Podcasts about 'the big

Putting together an IPO is no easy feat. Just getting your finances in order can be a herculean effort. Add in the laundry list of compliance requirements, and it simply becomes too much for most firms to handle on their own. That's especially true for young companies in emerging industries like biotech or AI, where corporate governance may have taken a backseat to product development. Enter, Mike Aiello. He's the CEO and managing partner at Centri Business Consulting, one of the country's fastest growing accounting and advisory firms. Mike founded Centri in 2011 with a focus on capital markets, transactions and emerging growth organizations. It has since grown from its Philadelphia, mid-Atlantic roots to eight offices nationwide, with around 250 staff providing support to more than a thousand companies. Mike walks us through the massive undertaking that is IPO preparation, and how Centri guides their clients through that process. He also shares his thoughts on the current state of IPOs and SPACs, and explains why he feels optimistic for the future of capital markets.Highlights:Mike's path to founding Centri (3:14)Centri's menu of services (6:26)The state of the IPO market (8:34)SPACs (12:09) Getting ready for an IPO (13:56)Working with AI companies (15:39)Recruiting talent from 'The Big 4' (18:05)Importance of corporate culture (19:22)Priorities for growth (21:57)Upcoming 'Capital Markets Conference' (25:28)Links:Centri LinkedInCentri TwitterCentri WebsiteICR LinkedInICR TwitterICR WebsiteFeedback:If you have questions about the show, or have a topic in mind you'd like discussed in future episodes, email our producer, marion@lowerstreet.co.

The writer behind The Big Short, Moneyball and The Blind Side tells us about Donald Trump's moves against US Civil Servants and, having reported on Ireland after the crash, gives us his predictions on where we are headed in a trade showdown with America.

Darryl 'The Big Marn' Brohman has given his tips on 4BC Breakfast for round 2 of the NRL which kicks off tonight with the Knights at home against the Dolphins.See omnystudio.com/listener for privacy information.

WHY I CHARGE MY SON RENT!In Part 2 of this episode we are joined by our bros from NSG as we discuss the release of their new project, 'The Big 6'We also touch on all our immigration sttus!As always, please comment below with your thoughts and don't forget to Like, Share And Subscribe

A 7.0 earthquake off the coast of Northern California in early December triggered a tsunami warning for parts of the California and Oregon coasts. We ask Lori Dengler, professor emeritus of geology at Cal Poly Humboldt, how prepared the area is for a tsunami. Then, François Brunelle has spent nearly 25 years photographing pairs of nearly identical strangers. His work has caught the eye of other artists, researchers and geneticists interested in the phenomenon of doppelgangers. Also, Cuban pianist and composer Chucho Valdés talks about his new album, "Cuba and Beyond."Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Wayne Williams, former Colorado Secretary of State and candidate for mayor of Colorado Springs, joins George Brauchler (in for Dan) to discuss the hate crime hoax involving his 2023 opponent - Yemi Mobolade - and the current mayor's response to allegations he had something to do with it for political gain.https://www.facebook.com/share/v/17tJN4XSCH/Miranda Devine, New York Post joins newly-elected DA in Colorado's 23rd District George Brauchler  to discuss possible preemptory pardons by President Biden and other current events.

‘Twas the night before machine delivery, and Tom's about to discover what running a biochar business really involves. If the last seven episodes were the world's longest preamble, this is where the real story begins: and it involves elbow grease, experimentation, and a healthy dose of good humour. But how will he fare against the highest highs and lowest lows of his startup journey so far? Will he ever get the smell of smoke out of his farmers gilet? And, at the end of the day, is the biochar life the life for him? Grounded is the award-winning story of a startup that wants to remove carbon from the atmosphere and help reshape our relationship with the planet. Ideally without burning to the ground in the process. Follow the podcast to hear Tom's journey, or visit restord.earth to learn more about the project. Thank you to the guests who featured in this episode, including:Adam Samuel – Co-Founder, CapCharRichard, The Dumpy Bag ManTeam members at The Carbon Removal Show Grounded: A Climate Startup Journey is:hosted by Tom Previte,produced by Ben Weaver-Hincks,with marketing by Oluwaseun Sanni,graphic design by Liubov Pankiv,and promotional support by Paola Sáenz, Jack Turnham and Lizzy Read Hosted on Acast. See acast.com/privacy for more information.

'The Big Guy' Joe Biden https://www.audacy.com/989word The Tara Show Follow us on Social Media Join our Live Stream Weekdays - 6am to 10am Facebook: https://www.facebook.com/989word Rumble: https://rumble.com/c/c-2031096 X: https://twitter.com/989word Instagram: https://www.instagram.com/989word/ "Red Meat, Greenville." 10/30/24

Tuesday morning's briefing from The Celtic Way.

The Swans have made a 28-point comeback and are now through to the Preliminary Final after defeating the Giants by six points at the SCG.See omnystudio.com/listener for privacy information.

