Podcasts about Jack Whitten

Have you ever felt like your artwork knows more than you do? In this intimate, unplanned conversation recorded during a Montana retreat, Ty and Nathan explore the vital yet often overlooked practice of soul care for artists.Surrounded by the sounds of birdsong and nestled in Montana's rolling landscape, we dive into what happens when artists intentionally step away from their studios. More than just a luxury, these moments of pause—whether through travel, immersion in nature, or simple daily rituals—fundamentally transform our creative practice and the work that emerges from it.Drawing wisdom from Mary Oliver's poetry collection "Redbird" and Jack Whitten's studio journals, we unpack what it means to create "not for the sake of winning, but for sheer delight and gratitude." Oliver's observation that "it is a serious thing just to be alive on this fresh morning in this broken world" reminds us that pausing to notice our surroundings isn't just pleasant—it's essential to developing our artistic voice.We share our personal soul care practices, from morning reading rituals and mindful walks to the transformative power of travel and trying uncomfortable new experiences. The conversation explores how these moments help us break free from achievement-oriented creation and return to our work with renewed vision. As Whitten noted, "Nature does not think"—it simply exists. There's profound creative wisdom in learning to sometimes just be rather than constantly do.Whether you're struggling with burnout or simply seeking to deepen your creative practice, this conversation offers practical inspiration for incorporating soul care into your artistic journey. Take a moment with us, slow down, and discover how the small pauses might actually hold everything you need.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Episode No. 699 features two conversations with artist Jack Whitten.  The Museum of Modern Art, New York is presenting "Jack Whitten: The Messenger," the third major US survey of Whitten's work since 2014. (Previous exhibitions include a paintings retrospective at the Museum of Contemporary Art San Diego in 2014-15, and a sculpture retrospective at the Metropolitan Museum of Art in 2017-18.) "The Messenger," which is on view through August 2, was curated by Michelle Kuo with assistance from Helena Klevorn, Dana Liljegren, and David Sledge. Next month MoMA will publish a catalogue of the exhibition. Amazon and Bookshop offer it for $70-75.  This episode features Whitten's two visits to The MAN Podcast. The first was recorded in 2013 on the occasion of "Light Years: Jack Whitten, 1971-73" at Brandeis University's Rose Art Museum. The second was recorded before a live audience at the opening of "Jack Whitten: Five Decades of Painting" at MCASD in 2014. For images, please see Episode No. 98 and Episode No. 151. 

MoMA has just opened a major retrospective of artist Jack Whitten. “Jack Whitten: The Messenger” features more than 175 works spanning the 1960s to the 2010s. Whitten, who died in 2018, was known for his bold abstraction and deep exploration of materiality. MoMA Curator Michelle Kuo and Whitten's daughter and archive steward Mirsini Amidon discuss the show, on view through August 2.

Robertz, Andreas www.deutschlandfunkkultur.de, Fazit

The largest ever exhibition of the work of Jack Whitten opens this weekend at the Museum of Modern Art (MoMA), New York. Ben Luke speaks to Michelle Kuo, the curator of the show, about the political and experimental commitment that drove Whitten's remarkable body of work. In Paris, one of the final exhibitions to open at the Centre Pompidou before it closes for five years was unveiled this week. Paris Noir brings together more than 150 artists from across the African diaspora who were based in, or had notable stays in, the French capital between the 1950s and 2000. Ben went to Paris to speak to Alicia Knock, the lead curator on the show. And this episode's Work of the Week is Arpita Singh's Searching Sita Through Torn Papers, Paper Strips and Labels (2015). It features in a new exhibition of the Indian artist's work at the Serpentine North in London. The Art Newspaper's associate digital editor, Alexander Morrison, spoke to the Serpentine Galleries' artistic director, Hans Ulrich Obrist, about the painting.Jack Whitten: The Messenger, Museum of Modern Art, New York, 23 March-2 August. You can hear Jack Whitten talking about his life and work in the show's audioguide at moma.org.Paris Noir: Artistic Circulations and Anti-colonial Resistance, 1950-2000, Centre Pompidou, Paris, until 30 June.Arpita Singh: Remembering, Serpentine North, London, until 27 July.Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app, including all digital monthly editions dating back to 2012. Subscribe here. Hosted on Acast. See acast.com/privacy for more information.

