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Our main feature is Found Footage: The Making of The Patterson Project. We're also reviewing Abraham's Boys, Jaws, Jurassic World Rebirth, Looky-loo, Primordia by Greig Beck, and Escape from the Center of the Earth by Greig Beck.
I don't want to dash dreams, but you ain't never gettin' that Epstein info. Wanna know why? Trump spends big, trashes Massie. Same as it ever was. And for all our babies - we're getting a new GOVERNMENT PROGRAM!
Jill delivers yet another incredible birthday cake, this time for Cory, some animals are getting drunk on fruit
Jill delivers yet another incredible birthday cake, this time for Cory, some animals are getting drunk on fruitSee omnystudio.com/listener for privacy information.
Jill delivers yet another incredible birthday cake, this time for Cory, some animals are getting drunk on fruit
Nolan Mihail joins us to talk all things "Looky-Loo"
Claytonielli Fetalieni joins us to talk all things Mooloolaba Triathlon and gives his opinion of Hyrox, strong.Heavy lifting being done by many Aussie based athletes gearing up for Marathons, IRONMANS, 70.3's and Ultras, with 75 mins of pure dribble sure to help you pass that endurance training time. The Triathlon landscape becomes a little more confusing with another distance world championships added to the mix, it's a bit of a mess really. How this relates to the dog breed of an Alsatian? You'll have to listen to find out.FUELIN has gone bananas! If you're on TrainingPeaks, the world's best performance management software by a country mile, sync it up.Claim 25% of your annual Co-Pilot Sub today.https://www.fuelin.com/koa-sportsJoin the Tribewww.koasports.com.au
An ultra-disturbing home invasion film from the Director of Straight Edge Kegger! This one's not streaming, so Anthony breaks down how to get a copy and what to expect!Listen on Apple Music: https://podcasts.apple.com/us/podcast/the-horror-vision/id1438187350On Spotify: https://open.spotify.com/show/03YErGh193t0ESmW1Ui1km?si=02fb7737eff24686Check out The Horror Vision on Instagram: https://www.instagram.com/thehorrorvision/Join our exclusive Facebook Horror Fan Community: https://www.facebook.com/share/g/18LsUmWw5n/Check out our merch! https://the-horror-vision.creator-spring.com
Jason Zink sits down with me and talks his film "Looky-Loo". This film is one of my favorites of the year so far. Head on over to Scream Team Releasing and get yourself a copy and support Independent Horror! Also check out Straight Edge Kegger and Night Terrors! Which are all better then the Friday The 13th Remake.
Spying on your neighbors is good for your health. Treat yourself this winter without the luxury price tag. Go to Quince.com/pettycrimes for 365-day returns, plus free shipping on your order! Subscribe to our YouTube channel to watch full video episodes. Petty Criminals! Do you have a crime that should be heard in the Petty Crimes Court? Submit it to our team by emailing us at pettycrimespodcast@gmail.com! And keep up with us on Instagram and TikTok for crime evidence, events, BTS and other general petty bullsh*t… Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we talk with our friend, and director of the found footage serial killer horror film Looky-Loo, Jason Zink. We discuss how Jason puts us in the eyes of a killer, the temptation to steer away from your vison, and what comes next for Looky-Loo. Join the Misfit Parade: https://www.misfitparade.com/ Support the show on the Patreon: https://www.patreon.com/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g Follow Jason's Work: https://www.weirdontoppictures.com/
Check the windows, lock the doors and get ready for an informative and unhinged conversation with two of our favorite people: Jason Zink and Nolan Mihail. Jason and Nolan are the director and writer of the upcoming found-footage horror film, Looky-Loo. So, buckle up for one hell of a ride as we get all the behind the scenes details of how Looky-Loo came to be, what went into making the film, and what to expect in the sequel. We hope you enjoy the show! Pre-Order a physical copy of Looky-Loo here: https://screamteamreleasing.com/collections/looky-loo-merch-store Check out Straight-Edge Kegger on Tubi:https://tubitv.com/movies/616763/straight-edge-kegger Follow Weird on Top Pictures on social media here:Instagram: https://www.instagram.com/weirdontoppictures/YouTube: https://www.youtube.com/@WeirdOnTopPictures Follow Nolan on Instagram here: https://www.instagram.com/orderofthejackalope/ If you've enjoyed listening to our show, then give us a 5-star rating. We'd greatly appreciate it! Be sure to follow, Like, and Subscribe to us on all our social media sites: YouTube: https://www.youtube.com/@houseofghoulsDiscord: https://discord.gg/ghoulsquadMerch Store: https://www.ghoulsquadshop.comFacebook: https://www.facebook.com/groups/houseofghouls Instagram: https://www.instagram.com/houseofghoulspodcast/ Patreon: http://patreon.com/HouseofGhoulsPodcast You can find Ian on social media here: TikTok: https://www.tiktok.com/@ian.vanghoulInstagram: https://www.instagram.com/ianvanghoul/ YouTube: https://www.youtube.com/@IanVanGhoulLetterboxd: https://letterboxd.com/ianVanGhoul/ You can find Colby on social media here: TikTok: https://www.tiktok.com/@colby_does_horrorInstagram: https://www.instagram.com/colby.does.horror/YouTube: https://www.youtube.com/@Colby.Does.HorrorLetterboxd: https://letterboxd.com/colbydoeshorror/ House of Ghouls ThemeWritten by Ian VanGhoulProduced, Recorded, and Performed by Jimmy Mowery Check out Jimmy's music and socials here:Instagram: https://www.instagram.com/jimmymowery/Spotify: https://open.spotify.com/artist/58e8QpVKO4GflSPwWIMhmw?si=ONJ2snr-Qr6ep_Gi2R2_UwYouTube: https://www.youtube.com/@jimmymowerymusic MK Ultra (Used with permission from Victor Gabriel and Tate Labianca)Music written and performed by: Tate LabiancaMusic engineered by: Vincent Peters (Sumo Audio)Shot and edited by: Vincent Peters (Sumo Audio)Directed by: Victor GabrielCheck out the music video here:https://youtu.be/LhDikR8Dn2Q?si=vLqtQJAiBRmyHFV0 Thanks for listening/watching. Have a great week and stay safe out there!!
We are joined by the creators of indie horror flick, Looky-Loo, Nolan Mihail (writer) and Jason Zink (director). Hear all about how they made their vision a reality and the latest scoop on Looky-Loo 2! Wanna support these indie filmmakers? Get your copy of Looky-Loo and other fun merch here: https://screamteamreleasing.com/collections/looky-loo-merch-store Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington Check out unedited episodes and support our podcast at Patreon! https://www.patreon.com/BloodyEssentialsPodcast Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials Ethan's Instagram: @Noyes.Ethan Jamie's Instagram: @girlongore Nina's Instagram: @rawbatbrew666 If you want to let us know how much we are on your mind, feel free to donate directly to the podcast! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials Bloody Essentials Logo by: Greg Stark Intro/Outro Music: Sweet Little Nightmare by Darren Curtis Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox) Halloween 1978 (Compass International Pictures & Trancas International Films) Scream 1996 (Paramount Pictures)
Welcome back to America's #1 Daily Podcast, featuring America's #1 Real Estate Coaches and Top EXP Realty Sponsors in the World, Tim and Julie Harris. Ready to become an EXP Realty Agent and join Tim and Julie Harris? Visit: https://whylibertas.com/harris or text Tim directly at 512-758-0206 IMPORTANT: Join #1 Real Estate Coaches Tim and Julie Harris's Premier Coaching now for FREE. Included is a DAILY Coaching Session with a HARRIS Certified Coach. Proven and tested lead generation, systems, and scripts designed for this market. Instant FREE Access Now: YES, Enroll Me NOW In Premier Coaching https://premiercoaching.com Fact: Open houses are an amazing source of business, especially in a low-inventory market. Don't ignore this amazing opportunity to secure both motivated buyers and new listings. Don't just 'sit' at your open houses. Learn to monetize them. It's a one-day event, just for a few hours, but you can make the most contacts. This is super efficient when done correctly. Fact: If you don't have your own open house this weekend, 'borrow' one from an agent or your broker. It's also ok to hold an open house for any broker in your state. Lead with the right house, not the agent or broker. Rules for Monetizing Your Open Houses 1. Choose the right house! First-time 'move-up' homes are the best. Popular neighborhoods, school districts, and zip codes You know what's hot and what's not, so choose wisely. Don't hold an open that is behind gates, up a twisty road, hard to find, hard to park, or has other inconveniences that will wreck your attendance. HUGE Announcement: You will love this! Looking for the full outline from today's presentation? Our DAILY Newsletter featured lead generation systems, real estate scripts, daily success plans and (YES) the notes or today's show. Best part? The newsletter is free! https://harrisrealestatedaily.com/
Lawmakers have put forth a proposal to make it illegal for County Clerks to look at ballot voting methods without reason. This comes after the Utah County Clerk said he's tracked how politicians cast ballots, and stated Utah State Senator Mike Mckell mailed his ballot in without a stamp. Utah County Clerk Aaron Davidson joins the show to respond to this proposal and further explain why he tracked how politicians cast their ballots.
Tampa Bay Rays stadium woes and what it could mean for MLB in Utah Audit shows reason for bus delays at West High School Matt Gaetz withdraws consideration for U.S. Attorney General Higher Education audit shows degrees with low return on investment Canyons Superintendent Dr. Rick Robins Prioritizing Mental Health in the Workplace
Lawmakers have put forth a proposal to make it illegal for County Clerks to look at ballot voting methods without reason. This comes after the Utah County Clerk said he's tracked how politicians cast ballots, and stated Utah State Senator Mike Mckell mailed his ballot in without a stamp. Utah County Clerk Aaron Davidson joins the show to respond to this proposal and further explain why he tracked how politicians cast their ballots.
When it gets hot, we all get a bit stroppy: think 'shouting at people on the internet' stroppy. But that's only the tip of the (melting) iceberg. Too much heat can trigger or make worse a range of mental health conditions. And what does climate change bring? More heat. So what are the mental health implications of rising global temperatures? Joining Dave this episode is Dr Alessandro Massazza (X / LinkedIn) - Policy Advisor for United for Global Mental Health. Ale tells Dave all about what the science has to say about the very many ways getting too hot can fry your state of mind - and why it's time to give mental health a proper seat at the climate table. Owl noises: 06:38 - Whole Body Hyperthermia as a treatment for depression - a metareview. 07:57 - I meant the wet bulb, and we didn't explain what it is. 08:38 - Schizophrenia as a key factor in heat deaths. 11:00 - more on temperature vs asylum judges. 13:31 - the links between poverty, depression and anxiety. 16:51 - a review of ambient temperature (including humidity) and mental health17:46 - the Lancet Countdown set of indicators on climate & health. 18:53 - you must read Why We Sleep by Matthew Walker. it will radicalise you 20:00 - more on the relationship between sleep loss and heat. 22:26 - Looky at what trees do to cool streets down. 35:04 - We've come across hyperobjects before, like in my chat with Jonathan Rowson. 36:22 - How health framing boosts support for climate policies. 42:35 - South Australian heat warning system & mental heath. I also mentioned at the end the study I'd read about a piece in the Times that conservative voters have larger fear centres (the amygdala). That's here. Your Brain on Climate is a podcast about human psychology vs the climate crisis. Contact the show: @brainclimate on Twitter, or hello@yourbrainonclimate.com. Support the show on Patreon: www.patreon.com/yourbrainonclimate. The show is hosted and produced by me, Dave Powell, who you can find @powellds on Twitter. Original music by me too. Show logo by Arthur Stovell at www.designbymondial.com.
How Are You Wired? Is a leadership podcast developed by local high school basketball coaches, Joe Willis (Plant High School) and Billy Teeden (Plant City High School). In this episode, Coach Teeden and Coach Willis speak to Cypress Bay HS head basketball coach, Jason Looky about how he is wired and how he strives to help all of his players to reach their aspirations. How Are You Wired? is presented by the Florida Association of Basketball Coaches (FABC). fabchoops.com/@FABCHoops (X/Twitter)How Are You Wired? is sponsored by PeeWee Callins. https://www.facebook.com/peewee.callinshttps://www.instagram.com/peeweecallins/We would enjoy your feedback for our podcast. Please reach out to us to let us know your thoughts.@HowAreYouWired (X/Twitter)Joe Willis: Plant HS Basketball, plantbasketball@gmail.com or @CoachWillis20 (X/Twitter)Billy Teeden: Plant City HS Basketball, william.teeden@hcps.net or @CoachTeeden (X/Twitter)
Looky here, hot shot, you can forget your plans, because Brian and Cargill are here to save the rec center with Turbo & Ozone in this super-sized episode on both Breakin' and Breakin' 2: Electric Boogaloo! Support us on Patreon!
Looky-looky, we've got Hooky!For this episode, Morgan takes Tom back to 1991 and the history of the classic Peter Pan movie Hook, starring the late great Robin Williams.In the episode, we drunkenly discuss:Our genuine surprise at the movie's bad reviewsHow Michael Jackson could have been Peter PanWas Rufio cool or lame?The underrated brilliance of Bob HoskinsWhy Thudbutt was the greatest cinema character of all timeThe incredible food sceneYou can get in touch at podcast@twogeekstwobeers.com, or via Facebook, Twitter or Instagram.We're now also on TikTok!Please support us Patreon, and get some awesome exclusive Two Geeks goodies!
7/26/24: Rep Mindy Domb: Kamala excitement, MA gun safety & the Gender X law. Donnabelle Casis w/ Hannah Brookman from Looky Here & Charlotte Treiber from Madhouse Multiarts: the Greenfield Arts Walk tonight! Ernie Brill: "Journeys of Voices & Choices." Adam Hinds, CEO of Edward M Kennedy Institute for U.S. Senate: this historic election.
In our recent podcast episode, we discuss the innovative Looky Lou, a device designed for parents who are eager to capture those unforgettable moments with their babies. The Looky Lou ensures that taking photos and video calls with young children becomes more engaging and enjoyable. Its core feature is its ability to hold a baby's attention with rattle sounds, making them smile and look at the camera. This feature not only makes photo sessions more fun but also simplifies the process for active parents. Get the insights on how Looky Lou stands out as the perfect companion for modern parents looking to document the joys of parenthood. Follow AndroidGuysTwitter: https://www.twitter.com/androidguysTikTok: https://www.tiktok.com/@androidguysofficialInstagram: https://www.instagram.com/androidguysYouTube: https://www.youtube.com/@AndroidGuyscomOfficialWebsite: http://www.androidguys.comFollow Scott WebsterTwitter: https://www.twitter.com/swebster77Instagram: https://www.instagram.com/scottwebsterFollow Luke GaulTwitter: https://www.twitter.com/lukegaulInstagram: https://www.instagram.com/lukegaul
I give advice on how to deal with people staring at you in public.