In this episode, the host is joined by Natalie Lampert, author of 'The Big Freeze,' a comprehensive guide on egg freezing. Natalie shares insights from her seven years of research, offering advice for women considering egg freezing. The discussion covers the importance of being well-informed about the process, the societal pressures impacting decisions related to fertility, and the need for open conversations about reproductive health. The episode also highlights key takeaways from her book, emphasizing that while egg freezing can provide assurance, it is not a guaranteed insurance for future fertility. Listener comments underscore the book's impact, and Natalie shares where her book can be found for those interested. Purchase Natalie Lampert's book, “The Big Freeze: A Reporter's Personal Journey Into The World of Egg Freezing and The Quest to Control Our Fertility.” Visit Natalie Lampert's website. Watch and subscribe on YouTube. Do you have questions about IVF? Join Dr. Aimee for The IVF Class at The Egg Whisperer School. The next live class call is on Monday, September 16, 2024 at 4pm PST, where Dr. Aimee will explain IVF and there will be time to ask her your questions live on Zoom.   Subscribe to my YouTube channel for more fertility tips! Join Egg Whisperer School Checkout the podcast Subscribe to the newsletter to get updates   Dr. Aimee Eyvazzadeh is one of America's most well known fertility doctors. Her success rate at baby-making is what gives future parents hope when all hope is lost. She pioneered the TUSHY Method and BALLS Method to decrease your time to pregnancy. Learn more about the TUSHY Method and find a wealth of fertility resources at www.draimee.org.   Timestamps: 00:00 Introduction and Guest Welcome 01:03 Discussing 'The Big Freeze' Book 01:14 Advice for Women Considering Egg Freezing 03:33 Personal Insights and Learnings 06:12 Societal Pressures and Egg Freezing 08:14 Key Takeaways from the Book 09:40 Audience Comments and Conclusion

The Midnight Boys are here to talk all things ‘Deadpool & Wolverine,' the summer's most anticipated alliance in the comic book world, so they decided to make an alliance of their own! Joining them on the pod today are Sean Fennessey and Amanda Dobbins from 'The Big Pic,' (07:14) and together they discuss comic book lore, Wolverine's wardrobe changes, and Van's vitamin supplements. Hosts: Van Lathan, Charles Holmes, and Jomi Adeniran Guests: Sean Fennessey and Amanda Dobbins Producers: Aleya Zenieris and Jonathan Kermah Additional Production Support: Arjuna Ramgopal Learn more about your ad choices. Visit podcastchoices.com/adchoices

Janine Sherman Barrois is an award-winning writer and showrunner known for her work on Claws, Criminal Minds, ER, and Self Made: Inspired by the Life of Madame CJ Walker starring Octavia Spencer. Her latest project, The Big Cigar, follows Huey P. Newton's life as he escapes to Cuba to avoid prosecution for murder with the help of Bert Schneider, the Hollywood producer behind Easy Rider, as well as a few other celebrity radicals. In this interview, we talk about her journey into becoming a screenwriter, how her career progressed from writing comedy to drama, the differences between writing for short-order vs long-order television shows, the importance of mentorship and networking for aspiring writers, and much more. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Edwin Nissen, a University of Victoria earth and ocean science researcher Learn more about your ad choices. Visit megaphone.fm/adchoices

The FULL Bob Rose Show for Monday 6-10-24

"Bridgerton" is back with more scandal and more sex! FRANCE 24's Olivia Salazar-Winspear and Dheepthika Laurent take a look at everyone's fan favourite focusing on Penelope Featherington and Colin Bridgerton's story. Meanwhile, "The Big Cigar" looks at the improbable story of a daring escape by Huey P. Newton, the founder of the Black Panthers. Plus, they discuss the exploration of an alternate universe in sci-fi thriller "Dark Matter" and the return of BAFTA-winning Muslim girls rock band comedy "We Are Lady Parts".

June is the ‘Month of Community' across the UK. Kicking off the celebrations on the 1st and 2nd of June is the ‘Big Lunch'. Hywel Davies has been finding out how you can take part. For more information on 'The Big Lunch' including how you can take part, visit the website - The Big Lunch 2024 | Eden Project Communities Image: White text on a green background which reads 'The Big Lunch'.