A 2025 preview: Georgina Adam, our editor-at-large, tells host Ben Luke what might lie ahead for the market. And Ben is joined by Jane Morris, editor-at-large, and Gareth Harris, chief contributing editor, to select the big museum openings, biennials and exhibitions.All shows discussed are in The Art Newspaper's The Year Ahead 2025, priced £14.99 or the equivalent in your currency. Buy it here.Exhibitions: Site Santa Fe International, Santa Fe, US, 28 Jun-13 Jan 2026; Liverpool Biennial, 7 Jun-14 Sep; Folkestone Triennial, 19 Jul-19 Oct; Ruth Asawa: A Retrospective, San Francisco Museum of Modern Art, 5 Apr-2 Sep; Museum of Modern Art (MoMA), New York, 19 Oct-7 Feb 2026; Gabriele Münter, Guggenheim Museum, New York, 7 Nov-26 Apr 2026; Musée d'Art Moderne de Paris, 4 Apr-24 Aug; Elizabeth Catlett: a Black Revolutionary Artist, Brooklyn Museum, New York, until 19 Jan; National Gallery of Art (NGA), Washington DC, 9 Mar-6 Jul; Art Institute of Chicago, US, 30 Aug-4 Jan 2026; Ithell Colquhoun, Tate Britain, London, 13 Jun-19 Oct; Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams, Courtauld Gallery, London, 20 Jun-14 Sep; Michaelina Wautier, Kunsthistorisches Museum, Vienna, 30 Sep-25 Jan 2026; Radical! Women Artists and Modernism, Belvedere, Vienna, 18 Jun-12 Oct; Dangerously Modern: Australian Women Artists in Europe, Art Gallery of South Australia, Adelaide, 24 May-7 Sep; Art Gallery of New South Wales, Sydney, 11 Oct-1 Feb 2026; Lorna Simpson: Source Notes, Metropolitan Museum of Art, New York, 19 May-2 Nov; Amy Sherald: American Sublime, SFMOMA, to 9 Mar; Whitney Museum of American Art, New York, 9 Apr-Aug; National Portrait Gallery, Washington DC, 19 Sep-22 Feb 2026; Shahzia Sikander: Collective Behavior, Cincinnati Art Museum, 14 Feb-4 May; Cleveland Museum of Art, US, 14 Feb-8 Jun; Cantor Arts Center, Stanford, US, 1 Oct-25 Jan 2026; Jenny Saville: The Anatomy of Painting, National Portrait Gallery, London, 20 Jun-7 Sep; Linder: Danger Came Smiling, Hayward Gallery, London, 11 Feb-5 May; Arpita Singh, Serpentine Galleries, London, 13 Mar-27 Jul; Vija Celmins, Beyeler Collection, Basel, 15 Jun-21 Sep; An Indigenous Present, ICA/Boston, US, 9 Oct-8 Mar 2026; The Stars We Do Not See, NGA, Washington, DC, 18 Oct-1 Mar 2026; Duane Linklater, Dia Chelsea, 12 Sep-24 Jan 2026; Camden Art Centre, London, 4 Jul-21 Sep; Vienna Secession, 29 Nov-22 Feb 2026; Emily Kam Kngwarray, Tate Modern, London, 10 Jul-13 Jan 2026; Archie Moore, Queensland Gallery of Modern Art, 30 Aug-23 Aug 2026; Histories of Ecology, MASP, Sao Paulo, 5 Sep-1 Feb 2026; Jack Whitten, Museum of Modern Art, New York, 23 Mar-2 Aug; Wifredo Lam, Museum of Modern Art, Rashid Johnson, Solomon R. Guggenheim Museum, New York, 18 Apr-18 Jan 2026; Adam Pendleton, Hirshhorn Museum and Sculpture Garden, Washington DC, 4 Apr-3 Jan 2027; Marie Antoinette Style, Victoria and Albert Museum, London, 20 Sep-22 Mar 2026; Leigh Bowery!, Tate Modern, 27 Feb- 31 Aug; Blitz: the Club That Shaped the 80s, Design Museum, London, 19 Sep-29 Mar 2026; Do Ho Suh, Tate Modern, 1 May-26 Oct; Picasso: the Three Dancers, Tate Modern, 25 Sep-1 Apr 2026; Ed Atkins, Tate Britain, London, 2 Apr-25 Aug; Turner and Constable, Tate Britain, 27 Nov-12 Apr 2026; British Museum: Hiroshige, 1 May-7 Sep; Watteau and Circle, 15 May-14 Sep; Ancient India, 22 May-12 Oct; Kerry James Marshall, Royal Academy of Arts, London, 20 Sep-18 Jan 2026; Kiefer/Van Gogh, Royal Academy, 28 Jun-26 Oct; Anselm Kiefer, Ashmolean Museum, Oxford, 14 Feb-15 Jun; Anselm Kiefer, Van Gogh Museum, Stedelijk Museum, Amsterdam, 7 Mar-9 Jun; Cimabue, Louvre, Paris, 22 Jan-12 May; Black Paris, Centre Pompidou, Paris, 19 Mar-30 Jun; Machine Love, Mori Art Museum, Tokyo, 13 Feb-8 Jun Hosted on Acast. See acast.com/privacy for more information.

