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On this episode of Bounced From The Roadhouse:Special Guests in 4B: Zaccy MoonZac - Zaccy Moon IntroductionWaiting 30 Minutes to Swim After EatingDog Park BJLick the Lollipop, Smell the SoapSuperman MovieWe Listen, But We Don't JudgeTemp AcclimationZac - Florida Man StoryZac - What is Your First Impression of UsZac - Reads the Text Line10 Things 10 Years AgoZac - Rapid Fire QuestionsThat's a Great QuestionGetting Away with MurderZac - Job Interview Questions10 Things in the FutureQuestions? Comments? Leave us a message! 605-343-6161Don't forget to subscribe, leave us a review and some stars Hosted on Acast. See acast.com/privacy for more information.
Let's see how we feel, after a message from our sponsors. Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP. (Super fuckedupedly) I'm not, I'm just feel—(belches)— like it! —look like it, okay! Omah Gas. I nuh! Uh. Pedro Pascal? You're right again. Yehy! Well, almost right. What. That character he played on that extremely viral SNL skit— OKAH. Woah. —this is the dimension where he's— —oh my god— Yeah. —UHMYGAH! Cut back to: —look— jus— don't look at me. When you're—lookin at me, like that— okay?! Goddamn, he is fucked up. Yeah. This is critical. What did you do to Jimmy Kimmel? Nothing! Okay! He was just— like that already— you know —you don't know! Honestly he's kinda always, a little… WOOOF! Yowza. WOOF WOOF! JIMMY! DO NOT LICK ME! *panting* WOOF WOOF! AUGHHH. Get him out of here before he pees on the rug. I second that. Comeon, boy— WOOF! DOWN! [he obeys intently] Good Jimmy Kimmel. Good— —RUFINOL. What? [suddenly, JIMMY KIMMEL is human again and answers intently. Yes. It seems the word itself has broken his extreme delirium— —yo, okay, what is going on?! You've got to can this thing What. Cancel it. No way. I want to go. This thing, cannot happen, okay! It can't! Wtf Jimmy Fallon, stop inserting yourself into everything! — Unless it's me. EW. GROSS. Shots fired. No, I would call that a foul ball—Get it. No, Cause. You know. He's a bird, kind of. Oh. You mean, like “Fowl ball” Yeah! You got it! Yeah but not without like, thinking about it— So it doesn't work? It didn't work. Yo, but that part does explain why: CUT TO: No, you're right, I do hate Jimmy Fallon. —a lot. A lot. Okay? —but to be fair, I also hate Brad Pitt in the same way. BRAD PITT …You do? Yes, Brad Pitt i do— Very much, Hate you. BRAD PITT (Tearing up emotionally) Like, a lot? Uhm. Like, more than a lot, I just. BRAD PITT is actually extremely fragile and very emotionally sensitive. Is this a prescription for— fucking roofies?! I— have a, a…medical condition. That requires roofies?! Yes actually. It's very…serious. Shapeshifting is very serious. What kind of medical condition requires roofie-ing yourself. I didn't—I don't—I can't roofie myself, actually. What! No way… Someone else has to administer the dose, okay?! So wait. Uhogh, what the fuck man. This is— [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.] Where is my— phone?[more shrugs and blank stares] He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark— [beat] It's just vodka— I always have them do that. He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress… He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise. A single tear forms in his eye as he calmly asks: …does anyone know how to get ahold of Seth Rogen? The room is a confused and sticky, silent heap of bewildered unknowns. TITLE CARD {Enter The Multiverse} … was that the “message from our sponsors”? Shh! L E G E N D S: ICONS don't look at me. [The Festival Project ™] 50 CENT bursts down the door. WHERE'S MY SHIT, JIMMY? Fiddy. Fiddy, look, man— Don't “FIDDY” me! Look, I can explain. Well, then, explain— TV man. Go on ahead. Look. This is— this was not my fault— Then what was it?! This was— oh, God… Go ahead! It was— this was like a game. This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now. Yo. But it—was— a game, though, it just— [got out of hand] {Enter The Multiverse} Museum in a curio cabinet; I know, I know, I know That's the boy, That's the boy, That's the boy I saw That's my boy, that's my boy, that's the boy I know I know Museum or curiosity Too late to tell the tale I think Just cover all with masking tape It is a game, To move the pieces Leave it, let it be, She said Hideous and when the winter hits And the withered women come again Let it be sinking into the sea with the rest of the things I don't need, i never needed I never need it Several synchronicities later, Still something sees symphonies in him Music and misers and mistereases, mistresses Listen to tin written sentiments And remember to forget the rest It's been minted Minted, minted Don't talk Just fucking listen And you'll never fucking get it. What's with the rest of it? Never been, never did Lemons and purple Sundays And when the weather hits, You'll get the tip of it Oh, There it is That thing she likes The thing she sees (She sees the monster) There it is, That thing she sees The thing she knows (She knows the monster) When you walk with the cork of the wine, And the checkboards, The water foxes, wishing reals And written wells, And fears for fourths, One wet, one rotten The rent and the wintergreen gum And the rest is in Zippered cashmere Wonder what the wish is But there is a birthday present for never Then there's a Cheshire Cat And the rest of it was washed in the misery, Misery, never the mystery and there, You weather the almost storm But the storm's not coming, There's nothing but sun left There's nothing but sun there There's nothing but sun there Now, here's this: You remember, dear We resubmit We live in a computer We live in a comouter He‘S green He's new He's wet behind the ears He's a hot one A hot commodity She's weathered She's torn She's a sweet potato on suicide And though at least a hundred other folks This here is the comfort This here is the comfort I'm a narcissist now, but once upon a time I just just self centered The love still there, But instead of the spine or the heart It's back in the middle Why my mother knows what she always knows And she always knows I don't know ♂️ o Patrick! Hey Patrick! Yes, what is it? You fiend! Can I have my hat back? Does this match? Does this make ratchet sense to you? Turn down that racket, Tennis racket Tennis clubs And gold clubs Boxes in the attick Skeletons in the closet The stock market going dropped Way down Like the alley with Whole Foods market I miss the rock and the plaza The hot dog corn breads The half wit half breeds And good old hybrids The hallmark cards And who doesn't give a fuck When the earth gives a fuck on a roll But it's walk the dog or go home Seriously, cuz? Or cousin?! You want a hog roll Good for a hog toss Salt washed back rubs And then keep calling your mom If you wanted the balls in your court And yet no one to toss them at And the basket's back at the matchbook factory Mattresses man, and the lands they land at Matches made in TV land Are bound to have a sick and intrinsic twist That will keep your belly rolling And stomach flat Jesus Christ, What the fuck is wrong with that guy— Or rather— What the fuck happened last year, Furthermore; What in the fuck did I write about it? Townhouse in Manhattan Broken finger Broken promises Bottles of hard alcohol And models, hot girls And one cat with curiosity. Check the curio cabinet There ought to be something Or someone in it Maybe even A little man in a box With a million bucks And a tinfoil hat, Ten million marked dollars And zero fucks Whatsoever I have a headache, a headache— A headache I have a heartache, a heartache, a heart— Stop. I put it all on a bushel of bollocks, Bollocks— flowers I put it on, put it on Put it on On, and on And all for nothing All for none With the intensity of one thousand suns, He insists it exists, And exits strategically With the whispers of industry secrets And interesting sequences, She reaches the wings from the curtains And curtsies for courtesy I'm curious I'm curious just how it ends In this suicidal and envious frenzy There's nothing left in the frostbitten five Rolling towards bowling green Where in every pair of loafers, Three piece suits And deep brown eyes, I seen him. In anything over 6 feet, It was good to mean it, And defeat is sweeter than ice cream; But the green is sicker than sea swings So let's rock the boat So to speak Or let's flood a Rock Should we start at the bottom, With large bursts of water, or Turn it all into a washroom With a thunderstorm Oh, lightning strikes! And John Oliver's Murdered, Colbert's been the president for decades, A dictator I got a taste of the rig and the cherry tree I got a big secret, But bitch, You could never keep it! I write a jeep to the Equinox, Ha Ha Ha Charade you are I put a notch in my belt and my bedpost, The watch to the shop But it's all Omega It's all Omega It's all ”Oh My God!” Stop and pause for the audience Stop and pause for the audience Stop and pause for the audience Shock and awe, Or just sloppy nonsense Someone rope in the Johns, And the frog, And the frog And the frog As the fog rolls in Now I'm a millionaire How dare you Did I scare you, Become every hair on your head? Imm the one you don't want You can't want You catch watch You can't wait to Gun her down Gun to your head And I measured it in relevance The end is near And that's the place my head is in I don't need medicine I need an erected monument in honor of All that I wanted for the whole module But now in New York, I'm The same stories over and over So everyone knows Aren't the ones I wrote But I wasn't supposed to Mouth closed Townhouse in Manhattan What the hell happened? Perhaps we all died and then actually end up in heaven eventually. —but maybe I wrote the whole show, But not knowing it's over I just keep rolling and rolling and rolling And open door policy (And that's when the pearly gates open) It's possible you know these are all just my favorite players of anything anywhere possible The folks wrapped in gold for the offerings There was no love left for her but he left the door open She runs around awkward and normal But knows she