Patient Modesty in the clinic..By thomas_dean. Subscribe & listen to the Podcast at Steamy Stories. In one of my asides with Dr. Velour in the employees' shower, I informed Dr. Velour, "Like most women, Cindy removes the hair from her arm pits and legs, but Cindy clings to the hospital gown when I try to pull it below her navel. How am I going to remove her pubic hair?"At Dr. Velour's suggestion, I gotten rid of Cindy's pubic hair by applying the depilatory cream around her pubis as she presented her rear end while she rested on hands and knees. "In her mind," Dr. Velour accurately predicted, "faced away from you, Cindy won't feel exposed..."In the treatment room, Cindy knotted her faint eyebrows in surprise. "Usually, you whip the gown off and order me crouch on hands and knees to present my heinie."I sighed. "You've a partner but," I observed, "It seems somehow you have never before been naked in the presence of another person."Holding her hand out to touch my arm, Cindy asked, "You're with a guy, but I take it, don't be offended, it's just a feeling, you like girls too. What's it like to be with a guy, to have his juice inside you?""It's a risk," I held her hand. "Guys aren't always as clean or careful as we might like, You know that.""Then, why a man?' Cindy asked."It's hard to explain," I replied, "the brain winks out; you're in instinct driven override. My husband Jerry and I strung together a ditty one night: `Skin aflush, Lips touch, Hands clutch, Bodies crush.'""It's that simple?" Cindy laughed."To override good sense, your senses must be overloaded," I explained, "The trill goes on, 'Scent seducing, Rapid respiring, Furies flaring, Blood bubbling, Dairies dazzling.""Dairies dazzling?" Cindy chuckled. "Or dangling? I guess I wouldn't do well with a man. I don't have that much up top to appeal to a guy.""Mother nature provides," I chuckled, "At each stage, the next one comes that much quicker, "When stimulated, female breasts enlarge. They fill with blood during arousal and intercourse," I teased her nipples as I recited the verse, "There's a certain structural bias imparted by my husband the engineer, `Scent alluring,, Emotions engaging,, Heartbeat surging,, Piston projecting, Port awakening.'""Engineering mixed into biology?" Cindy questioned."Anatomy, Jerry tells me, is the model of man-made structures," I informed Cindy."But what of women-made physical edifice?" Cindy chided me."One never knows what will happen when two heads," I chuckled, "come together in," I continued the poem, "A silent hush, Furies rush, A storm burst, A final thrust , comes the gush.""And that's it?" Cindy asked."Usually, the guy cums and the gal has to finish herself off," I reflected, "These are my lines: `my body inflamed , tho' his sap be drained , his fires slake , I make mine quake!""And still you prefer men?" Cindy prodded me."It's the thrill of letting go, experiencing the risk, dirt, disease, pregnancy and not caring," I exclaimed."Birth Control?" Cindy asked.I shook my head. "Even the pill isn't fail-safe and in the throes of ecstasy, intoxication or just plain exhilaration, you let go; your body takes over; primal instinct reigns; you really don't care.""Fucking is so much fun," Cindy suggested, "you don't give a flying fuck.I tied that into the intended treatment. "Dr. Velour's treatment protocol is based on that very premise that impregnation is more likely if the woman allows her body to take over just like in natural intercourse.""How do I do that?" Cindy asked.Taking a breath for fortitude, I rendered instructions, "First, you must relax." I moved closer to speak directly to Cindy, "I'm not going to bite. Could you spread your legs just a little further apart?"The pale white skin of Cindy's face burnished a deep scarlet when I smiled at her pitiable effort to spread her legs. Running my hands up her inner thighs, I splayed her legs. "Jerry my engineer husband says the legs are like the legs of a protractor. It's unwise to pull them more than 120 degrees apart."Cindy's sweet blue eyes followed my hands as they felt along her lower smooth abdomen brushing her labia reaching toward her inner thighs. She thrust her genitalia upward when I deliberately bypassed and teased her slit. "No matter, we'll try something different today." I smiled. I gently massaged the crease between Cindy's labia and worked my way toward her clit.Hands behind her head, nipples erect, Cindy stretched out on the table. Was she a couple of inches taller? Had she gained a cup size? I wondered.As I removed my hand Cindy pled, "Oh, please God, don't dare stop!"Taking Cindy's hands, I placed Cindy's right hand on her clit and her left inside her vagina searching for the G spot. "Work yourself hard," I ordered, "you deserve it."Excusing myself from the room with the claim that I had to retrieve an instrument, I went to fetch Dr. Velour. I found Dr. Velour in the gym, nude working out. Surprise filled Dr. Velour's face when I came into her view. "Nurse Warbler, you need to get out of those sweat drenched clothes. A shower to cool off is what the doctor ordered.""I've got Cindy working her way to an orgasm," I reported, "I need you to do the injection. It took a lot to get her into a state where she's physically ready to allow her body to override her brain and conceive. It's now or never!""This is unexpected!" Dr. Velour exclaimed, "I'm hardly dressed for the procedure."In frustration, I declared, "I've done much more than I ever expected or wanted to do to accomplish the task: impregnation." I shook my head. "Let me take Cindy into the female visitor's shower. We can do her in the shower," I demanded."Do her?" Dr. Velour seemed surprised."In the shower you'd be perfectly attired to accomplish the task," I observed wryly, "Wouldn't you agree?"I recruited a male nursing assistant about ready to go off duty to help me lift Cindy off the table and guide her into the shower. "Patient is here for impregnation," I noted as we each led Cindy, her fingers furiously stimulating her clit, to the showers. "Hopefully, Dr. Velour will arrive with the sap in time," I declared."I can't help you there. Dr. Velour locks down male nurses in chastity before they can enter the female ward or deal with Surrogates," the male assistant smiled, as we put Cindy, still stimulating herself in pre-orgasmic euphoria, under a spigot.The heat was overbearing. I pulled my top off and tossed my bra in the corner. "The shower should be warm enough to keep her revved up," I assured myself as I stepped out of the bottom and went under the spigot with Cindy.My colleague commented. "Fortunately, not cold enough to turn a hot girl in heat, off." Looking me over, my colleague rendered a candid appraisal, "cute lime green thong matches the color of the scrubs."Standing facing Cindy, I found myself running on the momentum of arousal. Dropping my thong, I slipped my fingers down my abdomen, between my