Chéreau, avec Isabelle Adjani, dont elle a lancé la carrière au cinéma.

First things first: Everyone say, "Happy Birthday, Monica!" For our special girl's special day, we decided to do a very special film. This week on Spooky Tuesday, we're covering Possession (1981), the video nasty that made waves at Cannes... and then promptly got stuck in the vault. Starring Isabelle Adjani and Sam Neill as a couple whose marriage is falling apart, this peculiar picture has been much debated over the years and is open to all kinds of interpretation. On our latest episode, we're doing our best to make sense of what exactly is happening here — and just how it makes us feel. BIG NEWS, SPOOKIES!We're getting a makeover!! Our new official look is here — and so is our merch store! That's right: We've got new art AND hats, shirts, and sweatshirts to match. Starting March 26 at 12:00 a.m. PST, our shop is open for presales. You've got until Friday, April 12 at 11:59 p.m. to get your order in, and we've got some very cunty stuff. CHECK OUT OUR SPOOKY TUESDAY MERCH HERE! References:https://thespool.net/reviews/film-essay-possession-shudder/https://www.slashfilm.com/1159987/possession-ending-explained-we-are-makers-of-our-own-evil/https://www.slashfilm.com/854826/why-it-took-decades-for-possession-to-become-a-horror-classic/https://henridecorinth.wordpress.com/2016/02/02/on-color-in-zulawskis-possession-1981/https://medium.com/@thompsonjennifer803/a-deep-dive-into-madness-and-despair-possession-1981-9f0816471ddchttps://wearecult.rocks/finding-meaning-in-possessionhttps://manorvellum.medium.com/misunderstood-monsters-whats-love-got-to-do-with-it-in-possession-fa322daf8aa8Massive Attack Music Video: https://www.youtube.com/watch?v=ElvLZMsYXlo

#Governatori , niente #terzomandato ; #Perugiapapers #dossieraggio #Meloni accelera riforma #giustizia: entro aprile @FrancescoBechis ; #Gaza in #Italia i bambini salvati dal sacrificio delle #mamme @RaffaellaTroili ; #Milan #Cessione prezzo gonfiato @ClaudiaGuasco #DueMondi il #programma con #Baricco e la #Adjani @SimonaAntonucci ; #Moltosalute troppi bambini obesi #obesità @AlessandraCamilletti

Possession is a 1981 psychological horror drama film directed by Andrzej Żuławski and written by Żuławski and Frederic Tuten starring Sam Neil and Isabelle Adjani. The plot obliquely follows the relationship between an international spy and his wife, who begins exhibiting increasingly disturbing behavior after asking for a divorce. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch Possession: https://amzn.to/42GQJBX       Out this Month: Week 1: Shooting the Flames Week 2: Possession Week 3: It Follows Patreon: Valentine     Coming in March 2024 (Zombie Month!): Night of the Living Dead (Remake) Cargo      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    #ExiledTexan Alex Mendoza Anthony Criswell Ashlie Thornbury BattleBurrito BelleBeignet Benjamin Gonzalez Bennett Hunter Big Dave Bonnie Jay BreakfastChainsawMassacre Call me Lestat. CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Gia-Ranita Pitt Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Kimberly McGuirk Kitty Kelly Laura O'Malley Lisa Libby Livi Loch Hightower Mark Landry Mary Matthew McHenry McKenna Hirschmann Nicole McDaniel Nikki (phillyenginerd) Niko Allred Orion Yannotti Penelope Nelson random dude Robert Eppers Rosieredleader Ryan King Sean Homrig Sinesthero The Dean Swann Tony Pellonari Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

We followed Isabelle Adjani to another euro-thriller-weirdo flick, 1976's The Tenant! Paris has never looked so unromantic!

