Podcasts about madame cj walker

Janine Sherman Barrois is an award-winning writer and showrunner known for her work on Claws, Criminal Minds, ER, and Self Made: Inspired by the Life of Madame CJ Walker starring Octavia Spencer. Her latest project, The Big Cigar, follows Huey P. Newton's life as he escapes to Cuba to avoid prosecution for murder with the help of Bert Schneider, the Hollywood producer behind Easy Rider, as well as a few other celebrity radicals. In this interview, we talk about her journey into becoming a screenwriter, how her career progressed from writing comedy to drama, the differences between writing for short-order vs long-order television shows, the importance of mentorship and networking for aspiring writers, and much more. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

In this episode we discuss seeking the truth versus accepting what you're told, edifying the visionary versus falling for the “rags” to riches story and how time tells that Madame CJ Walker was not the first millionaire and industry pioneer.

Madam C.J. Walker schrieb als erste afroamerikanische Selfmade-Millionärin Geschichte. Geboren im Jahr 1867 in Delta, Louisiana, als Tochter ehemaliger Sklaven, durchlief Walker eine außergewöhnliche Reise von den Baumwollfeldern Mississippis bis zur Gründung ihrer eigenen erfolgreichen Firma. Ihre Entschlossenheit und ihr Pioniergeist führten zur Entwicklung von "Madam Walker's Wonderful Hairgrower". Neben ihrem wirtschaftlichen Erfolg engagierte sich Walker leidenschaftlich für die Bürgerrechte und war eine treibende Kraft hinter vielen sozialen Initiativen. Ihr prächtiges Anwesen, Villa Lewaro, wurde zu einem kulturellen Treffpunkt, der führende Persönlichkeiten der Zeit anzog. Trotz ihres frühen Todes im Jahr 1919 hinterließ Madam C.J. Walker ein dauerhaftes Erbe, das nicht nur durch ihre Produkte, sondern auch durch ihren unermüdlichen Kampf für Gerechtigkeit und Gleichberechtigung lebt."Historische Heldinnen" lässt mithilfe von Künstlicher Intelligenz wichtige Frauen der Weltgeschichte auf ihr eigenes Leben zurückblicken. Selbstbewusst erzählen sie uns von ihrem Mut und ihrer Durchsetzungskraft.Viertausendhertz 2024 Hosted on Acast. See acast.com/privacy for more information.

2024.03.12 Madame C.J. Walker “No te sientes a esperar por tu oportunidad. Levántate y constrúyela tú misma” Esta semana estoy compartiendo la historia de cinco grandes empresarias del siglo 20. Busca Cápsulas Gerenciales en tu plataforma de podcast favorita, y descubre como Madame C. J. Walker paso de ser hija de esclavos a la primera mujer negra millonaria. #cápsulasgerenciales #capsulasgerenciales #desarrollopersonalholistico #mejorcadadia #inspiracionyexito

This week we take a look at the chart and life of the first black millionaire, Madame CJ Walker.facebook.com/historyinretrogradeyoutube.com/historyinretrograde@retrograde_podcast on instagramhistoryinretrograde@gmail.comMusic: [Sitar1] by Alas Media (www.soundcloud.com/alas-media)Licensed under Creative Commons BY Attribution 4.0 LicenseEnjoy what you hear? Consider donating to our paypal to help us continue producing quality content.https://www.paypal.com/donate/?hosted_button_id=JS7ENERBQWQGQ Would you like a personal reading of your astrological chart done by Chandler's Mom?Contact chandlersmom@historyinretrograde.com for more details Hosted on Acast. See acast.com/privacy for more information.

S8E768 – Recorded & Aired Broadcast: Thursday, February 22, 2024; ALL NEW: Exclusive Inside Scoop with Rufus: Wendy Williams Health Diagnosis!!; Inside Scoop with Rufus: This week in The Gospel News with Nina Taylor, Karen Clark Sheard, "Our Moment in Black History "Madame CJ Walker & Majorie Stewart Joyner. - www.therh3show.com. Items / Sponsors / Mentions featured in Today's Show: Stay Safe, Stay Protected, Stay Home! *No Copyright Infringement intended!!! We do not own the rights to the music that's being played*. ---- Copyright Disclaimer: Excerpts from books, blogs, social media, and public figures protected by Fair Use Clause of the Copyright Act which states - Notwithstanding the provisions of sections 106 and 106A but under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. ---- #WendyWilliams, #WhereIsWendyWilliams, #Entertainment, #TheRH3Show, #TrendingTopics, #BlackAlbinism Follow The RH3 Show See it first. See it now. Only at www.therh3show.com www.facebook.com/therh3show www.instagram.com/therh3show www.twitter.com/therh3show www.youtube.com/iRepASavior ---- The views expressed here are those of the Host(s) and of the Guests and do not necessarily represent or reflect the views of any affiliates of The RH3 Show. TRH3S is a talk media and an intellectual property of RH3 Productions; a division of S'iol Solutions (S'iol - noun | si·ol | see·ole). ---- Health Minute Disclaimer, please visit: www.therh3show.com. ---- How to listen to The RH3 Show at 1 pm est. M-F, you can go to my website www.therh3show.com to check times of airplay, or subscribe to one of the major podcast platforms ... #Audacy, #iHeartRadio, #AmazonMusic, #AmazonAudiobooks, #Spotify, #ApplePodcasts, #GooglePlayMusic, #AnchorFM, other Podcast platforms and search "The RH3 Show". #Gospel107FM, #KitchenTableTalk, #InsideScoopWithRufus, #RealTalkWithRufus, #TRH3S, #BlackAlbino, #AskRufusLetter, #AdviceLetters, #DaytimeTalkShow, #DaytimeTV, #RadioStation, #EntertainmentTalk, Telepictures, Debmar Mercury, OWN, TVOne, Endemol Shine, Tyler Perry Studios, FoxSoul --- Send in a voice message: https://podcasters.spotify.com/pod/show/therh3show/message

S8E769 – Recorded & Aired Broadcast: Friday, February 23, 2024; ALL NEW: Kitchen Table Talk Hour; Exclusive Inside Scoop with Rufus Pt. 2!; Inside Scoop with Rufus: Sherri Shepherd, Wendy Williams, & more!; This week in The Gospel News with Nina Taylor, Karen Clark Sheard, "Our Moment in Black History "Madame CJ Walker & Majorie Stewart Joyner. - www.therh3show.com. Items / Sponsors / Mentions featured in Today's Show: Stay Safe, Stay Protected, Stay Home! *No Copyright Infringement intended!!! We do not own the rights to the music that's being played*. ---- Copyright Disclaimer: Excerpts from books, blogs, social media, and public figures protected by Fair Use Clause of the Copyright Act which states - Notwithstanding the provisions of sections 106 and 106A but under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. ---- #SherriShepherd, #WendyWilliams, #WhereIsWendyWilliams, #Entertainment, #TheRH3Show, #TrendingTopics, #BlackAlbinism Follow The RH3 Show See it first. See it now. Only at www.therh3show.com www.facebook.com/therh3show www.instagram.com/therh3show www.twitter.com/therh3show www.youtube.com/iRepASavior ---- The views expressed here are those of the Host(s) and of the Guests and do not necessarily represent or reflect the views of any affiliates of The RH3 Show. TRH3S is a talk media and an intellectual property of RH3 Productions; a division of S'iol Solutions (S'iol - noun | si·ol | see·ole). ---- Health Minute Disclaimer, please visit: www.therh3show.com. ---- How to listen to The RH3 Show at 1 pm est. M-F, you can go to my website www.therh3show.com to check times of airplay, or subscribe to one of the major podcast platforms ... #Audacy, #iHeartRadio, #AmazonMusic, #AmazonAudiobooks, #Spotify, #ApplePodcasts, #GooglePlayMusic, #AnchorFM, other Podcast platforms and search "The RH3 Show". #Gospel107FM, #KitchenTableTalk, #InsideScoopWithRufus, #RealTalkWithRufus, #TRH3S, #BlackAlbino, #AskRufusLetter, #AdviceLetters, #DaytimeTalkShow, #DaytimeTV, #RadioStation, #EntertainmentTalk, Telepictures, Debmar Mercury, OWN, TVOne, Endemol Shine, Tyler Perry Studios, FoxSoul --- Send in a voice message: https://podcasters.spotify.com/pod/show/therh3show/message

Powdered wigs to cover up sores, chemical relaxers for hair straightening, wigs for your pubes and an iconic invention called the hair weave! Today, Fatou and Maz discuss the history of hair from Marie Antoinette to Madame CJ Walker!   Email: DinnerPartyHistoryPod@gmail.com Where to Find Us: Fatou's Instagram Fatou's Tiktok Maz's Instagram Maz's Tiktok