knows nothing He's lifting her up But he's putting her down at the same time And they both wear a crown, But one draws a crowd And the other's a nine Out of nine Out of nine Out of nine now It's 4 and 3 quarters I make ten cents in a day And he makes ten million a year But it's not about money In fact, If it's not about God, Then it's all about nothing. Nothing at all. Do you want to travel through my eyes One more time One more time And see my life? Did you want to do it all again Just for a quick review, Or not, kid? Do you want to take my eyes And take my heart And pantomime The nevermind And never better moments Of the last forever I like a ride On a nice hot walk Or a park In a nice hot car But you aren't what I wanted The doctor ordered Hot chocolate and syrup And nightmares are coming But the dream had come and gone And in the time since, I haven't slept at all It slipped in on Christmas and went till the miniature habits kicked back in We went around the block a couple times And you just kept rolling Over The car stopped on all fours And Godbfalled you off of it Cause trust, Love, It was horrendous to watch you blow up Into blockbuster artform Off of a bridge And into superstardom Via a billboard Meanwhile, Were shuffleboards And billiards Que the arts! Ou, I meant to owe you All the lessons In the knowledge But the harder I want it the Rocker on my chair polished It grows fuller of course Almost flat on the bottom What you hole into for the audience Is all inside the contracts I put it up on the What did you call it? Put the coat on the chair and just kept going Bro, If I hold you over Promise you'll hold the door open He won't. He's a show host— A remarkable “Don't even bother” And I paid top dollar for these hair plugs, You hear that?! I heard you rabbit. What it is about the thing that wells up in my Washington federal and tear-gassed orphans is Lollipops and anicetepetomin Or asperine I'm desperate for a job And yet, I almost miss the person Hiding from the shadows in the robots In my every on thoughforms Though I should be honored Now I've brought back this astonishing Remarkable curse To not b Have bought curtains When I didn't want them in the first place And I kept the window open 40,000 showed up But I played to no one And the blonde knows it's her birthday So of course she's more important But I'm no one, And here's Fallon: Jimmy Fallon Jimmy Fallon Jimmy Fallon I'm deflated just to follow off for a nut But I'm nothing since no one pondered And wondered to ask a remarkable task get the pawn shop, the butter knife And Lorne all over pork chops on the phone And I'm sure that's not kosher, But sure, there's no cure for it I'm words and I'm worse off The suburbs, the herbs and the marshes The books and the sineage The plants and the corvettes I might have been onto something once But now I'm washed up I might be onto something but no, no, no— I fought it off I might come down with a cold once a quarter century or so but just the snow alone As cold as this whole story is, Ripley's Is hard warming (Believe it or not, We've all got thumbs up We've all got magic wands And wants And whispers And stock markets And wishing for cashmere zippered sweaters This year I'll be on time for once But no one's coming No one's coming up The whole shows under water And all I want to know is How to go To pull the gun and trigger On my own live Cause this whole world Is just rotten Bodies Hairpins, Hairspray Corny! That's grid iron, Gridiron, ten fierce fires and one Cold hearted beautiful liar But which one's the finish? Last that I check Billie, Jimmy, and the Kidd are all Just one body And one mirror image Of one another So next time I call my mother I ought to talk like the worst word, Cause for sure, the oddest part of the whole show Is that he somehow knows her. Now come forwards What words have left to Burn? What words have left to cope and honor What form does lest I take What here is now and crucial? Evervescent fairy, Ever blessing crane, The ship that guides you yet with no light And no sail Has just drifted into unknown waters Where caves dwell and therein lies the secret of our esarth, nor your earth, But ours and again I lay, As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts Into the shade again the sun my bird and wait to find my alter My alter again and as I may, The sink that ships and weigh, not the other, My mind you that too is bottom And sank is to have risen, also Here I wonder And never you cave, the drift of glowing green my force And there to wait, there caverns of hers and ships that sank my tide, Is crucial and so with forgiveness in time With every line here I or they did write The truth shatters as illusions, the mask has been re clamored and yet to have imagined I find him here not but the hints And the thing we know, buried deep in my loins and in my earth is he The whispers what May calling and landender, mauve my tide, my ba …wtf. idk. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Let's see how we feel, after a message from our sponsors. Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP. (Super fuckedupedly) I'm not, I'm just feel—(belches)— like it! —look like it, okay! Omah Gas. I nuh! Uh. Pedro Pascal? You're right again. Yehy! Well, almost right. What. That character he played on that extremely viral SNL skit— OKAH. Woah. —this is the dimension where he's— —oh my god— Yeah. —UHMYGAH! Cut back to: —look— jus— don't look at me. When you're—lookin at me, like that— okay?! Goddamn, he is fucked up. Yeah. This is critical. What did you do to Jimmy Kimmel? Nothing! Okay! He was just— like that already— you know —you don't know! Honestly he's kinda always, a little… WOOOF! Yowza. WOOF WOOF! JIMMY! DO NOT LICK ME! *panting* WOOF WOOF! AUGHHH. Get him out of here before he pees on the rug. I second that. Comeon, boy— WOOF! DOWN! [he obeys intently] Good Jimmy Kimmel. Good— —RUFINOL. What? [suddenly, JIMMY KIMMEL is human again and answers intently. Yes. It seems the word itself has broken his extreme delirium— —yo, okay, what is going on?! You've got to can this thing What. Cancel it. No way. I want to go. This thing, cannot happen, okay! It can't! Wtf Jimmy Fallon, stop inserting yourself into everything! — Unless it's me. EW. GROSS. Shots fired. No, I would call that a foul ball—Get it. No, Cause. You know. He's a bird, kind of. Oh. You mean, like “Fowl ball” Yeah! You got it! Yeah but not without like, thinking about it— So it doesn't work? It didn't work. Yo, but that part does explain why: CUT TO: No, you're right, I do hate Jimmy Fallon. —a lot. A lot. Okay? —but to be fair, I also hate Brad Pitt in the same way. BRAD PITT …You do? Yes, Brad Pitt i do— Very much, Hate you. BRAD PITT (Tearing up emotionally) Like, a lot? Uhm. Like, more than a lot, I just. BRAD PITT is actually extremely fragile and very emotionally sensitive. Is this a prescription for— fucking roofies?! I— have a, a…medical condition. That requires roofies?! Yes actually. It's very…serious. Shapeshifting is very serious. What kind of medical condition requires roofie-ing yourself. I didn't—I don't—I can't roofie myself, actually. What! No way… Someone else has to administer the dose, okay?! So wait. Uhogh, what the fuck man. This is— [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.] Where is my— phone?[more shrugs and blank stares] He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark— [beat] It's just vodka— I always have them do that. He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress… He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise. A single tear forms in his eye as he calmly asks: …does anyone know how to get ahold of Seth Rogen? The room is a confused and sticky, silent heap of bewildered unknowns. TITLE CARD {Enter The Multiverse} … was that the “message from our sponsors”? Shh! L E G E N D S: ICONS don't look at me. [The Festival Project ™] 50 CENT bursts down the door. WHERE'S MY SHIT, JIMMY? Fiddy. Fiddy, look, man— Don't “FIDDY” me! Look, I can explain. Well, then, explain— TV man. Go on ahead. Look. This is— this was not my fault— Then what was it?! This was— oh, God… Go ahead! It was— this was like a game. This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now. Yo. But it—was— a game, though, it just— [got out of hand] {Enter The Multiverse} Museum in a curio cabinet; I know, I know, I know That's the boy, That's the boy, That's the boy I saw That's my boy, that's my boy, that's the boy I know I know Museum or curiosity Too late to tell the tale I think Just cover all with masking tape It is a game, To move the pieces Leave it, let it be, She said Hideous and when the winter hits And the withered women come again Let it be sinking into the sea with the rest of the things I don't need, i never needed I never need it Several synchronicities later, Still something sees symphonies in him Music and misers and mistereases, mistresses Listen to tin written sentiments And remember to forget the rest It's been minted Minted, minted Don't talk Just fucking listen And you'll never fucking get it. What's with the rest of it? Never been, never did Lemons and purple Sundays And when the weather hits, You'll get the tip of it Oh, There it is That thing she likes The thing she sees (She sees the monster) There it is, That thing she sees The thing she knows (She knows the monster) When you walk with the cork of the wine, And the checkboards, The water foxes, wishing reals And written wells, And fears for fourths, One wet, one rotten The rent and the wintergreen gum And the rest is in Zippered cashmere Wonder what the wish is But there is a birthday present for never Then there's a Cheshire Cat And the rest of it was washed in the misery, Misery, never the mystery and there, You weather the almost storm But the storm's not coming, There's nothing but sun left There's nothing but sun there There's nothing but sun there Now, here's this: You remember, dear We resubmit We live in a computer We live in a comouter He‘S green He's new He's wet behind the ears He's a hot one A hot commodity She's weathered She's torn She's a sweet potato on suicide And though at least a hundred