legs into my clit. I swayed in synch with Cindy. Our chests heaved in unison. My lips puckered, blowing Cindy a kiss.Our lips met. Her tongue invaded my mouth We manually simulated ourselves furiously. I became aware that Dr. Velour had entered the room holding a syringe. Was it a foot long and an inch in diameter? Would that fit inside Cindy's love port? I wondered.My boss, Dr. Velour, was here but I didn't care. Out of the corner of my eye, I thought I saw Dr. Velour hand the syringe to the male assistant. Would he administer the man-sap?I felt the pads of a woman's long narrow fingers gently lubricating my sphincter with circular motions going deeper with each rotation. Dr. Velour's breasts pushed against my hip as she pulled Cindy's vagina toward mine. Was this part of the procedure? I wondered.Even if the stranger's sperm was not inserted in me, I may have reached a new level in which the demand and sacrifice was something I may never have assented to in advance. Nonetheless, I deemed myself true to Jerry.I felt a quaking deep inside me start to rumble from the depths of my body shoot into my uterus causing exhilarating contractions, growing in intensity until I crashed senselessly on the shower floor. I fell asleep as the water dripped upon us, my head resting comfortably on Cindy's soft breasts.When I awoke, I found myself alone. The female visitor's showers were dark. The water was turned off. A blanket was thrown over my bare body. My sneakers were gone; my feet were bare. My scrubs were nowhere to be seen. I had no idea what time it was.A lone towel and a bar of soap sat on a rack. I supposed that was a hint.It was as if I was in a vision as I showered down. I worked the bar of soap in my hands into frothy, sudsy cream bubbling with bubbles. When I spread the creamy soapsuds over my shoulders into my smooth underarms, I appraised myself. In a few days, my armpits would need attention.I ran the bubbly mix across my chest, gently working the cream into my breasts, teasing my nipples with the pads of my fingers. Letting my hands wander, I reached my pubic mound.Bristle was starting to grow in coarse. My pubic hair had been removed in a training exercise here at the clinic. It was itchy but Jerry preferred hairy pubes. Whenever I felt guilty about something, I tried to accommodate Jerry.Though tempted, I resisted recapturing the mood. Instead I chose to reach behind me. I spread the foam over my bare ass into my crack.With a sigh, I ceased stimulating myself and allowed the falling water to carry the suds off. I lowered my head to watch the stream of bubbles carried off into the drain in the floor.Alighting from the shower, I found myself on the catwalk in the darkened female wing. Over in the male wing, I could see lights were still on. As I walked on the catwalk, I could hear Dr. Velour below in the subterranean gym chatting with some male donors who were using some of the exercise equipment. Dr. Velour was nude as per her rules for female usage of the facility.What would Dr. Velour's reaction be? Had giving into the feelings of the moment led to failure? What would Dr. Velour do or say? I wondered. I prepared to defend myself. After all! Dr. Velour had engaged with me in bringing Cindy to orgasm and had withheld administration of the man juice."Oh Nurse Warbler," Dr. Velour greeted me, nodding to her male companions sporting only an athletic supporters to leave us, "Cindy and her partner are pleased with progress. They've requested you shower with Cindy when she arrives in the facility. This will acclimate her to a certain amount of social nudity. It will lead to more overtime. Join me in the pool for a quick dip before you dress to go home?"I wasn't surprised. Bowing my head, I muttered with resignation, "As I go one each new step here at the clinic brings us to a new level in which the next demand for an even greater sacrifice soon follows."Chapter 10: The Choice.I was standing on the stage with six other naked women. The foot lights shone right in our face. We couldn't see our audience. It didn't matter. From this beauty pageant, Dr. Velour's preferred clients would pick a Surrogate from one of the bare assed and bare footed females on display. I already knew that Dr. Velour's intended guests would be Alison and Cindy, a sperm-less pair, the current 'correct term' for a lesbian couple who wanted to start a family.A while back, Dr. Velour presented the problem to me in one of her casual asides in the subterranean pool that the clinic provided as a diversion offered to male donors and female surrogates as well as employees. Looking out on the work on the adjacent solarium and sauna, Dr. Velour waved her hand as she visualized her dream, "Right what's just a ditch will bring natural sunlight to the subterranean level.""Naturality," Dr. Velour shook her head, "has its advantages." Turning to carefully studying my bare body, Dr. Velour paused to nod approvingly at my freshly depilated pubes. Dr. Velour noted, "I hope our informal, poolside tete-a-tetes in the natural state promote openness, honesty and trust.""It would save on the laundry bill," I hid my reservations in a joke."Let's talk about your patient Cindy." Dr. Velour began, "Her partner-Oh, the sperm-less pair plans to marry and produce a child-is concerned. Cindy's obsessive modesty is noticeable even at home. Cindy responds well to you. Her partner believes you can bring Cindy to accept an injection with the specialized syringe I designed-you call it --...""The sperminator," I reminded Dr. Velour. Chuckling, I added, "A little dose, we say, brings on 'The Big one,' pregnancy.""Sperminator! `The Big One!'" Dr. Velour exclaimed, "My nursing assistants, a bunch of cards, have devised a cute but sophomoric expression to describe my ingenious design. My invention combines the injectant power of a syringe with thrusting power of a dildo and the stimulation of a vibrator. The sperminator delivers warm sperm into a body in orgasmic convulsions, replicating the euphoria of natural intercourse," Dr. Velour explained."No sperminator natural or artificial," I replied, "can bring 'The Big One' to Cindy, eh, impregnate her if she won't be seen naked.""Cindy trusts you. Work on it." After a pause, Dr. Velour suggested, "Join me at the end of your shift for a swim?" Dr. Velour requested.Weeks later, on stage, I was wondering how did I end up on display? Upon graduation with a degree in an Industrial Psychology, I had been promised a position in management at the clinic. I should be behind a desk studying the motivations of the naked women flapping their lips around me. Only last month, I was leading candidates for selection on stage. Somehow, the wistful plaint crossed my mind: when one door closes another one opens. The direction of my work at the Fertility Clinic had shifted in stages during my treatment with Cindy, the seemingly diffident partner in a eh, spermless pair.