S8E767 – Recorded & Aired Broadcast: Tuesday, February 20, 2024; ALL NEW: Kitchen Table Talk Week; Health Minute & Real Talk with Rufus: Keep Plodding & You'll Succeed!; Inside Scoop with Rufus: This week in The Gospel News with Nina Taylor, Karen Clark Sheard, "Our Moment in Black History "Madame CJ Walker & Majorie Stewart Joyner. - www.therh3show.com. Items / Sponsors / Mentions featured in Today's Show: Stay Safe, Stay Protected, Stay Home! *No Copyright Infringement intended!!! We do not own the rights to the music that's being played*. ---- Copyright Disclaimer: Excerpts from books, blogs, social media, and public figures protected by Fair Use Clause of the Copyright Act which states - Notwithstanding the provisions of sections 106 and 106A but under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. ---- #Entertainment, #TheRH3Show, #TrendingTopics, #BlackAlbinism Follow The RH3 Show See it first. See it now. Only at www.therh3show.com www.facebook.com/therh3show www.instagram.com/therh3show www.twitter.com/therh3show www.youtube.com/iRepASavior ---- The views expressed here are those of the Host(s) and of the Guests and do not necessarily represent or reflect the views of any affiliates of The RH3 Show. TRH3S is a talk media and an intellectual property of RH3 Productions; a division of S'iol Solutions (S'iol - noun | si·ol | see·ole). ---- Health Minute Disclaimer, please visit: www.therh3show.com. ---- How to listen to The RH3 Show at 1 pm est. M-F, you can go to my website www.therh3show.com to check times of airplay, or subscribe to one of the major podcast platforms ... #Audacy, #iHeartRadio, #AmazonMusic, #AmazonAudiobooks, #Spotify, #ApplePodcasts, #GooglePlayMusic, #AnchorFM, other Podcast platforms and search "The RH3 Show". #Gospel107FM, #KitchenTableTalk, #InsideScoopWithRufus, #RealTalkWithRufus, #TRH3S, #BlackAlbino, #AskRufusLetter, #AdviceLetters, #DaytimeTalkShow, #DaytimeTV, #RadioStation, #EntertainmentTalk, Telepictures, Debmar Mercury, OWN, TVOne, Endemol Shine, Tyler Perry Studios, FoxSoul --- Send in a voice message: https://podcasters.spotify.com/pod/show/therh3show/message

Amanda begins with a heartwarming story of Black joy, featuring 11-year-old NFL reporter Jeremiah Fennell, whose Super Bowl 58 coverage went viral. An Atlanta hairstylist's transformation of Madam C.J. Walker's historic beauty shop into a museum is highlighted, celebrating the legacy of America's first self-made female millionaire. A Pennsylvania teacher brings Black history to life with historical costumes, making the subject engaging for her students. Tehran, the headliner of the week, joins for "For the Record." The show continues with more Black joy, this time featuring a teacher in Pennsylvania who creatively teaches Black history through costumes. In "For the Record Part 2," comedian Tehran shares more insights. The episode concludes with voicemail checks. The final segment features the Blackspin, discussing the anatomy of a love song, and wraps up with Amanda expressing gratitude for the listeners and previewing the upcoming President's Day long weekend. Listen, Laugh, and Learn on The Amanda Seales Show! If You Have A Comment Leave Amanda A Message At 1 855-Amanda-8 That's 1-855-262-6328 FOLLOW ALONG AS WE COVER:   (1:39) – A Story of Black Joy!    Shout out to Jeremiah Fennell the 11-Year-Old NFL Reporter Who Won Vegas and The World Over with His Super Bowl 58 Coverage.    Jeremiah Fennell is being called “the Best in the Game” after his sports interview with NFL players at the Super Bowl went viral.    He scored one-on-one time with Kansas City Chiefs stars Patrick Mahomes, Travis Kelce and head coach Andy Reid for the NFL Network on media day ahead of the big game.   (4:00) - The Word Game   (11:15) – We'll go to the phonelines.   (13:24) - IT'S THE AMANDA SEALES SHOW… I'M AMANDA SEALES…    HAPPY BIRTHDAY:       THE WEEKEND       ICE T.    COMING UP:       WE'RE SPREADING MORE BLACK JOY.       OUR RESIDENT MOVIE CRITIC DESMOND THORNE WILL JOIN US FOR WATCH DON'T WATCH.       AND WE'LL CHECK THE VOICEMAIL.   (15:20) - A Story of Black Joy    AN ATLANTA HAIRSTYLIST HAS TRANSFORMED MADAM C.J. WALKER'S HISTORIC BEAUTY SHOP INTO MUSEUM.    The new museum pays homage to America's first self-made female millionaire.    Ricci De Forest, a hairstylist in Atlanta, has transformed a long-standing beauty shop once owned by Madam C.J. Walker into a Black history museum.    It is located in the same neighborhood as Dr. Martin Luther King Jr.'s childhood home.    Ricci found this historical gem 30 years ago and was able to buy out the space in the hopes of keeping its legacy intact.    She also gained the hair tools that made Madame CJ Walker a household name.    Madame CJ Walker is a known figure in Black history for not only revolutionizing hair care for Black women but developing a line of beauty products that made her America's first self-made female millionaire.    The Madame C.J. Walker Museum is open now for visitors.   (17:37) – Watch Don't Watch with Desmond Thorne!   (23:00) - Things I Learned This Week.   (24:43) – We'll Check the Voicemail.   (28:27) IT'S THE AMANDA SEALES SHOW… I'M AMANDA SEALES.    TODAY IS FRIDAY, FEBRUARY 16, 2026    IT'S NATIONAL CAREGIVERS' DAY!    COMING UP THIS:       WE'RE SPREADING MORE BLACK JOY.       OUR HEADLINER OF THE WEEK - TEHRAN WILL JOIN US FOR, FOR THE RECORD.       AND WE'LL CHECK THE VOICEMAIL.   (29:43) – A Story of Black Joy    A PENNSYLVANIA TEACHER IS BRINGING BLACK HISTORY TO LIFE AT HER SCHOOL WITH HISTORICAL COSTUMES.    Ms. Burton is a Spanish teacher at Collegium Charter School in Exton, Pennsylvania.    She goes above and beyond to honor African American trailblazers by dressing in elaborate costumes, portraying pioneering women and men, to inspire her students.    She then quizzes them on the identity of each, making history come alive in her classroom in the process.    Ms. Tamika Burton has dressed up as Tina Turner, Ella Fitzgerald, Bessie Coleman, and Joe Louis, among other African American trailblazers.    And she has turned Black History Month into a school-wide event. She even hands out treats to students and staff who guess the historical figures correctly.   (31:19) – For the Record with Comedian Tehran   (36:35) – For the Record Part 2   (40:41) – We'll Check the Voicemail.   (44:05) - ARE YOU READY FOR THE WEEKEND?    IT'S A LONG WEEKEND FOR SOME… MONDAY IS A HOLIDAY. IT'S PRESIDENT'S DAY.    COMING UP THIS HOUR:       SHARING MORE BLACK JOY!       THE BLACKSPIN       THINGS I LEARNED THIS WEEK   (45:36) – The Blackspin – The Anatomy of a Love Song.   (49:49) – Thank you for listening!   FOLLOW THE SHOW ON ALL SOCIALS: @Sealessaidit @Amandaseales If You Have A Comment Leave Amanda A Message At 1 855-Amanda-8 That's 1-855-262-6328  See omnystudio.com/listener for privacy information.

Season 7 I know you may be wondering what in the world does Riri have to do with #blackhistorymonth and I say "A LOT". Just like Madame CJ Walker introduced haircare products specifically for black women Rihanna introduced foundations to satisfy the needs of the various shades of black women. SHOP Fenty Beauty HERE --- Send in a voice message: https://podcasters.spotify.com/pod/show/globalgirlspodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/globalgirlspodcast/support

Welcome to February and Black History Month. --- Send in a voice message: https://podcasters.spotify.com/pod/show/globalgirlspodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/globalgirlspodcast/support

Se salvó por muy poco de ser una esclava y, a cambio, creó un imperio de la cosmética cuyas ramificaciones aún perduran. Sarah Breedlove, conocida como Madame C.J. Walker, se benefició de un olfato empresarial inédito para crear hace más de un siglo a partir de un crecepelo una gran empresa con ventas de medio millón de dólares al año y una amplia red de ventas en Estados Unidos y en el exterior. Clara Ruiz de Gauna, redactora jefe del periódico y autora de la saga sobre los personajes que han hecho historia en el mundo financiero que se publica todas las semanas en EXPANSIÓN, y los redactores del periódico Amaia Ormaetxea y Antonio Santamaría analizan el legado de la primera mujer millonaria de raza negra.See omnystudio.com/listener for privacy information.

Elijah McCoy, Garret Morgan, George Washington Carver, and Madame CJ Walker are names you might recognize. They're Black inventors whose inventions modernized the world. But they may also be the only names you recognize when you think of Black inventors. Due to racism and other discriminatory structural barriers, potential Black inventors have been locked out, or in some cases violently forced out, of invention pipelines. On this episode of Justice Above All, Dr. Kesha Moore, TMI Research Manager, takes a deep dive into the world of innovation and tracks how racism has undermined scientific innovation. Guests: Eric S. Hintz, Historian, Lemelson Center Corey Mack, InventorTiffani Burgess, LDF Economic Justice Fellow If you enjoyed this episode please consider leaving a review and helping others find it! To keep up with the work of LDF please visit our website at www.naacpldf.org and follow us on social media at @naacp_ldf. To keep up with the work of the Thurgood Marshall Institute, please visit our website at www.tminstituteldf.org and follow us on Twitter at @tmi_ldf.

