Podcasts about Ansel Elgort

Diane and Sean discuss the Steven Spielberg adaptation of Jerome Robbins', West Side Story. Episode music is, "I Feel Pretty", by Stephen Sondheim and Leonard Bernstein, performed by Rachel Zegler from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Steven Spielberg has reached the point in his career where he just makes films for himself. On the road to the ultimate indulgence of directing his own biopic, he stopped to remake one of his favorite movies, and his version of WEST SIDE STORY was Oscar-baity enough to score 91% on the Tomatometer! So listen to Alex & Julio as they lament how a gifted filmmaker wasted his time on an Ansel Elgort vehicle, and wonder if musical numbers are meant to soften racism.TIMELINE00:01:24 West Side Story 202100:12:54 Contrarians Corner- Wanna know how we really feel about WEST SIDE STORY (2021)? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

If any movie was going to make Alex go easier on Ansel Elgort, a Señor Spielbergo joint would have the best chance to do it. But whether Baby Driver finally wins a Contrarian over or not, there's a lot more going on in the new WEST SIDE STORY, and we'll have a serious conversation about it in this Real Talk segment. Listen to find out Julio's proposed fix to the third act and more!TIMELINE00:01:26 Dishonor00:02:14 Real Talk00:58:43 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, the second payment of our Livestream for the Cure 2024 debt is due, as Julio must watch another Rob Zombie nightmare: 3 FROM HELL! Until then, let us know what you thought of 2021's West Side Story: Should it be set in present day? Does Tony need a makeover? Has Bernardo killed people before? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

What a CreepBillionaire Boys Club's Joe HuntSeason 28, Episode 8We're talking about the Billionaire Boys Club. You might remember it from the 1987 miniseries of the same name, starring Judd Nelson and Ron Silver. You don't know it from the 2018 movie “Billionaire Boys Club,” starring Ansel Elgort, Taron Egerton, and Kevin Spacey, because it made $618 million in 11 theaters during its opening weekend.The Billionaires Boys Club was an investment club started by Joe Hunt. Well, he called it an investment club. It was really a Ponzi scheme that led to the murder of two people. What a creep.Sources for this episodeDominick Dunne's Power, Privilege, and JusticeE! OnlineInvestigation DiscoveryReutersThe San Francisco ExaminerSan Mateo Daily JournalWikipediaTrigger warnings: MurderNON-Creep: Alice's Kids non-profitBe sure to follow us on social media. But don't follow us too closely … don't be a creep about it! Subscribe to us on Apple PodcastsBlueSky: https://bsky.app/profile/whatacreep.bsky.social Facebook: Join the private group! Instagram @WhatACreepPodcastVisit our Patreon page: https://www.patreon.com/whatacreepEmail: WhatACreepPodcast@gmail.com We've got merch here! https://whatacreeppodcast.threadless.com/#Our website is www.whatacreeppodcast.com Our logo was created by Claudia Gomez-Rodriguez. Follow her on Instagram @ClaudInCloud

This week, Emilio, Madeline, and Julian have the privilege of speaking to Jess LeProtto, an accomplished Broadway performer whose triple threat talents earned him the role of the thorny yet memorable Jet "A-Rab" in Steven Spielberg's 2021 remake of 'West Side Story'.  Jess talks about his unusual first exposure to the music of West Side Story, the development and audition process, receiving character backstory from the film's Pulitzer Prize winning writer Tony Kushner, and the new historical context specific to the remake.  He also talks about performing in the film's immersive sets, working with Rita Moreno, what it's like to take direction from Steven Spielberg, and the unexpected ways his skill set proved quite useful on set.  It's a deep dive into all things 'West Side Story' you won't want to miss!In addition to his work in the film, Jess LeProtto has performed on Broadway in Cats, Hello Dolly!, A Beautiful Noise, Carousel, On The Town, Newsies, Bye Bye Birdie, and more.  You can follow him on IG at the_jess_leprottoIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats   

For our "Two Shot" episode of Best Supporting Acting Winners, Madeline, Julian and Emilio keep things local, and with the help of actor/teacher/fight director Ron Piretti, they dive into both film adaptations of the beloved musical 'West Side Story'.  Both the Jerome Robbins original and the Steven Spielberg remake have the distinction of earning the Best Supporting Actress Oscar in their respective years for their portrayals of the same character, Anita, by Rita Moreno in 1961 and Ariana DeBose in 2021.  In addition to exploring what makes Anita such an indelible and celebrated character, the group explores the ways in which the remake expands the world its characters inhabit, discuss which character portrayals they enjoyed the most, how the climactic "Rumble" is depicted on stage vs on film, the effect that differences in the order of musical numbers has on the greater narrative, and much more! Ron Piretti is a teaching artist for The Barrow Group in NYC, and you can find him and his work at ronpiretti.netIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats       