Marco e Ale tornano per la consueta copertura del festival più importante a tema Horror Found Footage.Argomenti:00:00 Introduzione03:38 Hunting for the Hag09:33 Nias15:18 Puzzle Box19:48 Tahoe Joe 225:02 Frogman33:15 It doesn't get any better than this45:43 Flesh Games51:06 Red Leather Yellow Leather54:38 Looky-loo1:01:20 Homebody e What I remember1:02:26 Do not watch1:04:20 Cuddly Toys1:08:39 Project Eerie1:10:16 Haunted Ulster Live1:13:43 The Coldness1:19:58 Extreme Gravity1:20:28 Jeffrey's Hell1:23:48 Kelly1:24:18 Livescreamers1:34:27 Bad Moon Rising1:36:32 Beholder Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariPartecipanti:Marco GrifòAlessandro Valenti Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo Per la gestione dei canali social si ringrazia: Selene Grifò
Jason Zink's work has been a point of conversation in the past on The Overlook Hour but his newest film, “looky-loo” is a different change of pace. Jason talks about his early days of shooting skate videos, “straight edge” culture and the history of “Tinkler House”. Tickets for the Unnamed Footage Festival are going fast! Grab yours for the chance to watch the world premiere of looky-loo!
Looky who made a game! https://store.steampowered.com/app/2779440/Hotdog_Runner/
Murphy and Jodi's big girl lab Edie goes on a diet.
Looky here ma! Photo: Bling Viera --- Send in a voice message: https://podcasters.spotify.com/pod/show/bling-viera/message
This week, Jack and Nikki delve into the world of product reviews. Can you trust the reviews you see for products and services? It's not as simple as you would think. Then, they discuss parents who don't like their kid's significant other. How do you negotiate that minefield? They wrap it up with a story about voyeurism and a debate over whether or not you can legally hang out naked around open windows. What an odd show.
Key topics:✔️ ICYMI news, 6/26-6/30.✔️The recession has been cancelled. We are now in a bull market. So go back to sleep, little baby. All is well.
Looky, looky, a new episode. We are back with discourse on Katey Stone's "retirement" from Harvard, the Ivan Provorov trade, a bunch of hiring and firing including Kyle Dubas and Brad Treliving, Andrew Shaw showing his whole ass and more fun in the Arizona desert. Oh yeah! And the Stanley Cup Finals are happening. We've got recaps of the conference finals and the first three games of the finals. Thanks for listening and have fun, friends!
Jack & Joe welcome the latest & greatest member of the A&G team, Katie Green! See omnystudio.com/listener for privacy information.
"Certainly NONE OF US thought it would land up at FOOD PORN from where we started... But with a Savaged UNFILTERED Show - you never know, where it will go! Looky, I poeted, at knowed it, this time! :) You will really want to tune-in for THE WILD RIDE and hear/see for yourself where we started (in a Graham Norton style - everyone on the couch at same time - show) and WENT OFF THE RAILS to FOOD PORN and how DrChefMike gets "turned on" by Carrots with stiff Greens tops!" --- Send in a voice message: https://podcasters.spotify.com/pod/show/savagedunfiltered/message Support this podcast: https://podcasters.spotify.com/pod/show/savagedunfiltered/support
Bed chains and peeping Tom's are just the beginning of the dark secrets hidden inside London's most notorious psychiatric hospital, Bedlam Asylum. Join the ladies of Macabre as they strap on their straightjackets and hug themselves tight. Together we will enter the chaos and mayhem that is the world's oldest operational asylum. Music: Intro: The Worms Crawl In by JackHunterMusic & Outro by Epidemic Sound Ghosted SOOP. Send your Hometown Macabre stories for a future listener episode! Record your "Hometown Macabre" stories at www.macabrepod.com Email us at thatssomacabre@gmail.com Join our Patreon : Macabre Patreon Join our Facebook Group at : MacabrePodcast Episode Sources: Source: https://museumofthemind.org.uk/learning/explore-bethlem/patients/0 Source: https://museumofthemind.org.uk/learning/explore-bethlem/patients/12 Source: https://allthatsinteresting.com/insane-asylums Source: https://www.dailymail.co.uk/news/article-4381710/Haunting-portraits-women-Bedlam-Hospital.html Source:https://www.historyextra.com/period/victorian/bethlem-royal-hospital-history-why-called-bedlam-lunatic-asylum/ Source:https://www.historyextra.com/period/victorian/bethlem-royal-hospital-history-why-called-bedlam-lunatic-asylum/ Source: https://www.britannica.com/topic/Bedlam Source: https://www.bbc.com/culture/article/20161213-how-bedlam-became-a-palace-for-lunatics Source: https://www.factinate.com/places/horrific-facts-bedlam-historys-most-notorious-mental-institution/amp/
Looky there - it's Borussia Dortmund on top of the Bundesliga! Bayern's advance (and Dortmund's failure to) in the UEFA Champions League seemed like it might hold some eventual benefit for the Schwarzgelben, but boy did it come fast, setting up a mouth-watering Klassiker after the international break. Matt welcomes back Jake Payne of 50 Plus Döner for a chat about the shuffling of places in the race for Europe and the teams racing to beat the drop...as well as a conversation about whether his beloved EffZeh might soon be in that latter cluster after a miserable run capped off by the 6-1 hiding they took at the Westfalenstadion. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Looky, looky who's got the Hooky! That's right, we revisit the reason for the season - James A. Hook, who will kidnap your loved ones if you're bad. Hell, he'll do it if you're good, too. Join us as we fight, we fly and crow
Do you know what a looky-loo is? We're going to talk about it on today's Morning Manna. Psalm 121:1-2 says this - I will lift up my eyes to the hills—From whence comes my help?My help comes from the Lord, Who made heaven and earth. What and who will you look to today?
Episode 206. Melissa enjoys the rare night off to go see The Woman King. Kyle watches the cleaning of an unknown dead neighbor's house. We talk about Andor (it's here!), the return of Foggy Nelson, finding new things to say about media that has been critically dissected already, and formative movies that continue to move us emotionally.00:00:00 - Intro 00:00:04 - Our recording schedule has been all over the place 00:01:35 - What does The Woman King smell like? 00:04:54 - Kyle's neighbor died 00:12:45 - Ms. Marvel S2 and Foggy Nelson returning 00:18:19 - Star Wars Andor is here! 00:25:09 - Do you ever get nervous when recording a podcast? 00:34:09 - Housekeeping 00:42:13 - What movies truly moved you, or were formative for you as a person? 01:08:50 - OutroThe Whatnauts Captain's Log is a weekly podcast where we talk about some of the latest pop culture news, share stories from our daily lives, play games, or whatever else we can think of.Check out our other podcasts here, or wherever you get your podcasts. If video is more your thing, then check our YouTube channel. And if you like what we do, support us on Patreon to unlock early access to most of our podcasts as well as exclusive episodes and more. You can find us on Twitter and we would love to have you join us on our Discord server as well.
Episode 206. Melissa enjoys the rare night off to go see The Woman King. Kyle watches the cleaning of an unknown dead neighbor's house. We talk about Andor (it's here!), the return of Foggy Nelson, finding new things to say about media that has been critically dissected already, and formative movies that continue to move us emotionally. 00:00:00 - Intro 00:00:04 - Our recording schedule has been all over the place 00:01:35 - What does The Woman King smell like? 00:04:54 - Kyle's neighbor died 00:12:45 - Ms. Marvel S2 and Foggy Nelson returning 00:18:19 - Star Wars Andor is here! 00:25:09 - Do you ever get nervous when recording a podcast? 00:34:09 - Housekeeping 00:42:13 - What movies truly moved you, or were formative for you as a person? 01:08:50 - Outro The Whatnauts Captain's Log is a weekly general chat podcast where we talk about the latest pop culture news that catches our eyes, share stories from our daily lives, play games, or whatever else we can think of. New episodes come out every Monday but we record them live every Friday evening on our Twitch channel! Come say hello and join in the conversation. Check out our other podcasts here, or wherever you get your podcasts. If video is more your thing, then check our YouTube channel. And if you like what we do, support us on Patreon to unlock early access to most of our podcasts as well as exclusive episodes and more. You can find us on Twitter and we would love to have you join us on our Discord server as well.
Another prediction vindicated. Sadly. I have been warning you for months on my blog and on this podcast (as well as anywhere else that will listen) that, IMO, the labor market is being used as a straw man. Looky over here at this hawt job market! Why, we couldn't possibly be in a recession, right? Right? RIGHT?!Now here we are. Yesterday, CNBC published the video, "Will This Recession See Massive Layoffs?" which you can find here: https://www.youtube.com/watch?v=qUJsts5qvocThis is why I say repeatedly: I believe you are playing a dangerous game if you are waiting to be "officially" told that the economy is in trouble. This video is such a depressing yet elegant example of why I have said that. Need more? Email me: https://causeyconsultingllc.com/contact-causey/Siren courtesy of Pixabay.
The Cookiem'n and Matt try Summer Reign's cookies which may or may not have been laced with a hallucinogen. Could a contact high be the culprit for the Jury's slow and steady descent into madness?! Listen to find out! THE DEFENDANTS: Summer Reign - Numbers (2022) Ame Bibabi - Mi Vida Loca (2022) Gene Marshall - We Want Dick, We Want Dick, We Want Dick (1971) A.K. Sharif – Ronald Racist Rambo Mad Dog Baby-Killer Reagan (1987) BREAK: The Raspberry Pirates – Looky, Looky, My Cookie's Gone (1968) Ted Nungent - Come and Take It (2022) Rodd Keith - Lettuce And Lace (196?) BABY KATA - Pee Pee Poo Poo (2015) Sidney Vaught - Shake Your Body Down (2015) Linnea Quigley and Men in Skirts - This Chainsaw's Made For Cutting (1997) Please support our Patreon, if you can! Hey, why not call us on our hotline? (724) 246-4669! Check out the other Compañeros Radio Network shows: Movie Melt Songs on Trial Get Soft with Dr Snuggles Ballbusters Movies About Girls Classic In Search of the Perfect Podcast Join the Companeros Cuties Club on Facebook
In their first serialized adventure {in 5 parts}, Lem and Fanshaw accompany a "studier of the supernatural" to face something they may never have seen before - a ghost ... or at least a ghost that can affect the "real world". Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid - J. Spyder Isaacson Clarence Fanshaw - J. Hoverson Dr. Sullivan - Michael Coleman {Tales of the Extraordinary} Mr. Cartland - Reynaud LeBoeuf Emma Cartland - Jacquie Duckworth Melody Heath - Melissa Bartell Red - Jack Kincaid (Edict Zero) Hank - Mark Olson Clyde Wishwell - Bob Noble Mr. Baker - Paul Green {Encyclopedia of Weird Westerns} Add'l voices by Gene Thorkildsen Cover Design: Brett Coulstock [Old photos used to make Fanshaw purchased from www.recycledrelatives.com] Announcer: Glen "Ole Hoss" Hallstrom Opening theme: "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music: Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson ------- No gunshots herald his approach. No trademark left behind him when he leaves. The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify. Some say he rides alone. That's the Deadeye Kid. **************************************************************** Haunting Melody Cast: [opening credits/Olivia] LEMuel Roberts - Spyder Clarence FANSHAW - julie Dr. SULLIVAN - Michael coleman Mr. CARTLAND - Mrs. EMMA Cartland - Jacquie Duckworth MELODY Heath - RED - HANK - CLYDE Wishwell - Bob Noble Mr. Baker, the real expert - Paul Greene OPENER OLD HOSS No gunshots herald his approach. No trademark left behind him when he leaves. The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify. Some say he rides alone. That's the Deadeye Kid. CLOSER OLD HOSS The lonely cowboy cliché, always riding out, heading... yonder. Join us again in two weeks when he rides back over that far horizon. MUSIC SOUND BUCKBOARD, HORSES FANSHAW [straining] I think I can just make out a structure of some sort. LEM Not much further now. SULLIVAN Excellent. I am in your debt for all your help in getting me out here. LEM Woulda been a mite easier if'n you were were saddled, stead of carted. Some of these ruts-- SULLIVAN I've never been much of a horseman. And this is a fairish wagon. FANSHAW Garish, rather. LEM Well, I reckon it was cheap. SULLIVAN Oh, yes. They rented it to me at a very reasonable rate. FANSHAW Ah, rented. That explains why he has not repainted over the "Piewacket Players" placard on the side. SULLIVAN I understand a couple of the actors are - um - incarcerated for some while. Renting me the wagon and horses saved them board and stowage. Everyone benefits. FANSHAW Actually, some of these murals are rather good. If the players are half as talented as their painter, it might be worth seeking out one of their performances. LEM [dubious] I reckon. FANSHAW [musing] King Lear. Julius Caeser. Romeo and Juliet. [chuckles] They seem to perform a lot of the classics. Shakespeare. LEM Mmm. FANSHAW Did you know that in Shakespeare's day - some 250 years ago - it was illegal for women to perform on the stage? LEM Hush. FANSHAW Oh, Lem, do let me impart a little culture for once. LEM [Annoyed grunt] FANSHAW Particularly while you cannot argue. As I was saying, back in the day, all the female parts were played by young men. SULLIVAN Oh, goodness! Look at that! LEM [eager] Whatsat? SULLIVAN That's an awfully steep hill up ahead. You think the wagon can manage it? LEM I reckon so, reverend. SULLIVAN "Doctor", please. I prefer it as an honorific. LEM [puzzled] But you're a "man o' god"? SULLIVAN And a man of science as well. I firmly believe that the church cannot simply deny science, but must embrace it, and hand in hand we shall move forward into the next century! LEM [dubious] A'right then. FANSHAW Fervent, isn't he? SULLIVAN Sorry. I find I must defend myself constantly - both against those who find science and religion incompatible, and against those who pooh-pooh my branch of science