KIRU'MONO une maison de création née en 2019. Une fusion exquise entre la richesse de la culture africaine, la sophistication japonaise et l'élégance à la française. L'inspiration originelle est née lors d'un voyage enchanteur en Guadeloupe, lorsque Mademoiselle Jan a imaginé un kimono confectionné à partir de tissus africains. L'engouement suscité par ce vêtement exceptionnel, de l'aéroport d'Orly à la Guadeloupe, a donné naissance à la marque afro-japonaise KIRU'MONO, avec le kimono comme pièce maîtresse. Chaque kimono de KIRU'MONO est une œuvre d'art unique, façonnée avec amour et 100% française, depuis le choix des tissus jusqu'à l'atelier de confection. Il incarne l'audace et l'évolution du kimono, un vêtement japonais millénaire, désormais revisité avec passion par KIRU'MONO. L'essence de KIRU'MONO est que ses kimonos transcendent le cadre de la maison pour devenir un symbole du quotidien, où chacun peut exprimer sa véritable identité. Les valeurs et traditions de diverses cultures sont préservées avec soin, tout en privilégiant un mode de production durable et respectueux de l'environnement. Toutes les créations sont conçues et réalisées en France, unissant ainsi l'esthétisme japonais, la richesse de la culture africaine et l'élégance à la française. KIRU'MONO incarne une vision moderne et rafraîchissante, s'efforçant de créer les pièces les plus exquises tout en promouvant le commerce équitable. Mademoiselle Jan, la créatrice de KIRU'MONO, incarne l'éthique et la durabilité de la marque. Sa passion pour les kimonos, symboles d'élégance et de raffinement, s'inspire de femmes remarquables telles que Madame CJ Walker, Diana Vreeland et Wangari Muta. KIRU'MONO célèbre l'artisanat français, conférant à ses créations une singularité incomparable. Les ateliers situés à Paris garantissent un contrôle minutieux de la qualité. Plongez dans le monde captivant de KIRU'MONO, où l'esthétisme japonais, la culture africaine et l'élégance française se fondent en une harmonie sublime. Site : Kiru'mono

KIRU'MONO une maison de création née en 2019. Une fusion exquise entre la richesse de la culture africaine, la sophistication japonaise et l'élégance à la française. L'inspiration originelle est née lors d'un voyage enchanteur en Guadeloupe, lorsque Mademoiselle Jan a imaginé un kimono confectionné à partir de tissus africains. L'engouement suscité par ce vêtement exceptionnel, de l'aéroport d'Orly à la Guadeloupe, a donné naissance à la marque afro-japonaise KIRU'MONO, avec le kimono comme pièce maîtresse. Chaque kimono de KIRU'MONO est une œuvre d'art unique, façonnée avec amour et 100% française, depuis le choix des tissus jusqu'à l'atelier de confection. Il incarne l'audace et l'évolution du kimono, un vêtement japonais millénaire, désormais revisité avec passion par KIRU'MONO. L'essence de KIRU'MONO est que ses kimonos transcendent le cadre de la maison pour devenir un symbole du quotidien, où chacun peut exprimer sa véritable identité. Les valeurs et traditions de diverses cultures sont préservées avec soin, tout en privilégiant un mode de production durable et respectueux de l'environnement. Toutes les créations sont conçues et réalisées en France, unissant ainsi l'esthétisme japonais, la richesse de la culture africaine et l'élégance à la française. KIRU'MONO incarne une vision moderne et rafraîchissante, s'efforçant de créer les pièces les plus exquises tout en promouvant le commerce équitable. Mademoiselle Jan, la créatrice de KIRU'MONO, incarne l'éthique et la durabilité de la marque. Sa passion pour les kimonos, symboles d'élégance et de raffinement, s'inspire de femmes remarquables telles que Madame CJ Walker, Diana Vreeland et Wangari Muta. KIRU'MONO célèbre l'artisanat français, conférant à ses créations une singularité incomparable. Les ateliers situés à Paris garantissent un contrôle minutieux de la qualité. Plongez dans le monde captivant de KIRU'MONO, où l'esthétisme japonais, la culture africaine et l'élégance française se fondent en une harmonie sublime. Site : Kiru'mono

Acompáñame a navegar este short para conocer el caso de Madame C. J. Walker y su su compromiso con el empoderamiento económico y los derechos civiles de las mujeres afroamericanas.Construyó un negocio de productos capilares con una facturación de $500,000 dólares anuales, empleaba a más de 1,000 agentes de ventas, estableció las bases clave para el modelo de venta directa y de distribución en ventas por catálogo y contribuyó al desarrollo económico, político y social de su comunidad. El legado de Madame C. J. Walker continúa inspirando a mujeres y empresarios en la actualidad y su historia es un testimonio de superación personal, empoderamiento económico y lucha por la igualdad, dejando una marca perdurable en la historia de los negocios y la comunidad afroamericana.En este short tocaremos temas como: 1.- En medio de las peores circunstancias siempre hay posibilidades.2.- La innovación es un acto valiente y sin duda vale el esfuerzo.3.- El empoderamiento de la gente y las ganas de superarse son clave para tener éxito.4.- Cuando se tiene la posibilidad de impactar a la sociedad más allá de tu negocio es donde se encuentra el verdadero valor.Puedes conocer más sobre esta gran historia a través de Netflix: Madame C. J. Walker, una mujer hecha a sí misma. Navega con nosotros este set de olas cortas y descubre cómo lograr un negocio cool.Suscríbete a nuestro canal en Spotify: https://spotify.link/rabSkOHARybSigue negocios cool en Instagram: negocioscoolConecta con nosotros a través de LinkedIn:  https://www.linkedin.com/company/negocioscool/

I've had red carpet, radio, film premieres, radio and more appearances. I've also had many performances at big venues such as the Madame CJ Walker building and Federal Court Houses. Today I'm teaching you how to prep for performances and appearances. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lukescjpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/lukescjpodcast/support

2023.03.21 – Madame C.J. Walker No te sientes a esperar por tu oportunidad. Levántate y constrúyela tú misma Esta semana vamos a hablar acerca de 4 grandes mujeres empresarias que cambiaron la historia de los negocios durante el siglo 20. Busca Cápsulas Gerenciales en tu plataforma de podcast favorita, y descubre cómo madame C.J. Walker , nacida de padres esclavos, venció el racismo y el machismo para convertirse en la primera mujer norteamericana millonaria por sus propios medios. #cápsulasgerenciales #capsulasgerenciales #desarrollopersonalholistico #mejorcadadia #inspiracionyexito

The NY AG Letitia James, who campaigned on suing Trump and called him an illegitimate President is suing Trump over…what?The Manhattan DA already tried this and it fell apart. Now Letitia James is trying it again. This is baseless and I'll explain why.The Democratic Party hasn't changed since the 18th century. They've only rebranded themselves. Their policies are responsible for all of our pain and suffering. Their ideology was be eradicated.Have you heard of Madame CJ Walker? She was the first female, self made millionaire. She grew up on a plantation but rose to the top, despite desegregation. The Democrats want us all living on their plantation. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit drewallen.substack.com

In this episode, Anne Marie talks to author, sweetheart of the sideshow, and fashion writer Ilise Carter about her new book The Red Menace: How Lipstick Changed the Face of American History.  In America, lipstick is the foundation of empires; it's a signature of identity; it's propaganda, self-expression, oppression, freedom, and rebellion. It's a multi-billion-dollar industry and one of our most iconic accessories of gender. From the colonial period until today, this engaging book focuses on the many-layered historical aspects of this one product including, social, cultural, marketing, corporate, political, religion, and much more. ILISE S. CARTER is a freelance writer, consulting copywriter to the beauty industry, and sideshow performer based in New York City. She has written for Allure, New York Times, Racked, Wall Street Journal, and others, with a focus on pop culture. In addition, she's spent over a decade as a consulting copywriter for beauty brands such as Shiseido, bliss, Laura Mercier, Avon, L'Oréal, and Madame CJ Walker, specializing in brand voice and identity. As her stage persona, The Lady Aye, she has worked as a professional sideshow performer (sword swallower, fire eater, blockhead, and pain-proof girl) and MC with acts ranging from Rob Zombie to Cirque du Soleil, and has appeared on TV's Gossip Girl, Oddities, The President Show, Mysteries at the Museum and Dickinson. Carter holds a BA in American Studies from Barnard College at Columbia University and a Certificate in Film Production from NYU.  ResourcesThe Red Menace, Ilise Carter: https://amzn.to/3RlTemLMy Life as a Sword Swallower, The Atlantic: https://bit.ly/3QfYK96Lady Aye, Website: https://www.ladyaye.comTough Jews, Richard Cohen: https://www.indiebound.org/book/9780375705472 Hope in a Jar, Kathy Peiss: https://www.publishersweekly.com/978-0-8050-5550-4 Lipstick Index, Wikipedia: https://en.wikipedia.org/wiki/Lipstick_indexFierce: The History of Leopard Print, Jo Weldon: https://amzn.to/3etuM48 Shocked and Amazed: On and Off the Midway, James Taylor: https://amzn.to/3et6jvL Follow us on Social Media:Instagram: @armchairhistoriansTwitter: @ArmchairHistor1Facebook: https://www.facebook.com/armchairhistoriansSupport Armchair Historians:Patreon: https://www.patreon.com/armchairhistoriansKo-fi: https://ko-fi.com/belgiumrabbitproductionsSupport the show

Barbie Honors Madame CJ Walker America's first African American Millionaire is being honored with her own Barbie doll

For many of us, the start of Black entrepreneurship began with Madame CJ Walker, heavily acknowledged as the first Black millionaire. But did you know Black business ownership dates back to the 1600s? To celebrate National Black Business Month, I will dive into the history of Black-owned businesses in today's episode. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cheryl-mccants/message Support this podcast: https://podcasters.spotify.com/pod/show/cheryl-mccants/support