Diane and Sean discuss Edgar Wright's, Baby Driver. Episode music is, "Bellbottoms", by The Jon Spencer Explosion! from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Spielberg has been working towards making a musical for his entire career, so it shouldn't be a surprise that when he finally got to make an all-out musical he brought not only his A-game, but also his deep love and understanding of Old Hollywood musicals with him. This resulted in 2021's West Side Story, an incredibly smart and charming reinterpretation of the Robert Wise film and the Stephen Sondheim original stage play starring Rachel Zegler, Ansel Elgort, Ariana DeBose, and the original's Rita Moreno. Joining us for this discussion is none other than Bill S. Preston Esq. himself, Mr. Alex Winter. He's a bonafide cinephile, a writer and director himself, and brings all that insight into this conversation about Spielberg's legacy and how West Side Story shows that the master is still at the top of his game. Learn more about your ad choices. Visit megaphone.fm/adchoices

SPONSOR - ACORNS: https://www.acorns.com/julian (***TIMESTAMPS in description below) ~ Jake Adelstein is an American journalist, crime writer, and blogger who has spent most of his career in Japan. He is the author of “Tokyo Vice: An American Reporter on the Police Beat in Japan,” which inspired the 2022 Max original streaming television series Tokyo Vice, starring Ansel Elgort as Adelstein. PATREON https://www.patreon.com/JulianDorey  FOLLOW JULIAN DOREY INSTAGRAM (Podcast): https://www.instagram.com/juliandoreypodcast/   INSTAGRAM (Personal): https://www.instagram.com/julianddorey/   X: https://twitter.com/julianddorey  GUEST LINKS BOOK: https://www.amazon.com/Tokyo-Noir-Out-Japans-Underworld/dp/1957363916  LISTEN to Julian Dorey Podcast Spotify ▶ https://open.spotify.com/show/5skaSpDzq94Kh16so3c0uz   Apple ▶ https://podcasts.apple.com/us/podcast/trendifier-with-julian-dorey/id1531416289  JULIAN YT CHANNELS - SUBSCRIBE to Julian Dorey Clips YT: https://www.youtube.com/@juliandoreyclips    - SUBSCRIBE to Julian Dorey Daily YT: https://www.youtube.com/@JulianDoreyDaily    - SUBSCRIBE to Best of JDP: https://www.youtube.com/@bestofJDP    ****TIMESTAMPS**** 0:00 - Living in Japan, Shinzo Abe Assassination, Yakuza Boss Mob hit on Nurse 8:14 - Jake's Obsession w/ Japanese Culture, Moving into Zen Buddhist Temple 18:05 - Japan Assimilation, Jake gets first gig in Japan 23:53 - Who are the Yakuza, Japan's Class System 31:20 - 1992 Anti-Organized Crime Laws, Yakuza Commits Face Cutting-Crime 36:41 - Japanese Extreme Legal System, Jake Dating Mistress of Yakuza Boss 44:39 - Japanese Cop Helps, #1 Rule for Japanese Yakuza for Journalists, Jake attacked by Yakuza 50:19 - Turning Down his Last Yakuza Boss 54:06 - Corruption Scandal of Yakuza, Pr*stitution Laws, Tr*fficking Protection 59:22 - Police Officer Downloading Corn, Sotry of police protection ending 1:12:55 - Jake gets Police Protection, Bad Liver due to Tattoos, FBI Massive Failure 1:18:38 - Yakuza Boss Scared Japanese Citizens, Jake Finding FBI Angle 1:21:46 - The Story Nobody Will Print, Getting Kicked out of Yakuza 1:27:22 - 2 Faction Split of a Yakuza Gang Story, Yakuza Boss Gives Death Threat to Jake 1:34:11 - Major Leaders Targeting Jake (Death Threats), Getting Photo of Major Boss (Hiding Out) 1:42:26 - Japanese Customs, HT in Japan, Bush Administration Issues 1:52:15 - HT Gang Stopped & Laws Strengthened 1:56:12 - Leaving State Department, Yakuza Infiltrating Massive Companies, Fukushima Nuclear Disaster 2:02:12 - Jake Doing Favor for Yakuza Member Story, Getting Info from Yakuza 2:10:22 - HBO Series on Yakuza Series & Working w/ J.T. Rodgers, Tokyo Vice 2:18:00 - Hollywood Changes to Series, Bizarre Gun Rules of Japan, Jake's Books and Stories 2:25:45 - Fukushima Disaster still Happening, Demographic Birthrate disaster in Japan 2:33:31 - The Fall of the Yakuza  CREDITS: - Host & Producer: Julian Dorey - Producer & Editor: Alessi Allaman - https://www.instagram.com/allaman.docyou/  Julian Dorey Podcast Episode 262 - Jake Adelstein Music by Artlist.io Learn more about your ad choices. Visit megaphone.fm/adchoices