The "best sci-fi film" never made? That's what Andrzej Zulawski's project has been called. Shut down by the Polish government before production had finished in 1977, the film wasn't completed and released until 1987. It's a visually stunning and wildly ambitious exploration of myth, religion and being human in an alien world. Zulawski (1940-2016) studied cinema in France and became known for art-house films working with actresses including Romy Schneider, Isabelle Adjani and Sophie Marceau. Matthew Sweet and his guests Daniel Bird, Sarah Dillon and David Hering, have been watching On the Silver Globe.Producer: Torquil MacLeod

In this episode, Justin & Gary take a look at Andrzej Żuławski's controversial 1981 cult film POSSESSION! This existential relationship drama (slash body horror?), inspired by the director's own painful divorce, is an acting showcase for its stars, Sam Neill and Isabelle Adjani, and up until the last few years, was almost impossible to find in the US in its original, unedited form. This week, we'll take a detailed look at Żuławski's career in his native Poland, how he was forced to leave his home country by Poland's Communist government, and the circumstances that led to him filming a movie that Time Out called "extreme but essential viewing". Synopsis: A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair. Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, and Justin Bishop.. For episode archives, merch, show notes, and more, visit cinemashock.net

We celebrate the life and career of Ryan O'Neal with a discussion of his slickest star vehicle. My audio is a little choppy at times because I had to cut out a lot of barking. Peggy was very excitable during this episode but can you blame her? It's Ryan O'Neal, it's Isabelle Adjani, it's Bruce Dern, it's Walter Hill, folks. What a cast. What a picture. What a podcast. @creamatoria @austin_hayden @CineMythology Send mailbag questions to cinemythologypod@gmail.com

This week on the season finale of And the Runner-Up Is, Kevin welcomes back Fritz, of Fritz and the Oscars, to discuss the 1989 Oscar race for Best Actress, where Jessica Tandy won for her performance in "Driving Miss Daisy," beating Isabelle Adjani in "Camille Claudel," Pauline Collins in "Shirley Valentine," Jessica Lange in "Music Box," and Michelle Pfeiffer in "The Fabulous Baker Boys." We discuss all of these nominated performances and determine who we think was the runner-up to Tandy.  0:00 - 9:56 - Introduction 9:57 - 32:56 - Isabelle Adjani 32:57 - 52:48 - Pauline Collins 52:49 - 1:11:06 - Jessica Lange 1:11:07 - 1:35:30 - Michelle Pfeiffer 1:35:31 - 1:58:20 - Jessica Tandy 1:58:21 - 2:58:31 - Why Jessica Tandy won / Twitter questions 2:58:32 - 3:03:51 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Fritz on Twitter and YouTube Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

This week the boys are joined once again by DASEIN AKA Brandon Say to give us an update on his upcoming new music release and films of 1976, featuring Roman Polanski's follow-up to Chinatown, THE TENANT. After a spoiler-free mini review of KILLERS OF THE FLOWER MOON, we discuss this chiller about paranoia that makes you wonder a lot of things, namely why everyone in Paris in 1976 has an American accent.  Find all of our Socials at: https://linktr.ee/theloveofcinema. 0:00 Intro/DASEIN/Gripes; 09:42 Killers of the Flower Moon mini review; 20:53 1976 + The Tenant; 1:15:57 What You Been Watching?   Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Our phone number is 646-484-9298, it accepts texts or voice messages.    Additional Cast/Crew: Roman Polanski, Isabelle Adjani, Melvyn Douglas, Jo Van Fleet, Lila Kedrova, Bernard Fresson, Claude Dauphin, Philippe Sarde, Sven Nykvist Additional Tags: Dasein, The Pianist, Chinatown, Dies Ires, Rosemary's Baby, Febreze, Killers of the Flower Moon, Martin Scorsese, Leonardo DiCaprio, Robert DeNiro, Earnest, Lucy, Osage Tribe, Australia, Formula 1, Lewis Hamilton, Max Verstappen, Pierre Gasly, Fernando Alonso, Daniel Ricciardo, Oscar Piastri, Red Bull, Le Mans, Grand Prix, Writer's Strike, WGA, Queensland, Adelaide, Melbourne, The Philippines, Tokyo, Sony, Playstation, Simulation, Blood Diamond, The Spice Girls, Christian Horner, Downton Abbey, Nissan, Spotify, residuals, classic studio system, Duane Reade, Target, CVS, Bed, Bath, & Beyond, Walgreens, Apple+, Apple TV, Netflix, Amazon Prime, TikTok, Twitch, Stranger Things, Haas, Gunther Steiner, Concord, NC, New Jersey, Upper West Side, West Village, The Notebook, It, The Edge of Seventeen, LensCrafters. 