entirely. LEM Oh? SULLIVAN [defiant] I have made a comprehensive study of the existence of ghosts. LEM [choking back a cough] OH. FANSHAW Oh, dear. MUSIC MELODY [off] [wailing, hysterics] SOUND DOOR OPENS, WAILING UP CARTLAND Don't that girl ever shut up? EMMA Bart! She swears she's being tormented. SOUND DOOR SHUTS CARTLAND Hysteria. You women can't stop yourselves from being women, but the least you can do is keep quiet when a man wants to think. EMMA What do you want me to do? Lock her in a madhouse? She's my own flesh and blood! CARTLAND Your sister is pitching a fit 'cause she ain't getting her own way. Nothing more. EMMA But what if it is something more? CARTLAND I got that well in hand. EMMA What? How? CARTLAND Don't go questioning me, woman. Where's my grub? MUSIC SULLIVAN [pugnacious] Do you, or do you not believe in ghosts? FANSHAW [short bark of a laugh] LEM [dry] I reckon I do. SULLIVAN Many people believe that the supernatural is somehow at cross-purposes with the bible, but it isn't so. Ever since Solomon, the wisest men in the good book studied the ways of the supernatural, in order to overcome it. LEM Solomon. Izzat the king fellow? FANSHAW Famous for his wise judgment. And not cutting up the baby. SULLIVAN Traditionally, many have always believed that the dead may carry on, side by side with the living, unseen but always present. LEM Ain't this more of a church question? SULLIVAN What do you mean? LEM Well, if you believe folks just hunker down once they passed on, then what you think of heaven? SULLIVAN I don't believe every soul lingers. Have you ever heard of Purgatory? FANSHAW Oh, goodness. LEM Ain't that a town in Nevada territory? SULLIVAN In the bible, purgatory is a place where people who are not good enough to go to heaven nor evil enough to go directly to hell are judged. FANSHAW Which bible, precisely? LEM Guess I never got that far in bible learnin. SULLIVAN It is the premise for all my theories that purgatory is not a place, but merely a "state"-- LEM [playing dumb] Wyoming? [1890] FANSHAW [grim] Ask him which bible. SULLIVAN [trying not to get exasperated] --and that spirits that need to be redeemed, or to mend their ways, may in fact be "in purgatory" much like someone could be "in a foul temper" - right next to us. FANSHAW Balderdash! Utter rubbish! LEM Looky there! That should be the ranch now! MUSIC MELODY [heavy breathing, end of crying jag] SOUND TAP ON THE DOOR, DOOR OPENS EMMA Melody? Are you feeling a little better? MELODY [sullen] I been bit. EMMA Bit? By what? A rat? MELODY Come and look. EMMA I'll fetch a lantern. MELODY No! EMMA Or open the shutters? MELODY No!! They don't like the light! I kin only open them at night. EMMA [very upset] oh. What can I do to help? MELODY [disheartened] Nothing. EMMA Are you hungry? There's some good stew. MELODY I can't. I just can't. EMMA Here, show me that bite. MUSIC LEM [quiet] What's gnawing on you? FANSHAW I do not consider myself a particularly religious fellow, but if there is one thing I have found quite frustrating about the wide open west it is that so many people simply decide that they are experts on this or that subject, and other people believe them, for lack of any alternatives. LEM Mm? FANSHAW He claims to know the bible, but then he goes on about this spiritism nonsense. And purgatory! I may not be a divinity scholar but a childhood of churchgoing taught me that that is a catholic conceit, and he's got it wrong anyway. Purgatory was where souls waited out a period of penance, while their friends and family prayed for their release. LEM How'd they know if they got out? FANSHAW I believe the priests would tell them. It always smacked of extortion to me. LEM [laughs] Well. How's all this gonna make a damn lick of difference just now? FANSHAW What? LEM Whatever it is he believes - it gonna change the price of oats? FANSHAW [sigh] No. LEM Good. That's cleared up, then. Road's widenin up, and we'll be alongside the wagon agin soon. MUSIC EMMA We need to send Melody somewhere. If only you had let her marry-- CARTLAND She's 16 - too damn young, and don't know her own mind. EMMA I know, but if she was away-- CARTLAND Dammit woman. You are my wife, and I will not be argued with. EMMA Of course. [beat] Something bit her. CARTLAND Bit? Like a snake? EMMA The marks....um... they looked-- CARTLAND Oh, just spit it out. EMMA They looked like they were made by a man! MUSIC SOUND THEY ARE STOPPED. HORSES, HARNESS, DISMOUNT, ETC. SULLIVAN Thank you ever so much for helping me to find my way. I'm not much of an outdoorsman. Or horseman. FANSHAW Nor much of a cleric, apparently. LEM Right happy to help. Why is it you were comin all the way out here in the first place? [chuckles] Not to put on a play. SULLIVAN [chuckles] It is rather a curious wagon, isn't it? But I am afraid my job here is rather confidential. CARTLAND [yelling from off] Is that the Reverend? Get on in here! SULLIVAN [dithering] Oh, um I-- LEM I'll look to your horses. You get along. SULLIVAN Excellent. FANSHAW I don't like him. LEM You don' like his views. FANSHAW They're gibberish! LEM 'Zat anythin like folderol? [serious] Why'n't you go on in and see what brand o' folderol he's spinnin to the good folks inside. FANSHAW [stiff upper lip] I shall try and keep my temper. LEM [muttered] Tryin never hurt no one. SOUND A FEW MOMENTS OF UNHARNASSING, THEN SUDDEN TUSSLE, RED GRABS LEM AND SLAMS HIM INTO THE WALL OF THE BARN SOUND HORSES ANNOYED, SHYING SOUND GUN COCKS RED [snarled] The Deadeye Kid. MUSIC SOUND FANSHAW ENTERS CARTLAND --convince her it ain't nothing but temper! EMMA But the bite! SULLIVAN A bite? EMMA She looks like she was bit, bad. CARTLAND There's no way anyone could get in there and bite her. SULLIVAN It isn't unheard of. FANSHAW A bite? CARTLAND [suspicious] Really? EMMA See! SULLIVAN Manifestations have demonstrated their ability to affect the material world in any number of ways. FANSHAW [suspicious] Oh. Do tell? CARTLAND There's a simple answer for this. She bit her own damn self. She pulls one more shenanigan, and I'm taking a strap to the damn girl. EMMA Never! Our father wouldn't-- CARTLAND He shoulda! If your sister weren't spoiled, we wouldn't have to have this idjit in. SULLIVAN Sir! I am well respected in-- CARTLAND [furious, overbearing] You are here to prove this ain't nothing but women's hysteria and a mulish girl's temper. EMMA But if it is something else? FANSHAW What do you think it may be, I wonder? CARTLAND Either she's doing this to herself, or she's plumb loco. Which way do you prefer? She's your flesh and blood. SOUND BEHIND DOOR - CRASH MELODY [screams] [BREAK] MUSIC RED What the hell are you doing here? LEM Do I... know you? RED Mebbe not, but I know you. You're the Deadeye Kid. LEM [resigned] Who'd I kill, that yer so riled about? RED What in tarnation is wrong with you? LEM Aside from being slammed up agin a barn, with iron in my face, nuttin comes to mind. RED I'us there in Carson City. Five years ago. Watched you take down Iron John Sandoval. LEM [after a pause] And? RED Saw how fast y'are. Hmph. Used to be. LEM Mmm? RED [offended] You din't even see me comin. LEM My mind was took up with sumpin else. SOUND HAMMER EASES BACK RED You should vamoose. This ain't no place for them as has lost their edge. LEM You might wanna back off a piece. RED Whyzzat? Can't look me in the face and admit you're getting old? LEM My gun hand's starting to cramp up sumpin fierce, and I cain't ease down til you pull your cohones off'n the barrel. RED You - what? [looking down, gasps] LEM Right shame to shave your stumps - seein as we're all compadres now. SOUND BACKS OFF SOUND HAMMER DOWN, GUN INTO HOLSTER, SLAP ON THE BACK LEM You look like a man that might could use a drink. MUSIC SOUND HORSES, BARN SOUND FANSHAW ENTERS FANSHAW I say, Lem? Are you alone? LEM Lessen you wanna chat with the hosses. FANSHAW What do you really think of this fellow? LEM From yer tone, I'm guessin you mean the reverend - doctor. FANSHAW Ye-ess. LEM I figger he's harmless. Cain't actually know a lick about all's he's talkin about. FANSHAW Right. [beat] Do you ever wonder? LEM I wonder alla time. Any particular wonderin yer wonderin about? FANSHAW About this. About spirits. About good and evil. LEM Never reckoned on em hitched like'at. FANSHAW You don't think of ghosts as being somehow inherent wicked? LEM You havin a crisis of faith? I reckon jest like with anyone, only you can know if you're evil. FANSHAW I - well, I don't mean myself, I suppose. LEM [teasing] So you think you're better than e'rbody else. FANSHAW No. I don't know. LEM What brought all this on? FANSHAW From what I observed in the house, there may be an argument here for an evil spirit of some sort. LEM And? FANSHAW And? And what? LEM Spirits're just as evil or saintly as the folks they used to be. Don't make no nevermind to no one but me. FANSHAW I mean an evil spirit with ... powers. LEM [sure] Ain't no such thing. FANSHAW Are you so very certain? MUSIC SOUND OUTSIDE, WALKING LEM I ain't never seen no spirit could touch nothin in the real world. FANSHAW Neither have I, but what if there is? LEM We do whatever we gots to. SOUND FEET APPROACH RED [coming in] Kid! LEM [sigh] Just Lem, if'n you please. RED Oh, drat. Right. You done with them horses? LEM Tucked up tight. You ast about the job? FANSHAW Job? RED Mr. Cartland's right happy to have another hand, even if you don't plan on staying fer long. With all that's been a-going on-- LEM What all is it that's been a-goin on? FANSHAW Evil spirits. LEM Is it what's been drivin off all your help? RED Come on, let's getcha some grub. Hank'll be pleased to have someone new to jaw to. MUSIC SOUND KITCHEN, EATING SOUND DOOR OPENS HANK Red. RED Hank. This is Lem. Come in with the doctor fella. LEM Hank. HANK You work for the reverend? RED He's-- LEM I work fer jest about anyone as needs me. Doctor needed a guide. RED Lem's gonna help out round here fer a while. LEM Long as the doc's on hand, might as well make myself useful. HANK Did you tell him what's going on? What cleared us out? RED Here, have a plate of stew, Lem. I'm sure Hank can tell it better'n me. HANK [uncertain] Oh, I--- RED He actually saw it. LEM Saw what? HANK That girl. She's possessed! LEM Possessed of what? HANK No! Possessed! Taken over by an evil spirit! LEM [considering] I don't figger I put much stock in such things. Ain't no other explanation? HANK What else could explain how I - I saw a strange light in her window late at night-- LEM What were you doin' out? HANK [thrown off] What? I was - uh - having a smoke. LEM She a good-lookin' girl? Apart from whatever travail she's in? HANK That ain't the point. I was off a ways and saw a light. It din't look natural. So I went closer to see. LEM How high's this window? HANK I don't know! Chest-high, I s'pose. But I sawr everything! [yarning] Right from the first, I was froze to the spot. Couldn't look away. In this strange blueish colored light, there was something flyin back and forth across the room-- LEM A bird? HANK No! A cushion or a hat or something - something that had no damn business flyin! LEM [mild amazement] Oh! HANK And then I saw the girl herself crawling about the floor like an animal. LEM Mebbe she dropped sumpin. HANK But it weren't natural! You can explain away one thing after another, but that light won't never look right. LEM I meant no disrespect, just know how late at night moonlight can be a bit mazy. Can make things look wrong way round and bigger than life. HANK Well, this weren't out in the moonlight - it was in her room. LEM Right. HANK You ain't a-scared? LEM I'm a bit behind when it comes to afearin things. Got to see sumpin for myself before I can work up to gooseflesh. Yerself? HANK I'm pert near hightailing it out of here, I tell you what. One more night like that and you'll be seeing the back of me. RED Ain't likely, Hank old hoss. You relish the tellin of your tall tales too much to miss a chance fer another one. MUSIC CARTLAND It's pure mulishness, is what it is. The girl wanted to marry, and I said no. SULLIVAN You're surely not her father, though? CARTLAND Father's passed on. I ain't blood, but I married her sister and that makes me the lawful man of the house and head of this family. She gots to understand that. EMMA I still think-- CARTLAND Regardless of whether she's old enough to marry, I wan't about to let her run off to the damn Wishwells and take half the ranch with her. EMMA Our father left us even shares. FANSHAW Hmm. And that man married yours. SULLIVAN Ah. I should talk to the girl, now. MUSIC HANK Well. SOUND SLAPS THIGHS, GETS UP HANK That hay won't pitch itself. Care to lend a hand, feller? LEM Lem. I-- RED I need him yet fer a mite. I'll send him along when we're through. LEM That's a mighty fine looking belt buckle you got there, Hank. Turquoise? HANK Yup. LEM And silver. [musing] Mighty fine. SOUND WALKS OUT DOOR LEM Why d'you stay, Red? RED Been with Mr. Cartland for nigh on 10 years. Since before he married the missus. Fact is, that was when we came through Carson City. LEM You friends? RED Nah, he ain't one fer making friends of the hands. But he's fair. Hard, but fair. LEM Now tell me. [a bit humorous] Apart from having the nerve of a grizzly, why ain't you scairt? RED I plumb don't feel it. Whatever's a-going on with the girl, it don't hit me here. You ken? LEM I reckon. RED It's like ... play actors. They can make you like the story, but they cain't never make it real. LEM Gotta good solid head on them shoulders, Red. I purpose to find out what all's transpirin here, and if'n yer strapped fer it, I'd shore thank'ee kindly for any help. RED [admiring] You ain't lost none of yer sand, have ya? LEM I reckon the wind's just blowin it in the right direction these days. MUSIC SOUND DOOR CREAKS OPEN SULLIVAN Young lady? MELODY [very tired and small sounding] Who's there? CARTLAND It's the feller gonna tell you what a liar you been. EMMA Husband! CARTLAND Go on then. Tell her. EMMA I'll open them shutters. MELODY No! EMMA Just a crack! It's fair dark in here! SOUND FEET, SHUTTERS SULLIVAN Sir! I must insist on being able to interview the girl in relative peace! CARTLAND I ain't a-stopping you. SULLIVAN You must be quiet and leave the girl to answer for herself. EMMA Please! CARTLAND [somewhat subdued] Go on. SULLIVAN Miss Heath, your lady sister has told me some of your symptoms, but I would