A few days ago, a reporter from one of the trades asked me for an interview. I knew there could only be one reason she would want to interview me, and it wasn't to talk about how I ran a website for 25 years on the Oscar race.It wouldn't be that I raised a baby as a single mother and launched my site out of a guest house in Van Nuys, California, or that I'd worked as a sports photographer, a fake horoscope writer, a film reviewer, a janitor, and a teacher's aide to raise my daughter without sending her to daycare and somehow built a successful business anyway.No. This had to be about my politics and why they changed.How did a Barack Obama devotee, an I'm With Her Hillary Clinton supporter, and a Joe Biden faithful from way back find my way into not only voting for Trump but actively trying to help the Republicans defeat the Democrats?Now that's a story, “How Did an Oscar Blogger become a far-right radical?”The pitch wasn't exactly about that. It was more about how I plan to navigate being a dissident heretic while also running a successful business in an industry that is now the same organism as the government.I've been asked this question many times by people on the Right and have given many interviews to explain “what happened to me.” But this is the first time anyone on the Left, or inside the bubble of the Left, asked me to explain it.And that's because one, two, three, all eyes are on me. I did a boo-boo on Twitter that now has me in the crosshairs at long last. It was one thing when I stood up for JK Rowling or Ansel Elgort or when I pushed back on the hysteria that Green Book was “racist.” When Trump is involved, it's bigger than just your average internet pile-on. This time it could mean the end of whatever it is I've built over at AwardsDaily.com.The story will be about how my politics changed, or more specifically, why I felt like I could get away with a satirical tweet that said “White Power” while mocking the “White Dudes for Harris.”Is it bad to mock white people? I thought they were fair game. Or is just saying those words bad? Some people decided that it meant something beyond that. I don't check my mentions anymore, so I had no idea this wave of hysteria was even occurring. But then a friend wrote to “ask me about it.”It was as though I was secretly joining the white power movement on Twitter and was signaling to all of my friends in the KKK that, look, it's cool to be white people celebrating our whiteness again! Of course, it's not. It's just that they have a habit on the left of memory-holing their insanity and moving the goalposts. We're all supposed to keep up.Four years ago, there could have been no “white dudes for Biden” or “white dudes for Barack Obama.” It would be called any number of things, from white saviorism (which this most surely was) and even borderline racism. But not in 2024! Anything goes because they say so.I could have deleted the tweet and apologized profusely. But I know the game, brother. They once called me a “white supremacist” for saying it wasn't only white people who committed hate crimes (fact check true). But in my world, no matter how crazy or blatant the hypocrisy gets, you should never say a word about it.Apologize and beg for forgiveness. Maybe they'll give you a break. No, they won't. They will screenshot the tweet and send it around and around. By the end of this madness, it will land in the lap of a reporter who wonders, “What happened to her?”How did Orwell know enough to write Children's Spies in 1984? How did he know the young would be so susceptible to fanaticism? Because, of course, he knew. That's why capturing the youth is so important to cults and utopias and why they separate the kids from the parents, as the Democrats are trying to do now.It's my own fault. I could have shut up, kept my head down, and complied with all of the demands—think they do, write like they do, believe what they believe, and always apologize for “mistakes made.” I could have done that. But then I think about Winston Smith and 1984. How did Orwell know?He knew that utopias must become totalitarian dystopias because how else to maintain the purity and the vision? We're living everything from that book, even a government that has now been weaponized to punish thought crimes.They have condemned and convicted Trump and his supporters as “racists,” which means anything can be done to them, and no one will say a thing. Steve Bannon is in prison for the crucial months leading up to the election. The last time someone was in jail for that crime was Ring Lardner of the Hollywood Ten.If Orwell wanted to write a book that would call out to the future to warn us that this isn't what we want for our country, much less our culture, then loudmouths like Steve Bannon, Donald Trump, and me will have to take the hit because no one else will.Winston Smith is an obedient member of Oceana whose thoughts take him to dangerous places. Big Brother doesn't like him remembering great books or language deemed useless. Even love is strictly forbidden. That's how Winston finds himself being forced to admit 2+2=5.I still feel like a liberal at heart. I still care about climate change. I still believe we should all have access to good healthcare, no matter how rich we are. So many of the issues that used to be standard for Democrats have been warped and distorted beyond the point of recognition. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe

The Krewe is joined by journalist & author of Tokyo Vice, Jake Adelstein, to dive into the yakuza. How did these organizations gain prominence in Japanese society, and how have the police & government responded over time to their presence? What behind-the-scenes decisions went into the TV adaptation of Jake's thrilling memoir? Find out all this and more in today's episode!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, YouTube, Spotify, Amazon, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Donate today to Japan Society of New Orleans!Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:47:50)------ Links about Jake Adelstein ------Jake on X/TwitterJapanKenkyu on X/TwitterJake on InstagramJake on FacebookJake's Website: Japan SubcultureTokyo Vice on AmazonThe Last Yakuza on AmazonPre-Order Tokyo Noir on AmazonThe Evaporated: Gone with the Gods (Jake's Podcast)------ JSNO Upcoming Events ------JSNO Event Calendar

This week Gary and Iain review and discuss, The Fault in Our Stars (2014) by Director, Josh Boone. Starring, Shailene Woodley, Ansel Elgort and Laura Dern.   For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews YouTube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

Spoiler Warning! Chris and Taylor review season 2 of the crime drama,Tokyo Vice, created by J. T. Rogers and based on the 2009 book of the same title by Jake Adelstein. The story continues with Jake patching things up between Katagiri and himself so they can continue their mutual goal of taking down Tozawa and his clan. The series stars Ansel Elgort, Ken Watanabe, Rachel Keller, Hideaki Itō, Rinko Kikuchi and Ayumi Tanida. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ Twitter: https://twitter.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: Aura: Get a 14-day free trial of Aura for individuals, couples and or their family by going to aura.com/potential  --- Send in a voice message: https://podcasters.spotify.com/pod/show/taylor-sokol3/message