What if embracing uncertainty could unlock your artistic potential? Inspired by Jack Whitten's "Notes from the Woodshed," Nathan Terborg embarks on a reflective journey through the philosophical depths of creativity and doubt. This episode unpacks Whitten's profound insights, shared through compelling quotes and personal anecdotes, revealing how his struggles with self-doubt and conviction resonate with our own artistic journeys. Nathan navigate's the beauty of complexity and the transformative power of journaling, drawing from Whitten's 1987 journal entries. This episode emphasizes the significance of acknowledging emotions and using journaling as a tool for growth and introspection. By exploring Whitten's creative process, we highlight how embracing the daunting feeling of starting over can lead to profound artistic breakthroughs. The artist dive's into personal experiences of vulnerability, illustrating how recognizing our starting points allows us to move forward with intention, despite the shadows of uncertainty.Our journey continues with an exploration of Whitten's artistic intention and innovative techniques. Delving into his creative process reveals how intentionality and evolution drive artistic expression and how unconventional tools can become refined techniques. We reflect on the power of self-coaching and the potential benefits of documenting intuitive experiments. As we wrap up, the transformative potential of journaling stands out as a beacon for personal and professional insight, encouraging listeners to maintain clarity of vision while confronting challenges and negativity.Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

For the 29th episode of "Reading the Art World," host Megan Fox Kelly speaks with Richard Shiff, art historian and author of “Writing after Art,” published by David Zwirner Books. Richard shares how he comes to understand an artist's work in a way that will inspire us to observe and understand artists and their processes more fully.“Writing after Art” is an expansive anthology of Richard Shiff's most influential writings, many of which have shaped the art world's understanding of 20th and 21st century artists. These writings first appeared in exhibition catalogs for institutions including the Centre Georges Pompidou, the Solomon R. Guggenheim Museum, The Museum of Modern Art, New York, and Tate Modern, and they spotlight modern masters such as Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, Bridget Riley and Peter Saul.Richard Shiff is the Effie Marie Cain Regents Chair in Art at The University of Texas at Austin. His interests range broadly across the field of modern and contemporary art. His publications include Barnett Newman: A Catalogue Raisonné (coauthored, 2004), Doubt (2008), Between Sense and de Kooning (2011), Ellsworth Kelly: New York Drawings 1954–1962 (2014), Joel Shapiro: Sculpture and Works on Paper 1969–2019 (2020), and Sensuous Thoughts: Essays on the Work of Donald Judd (2020). He is currently completing a comprehensive study of the art of Jack Whitten.PURCHASE THE BOOK:  David Zwirner BooksSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