like to hear them from you. What is your chief complaint? MELODY They never let me sleep! FANSHAW [far corner] Poor girl does look tired. CARTLAND Nor us out here! I ain't had a good night through in weeks. SULLIVAN [sharp] Shh! [calm] They? Who are "they"? MELODY You won't believe me any more than anyone else does. CARTLAND Hmph. SULLIVAN I believe a great many things. Pray, humor me. MELODY They come at night, and pinch me. Pinch my arms and legs - all over! And one bit me - See here! CARTLAND You bit your own damn self! MELODY [whimpers] SULLIVAN Sir! Would you be kind enough to leave? As long as you insist on berating the poor girl, she will never be calm enough to tell me all her troubles. CARTLAND Fine. Come on, woman. SOUND DOOR ROUGHLY OPENS EMMA Shouldn't I stay? For decency's sake? CARTLAND Man's a holy father, even if he is a soft-headed idjet. Whatcha think he might do? EMMA I suppose. MELODY I'll call if I need help! EMMA You do that. SOUND DOOR SHUTS MUSIC SOUND MOVING THROUGH UNDERBRUSH RED From his yarn, Hank was right about'chere when he saw the lights. LEM Hard to reckon what this'ud look like in full dark. What'us the moon like? RED Middling, round about. LEM Hmm. And that'ud be the window? RED Yup. Though way Hank tells it, it was full open when he was looking. LEM [surprised] Oh! RED What? LEM Let's fade back a bit. Don't want anyone to spy us. RED Why? Mm? [sees] Oh! MUSIC [BREAK] AMB OUTDOORS FANSHAW There you are! I've just witnessed the most appalling-- RED Did we really see what I think we jest saw? LEM I'm afeared so. RED That varmint! Taking advantage of a nice-- LEM She din't look "put out" to me. Any fired-up on her part weren't the angry kind, if you catch me. FANSHAW [sarcastic] Oh. So you saw it too. How useful am I? LEM Mighty useful. [slightly different] To know that sumpin's up with them. Looked like they knowed each other afore this. RED I guess you could safely say that. FANSHAW I tactfully took my leave. SOUND HOOFBEATS APPROACH RED Who in tarnation? Damn! LEM What? RED [heavy import] That's Clyde Wishwell and his boys! MUSIC SOUND TAP ON DOOR EMMA Doctor? Is everything all right in there? SULLIVAN [within] Yes! Quite. SOUND FOOTSTEPS APPROACH THEIR SIDE OF DOOR SULLIVAN [within] I have all I need for the moment. SOUND DOOR OPENS SULLIVAN [cautious] Is your husband ...nearby? EMMA He had to step out. SULLIVAN [relieved] Ah. EMMA I have the guest room ready for you. Your drover can bunk with the men. SULLIVAN My--? Oh, yes. That fellow. My guide. SOUND STEPS OUT, CLOSES DOOR EMMA Is she... Is she going to be all right, sir? SULLIVAN I think this will take some time, but yes. I believe she can be saved. EMMA Saved? You talk like she's ailing! SULLIVAN [serious] She is. It is an ailment of the soul. MUSIC SOUND GENERAL DISMOUNTING, ETC. CARTLAND [barely concealed hostility] Wishwell. WISHWELL Mr. Cartland. I hope you don't mind the intrusion? CARTLAND What do you want? WISHWELL We found a fellow lost on our property, claims he'us supposed to be coming here. We decided to give him an escort. BAKER [a bit too much swagger] Yes, yes. Many thanks. You may go ahead and leave. WISHWELLS MEN [annoyed muttering] CARTLAND Who the devil are you? BAKER You sent for me. WISHWELL He was mighty tight about his business with you, Mr. Cartland. I'm right curious. BAKER That is between Mr. Cartland and myself. Are you waiting around for a reason? I could-- SOUND COINS RATTLE WISHWELL [civility slipping] No need, sir! I reckon a man does you a good turn, seeing you to your destination, rather than shooting your backside fulla buckshot as a trespasser, he deserves a bit of an explanation! CARTLAND Yeah. Explain. BAKER [exasperated] Very well. I am the ghost expert you sent away for. MUSIC AMB OUT BACK LEM Why'm I all of a sudden smellin a rat? FANSHAW You mean Sullivan's obvious "familiarity" with young miss Heath? LEM Biggest rat I seen recently. RED You think they got somethin "on" between them? LEM I'm wondrin has anyone actually clapped eyes on the fellow she got her heart pinned to. RED How'd you hear about that? FANSHAW Damn! LEM [calm] I just hear things. RED Oh. But it was one of the Wishwells she was a-hankerin after. FANSHAW And the Wishwells just rode in. Perhaps we should go and take a look at the other side of this little chess match. LEM Lets go get us a look at the Wishwells. RED Right. FANSHAW I'll stay in the house - keep an eye on the courting. MUSIC CARTLAND YOU'RE the expert? Then who the devil we got inside? [yelling over his shoulder] Emma! BAKER [smug] Well, I can't help you there, I'm no clairvoyant - merely a seeker after truth in the field of spiritualism. WISHWELL [a bit worried] Really? Hmm. SOUND DOOR OPENS, EMMA COMES ONTO PORCH EMMA What is it? Oh! Comp'ny! CARTLAND They ain't compny, they's Wishwells. Get that city slicker out here. We got a bit of a branding problem here. BAKER Are you implying there's someone here claiming to be me? CARTLAND Someone here's claiming something, but I don't know which of you it might be. SOUND SWITCH OF PERSPECTIVE, FEET APPROACHING - RED AND LEM BAKER [off a bit] I have credentials and letters of recommendation. RED That's Ezekial Wishwell, in the tan hat. He's a big rancher over t'other side of the valley. LEM And if one of his marries that Miss, inside- RED Reckon he'll get his hands on her half of the ranch here. LEM Hmm. SOUND FADING BACK TO CARTLAND's POV WISHWELL You sent off for a ghost hunter, and you cain't even remember his name? CARTLAND I contacted him through some damn psychical society in the newspaper out of Carson city. BAKER Yes. Precisely. The "friends in passing". CARTLAND And it's bad enough I gotta do such a damn fool thing just so's I can put my wife's mind at rest about her damn fool sister-- SOUND DOOR OPENS, FEET ON PORCH EMMA Here he is. SULLIVAN You needed me for something? [FADING BACK TO LEM] WISHWELL Whatcha gonna do with two of them? SULLIVAN Two of who? BAKER Is that the imposter? EMMA What? RED It's the doggonest thing I ever heered of! LEM It's a wonder, sure enough. FANSHAW They've vacated the - ahem - bedroom. RED You think there's gonna be a fight? Dunno that them two guys would make much of a scrap - that first one's too prissy and citified, and the other's kind of a runt. But it might be something to see. LEM I need a chance to palaver. FANSHAW This might explain the idiotic views of Sullivan - I mean, if he is the imposter. LEM [muttered] People can be thick as two thumbs and still ain't liars. Happens all th'time. SOUND FADING BACK TO CARTLAND RED Whazzat? LEM Trying to logic out which might be the one sposed to be here. FANSHAW Oh, there's the girl! SOUND BARE FEET ON WOODEN PORCH [argument that runs under above] SULLIVAN I am an ordained minister, sir, of the church of the holy seekers after truth! BAKER That hack cabal? They wouldn't know a phantom from an apparition. I have trained with the most respectable societies in the British Isles! SULLIVAN Hidebound stick-in-the-muds! BAKER Newfangled snot-nosed infants, tampering with forces outside your ken! SULLIVAN Infants! I'll have you know-- SOUND MELODY'S BARE FEET RUN OUT ONTO THE DIRT MELODY Stop! Please! [scream of terror, some thrashing about] CARTLAND What the devil? SULLIVAN Quickly, bring some warm tea, and a cold compress, if you have one. EMMA Yes! SOUND SHE DASHES INTO THE HOUSE BAKER Stay back! The girl is under attack. WISHWELL Looks like some kind of fit. CARTLAND Fit o' temper. Get up, girl! SOUND FEET ENTER LEM Mr. Cartland, might could I drop a word in your ear? CARTLAND Who the hell are you? Oh, right, you come in with the preacher - maybe preacher. LEM Something you need to know. FANSHAW Are you planning to tell him about the assignation? He'll do something terrible to that poor girl - you've seen how beastly he is to her. LEM I know you're looking after the best interests of your family here. FANSHAW He threatened to beat her! CARTLAND I do what I gotta. FANSHAW Even if she is feigning all of this, surely she doesn't deserve-- LEM And I can tell you're purt near your wits end. CARTLAND zat so? LEM I think you done took more than most men can take, so I don't fault you none for flyin off the handle. I might could have an answer for all this. CARTLAND [interested] Really? LEM Yup. It was somethin that Sullivan fellow said regarding the bible. CARTLAND [disbelieving] Really? LEM Once they get this little dustup sorted, mebbe could I try something? CARTLAND What you planning? LEM I promise you, I don't reckon no one'll get hurt - leastways not bad - but beyond that, can't tell you much or it'll fall flat. CARTLAND Is this some of this spiritual hoodoo manure? LEM Well, let's say I'm gonna connive them into believin it is. CARTLAND Hmm... [chuckle] Go on, then. MUSIC EMMA She's settled again, but she keeps tossing and a-turning. CARTLAND [calmer] If I'm right, and she's just doing this all out of pique, what do you think should be done? You really think us going on and giving in is gonna make everything all right? EMMA Me? I-- but it's too drastic to be-- CARTLAND I ain't asking if you think she's making it all up, just what you reckon we should oughtta do if she is. EMMA Oh. [pacing] Well. It's a terrible thing she's doing - if she's doing it. But it can't be easy on her, either. All them hurts she's took. CARTLAND Lotta effort to make you feel sorry for her. EMMA If she's faking, then wouldn't the reverend know it? CARTLAND Stick to the question at hand. EMMA You're much less riled than you been in days - do you know something? CARTLAND With two doctor types on hand, how can I not see a light at the end of this here tunnel? EMMA Oh. CARTLAND [almost gentle] I'm waiting. EMMA I agree - we can't, in good conscience, let her get her way through these kinds of shenanigans - always assuming she's-- CARTLAND Yes, yes. We're assuming. EMMA But what can we do for punishment? Lock her away? I couldn't bear that. CARTLAND What'choo think about schooling? EMMA What? CARTLAND Send her off to school - back east or somewheres where rich folks send their girls, and take the cost of the schooling out of her half the ranch. We'll call it bail. EMMA It would keep her away from the Wishwells. And it would get her away from-- CARTLAND Us? EMMA [sigh] Yes. MUSIC LEM I may not have the booklearnin y'all have, but I did have me a granny who did midwifing and could see and talk to all manner of spirits. SULLIVAN Really? How ...rustic BAKER You should never pooh-pooh the lay folk. Many have toiled in the fields of the supernatural without even realizing they did. Back home in-- SULLIVAN Of course, it is only a pity that so often they were seen as enemies of the church and persecuted, rather than embraced and put to good works. FANSHAW Good gad, they're even worse in harmony. LEM Well, Granny once told me of a sure cure for a plague of spirits. BAKER Oh yes? FANSHAW Watch out, he'll write a monograph on your granny. Did you really have one? LEM O'course. It ain't easy, and it ain't exactly safe. But when the only other path is being ridden round with spirits all your life, it's sometimes a risk you gots to take. SULLIVAN Dangerous? LEM O'course. You got to make the spirits flee outta the afflicted one, and t'only way to do it is to convince them you're about to kill that person. SULLIVAN [horrified] KILL? BAKER That makes a strange sort of sense. LEM Best ways are violent. You cain't sneak up behind 'em, since half the convincin has to be that the one what's afflicted gots to believe it. FANSHAW Mention the flagellants in the bible. They used whips to cleanse themselves of-- SULLIVAN But we can't - that-that poor girl! BAKER I am not certain I could do it myself, but I would be most interested in observing. LEM Oh, I can do it. You two should oughta make sure no one else gets in the way, though. SULLIVAN But you wouldn't really hurt her? LEM I s'pose it depends. Sometimes, the spirits are figurin you wouldn't really hurt no one, and they hang on for the first hurt or two. Like them fellas that whip themselves bloody right there in the bible. SULLIVAN [horrified] Oh no! I can't let you do that to any poor defenseless woman. LEM Don't think it's your choice to make, old hoss. BAKER As long as she is afflicted, it will have to be dealt with. SULLIVAN Let me try something else, first! I might have a way to-- LEM That's right fine. We'll come along and observe your way. SULLIVAN No! It's -- it has to be performed in total secrecy. LEM Cain't hide from the spirits, though. FANSHAW I take the hint. BAKER You should be grateful for the help. SULLIVAN Leave me alone for a minute! I have to - to pray! SOUND WALKS OFF FAST LEM [almost a chuckle] BAKER What got into him? FANSHAW I think he truly cares for the girl. LEM A mighty old spirit indeed. MUSIC [BREAK] EMMA They're gonna hurt her? CARTLAND They don't think it will come to much. Just enough to scare the spirits out of her. EMMA Melody's my sister - I cain't just let them beat her! CARTLAND [trying to be comforting] Don't sound like there's any other way they're gonna manage this. [beat] This feller sounds like he knows what he's doing. EMMA [incredulous] Sounds like he--? How can you say that? CARTLAND [curt] I will stop him before he does anything too... drastic. EMMA You got no fine feelings about seeing her hurt. You would have-- CARTLAND [getting annoyed] I'da punished her, yeah. Now get out my way. I'm done talkin! MUSIC RED Lem, over here a minute. LEM [queit] Yeah? [up] Mister Baker, why don't you see if the lady of the house might be able to find you a spot to sleep tonight? BAKER And that charlatan? LEM Doctor Sullivan? You let me handle him. Oh, and - sunset. That's the time to deal with ghosts. BAKER Sunset? LEM So says my gran. BAKER Right. I am quite interested to see how this goes. SOUND BAKER WALKS OFF LEM Sorry about that. RED What are you up to? LEM Takin a tip from the bible. You with me? RED Spect so. WISHWELL Could I have a word with you, sir? LEM [sigh] Spect so. MUSIC SOUND TAPPING ON WOOD [Sullivan sounds very different, western, rather than citified, and is speaking quietly, to avoid being overheard] SULLIVAN Melody? Melody? FANSHAW Hmph. Praying indeed. I would say he's rather old for her, but that moustache doesn't do much to hide a cheek that's barely seen a razor. SULLIVAN Please, Mel, honey! SOUND TEENSY CREAK OPEN MELODY Wallace? You shouldn't be out there! FANSHAW