Watch this movie review podcast where Kade & Mercedes give their movie review of Edgar Wrights film, BABY DRIVER, starring Ansel Elgort, Kevin Spacey, and Lily James. As always, their candid conversation starts moments after watching the film together for the most genuine reaction. Sit back and relax as you enjoy this episode of the CRWN Cinema Podcast! BABY DRIVER is about: Baby, a music-loving orphan also happens to be the prodigiously talented go-to getaway driver for heist mastermind Doc. With the perfect soundtrack picked out for each and every job, Baby ensures Doc's violent, bank-robbing cronies, including Buddy, Bats and Darling, get in and out of Dodge before it's too late. He's not in it for the long haul though, hoping to nail one last job before riding off into the sunset with beautiful diner waitress Debora. Easier said than done. Chapters: 00:00 Post-movie rating & review 06:17 The smoothness of the characters 09:31 Baby's the best and worst criminal of all time 13:34 Baby's trauma turned to mastery 18:50 John Hamm is a D*CK! 20:00 Reviewing the characters 27:49 Ansel Elgort & his acting 33:02 The perks of living a shameless life 37:53 Perfectly written characters 41:13 Edgar Wrights unique style 44:07 This movie made her stressed 47:07 How long did Baby & Debora know each other? 49:21 Baby only fumbles when theres no music 50:54 Of course that's his real name 51:45 Final thoughts 53:09 Outro --- Support this podcast: https://podcasters.spotify.com/pod/show/crwncinema/support

Mark and Phil discuss the 2017 action film Baby Driver. Directed by Edgar Wright and starring Ansel Elgort, Lily James, Eiza Gonazalez, Jamie Foxx, and Jon Hamm, the movie focuses on a getaway driver who listens to some very cool music. In this episode, they also talk about primary colors, car chases, and movie soundtracks. Enjoy!

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I feel like I'm always telling young people, I know you want to make your own films, and I know you think you know everything. And that's one way to do it is to take an iPhone and just make a terrible first feature and then learn as you go. But I'm such a believer in mentorship. And when you have the time when you're young, find people that you admire and put yourselves in their orbit and just absorb and it will serve you so well later in life. I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."My most formative TV experience having been Six Feet Under, I tend to want to take a rather conservative approach to score, in that if a scene works brilliantly without music, why do you need music? And that score, especially, is usually there to provide an element that you're not getting fully from the dry–when there's no score, we call it dry. So with the dry footage, that was always our philosophy on Six Feet Under: if the scene works just as well without music, we don't need music. And that just runs a little counter to what was, and kind of still is, the prevailing philosophy on television, which is that everything needs music. Like, people won't know what to feel if you don't score it, which I think is a really very insulting underestimation of the intelligence of the audience.And so there's always pressure to put more music in, and our feeling is, no, if we don't need it, we don't need it. Now, that changes, like when we get to Tokyo Vice because of the genre elements of the show. You know, if you have an action sequence, you need music. If you have a really tense, suspenseful moment, it probably needs music.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"My most formative TV experience having been Six Feet Under, I tend to want to take a rather conservative approach to score, in that if a scene works brilliantly without music, why do you need music? And that score, especially, is usually there to provide an element that you're not getting fully from the dry–when there's no score, we call it dry. So with the dry footage, that was always our philosophy on Six Feet Under: if the scene works just as well without music, we don't need music. And that just runs a little counter to what was, and kind of still is, the prevailing philosophy on television, which is that everything needs music. Like, people won't know what to feel if you don't score it, which I think is a really very insulting underestimation of the intelligence of the audience. And so there's always pressure to put more music in, and our feeling is, no, if we don't need it, we don't need it. Now, that changes, like when we get to Tokyo Vice because of the genre elements of the show. You know, if you have an action sequence, you need music. If you have a really tense, suspenseful moment, it probably needs music.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain."I was always a film and theater kid. I just was completely starstruck and only wanted to have some kind of contact with showbiz. I didn't really understand in what creative shape that would take. It was when I was trying to work in theater. Stephen Sondheim was a close friend and advisor for the period. I was trying to work in theater, and he really changed how I think about art. And then before I went to do Mishima, I spent 3 years working with Robert Wilson, the great international stage director. Bob is a complete genius, and I adore him. Just being an apprentice to him and being one of his many producers working on his big international projects was a hugely formative and nurturing experience. And then finally Schrader [was an important mentor] because Schrader just sort of said, 'Here, you're going to work in movies. Come with me.'"https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

"I was always a film and theater kid. I just was completely starstruck and only wanted to have some kind of contact with showbiz. I didn't really understand in what creative shape that would take. It was when I was trying to work in theater. Stephen Sondheim was a close friend and advisor for the period. I was trying to work in theater, and he really changed how I think about art. And then before I went to do Mishima, I spent 3 years working with Robert Wilson, the great international stage director. Bob is a complete genius, and I adore him. Just being an apprentice to him and being one of his many producers working on his big international projects was a hugely formative and nurturing experience. And then finally Schrader [was an important mentor] because Schrader just sort of said, 'Here, you're going to work in movies. Come with me.'"Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think all great work comes from the need to say something. And so this is the challenge for young artists and also maybe one of the essential elements that can never be completely taken over by AI because there has to be something you feel has not been said, and you feel an urgent need to say it. In fact, you can't not say it. That need to express is what gives birth to unique expression, which is where all of our visual, performance, and creative arts come from."Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