In this episode Cedric and I discuss the power of alchemy and how we as artists can perform visual alchemy within our work. We discuss Cedric's creative process and how he is influenced by graffiti culture and ritual. During our dialogue we talk about our current cultural condition of polarization, and how art and artists alike can help guide us back into a sense of balance. Cedric also shares about his experience with plant medicine and the importance of those experiences in his life. ----------------- http://www.cedricumoja.com/ https://www.instagram.com/umojaizm/?hl=en Cedric Umoja is a Columbia, S.C. based multidisciplinary artist who seeks to enact alchemical change through the use of letter forms, found materials and archetypal totems. Umoja bridges ancient and future in his drawings, paintings, murals, sculptures, film, installation work and performance. His influences include Dondi White, Betye Saar, Max Beckmann, Rammellezee, Sun Ra and Jack Whitten. Umoja attended the Art Institute of Atlanta, he later apprenticed under Yale MFA and veteran fine artist, Tony Cacalano. He gained the gift of Tony's tutelage under Jack Tworkov, one of the founders of the famed New York School. Umoja's work features elements of Post Graffiti, Post Expressionism, Afro-Surrealism, Afrofuturism, Modern art and African art. He has exhibited work in museums and galleries in the South, South East and Mid West regions of the US. Umoia has collaborated with and been commissioned by Cirque Du Soleil, Lu Lu Lemon, The Watering Hole, University of South Carolina, The City of Charleston, Moja Arts festival, Columbia Museum of Art. See More from Martin Benson *To stay up on releases and content surrounding the show check out my instagram *To contribute to the creation of this show, along with access to other exclusive content, consider joining my Patreon! Credits: Big Thanks to Matthew Blankenship of The Sometimes Island for the podcast theme music! --- Support this podcast: https://podcasters.spotify.com/pod/show/martin-l-benson/support