Clinic Nurse explains heterosexuality to sperm recipient.By thomas_dean. Subscribe & listen to the Podcast at Steamy Stories. I was busy in the morning playing the warden, releasing the bulls, the male donors, from the chastity shield and inspecting their genitalia. Unfortunately, word spreads quickly in the clinic. The bulls chided me about my prospective transfer to the female section. "Afraid of dealing with real men," upbraided one bull. His teasing brought a round of a hearty laughter."I'll return the compliment," I retorted, "in this locker, I wear the crown. Under lock and key, I keep your implement. It is I who frees you from peeing sitting down." Later, descending into the subsurface level, I found myself walking with a group of bulls, phallus dangling free, headed to the gym. One, a Mr.Tim Bogen, a relative newcomer, pulled me aside.Worry etched on his face, Bogen requested permission to pose a question. "What would you think if your husband registered here as a bull?"I pondered for a second. "I'd sleep more nights through, wake up fresh still in my PJs more often and get more cuddling time. My eh—partner would learn the use of his tongue. I might like some cunnilingus, now and then. How does your partner feel about your role here?""She came here on one of the partners' days when they allow the bulls to eh -" The bull hesitated."Screw," I suggested."Kind-of," Bogen spoke hesitantly, "Eh—Interaction is subject to strict supervision. Females are protected, like prized animals, from unplanned insemination," the Bogen grimaced, "Bulls must use a sperm collection condom.""I guess Dr. Velour has an exclusive output contract with her bulls," I surmised."The clinic starts off females in milk extraction," the bull recounted."I'm sure it's just an experiment to see if the exercise of the nipples will fool the body into producing milk," I assured Bogen. "Participants, mostly college girls picking up a quick buck, are paid to have their nipples exercised. What's the worry? You are permitted to work her nips at home. It can lead to renewal, a new beginning of tender moments and bonding.""With me in chastity?" questioned Bogen."With you in chastity," I replied in a comforting voice, "the exercise might increase sexual tension and spur sperm production.""But where does that lead to—for her?" Bogen wondered, "Titty tugging is just a beginning. Each step makes the next step easier. Taking money to have her tits pulled can become selling her body for milk production and then getting knocked-up for surrogacy.""You really starting to worry about a concern that has yet to present itself. Perhaps, you should explore your feelings with Dr. Velour and your partner," I spoke with an encouraging voice, "I'm just a Nursing Assistant in training, not qualified to counsel you and your partner."At the foot of the ramp, I promised to raise his concerns with Dr. Velour. Entering the small theatre next to Dr. Velour's office, I found myself alone with Dr. Velour, now in her freshly pressed pleated dark skit with heels and white lab jacket over a sweater. The other nursing assistant trainees had not arrived."They'll be down," Dr. Velour informed me, "in a few minutes; Pat is exercising her nipples; Cassie needed to take a shower after working up a sweat in the gym; Beth is expressing milk. They'll be down after a shower."Apprised of the Bogen's concerns, Dr. Velour congratulated me, "you did right by referring the bull to me for guidance." With a hand on my shoulder, Dr. Velour asked, "What do you think makes a good Surrogate?""Physically fit enough to carry a baby to term, ovulating, able to conceive," I replied."Physical capability is important. Most women are, but what should I look for in a young woman who wants to be a surrogate?" Dr. Velour inquired."A motivated person," I replied."Indeed, motivations. That's what I look for," Dr. Velour exclaimed, "What I look for in a surrogate starting out is the antithesis of a good mother. First, she's less interested in bringing life into the world than securing an advantage for herself, an objective, material purpose, an expensive house, a limited-edition car, a dream vacation, something beyond their means that a woman might be willing to make the ultimate sacrifice for, giving up a child. Second, it is helpful, that a woman be a bit of an exhibitionist, one who enjoys being the center of attraction, the star of the show.""I don't mean to inquire into your personal affairs..." I started."But you've heard that I financed my medical education by playing surrogate, three times," Dr. Velour chuckled. "I came away in good condition, don't you think?  No scars, genitalia intact, abdomen uncut." With a laugh, Dr. Velour reminisced, "medical people are so self-centered that no one noticed I was pregnant—every year.""You were not the center of attention?" I was stunned."A couple years later, I went to a reunion," Dr. Velour recalled, "an alum approached me... `Weren't you the girl who skipped graduation because you were pregnant in the last year and delivered? What did you end up having?'" Dr. Velour smiled as she reflected, "`Money to pay the tuition,' was my response.""Then, you were not the center of attention?" I was confused."Most women feel they are or should be as their baby balloons out," Dr. Velour explained, "Sometimes a husband can be jealous." With a reassuring back rub, Dr. Velour promised, "I'll call the bull in, for reassurance."At that Cassie the gymnast entered in scrubs. The sleeves were cut off to reveal her biceps. Following her were Pat, topless big breasts bouncing, and Beth also topless with pads covering her nipples. "Sorry, Dr. Velour," hands cupped in front of her breasts, Beth apologized, "I've been expressing. I need to sop up the drip."I was somewhat surprised to see both ladies enter in yellow shorts and slippers, displaying their breasts, Beth boldly, Pat looking around nervously gauging our reaction."Let's start with Pat," Dr. Velour began, "But first I begin with an explanation, not an apology. There are no apologies in medicine we're always right." Dr. Velour looked from face to face. Her remarks drew some giggling and a few chuckles."In our last session, we had Amy Warbler get dressed in order to come down here to strip behind the privacy screen. The purpose of requiring a patient to disrobe is control. Beth," Dr. Velour called on the surrogate, "could you explain how our heifers enter to express milk?""It's an assembly line. Heifers report, disrobe," Beth outlined the procedure, "shower, line up for examination, handed a pair of yellow shorts and slippers, assigned a booth for milking.""Human breasts are a secondary sex characteristic, not a sexual organ," Dr. Velour lectured, "They are designed for two purposes: to attract a mate and to produce milk for the sustenance of an infant."Velour called Pat to center stage, "Lets start. The areola, the ring around the mammary papilla, the nipple," Dr. Velour ran the pad of her index finger around Pat's areola, "of a blond, like Pat, is usually a subdued off-white." Dr. Velour looked to Beth. "Under those pads, a brunette, or any other dark-haired woman like Beth should have darker, more prominent areolas."Beth looked with a smirk on while Pat turned her head away as Dr. Velour's hands massaged Pat's breasts. "The Female Breasts," Dr. Velour taught, "infused with network of nerves, spread out widely, are extremely sensitive to physical contact." Placing her hands under Pat's breasts as if weighing them in the palm of her hands, Dr. Velour asked whether Pat suffered any neck or back pain from the weight of her breasts.Rolling Pat's nipples between thumb and index fingers, Dr. Velour lectured, "In bringing down the milk, the heifers in the experimental program start with manual manipulation of the nipples. Unlike milking a cow, by simply squeezing the bossie's teat from the top to the bottom, manual manipulation of human breasts must take a subtle, gentler form of palpating or massaging