other folks This here is the comfort This here is the comfort I'm a narcissist now, but once upon a time I just just self centered The love still there, But instead of the spine or the heart It's back in the middle Why my mother knows what she always knows And she always knows I don't know ♂️ o Patrick! Hey Patrick! Yes, what is it? You fiend! Can I have my hat back? Does this match? Does this make ratchet sense to you? Turn down that racket, Tennis racket Tennis clubs And gold clubs Boxes in the attick Skeletons in the closet The stock market going dropped Way down Like the alley with Whole Foods market I miss the rock and the plaza The hot dog corn breads The half wit half breeds And good old hybrids The hallmark cards And who doesn't give a fuck When the earth gives a fuck on a roll But it's walk the dog or go home Seriously, cuz? Or cousin?! You want a hog roll Good for a hog toss Salt washed back rubs And then keep calling your mom If you wanted the balls in your court And yet no one to toss them at And the basket's back at the matchbook factory Mattresses man, and the lands they land at Matches made in TV land Are bound to have a sick and intrinsic twist That will keep your belly rolling And stomach flat Jesus Christ, What the fuck is wrong with that guy— Or rather— What the fuck happened last year, Furthermore; What in the fuck did I write about it? Townhouse in Manhattan Broken finger Broken promises Bottles of hard alcohol And models, hot girls And one cat with curiosity. Check the curio cabinet There ought to be something Or someone in it Maybe even A little man in a box With a million bucks And a tinfoil hat, Ten million marked dollars And zero fucks Whatsoever I have a headache, a headache— A headache I have a heartache, a heartache, a heart— Stop. I put it all on a bushel of bollocks, Bollocks— flowers I put it on, put it on Put it on On, and on And all for nothing All for none With the intensity of one thousand suns, He insists it exists, And exits strategically With the whispers of industry secrets And interesting sequences, She reaches the wings from the curtains And curtsies for courtesy I'm curious I'm curious just how it ends In this suicidal and envious frenzy There's nothing left in the frostbitten five Rolling towards bowling green Where in every pair of loafers, Three piece suits And deep brown eyes, I seen him. In anything over 6 feet, It was good to mean it, And defeat is sweeter than ice cream; But the green is sicker than sea swings So let's rock the boat So to speak Or let's flood a Rock Should we start at the bottom, With large bursts of water, or Turn it all into a washroom With a thunderstorm Oh, lightning strikes! And John Oliver's Murdered, Colbert's been the president for decades, A dictator I got a taste of the rig and the cherry tree I got a big secret, But bitch, You could never keep it! I write a jeep to the Equinox, Ha Ha Ha Charade you are I put a notch in my belt and my bedpost, The watch to the shop But it's all Omega It's all Omega It's all ”Oh My God!” Stop and pause for the audience Stop and pause for the audience Stop and pause for the audience Shock and awe, Or just sloppy nonsense Someone rope in the Johns, And the frog, And the frog And the frog As the fog rolls in Now I'm a millionaire How dare you Did I scare you, Become every hair on your head? Imm the one you don't want You can't want You catch watch You can't wait to Gun her down Gun to your head And I measured it in relevance The end is near And that's the place my head is in I don't need medicine I need an erected monument in honor of All that I wanted for the whole module But now in New York, I'm The same stories over and over So everyone knows Aren't the ones I wrote But I wasn't supposed to Mouth closed Townhouse in Manhattan What the hell happened? Perhaps we all died and then actually end up in heaven eventually. —but maybe I wrote the whole show, But not knowing it's over I just keep rolling and rolling and rolling And open door policy (And that's when the pearly gates open) It's possible you know these are all just my favorite players of anything anywhere possible The folks wrapped in gold for the offerings There was no love left for her but he left the door open She runs around awkward and normal But knows she knows nothing He's lifting her up But he's putting her down at the same time And they both wear a crown, But one draws a crowd And the other's a nine Out of nine Out of nine Out of nine now It's 4 and 3 quarters I make ten cents in a day And he makes ten million a year But it's not about money In fact, If it's not about God, Then it's all about nothing. Nothing at all. Do you want to travel through my eyes One more time One more time And see my life? Did you want to do it all again Just for a quick review, Or not, kid? Do you want to take my eyes And take my heart And pantomime The nevermind And never better moments Of the last forever I like a ride On a nice hot walk Or a park In a nice hot car But you aren't what I wanted The doctor ordered Hot chocolate and syrup And nightmares are coming But the dream had come and gone And in the time since, I haven't slept at all It slipped in on Christmas and went till the miniature habits kicked back in We went around the block a couple times And you just kept rolling Over The car stopped on all fours And Godbfalled you off of it Cause trust, Love, It was horrendous to watch you blow up Into blockbuster artform Off of a bridge And into superstardom Via a billboard Meanwhile, Were shuffleboards And billiards Que the arts! Ou, I meant to owe you All the lessons In the knowledge But the harder I want it the Rocker on my chair polished It grows fuller of course Almost flat on the bottom What you hole into for the audience Is all inside the contracts I put it up on the What did you call it? Put the coat on the chair and just kept going Bro, If I hold you over Promise you'll hold the door open He won't. He's a show host— A remarkable “Don't even bother” And I paid top dollar for these hair plugs, You hear that?! I heard you rabbit. What it is about the thing that wells up in my Washington federal and tear-gassed orphans is Lollipops and anicetepetomin Or asperine I'm desperate for a job And yet, I almost miss the person Hiding from the shadows in the robots In my every on thoughforms Though I should be honored Now I've brought back this astonishing Remarkable curse To not b Have bought curtains When I didn't want them in the first place And I kept the window open 40,000 showed up But I played to no one And the blonde knows it's her birthday So of course she's more important But I'm no one, And here's Fallon: Jimmy Fallon Jimmy Fallon Jimmy Fallon I'm deflated just to follow off for a nut But I'm nothing since no one pondered And wondered to ask a remarkable task get the pawn shop, the butter knife And Lorne all over pork chops on the phone And I'm sure that's not kosher, But sure, there's no cure for it I'm words and I'm worse off The suburbs, the herbs and the marshes The books and the sineage The plants and the corvettes I might have been onto something once But now I'm washed up I might be onto something but no, no, no— I fought it off I might come down with a cold once a quarter century or so but just the snow alone As cold as this whole story is, Ripley's Is hard warming (Believe it or not, We've all got thumbs up We've all got magic wands And wants And whispers And stock markets And wishing for cashmere zippered sweaters This year I'll be on time for once But no one's coming No one's coming up The whole shows under water And all I want to know is How to go To pull the gun and trigger On my own live Cause this whole world Is just rotten Bodies Hairpins, Hairspray Corny! That's grid iron, Gridiron, ten fierce fires and one Cold hearted beautiful liar But which one's the finish? Last that I check Billie, Jimmy, and the Kidd are all Just one body And one mirror image Of one another So next time I call my mother I ought to talk like the worst word, Cause for sure, the oddest part of the whole show Is that he somehow knows her. Now come forwards What words have left to Burn? What words have left to cope and honor What form does lest I take What here is now and crucial? Evervescent fairy, Ever blessing crane, The ship that guides you yet with no light And no sail Has just drifted into unknown waters Where caves dwell and therein lies the secret of our esarth, nor your earth, But ours and again I lay, As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts Into the shade again the sun my bird and wait to find my alter My alter again and as I may, The sink that ships and weigh, not the other, My mind you that too is bottom And sank is to have risen, also Here I wonder And never you cave, the drift of glowing green my force And there to wait, there caverns of hers and ships that sank my tide, Is crucial and so with forgiveness in time With every line here I or they did write The truth shatters as illusions, the mask has been re clamored and yet to have imagined I find him here not but the hints And the thing we know, buried deep in my loins and in my earth is he The whispers what May calling and landender, mauve my tide, my ba …wtf. idk. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Let's see how we feel, after a message from our sponsors. Jesus effing Christ, Jimmy Kimmel—goddamn! Why are you always this fucked UP. (Super fuckedupedly) I'm not, I'm just feel—(belches)— like it! —look like it, okay! Omah Gas. I nuh! Uh. Pedro Pascal? You're right again. Yehy! Well, almost right. What. That character he played on that extremely viral SNL skit— OKAH. Woah. —this is the dimension where he's— —oh my god— Yeah. —UHMYGAH! Cut back to: —look— jus— don't look at me. When you're—lookin at me, like that— okay?! Goddamn, he is fucked up. Yeah. This is critical. What did you do to Jimmy Kimmel? Nothing! Okay! He was just— like that already— you know —you don't know! Honestly he's kinda always, a little… WOOOF! Yowza. WOOF WOOF! JIMMY! DO NOT LICK ME! *panting* WOOF WOOF! AUGHHH. Get him out of here before he pees on the rug. I second that. Comeon, boy— WOOF! DOWN! [he obeys intently] Good Jimmy Kimmel. Good— —RUFINOL. What? [suddenly, JIMMY KIMMEL is human again and answers intently. Yes. It seems the word itself has broken his extreme delirium— —yo, okay, what is going on?! You've got to can this thing What. Cancel it. No way. I want to go. This thing, cannot happen, okay! It can't! Wtf Jimmy Fallon, stop inserting yourself into everything! — Unless it's me. EW. GROSS. Shots fired. No, I would call that a foul ball—Get it. No, Cause. You know. He's a bird, kind of. Oh. You mean, like “Fowl ball” Yeah! You got it! Yeah but not without like, thinking about it— So it doesn't work? It didn't work. Yo, but that part does explain why: CUT TO: No, you're right, I do hate Jimmy Fallon. —a lot. A lot. Okay? —but to be fair, I also hate Brad Pitt in the same way. BRAD PITT …You do? Yes, Brad Pitt i do— Very much, Hate you. BRAD PITT (Tearing up emotionally) Like, a lot? Uhm. Like, more than a lot, I just. BRAD PITT is actually extremely fragile and very emotionally sensitive. Is this a prescription for— fucking roofies?! I— have a, a…medical condition. That requires roofies?! Yes actually. It's very…serious. Shapeshifting is very serious. What kind of medical condition requires roofie-ing yourself. I didn't—I don't—I can't roofie myself, actually. What! No way… Someone else has to administer the dose, okay?! So wait. Uhogh, what the fuck man. This is— [he bites his knuckles nervously, then pats his pocket area, before realizing he is no longer wearing pants. Everyone just shrugs, but he becomes increasingly upset.] Where is my— phone?[more shrugs and blank stares] He quickly shuffles through the room and then the open suitcase of empty prescription bottles, spiraling into a deep void of panic and doubt— then, in an act of desperation and apparent extreme thirst, he reaches for the decorative flower vase, ejects the flowers— never mind that they are thorned roses and he appears to be bleeding without giving this a second thought, and chugs the liquid from the translucent crystal vase in a hearty and impressive glug of chugs; gesturing towards the now empty vase with the subtle remark— [beat] It's just vodka— I always have them do that. He sits down on the edge of the bed and takes a sigh as this seems to have calmed him, besides the trickle of blood running down the vase, which he still grips in one hand while rubbing his forehead with the other in complete distress… He seems to be looking out into the universe searching for an answer— seeking a solution to this unknown conundrum— and questions the cause of his demise. A single tear forms in his eye as he calmly asks: …does anyone know how to get ahold of Seth Rogen? The room is a confused and sticky, silent heap of bewildered unknowns. TITLE CARD {Enter The Multiverse} … was that the “message from our sponsors”? Shh! L E G E N D S: ICONS don't look at me. [The Festival Project ™] 50 CENT bursts down the door. WHERE'S MY SHIT, JIMMY? Fiddy. Fiddy, look, man— Don't “FIDDY” me! Look, I can explain. Well, then, explain— TV man. Go on ahead. Look. This is— this was not my fault— Then what was it?! This was— oh, God… Go ahead! It was— this was like a game. This ain't no goddamn game, Jimmy Kimmel, I'll tell you that much right now. Yo. But it—was— a game, though, it just— [got out of hand] {Enter The Multiverse} Museum in a curio cabinet; I know, I know, I know That's the boy, That's the boy, That's the boy I saw That's my boy, that's my boy, that's the boy I know I know Museum or curiosity Too late to tell the tale I think Just cover all with masking tape It is a game, To move the pieces Leave it, let it be, She said Hideous and when the winter hits And the withered women come again Let it be sinking into the sea with the rest of the things I don't need, i never needed I never need it Several synchronicities later, Still something sees symphonies in him Music and misers and mistereases, mistresses Listen to tin written sentiments And remember to forget the rest It's been minted Minted, minted Don't talk Just fucking listen And you'll never fucking get it. What's with the rest of it? Never been, never did Lemons and purple Sundays And when the weather hits, You'll get the tip of it Oh, There it is That thing she likes The thing she sees (She sees the monster) There it is, That thing she sees The thing she knows (She knows the monster) When you walk with the cork of the wine, And the checkboards, The water foxes, wishing reals And written wells, And fears for fourths, One wet, one rotten The rent and the wintergreen gum And the rest is in Zippered cashmere Wonder what the wish is But there is a birthday present for never Then there's a Cheshire Cat And the rest of it was washed in the misery, Misery, never the mystery and there, You weather the almost storm But the storm's not coming, There's nothing but sun left There's nothing but sun there There's nothing but sun there Now, here's this: You remember, dear We resubmit We live in a computer We live in a comouter He‘S green He's new He's wet behind the ears He's a hot one A hot commodity She's weathered She's torn She's a sweet potato on suicide And though at least a hundred other folks This here is the comfort This here is the comfort I'm a narcissist now, but once upon a time I just just self centered The love still there, But instead of the spine or the heart It's back in the middle Why my mother knows what she always knows And she always knows I don't know ♂️ o Patrick! Hey Patrick! Yes, what is it? You fiend! Can I have my hat back? Does this match? Does this make ratchet sense to you? Turn down that racket, Tennis racket Tennis clubs And gold clubs Boxes in the attick Skeletons in the closet The stock market going dropped Way down Like the alley with Whole Foods market I miss the rock and the plaza The hot dog corn breads The half wit half breeds And good old hybrids The hallmark cards And who doesn't give a fuck When the earth gives a fuck on a roll But it's walk the dog or go home Seriously, cuz? Or cousin?! You want a hog roll Good for a hog toss Salt washed back rubs And then keep calling your mom If you wanted the balls in your court And yet no one to toss them at And the basket's back at the matchbook factory Mattresses man, and the lands they land at Matches made in TV land Are bound to have a sick and intrinsic twist That will keep your belly rolling And stomach flat Jesus Christ, What the fuck is wrong with that guy— Or rather— What the fuck happened last year, Furthermore; What in the fuck did I write about it? Townhouse in Manhattan Broken finger Broken promises Bottles of hard alcohol And models, hot girls And one cat with curiosity. Check the curio cabinet There ought to be something Or someone in it Maybe even A little man in a box With a million bucks And a tinfoil hat, Ten million marked dollars And zero fucks Whatsoever I have a headache, a headache— A headache I have a heartache, a heartache, a heart— Stop. I put it all on a bushel of bollocks, Bollocks— flowers I put it on, put it on Put it on On, and on And all for nothing All for none With the intensity of one thousand suns, He insists it exists, And exits strategically With the whispers of industry secrets And interesting sequences, She reaches the wings from the curtains And curtsies for courtesy I'm curious I'm curious just how it ends In this suicidal and envious frenzy There's nothing left in the frostbitten five Rolling towards bowling green Where in every pair of loafers, Three piece suits And deep brown eyes, I seen him. In anything over 6 feet, It was good to mean it, And defeat is sweeter than ice cream; But the green is sicker than sea swings So let's rock the boat So to speak Or let's flood a Rock Should we start at the bottom, With large bursts of water, or Turn it all into a washroom With a thunderstorm Oh, lightning strikes! And John Oliver's Murdered, Colbert's been the president for decades, A dictator I got a taste of the rig and the cherry tree I got a big secret, But bitch, You could never keep it! I write a jeep to the Equinox, Ha Ha Ha Charade you are I put a notch in my belt and my bedpost, The watch to the shop But it's all Omega It's all Omega It's all ”Oh My God!” Stop and pause for the audience Stop and pause for the audience Stop and pause for the audience Shock and awe, Or just sloppy nonsense Someone rope in the Johns, And the frog, And the frog And the frog As the fog rolls in Now I'm a millionaire How dare you Did I scare you, Become every hair on your head? Imm the one you don't want You can't want You catch watch You can't wait to Gun her down Gun to your head And I measured it in relevance The end is near And that's the place my head is in I don't need medicine I need an erected monument in honor of All that I wanted for the whole module But now in New York, I'm The same stories over and over So everyone knows Aren't the ones I wrote But I wasn't supposed to Mouth closed Townhouse in Manhattan What the hell happened? Perhaps we all died and then actually end up in heaven eventually. —but maybe I wrote the whole show, But not knowing it's over I just keep rolling and rolling and rolling And open door policy (And that's when the pearly gates open) It's possible you know these are all just my favorite players of anything anywhere possible The folks wrapped in gold for the offerings There was no love left for her but he left the door open She runs around awkward and normal But knows she knows nothing He's lifting her up But he's putting her down at the same time And they both wear a crown, But one draws a crowd And the other's a nine Out of nine Out of nine Out of nine now It's 4 and 3 quarters I make ten cents in a day And he makes ten million a year But it's not about money In fact, If it's not about God, Then it's all about nothing. Nothing at all. Do you want to travel through my eyes One more time One more time And see my life? Did you want to do it all again Just for a quick review, Or not, kid? Do you want to take my eyes And take my heart And pantomime The nevermind And never better moments Of the last forever I like a ride On a nice hot walk Or a park In a nice hot car But