In this episode, The FM3 have their poison served up warm and squiggly by a wonderful top level Patron from Patreon. The poison in this case is the polarizing 1981 film "Possession" by writer/director Andrzej Zulawski. Jef, Josh and Brian are finally ready to tackle this legendary movie at least in the public's ears. They may have recorded an episode talking about this very movie some time back and it was lost in the fog and sadness of different days. That being said, If you happen to be a patron on Patreon, that original recording will be getting uploaded and then you will get to hear the crew's initial reactions and feelings as they were also having a tough day at the old podcasting office. This is one of those films that will forever change you- good or bad, It WILL change you. Some folks end up not liking it which is understandable and other folks will end up obsessed digging into the dark depths of the interwebs for any tiny nugget of insight into this crazy ass film. 

The 2 Guys continue their October celebration with Hodgepodge Halloween. On deck for this week is two possession-related horror films, Jeff Kwitny's Beyond the Door III and Andrzej Zulawski's Possession, starring Sam Neill and Isabelle Adjani. Finally, if you have your own ideas for the podcast, you can also email us with list suggestions at 2guys5movies@gmail.com, and thank you all for listening and your support.

We discuss Andrzej Żuławski's 1981 film Possession, which has recently seen a bit of a renaissance within the horror community despite being labeled a video nasty and banned/censored/edited when first released. We talk about the behind-the-scenes lore of the film, the absolute force that is Isabelle Adjani, the horror inherent in a marriage failing, and some good old-fashioned monster fucking.  Content warnings for discussions of domestic violence, self-harm, miscarriage, and well, monster fucking. Possession is available to view on Shudder and AMC+ and to rent on Amazon Prime and YouTube.Twitter - @HorrorMarginsFacebook - @HorrorInTheMarginsPodcastInstagram - @horrorinthemarginsTikTok - @horrorinthemarginsIf there's a movie you'd like us to review or a creator you'd like us to interview, send us an email at horrorinthemargins@gmail.com. We're happy to consider your suggestions. Stay spooky, Pod People. Podcast intro - Music by The_Mountain from PixabayPodcast outro - Music by ComaStudio from Pixabay

The film of the week is Werner Herzog's Nosferatu the Vampyre (1979.) From wiki: “Nosferatu the Vampyre (German: Nosferatu: Phantom der Nacht, lit. 'Nosferatu: Phantom of the Night') is a 1979 horror film written and directed by Werner Herzog. It is set primarily in 19th-century Wismar, Germany and Transylvania, and was conceived as a stylistic remake of F. W. Murnau's 1922 German Dracula adaptation Nosferatu. The picture stars Klaus Kinski as Count Dracula, Isabelle Adjani as Lucy Harker, Bruno Ganz as Jonathan Harker, and French artist-writer Roland Topor as Renfield. There are two different versions of the film, one in which the actors speak English, and one in which they speak German.[3] “ But also, they discuss the John Waters show at the Academy Museum and all things John Waters. Josh discusses his Piggly Wiggly bucket list films, Blood Beach (1982) and Gator Bait (1973) and all about horror movie marketing. NEXT WEEK: Bug (2006) Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.com Drusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/ Joshua's website: https://www.joshuaconkel.com/Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel

durée : 00:39:01 - Les Nuits de France Culture - par : Philippe Garbit - "Je suis à la fois homme de théâtre et homme de cinéma". Patrice Chéreau se définit ainsi dans l'entretien qu'il accorde à Michel Ciment en mai 1994, tandis que son film "La Reine Margot" avec Isabelle Adjani est en compétition au Festival de Cannes. - invités : Patrice Chéreau Metteur en scène de théâtre et d'opéra, réalisateur français

The third episode of our season on the awesome movie year of 1987 features the year's biggest flop, Elaine May's Ishtar. Written and directed by Elaine May and starring Warren Beatty, Dustin Hoffman, Isabelle Adjani and Charles Grodin, Ishtar was May's final narrative film as a director.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/ishtar-1987), Hal Hinson in The Washington Post (https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/ishtarpg13hinson_a0c971.htm), and Janet Maslin in The New York Times (https://www.nytimes.com/1987/05/15/movies/film-hoffman-and-beatty-in-elaine-may-s-ishtar.html).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1987 installment, featuring the Cannes Film Festival Palme d'Or winner, Maurice Pialat's Under the Sun of Satan.