the nipples to simulate suckling an infant."Ordered to drop to the ground, Pat presented on all fours. Dr. Velour squatted in front of Pat, "Taking the nipples between thumb and index finger," Dr. Velour discoursed, "gently tug one then the other. The subject will after she gets used to the position become quite stimulated." Rising and assisting Pat to her feet. "Try this at home with your partner, but there is another way."Turning to Beth, Dr. Velour called for comments. "Sometimes, direct oral stimulation, properly done, mouth covering the tit," Beth explained, "will be more effective in bringing down the milk.""More efficacious as well as more affectionate," Dr. Velour smiled before she invited Beth to demonstrate. "Beth, you have the most experience," Dr. Velour urged Beth on, "show us how direct oral stimulation is done."Supporting Pat's breasts with the palm of her hand, Beth, with a smile, jiggled Pat's breasts. "Nice jugs," Beth smiled. Beth locked eyes with Pat. Pat's hands tentatively reached out to clutch Beth's shoulders.As Beth craned her head to lick Pat's left nipple, Pat placed her right hand on Beth's head to hold Pat close. Beth slobbered her tongue around Beth's left nipple. Capturing Pat's nipple in the mouth, Beth started suckling.Turning to Cassie and me, Dr. Velour orated as if she were lecturing a theatre full of students, "Suckling creates a vacuum instrumental in bringing down milk. The breast pumps employed in the clinic operate on the same principal. The pump captures the whole nipple and creates a vacuum replicating a mouth suckling." With a smile, Dr. Velour exclaimed, "The body is a marvelous machine!"In front of us, the suckling became louder and more intense as Pat's left hand reached around Beth to clutch Beth in a hug. Beth's hands falling on Pat's hips, yanked Pat's yellow shorts off. The shorts fell to the floor, Pat kicked them off. The two tumbled to the platform of the stage."Breast feeding is a pleasurable experience," Dr. Velour observed, "pre-natal or pre-adoptive practice can reinforce the pair bond which many believe essential to child rearing. The human body is a well oiled machine. Unfortunately, there is no turn-off switch," Dr. Velour chuckled. "We can allow these two go orgasmic for the moment."With the sound of an impending orgasm echoing in the background, Dr. Velour turned from Cassie to me. "One of our bulls has expressed concern over his wife," Dr. Velour explained the problem I had raised, "After his wife came on a couple's day, she decided to join our programme as a Heifer to stimulate her breasts to induce lactation."Cassie chirped, "She wants to be a Moo-Cow and he's worried. I don't believe it""That's the problem," Dr. Velour observed. "It is possible that the husband might fear his role as the center of attention in the relationship is endangered by competition from his wife. Amy, do you have any suggestions?"My attention was riveted on the tussling in the background. I watched Beth's lips slip away from suckling Pat's left breast, planting kisses down Pat's abdomen with a smack. When Beth reached Pat's mound, I heard Pat emit giggling sighs of delight. Pat's legs wrapped around Beth's neck; sucking sounds became louder as the grasp of Pat's legs drew Beth in deeper.Prompted by Dr. Velour to advance a solution for the bull's problem, I saw the answer in the scene unfolding before me. Still watching Beth and Pat in the throes of orgasm, I proposed, "Meet the couples together. Allow the bull to suckle the heifer, suggesting scientific standards require observation for monitoring the technique." Looking at Beth and Patty locked in an embrace on the floor, I added, "that way both will share center stage.""Hmm." Dr. Velour opined, "just let their bodies' wiring take over."In front of us, Beth and Pat shook with successive waves of orgasm. Transfixed by the spectacle on stage, I, sandwiched between the firm body of Dr. Velour and muscle-bound Cassie, felt overheated. "Stimulating, isn't it?' Dr. Velour threw an arm over my shoulder to whisper in my ear."If I were still in school," Looking toward Dr. Velour with a sheepish smile, "I'd skip school this afternoon, find Jerry and fuck myself blind."Cassie laughed. Dr. Velour with an enigmatic half-smile changed my assignment for the day to shower girl in the heifers' shower. "Keep you away from temptation. As you know I have an exclusive on all the Bull's spermatic secretions."The rest of the day passed routinely for a fertility clinic. I spent the afternoon as towel girl in the heifer's section. At the end of the workday, I was approached by Dr. Velour to share a spigot in the employee's shower. Asked for my reaction to working with women, I reflected, "Different things are dangled in your face; the saucy comments and suggestions are subtler; the objective is the same: a cheap jives rather than cheap thrill, but no requests for nipple stimulation, manipulation, suckling, or massages.""How disappointing!" Dr. Velour sounded sympathetic. Turning, Dr. Velour requested I soap her back. Starting with her shoulders I spread the foamy liquid on her shoulders, massaging her neck, lathering her arm pits when she spread her arms out. Holding her head back to look up at the ceiling, Dr. Velour opened her mouth and held out her tongue to catch the gentle beads of water falling on her when I passed the sudsy froth along the sides of her breasts.As I rubbed the bubbly mass down her spine, Dr. Velour, eyes shuttered, demanded, "lower, lower, work out the kinks of a long day." The droplets of soap sparkled as I applied the creamy solution and kneaded the firm, muscular half-moons of her butt.I looked around. Everyone had left me with Dr. Velour alone.Splaying her legs and bending over, Dr. Velour, exceptionally agile, reached for the floor with her hands. Presenting her crack invited an intimate massage. I had seconds to think of a diplomatic solution to keep contact impersonal. I leaned into Dr. Velour teasing her back with my nipples and excused myself for a second in an apologetic tone, "I need to leave you for a second to reach for surgical gloves. Don't go away."Dr. Velour muttered with an undertone of disappointment, "If you must."Locating surgical gloves, I stepped into the Shower girl's bottoms. Topless, I reasoned, ought to be enough stimulation. Returning to Dr. Velour, I first squeezed the bubbles out of a washcloth between those firm half-moons. Then I worked the effervescent fluid into her crack, massaging her sphincter with the pad of my thumb, entering her warm vagina with my index, middle and fore fingers.She moaned as her orgasm overtook her. Though I had intended to keep the contact impersonal, the electric charge of her orgasmic contractions jumped from her body to mine. A flush branched out from the cheeks of my face to my chest. My nipples went erect. I started to laugh at myself for donning bikini bottoms. I felt the urge to rip them off and rub my vagina into her muscular legs. I leaned into her back. We swayed together as the ripples of orgasm shot through our bodies.Suddenly, with a jerk, Dr. Velour pushed me off and stood on her feet. Casting a scurrilous glance at the bikini bottoms clinging to my ankles, Dr. Velour cautioned me, "Kick those things off before you trip."Hands on her hips, Dr. Velour congratulated me, "Not bad! Remind me to give your class some lessons in massage." Staring through me dispassionately, she observed, "It may come in handy." Looking around the empty room, Dr. Velour told me to rinse off. "The night crew will be reporting in soon to service the bulls who come in for a shower after work."Before the heat of our encounter faded away, Dr. Velour walked down the catwalk toward her private changing room. Watching her retreat down the walk of shame, I wondered what had I begun? I had wanted to ensure that contact would be impersonal. Dr. Velour intended nothing different. I felt I betrayed myself husband, but most of all I had betrayed poor Jerry.