Wallace? SULLIVAN I had to come! Everything's falling apart. MELODY What do you mean? SULLIVAN They've got some cockamamie scheme, and sounds like they're planning to hurt you. Maybe bad. MELODY Emma'd never let them do that! SULLIVAN There's enough people here got no patience left, I doubt but that she couldn't stop them. Can't you turn this? MELODY It's got away from me! What can I do? SULLIVAN Maybe just say you're cured? MELODY And then what? That leaves me here with folks that hate me and no chance o'nothin'? No chance of... us? I'll die first! SULLIVAN I'll try and come up with something. But if it comes down to it, stop them before they hurt you. Please promise you will! MELODY [grim] I'll do what I gotta do. MUSIC WISHWELL What you fixing to do, sir? LEM Come sunset, I'll take drastic measures to free that girl from her torment. WISHWELL You sound like you might have to kill her. LEM I'm sure the reverend - uh - doctor sullivan can speak you best on torment and the afterlife. He's got a nose fer it. WISHWELL But what exactly are you planning to do? FANSHAW Don't turn round. Sullivan is lurking. LEM [sigh] I hate to see anyone in pain. But sometimes, ain't no choice. If'n there's a spirit a-punishin that child, it ain't gon be easy to spook it out. I may have to shoot her. SOUND [men - including RED, WISHWELL, react] LEM [matter of fact] Don't worry none, though. I once shot a man eight times - a'purpose - and he din't die. [shrug] Can't use one hand no more, but apart from that he all healed up jest fine. WISHWELL [horrified] And Cartland's gonna let you go on and do this? LEM I get the feeling that if his wife would allow, he'd do it hisself - he's that plumb wore out with the girl. WISHWELL And what if we all decide to stop you? LEM I don't see as how it's any of your business. SOUND GUNS OUT WISHWELL [sterner] And what if we all decide to stop you? SOUND SHOTGUN COCKS CARTLAND [off] I think mebbe it's time fer you to get along home, then, Wishwell. SOUND GUNS UP WISHWELL [forces laugh] We were just looking out for your best interests, Cartland. Have you heard? This here fellow is fixing to shoot your sister. CARTLAND Well, something's gotta be done with the girl. FANSHAW Is he serious, or did you have a chance to warn him? LEM Glad to see you took my counsel serious, Mr. Cartland. FANSHAW Ah. CARTLAND And now Wishwell, you and your boys can take my counsel - Git! WISHWELL I'll be telling the sheriff about these goings on. CARTLAND You do that. Sunset's about an hour away - you won't get there and back by then. And I figure this way. If my wife's sister can be bit by ghosts, maybe she can get shot by them too. Ain't no one here gonna say otherwise, once all's said and done. MUSIC SOUND TAPPING ON SHUTTER MELODY Wallace? FANSHAW [explaining] That's Sullivan. SOUND TAPPING LEM [indistinguishable grunt] MELODY Wallace? SOUND SHUTTER CREAKS OPEN MELODY Are you-- [gasp of fear!] LEM You want to talk to me, girl. And you want to stay quiet. MELODY My sister is jest in the next room. LEM I know. And I ain't askin fer nothin improper. Cartland's got Sullivan sewed up in argument fer the moment, so I got one chance for you. MELODY Chance? Fer what? LEM Wallace. You in love with the boy, or jest lookin fer a way out from under your folks? MELODY We're in love. LEM You want him more than you want your share of the ranch? MELODY [teensy hesitation] Yes. LEM And would he and his take you without you had that parcel to offer? MELODY He would. LEM And his pa out there? Mr. Wishwell? MELODY [gasp] You know? LEM I know a lotta things. F'r'instance, tonight's gonna be an interestin night. MUSIC FANSHAW So if they're genuinely in love -- LEM I think they are. He's plumb torn up about the chance as she might get hurt. Mebbe she's not so worried, but she seems true. FANSHAW Then this is just like Shakespeare - Romeo and juliet. Families opposed to one another, romance between the younger generation. LEM 'Zat give us any aid with sorting out this rats nest? FANSHAW Well, they both died. So I guess not. LEM Hmm. Plays. FANSHAW What are you thinking? LEM Well... I was playing at solomon. Threatnin the girl to bring out-- FANSHAW [realizing] The real-- Yes! I've got it. Jolly clever. LEM I'm thinkin mebbe I got the wrong baby. FANSHAW The wrong what? MUSIC In house CARTLAND Can't be long now. EMMA You won't let him really hurt her, will you? CARTLAND [gentle] Emma. He promised he wouldn't. We have to convince her he would, though. She gots to believe it. EMMA Why? CARTLAND If she's faking, she has to cry off. If she ain't... well... he says the spirits gotta be convinced she's gonna die, so they'll haveta leave. EMMA Oh. I see. Thank you. CARTLAND [uncomfortable] Right. Just find us one of them schools, woudja? MUSIC OUTSIDE LEM [talking to a crowd] Much as it pains me to have to do this, um, I reckon there ain't no way to solve this problem til we drive out the spirits here. BAKER Where is the girl? LEM She's a coming. SOUND DOOR OPENS LEM Speak of the devil. SOUND SEVERAL PEOPLE WALKING OUT ON WOOD MELODY Please! What are you going to do? SULLIVAN I protest! I don't think this is safe! LEM [muttered] We got any other company? FANSHAW The wishwells never went very far. Just out of sight, then circled back. They're behind the barn. LEM Good. FANSHAW Red appears to be in his allotted position. Hank is nowhere to be seen. LEM Hmph. [up] Get on over here miss. MELODY I'm scared! CARTLAND It gots to be done. EMMA Be strong, Melody. FANSHAW No arguments? Hmm. I sense a reconciliation in the family. LEM Harmony ain't no bad thing. FANSHAW Rather goes with melody, actually. MELODY What is it you plan to do? LEM Gon' drive the evil sprits out. Need you to stand right here, miss. Don't move a muscle. You got me? MELODY Emma! I don't want to do this! EMMA Melody, there ain't no choice. Not no more. SULLIVAN I agree with the young lady - I feel this is too dangerous. MELODY Dangerous? Wh-what's a-going to happen? CARTLAND [commanding but not being mean] Stand still, and let the man do his work. LEM All y'all back on the porch now, if'n you please. SOUND FEET LEM Now miss, if you'll hold yerself real still. MELODY I'll do my best. SOUND GUNSHOT, HITS WOOD MELODY [screams!] [break?] EMMA Be careful! MELODY What did you do that for? LEM I'm shooting the ghosts. That's why you gotta hold real still. SOUND GUNSHOT MELODY [gasp] You nearly hit me! FANSHAW The wishwells are getting closer. LEM Good. SOUND THREE GUNSHOTS MELODy [scream of pain!] EMMA What's that? You said you wouldn't hurt her! Is that blood? LEM That's jest splinters. Stay back. SOUND TWO GUNSHOTS MELODY [scream] SULLIVAN Nooooooooo! SOUND RUNNING FEET, SLOW MO SOUND GUNSHOT SULLIVAN [argh! Death rattle] MELODy [scream, death rattle] FANSHAW [dry] Two with one shot. Oh my. EMMA [screaming] SOUND RUNNING FEET LEM Mr. Cartland, hold your wife. Mr. Baker? BAKER [flustered] um, um - yes. LEM You got any doctoring? BAKER Yes, yes, of course. I'll check on them. WISHWELL [coming roaring in] Nooo! CARTLAND What the devil you doing here, Wishwell? LEM Stay back, there. Let the doctor do his business. WISHWELL Wallace! Damn you, you sidewinder! You are a dead man! SOUND GUNS DRAW WISHWELL You ain't steppin in this time, Cartland! CARTLAND If I just saw what just happened, you kin have him. LEM [Unconcerned] Afore you start throwin lead, mebbe you two should take some of the blame on yerselves. CARTLAND What? WISHWELL You can go to blazes! LEM If you two weren't such prickly porcupines on the subject of them kids getting married, none of this woulda ever happened. CARTLAND That's who she wanted to marry? And he's a wishwell? WISHWELL He's my youngest, you son of a buzzard. Sent him off back east to school, make a better man of him. And now all that's ashes. CARTLAND He ain't a reverend, then? FANSHAW Goodness, they're a bit slow. LEM Hush, now! Now you two can be joined in your misery, like you might have been joined by them kids. Only damn fool you gotta hate now is me. CARTLAND He ain't said they're dead. Doctor? BAKER [calling] I'm doing what I can. WISHWELL My son? Is he still with us? LEM Hold it. SOUND GUN COCKS WISHWELL You stay out my way. SOUND SHOTGUN RACKED RED I think you better drop that gun Mr. Wishwell. CARTLAND I'll go and-- RED No, sir. You wait too. With all due respect. LEM If them kids survive this, you let em marry? CARTLAND They're too young. She is, anyway. [don't forget the bit about sullivan not being as old as the moustasche and beard make him look] WISHWELL You just don't wanna lose half the ranch. CARTLAND I got plans for that half the ranch. I got it planned right up til she comes of age. LEM Mebbe if they can marry, she can leave you in charge til she comes of age. Let you carry through your plans. EMMA None of this matters! Let me go to my sister! RED Lem? LEM Give em sumpin to live for, you two. Make this up. Tell them they ain't gotta be dead to be together. WISHWELL You think that would help? LEM I been near dead once or twice, and havin hope is a mighty fine thing. EMMA Bart? Please let her, Bart! If you don't care to give Melody some hope, give me some! CARTLAND If Wishwell agrees that I keep control for five more years. WISHWELL We're gonna have to set this down in writin. EMMA There ain't no time fer writing now! [sharp] You say it! Both of you! CARTLAND Fine. Melody! If'n you can hear me, you listen. I'm telling you, you can marry that... boy. We got it all worked out at this end. WISHWELL Wallace? Fight Wallace! You idjit, jumping in front of a bullet fer a girl! But you can have her if you want her. Izzat good? CARTLAND You all gonna put down yer guns now? LEM That sounds fine. What you'all think? MELODY [perfectly fine] I think it sounds good. But I gotta have a real fine dress. Understand? EMMA [astonished] Melody? MELODY I'm all right. SULLIVAN We're both just fine. WISHWELL Well... Damn! CARTLAND All right, somebody better start explaining. RED Lem? Lem? MUSIC SOUND RIDING SLOWLY LEM Much as I hate walkin the horses by moonlight-- FANSHAW I do think it's best to get while the getting is good. Do you think they will keep their promises? LEM Got witnesses enough between Baker and Red. FANSHAW Whatever happened to Hank? LEM That was probly me - I think I suspected his belt buckle too loudly and he took fright. FANSHAW Paid to tell a tale? LEM Ayup. FANSHAW Solomon to Prince Escalus in one step. I'm impressed. LEM What are you jabberin on about? FANSHAW That back there was Romeo and Juliet, was it not? LEM Mebbe just a little. [beat] You ever done any of them plays? FANSHAW Oh, yes. School. LEM You gotta be the one in the dress? Like you were sayin? You got a voice that might could pass. FANSHAW Oh... [dropping voice as low as possible] No. Actually, I often was the lead. I even played romeo. I was rather good at learning lines. Of course, someone always had to put on the dress. Boys and girls do not attend school together - not our sort of boys and girls, anyway. LEM Seems like puttin a hat on a pig. FANSHAW No. It's just "theater." END
In their first serialized adventure {in 5 parts}, Lem and Fanshaw accompany a "studier of the supernatural" to face something they may never have seen before - a ghost ... or at least a ghost that can affect the "real world". Written and Produced by Julie Hoverson Cast List Lemuel Roberts /Deadeye Kid - J. Spyder Isaacson Clarence Fanshaw - J. Hoverson Dr. Sullivan - Michael Coleman {Tales of the Extraordinary} Mr. Cartland - Reynaud LeBoeuf Emma Cartland - Jacquie Duckworth Melody Heath - Melissa Bartell Red - Jack Kincaid (Edict Zero) Hank - Mark Olson Clyde Wishwell - Bob Noble Mr. Baker - Paul Green {Encyclopedia of Weird Westerns} Add'l voices by Gene Thorkildsen Cover Design: Brett Coulstock [Old photos used to make Fanshaw purchased from www.recycledrelatives.com] Announcer: Glen "Ole Hoss" Hallstrom Opening theme: "The Wreck of Old '97" from public domain recording found on archive.org Any incidental music: Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson ------- No gunshots herald his approach. No trademark left behind him when he leaves. The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify. Some say he rides alone. That's the Deadeye Kid. **************************************************************** Haunting Melody Cast: [opening credits/Olivia] LEMuel Roberts - Spyder Clarence FANSHAW - julie Dr. SULLIVAN - Michael coleman Mr. CARTLAND - Mrs. EMMA Cartland - Jacquie Duckworth MELODY Heath - RED - HANK - CLYDE Wishwell - Bob Noble Mr. Baker, the real expert - Paul Greene OPENER OLD HOSS No gunshots herald his approach. No trademark left behind him when he leaves. The Kid had his fill of notoriety in days gone by - as plenty of empty boots can surely testify. Some say he rides alone. That's the Deadeye Kid. CLOSER OLD HOSS The lonely cowboy cliché, always riding out, heading... yonder. Join us again in two weeks when he rides back over that far horizon. MUSIC SOUND BUCKBOARD, HORSES FANSHAW [straining] I think I can just make out a structure of some sort. LEM Not much further now. SULLIVAN Excellent. I am in your debt for all your help in getting me out here. LEM Woulda been a mite easier if'n you were were saddled, stead of carted. Some of these ruts-- SULLIVAN I've never been much of a horseman. And this is a fairish wagon. FANSHAW Garish, rather. LEM Well, I reckon it was cheap. SULLIVAN Oh, yes. They rented it to me at a very reasonable rate. FANSHAW Ah, rented. That explains why he has not repainted over the "Piewacket Players" placard on the side. SULLIVAN I understand a couple of the actors are - um - incarcerated for some while. Renting me the wagon and horses saved them board and stowage. Everyone benefits. FANSHAW Actually, some of these murals are rather good. If the players are half as talented as their painter, it might be worth seeking out one of their performances. LEM [dubious] I reckon. FANSHAW [musing] King Lear. Julius Caeser. Romeo and Juliet. [chuckles] They seem to perform a lot of the classics. Shakespeare. LEM Mmm. FANSHAW Did you know that in Shakespeare's day - some 250 years ago - it was illegal for women to perform on the stage? LEM Hush. FANSHAW Oh, Lem, do let me impart a little culture for once. LEM [Annoyed grunt] FANSHAW Particularly while you cannot argue. As I was saying, back in the day, all the female parts were played by young men. SULLIVAN