you aren't what I wanted The doctor ordered Hot chocolate and syrup And nightmares are coming But the dream had come and gone And in the time since, I haven't slept at all It slipped in on Christmas and went till the miniature habits kicked back in We went around the block a couple times And you just kept rolling Over The car stopped on all fours And Godbfalled you off of it Cause trust, Love, It was horrendous to watch you blow up Into blockbuster artform Off of a bridge And into superstardom Via a billboard Meanwhile, Were shuffleboards And billiards Que the arts! Ou, I meant to owe you All the lessons In the knowledge But the harder I want it the Rocker on my chair polished It grows fuller of course Almost flat on the bottom What you hole into for the audience Is all inside the contracts I put it up on the What did you call it? Put the coat on the chair and just kept going Bro, If I hold you over Promise you'll hold the door open He won't. He's a show host— A remarkable “Don't even bother” And I paid top dollar for these hair plugs, You hear that?! I heard you rabbit. What it is about the thing that wells up in my Washington federal and tear-gassed orphans is Lollipops and anicetepetomin Or asperine I'm desperate for a job And yet, I almost miss the person Hiding from the shadows in the robots In my every on thoughforms Though I should be honored Now I've brought back this astonishing Remarkable curse To not b Have bought curtains When I didn't want them in the first place And I kept the window open 40,000 showed up But I played to no one And the blonde knows it's her birthday So of course she's more important But I'm no one, And here's Fallon: Jimmy Fallon Jimmy Fallon Jimmy Fallon I'm deflated just to follow off for a nut But I'm nothing since no one pondered And wondered to ask a remarkable task get the pawn shop, the butter knife And Lorne all over pork chops on the phone And I'm sure that's not kosher, But sure, there's no cure for it I'm words and I'm worse off The suburbs, the herbs and the marshes The books and the sineage The plants and the corvettes I might have been onto something once But now I'm washed up I might be onto something but no, no, no— I fought it off I might come down with a cold once a quarter century or so but just the snow alone As cold as this whole story is, Ripley's Is hard warming (Believe it or not, We've all got thumbs up We've all got magic wands And wants And whispers And stock markets And wishing for cashmere zippered sweaters This year I'll be on time for once But no one's coming No one's coming up The whole shows under water And all I want to know is How to go To pull the gun and trigger On my own live Cause this whole world Is just rotten Bodies Hairpins, Hairspray Corny! That's grid iron, Gridiron, ten fierce fires and one Cold hearted beautiful liar But which one's the finish? Last that I check Billie, Jimmy, and the Kidd are all Just one body And one mirror image Of one another So next time I call my mother I ought to talk like the worst word, Cause for sure, the oddest part of the whole show Is that he somehow knows her. Now come forwards What words have left to Burn? What words have left to cope and honor What form does lest I take What here is now and crucial? Evervescent fairy, Ever blessing crane, The ship that guides you yet with no light And no sail Has just drifted into unknown waters Where caves dwell and therein lies the secret of our esarth, nor your earth, But ours and again I lay, As you sink into the see with tilting force and berring waves, the drive into the tide my ark the swan hath flown to warn her, there drifts Into the shade again the sun my bird and wait to find my alter My alter again and as I may, The sink that ships and weigh, not the other, My mind you that too is bottom And sank is to have risen, also Here I wonder And never you cave, the drift of glowing green my force And there to wait, there caverns of hers and ships that sank my tide, Is crucial and so with forgiveness in time With every line here I or they did write The truth shatters as illusions, the mask has been re clamored and yet to have imagined I find him here not but the hints And the thing we know, buried deep in my loins and in my earth is he The whispers what May calling and landender, mauve my tide, my ba …wtf. idk. [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright The Festival Project, Inc. ™ & The Complex Collective © 2015-2025 All Rights Reserved
Author : Ryan Cole Narrator : Tatiana Grey Host : Tina Connolly Audio Producer : Adam Pracht Escape Pod 1001: Death by Pink in the Lollipop Apocalypse is an Escape Pod original. Death by Pink in the Lollipop Apocalypse By Ryan Cole In the dark of her bed, curled up in her sheets, Susie tried […] Source
Does anyone feel bad for the Gin Blossoms? How about the Dandy Warhols? Most likely not and that's just fine. Imagine a school for Rock Stars...I wonder if you can. Well we did and we also explore the racket of Pet Toys, the tough life of Squirrels, the never say die attitude of Nick Cage, the exponential difficulty of getting away with stuff, judging a book by its cover and the majesty of the Artist Formally (and I guess always) known as prince among many other super important topics. Take a listen and see what you think, we hope you enjoy the conversation as much as we did!#prince, #ginblossoms, #stevealbini, #dogs, #cats, #faceoff, #nickcage, #johngotti, #cocaine, #olivertree
Originally broadcast live right here on Underground Quality Live on Friday, June 20th, DC House Grooves 176 delivers another deep dive into the underground. For this edition, we we're joined in the studio by Maximiliano, founder of Soundroom and resident at Lollipop, one of DC's most beloved underground parties. Expect a seamless session of deep, soulful, and hypnotic grooves as Maximiliano steps up alongside residents Andy Grant and Katrina Mir. Maximiliano brings a refined, heads-down style shaped by years spent curating quality dance floor experiences in Washington, DC and beyond. From moody minimalism to chunky house cuts and beyond, his sets speak to dancers who appreciate depth, soul, and impeccable selection. Whether you're locked in at home or pre-gaming for a night out, this one's guaranteed to get your head nodding and your feet moving. Broadcast live from the DC House Grooves studio and powered by Underground Quality, this show is part of a long-running series dedicated to preserving and pushing underground sounds. Don't forget to like, comment, share, and subscribe—your support helps keep the underground strong!
We're talking with one of the hosts of Talking to Women about Videogames on this episode of Currently Playing, Jonathan Holmes, writer for Nintendo Force Magazine, MTV reality star, illustrator, video producer, musician, and all-around Rennaisance man. Due to the unique nature of his personal and work life, he's currently playing a little bit of everything and a whole lot of nothing. We get impressions about Mario Kart World, mini Tetris, Lollipop Chainsaw RePOP, Shadows of the Damned Hella Remastered, SNK vs. Capcom SVC Chaos, Street Fighter 6, PuzzMiX, F-Zero GX, and more. We go through a few rounds of talking about The Legend of Zelda: Majora's Mask before talking about how the Zelda series has been used as a technical showcase for the latest things Nintendo has to offer...for good and for ill. Then Jonathan takes a look at Daniel's backlog and suggests tons of different things before settling on recommending Cave Story+ due to it's nature as a similar feeling game to Majora's Mask, just in a genre Jonathan prefers.0:00:00 - Welcome to the Show, Jonathan!0:08:22 - Maintaining a Certain Level of Inadequacy0:09:39 - The Latest from Mario Kart World0:16:35 - Dad Mode (Mini Tetris, Shadows of the Damned Hella Remastered, SNK vs. Capcom SVC Chaos, Street Fighter 6, PuzzMiX, F-Zero GX)0:23:07 - The Legend of Zelda Majora's Mask Preamble0:28:49 - Lollipop Chainsaw RePOP0:37:00 - Backlog Recap: The Legend of Zelda Majora's Mask0:51:57 - Backlog Challenge: Cave Story+1:06:14 - Wrap Up/PlugsFollow Jonathan on Bluesky: https://bsky.app/profile/tronknotts.bsky.socialCheck out Nintendo Force Magazine: https://www.nintendoforcemagazine.com/Check out Daniel's latest song Light World on Spotify (also available on every streaming platform): https://open.spotify.com/track/393fSKmE0MhWZYuoAiHZmL?si=b04e9b9ee7404659Follow Daniel on Bluesky: https://bsky.app/profile/douibyorthst.bsky.socialFollow the show on Bluysky: https://bsky.app/profile/ttwav.bsky.socialSupport the show on Patreon: https://www.patreon.com/ttwav
This week, Johnny and the gang hear the dreadful news about a lollipop man, Harry falls asleep on a night bus, Johnny has had some tooth related woes so we hear some medical miracles. Along with Martin's Medical Hot Tap. Hear Johnny on Radio X every weekday at 4pm across the UK on digital radio, 104.9 FM in London, 97.7 FM in Manchester, on Global Player or via www.radiox.co.uk
Chinese hotel told wake-up service involving red pandas climbing onto guest beds must cease. Syringe attacks during France music festival leave 145 jabbed and several hospitalised. Lollipop man banned from giving children high fives because it upsets drivers. // SUPPORT by joining the Weird AF News Patreon http://patreon.com/weirdafnews - OR buy Jonesy a coffee at http://buymeacoffee.com/funnyjones Buy MERCH: https://weirdafnews.merchmake.com/ - Check out the official website https://WeirdAFnews.com and FOLLOW host Jonesy at http://instagram.com/funnyjones
PJ talks to Ger Gleeson, the Lollipop Man Bunscoil Mhuire Youghal who won the Tonstix Lollipop Person of the Year for the whole of Ireland and also to Sinéad Crowther of Tonstix who organized the comp Hosted on Acast. See acast.com/privacy for more information.
Ger Gleeson has crossed the road to success after being crowned the Tonstix Lollipop Person of the Year.
Episode 446: I will discuss my memories of Charms Lollipops and read off a menu from The House of Eng Restaurant in Chicago.
Episode 446: I will discuss my memories of Charms Lollipops and read off a menu from The House of Eng Restaurant in Chicago.