Fertility clinic nurse explores magic of sex play in study.By thomas_dean. Subscribe & listen to the Podcast at Steamy Stories. Chapter 4: Fun & Games People Play.My tall and muscular husband Jerry, pleasantly bemused, encouraged my studies and offered his body for practice."First, I wash my hands and introduce myself," I went through my checklist, "Good morning Mr.Warbler. I'm Nursing Assistant Amy Warbler. After I release you from chastity, I'm going to conduct a testicular exam, a complete physical inspection of the genitalia, the penis, scrotum, and testicles.""Oh, please do," said Jerry with a smile.I moved his chin to the right and ordered Jerry to put his hands on his head.Passing my written and practical test, with Jerry's help, I found myself in a somewhat more staid, professionalized environment. On duty, I was addressed as Miss Warbler. I wore medical scrubs replete with a name tag that identified me as a Nursing Assistant.Co-opting in the trial run-through for the hands-on portion of the exam, Jerry complained that I should borrow surgical scrubs for more realism in my exam. "There's something to the medical accoutrements, the scrubs, the name tag, and the stethoscope that promote cooperation of the subject."With Jerry's size and strength, I needed all the help the prop of an improvised costume could bring to assure his pliancy.To accommodate Jerry's quest for realism, I wore one of his white shirts, backwards, over a loose, billowy pj bottom. I preferred the short sleeve shirt to tease Jerry with a glimpse at my breasts. Jerry's T-Shirt fit loose enough; I only buttoned the top button to make sure the top flowed with my movement. To Jerry's suggestion that, on duty, I wear a bra or a T-shirt under the scrubs, I reminded him that paying customers give tips."Tips for Tits!" Jerry exclaimed. "You must model this exceptional garment for me. Bring a pair home.""To leave at the end of my shift," I replied, "I have to walk naked from a communal shower along a steel mesh parapet for 100 paces. How can I spirit scrubs out of the clinic?"Still, even after elevation to a demi-professional caste, we had to strip, stow our street clothes in a locker, and walk naked along a catwalk about 100 feet to communal showers. Instead of the 4AM race of the cleaning crew to the showers, we leisurely strolled to the showers. One of the women walked with the man, idly chatting. Next to me walked a cherubic brunette Darrie. "Think of it as short for Darling," she told me."Appropriate name," I replied, "for the angel who releases the male donor from the cock block to release the built-up eh—tension.""Angel Darlin', now that would be a nice name," Darrie chuckled, "the guys call the nurse in the locker the Angel of Mercy. We call her the `Warden.'"In our practice for my hands on exam, Jerry expressed interest in experiencing me in the role of the Angel of Mercy."Not ready to recognize me as your warden," I chided Jerry.Perhaps, Jerry suggested as he stood naked in front of me that I should have obtained permission to borrow a chastity belt for that purpose. "The clinic might have allowed issuance of the belt, but not the electronic notebook. You might find a chastity grows on you. Without the release button on the electronic notebook, you'll find the belt is easier to get into than to get out of."Under the spigot next to me, Darrie, looking around the shower, sighed. "You're new. The only problem with working at the Fertility Clinic is," a silly expression appeared on her face, "it grows on you.""Quite an interesting comment," I replied, "about an institution designed to grow eh, people.""The longer you are here," Darrie smiled, "the more you're bound up in it, the harder it is to leave, and the more you find yourself willing to do."Though there were enough spigots in the shower for us to keep a respectful distance from each other, we tended to congregate within arms' reach of each other. "I'm going to help you-just for the first few customers-In the locker-just to show," Darrie proposed, "you how to handle eh, the ropes." We both giggled together before she asked, "Soap up my back, will you be a luv?"Turning her back to me, Darrie waited for me to apply a washcloth from the short hairs of her neck to her shoulder blades down to her butt. "Are you married, luv?" When I acknowledged, she prodded me, "to a guy?" At my nod, she added, "you'd do well as shower girl, but today you play warden, unlock them on the way in and lock them tight on the way out."At the clothing counter, Darrie recommended that I wear a T-Shirt under the scrubs, "It being your first time, you might not want guys gaping at your swinging tits.""Tits bring Tips," I quipped.In my practice with Jerry, I went through the protocol: "Second, once the subject has disrobed, the subject should present naked standing in front of you. Some prefer to perform the examination kneeling to the side of the patient. Most examiners prefer to stand to conduct an initial appraisal of the subject's general condition.""Hands on your head, Mr.Warbler, if you please, legs apart," I ordered in a cheerful voice."Why do you need to keep an eye on my hands?" Jerry asked. "Does a 90 lb woman facing fear losing control over a naked, sex crazed man recently sprung from chastity?""Interesting choice of words," I replied.When Darrie and I peeked in the male donor's locker, three or four men completely undressed were milling about inside. Darrie pointing out a fair skinned nervous sort criss-crossing his chest with his arms, "Probably, the new guy, Mr.Flesher," she surmised.Naked except for an inverted triangular shaped dome covering their crotches, the men awaited release. Standing at the entrance the male donor's locker, Darrie whispered, "Unexpected things," an evil smile peered on her lips, "especially