What does learning another language and living in another culture do for your humanity and creative process?Alan Poul is an Emmy, Golden Globe, DGA, and Peabody Award-winning producer and director of film and television. He is Executive Producer and Director on the Max Original drama series Tokyo Vice, written by Tony Award-winning playwright J.T. Rogers and starring Ansel Elgort and Ken Watanabe, as an American journalist in Japan and his police detective mentor. Poul is perhaps best known for producing all five seasons of HBO's Six Feet Under, all four of Armistead Maupin's Tales of the City miniseries, My So-Called Life, The Newsroom, Swingtown, and The Eddy, which he developed with director Damien Chazelle. His feature film producing credits include Paul Schrader's Mishima and Light of Day, and Ridley Scott's Black Rain.“I was fortunate to be able to be out in Hollywood in the 90s and to be able to work early on seminal LGBT-presenting shows like Tales of the City series, and Six Feet Under with Alan Ball. When it comes to Tokyo Vice, I did push hard for there to be a queer storyline because in the late 90s, in Japan, there was a huge thriving gay subculture. But it wasn't on the table to come out because your sexual orientation was considered irrelevant to your obligations to society.”https://www.imdb.com/name/nm0693561 https://www.imdb.com/title/tt2887954/www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

The Fault In Our Stars is a 2014 coming of age romance directed by Josh Boone, based off the 2012 John Green novel of the same name. The Fault in our Stars in the story of Hazel Grace Lancaster played by Shailene Woodley. We meet Hazel as a teenager living with thyroid cancer that has spread to her lungs. Hazel's parents, Fannie and Michael Lancaster played by Laura Dern and Sam Trammell convince Hazel to take part in a weekly cancer patient support group. Although she is not thrilled, Hazel attends those meetings and meets Augustus Waters ‘Gus' played by Ansel Elgort. Gus had lost his leg to bone cancer, he and Hazel immediately hit it off… and this begins our story of The Fault in Our Stars.See omnystudio.com/listener for privacy information.

Unnecessary Remake Month continues with the 2013 reboot of CARRIE! We talk about nutty moms (but not nutty enough), the evils of gym, and how smug Ansel Elgort is (very). This episode brought to you by FabFitFun! FabFitFun is the best way to save money on beauty and lifestyle products from the brands you love, discover new brands, and treat yourself to something nice without overpaying. Sign up at FabFitFun.com/LOVE, customize your box, and get access to discounts up to 70% off on brands like Fenty, Free People, and Our Place - to name a few. This episode is brought to you in part by TeePublic. Check out www.TeePublic.com and discover your next favourite Tee. Psst... they also have nerdy hoodies, sweaters, baseball tees and long sleeves. Check out our favourite designs at www.TeePublic.HateLovePodcast.com Produced by Andrew Ivimey as part of The From Superheroes Network   Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more.

Multiple minutes of this is us going through the Divergent IMDb page and discussing actors we don't really find all that hot so... you're welcome? I'm sorry? Be prepared? 

From June 1, 2021: Chicago-raised Veronica Roth was a senior at Northwestern University when she wrote her first book Divergent, the first part of a trilogy that would go on to sell more than 42 million copies and spawn three hit films starring Kate Winslet and Shailene Woodley (Veronica sold the film rights within months of graduating college.). The book series – about a futuristic, dystopian world in which those entering adulthood must choose one of five factions and commit to it for life – is now celebrating its 10th anniversary, and as the films continue to air on TV and streaming services, fans across the world on social media continue to keep the Divergent world alive.To commemorate the milestone, HarperCollins is releasing new 10th Anniversary editions with exclusive essays from Veronica Roth and reimagined cover art from award-winning illustrator Victo Ngai. ABOUT VERONICA ROTHWith more than 42 million copies sold and available in 47 foreign territories, Veronica Roth's Divergent series has come to be known as one of the foremost dystopian series of its time. Lionsgate and Summit Entertainment brought Divergent, Insurgent, and Allegiantto the big screen in films starring Shailene Woodley, Theo James, Ansel Elgort and Kate Winslet. Meanwhile, the Divergent fandom is still going strong as hundreds of thousands of social media followers keep the Divergent conversations going strong. As the films continue to air on television and streaming services, there's no shortage of fans eager to dive into Roth's futuristic world.In celebration of the 10th anniversary of the international bestselling series, HarperCollins Publishers/Katherine Tegen Books will publish brand new commemorative editions. Divergent, Insurgent, and Allegiant, along with the companion novel Four: A Divergent Collection, are now available including exclusive essays from Veronica Roth and reimagined cover art from award-winning illustrator Victo Ngai.Veronica Roth -- the #1 New York Times bestselling author of Divergent, Insurgent, Allegiant, Four: A Divergent Collection, Carve the Mark, The Fates Divide, The End and Other Beginnings, and Chosen Ones – can discuss how the Divergent books have changed her life and why she feels the characters continue to resonate with fans. 