Oh, goodness! Look at that! LEM [eager] Whatsat? SULLIVAN That's an awfully steep hill up ahead. You think the wagon can manage it? LEM I reckon so, reverend. SULLIVAN "Doctor", please. I prefer it as an honorific. LEM [puzzled] But you're a "man o' god"? SULLIVAN And a man of science as well. I firmly believe that the church cannot simply deny science, but must embrace it, and hand in hand we shall move forward into the next century! LEM [dubious] A'right then. FANSHAW Fervent, isn't he? SULLIVAN Sorry. I find I must defend myself constantly - both against those who find science and religion incompatible, and against those who pooh-pooh my branch of science entirely. LEM Oh? SULLIVAN [defiant] I have made a comprehensive study of the existence of ghosts. LEM [choking back a cough] OH. FANSHAW Oh, dear. MUSIC MELODY [off] [wailing, hysterics] SOUND DOOR OPENS, WAILING UP CARTLAND Don't that girl ever shut up? EMMA Bart! She swears she's being tormented. SOUND DOOR SHUTS CARTLAND Hysteria. You women can't stop yourselves from being women, but the least you can do is keep quiet when a man wants to think. EMMA What do you want me to do? Lock her in a madhouse? She's my own flesh and blood! CARTLAND Your sister is pitching a fit 'cause she ain't getting her own way. Nothing more. EMMA But what if it is something more? CARTLAND I got that well in hand. EMMA What? How? CARTLAND Don't go questioning me, woman. Where's my grub? MUSIC SULLIVAN [pugnacious] Do you, or do you not believe in ghosts? FANSHAW [short bark of a laugh] LEM [dry] I reckon I do. SULLIVAN Many people believe that the supernatural is somehow at cross-purposes with the bible, but it isn't so. Ever since Solomon, the wisest men in the good book studied the ways of the supernatural, in order to overcome it. LEM Solomon. Izzat the king fellow? FANSHAW Famous for his wise judgment. And not cutting up the baby. SULLIVAN Traditionally, many have always believed that the dead may carry on, side by side with the living, unseen but always present. LEM Ain't this more of a church question? SULLIVAN What do you mean? LEM Well, if you believe folks just hunker down once they passed on, then what you think of heaven? SULLIVAN I don't believe every soul lingers. Have you ever heard of Purgatory? FANSHAW Oh, goodness. LEM Ain't that a town in Nevada territory? SULLIVAN In the bible, purgatory is a place where people who are not good enough to go to heaven nor evil enough to go directly to hell are judged. FANSHAW Which bible, precisely? LEM Guess I never got that far in bible learnin. SULLIVAN It is the premise for all my theories that purgatory is not a place, but merely a "state"-- LEM [playing dumb] Wyoming? [1890] FANSHAW [grim] Ask him which bible. SULLIVAN [trying not to get exasperated] --and that spirits that need to be redeemed, or to mend their ways, may in fact be "in purgatory" much like someone could be "in a foul temper" - right next to us. FANSHAW Balderdash! Utter rubbish! LEM Looky there! That should be the ranch now! MUSIC MELODY [heavy breathing, end of crying jag] SOUND TAP ON THE DOOR, DOOR OPENS EMMA Melody? Are you feeling a little better? MELODY [sullen] I been bit. EMMA Bit? By what? A rat? MELODY Come and look. EMMA I'll fetch a lantern. MELODY No! EMMA Or open the shutters? MELODY No!! They don't like the light! I kin only open them at night. EMMA [very upset] oh. What can I do to help? MELODY [disheartened] Nothing. EMMA Are you hungry? There's some good stew. MELODY I can't. I just can't. EMMA Here, show me that bite. MUSIC LEM [quiet] What's gnawing on you? FANSHAW I do not consider myself a particularly religious fellow, but if there is one thing I have found quite frustrating about the wide open west it is that so many people simply decide that they are experts on this or that subject, and other people believe them, for lack of any alternatives. LEM Mm? FANSHAW He claims to know the bible, but then he goes on about this spiritism nonsense. And purgatory! I may not be a divinity scholar but a childhood of churchgoing taught me that that is a catholic conceit, and he's got it wrong anyway. Purgatory was where souls waited out a period of penance, while their friends and family prayed for their release. LEM How'd they know if they got out? FANSHAW I believe the priests would tell them. It always smacked of extortion to me. LEM [laughs] Well. How's all this gonna make a damn lick of difference just now? FANSHAW What? LEM Whatever it is he believes - it gonna change the price of oats? FANSHAW [sigh] No. LEM Good. That's cleared up, then. Road's widenin up, and we'll be alongside the wagon agin soon. MUSIC EMMA We need to send Melody somewhere. If only you had let her marry-- CARTLAND She's 16 - too damn young, and don't know her own mind. EMMA I know, but if she was away-- CARTLAND Dammit woman. You are my wife, and I will not be argued with. EMMA Of course. [beat] Something bit her. CARTLAND Bit? Like a snake? EMMA The marks....um... they looked-- CARTLAND Oh, just spit it out. EMMA They looked like they were made by a man! MUSIC SOUND THEY ARE STOPPED. HORSES, HARNESS, DISMOUNT, ETC. SULLIVAN Thank you ever so much for helping me to find my way. I'm not much of an outdoorsman. Or horseman. FANSHAW Nor much of a cleric, apparently. LEM Right happy to help. Why is it you were comin all the way out here in the first place? [chuckles] Not to put on a play. SULLIVAN [chuckles] It is rather a curious wagon, isn't it? But I am afraid my job here is rather confidential. CARTLAND [yelling from off] Is that the Reverend? Get on in here! SULLIVAN [dithering] Oh, um I-- LEM I'll look to your horses. You get along. SULLIVAN Excellent. FANSHAW I don't like him. LEM You don' like his views. FANSHAW They're gibberish! LEM 'Zat anythin like folderol? [serious] Why'n't you go on in and see what brand o' folderol he's spinnin to the good folks inside. FANSHAW [stiff upper lip] I shall try and keep my temper. LEM [muttered] Tryin never hurt no one. SOUND A FEW MOMENTS OF UNHARNASSING, THEN SUDDEN TUSSLE, RED GRABS LEM AND SLAMS HIM INTO THE WALL OF THE BARN SOUND HORSES ANNOYED, SHYING SOUND GUN COCKS RED [snarled] The Deadeye Kid. MUSIC SOUND FANSHAW ENTERS CARTLAND --convince her it ain't nothing but temper! EMMA But the bite! SULLIVAN A bite? EMMA She looks like she was bit, bad. CARTLAND There's no way anyone could get in there and bite her. SULLIVAN It isn't unheard of. FANSHAW A bite? CARTLAND [suspicious] Really? EMMA See! SULLIVAN Manifestations have demonstrated their ability to affect the material world in any number of ways. FANSHAW [suspicious] Oh. Do tell? CARTLAND There's a simple answer for this. She bit her own damn self. She pulls one more shenanigan, and I'm taking a strap to the damn girl. EMMA Never! Our father wouldn't-- CARTLAND He shoulda! If your sister weren't spoiled, we wouldn't have to have this idjit in. SULLIVAN Sir! I am well respected in-- CARTLAND [furious, overbearing] You are here to prove this ain't nothing but women's hysteria and a mulish girl's temper. EMMA But if it is something else? FANSHAW What do you think it may be, I wonder? CARTLAND Either she's doing this to herself, or she's plumb loco. Which way do you prefer? She's your flesh and blood. SOUND BEHIND DOOR - CRASH MELODY [screams] [BREAK] MUSIC RED What the hell are you doing here? LEM Do I... know you? RED Mebbe not, but I know you. You're the Deadeye Kid. LEM [resigned] Who'd I kill, that yer so riled about? RED What in tarnation is wrong with you? LEM Aside from being slammed up agin a barn, with iron in my face, nuttin comes to mind. RED I'us there in Carson City. Five years ago. Watched you take down Iron John Sandoval. LEM [after a pause] And? RED Saw how fast y'are. Hmph. Used to be. LEM Mmm? RED [offended] You din't even see me comin. LEM My mind was took up with sumpin else. SOUND HAMMER EASES BACK RED You should vamoose. This ain't no place for them as has lost their edge. LEM You might wanna back off a piece. RED Whyzzat? Can't look me in the face and admit you're getting old? LEM My gun hand's starting to cramp up sumpin fierce, and I cain't ease down til you pull your cohones off'n the barrel. RED You - what? [looking down, gasps] LEM Right shame to shave your stumps - seein as we're all compadres now. SOUND BACKS OFF SOUND HAMMER DOWN, GUN INTO HOLSTER, SLAP ON THE BACK LEM You look like a man that might could use a drink. MUSIC SOUND HORSES, BARN SOUND FANSHAW ENTERS FANSHAW I say, Lem? Are you alone? LEM Lessen you wanna chat with the hosses. FANSHAW What do you really think of this fellow? LEM From yer tone, I'm guessin you mean the reverend - doctor. FANSHAW Ye-ess. LEM I figger he's harmless. Cain't actually know a lick about all's he's talkin about. FANSHAW Right. [beat] Do you ever wonder? LEM I wonder alla time. Any particular wonderin yer wonderin about? FANSHAW About this. About spirits. About good and evil. LEM Never reckoned on em hitched like'at. FANSHAW You don't think of ghosts as being somehow inherent wicked? LEM You havin a crisis of faith? I reckon jest like with anyone, only you can know if you're evil. FANSHAW I - well, I don't mean myself, I suppose. LEM [teasing] So you think you're better than e'rbody else. FANSHAW No. I don't know. LEM What brought all this on? FANSHAW From what I observed in the house, there may be an argument here for an evil spirit of some sort. LEM And? FANSHAW And? And what? LEM Spirits're just as evil or saintly as the folks they used to be. Don't make no nevermind to no one but me. FANSHAW I mean an evil spirit with ... powers. LEM [sure] Ain't no such thing. FANSHAW Are you so very certain? MUSIC SOUND OUTSIDE, WALKING LEM I ain't never seen no spirit could touch nothin in the real world. FANSHAW Neither have I, but what if there is? LEM We do whatever we gots to. SOUND FEET APPROACH RED [coming in] Kid! LEM [sigh] Just Lem, if'n you please. RED Oh, drat. Right. You done with them horses? LEM Tucked up tight. You ast about the job? FANSHAW Job? RED Mr. Cartland's right happy to have another hand, even if you don't plan on staying fer long. With all that's been a-going on-- LEM What all is it that's been a-goin on? FANSHAW Evil spirits. LEM Is it what's been drivin off all your help? RED Come on, let's getcha some grub. Hank'll be pleased to have someone new to jaw to. MUSIC SOUND KITCHEN, EATING SOUND DOOR OPENS HANK Red. RED Hank. This is Lem. Come in with the doctor fella. LEM Hank. HANK You work for the reverend? RED He's-- LEM I work fer jest about anyone as needs me. Doctor needed a guide. RED Lem's gonna help out round here fer a while. LEM Long as the doc's on hand, might as well make myself useful. HANK Did you tell him what's going on? What cleared us out? RED Here, have a plate of stew, Lem. I'm sure Hank can tell it better'n me. HANK [uncertain] Oh, I--- RED He actually saw it. LEM Saw what? HANK That girl. She's possessed! LEM Possessed of what? HANK No! Possessed! Taken over by an evil spirit! LEM [considering] I don't figger I put much stock in such things. Ain't no other explanation? HANK What else could explain how I - I saw a strange light in her window late at night-- LEM What were you doin' out? HANK [thrown off] What? I was - uh - having a smoke. LEM She a good-lookin' girl? Apart from whatever travail she's in? HANK That ain't the point. I was off a ways and saw a light. It din't look natural. So I went closer to see. LEM How high's this window? HANK I don't know! Chest-high, I s'pose. But I sawr everything! [yarning] Right from the first, I was froze to the spot. Couldn't look away. In this strange blueish colored light, there was something flyin back and forth across the room-- LEM A bird? HANK No! A cushion or a hat or something - something that had no damn business flyin! LEM [mild amazement] Oh! HANK And then I saw the girl herself crawling about the floor like an animal. LEM Mebbe she dropped sumpin. HANK But it weren't natural! You can explain away one thing after another, but that light won't never look right. LEM I meant no disrespect, just know how late at night moonlight can be a bit mazy. Can make things look wrong way round and bigger than life. HANK Well, this weren't out in the moonlight - it was in her room. LEM Right. HANK You ain't a-scared? LEM I'm a bit behind when it comes to afearin things. Got to see sumpin for myself before I can work up to gooseflesh. Yerself? HANK I'm pert near hightailing it out of here, I tell you what. One more night like that and you'll be seeing the back of me. RED Ain't likely, Hank old hoss. You relish the tellin of your tall tales too much to miss a chance fer another one. MUSIC CARTLAND It's pure mulishness, is what it is. The girl wanted to marry, and I said no. SULLIVAN You're surely not her father, though? CARTLAND Father's passed on. I ain't blood, but I married her sister and that makes me the lawful man of the house and head of this family. She gots to understand that. EMMA I still think-- CARTLAND Regardless of whether she's old enough to marry, I wan't about to let her run off to the damn Wishwells and take half the ranch with her. EMMA Our father left us even shares. FANSHAW Hmm. And that man married yours. SULLIVAN Ah. I should talk to the girl, now. MUSIC HANK Well. SOUND SLAPS THIGHS, GETS UP HANK That hay won't pitch itself. Care to lend a hand, feller? LEM Lem. I-- RED I need him yet fer a mite. I'll send him along when we're through. LEM That's a mighty fine looking belt buckle you got there, Hank. Turquoise? HANK Yup. LEM And silver. [musing] Mighty fine. SOUND WALKS OUT DOOR LEM Why d'you stay, Red? RED Been with Mr. Cartland for nigh on 10 years. Since before he married the missus. Fact is, that was when we came through Carson City. LEM You friends? RED Nah, he ain't one fer making friends of the hands. But he's fair. Hard, but fair. LEM Now tell me. [a bit humorous] Apart from having the nerve of a grizzly, why ain't you scairt? RED I plumb don't feel it. Whatever's a-going on with the girl, it don't hit me here. You ken? LEM I reckon. RED It's like ... play actors. They can make you like the story, but they cain't never make it real. LEM Gotta good solid head on them shoulders, Red. I purpose to find out what all's transpirin here, and if'n yer strapped fer it, I'd shore thank'ee kindly for any help. RED [admiring] You ain't lost none of yer sand, have ya? LEM I reckon the wind's just blowin it in