Welcome to The Academic Life! In this episode you'll hear about: Our guests' career paths at the Smithsonian, their work to help create a new Women's history museum, collecting BLM materials during protests, creating exhibits just as the pandemic closed the museum, and a discussion of their book on women's artifacts in the Smithsonian. Today's book is: Smithsonian American Women: Remarkable Objects and Stories of Strength, Ingenuity, and Vision from the National Collection, a book that offers a unique and panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can. Portraits, photographs, paintings, political materials, signs, musical instruments, sports equipment, clothes, letters, ads, personal possessions, and other objects reveal the incredible stories of amazing women such as Phillis Wheatley, Julia Child, Sojourner Truth, Mary Cassat, Madame CJ Walker, Amelia Earhart, Eleanor Roosevelt, Mamie Till Mobley, Dolores Clara Fernandez Huerta, Phyllis Diller, Celia Cruz, Sandra Day O'Connor, Billie Jean King, and Silvia Rivera. Published to commemorate the centennial of the 19th Amendment granting women the right to vote, Smithsonian American Women is a deeply satisfying read and a reflection on how generations of women have defined what it means to be recognized in both the nation and the world. Our guest is: Dr. Margaret A. Weitekamp, who is the Department Chair and Curator of the Space History Department at the Smithsonian National Air and Space Museum. Dr. Weitekamp curates the Museum's social and cultural history of spaceflight collection, and is the author of numerous scholarly articles, and co-edited the ninth volume in the Artefacts series on the material culture of science and technology, Analyzing Art and Aesthetics (Smithsonian Institution Scholarly Press, 2013). She is currently completing a book on social and cultural history of space memorabilia. Our guest is: Dr. Michelle Anne Delaney, who is the Assistant Director for History and Culture of the National Museum of the American Indian. Dr. Delaney manages the Museum's research and scholarship team, and leads the intellectual program development for exhibitions, educational programming, publications, and digital scholarship; and directs strategic internal pan-Smithsonian projects, and external collaborations and university partnerships. An author and editor of several history of photography books, Dr. Delaney has also curated 25 Smithsonian exhibitions and web projects. Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. Listeners to this episode might also be interested in: Information in the National Archives about the 19th Amendment  Because of Herstory webpage  National Women's History Museum website  Information on the 19th amendment from the National Parks Service  The Women's Museum of California Women's history resources at the National Museum of American History  You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to The Academic Life! In this episode you'll hear about: Our guests' career paths at the Smithsonian, their work to help create a new Women's history museum, collecting BLM materials during protests, creating exhibits just as the pandemic closed the museum, and a discussion of their book on women's artifacts in the Smithsonian. Today's book is: Smithsonian American Women: Remarkable Objects and Stories of Strength, Ingenuity, and Vision from the National Collection, a book that offers a unique and panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can. Portraits, photographs, paintings, political materials, signs, musical instruments, sports equipment, clothes, letters, ads, personal possessions, and other objects reveal the incredible stories of amazing women such as Phillis Wheatley, Julia Child, Sojourner Truth, Mary Cassat, Madame CJ Walker, Amelia Earhart, Eleanor Roosevelt, Mamie Till Mobley, Dolores Clara Fernandez Huerta, Phyllis Diller, Celia Cruz, Sandra Day O'Connor, Billie Jean King, and Silvia Rivera. Published to commemorate the centennial of the 19th Amendment granting women the right to vote, Smithsonian American Women is a deeply satisfying read and a reflection on how generations of women have defined what it means to be recognized in both the nation and the world. Our guest is: Dr. Margaret A. Weitekamp, who is the Department Chair and Curator of the Space History Department at the Smithsonian National Air and Space Museum. Dr. Weitekamp curates the Museum's social and cultural history of spaceflight collection, and is the author of numerous scholarly articles, and co-edited the ninth volume in the Artefacts series on the material culture of science and technology, Analyzing Art and Aesthetics (Smithsonian Institution Scholarly Press, 2013). She is currently completing a book on social and cultural history of space memorabilia. Our guest is: Dr. Michelle Anne Delaney, who is the Assistant Director for History and Culture of the National Museum of the American Indian. Dr. Delaney manages the Museum's research and scholarship team, and leads the intellectual program development for exhibitions, educational programming, publications, and digital scholarship; and directs strategic internal pan-Smithsonian projects, and external collaborations and university partnerships. An author and editor of several history of photography books, Dr. Delaney has also curated 25 Smithsonian exhibitions and web projects. Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. Listeners to this episode might also be interested in: Information in the National Archives about the 19th Amendment  Because of Herstory webpage  National Women's History Museum website  Information on the 19th amendment from the National Parks Service  The Women's Museum of California Women's history resources at the National Museum of American History  You are smart and capable, but you aren't an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today's knowledge-producers working inside and outside the academy. Wish we'd bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Telling the story of afro hair is not a simple task but it is a necessary one. This week's guest Kandace Chimbiri wanted to create an engaging and exciting book for children (and adults alike) to learn the rich history of afro hair, from the enterprising work of Madame CJ Walker to the iconic Josephine Baker. Join the book club using the hashtag #CapitalXTRABookClub and let's chat on twitter @leahhdaviss.

En este episodio estaremos hablando sobre la historia inspiradora de Madame C.J. Walker