"I had never seen anything like Forsythe's Choreography for Step Text, and I thought, “This is possible?”...The articulation, the structures, the musicality, and the curtain coming in and out was just radical and amazing. I just wanted to be a part of it. If you remain curious just about anything as an artist, you can make it compelling...it reminds me of what a beautiful visual artist, Jack Whitten, talks about. He said that when people ask me (him) what art is about, I (he) say its giving structure to feelings. Also this notion that we can give meaning to something without it being a singular narrative. Something can have an individualized meaning. If it is meaningful in the conveyance of the dancer, everyone seeing that dancer or the group of dancers performing will receive something different that resonates with them in their life."Jill Johnson is an internationally renowned dancer, choreographer, artistic director, educator, producer, stager, movement consultant, and advisor. Her leadership in the dance field brings into service over three and a half decades of experience and a vast knowledge of diverse repertoires and methodologies to realize visionary, world-class programming, develop the next generation of artist leaders, and reimagine how the arts engage, intersect, and interact with all people. Ms. Johnson choreographs for film, television, dance, theater, opera; has danced in over 60 tours on 5 continents including A Quiet Evening of Dance; was a soloist with the National Ballet of Canada; principal dancer and researcher with William Forsythe for over three decades; stages Forsythe's work worldwide. Director of Harvard Dance Center, Founder/AD Harvard Dance Project, and faculty, at Harvard University, 2011-2021, where she designed an innovative interdisciplinary program of study in dance and was a campus leader in DEIJ. Amongst her recent projects: LA Dance Project, Paris Opera Ballet, La Scala, Boston Ballet, San Francisco Ballet, Harvard Choruses, Dries Van Noten/Louvre Museum, V (Eve Ensler), American Repertory Theater, PBS's Poetry in America, Sadler's Wells Theater, and Equity Based Dialogue for Inclusion (EBDI). www.nytimes.com/2019/10/13/arts/dance/william-forsythe-a-quiet-evening-of-dance-review.html https://ofa.fas.harvard.edu/dance-deij-letter-strategic-prioritieswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I had never seen anything like Forsythe's Choreography for Step Text, and I thought, “This is possible?”...The articulation, the structures, the musicality, and the curtain coming in and out was just radical and amazing. I just wanted to be a part of it. If you remain curious just about anything as an artist, you can make it compelling...it reminds me of what a beautiful visual artist, Jack Whitten, talks about. He said that when people ask me (him) what art is about, I (he) say its giving structure to feelings. Also this notion that we can give meaning to something without it being a singular narrative. Something can have an individualized meaning. If it is meaningful in the conveyance of the dancer, everyone seeing that dancer or the group of dancers performing will receive something different that resonates with them in their life."Jill Johnson is an internationally renowned dancer, choreographer, artistic director, educator, producer, stager, movement consultant, and advisor. Her leadership in the dance field brings into service over three and a half decades of experience and a vast knowledge of diverse repertoires and methodologies to realize visionary, world-class programming, develop the next generation of artist leaders, and reimagine how the arts engage, intersect, and interact with all people. Ms. Johnson choreographs for film, television, dance, theater, opera; has danced in over 60 tours on 5 continents including A Quiet Evening of Dance; was a soloist with the National Ballet of Canada; principal dancer and researcher with William Forsythe for over three decades; stages Forsythe's work worldwide. Director of Harvard Dance Center, Founder/AD Harvard Dance Project, and faculty, at Harvard University, 2011-2021, where she designed an innovative interdisciplinary program of study in dance and was a campus leader in DEIJ. Amongst her recent projects: LA Dance Project, Paris Opera Ballet, La Scala, Boston Ballet, San Francisco Ballet, Harvard Choruses, Dries Van Noten/Louvre Museum, V (Eve Ensler), American Repertory Theater, PBS's Poetry in America, Sadler's Wells Theater, and Equity Based Dialogue for Inclusion (EBDI). www.nytimes.com/2019/10/13/arts/dance/william-forsythe-a-quiet-evening-of-dance-review.html https://ofa.fas.harvard.edu/dance-deij-letter-strategic-prioritieswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I had never seen anything like Forsythe's Choreography for Step Text, and I thought, “This is possible?”...The articulation, the structures, the musicality, and the curtain coming in and out was just radical and amazing. I just wanted to be a part of it. If you remain curious just about anything as an artist, you can make it compelling...it reminds me of what a beautiful visual artist, Jack Whitten, talks about. He said that when people ask me (him) what art is about, I (he) say its giving structure to feelings. Also this notion that we can give meaning to something without it being a singular narrative. Something can have an individualized meaning. If it is meaningful in the conveyance of the dancer, everyone seeing that dancer or the group of dancers performing will receive something different that resonates with them in their life."Jill Johnson is an internationally renowned dancer, choreographer, artistic director, educator, producer, stager, movement consultant, and advisor. Her leadership in the dance field brings into service over three and a half decades of experience and a vast knowledge of diverse repertoires and methodologies to realize visionary, world-class programming, develop the next generation of artist leaders, and reimagine how the arts engage, intersect, and interact with all people. Ms. Johnson choreographs for film, television, dance, theater, opera; has danced in over 60 tours on 5 continents including A Quiet Evening of Dance; was a soloist with the National Ballet of Canada; principal dancer and researcher with William Forsythe for over three decades; stages Forsythe's work worldwide. Director of Harvard Dance Center, Founder/AD Harvard Dance Project, and faculty, at Harvard University, 2011-2021, where she designed an innovative interdisciplinary program of study in dance and was a campus leader in DEIJ. Amongst her recent projects: LA Dance Project, Paris Opera Ballet, La Scala, Boston Ballet, San Francisco Ballet, Harvard Choruses, Dries Van Noten/Louvre Museum, V (Eve Ensler), American Repertory Theater, PBS's Poetry in America, Sadler's Wells Theater, and Equity Based Dialogue for Inclusion (EBDI). www.nytimes.com/2019/10/13/arts/dance/william-forsythe-a-quiet-evening-of-dance-review.html https://ofa.fas.harvard.edu/dance-deij-letter-strategic-prioritieswww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Running concurrently with Frank Bowling’s solo show, Hauser & Wirth Zürich presents the exhibition ‘Jack Whitten'. The show features paintings ...