the right direction these days. MUSIC SOUND DOOR CREAKS OPEN SULLIVAN Young lady? MELODY [very tired and small sounding] Who's there? CARTLAND It's the feller gonna tell you what a liar you been. EMMA Husband! CARTLAND Go on then. Tell her. EMMA I'll open them shutters. MELODY No! EMMA Just a crack! It's fair dark in here! SOUND FEET, SHUTTERS SULLIVAN Sir! I must insist on being able to interview the girl in relative peace! CARTLAND I ain't a-stopping you. SULLIVAN You must be quiet and leave the girl to answer for herself. EMMA Please! CARTLAND [somewhat subdued] Go on. SULLIVAN Miss Heath, your lady sister has told me some of your symptoms, but I would like to hear them from you. What is your chief complaint? MELODY They never let me sleep! FANSHAW [far corner] Poor girl does look tired. CARTLAND Nor us out here! I ain't had a good night through in weeks. SULLIVAN [sharp] Shh! [calm] They? Who are "they"? MELODY You won't believe me any more than anyone else does. CARTLAND Hmph. SULLIVAN I believe a great many things. Pray, humor me. MELODY They come at night, and pinch me. Pinch my arms and legs - all over! And one bit me - See here! CARTLAND You bit your own damn self! MELODY [whimpers] SULLIVAN Sir! Would you be kind enough to leave? As long as you insist on berating the poor girl, she will never be calm enough to tell me all her troubles. CARTLAND Fine. Come on, woman. SOUND DOOR ROUGHLY OPENS EMMA Shouldn't I stay? For decency's sake? CARTLAND Man's a holy father, even if he is a soft-headed idjet. Whatcha think he might do? EMMA I suppose. MELODY I'll call if I need help! EMMA You do that. SOUND DOOR SHUTS MUSIC SOUND MOVING THROUGH UNDERBRUSH RED From his yarn, Hank was right about'chere when he saw the lights. LEM Hard to reckon what this'ud look like in full dark. What'us the moon like? RED Middling, round about. LEM Hmm. And that'ud be the window? RED Yup. Though way Hank tells it, it was full open when he was looking. LEM [surprised] Oh! RED What? LEM Let's fade back a bit. Don't want anyone to spy us. RED Why? Mm? [sees] Oh! MUSIC [BREAK] AMB OUTDOORS FANSHAW There you are! I've just witnessed the most appalling-- RED Did we really see what I think we jest saw? LEM I'm afeared so. RED That varmint! Taking advantage of a nice-- LEM She din't look "put out" to me. Any fired-up on her part weren't the angry kind, if you catch me. FANSHAW [sarcastic] Oh. So you saw it too. How useful am I? LEM Mighty useful. [slightly different] To know that sumpin's up with them. Looked like they knowed each other afore this. RED I guess you could safely say that. FANSHAW I tactfully took my leave. SOUND HOOFBEATS APPROACH RED Who in tarnation? Damn! LEM What? RED [heavy import] That's Clyde Wishwell and his boys! MUSIC SOUND TAP ON DOOR EMMA Doctor? Is everything all right in there? SULLIVAN [within] Yes! Quite. SOUND FOOTSTEPS APPROACH THEIR SIDE OF DOOR SULLIVAN [within] I have all I need for the moment. SOUND DOOR OPENS SULLIVAN [cautious] Is your husband ...nearby? EMMA He had to step out. SULLIVAN [relieved] Ah. EMMA I have the guest room ready for you. Your drover can bunk with the men. SULLIVAN My--? Oh, yes. That fellow. My guide. SOUND STEPS OUT, CLOSES DOOR EMMA Is she... Is she going to be all right, sir? SULLIVAN I think this will take some time, but yes. I believe she can be saved. EMMA Saved? You talk like she's ailing! SULLIVAN [serious] She is. It is an ailment of the soul. MUSIC SOUND GENERAL DISMOUNTING, ETC. CARTLAND [barely concealed hostility] Wishwell. WISHWELL Mr. Cartland. I hope you don't mind the intrusion? CARTLAND What do you want? WISHWELL We found a fellow lost on our property, claims he'us supposed to be coming here. We decided to give him an escort. BAKER [a bit too much swagger] Yes, yes. Many thanks. You may go ahead and leave. WISHWELLS MEN [annoyed muttering] CARTLAND Who the devil are you? BAKER You sent for me. WISHWELL He was mighty tight about his business with you, Mr. Cartland. I'm right curious. BAKER That is between Mr. Cartland and myself. Are you waiting around for a reason? I could-- SOUND COINS RATTLE WISHWELL [civility slipping] No need, sir! I reckon a man does you a good turn, seeing you to your destination, rather than shooting your backside fulla buckshot as a trespasser, he deserves a bit of an explanation! CARTLAND Yeah. Explain. BAKER [exasperated] Very well. I am the ghost expert you sent away for. MUSIC AMB OUT BACK LEM Why'm I all of a sudden smellin a rat? FANSHAW You mean Sullivan's obvious "familiarity" with young miss Heath? LEM Biggest rat I seen recently. RED You think they got somethin "on" between them? LEM I'm wondrin has anyone actually clapped eyes on the fellow she got her heart pinned to. RED How'd you hear about that? FANSHAW Damn! LEM [calm] I just hear things. RED Oh. But it was one of the Wishwells she was a-hankerin after. FANSHAW And the Wishwells just rode in. Perhaps we should go and take a look at the other side of this little chess match. LEM Lets go get us a look at the Wishwells. RED Right. FANSHAW I'll stay in the house - keep an eye on the courting. MUSIC CARTLAND YOU'RE the expert? Then who the devil we got inside? [yelling over his shoulder] Emma! BAKER [smug] Well, I can't help you there, I'm no clairvoyant - merely a seeker after truth in the field of spiritualism. WISHWELL [a bit worried] Really? Hmm. SOUND DOOR OPENS, EMMA COMES ONTO PORCH EMMA What is it? Oh! Comp'ny! CARTLAND They ain't compny, they's Wishwells. Get that city slicker out here. We got a bit of a branding problem here. BAKER Are you implying there's someone here claiming to be me? CARTLAND Someone here's claiming something, but I don't know which of you it might be. SOUND SWITCH OF PERSPECTIVE, FEET APPROACHING - RED AND LEM BAKER [off a bit] I have credentials and letters of recommendation. RED That's Ezekial Wishwell, in the tan hat. He's a big rancher over t'other side of the valley. LEM And if one of his marries that Miss, inside- RED Reckon he'll get his hands on her half of the ranch here. LEM Hmm. SOUND FADING BACK TO CARTLAND's POV WISHWELL You sent off for a ghost hunter, and you cain't even remember his name? CARTLAND I contacted him through some damn psychical society in the newspaper out of Carson city. BAKER Yes. Precisely. The "friends in passing". CARTLAND And it's bad enough I gotta do such a damn fool thing just so's I can put my wife's mind at rest about her damn fool sister-- SOUND DOOR OPENS, FEET ON PORCH EMMA Here he is. SULLIVAN You needed me for something? [FADING BACK TO LEM] WISHWELL Whatcha gonna do with two of them? SULLIVAN Two of who? BAKER Is that the imposter? EMMA What? RED It's the doggonest thing I ever heered of! LEM It's a wonder, sure enough. FANSHAW They've vacated the - ahem - bedroom. RED You think there's gonna be a fight? Dunno that them two guys would make much of a scrap - that first one's too prissy and citified, and the other's kind of a runt. But it might be something to see. LEM I need a chance to palaver. FANSHAW This might explain the idiotic views of Sullivan - I mean, if he is the imposter. LEM [muttered] People can be thick as two thumbs and still ain't liars. Happens all th'time. SOUND FADING BACK TO CARTLAND RED Whazzat? LEM Trying to logic out which might be the one sposed to be here. FANSHAW Oh, there's the girl! SOUND BARE FEET ON WOODEN PORCH [argument that runs under above] SULLIVAN I am an ordained minister, sir, of the church of the holy seekers after truth! BAKER That hack cabal? They wouldn't know a phantom from an apparition. I have trained with the most respectable societies in the British Isles! SULLIVAN Hidebound stick-in-the-muds! BAKER Newfangled snot-nosed infants, tampering with forces outside your ken! SULLIVAN Infants! I'll have you know-- SOUND MELODY'S BARE FEET RUN OUT ONTO THE DIRT MELODY Stop! Please! [scream of terror, some thrashing about] CARTLAND What the devil? SULLIVAN Quickly, bring some warm tea, and a cold compress, if you have one. EMMA Yes! SOUND SHE DASHES INTO THE HOUSE BAKER Stay back! The girl is under attack. WISHWELL Looks like some kind of fit. CARTLAND Fit o' temper. Get up, girl! SOUND FEET ENTER LEM Mr. Cartland, might could I drop a word in your ear? CARTLAND Who the hell are you? Oh, right, you come in with the preacher - maybe preacher. LEM Something you need to know. FANSHAW Are you planning to tell him about the assignation? He'll do something terrible to that poor girl - you've seen how beastly he is to her. LEM I know you're looking after the best interests of your family here. FANSHAW He threatened to beat her! CARTLAND I do what I gotta. FANSHAW Even if she is feigning all of this, surely she doesn't deserve-- LEM And I can tell you're purt near your wits end. CARTLAND zat so? LEM I think you done took more than most men can take, so I don't fault you none for flyin off the handle. I might could have an answer for all this. CARTLAND [interested] Really? LEM Yup. It was somethin that Sullivan fellow said regarding the bible. CARTLAND [disbelieving] Really? LEM Once they get this little dustup sorted, mebbe could I try something? CARTLAND What you planning? LEM I promise you, I don't reckon no one'll get hurt - leastways not bad - but beyond that, can't tell you much or it'll fall flat. CARTLAND Is this some of this spiritual hoodoo manure? LEM Well, let's say I'm gonna connive them into believin it is. CARTLAND Hmm... [chuckle] Go on, then. MUSIC EMMA She's settled again, but she keeps tossing and a-turning. CARTLAND [calmer] If I'm right, and she's just doing this all out of pique, what do you think should be done? You really think us going on and giving in is gonna make everything all right? EMMA Me? I-- but it's too drastic to be-- CARTLAND I ain't asking if you think she's making it all up, just what you reckon we should oughtta do if she is. EMMA Oh. [pacing] Well. It's a terrible thing she's doing - if she's doing it. But it can't be easy on her, either. All them hurts she's took. CARTLAND Lotta effort to make you feel sorry for her. EMMA If she's faking, then wouldn't the reverend know it? CARTLAND Stick to the question at hand. EMMA You're much less riled than you been in days - do you know something? CARTLAND With two doctor types on hand, how can I not see a light at the end of this here tunnel? EMMA Oh. CARTLAND [almost gentle] I'm waiting. EMMA I agree - we can't, in good conscience, let her get her way through these kinds of shenanigans - always assuming she's-- CARTLAND Yes, yes. We're assuming. EMMA But what can we do for punishment? Lock her away? I couldn't bear that. CARTLAND What'choo think about schooling? EMMA What? CARTLAND Send her off to school - back east or somewheres where rich folks send their girls, and take the cost of the schooling out of her half the ranch. We'll call it bail. EMMA It would keep her away from the Wishwells. And it would get her away from-- CARTLAND Us? EMMA [sigh] Yes. MUSIC LEM I may not have the booklearnin y'all have, but I did have me a granny who did midwifing and could see and talk to all manner of spirits. SULLIVAN Really? How ...rustic BAKER You should never pooh-pooh the lay folk. Many have toiled in the fields of the supernatural without even realizing they did. Back home in-- SULLIVAN Of course, it is only a pity that so often they were seen as enemies of the church and persecuted, rather than embraced and put to good works. FANSHAW Good gad, they're even worse in harmony. LEM Well, Granny once told me of a sure cure for a plague of spirits. BAKER Oh yes? FANSHAW Watch out, he'll write a monograph on your granny. Did you really have one? LEM O'course. It ain't easy, and it ain't exactly safe. But when the only other path is being ridden round with spirits all your life, it's sometimes a risk you gots to take. SULLIVAN Dangerous? LEM O'course. You got to make the spirits flee outta the afflicted one, and t'only way to do it is to convince them you're about to kill that person. SULLIVAN [horrified] KILL? BAKER That makes a strange sort of sense. LEM Best ways are violent. You cain't sneak up behind 'em, since half the convincin has to be that the one what's afflicted gots to believe it. FANSHAW Mention the flagellants in the bible. They used whips to cleanse themselves of-- SULLIVAN But we can't - that-that poor girl! BAKER I am not certain I could do it myself, but I would be most interested in observing. LEM Oh, I can do it. You two should oughta make sure no one else gets in the way, though. SULLIVAN But you wouldn't really hurt her? LEM I s'pose it depends. Sometimes, the spirits are figurin you wouldn't really hurt no one, and they hang on for the first hurt or two. Like them fellas that whip themselves bloody right there in the bible. SULLIVAN [horrified] Oh no! I can't let you do that to any poor defenseless woman. LEM Don't think it's your choice to make, old hoss. BAKER As long as she is afflicted, it will have to be dealt with. SULLIVAN Let me try something else, first! I might have a way to-- LEM That's right fine. We'll come along and observe your way. SULLIVAN No! It's -- it has to be performed in total secrecy. LEM Cain't hide from the spirits, though. FANSHAW I take the hint. BAKER You should be grateful for the help. SULLIVAN Leave me alone for a minute! I have to - to pray! SOUND WALKS OFF FAST LEM [almost a chuckle] BAKER What got into him? FANSHAW I think he truly cares for the girl. LEM A mighty old spirit indeed. MUSIC [BREAK] EMMA They're gonna hurt her? CARTLAND They don't think it will come to much. Just enough to scare the spirits out of her. EMMA Melody's my sister - I cain't just let them beat her! CARTLAND [trying to be comforting] Don't sound like there's any other way they're gonna manage this. [beat] This feller sounds like he knows what he's doing. EMMA [incredulous] Sounds like he--? How can you say that? CARTLAND [curt] I will stop him before he does anything too... drastic. EMMA You got no fine feelings about seeing her hurt. You would have-- CARTLAND [getting annoyed] I'da punished her, yeah. Now get out my way. I'm done talkin! MUSIC RED Lem, over here a minute. LEM [queit] Yeah? [up] Mister Baker, why don't you see if the lady of the house might be able to find you a spot to sleep tonight? BAKER And that charlatan? LEM Doctor Sullivan? You let me handle him. Oh, and - sunset. That's the time to deal with ghosts. BAKER Sunset? LEM So says my gran. BAKER