Congrats to Adam Bomb, who won week 3 of #moxiemillion, by sharing the show to help it reach 1 million downloads this month! Necessity is the mother of invention and these inventions had real mothers!  Hear about Black female inventors, the tribulations of research, and a story I didn't expect to find and couldn't pass up. 01:00 L'histoire  06:36 Martha Jones's corn husker 07:55 Mary Jones de Leon's cooking apparatus 08:56 Judy Reed's dough kneader-roller 10:30 Sarah Goode's folding bed-desk 11:40 Sarah Boon's ironing board 17:15 Lyda Newman's hairbrush 19:33 Madam CJ Walker's Wonderful Hair-grower 22:03 Biddy Mason Links to all the research resources are on the website. Hang out with your fellow Brainiacs.  Reach out and touch Moxie on Facebook, Twitter,  or Instagram.  Become a patron of the podcast arts! Patreon or Ko-Fi.  Or buy the book and a shirt. Music: Kevin MacLeod, David Fesilyan, Dan Henig. and/or Chris Haugen. Sponsors:  What Was That Like, Reddit on Wiki, Sambucol Want to start a podcast or need a better podcast host?  Get up to TWO months hosting for free from Libsyn with coupon code "moxie."   The first Africans arrived at Jamestown, Virginia in 1619. They were recorded as “20 and odd Negroes.” These Africans had been stolen from a Portuguese slave ship, transported to an English warship flying a Dutch flag and sold to colonial settlers in American.  The schooner Clotilda (often misspelled Clotilde) was the last known U.S. slave ship to bring captives from Africa to the United States, arriving at Mobile Bay, in autumn 1859[1] or July 9, 1860   The end of the Civil War and the passage of the 13th and 14th Amendments meant that all black inventors now had the right to apply for patents. The result over the next few decades was a virtual explosion of patented inventions by black mechanics, blacksmiths, domestic workers, and farm laborers — many of them ex-slaves. By 1895 the U.S. Patent Office was able to advertise a special exhibit of inventions patented by black inventors. The list of new inventions patented by blacks after the Civil War reveals what kinds of occupations they held and in which sectors of the labor force they were concentrated. Agricultural implements, devices for easing domestic chores, and devices related to the railroad industry were common subjects for black inventors. Some patented inventions developed in the course of operating businesses like barbershops, restaurants, and tailoring shops. started here Researching African-American history is far tougher than it should be.  Marginalized stories don't get written down, and then there was the whole Lost Cause thing, actively eradicating what stories had been recorded.  For those in far-flung parts fortunate enough not to have have attended a school whose history books were written or chosen by these [sfx bleep], the Lost Cause was people like the Daughters of the Confederacy purposefully rewriting history.  Their version of events was that civil war generals were heroes, slaves were generally treated well and were happy to work for their enslavers, and that the war was about state's rights, not the immorality of owning another human being.  It was from this movement that my hometown of Richmond, VA got a beautiful tree-lined avenue of expensive row houses and every third block had a statue of a civil war general.  the number of Confederate memorial installations peaked around 1910 — 50 years after the end of the Civil War and at the height of Jim Crow, an era defined by segregation and disenfranchisement laws against black Americans. Confederate installations spiked again in the 1950s and 1960s, during the Civil Rights Movement.  It weren't nothing to do with celebrating ancestors who fought for what they believed in, which you shouldn't do if your ancestor was so stunningly wrong in their beliefs, it was about telling African-Americans that you haven't forgotten when they were under your boot and you'd bring all that back tomorrow if you could.  The statues are on my mind today because I was just in a networking event with Noah Scalin and Mark Cheatham, the artists who created a now iconic (regionally) iconic image of the empty plinth where the Robert E Lee statue stood.  Scalin was the guy that started the Skull A Day website, if you ever saw that, and my husband helped him do an art installation in Times Square.   But my squirrel brain was talking about the inherent difficulty of researching this topic.  Details were sparse for the male inventors and it wasn't uncommon for me to find the same photo used on articles about different people, and if I ever, say, shared an image of Benjamin Montgomery with the caption Henry Boyd, many many apologies for the inconvenience.  But in researching black *women inventors, I'd be lucking to *find a picture, misattributed or otherwise.  Or their story or even enough of a bio to fill out aa 3x5 index card.  I got nothing, bupkis, el zilcho.  Well, not nothing-nothing, but not a fraction of what I wanted to present to you.  One of my goals with YBOF is to amplify the stories of POC, women, and the LGBT (see my recent Tiktok about the amazing Gladys Bently for the trifecta), but I guess if I really mean to do that, I'm going to have to abandon Google in favor of an actual library, when I no longer have to be wary of strangers trying to kill me with their selfishness.  That aside, I love a library.  I used to spend summer afternoons at the one by my house in high school – it was cool, quiet, full of amazing knowledge and new stories, and best of all, my 4 little sisters had no interest in going.  When you come from a herd of six kids, anything you can have exclusively to yourself, even if it's because no one else wants it, immediately becomes your favorite thing.   So I don't have as much as I wanted about Black female inventors of the pre-Civil War era, but I did find one real gem that I almost gave the entire episode to, but we'll come to her.  As with male inventors, it can be a little sketch to say this one was first or that one was first.  There are a number of reasons for this.  Black people kept in bondage were expressly prohibited from being issued patents by a law in 18??.  Some would change their names in an attempt to hide their race, some would use white proxies, and of course many Black inventors had their ideas stolen, often by their enslavers, who believed that they owned not only the person, but all of their work output, that they owned the inventor's ideas as much as they owned the crops he harvested, the horseshoes he applied, or the goods he built.     The other big thing that makes early patent history tricky is something I've dealt with personally, twice - a good ol' fashioned structure fire.  A fire broke out in a temporary patent office and even though there was a fire station right next door, 10,000 early patents were lost, as were about 7000 patent models, which used to be part of the application process.  Long story short, we don't, and probably can't, know definitively who was the first, second, and third Black woman to receive a patent, so I'm going to take what names I *can find and put them in chronological order, though surely there are some inventors whose names have been lost, possibly forever.   Martha Jones is believed to be the first Black woman to receive a U.S. patent in 1868, three years after the end of the Civil War, for her improvement to the “Corn Husker, Sheller.”  Her invention made it possible to husk, shell, cut and separate corn all in one step, saving time and labor.  This would be for dry or field corn, the kind used to make cornbread, not sweet corn, the kind you eat on the bone in the summer.  This invention laid a foundation stone for advancements in automatic agricultural processes that are still in use today.  I can show you the schematics from Jones' patent, but as for Jones herself, I've got sweet Fanny Adams.  But I can tell you that her patent came 59 years after the first white woman got hers in 1809, for a weaving process for bonnets, which I think also illustrates what constituted a “problem” in each woman's life.  On the gender side of things, Jones' patent came 47 years after Thomas Jennings became the first black man to receive a U.S. Patent in 1821 for the precursor to dry-cleaning, whose details we lost in that fire.   Next up, or so it is believed, was another Jones (it's like Wales in here today), Mary Jones De Leon.  In 1873, De Leon was granted U.S. patent No. 140,253 for her invention titled ”Cooking Apparatus.”  De Leon, who lived in Baltimore, Maryland, and is buried outside Atlanta, GA, created an apparatus for heating or cooking food either by dry heat or steam, or both.  It was an early precursor to the steam tables now used in buffets and cafeterias.  Remember buffets?  We'll be explaining them to our grandkids.  You'd go to a restaurant and eat out of communal troughs with strangers for $10.  By the way, if I were to say ‘chafing dish' and you thought of a throw-away line from the 1991 movie Hot Shot, “No, a crock pot is for cooking all day,” that's why we're friends.  If you didn't, don‘t worry, we're still friends.   The third patent in our particular pattern went to Judy Woodford Reed, and that patent is about the only records we have for her.  She improved existing machines for working bread dough with her "Dough Kneader and Roller" in 1884.  Her design mixed the dough more evenly, while keeping it covered, which would basically constitute sterile conditions back then.  Reed appears in the 1870 Federal Census as a 44 year old seamstress near Charlottesville, Virginia, along with her husband Allen, a gardener, and their five children.  Sometime between 1880 and 1885, Allen Reed died, and Judy W. Reed, calling herself "widow of Allen," moved to Washington, D. C.  It is unlikely that Reed was able to read, write, or even sign her name.  The census refers to Judy and Allen both as illiterate, and her patent is signed with an "X".   That might have actually worked to her favor.  Lots of whites, about 1 in 5, were illiterate back then, too, and an X reveals neither race nor gender.   The first African-American woman to fully sign a patent was Sarah E. Goode of Chicago.  Bonus fact: illiteracy is why we use an X to mean a kiss at the bottom of a letter or greeting card.  People who couldn't sign their name to a contract or legal document would mark it with an X and kiss it to seal their oath.  Tracing the origin of O meaning hug is entirely unclear, though, and theories abound.   Sarah Elisabeth Goode obtained a patent in 1885 for a Cabinet-bed, a "sectional bedsteads adapted to be folded together when not in use, so as to occupy less space, and made generally to resemble some article of furniture when so folded."  Details continue to be sparse, but we know that as of age 5 in 1860, she was free and living in Ohio.  She moved to Chicago 10 years later and 10 years after that, married a man named Archibald, who was a carpenter, as her father had been.  They had some kids, as people often do, though we don't know how many.   If they had many kids or lived in a small space for the number of kids they had, that could have been what motivated Goode to create a very early version of the cool desk that turns into a bed things you can see online that sell for hundreds or thousands of dollars.  Goode's invention had hinged sections that were easily raised or lowered. When not functioning as a bed, the invention could easily be used as a desk with small compartments for storage, ideal for a small city apartment, especially if there were hella kids in there.   We have a bit more on another Sarah inventor, this time Sarah Boone of NC.  Born into bondage in 1832, Sarah may have acquired her freedom by marrying James Boone, a free Black man, in 1847.  Together, they had eight children and worked to help the Underground Railroad.  Soon the family, along with Sarah's widowed mother, made their way north to New Haven, Connecticut.  Sarah worked as a dressmaker and James as a bricklayer until his death in the 1870s.  They'd done well enough for themselves to purchase their own home.  Far removed from the strictures and structures of enslavement, Sarah became a valued member of her community and began taking reading and writing lessons.     It was through her workaday life as a dressmaker that she invented a product you might well have in your home today, the modern-day ironing board.  Quick personal aside in an episode that's already chock-full of them–did anyone else marry military or former military and make your spouse do all the ironing because you assume they'd be better at it from having to do their uniforms?  I can't be the only one.  Back to Sarah Boone, who wanted “to produce a cheap, simple, convenient and highly effective device, particularly adapted to be used in ironing the sleeves and bodies of ladies garments.”   You might think the ironing board didn't *need to be “invented,” that it was just one of those things everybody kinda just had, but no.  Prior to Boone, you'd put bits of wood between the backs of two chairs, like a makeshift sawhorse.  And anyone who's ever used a makeshift sawhorse only to have it slide apart out from under them or end up sawing into their dining room table will attest that there was indeed room for improvement.  She began by creating a narrower, curved board that could slip into the  sleeves of dresses and shirts, with padding to stop the texture of the wooden base from being imprinted onto the fabric, and the whole thing collapsed for easy storage.   With a bit of help from other dressmakers, she finalized the design for which she'd be awarded her patent in 1892.  Such a simple device was a boon to many a homemaker, though there remains the extent to which she profited from the invention, particularly as they became a product for mass distribution by companies. Even so, we know that it was soon an indispensable household device and made manufacturers wealthy.   MIDROLL   Lyda Newman is remembered for two things, patented the first hairbrush with synthetic bristles in 1898 and her activism in the women's voting rights movement of the early 20th century – she was a key organizer of a Black branch of the Woman Suffrage Party, which was trying to give women the legal right to vote.  We know she was born in Ohio sometime between 1865 and 1885, which is a helluva range for history so relatively recent, and that she spent most of her life living in New York City, working as a hairdresser.      As a hairdresser, and an owner of a head of hair herself, Newman wanted the process of brushing hair to be more hygienic and efficient.  Most hairbrushes at the time were made using animal hair, the same kind you might get in shaving brushes or paint brushes.  Now imagine trying to get knots out with a shaving brush.  Animal-based bristles were too soft for the job, which is where we get the old trope/advice of 100 strokes – it took that many to get the job done.  And that was for white woman.  