Esta semana traemos un menú de lo más variopinto, que tiene como aperitivo el live action de una de las sagas más exitosas de Dreamworks: ‘Cómo entrenar a tu dragón', que nos llega 15 años después a las salas en carne y hueso, pero con dragones CGI, por supuesto. De entrante tenemos un plato llegado desde Rumanía a manos del chef Emanuel Parvú, uno de los directores de la nueva ola del cine rumano, que nos habla de homofobia y corrupción en ‘Tres kilómetros al fin del mundo', en cines. El segundo entrante, también en cines, nos lo sirve Josh Hartnett en ‘Fight or flight', donde interpreta a un mercenario retirado con la misión de atrapar a un asesino a bordo de un vuelo. El primero lo vamos a tomar en casa, en Movistar+, concretamente, donde Saoirse Ronan nos presenta un plato con mucho alcohol, y no del todo bien evaporado, en ‘En islas extremas', donde da vida a una chica cuyos traumas le hacen abrazar la bebida para intentar ser feliz. De segundo volvemos al cine, porque allí está ‘La receta perfecta'. Una combinación de ingredientes donde el principal es el queso Comté, que nuestro protagonista intentará por todos los medios fabricar para poder salir de la miseria que invade su vida. Y de nuevo en casa para el postre, Amazon Prime nos trae un plato ligero pero algo improvisado con ‘Deep Cover: Actores encubiertos', una comedia donde Bryce Dallas Howard, Orlando Bloom y Nick Mohammed son unos actores de improvisación que se verán envueltos en el mundo criminal fingiendo ser unos despiadados delincuentes. Pero por si te quedas con hambre, que sepas que en la nevera te dejamos unos tuppers con las reseñas anticipadas de Tornado, Lollipop y The Salt Path, tres títulos británicos que llegarán próximamente a nuestro país. Y todo ello, como siempre, sin spoilers. Minutado 07:20 - Reseñas de próximos estrenos: Tornado, The Salt Path y Lollipop 20:30 – Cómo entrenar a tu dragón (Live action) [Cines] 34:20 – Tres kilómetros al fin del mundo [Cines] 43:40 - Fight or Flight [Cines] 50:38 - En islas extremas [Movistar+] 1:05:34 - Deep Cover: Actores encubiertos [Prime Vídeo] 1:15:38 - La receta perfecta [Cines]
Recently, during a workshop, a manager said what many others are thinking: “It's not all rainbows and lollipops. What if they are under performing? What do you do then?” The frustration was real, and it is common. This was a manager doing their best to support an employee but unsure what else to try; and they needed more strategies, and wanted to understand how coaching might help. With this in mind, we continue our focus on annual performance review season in this week's Coaching Café Pocast. So far, we've explored how these conversations can build engagement in the workplace; frameworks and tips to set up conversations for success; strengths-based conversations and the trickier conversations. This week, join Natalie and Paula as we explore one of the most challenging topics: how a coaching approach can shift under performance. You'll walk away with: A coaching mindset/approach to address under performance constructively Strategies for reframing these conversations to build ownership Practical tools from Open Door you can use immediately Whether you're designing performance conversations, coaching managers, or coaching an employee – you will benefit from learning how to coach around under performance. If you are a regular, you know the vibe and the great contribution that you make to our discussions; so we look forward to welcoming you back and offering you a value-packed 30 minutes each Tuesday. If you've not joined us for a Coaching Café Podcast, now is your opportunity to schedule this time for your professional and personal development. In no time at all, you'll be looking forward to Tuesdays, just like we all do! Thanks for listening! If you enjoyed the podcast please leave us a 5 star review where ever you listened to us! It helps promote the podcast to streaming services and other listeners. Watch the webinar of this episode or read the blog by visiting our website. Contact The Coaching Café Podcast Stay up to date on our socials Instagram Facebook LinkedIn Check out the YouTube Video of this podcast. YouTube Email us at learn@opendoorcoaching.com.au Thanks for listening!
This week, Clarisse chats to director Michael Pearce and star Domhnall Gleeson about their new Apple TV+ thriller ECHO VALLEY (06:20), while we review Daisy-May Hudson's social realist drama LOLLIPOP (24:17) and John Maclean's quasi-samurai-western TORNADO (41:03). Plus, in our HOT TAKE (56:11), with Universal's new HOW TO TRAIN YOUR DRAGON arriving in cinemas this week, we ask: are live-action remakes killing cinema? If you would like to donate directly towards humanitarian aid in Gaza please visithttps://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowJoin the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPodFollow us: @amonwarmann, @clarisselou, @hannainesflintMusic by The Last SkeptikIf you like the show do subscribe, leave a review and rate us too!
On Truth & Movies this week, we discuss the live action remake How To Train Your Dragon, and the Daisy-May Hudson's powerful fictional feature debut, Lollipop. Finally, for film club, we turn our attention to Ken Loach's Ladybird Ladybird.Joining host Leila Latif are Laura Venning and Yasmine Kandil.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
Sparkle the unicorn loves lollipops and decides to share them with his town! One day, a mysterious lollipop salesman arrives with magical lollipops… Should Sparkle give them a try? The lesson: Too much of a good thing can be a bad thing. Bonus: In this story, a listener reads their own story at the end! See the transcript here
we reminisce about fun troubles children get into
Mo Fanning returns to share his new novel: Rainbows and Lollipops. We discuss setting a story close to home - Birmingham in this case, healing from loss, and friends growing into found family! https://mofanning.co.uk/ http://www.wrotepodcast.com/mo-fanning/
Felicty Beckett talks to filmmaker Daisy-May Hudson and actor Posy Sterling about their new film Lollipop. Molly, a young woman released from prison struggles to regain custody of her children. When she bumps into her childhood friend Amina the two women soon realize their only chance is to join forces and take destiny into their own hands. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com. Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.
Tara knew her eircode - and it saved her daddys lifeDoing your exams with dyslexia - could there be a change in 2026..Is Ger the best lollipop man in Ireland - if you think he is - you can vote for him..& lots more Hosted on Acast. See acast.com/privacy for more information.
As Ger the lollipop man from Bunscoil Mhuire Youghal wins the Munster Heat of Lollipop Man Of The Year, PJ talks to mums who love him, a fellow lollipop man who wishes him luck and to Sinead from Tonstix who run the comp. Vote for Ger here Hosted on Acast. See acast.com/privacy for more information.
In this episode of Kermode On Film Mark talks to actor Domhnall Gleeson and director Michael Pearce, whose gripping psychological drama Echo Valley stars Julianne Moore and Sydney Sweeney, and he talks to actor Posy Sterling, who takes on her first leading role as Molly in Lollipop, a bittersweet story about a mother faced with the injustices of the care system in Britain.This episode of Kermode On Film was recorded live at the BFI Southbank on 9 June 2025, and was the first half of that date's Mark Kermode Live in 3D show.Come back for Part 2, where Mark is joined by actor Simon Pegg, who talks about his role in Mission: Impossible - The Final Reckoning, and reflects on his career from Spaced and the Cornetto Trilogy all the way to Hollywood.Thanks for listening!Films mentioned in this episode:Echo ValleySicarioLollipopSeven SamuraiPunch Drunk LoveDead Man's ShoesPeople mentioned in this episode:Domhnall GleesonMichael PearcePosy SterlingSimon PeggJulianne MooreSydney Sweeney———————The opening title sequence of Kermode on Film uses quotes from:Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© Copyright HLA Agency Hosted on Acast. See acast.com/privacy for more information.
Our guest for this episode is the awesome Daisy-May Hudson. She tells us about her experience of homelessness, and her journey from documentary maker to film director. We discuss Daisy-May's latest movie, Lollipop, which tells the story of a woman fighting to get her children back, and a friendship that's rekindled along the way. It's out on the 13 June and it's absolutely brilliant. There's also some chat about Daisy-May's documentaries - Halfway, which she made when her family was made homeless, and Holloway, about former inmates of the infamous women's prison. Holloway is out on 20 June. Of course, we finish off with some Scummy Mummy Confessions. Daisy-May tries to reframe Helen's tale of pissing herself as a celebration of freedom, and Ellie nearly pisses herself laughing. Follow Daisy-May on instagram @daisymay_hudson. WE ARE BACK ON THE ROAD! Our 2025 show Hot Mess is coming to theatres all over the country this year. Many shows are SOLD OUT already so get your tickets NOW for Banbury, Nottingham, Taunton, Bristol, Poole, Buxton, Lancaster, Lichfield, Eastleigh, Tonbridge, Catford, and many more... Visit scummymummies.com for dates and tickets. *WE HAVE A SHOP!* Visit scummymummiesshop.com for our ace t-shirts, mugs, washbags, sweatshirts and beach towels. FREE UK DELIVERY! We're on X, Instagram, and Facebook @scummymummies. If you like the podcast, please rate, review and subscribe. Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.
This week on Lick It Like a Lollipop, Gemini and Rampaige dive into family lineage, shifting identities, and the truth that nothing ever really stays the same. Come catch the vibe as we unpack what's in our blood and what we're ready to leave behind.
Tom and guests review What it Feels Like for Girl, the BBC's coming-of-age drama based on the memoir of Paris Lees; Taylor Jenkins Reid's new novel, Atmosphere, set against the backdrop of the 1980s space shuttle program and new film, Lollipop, about a young woman released from prison battling to regain custody of her children, written and directed by Daisy-May Hudson. We also talk to former Vice President of Washington's Kennedy Center, Marc Bamuthi Joseph about being fired by President Trump and the administration's latest interventions in the arts world.Guests: Scott Bryan, TV critic and broadcaster; Caroline O'Donoghue, author and podcaster; Marc Bamuthi Joseph, former Vice President and Artistic Director of Social Impact at the John F. Kennedy Center for the Performing Arts in Washington; Zachary Small, arts reporter, New York TimesPresenter: Tom Sutcliffe Producer: Claire Bartleet
Hosted by Picturehouse's very own Sam Clements, The Love Of Cinema podcast discusses the best new releases, with a little help from some of our favourite film critics and the occasional special guest from the world of cinema. Listings for the all-night movie marathon that Michael and Elena mention can also be found here. This month we're joined by guest film critics Michael Leader and Elena Lazic to discuss some of the best films coming to Picturehosue Cinemas in June, including: Tornado, Lollipop and From Hilde, With Love. Our very own Lucy Fenwick Elliott also talks to director Len Wiseman and actor Norman Reedus about their new film Ballerina. The World's Biggest All-Nighter IV takes place at Picturehouse Central on 7 June. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Rate and subscribe on Apple Podcasts. Rate and follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com. Produced by Stripped Media. Listen to Sam Clements over at the 90 Minutes Or Less Film Festival Podcast. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.