Chris Dave and the Drumhedz perform an eclectic set of jazz tunes new and old, as well as some hip-hop covers.

This episode, we are very lucky to speak with the visionary collector, philanthropist, and our personal art world hero, Pamela Joyner. Based in San Francisco, California, Pamela is a true champion for artists of African descent. Together with her husband Fred Giuffrida, she has built one of the world’s leading collections of artworks by Black and African diaspora artists, including deep holdings of works by artists including Alma Thomas, Mark Bradford, Jack Whitten, and Sam Gilliam - among many others. Their collection has been the subject of several museum exhibitions, including shows at Chicago’s Smart Museum of Art and the Nasher Museum of Art at Duke University. The collection is also documented in the beautiful book, Four Generations: The Joyner Giuffrida Collection of Abstract Art. Pamela is also a distinguished and highly active philanthropist, sitting on the boards of multiple non-profit institutions, including the San Francisco MoMA, the J. Paul Getty Trust, the Art Institute of Chicago, and the Tate Americas foundation. She is also a founding member of the Black Trustee Alliance for Art Museums an organization of and for Black trustees currently serving on the boards of art museums within the United States. Some artists discussed: Doron Langberg Leonardo Drew Alma Thomas Norman Lewis Sam Gilliam Mark Bradford Emanoel Araujo Rachel Jones Charles Gaines Malik Gaines Lauren Halsey Rodney McMillian Catherine Opie David Huffman Jordan Casteel Kerry James Marshall Lorna Simpson William Kentridge Christina Quarles Michael Armitage Jean-Michel Basquiat For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

Host Kenyatta A.C. Hinkle/Olomidara Yaya discusses the theme of fear. From discussing how fear can be a motivator or immobilizing to what it means to lean into one's fears and invite them to sit down for tea, Hinkle/Yaya explores what it means to use fear as a medium within and outside of the studio and creative practice. She also reads an excerpt from November 20th, 1978 from Jack Whitten's Notes From The Woodshed, published by Hauser & Wirth Publishers; Reprint edition (August 28, 2018). The featured passage discusses Jack manifesting his ideal painting collaboration and trying to lean into the unknown whilst confessing his fears of what that means. Hinkle/Yaya discusses the difficulty of what it means to lean into our fears amongst socio-political upheaval and she shares two favorite quotes concerning fear and permission from Bob Marley and Lucille Clifton. She asks listeners to do something that scares the sh*t out of them in order to embrace fear and to allow it to be a catalyst to shake things up within their creativity.

Greta Chapin-McGill is a Black feminist artist who believes the narrative of her art is a living document, evolving in phases. The most important lesson she says she has learned has been "to get out of my own way and let the art lead me.” She is drawn to artists, male and female, whose sensibilities are able to look intimately at the feminine mystic. “Women express openly among themselves and in every venue they inhabit emotion and spirituality," Greta says. To her, feminism means having the unparalleled physical strength literally to push humanity forward. "Feminism silently and most profoundly influences my work, she says. "Women are the species I know best.” Reared in Washington, D.C., Greta has lived in New York, New Mexico, and Firenze, Italy. “My work is abstractly real. The techniques are driven by classical art 'isms,' indigenous tribal art, and my own unique ancestral DNA. I spend time reading, studying, and collecting mentors to further my art," she says. Her great influences include Wilfredo Lam, Picasso, Matisse, Leon Berkowitz, Alma Thomas, and contemporary artists with whom she converses with about art, politics, and concepts of life, such as Lillian Burwell, the late Jack Whitten, Oliver Lee Jackson, Akili Anderson, Alonzo Davis, and Indigenous artist Patricia Michaels.“I am driven to tell the story of my time through the eyes of a Black American woman, a feminist and global citizen,” Greta says. Instagram: ChapinMcGill (where many of her works pictured are for sale—DM her!)Facebook: Greta Chapin-McGill