This week we're talmbout the 2017 Edgar Wright classic BABY DRIVER, starring Ansel Elgort and Kevin Spacey. We are joined by Alejandro Espinoza. View this episode on YouTube!Join us on Patreon!Support the show

‘All you need is one killer track.' The crew discusses Edgar Wright's 2017, hyper-stylistic, high-octane, heist film, Baby Driver. It's a tale about a young boy who meets the girl of his dreams, whose only problem is, he's a getaway driver for a ruthless Atlanta crime outfit with a thirst for money, action, and violence. 

https://linktr.ee/doweknowthem In today's episode, Lily takes Jessi on an unhinged deep dive into the world of Britney Spears' conspiracies, complete with AI Deep Fakes, the illuminati, and Ansel Elgort? Then to finish things off, Jessi forces Lily to learn something new about the Island Boys ... and in turn, you guys, as well. (We're sorry) We hope you enjoyed this episode! Please let us know on Twitter or Instagram if you have any topic suggestions for next Sunday! (@lily_marston & @jessismiles__) Business Inquiries: doweknowthempodcast@gmail.com 00:00:40 Britney Intro 00:04:30 Recent Britney Glitch That is UNDENIABLE 00:08:14 Sketchy Sam Behavior 00:23:56 Britney & Sam Wedding 00:51:34 Island Boys .... segment... (we're sorry) 01:08:22 Outro Advertising Inquiries: https://redcircle.com/brands

This week on YA, We Read It! Laura and Meggie are joined by Elena Bruess to read and discuss John Green's heart-wrenching and extremely popular novel The Fault in Our Stars. Diagnosed with thyroid cancer at the age of thirteen, Hazel Grace Lancaster has her life turned upside down after meeting sexy cigarette toting-but-not-smoking Augustus Waters. The two fall madly in “okay” together until their story is halted following devastating news. Join us for a discussion on the nuance of love, grief, and life's meaning as we dive head first into a story that only has a sad ending.

Xavier aka EQUIS is a New York born DJ, who started at the age of 14. At 22 years old, he has been featured on Sway in The Morning, Shade 45, as well Hip-Hop Nation and Power 105.1. EQUIS has also licensed his music from HBO Max, The CW, The Los Angeles Dodgers, The PGA Tour, The NFL Network. In addition to production credits, he has shared the stage with artists such as The Chainsmokers, Borgore, Meek Mill, French Montana, Adventure Club, Ansel Elgort, Snails, and more. Today we are joined by EQUIS to discuss his newest single WSP. -- Meet Xavier aka EQUIS Club Showcase at 15 years old Pro Tip: Build Relationships with Local Venues Getting on Radio + TV (*add Mezz's episode here (his manager)) New Release ‘WSP' Social Media Impacts on Authenticity + Music New Music coming 2023 ‘Taking Music to an Immersive Space' -- Check out his latest work ‘WSP' available everywhere! https://open.spotify.com/track/0njabeDkP1XhlKRs974N9f?si=jnNiRunmQZeb-4pdL9_OWA&nd=1 - Use our code for 30% off your first year's membership with DistroKid. http://distrokid.com/vip/thesetup. As always, when you distribute your music to DSPs with DistroKid, they never take a cut. You & your collaborators get 100% of the earnings. – If you enjoy the podcast, would you please consider leaving a 5 star review on Apple Podcasts/iTunes? It takes less than 30 seconds, and it really makes a difference in helping to convince hard-to-get guests. I also love reading the reviews! -- For show notes, transcripts and past guests, please visit thesetupseries.com Want to meet our guests? Join our community (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!! The Spielberg series comes to an end with arguably his biggest movie of his most recent era; a more than worthwhile remake of a particularly legendary movie musical. Jeannine and Morgan are talking WEST SIDE STORY (2021) starring Ansel Elgort, Rachel Zegler, David Alvarez, Ariana DeBose & Rita Moreno!! Get excited for Holiday Season all December long! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Deadand Blockbuster hit,Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years.He's here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen's Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film's plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He's worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995.Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises.Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright.

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He's here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen's Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich.The film's plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He's worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games.Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then.In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James.Other A-list actors joined the supporting cast of the film-- the likes of  Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards.It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career.Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho.