Philomena has to quit her job as a school warden despite no desire to do so. Danielle has been a Metallica fan since primacy school. Buchra's son Mohammad was grievously wounded in a bombing in Khan Younis, but received treatment in Crumlin. Dara Ó Cinnéide's guide dog Hansen retired after eight years of duty.
In this episode, we look at Twentieth Century-Fox, John Ford, Shirley Temple, John Wayne, and Alfred Hitchcock.
This week on Lick It Like a Lollipop, Rampaige and Gemini are back, diving into your listener stories with the raw, unfiltered energy you know and love. We're sharing real experiences, real opinions, and real life — no sugarcoating. Tap in, and don't forget to head over to our website to send in your own stories for the next episode!
Highlights include Bruno's Restaurant rising from the ashes to feed the hungry, Katarina's Club serving free meals to thousands of children, and groundbreaking AI research predicting pediatric brain tumor recurrence. Additionally, David Rush sets a record for the fastest time to stack 10 rolls of toilet paper with one hand. Lastly, a nursing home in the Netherlands benefits from a program allowing college students to live rent-free in exchange for companionship, and a boy accidentally orders 70,000 lollipops on Amazon.Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app which seays UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed! You also get 20+ other shows on the network ad-free!
國泰世華 CUBE Podcast 節目「解鎖從容理財」由主持人小詹與證券投資分析師薯哥分享財經情勢與理財小故事的與你一起創造「從容投資、品味理財」的態度生活。立即收聽 ➡️ https://fstry.pse.is/7l4wyl —— 以上為 KKBOX 與 Firstory Podcast 廣告 —— 小額贊助支持本節目: https://open.firstory.me/user/cldjmeiqm0mh101tj75xd6q55 ⭐合作洽詢請聯繫:wowcowent@gmail.com 一向是「棒棒堂」裡話最少、最容易被忽視的廖允杰(小杰),日前在6棒合體的頒獎典禮演出,竟然帥出新高度引起熱烈討論!他的臉⋯⋯動了什麼?6棒的分合與恩怨,以及他個人的感情狀態,一次在節目中說明白(以前怎麼可能!!)。你期待「LOLLIPOP」接下來的音樂作品和新節目嗎? 留言告訴我你對這一集的想法: https://open.firstory.me/user/cldjmeiqm0mh101tj75xd6q55/comments Powered by Firstory Hosting
פלד - בוקר טוב יא בני זונות David Bowie - Scary Monsters (And Super Creeps) בוא לבר - עושים סמים בתחת בוא לבר - ילד סתם הזאבות - בלאגן הזאבות - תוכניות מילוט Fiona Apple - Pretrial (Let Her Go Home) Beach Boys - Here Today Beach Boys - I Know There's An Answer BDRMM - Goit (Ft. Working Men's Club) BDRMM - Lake Disappointment לייקה - שיר לילה לייקה - לעבוד אותו Sweet 75 - Dogs Model-Actriz - Poppy Putan Club - Lavo (Live) בוא לבר - יא זין Melvins & Napalm Death - Rip The God Frank Zappa - Once Upon A Time / Sofa #1 (Live) רם אוריון - סדק Baxter Dury - Allbarone The Raveonettes - Lucifer Janet Jackson - Rhythm Nation Shriekback - The Curse Shriekback - All My Crude Blunt Tools Viagra Boys - Medicine For Horses Viagra Boys - Store Policy Sammy Davis Jr. - Mess Around בוא לבר - אלדג בוא לבר - מי הכי פריק Iron Maiden - Die With Your Boots On Deerhoof - Return Of The Return Of The Fire Trick Star Devo - Freedom Of Choice Devo - Whip It The Dwarves - Motherfucker (Sunshine, Lollipops & Rainbows Version) The Dwarves - Let's Fuck (Sunshine, Lollipops & Rainbows Version) המצמד - נעמי שמר המצמד - צ'אקרה אדומה Noga Erez - Not My Problem Chuck Brown & The Soul Searchers - We Need Some Money (Live) Billy F Gibbons - Rollin' And Tumblin' יובל מנדלסון ונמסע לפולין - ליל שימורים The Modern Lovers - Roadrunner Sparks - The Ghost of Liberace Xordox - Planet Xordox Andy Bell - Apple Green UFO https://www.facebook.com/fingeredfloodgate
Monday 5-12-25 Show #1145: Akeem Woods joins us tonight and he tells us about the beef he has found himself in with Corey Holcomb.
DAMION1In our 'That's cute, Sam, because I don't want my son to grow up in a world where college dropouts slowly replace human brain function with profit-driven AI' headline of the week. Sam Altman doesn't want his son to grow up with an AI best friend In our 'In other news, Ikea will call its forthcoming store in Boston simply 'Ikea,' sources say' headline of the week. ESPN will call its forthcoming flagship streaming app simply 'ESPN,' sources say In our 'Ex-CBS Director O.J. Simpson not named director after found not guilty of the murders of Nicole Brown Simpson and Ronald Goldman and because he's dead' headline of the week. Ex-Tyson Foods CFO John Tyson named director after misdemeanoursIn our 'In her acceptance speech, Ms. Boswell said, "I won't sleep until your toilets are 45% less smelly and disgusting, on a year-over-year basis starting in 3Q 2026."' headline of the week. Clorox Announces Election of Gina Boswell to its Board of DirectorsIn our 'The fourth director was referred to as "a bloated idiot who doesn't know the difference between a case of synthetic hydraulic fluids and a Diet Pepsi.' headline of the week. Shareholder advisory firm backs 3 of Elliott's 4 Phillips 66 director nominees In our 'Sir Andrew Witty listed the top three 'personal reasons' in no particular order: "Fuck. This. Place." ' headline of the week. UnitedHealth CEO steps down for ‘personal reasons'MATT1In our 'Universally reviled man pays self' headline of the week. UnitedHealth CEO Andrew Witty was 2024's highest-paid payer CEO. Here's a look at what other execs earnedIn our 'Universally reviled man takes a vacation' headline of the week. UnitedHealth Group CEO Andrew Witty steps down, company suspends annual forecastIn our 'Universally reviled man replaced by universally reviled man who replaced different universally reviled man he replaced' headline of the week. UnitedHealth CEO Andrew Witty steps down, replaced by Stephen HemsleyIn our 'Andrew Witty says try cod liver oil and vitamin A' headline of the week. Listeria outbreak sickens at least 10 in California and Nevada and the FDA is investigating Fresh & Ready FoodsIn our 'This week on "Audit Material Weakness: the Game", who will be the material weakness? The ex-prosecutor "financial expert", the ex-interior secretary who wrote "You Report to Me: Accountability for the Failing Administrative State", or the ex-trade representative?' headline of the week. Trump Media said it had ‘material weakness' in internal controlsIn our 'Anti-woke investors furious at SEC they don't get the chance to vote 1% in favor of a resolution to stop gays from eating sushi, the wokest way to make fish, which is eroding American freedom' headline of the week. Kroger Investor Loses New Bid to Put Plan Before ShareholdersIn our 'After soliciting bids from Punxsutawney Phil, the transformer named Scavenger, and Mark Wahlberg from Deepwater Horizon, the Trump Administration finally found a genius to dig a hole' headline of the week. Elon Musk's Boring Company Is in Talks With Government Over Amtrak ProjectIn our 'When asked, the mayor of Memphis, Tennessee handed citizens a set of "giant wipers" donated by Tesla for their tears' headline of the week. Community Complains of Choking Fumes From Elon Musk's AI FortressIn our 'It's true, we found a self-important liar who likes hallucinogens so we don't need to hire anyone under 35 with an education anymore' headline of the week. AI may cut the need for younger staff, CEOs say: ‘With the commoditization of intelligence, it's not about having the smartest people anymore'In our 'It's true, we found a self-important liar who states everything like it's a fact so we don't need to hire anyone over the age of 55 anymore' headline of the week. The vast majority of CEOs are fearful of losing their jobs due to AI, survey revealsDAMION2End with a game: I'll give you the headline first and you pick the best joke:McDonald's announces plans to hire 375,000 workers with Trump Labor secretaryTraining to Include How to Scream Internally Without Moving Your Face and Why Clocking Out is WokeNew Employees to Be Paid in Nuggets and WIll Receive Free Uniform, A Copy of “Atlas Shrugged” (Annotated by J.D. Vance while wearing a Ronald McDonald costume) and a Mandatory McRib Tramp StampBecause Nothing Says “Labor Rights” Like a Side of DeregulationBoy Accidentally Orders 70,000 Lollipops on Amazon. Panic Ensues.Amazon's spokesperson said, "While we understand that 70,000 lollipops may exceed the average household's needs, our algorithm determined that American children are fat and stupid."Mark Zuckerberg said, "Problems like this will disappear with Meta-branded AI children."Amazon Algorithm Now Recommends a Kohler Tall Single Flush 2-Piece Elongated Toilet with 1.28 GPF in White and a Dentist Named Dave
This week on Lick It Like a Lollipop, Rampaige and Gemini dive into the current national disasters and flooding across the U.S. holding space for the collective energy. We also explore how social media shifts as we evolve—what it means to outgrow old versions of yourself online and show up more authentically in a digital world.