On this week's Talk Art, we're feeling the POWER of LOVE! Russell & Robert chat to the captivating superstar duo of Ellie Goulding and Caspar Jopling from their home in Oxfordshire.As passionate art collectors, we learn about the artists they admire and collect including Rebecca Warren, Julie Mehretu, Tracey Emin, Donna Huanca, Raymond Pettibon, George Roy, Wolfgang Tillmans, Jack Whitten, Raqib Shaw, Cy Gavin, Christina Quarles and Ellie’s favourite - a neon of a double cross by Jonathan Horowitz in rainbow colours. We hear about the shyness of their first date visiting two exhibitions in London: Anselm Kiefer at White Cube followed by Robert Rauschenberg at Tate Modern. As their relationship grew, visiting exhibitions has become an integral part of their life as well as art fairs like Frieze and Art Basel!Ellie discusses her dedication to female artists and how her art collection has evolved since meeting Caspar, the works she used to collect were “dark stuff” gothic in style like ship wrecks or skeletons, skulls or ghosts! Whilst Caspar reminisces about his first art purchase growing up of a poster by Sir Terry Frost, his admiration for his uncle the legendary gallerist Jay Jopling (White Cube), how he advises his friends to support and collect art, and how he even experimented with screen printing and painting during his teens inspired by Rauschenberg, Richard Prince and Andy Warhol.With no motivation for investment, Ellie feels a close correlation between the art she loves and the songs she writes, something she explored whilst writing her forthcoming new album 'Brightest Blue': “I love the idea that you can buy something, that I can stare at for a long time and then it could maybe draw a song or a lyric out of me”. The album's title directly inspired by a Doug Wheeler artwork the couple saw at David Zwirner's gallery in New York. The intense installation of a blue room was “like walking into another world”.Art also inspires her music's visuals, collaborating with creative director Imogen Snell as well as photographers Louie Banks, Ronan Park and Rankin. We discuss her musical collaborator SerpentWithFeet who appears on her new album but also recently sang at her and Caspar's wedding in Yorkshire. We remember her collaborator the late rapper Juice Wrld and the impact of his passing on artists like Katherine Bernhardt and the international art and music communities.Finally we discuss Caspar's experiences working for Sotheby's but also within the film industry, his current studying for his MBA at Oxford University, the recent news of the Gallery Climate Coalition and how the art world is approaching sustainability, online viewing rooms, the positives and negatives of buying art (and clothes) online, and the escapism in lockdown watching period drama Downtown Abbey as well as the joys of completing Kandinsky and Lichtenstein-inspired puzzles! Ellie's fourth studio album 'Brightest Blue' can be pre-ordered NOW, released in full on 17th July 2020! Follow Ellie & Caspar on Instagram @EllieGoudling and @CasparJopling, @EllieGoulding on Twitter, her official website https://www.elliegoulding.com/. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us... See acast.com/privacy for privacy and opt-out information.

Pamela Joyner's collection of abstract art by African-American artists includes some of the giants of the field like Alma Thomas, Jack Whitten and Sam Gilliam. Her collecting focuses on supporting scholarship as much as acquiring and donating important works by African American artists to institutions like the Tate Modern in Britain.

Minister Malcolm X’s words continue to guide us day by day. The idea of connection in history, and in art can be tools to foster radical change in our world today! Take a moment and learn about Minister Malcolm and legendary artist Jack Whitten.

Dijo el pianista Cecil Taylor que los seres humanos somos "los poemas transitorios", la parte de la naturaleza "más efímera". La reflexión del maestro inspira "The transitory poems", grabación a dos pianos de dos grandes creadores de nuestro tiempo: Vijay Iyer y Craig Taborn. Con ellos abrimos la edición de 'Club de Jazz' del 13 de abril de 2019, con un trabajo que dedican a la memoria del propio Taylor, Muhal Richard Abrams, Geri Allen y el escultor Jack Whitten. El "Jazz Porteño" de Alberto Varela nos hace viajar en el tiempo hasta los años 40, cuando el be-bop llegó a Argentina y músicos de la escena de Buenos Aires como el pianista Enrique Villegas o el trompetista Emilio Troise se unían a músicos estadounidenses que se instalaron en el país. En los "Ritmos Latinos" de Anxo, viaje a la Italia de los 70 mediante grabaciones de artistas extranjeros. Historias curiosas como la del militar estadounidense Charles Hilton Brown o el éxito de Pantaleón Pérez Prado jugando con su famoso apellido. "Dos personas que se acaban de conocer, de diferentes culturas, que se entienden en un mal inglés y le dan al 'Rec'". El encuentro entre el saxofonista catalán Ferran Besalduch y el guitarrista japonés Riuichi Daijo se condensa en "Cumulonimbus". Toda la información y derechos: http://www.elclubdejazz.com