On today's episode of Who? Weekly we react to the VERY FIRST TRAILER FOR ANA DE ARMAS'S UPCOMING CLASSIC: BLONDE and learn that you can't spell "ICONIC" without NC. Moving on, we play your calls about DeVaughn Nixon's special category of nepotism, whether or not EGOTing is gay culture, why Ansel Elgort was at Britney's wedding, Danica McKeller's adult-friendly math books, the Whos and Thems of [very specific] sandwiches, and... Clue? Call 619.WHO.THEM to leave questions, comments & concerns, and we may play your call on a future episode. Support us and get a ton of bonus content over on Patreon.com/WhoWeekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Episode 421. In this episode the Leftovers are joined by Joe Stark from StarkCast podcast as well as Kevin Shanks from Dose Makes the Poison: The Toxcast. We talk about episodes 3 of 4 of MOON KNIGHT to start the show. We then do our THOR: LOVE AND THUNDER Trailer Breakdown. This week in Good Pop Bad Pop for Movies Brian talks about the new Channing Tatum movie DOG as well as a new science fiction thriller DUAL. We all watched Robert Eggers movie THE NORTHMAN starring Alexander Skarsgård. We also got a chance to see EVERYTHING EVERYWHERE ALL AT ONCE now in theaters. Brian talks about seeing FATHER STU starring Mark Wahlberg. NIGHTS END dropped on Shudder and we review this horror story that features an online attempt at exorcism. The streaming service Hi-Yah! released a new original SPIRITWALKER where after waking up from a car crash unable to remember anything about his life, a man begins regaining consciousness in a new body every 12 hours. A new documentary about the resurgence of vinyl records dropped on video on demand with VINYL NATION. And a new horror film CHOOSE OR DIE has hit Netflix where a student who plays an obscure 1980s survival computer game in pursuit of an unclaimed $100,000 prize. After a series of unexpectedly terrifying moments, she soon realizes she's no longer playing for the money, but for her own life. In TV this week we talk about the new Amazon Prime series THE OUTLAWS starring Christopher Walken and Stephen Merchant. Amazon also released a new science fiction series set in the West starring Josh Brolin, OUTER RANGE. Apple TV+ has released all 4 episodes of the Magic Johnson docuseries THEY CALL ME MAGIC. A new comedy from the makers of Brooklyn Nine Nine starring Craig Robinson is out to watch on Peacock in KILLING IT. And a new HBO Max series TOKYO VICE has hit the streamer with Ansel Elgort and Ken Watanabe in leading roles. In News we talk about Indiana Jones 5 quotes from Mads Mikkelsen. SEGA is developing a STREETS OF RAGE movie. Ben Affleck is directing a movie about the shoe company Nike starring himself and Matt Damon. And Netflix is paying $30 million dollars an episode on STRANGER THINGS season 4. In Marvel News it looks like Michael Waldron is working on an X-MEN related project if rumors are true.

His name is Ben Baller, not Ben Humble & he's here to discuss: Cousin Pumba is coming home, a 4/20 BBDTS event at Hippie Hill, 6ix9ine back after a year, RIP DJ Kay Slay & Randy from SavageGarage, official BAPE jewelry collaboration, the new Power episode, Tony Hawk Documentary & The Skate Game, watching Tokyo Vice & Ansel Elgort, Brandun Lee winning again, NBA Playoffs, The truth surrounding BBDTBC, the power of the podcast & more. This episode is not to be missed! Please support our sponsors: http://TryBattlbox.com/baller http://betterhelp.com/baller If you are interested in NBA, NCAA, NHL, Soccer, UFC & more Picks daily, weekly or monthly subscribe at www.CaptainPicks.com & Follow @TheCaptainPicks on Instagram. Use Promo Code: CASHIT Produced by: DBPodcasts www.dbpodcasts.com Follow @dbpodcasts on Instagram & Twitter Music by @lakeyinspired Available on all Podcast Platforms, YouTube & BehindTheBallerPod.com Behind The Baller Theme Music  Artist: Illegal Kartel (@illegal_kartel_mikal_shakur) Produced by: Gene Crenshaw @yuyuthemaker

At long last Chris Pine joins Josh on the podcast for a chat about 2 news films (ALL THE OLD KNIVES and THE CONTRACTOR), why Chris rejected his early "himbo" status, how he landed STAR TREK, and why he hates his iphone. You can purchase tickets to two upcoming LIVE Happy Sad Confused events now! 4/19 at 8pm -- TOKYO VICE star Ansel Elgort. Purchase tickets here. 4/21 at 8pm -- THE NORTHMAN screening followed by a conversation with Alexander Skarsgard. Purchase tickets here. Don't forget to check out the Happy Sad Confused patreon here! We've got exclusive episodes of GAME NIGHT, video versions of the podcast, and more! For all of your media headlines remember to subscribe to The Wakeup newsletter here!