Right. I am quite interested to see how this goes. SOUND BAKER WALKS OFF LEM Sorry about that. RED What are you up to? LEM Takin a tip from the bible. You with me? RED Spect so. WISHWELL Could I have a word with you, sir? LEM [sigh] Spect so. MUSIC SOUND TAPPING ON WOOD [Sullivan sounds very different, western, rather than citified, and is speaking quietly, to avoid being overheard] SULLIVAN Melody? Melody? FANSHAW Hmph. Praying indeed. I would say he's rather old for her, but that moustache doesn't do much to hide a cheek that's barely seen a razor. SULLIVAN Please, Mel, honey! SOUND TEENSY CREAK OPEN MELODY Wallace? You shouldn't be out there! FANSHAW Wallace? SULLIVAN I had to come! Everything's falling apart. MELODY What do you mean? SULLIVAN They've got some cockamamie scheme, and sounds like they're planning to hurt you. Maybe bad. MELODY Emma'd never let them do that! SULLIVAN There's enough people here got no patience left, I doubt but that she couldn't stop them. Can't you turn this? MELODY It's got away from me! What can I do? SULLIVAN Maybe just say you're cured? MELODY And then what? That leaves me here with folks that hate me and no chance o'nothin'? No chance of... us? I'll die first! SULLIVAN I'll try and come up with something. But if it comes down to it, stop them before they hurt you. Please promise you will! MELODY [grim] I'll do what I gotta do. MUSIC WISHWELL What you fixing to do, sir? LEM Come sunset, I'll take drastic measures to free that girl from her torment. WISHWELL You sound like you might have to kill her. LEM I'm sure the reverend - uh - doctor sullivan can speak you best on torment and the afterlife. He's got a nose fer it. WISHWELL But what exactly are you planning to do? FANSHAW Don't turn round. Sullivan is lurking. LEM [sigh] I hate to see anyone in pain. But sometimes, ain't no choice. If'n there's a spirit a-punishin that child, it ain't gon be easy to spook it out. I may have to shoot her. SOUND [men - including RED, WISHWELL, react] LEM [matter of fact] Don't worry none, though. I once shot a man eight times - a'purpose - and he din't die. [shrug] Can't use one hand no more, but apart from that he all healed up jest fine. WISHWELL [horrified] And Cartland's gonna let you go on and do this? LEM I get the feeling that if his wife would allow, he'd do it hisself - he's that plumb wore out with the girl. WISHWELL And what if we all decide to stop you? LEM I don't see as how it's any of your business. SOUND GUNS OUT WISHWELL [sterner] And what if we all decide to stop you? SOUND SHOTGUN COCKS CARTLAND [off] I think mebbe it's time fer you to get along home, then, Wishwell. SOUND GUNS UP WISHWELL [forces laugh] We were just looking out for your best interests, Cartland. Have you heard? This here fellow is fixing to shoot your sister. CARTLAND Well, something's gotta be done with the girl. FANSHAW Is he serious, or did you have a chance to warn him? LEM Glad to see you took my counsel serious, Mr. Cartland. FANSHAW Ah. CARTLAND And now Wishwell, you and your boys can take my counsel - Git! WISHWELL I'll be telling the sheriff about these goings on. CARTLAND You do that. Sunset's about an hour away - you won't get there and back by then. And I figure this way. If my wife's sister can be bit by ghosts, maybe she can get shot by them too. Ain't no one here gonna say otherwise, once all's said and done. MUSIC SOUND TAPPING ON SHUTTER MELODY Wallace? FANSHAW [explaining] That's Sullivan. SOUND TAPPING LEM [indistinguishable grunt] MELODY Wallace? SOUND SHUTTER CREAKS OPEN MELODY Are you-- [gasp of fear!] LEM You want to talk to me, girl. And you want to stay quiet. MELODY My sister is jest in the next room. LEM I know. And I ain't askin fer nothin improper. Cartland's got Sullivan sewed up in argument fer the moment, so I got one chance for you. MELODY Chance? Fer what? LEM Wallace. You in love with the boy, or jest lookin fer a way out from under your folks? MELODY We're in love. LEM You want him more than you want your share of the ranch? MELODY [teensy hesitation] Yes. LEM And would he and his take you without you had that parcel to offer? MELODY He would. LEM And his pa out there? Mr. Wishwell? MELODY [gasp] You know? LEM I know a lotta things. F'r'instance, tonight's gonna be an interestin night. MUSIC FANSHAW So if they're genuinely in love -- LEM I think they are. He's plumb torn up about the chance as she might get hurt. Mebbe she's not so worried, but she seems true. FANSHAW Then this is just like Shakespeare - Romeo and juliet. Families opposed to one another, romance between the younger generation. LEM 'Zat give us any aid with sorting out this rats nest? FANSHAW Well, they both died. So I guess not. LEM Hmm. Plays. FANSHAW What are you thinking? LEM Well... I was playing at solomon. Threatnin the girl to bring out-- FANSHAW [realizing] The real-- Yes! I've got it. Jolly clever. LEM I'm thinkin mebbe I got the wrong baby. FANSHAW The wrong what? MUSIC In house CARTLAND Can't be long now. EMMA You won't let him really hurt her, will you? CARTLAND [gentle] Emma. He promised he wouldn't. We have to convince her he would, though. She gots to believe it. EMMA Why? CARTLAND If she's faking, she has to cry off. If she ain't... well... he says the spirits gotta be convinced she's gonna die, so they'll haveta leave. EMMA Oh. I see. Thank you. CARTLAND [uncomfortable] Right. Just find us one of them schools, woudja? MUSIC OUTSIDE LEM [talking to a crowd] Much as it pains me to have to do this, um, I reckon there ain't no way to solve this problem til we drive out the spirits here. BAKER Where is the girl? LEM She's a coming. SOUND DOOR OPENS LEM Speak of the devil. SOUND SEVERAL PEOPLE WALKING OUT ON WOOD MELODY Please! What are you going to do? SULLIVAN I protest! I don't think this is safe! LEM [muttered] We got any other company? FANSHAW The wishwells never went very far. Just out of sight, then circled back. They're behind the barn. LEM Good. FANSHAW Red appears to be in his allotted position. Hank is nowhere to be seen. LEM Hmph. [up] Get on over here miss. MELODY I'm scared! CARTLAND It gots to be done. EMMA Be strong, Melody. FANSHAW No arguments? Hmm. I sense a reconciliation in the family. LEM Harmony ain't no bad thing. FANSHAW Rather goes with melody, actually. MELODY What is it you plan to do? LEM Gon' drive the evil sprits out. Need you to stand right here, miss. Don't move a muscle. You got me? MELODY Emma! I don't want to do this! EMMA Melody, there ain't no choice. Not no more. SULLIVAN I agree with the young lady - I feel this is too dangerous. MELODY Dangerous? Wh-what's a-going to happen? CARTLAND [commanding but not being mean] Stand still, and let the man do his work. LEM All y'all back on the porch now, if'n you please. SOUND FEET LEM Now miss, if you'll hold yerself real still. MELODY I'll do my best. SOUND GUNSHOT, HITS WOOD MELODY [screams!] [break?] EMMA Be careful! MELODY What did you do that for? LEM I'm shooting the ghosts. That's why you gotta hold real still. SOUND GUNSHOT MELODY [gasp] You nearly hit me! FANSHAW The wishwells are getting closer. LEM Good. SOUND THREE GUNSHOTS MELODy [scream of pain!] EMMA What's that? You said you wouldn't hurt her! Is that blood? LEM That's jest splinters. Stay back. SOUND TWO GUNSHOTS MELODY [scream] SULLIVAN Nooooooooo! SOUND RUNNING FEET, SLOW MO SOUND GUNSHOT SULLIVAN [argh! Death rattle] MELODy [scream, death rattle] FANSHAW [dry] Two with one shot. Oh my. EMMA [screaming] SOUND RUNNING FEET LEM Mr. Cartland, hold your wife. Mr. Baker? BAKER [flustered] um, um - yes. LEM You got any doctoring? BAKER Yes, yes, of course. I'll check on them. WISHWELL [coming roaring in] Nooo! CARTLAND What the devil you doing here, Wishwell? LEM Stay back, there. Let the doctor do his business. WISHWELL Wallace! Damn you, you sidewinder! You are a dead man! SOUND GUNS DRAW WISHWELL You ain't steppin in this time, Cartland! CARTLAND If I just saw what just happened, you kin have him. LEM [Unconcerned] Afore you start throwin lead, mebbe you two should take some of the blame on yerselves. CARTLAND What? WISHWELL You can go to blazes! LEM If you two weren't such prickly porcupines on the subject of them kids getting married, none of this woulda ever happened. CARTLAND That's who she wanted to marry? And he's a wishwell? WISHWELL He's my youngest, you son of a buzzard. Sent him off back east to school, make a better man of him. And now all that's ashes. CARTLAND He ain't a reverend, then? FANSHAW Goodness, they're a bit slow. LEM Hush, now! Now you two can be joined in your misery, like you might have been joined by them kids. Only damn fool you gotta hate now is me. CARTLAND He ain't said they're dead. Doctor? BAKER [calling] I'm doing what I can. WISHWELL My son? Is he still with us? LEM Hold it. SOUND GUN COCKS WISHWELL You stay out my way. SOUND SHOTGUN RACKED RED I think you better drop that gun Mr. Wishwell. CARTLAND I'll go and-- RED No, sir. You wait too. With all due respect. LEM If them kids survive this, you let em marry? CARTLAND They're too young. She is, anyway. [don't forget the bit about sullivan not being as old as the moustasche and beard make him look] WISHWELL You just don't wanna lose half the ranch. CARTLAND I got plans for that half the ranch. I got it planned right up til she comes of age. LEM Mebbe if they can marry, she can leave you in charge til she comes of age. Let you carry through your plans. EMMA None of this matters! Let me go to my sister! RED Lem? LEM Give em sumpin to live for, you two. Make this up. Tell them they ain't gotta be dead to be together. WISHWELL You think that would help? LEM I been near dead once or twice, and havin hope is a mighty fine thing. EMMA Bart? Please let her, Bart! If you don't care to give Melody some hope, give me some! CARTLAND If Wishwell agrees that I keep control for five more years. WISHWELL We're gonna have to set this down in writin. EMMA There ain't no time fer writing now! [sharp] You say it! Both of you! CARTLAND Fine. Melody! If'n you can hear me, you listen. I'm telling you, you can marry that... boy. We got it all worked out at this end. WISHWELL Wallace? Fight Wallace! You idjit, jumping in front of a bullet fer a girl! But you can have her if you want her. Izzat good? CARTLAND You all gonna put down yer guns now? LEM That sounds fine. What you'all think? MELODY [perfectly fine] I think it sounds good. But I gotta have a real fine dress. Understand? EMMA [astonished] Melody? MELODY I'm all right. SULLIVAN We're both just fine. WISHWELL Well... Damn! CARTLAND All right, somebody better start explaining. RED Lem? Lem? MUSIC SOUND RIDING SLOWLY LEM Much as I hate walkin the horses by moonlight-- FANSHAW I do think it's best to get while the getting is good. Do you think they will keep their promises? LEM Got witnesses enough between Baker and Red. FANSHAW Whatever happened to Hank? LEM That was probly me - I think I suspected his belt buckle too loudly and he took fright. FANSHAW Paid to tell a tale? LEM Ayup. FANSHAW Solomon to Prince Escalus in one step. I'm impressed. LEM What are you jabberin on about? FANSHAW That back there was Romeo and Juliet, was it not? LEM Mebbe just a little. [beat] You ever done any of them plays? FANSHAW Oh, yes. School. LEM You gotta be the one in the dress? Like you were sayin? You got a voice that might could pass. FANSHAW Oh... [dropping voice as low as possible] No. Actually, I often was the lead. I even played romeo. I was rather good at learning lines. Of course, someone always had to put on the dress. Boys and girls do not attend school together - not our sort of boys and girls, anyway. LEM Seems like puttin a hat on a pig. FANSHAW No. It's just "theater." END
Well shit the bed! Looky looky what we have here, it's a brand new episode of The Grave Plot Podcast! In Real World Horror, we talk about a next generation version of Final Destination, and the bone chilling events that happened to passengers on an Israeli airline just as their flight was set to take off. In Horror Business, we examine Kevin Bacon's return to summer camp, as well as updates on the latest Supernatural spin-off, a time traveling slasher film, and Bill S. Preston, Esquire's attempt to Destroy All Neighbors. We then take a ride on an updated version of the Terror Train. In our film reviews, we take a look at two films featuring troubled young girls. Up first is the Blumhouse remake of Stephen King's Firestarter, about Zac Efron's psychic powers and his daughter's ability to... start... fires. We follow that up talking about the indie horror We're All Going to the World's Fair, about an internet challenge with terrifying consequences. So pull up a log and gather around the campfire as we thrill you with the latest tales of The Grave Plot Podcast!
Ani Mercedes who is C.E.O., Founder and Impact Producer of Looky Looky Pictures, an impact production company that connects the power of films with the power of people. They work with stories that go beyond empathy; that aim to participate in the transformational work of building solidarity with (rather than for) the communities they aim to serve. Ani and her team have implemented and advised on impact production for over 800 filmmakers including the films Through the Night, Councilwoman, Building the American Dream, and LIYANA.
We continue our march to the finale...Purgatory pals! Fatherhood! Auctions! Listen now! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Grab your boots and lassos, we're doing a deep(ish) dive into the history and culture of the rodeo. Along the way, we discuss the major rodeo events, where cowboys come from, how capitalism ruins everything, and how much money it would take to get us on the back of a bull. You can find Stef on the web here and Brendan here. As always, thank you for listening! If you're really into the podcast, please leave us a review. And if you're REALLY into it, please feel free to share on social media and with your friends and family. We appreciate any and all support!!
Well, well, well......Looky who has returned! Mr. Justing Brusky- lover, fighter, network wizard and bicycle fanatic- returns to the studio with a topic!! I know- not our usual jam here at 'Talk About Towers! But we managed to interrupt each other enough to get our quota of tangents in! Lots of common phrases explained, laughs had, and good stories told! You don't want to miss this one!