These brushes were practically useless for the thicker textures of African American hair.  Animal hair also harbored bacteria like it's nobody's business, which is unfortunate since it was also used to bristle toothbrushes and, oh yeah, back in the day, you'd have a single household toothbrush that everyone shared.  Newman's brush used synthetic fibers, which were more durable and easier to clean, in evenly spaced rows of bristles with open slots to clear debris away from the hair into a recessed compartment.  The back could be opened with a button for cleaning out the compartment.     This wasn't a gimmick or fly-by-night idea.  Newman's invention changed the hair-care industry by making hairbrushes less expensive and easier to manufacture.  This paved the way for other Black inventors in the hair-care space to actually *create the black hair care industry, chief among them, Sarah Breedlove.  Don't recognize the name?  What if I call her Madam C.J. Walker?  Well, I'm gonna tell you about her either way.  Breedlove, born in 1867 in Louisiana, was the first child in her family born into freedom, but found herself an orphan at age seven after both parents died of yellow fever.  She lived with a brother-in-law, who abused her, before marrying Moses McWilliams at age 14 to get away from him.  Sarah was a mother at 17 and a widow at 20, so on the whole, not having a good time of it.  And to top it all off, her hair was falling out.   She developed a product to treat the unspecified scalp disease that caused it, made of petroleum jelly, sulfur, and a little perfume to make it smell better.  And it worked!  She called it Madame C.J.Walker Wonderful Hair Grower (she was now married to Charles Walker) and along with Madame C.J.Walker Vegetable Shampoo, began selling door-to-door to other African-American women suffering from the same disease.  5 years later, she set up the Madame C.J.Walker Manufacturing Company in the US, and later expanded her business to Central America and the Caribbean.  She recruited 25,000 black women by the early 1900s to act as door-to-door beauty consultants across North and Central America, and the Caribbean.  Walker was the first one using the method known today as direct sales marketing to distribute and sell her products, a method adopted later on by Avon, TupperWare, and others.  And she paid well, too!  You could earn $25 a week with Walker, a damn site better than $2 per week as a domestic servant.  Her workforce would grow to be 40,000 strong.  So don't be telling me that paying a living wage is bad for business.   Walker didn't keep her success to herself, but used her wealth to support African-American institutions, the black YMCA, helped people with their mortgages, donated to orphanages and senior citizens homes, and was a believer in the power of education.  Now be sure you don't do as I am wont to do and accidentally conflate Madame CJ Walker with Maggie Walker, the first African American woman to charter a bank and the first African American woman to serve as a bank president, and an advocate for the disabled, because she deserves coverage of her own.    As I was searching for black female inventors, I came across one listicle with a paragraph on a woman the author claimed helped “invent” the city of Los Angeles.  That's a bit of a stretch, I thought to myself, but as I read the story of Bridget “Biddy” Mason, I became so utterly fascinated, I almost flipped the script to do the episode entirely about her.  I did not, as you've plainly noticed, since I'd already done primary research for the first six pages of an eight page script. Biddy was born into slavery in 1818 in Georgia, maybe.  We do know she spent most of her early life on a plantation owned by Robert Smithson.  During her teenage years, she learned domestic and agricultural skills, as well as herbal medicine and midwifery from African, Caribbean, and Native American traditions of other female slaves.  Her knowledge and skill made her beneficial to both the slaves and the plantation owners.  According to some authors, Biddy was either given to or sold to Robert Smith and his wife Rebecca in Mississippi in the 1840s.  Biddy had three children, Ellen, Ann, and Harriet.  Their paternity is unknown, but it's been speculated that Ann and Harriet were fathered by Smith.   Smith, a Mormon convert, followed the call of church leaders to settle in the West to establish a new Mormon community in what would become Salt Lake City, Utah in what was at the time still part of Mexico.  The Mormon church was a-okay with slavery, encouraging people to treat the enslaved kindly, as they were lesser beings who needed the white man's protection.  In 1848, 30-year-old Mason *walked 1,700 miles behind a 300-wagon caravan. Along the route west Mason's responsibilities included setting up and breaking camp, cooking the meals, herding livestock, and serving as a midwife as well as taking care of her three young daughters aged ten, four, and an infant.  Utah didn't last long for the Smiths and 3 years later, they set out in a 150-wagon caravan for San Bernardino, California to establish another Mormon community.  Ignoring warnings that slavery was illegal in California, Smith gathered his livestock and people they treated like livestock and schlepped them along.  Although California joined the United States as a free state in 1850, the laws around slavery were complicated and there was a lot of forced labor to be found.  Indigenous people could be forced to work as "contract laborers."  How, you ask?  Well this made we swear loudly when I read it.  Every weekend, local authorities would arrest intoxicated Natives on dubious charges and take them to what was essentially a slave mart and auction off their labor for the coming week. If they were paid at the end of that week, they were usually paid in alcohol so they could get drunk and be arrested to be auctioned off again.   Along the way, biddy Mason met free blacks who urged her to legally contest her slave status once she reached California, a free state.  When they got to Cali, Mason met more free blacks, like her lifelong friends Robert and Minnie Owens, who told her the same thing.  Smith must have noticed this, because a few years later, fearing the loss of his slaves, he decided to move the whole kit and caboodle to Texas, a slave state.  This was obviously real bad news for Mason and the other enslaved people, but thankfully Mason had the Owens on her side, particularly since her now 17 year old daughter was in love with their son.  The law was on her side, too.  The California Fugitive Slave Act, enacted in 1852, allowed slave owners to temporarily hold enslaved persons in California and transport them back to their home state, but this law wouldn't have covered Smith because he wasn't from Texas.  When Robert Owens told the Los Angeles County Sheriff that there were people being illegally held in bondage and being taken back to a slave state, the sheriff gathered a posse, including Owens, his sons, and cattleman from Owens' ranch, and cut Smith off at the pass, literally Cajon Pass, and prevented him from leaving the state.  The sheriff was armed with a legal document, a writ of habeus corpus, signed by Judge Benjamin Hayes.   On January 19, 1856 she petitioned the court for freedom for herself and her extended family of 13 women and children.  Their fate was now in the hands of Judge Hayes.  You wouldn't expect Hayes to be on Mason's side in a dispute against Smith.  Hayes hailed from a slave state and had owned slaves himself, plus in his time as a journalist, he's written pro-Mormon articles.  The trial started with a damning statement from Biddy's eldest daughter Hannah, herself a mother of a newborn, saying she wanted to go to Texas.  The sheriff spoke to her afterwards and found she was terrified of Smith and had said what she was told to say.  She wasn't wrong to be scared.  Smith threatened Mason's lawyer and bribed him to leave the case.  Smith's son and hired men trail hands went to the jail where Mason and her family were being kept safe and tried to intimidate the jailer.  They also threatened the Owens family and a neighborhood grocer and a doctor. They said 'If this case isn't resolved on Southern principles, you'll all pay the price, all people of color.'    Judge Hayes…he wasn't having any of this.  Technically, Mason and her children had also become free the minute they stepped into California. The new California constitution stated that “Neither slavery nor involuntary servitude unless for the punishment of crimes shall ever be tolerated in this state.” However, lacking options and probably unaware of her full rights, Mason continued to serve in the Smith household.  Smith claimed Mason and the others had stayed because they were “members of his family” who voluntarily offered to go with him to Texas.  Mason, as a non-white person, was legally barred from testifying against the white Smith in court, so Judge Hayes took her into his chambers along with two trustworthy local gentlemen who acted as observers to depose her.  He asked her only whether she was going voluntarily, and what she said was, 'I always do what I have been told, but I have always been afraid of this trip to Texas."    Smith fled to Texas before the trial could conclude.  On January 19, Judge Hays ruled in favor of Mason.  "And it further appearing by satisfactory proof to the Judge here, that all the said persons of color are entitled to their freedom and are free and cannot be held in slavery or involuntary servitude, it is therefore argued that they are entitled to their freedom and are free forever."  He hoped they would “become settled and go to work for themselves—in peace and without fear.”   Okay, now we're getting to the part of Biddy Mason's story that the listicle writer used to include her in a gallery of inventrixes.  Mason and her family moved to Los Angeles, then a dusty little town of only 2,000 or so residents, less than 20 of whom were black, where she worked as midwife and nurse.  As the town grew, so did her business.  Basically, if you were having a baby, Biddy Mason was delivering it.  Well, her friend Dr. Griffin probably helped, but we're hear to talk about Biddy.  After tending to hundreds of births and illnesses, she was known about town as Aunt Biddy.  As a midwife, Mason was able to cross class and color lines and she viewed everyone as part of her extended family.  In her big black medicine bag, she carried the tools of her trade, and the papers Judge Hayes had given her affirming that she was free, just in case.    By 1866, she had saved enough money to buy a property on Spring Street.  Her daughter Ellen remembered that her mother firmly told her family that “the first homestead must never be sold.”  She wanted her family to always have a home to call their own.  My family is the same way – if you can own land, even if it's an empty lot, do.  Mason's small wood frame house at 311 Spring Street was not just a family home, it became a “refuge for stranded and needy settlers,” a daycare center for working women, and a civic meeting place.  In 1872, a group of black Angelenos founded the First African Methodist Episcopal Church at her house and they met there until they were able to move to their own building.     She also continued to invest in real estate, while always making sure to give back. According to the Los Angeles Times: “She was a frequent visitor to the jail, speaking a word of cheer and leaving some token and a prayerful hope with every prisoner. In the slums of the city, she was known as “Grandma Mason,” and did much active service toward uplifting the worst element in Los Angeles. She paid taxes and all expenses on church property to hold it for her people. During the flood of the early eighties, she gave an open order to a little grocery store, which was located on Fourth and Spring Streets. By the terms of this order, all families made homeless by the flood were to be supplied with groceries, while Biddy Mason cheerfully paid the bill.”   Eventually she was able to buy 10 acres, on which she built rental homes and eventually a larger commercial building she rented out.  That land she invested in and developed is now the heart of downtown L.A. three substantial plots near what is now Grand Central Market as well as land on San Pedro Street in Little Tokyo.  Mason was a shrewd businesswoman too.  Los Angeles was booming, and rural Spring Street was becoming crowded with shops and boarding houses. In 1884, she sold the north half of her Spring Street property for $1,500 and had a mixed-use building built on the other half.  She sold a lot she had purchased on Olive Street for $2,800, turning a tidy profit considering she'd bought it for less than $400.  In 1885, she deeded a portion of her remaining Spring Street property to her grandsons “for the sum of love and affection and ten dollars.”  She signed the deed with her customary flourished “X.” Though she was a successful real estate pioneer and nurse, who stressed the importance of education for her children and grandchildren, and taught herself Spanish, she had never learned to read or write.   Bridget “Biddy” Mason died 1891, one of the wealthiest women in Los Angeles.  For reasons never fully explained, she was buried in an unmarked grave at Evergreen Cemetery.  While you can't visit her grave, you can visit the mini-park created in her honor.  Designed by landscape architects Katherine Spitz and Pamela Burton, an 80-foot-long poured concrete wall, created by artist Sheila Levrant de Bretteville, displays a timeline of Biddy's life, illustrated with images like wagon wheels and a midwife's bag, as well as images such as an early survey map of Los Angeles and Biddy's freedom papers, from the northernmost end of the wall with the text “Biddy Mason born a slave,” all the way down to “Los Angeles mourns and reveres Grandma Mason.”  If you're ever down near the Bradbury Building on Spring street, get some pictures for me.   Sources: https://www.blackpast.org/african-american-history/mason-bridget-biddy-1818-1891/ https://la.curbed.com/2017/3/1/14756308/biddy-mason-california-black-history https://www.laconservancy.org/locations/biddy-mason-memorial-park https://alliesforracialjustice.org/shark-tank-in-the-1800s-black-women-reigned-in-household-inventions/ https://interestingengineering.com/black-inventors-the-complete-list-of-genius-black-american-african-american-inventors-scientists-and-engineers-with-their-revolutionary-inventions-that-changed-the-world-and-impacted-history-part-two https://www.ipwatchdog.com/2021/02/08/revolutionizing-cooking-mary-jones-de-leon/id=129701/ https://lemelson.mit.edu/resources/lyda-newman https://interestingengineering.com/black-inventors-the-complete-list-of-genius-black-american-african-american-inventors-scientists-and-engineers-with-their-revolutionary-inventions-that-changed-the-world-and-impacted-history-part-two https://laist.com/news/la-history/biddy-mason-free-forever-the-contentious-hearing-that-made-her-a-legend-los-angeles-black-history  