Kirk answers questions about Guns 'n Roses, Mario Kart 64, phasers, and what makes a song sound like it's from a musical.DISCUSSED/REFERENCED ON THIS EPISODE:"Welcome to the Jungle” by Guns n' Roses from Appetite for Destruction, 1987"Results Theme" from Mario Kart 64 by Kenta NagataA video kirk made in 2014 about the dynamic music of Mount Wario: https://www.youtube.com/watch?v=-8TBS75U1p8“Dig” by Incubus from Light Grenades, 2006“Waiting On A Miracle” feat Stephanie Beatriz, “What Else Can I Do?" feat Diane Guerrero, and "We Don't Talk About Bruno” by Lin-Manuel Miranda from Encanto, 2021“Tonight” from West Side Story 2021, performed by Rachel Zeigler and Ansel Elgort, lyrics by Stephen Sondheim, music by Leonard Bernstein“Popular” by Stephen Schwartz performed by Kristin Chenoweth from Wicked, 2003“I Believe” by Trey Parker, Matt Stone, and Robert Lopez performed by Andrew Rannells from The Book of Mormon, 2000An excerpt from the October 2021 episode of “Backstage Pass with Eric Vitro” featuring Arianna GrandeAudio excerpts from Brooklyn 99 and Doom Patrol“One” by Creed from My Own Prison, 1997“Johnny B. Goode” by Chuck Berry as performed in Back To The Future, 1985OUTRO SOLOIST: Kyle MolitorKyle is a Portland-based trombonist who plays in all sorts of bands, and was also featured on the year three Strong Songs theme msuic. Find him on Instagram @tbonemolitor.STRONG MERCHCheck out the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.comJOIN THE STRONG SONGS DISCORDThe Strong Songs Discord server is now open to everyone! Come join the conversation and get (or give) some music recs: https://discord.gg/GCvKqAM8SmKEEP IT SOCIALFollow Strong Songs on Twitter: @StrongSongsAnd find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_HamiltonNEWSLETTER/MAILING LISTSign up for Kirk's mailing list to start getting newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribeSTRONG PLAYLISTSKirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify and Apple Music, and YouTube Music.SUPPORT STRONG SONGS!Thank-you to all of Strong Songs' Patreon supporters! For more on how to support the creation of this show, go here: https://Patreon.com/StrongSongsYou can also make a one-time Paypal donation here: https://www.paypal.com/paypalme/kirkhamiltonmusicMARCH 2022 WHOLE-NOTE PATRONSDaniel Hannon-BarryRRPrince M. Levy-BenitezElliot RosenAshley HoagMark and MichelleKelsairRob BosworthKyle CookeDonald MackieMelissa OsborneChristopher MillerTim ByrneJamie WhiteChristopher McConnellDavid MascettiJoshua JarvisNikoJoe LaskaLaurie AcremanKen HirshJezMelanie AndrichJenness GardnerSimon CammellGuinevere BoostromNarelle HornBill RosingerErinAidan CoughlanJeanneret Manning Family FourDoug PatonDave SharpeSami SamhuriAccessViolationRyan TorvikMerlin MannGlennJim ChokeyAndre BremerMark SchechterDave FloreyMARCH 2022 HALF-NOTE PATRONSMax DicksteinDeebsPortland Eye CareAdam RayAnupama RaghavanDemetri DetsaridisCarrie SchneiderAlenka GrealishAnne GerryRichard SneddonDavid JudsonJanice BerryDoreen CarlsonmtwolfDavid McDarbyAbigail DuffieldRaphadavidWendy GilchristLisa TurnerPaul WayperMiles FormanDennis M EdwardsJeffrey FerrisBruno GaetaKenneth JungbenAdam StofskyZak RemerRishi SahayJason ReitmanGreg BurgessAilie FraserPaul McGrealKaren ArnoldNATALIE MISTILISJosh SingerPhino DeLeonSchloss Edward J. MDAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsBen MachtaVictoria YuKevin RiversBrad ClarkChristopherMichael J. CunninghamMark Boggsmino caposselaSteve PaquinMary SchoenmakerSarahDavid JoskeEmma SklarBernard KhooDavid BlackmanRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerRichard CambierMadeleine MaderTimothy DoughertyJason PrattStewart OakCaroline MillerAbbie BergSam NortonNicole SchleicherDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistElaine MartinKourothBonnie PrinsenSharon TreeBelinda Mcgrath-steerLiz SegerEoin de BurcaKevin PotterM Shane BordersPete SimmSusan PleinDallas HockleyJana JJason GerryNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneJeffyThanadrosDavid FriedmanPhillip DaltonSarah SulanDiane HughesKenneth TiongJo SutherlandMichael CasnerBarb CourtneyDerek BenderJen SmallLowell MeyerEtele IllesStephen TsoneffLorenz SchwarzWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaJCClare HolbertonDiane TurnerTom ColemanTijs SoeteMark PerryDhu WikMelEric HelmJake RobertsBill FullerSteven MaronMichael FlahertyJarrod SchindlerZoe LittleCaro Fieldmichael bochnerDuncanNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerMatt GaskellJules BaileyEero WahlstedtAndrew FairBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJon O'KeefeJustin McElroyArjun SharmaJames JohnsonAndrew LeeKevin MorrellKevin PennyfeatherEmily Williams

Something's coming; something good? Comedian and film critic Brandon Collins sits in to go over the high notes and low notes of Spielberg's West Side Story, now streaming.Plus, we play the new Box Office Game together! Will Alonso's movie trivia prowess also apply to a randomly selected box office weekend? What's Good :Alonso: permanent daylight savingsDrea: kitchen updateBrandon: SXSWITIDIC:New MPA Report Says Digital Box Office Revenue Was 3x Theatrical in 2021Theaters are playing 2014 Ukrainian film THE GUIDE to raise money for relief effortAfter Two Virtual Years, the SXSW Film Festival Is Happening In Person This Week Staff Picks:Drea: BALLET 422Alonso: DEEP WATERBrandon: IN THE HEAT OF THE NIGHT Brandon's Podcast, Medium PopcornBuy Alonso's book - I'll Be Home for Christmas MoviesThe Box Office Game With:Drea ClarkAlonso DuraldeBrandon CollinsProduced by Marissa FlaxbartSr. Producer Laura Swisher