Chuck Zodda and Mike Armstrong discuss...A change to real estate commissions was supposed to transform the housing market. That hasn't happened.Boy Accidentally Orders 70,000 Lollipops on Amazon. Panic Ensues.Expedia Shares Fall After Weak Demand Trends Hurt Results.Air-Traffic Control Overhaul Needs Billions in Upfront Investment, Transportation Secretary Says.Paul LaMonica, Barron's, chats about Deckers Outdoor.
The Lollipop TrailblazersInterview with Darryl MyersIn this My Life Now episode, Dallas interviews author Darryl Myers.About The 1 and Only Publishing:This book is based on my grandchildren that are primarily from a blended household. It's focused on diversity and the acceptance of all genders, races and origins.Connect with the Guest: https://a.co/d/cBuqRubThank you for listening to and supporting the My Life Now podcast show. We are excited to connect with each of our listeners on our various platforms. Below is the best way you can not only connect with us but also have an opportunity to be featured on our Podcasts.For Marketing and Publishing needs, Buscher's Social Media Marketing LLC (https://www.facebook.com/buscherssmm)
An accidental lollipop order, BOOB TUBE: "The Four Seasons," and new adults-only Disney Parks experience, is Goofy a dog, and a new Disney resort announcement Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
An accidental lollipop order, BOOB TUBE: "The Four Seasons," and new adults-only Disney Parks experience, is Goofy a dog, and a new Disney resort announcement Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week on Thumb Cramps, it's a brand new month so they've enlisted Cass Paige to help them revisit video games that got mixed or negative reviews from critics and wonder if May-be This Game Is Good, Actually. That's right, it's time to look at Lollipop Chainsaw for the Steam Deck, GearGrit DEMO for the PC and Pokemon Picross for the Nintendo 3DS. Are these games good? Are the critics wrong? Regardless of the answer, you can always trust Thumb Cramps.Thumb Cramps+ has launched! Ad-free podcasts and a bonus monthly episode of Speedrunning Television; a brand new podcast that innovates how to watch television as gamers. Subscribe now on Sanspants Plus OR Apple Podcasts! Email us at ThumbCrampsPod@gmail.com Find us on Instagram;Jackson | Duscher | Thumb Cramps | Cass | Shut Up A Second | Being Hot is HardWatch us on Twitch;Jackson | Duscher | Sanspants RadioYou can physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Join our facebook group here or join our Discord here.Theme music by Benny Davis! You can find all his stuff at his website or check out his YouTube channel. Hosted on Acast. See acast.com/privacy for more information.
This week on Lick it Like a Lollipop, Rampaige and Gemini get raw and real about the emotional toll of helping people who won't help themselves. We open up about our past frustrations with brand consults that drained more than they delivered, and how those experiences are reshaping the way we lead in our own businesses. Tune in as we unpack the deep shifts happening in both of our brands and the powerful evolution we're stepping into—with clarity, boundaries, and unapologetic vision.
Bust out the pancakes, ready for their stolen syrup worth $6 million, as Presley and Andrew discuss this black comedy about a syrup heist.All our Links: https://linktr.ee/seasononepodSeason Spoiler Synopsis: The Sticky is a 2024 Amazon Prime black comedy series based in Quebec, Canada. We follow Ruth Landry (Margo Martindale), a maple syrup farmer who finds her farm under threat as she works tirelessly to keep it going after her husband Martin fell into a coma. The leader of the Quebec Maple Association Leonard Gauthier threatened to close down the farm because technically she is running it, and it's in her husbands name. Remy Bouchard, the QMA's sole security guard, advocates for a bigger security team at the QMA but is rudely shot down by Leonard and his son Leo. Little do they know, Remy and his friend Orval have been stealing one barrel per month and making money on the side in the black market. Mike Byrne is a wannabe mobster who found himself on assignment to house sit for Charlie, his boss, after making a mistake during a heist. Remy has an idea--steal one million dollars worth of syrup from the QMA's stores before they close down the facility after harvest. While out at his birthday dinner, Remy overhears Mike on the phone discussing work when he mentioned a crime family's last name. Remy then approaches Mike with an opportunity: a maple syrup heist. Mike murders Orval to keep the heist contained to people he can trust. In a moment of frustration with Remy's uncertainty about their heist after Orval's murder, Mike puts Remy's blood soaked mittens back in their house to frame Remy. Mike approaches Ruth with an opportunity to join the heist and get some cash to save her farm. A big city cop is called in to investigate the murder of Remy's friend, leading Ruth, Remy, and Mike to race the police to a storage unit where the stolen barrels were being hidden. The group is able to narrowly get the barrels out of the storage unit and save their hides for a little while longer, until Leo introduces Remy to the new head of security at the QMA. Mike plans to kill Gary to resolve their personnel problem, while both Remy and Ruth urge him to be less violent. They agree that Remy will draw Gary out and Mike will just break one of his legs, putting him out of commission long enough to pull of their heist which must take place within a few days. Remy and Gary are checking Gary's traps when they have a heart to heart and Gary decides he'll quit because Remy was slighted by being sidestepped on a promotion. Mike goes off book and tries to shoot Gary dead to solve their problem, which results in Gary beating up Mike and Mike ultimately slipping away. Mike's actions and the unrest in the town attract a member of Mike's crime organization Bo to investigate. Bo interrogates Mike, Ruth, and Remy to uncover what they've been up to and takes over her supposed heist. Bo outs Mike as a screw-up and tells the story of his nickname, Lollipop. While Bo is upstairs chatting with Charlie, Mike, Ruth, and Remy argue loudly. Bo slams her cane into the ground to get them to shut up which snaps it and she flips over the balcony railing, falling to her supposed death. Mike hides Bo's body in a chest freezer in the garage and the next day is questioned by the police, who see some blood on the freezer. They check the freezer to find it empty much to both Mike's relief and dismay. Ruth, Remy, and Mike change their heist plan to steal the syrup via tanker in the middle of the harvest festival instead of doing it overnight. While the QMA festival is taking place and the farmers become aggressive, the crew is stealing syrup. Hearing the chants of the farmers, the crew realizes that they are on their way to the Association to take back their syrup. Ruth acts quickly to syphon some gas and throw a molotov cocktail at the foundation of a building the Association was building, creating a distraction. The crew finishes up and barely makes away with almost two full tanks of syrup while Remy's father is arrested for the murder of Orval and Bo is seen bloodied and bruised approaching Martin's hospital bed.
This week on Lick It Like a Lollipop, Rampaige and Gemini are diving into family, healing and breaking generational cycles. We're talking about what happens when you choose your higher self over old patterns, how healing shifts your relationships, and the power of becoming the bloodline breaker. If you've ever felt like the black sheep or the cycle shaker—this one's for you.
This enterprising Aussie teen sells 50+ lollipops a day, earning a 100% profit margin and drawing a crowd of happy customers that follow the sound of her jangling pockets. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.
Hi friends, happy Wednesday! Last year I had a surgery so that I could breathe again, and it's been nice, thanks for asking! I love breathing. But when I was in the hospital, the doctors gave me some really strong pain medication. I asked what it was, and the doctor told me it was fentanyl. At first I was like..fentanyl??? Doesn't that kill everyone? But after a few seconds hey… this is working really well. Turns out, Fentanyl has been used in hospitals for a LONG time. It's used in epidurals, it's prescribed for cancer patients, and there was a time when doctors were even putting it in LOLLIPOPS. Even though it feels like fentanyl came out of nowhere over the last few years, it has a long and crazy history. So how did America, big pharma, and a well meaning scientist create the most powerful and deadly opioid in history? WHERE is this stuff even coming from? And how did the fentanyl epidemic become a problem too big to stop? I appreciate you for coming by, and tune in next week for more Dark History. Want some cool Bailey Merch? Shop Dark History Merch: https://www.baileysarian.com Also, I sometimes talk about my Good Reads in the show. So here's the link if you want to check it out. IDK. lol: https://www.goodreads.com/user/show/139701263-bailey ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 ________ This podcast is Executive Produced by: Bailey Sarian & Kevin Grosch and Joey Scavuzzo from Made In Network Head Writer: Allyson Philobos Writer: Katie Burris Additional Writing: Emma Lehman Research provided by: Coleen Smith Special thank you to our Historical Consultant: Dr. Patrick Lockwood Director: Brian Jaggers Additional Editing: Maria Norris, Julien Perez Post Supervisor: Kelly Hardin Production Management: Ross Woodruff Hair: Luca Burnett Makeup: Jill Powell ________ Visit https://www.rosettastone.com/darkhistory for 50% off unlimited access to 25 language courses for the rest of your life! Stop putting off those doctors appointments and go to https://www.Zocdoc.com/DARKHISTORY to find and instantly book a top-rated doctor today. Personal styling for everyone—get started today at https://www.StitchFix.com/DARKHISTORY. For a limited time get 40% off your first box PLUS get a free item in every box for life at https://www.Hungryroot.com/darkhistory and use code darkhistory. Shop SKIMS best intimates including the Fits Everybody Collection and more at SKIMS.com and SKIMS stores. After you place your order, be sure to let them know we sent you! Select "podcast" in the survey and be sure to select our show in the dropdown menu that follows.