On this episode it's Christmas in July! We celebrate the holidays early with a fan request episode all about Joe Dante's GREMLINS, the beloved holiday classic. Get the egg nog out, crank the AC down real low, then kick back and relax while Death By DVD does Gremlins. Merry Christmas in July! subscribe today for Death By DVD's official newsletter,  featuring updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

This episode marks 14 years of Death By DVD. Yes, that's right! 14 years. Founded July 9th, 2009 Death By DVD has been bringing you the best in horror, exploitation, grindhouse, psychotronic & drive in film reviews for 14 solid years. On this episode we FINALLY review and discuss a movie we have been joking about since the very first episode. You know what it is! WEEKEND AT BERNIES finally discussed on this episode celebrating 14 years in the graveyard. Thank you for choosing Death. Thank you for allowing us into your lives. Please take a moment to check out the official Patreon of Death By DVD where you can watch this episode and many more. Your support 100% is what will keep Death by DVD alive for another 14 years. Choose Death, support us today.CLICK HERE FOR PATREON : https://www.patreon.com/deathbydvdsubscribe today for Death By DVD's official newsletter,  featuring updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER!  A Death By DVD New Year Mystery  WHO SHOT HANK : PART ONE  WHO SHOT HANK : PART TWO  WHO SHOT HANK : PART THREE  WHO SHOT HANK : PART FOUR  WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

This week on And the Runner-Up Is, Kevin welcomes producer and Academy Queens cohost Joey Gentile to discuss the 1975 Oscar race for Best Actress, where Louise Fletcher won for her performance in "One Flew Over the Cuckoo's Nest," beating Isabelle Adjani in "The Story of Adele H.," Ann-Margret in "Tommy," Glenda Jackson in "Hedda," and Carol Kane in "Hester Street." We discuss all of these nominated performances and determine who we think was the runner-up to Fletcher.  0:00 - 17:12 - Introduction 17:13 - 39:18 - Isabelle Adjani 39:19 - 1:00:27 - Ann-Margret 1:00:28 - 1:21:16 - Glenda Jackson 1:21:17 - 1:42:18 - Carol Kane 1:42:19 - 2:08:25 - Louise Fletcher 2:13:25 - 2:53:45 - Why Louise Fletcher won / Twitter questions 2:08:25 - 2:55:26 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Joey Gentile on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Agents Scott and Cam take their musical act on the road with Warren Beatty and Dustin Hoffman for the 1987 espionage comedy Ishtar.  Directed by Elaine May. Starring Warren Beatty, Dustin Hoffman, Isabelle Adjani, Charles Grodin, Jack Weston, Tess Harper, Carol Kane and Aharon Ipalé. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Put down that carving knife and pull out that tentacle monster because we're heading all the way to divided Berlin to discuss Andrzej Żuławski's loud and proud 1981 masterpiece Possession! Joining us for the conversation is Losers' Club and Psychoanalysis Podcast co-host Jenn Adams!Join us as we sing all the praises for Isabelle Adjani's mesmerizing performance (if you've seen the subway scene, you know why) before trying to pick apart every single bit of emotion that this film exudes. And it's...a lot.Plus: hot Sam Neill, deranged rocking, gay detectives, dirty-ass feathers, la queer reading of Heinrich and so, so so many slaps. Are we dealing with Sister Faith or Sister Chance? You tell us!References:> David West. “Possession: A Marriage of the natural and the supernatural.” The Twin GeeksQuestions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> Jenn: @jennferatuBe sure to support the boys on Patreon! Theme Music: Alexander Nakarada Hosted on Acast. See acast.com/privacy for more information.

Somehow I didn't imagine the children of the night making such New Age music Director Werner Herzog revives the uniquely German take on the Dracula myth with his 1979 remake of Nosferatu The Vampyre. Klaus Kinski emerges from the shadow of Max Schreck's silent era performance to put his own morose spin on the Transylvanian Count who longs to spend eternity with Isabelle Adjani. Can Van Helsing stop a plague of rats from spreading madness throughout Central Europe? Or will romantic audiences actually root for the bloodsucker to beat out aloof husband Bruno Ganz for the heart of the girl? Listen and find out!

Director Werner Herzog revives the uniquely German take on the Dracula myth with his 1979 remake of Nosferatu The Vampyre. Klaus Kinski emerges from the shadow of Max Schreck's silent era performance to put his own morose spin on the Transylvanian Count who longs to spend eternity with Isabelle Adjani.  Can Van Helsing stop a plague of rats from spreading madness throughout Central Europe? Or will romantic audiences actually root for the bloodsucker to beat out aloof husband Bruno Ganz for the heart of the girl?  Listen and find out!