Dijo el pianista Cecil Taylor que los seres humanos somos "los poemas transitorios", la parte de la naturaleza "más efímera". La reflexión del maestro inspira "The transitory poems", grabación a dos pianos de dos grandes creadores de nuestro tiempo: Vijay Iyer y Craig Taborn. Con ellos abrimos la edición de 'Club de Jazz' del 13 de abril de 2019, con un trabajo que dedican a la memoria del propio Taylor, Muhal Richard Abrams, Geri Allen y el escultor Jack Whitten. El "Jazz Porteño" de Alberto Varela nos hace viajar en el tiempo hasta los años 40, cuando el be-bop llegó a Argentina y músicos de la escena de Buenos Aires como el pianista Enrique Villegas o el trompetista Emilio Troise se unían a músicos estadounidenses que se instalaron en el país. En los "Ritmos Latinos" de Anxo, viaje a la Italia de los 70 mediante grabaciones de artistas extranjeros. Historias curiosas como la del militar estadounidense Charles Hilton Brown o el éxito de Pantaleón Pérez Prado jugando con su famoso apellido. "Dos personas que se acaban de conocer, de diferentes culturas, que se entienden en un mal inglés y le dan al 'Rec'". El encuentro entre el saxofonista catalán Ferran Besalduch y el guitarrista japonés Riuichi Daijo se condensa en "Cumulonimbus". Toda la información y derechos: http://www.elclubdejazz.com

Donna DeSalvo assembles some of Andy Warhol's greatest work for his retrospective at the Whitney Museum, while revelations that Whitney Vice Chair Warren B. Kanders owns a company that sells tear gas used at the border shake museum staff. Soul of a Nation at the Brooklyn Museum looks at the history of political activism, while Jack Waters offers a mix of bag of awe inspiring abject art paired with groan inspiring sculptures and paintings. Jack Whitten at the Metropolitan Museum dazzles, Art and Conspiracy flops, and Amazon is going to drive us all out of our homes. Relevant links below.  Andy Warhol at The Whitney Museum Whitney Museum Vice Chairman Owns a Manufacturer Supplying Tear Gas at the Border, Hyperallergic Whitney Museum Staffers Demand Answers, Hyperallergic  Soul of a Nation, Art in the Age of Black Power at the Brooklyn Museum  John Waters: Indecent Exposure at the Baltimore Museum of Art  Jack Whitten at the Metropolitan Museum of Art (Closed Dec 2) Everything is Connected: Art and Conspiracy at the Metropolitan Museum of Art Amazon Headquarters Will Come to Long Island City: Curbed Explainer ASAP Pledge Not to Take Crumbs from Amazon      

2016 National Medal of Arts honoree, Jack Whitten, is best known for his paintings. This may be because his sculptures have never been visible to the public until now. The sculptures — inspired by the materials and traditions of Africa and ancient Greece — are now on view at the Baltimore Museum of Art in the exhibition Odyssey: Jack Whitten Sculpture. Kevin Tervala, the museum’s Associate Curator of African Art, tells us more about the artist and the exhibition.

2016 National Medal of Arts honoree, Jack Whitten, is best known for his paintings. This may be because his sculptures have never been visible to the public until now.  The sculptures — inspired by the materials and traditions of Africa and ancient Greece — are now on view at the Baltimore Museum of Art in the exhibition Odyssey: Jack Whitten Sculpture.  Kevin Tervala, the museum’s Associate Curator of African Art, tells us more about the artist and the exhibition.

Interview with absract pinter Jack Whitten