This Black History Month Episode is A Dedication & Thank You To African American inventors including George Crum. Fedrick McKinley Jones. Granville T Woods. George Washington Carver. Madame CJ Walker. Garrett Morgan. Alexandra Miles. Percy Lavon Julian. Mary Beatrice Davidson Kenner . Mary Brenton Brown. Shirley Jackson. Mark Dean. Lonnie Johnson. Lisa Gelobter.

Madame CJ Walker was the first self made millionaire in the US. Like most all women in business, she had to deal with more than her share of bullshit. But add the fact that she was a black woman in the newly liberated south, and...let's just say she overcame a lot! In my mind, she was the trail blazing predecessor for other successful women in the beauty industry, like Mary Kay, who also gave a great deal to charity and philanthropic causes. Show Research: https://www.history.com/topics/black-history/madame-c-j-walker Madam CJ Walker - HISTORY https://en.wikipedia.org/wiki/Madam_C._J._Walker https://www.biography.com/inventor/madam-cj-walker --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bitchstory/support

When Brent Leggs started as a preservationist with the National Trust for Historic Preservation in 2005, his first big project was to restore Joe Frazier's Gym in Philadelphia. The late boxing champion's former building was being turned into a discount furniture outlet. Brent and his colleagues knew the space had the power to tell a story of Black achievement and history, so they worked to restore he gym as a symbol of community pride. Brent is now the Executive Director of the Trust's African American Cultural Heritage Action Fund. The Fund was launched in 2017 with the goal of preserving places key to Black life. These are the places that tell a fuller story of America, and Brent says that saving them can ensure that Black societal contributions are more fully understood. So far, the Fund has awarded grants to 65 historic locations and invested more than $4.3 million dollars to help preserve places like Nina Simone's childhood home in North Carolina, Madame CJ Walker's Villa Lewaro in New York, and Vernon AME church in Tulsa, Oklahoma. Earlier this summer, they received a $20 million dollar donation from billionaire philanthropist MacKenzie Scott. So, Brent and his colleagues now have even more support to pursue what he describes as the “quiet power of preservation.”Brent talks with Trymaine Lee about how he fell in love with this work, and he takes us on a journey into a few of his favorite projects. For a transcript, please visit https://www.msnbc.com/intoamerica. Thoughts? Feedback? Story ideas? Write to us at intoamerica@nbcuni.comFurther Reading and Listening: Into America: ‘My Body is a Monument'Into America: Blood on Black Wall Street: What Was StolenHouse passes bill to remove Confederate statues from the Capitol

Note: This episode originally aired on January 30, 2020.In May 1796, Ona Judge, Martha Washington's enslaved maidservant, freed herself by walking out of the Washington's Philadelphia home. She had learned that Martha intended to give her away as a wedding present to Elizabeth Parke Custis, her eldest granddaughter. Judge quietly slipped out of the house one evening, boarded a ship, and fled to New Hampshire. She lived there for the rest of her life. Despite their best efforts, the Washingtons were never able to recapture her.On today's episode, Ona Judge tells her own story. Library Research Fellow Sheila Arnold joins Jim Ambuske in character as Ona Judge to give voice to her life. Arnold is a historic character interpreter who performs as many historical figures, including Ona Judge and Madame CJ Walker, an African American entrepreneur and businesswoman who was one of the wealthiest self-made women in early 20th century America.During the first half of today's show, Ambuske interviews Arnold as Ona Judge, as she might have been in the last years of her life.He then talks to Arnold herself about historic character interpretation and the powerful ways that performing as a formerly enslaved person can build bridges between communities.Sheila Arnold currently resides in Hampton, VA. She is a Professional Storyteller, Character Interpreter and Teaching Artist. Through her company, History's Alive!, Sheila has provided storytelling programs, historic character presentations, Christian monologues, dramatic/creative writing workshops, professional development for educators and inspirational/motivational speeches at schools, churches, libraries, professional organizations and museums, in 41 states since 2003.Jim Ambuske, Ph.D. leads the Center for Digital History at the Washington Library. A historian of the American Revolution, Scotland, and the British Atlantic World, Ambuske graduated from the University of Virginia in 2016. He is a former Farmer Postdoctoral Fellow in Digital Humanities at the University of Virginia Law Library. At UVA Law, Ambuske co-directed the 1828 Catalogue Project and the Scottish Court of Session Project.  He is currently at work on a book about emigration from Scotland in the era of the American Revolution as well as a chapter on Scottish loyalism during the American Revolution for a volume to be published by the University of Edinburgh Press.If you missed it, be sure to listen to part I of this episode! Learn more about Conversations at the Washington Library.

In an "A Queen's Series" and Pulse Radio Mashup, Randall talks with Tuskegee University Miss Student Government Association Jasmine McCollum. They talk about her time as Miss Freshman, the duties and responsibilities of Miss SGA on Tuskegee's campus. They also talk about her "A Woman Like Me" Women's Empowerment Conference.

Learn how to communicate with this love language and how this Iconic Black Female Entrepreneur blazed a new trail in her era and continues to inspires Black Women in Business in this century. ( No copyright infringement intended for photo)

Episode 4 of Are You A Good Bitch or a Bad Bitch? We explore two women of the early 20th century: one who rose to the top with confidence, hard work, and good hair, and another who horrified Louisiana with voodoo rituals.The story of Madame CJ Walker & Clementine Barnabet. Music by Deanna DeBenedictisSupport the show (https://www.patreon.com/GBBBPodcast)

Welcome to Day 7 of Our History! Today we have a special guest. Please listen, download and follow the Boiling Noodles Podcast. Thank you for tuning in!For more info on those we discuss today, please go to:Exhale Hair Studio: https://www.exhalehairstudio.com/Madame C.J. Walker: https://madamcjwalker.com/Support the show

What I took away as a female entrepreneur from the Madame CJ Walker Series. I was joined by a long time friend Layla Latisha, a life coach, and we both discussed our take away.   Show Notes: shorturl.at/cpqNO

What I took away as a female entrepreneur from the Madame CJ Walker Series. I went live in my community group to have a great discussion about this series. Today we will take about confidence, kindness and setting boundaries.   Show Notes: shorturl.at/qFMN7

What I took away from Madame CJ Walker Series - Part 1   Show Notes: shorturl.at/gwQS2

A'Lelia Bundles is a journalist with over thirty years of experience working at NBC News and ABC News as an Emmy-award winning producer and executive. A'Lelia, who graduated from Harvard and Columbia University's Graduate School of Journalism, is the author of multiple biographies about her notable female ancestors, including Madam C. J. Walker and A'Lelia Walker. Among those books is On Her Own Ground: The Life and Times of Madam C. J. Walker, a New York Times Bestseller which tells the story of A'Lelia's great-great-grandmother, an entrepreneur and philanthropist who overcame all odds to build a business empire. On Her Own Ground was the inspiration for the Netflix series Self Made, starring Octavia Spencer. A'Lelia is currently working on her fifth book, The Joy Goddess of Harlem: A'Lelia Walker and the Harlem Renaissance, about her esteemed great-grandmother. A'Lelia joins me today to discuss the enduring legacy of Madam C. J. Walker and the entrepreneurial insights she discovered from her great-great-grandmother's journey. A'Lelia shares how Madam Walker rose, built a business empire from the ground up, and addressed the greater social and economic challenges she faced along the way. A'Lelia also shares her thoughts on the Netflix series Self Made, as well as a peek into the life of her other notable ancestor, her great-grandmother A'Lelia Walker. “What really needed to be done was to give women confidence and economic independence.” - A'Lelia Bundles This week on the SmallBizChat Podcast: Resources Mentioned: Connect with A'Lelia Bundles: Fix Your Business! Are you ready to run your business with intention? Ready to create a business that allows you to live your dream life and take those dream vacations you deserve? Then you need a copy of my latest book: Fix Your Business: A 90-Day Plan to Get Back Your Life and Remove Chaos From Your Business. Fix Your Business gives you concrete advice on the problem areas many small business owners face as well as the step-by-step process to find solutions so you can live the life of your dreams. It's time to take back control of your business and change how your business is run. Order your copy of Fix Your Business and design your business - and life - with intention. Let's End Small Business Failure - Together! Thanks for tuning into this week's episode of the SmallBizChat Podcast - the show on a mission to improve small business success. If you enjoyed this episode, head over to Apple Podcasts, subscribe to the show, and leave us a rating and review. Help us spread the word and end small business failure by sharing your favorite episodes with your friends and colleagues on social media. Visit our website or follow us on Facebook, Twitter, LinkedIn, Instagram, or YouTube for more great content, tips, and strategies to improve your small business.See omnystudio.com/listener for privacy information.

In this episode, Melinda Emerson and A'Lelia Bundles delve into the legacy of Madam CJ Walker, her business strategies, and her enduring influence on African American entrepreneurship. They discuss the portrayal of Walker in Netflix's "Self Made", the importance of historical accuracy in storytelling, and Walker's political activism.

Note: This episode originally aired on January 30, 2020. In May 1796, Ona Judge, Martha Washington's enslaved maidservant, freed herself by walking out of the Washington's Philadelphia home. She had learned that Martha intended to give her away as a wedding present to Elizabeth Parke Custis, her eldest granddaughter. Judge quietly slipped out of the house one evening, boarded a ship, and fled to New Hampshire. She lived there for the rest of her life. Despite their best efforts, the Washingtons were never able to recapture her. On today's episode, Ona Judge tells her own story. Library Research Fellow Sheila Arnold joins Jim Ambuske in character as Ona Judge to give voice to her life. Arnold is a historic character interpreter who performs as many historical figures, including Ona Judge and Madame CJ Walker, an African American entrepreneur and businesswoman who was one of the wealthiest self-made women in early 20th century America. During the first half of today's show, Ambuske interviews Arnold as Ona Judge, as she might have been in the last years of her life. He then talks to Arnold herself about historic character interpretation and the powerful ways that performing as a formerly enslaved person can build bridges between communities. About Our Guest: Sheila Arnold currently resides in Hampton, VA. She is a Professional Storyteller, Character Interpreter and Teaching Artist. Through her company, History's Alive!, Sheila has provided storytelling programs, historic character presentations, Christian monologues, dramatic/creative writing workshops, professional development for educators and inspirational/motivational speeches at schools, churches, libraries, professional organizations and museums, in 41 states since 2003. About Our Host: Jim Ambuske, Ph.D. leads the Center for Digital History at the Washington Library. A historian of the American Revolution, Scotland, and the British Atlantic World, Ambuske graduated from the University of Virginia in 2016. He is a former Farmer Postdoctoral Fellow in Digital Humanities at the University of Virginia Law Library. At UVA Law, Ambuske co-directed the 1828 Catalogue Project and the Scottish Court of Session Project.  He is currently at work on a book about emigration from Scotland in the era of the American Revolution as well as a chapter on Scottish loyalism during the American Revolution for a volume to be published by the University of Edinburgh Press.

Annie Turnbo Malone was that girl. Annie may have been the first Black woman to become a self-made millionaire although it is taught that Madame CJ Walker was the first. She taught Madame CJ Walker much of what she knew about haircare, she opened the first cosmetology school for Black hair, and she was a philanthropist for the people. This is her story... Follow us on Instagram: https://bit.ly/3e1z0eR Follow us on Twitter: https://bit.ly/3erzeMp Welcome to Black History Moments! This podcast is all about Black history and the stories we've left untold over the years. Hosted by Shaakira White We strive for accuracy in our storytelling. Sources used can be found below: https://historicmissourians.shsmo.org/historicmissourians/name/m/malone/, https://bit.ly/34IVr41, https://bit.ly/2VFprJY, https://bit.ly/3ctswUy, https://bit.ly/3enW9s5 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blackhistorymoments/support

Netflix's 'Self-made' series stars Octavia Spencer as Sarah Walker, a daughter of enslaved Africans, who built a business empire a century ago by helping OUR women with healthy hair... But the series is replete with 10 or more BIG deceptions. This inspiring series is full of lies, and WE're airing it OUT because OUR legacy deserves better. Let @DeManeDavis & @kasi_lemmons know that THEY have TO DO BETTER. #EmpowermentAgenda #imAsurvivor #Uplift #ClearVision #SelfMade - Madam C.J. Walker - A #Netflix Epic FAILURE - #LeBronJames #OctaviaSpencer #BlairUnderwood #kasi_lemmons #DeManeDavis #SelfMadeNetflix The Fly Guy Show (Podcast) is a series of Conscious Melaninated conversations focused on solving OUR situations via empowerment. Led by the Power Broker and Fly Guy Edutainer (Educator & Entertainer) SekoVarner, with a host of Fly Folk and Platformers, our show gives you stuff you need to know with an underlying focus on Black (Afro-Melaninated) Economics, Uplift, and politics. Join us with your comments as we discuss Uplift, Conscious Consumerism, Business activity, Social progress, and Community activism with fellow investors, educators, business people, authors, content creators, and community activists. Special Guests: The Memoirs of a Karmic Destiny, Eric Majette Jr., Auntie Starr, & Nikia Tull. Listen to our past episodes: https://podbay.fm/podcast/1282813593 @SekoVarner @DjSekoVarner @GrandpaCrunk Correct your credit yourself ! https://positivevibes.myecon.net/my-credit-system/ http://grandpacrunk.bandcamp.com --- Send in a voice message: https://anchor.fm/get-on-code/message

Episode 5 of the 3DM Podcast. Chico aka Vato and HandsumRah aka Rah hold it down in the absence of MallyMaal aka Rook.The 2 take listeners on a dope "adventure" (LOL) into memories about past cartoon shows from there youth, views and opinions on role reversal for men and woman in this generation, opinions on sick minded criminals, street code and a detailed experience from tripping on Acid/LSD. We also talk a bit about the new Netflix mini Docu-Series on Madame CJ Walker .

In this episode we're going to be celebrating womanhood and sisterhood. Encouraging our women from across the globe to continue the fight, tenacity, ambition and grace that were set forth by Harriet Tubman, Rosa Parks, Celia Cruz, Amelia Earhart, Madame CJ Walker, Michelle Obama and last but never the least our Mothers and female role models in our lives. Let's embrace and support each other...now more than ever!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The Curvy Critic aka Carla Renata chats about Octavia Spencer's Self-Made Madame C.J Walker, The documentary mini-series They Gotta Have Us and Renae Bluitt doc – She Did That on Netflix. About the Show: Presented by Black Hollywood Live and hosted by Carla Renata, The Curvy Critic is BHL's #1 inside source for film releases, festivals, insider scoops, and news! @TheCurvyCritic

This episode is loaded with great information about the History of Our Hair and a few woman Pioneers that paved the way for Beauty Professionals and Product Development. I also share with you how each decade brought on a new style for the African American people.   Each time you take a glimpse into our history Hair will be there, helping us define who we are at that present moment.  Here is a list of Woman Pioneers that have hit the $1 million mark in the 1900s Annie Minerva Pope-Turbo Malone Sarah Breedlove (Madam CJ Walker) Sara Spencer (Madam Sarah Spencer Washington) Each Episode I like to dispel a Myth.  Today's Myth is: Madam CJ Walker invented the pressing comb" The pressing comb was invented by a Frenchmen of whom no one knows the name, but Marcel Grateau was known to use the pressing comb in 1872.  Marcel Grateau is the inventor of the Marcel irons. I've read that Annie Pope Malone patent the pressing comb and Madame CJ Walker used the pressing comb.  History does show that similar combs were used as far back as 5000 years ago in Persia even with Ancient Egypt.   Register for my FREE course: What Beauty School DID NOT Teach You! https://www.naturalhairedu.com/programs Book me to host a Natural Hair Education Workshop/Seminar at your favorite Salon or Beauty School https://www.naturalhairedu.com/ Follow Me on IG https://www.instagram.com/corinthiancarouthers/ Website:   Email:  corinthian@NaturalHairEdu.com If you want to share a Hair Story or have a Hair Myth you would like for me to address, please submit your request at https://www.naturalhairedu.com/         

In May 1796, Ona Judge, Martha Washington's enslaved maidservant, freed herself by walking out of the Washington's Philadelphia home. She had learned that Martha intended to give her away as a wedding present to Elizabeth Parke Custis, her eldest granddaughter. Judge quietly slipped out of the house one evening, boarded a ship, and fled to New Hampshire. She lived there for the rest of her life. Despite their best efforts, the Washingtons were never able to recapture her. On today's episode, Ona Judge tells her own story. Library Research Fellow Sheila Arnold joins Jim Ambuske in character as Ona Judge to give voice to her life. Arnold is a historic character interpreter who performs as many historical figures, including Ona Judge and Madame CJ Walker, an African American entrepreneur and businesswoman who was one of the wealthiest self-made women in early 20th century America. During the first half of today's show, Ambuske interviews Arnold as Ona Judge, as she might have been in the last years of her life. He then talks to Arnold herself about historic character interpretation and the powerful ways that performing as a formerly enslaved person can build bridges between communities. About Our Guest: Sheila Arnold currently resides in Hampton, VA. She is a Professional Storyteller, Character Interpreter and Teaching Artist. Through her company, History's Alive!, Sheila has provided storytelling programs, historic character presentations, Christian monologues, dramatic/creative writing workshops, professional development for educators and inspirational/motivational speeches at schools, churches, libraries, professional organizations and museums, in 41 states since 2003. About Our Host: Jim Ambuske, Ph.D. leads the Center for Digital History at the Washington Library. A historian of the American Revolution, Scotland, and the British Atlantic World, Ambuske graduated from the University of Virginia in 2016. He is a former Farmer Postdoctoral Fellow in Digital Humanities at the University of Virginia Law Library. At UVA Law, Ambuske co-directed the 1828 Catalogue Project and the Scottish Court of Session Project.  He is currently at work on a book about emigration from Scotland in the era of the American Revolution as well as a chapter on Scottish loyalism during the American Revolution for a volume to be published by the University of Edinburgh Press.

This episode highlights black women in the hair industry who did not allow life to get in the way of them pursuing their dreams! Keeping God first and in the center of their business relationships has kept each one successful for many years. There be a discussion about Madame CJ Walker and how she changed the hair industry. --- Send in a voice message: https://anchor.fm/charmaine-c/message