with new donors can happen when the projectile is unleashed. Never stand directly in the path of an eruption."We both giggled when I quipped, "Interesting concept."Entering the male donor's locker, Darrie barked, "Line up," Darrie pointed to a line down the middle of the room, "Hands on your heads, the one on top of your head you think with, if you expect your schlong to swing."There were some catcalls from the guys lining up. One called out, "Wear a bra if you're afraid I'll cop a feel.""While I keep your schlong locked," Darrie shot back, "fondling my tits in a moment of joy will bring your cock quite a shock.""You just want to smell my pits," screeched another."Just to check, forsooth," Darrie quipped, "underarms remain smooth and clean and not hirsute." Darrie leaned over to give me advice at an audible whisper, "it's good to keep chappies happy by wiggling your tush and acting a little sassy.""Consider this a eh, dress rehearsal. You're suitably naked and I'm in an improvised nurse's costume," I commenced a test-run of the examination. As Jerry stood hands over his head, I announced the next step, "Third," pausing to seize his penis for examination, I continued, "thoroughly inspect the penis frontal and dorsal,-eh all sides for lumps, swellings, ulcers or scars."At my touch, I could feel Jerry's penis begin to pulsate and gel from flaccid to rubbery. I noticed Jerry's lips pursing. I heard my heart pounding in my chest. Breathlessly, in a dreamy voice combining technical book learning with pillow talk, I gushed, "think of the penis as engineering miracle of erectional hydraulics, a natural pump capable of accomplishing a surge of blood flow within seconds. When the penis swells with blood, the pelvic floor muscles launch the penis eh, into ecstasy."Ecstasy? I questioned myself. That's contrary to protocol which impersonalized intimate contact. Putting aside the delicacy of social conventions, I, focusing on the objective, must conduct procedures by the book step-by-step. The heart may beat faster, the temperature may rise, but the purpose of intimate contact is professional. "Physical contact with a female nurse during a delicate examination can produce a natural reaction in a male patient," I reassured Jerry."Priming the pump triggers the launch. I hope so," Jerry replied.Announcing as we swept into the locker room, "Gentlemen prepare to launch your rockets, 10-9 -8-7 ...," Darrie pushed a button on her notepad. The clang of the plastic covers falling to the ground followed. While I collected the fallen shields, Darry declared, "Fun time! Examination of the genitalia."When she reached Mr.Flesher who managed to conceal himself at the end of the line, he was shaking; his fair skin was burnished red. In a soothing voice, Darry assured Flesher, "There's no shame in a natural reaction to physical contact with a female during a genital examination."Hushing the other men, Darrie sent them into the shower, noting, "Go take care of what you came here to do."As the other men filtered out into the shower, Darrie called me over. "Mr.Flesher," she addressed him, maintaining eye contact, "Let me introduce Amy Warbler, our new Nursing Assistant. I need to report to Dr. Velour our boss that Nurse Warbler is fully capable of conducting exams on her own. Can you help me teach our Nurse Warbler the art of an intimate examination? It'll only take a sec. Then you can get hitched to the hitching post for release. That's what you came here for, right?"In practicing with Jerry, I pronounced, "Fourth, inspect the scrotum. Hmm," I interjected, "I get to keep hold of your joystick. Moving the penis out of the way, inspect all sides of the scrotum. Lift the scrotum to check its underside."In the locker, Darrie thanked Mr.Flesher, "Good! My examination will only take a couple more minutes before you're on your way to the hitching post, release and ecstasy."In my dry run with Jerry, I reached the Fifth stage "palpating," I interjected, "that's an inflated medical term for examining by touch, the testicles.""Inflated? That's an interesting word. Sounds like fun," Jerry's laughter went into the falsetto range when I pinched a testicle."With my thumbs and index fingers," I explained, "I roll the testes between the fingers to detect potential abnormalities. Feel along the duct work, the epididymis tube and the duct deferens which deliver the sperm for ejaculation.""Go easy," Jerry's voice ventured into the falsetto range."That wasn't so bad. Your examination is over," I advised Jerry, "You're free to have fun. Thank you for being such a good boy," I patted his tush, "for behaving yourself and cooperating." I turned my back on Jerry to take off my gloves and drop them in the bathroom."Free!" Jerry exclaimed. When I felt his hands gripping me. Lifted off my feet, I felt the pj bottoms slide away. Bent at the waist, I heard Jerry yell "I don't have to be good, no more, but it will be good."In the locker, Darrie concluded Flesher's examination. "Not so bad, was it? You passed your exam with flying colors," Darrie counselled Mr. Flesher, "You're dangling free. Go have fun with it!" As Flesher walked away, Dearie whispered, "never turn your back on a released donor."At home, Jerry exclaimed, "Time for fun." A wild expression cropped on his face. "The pump's been primed, the torrents will flow." I felt the warmth of his body nestle between the half-moons of my ass while his nimble fingers separated my vaginal lips. Then he hesitated."Go ahead. Fuck me." I ordered Jerry. Tease, denial and release, I wondered as I gasped when Jerry penetrated, was that the magic?Chapter 5: Nature of the AttractionIn my senior year in college, I worked several hours in the early morning before classes in a fertility clinic. It was part of my internship toward my degree in Industrial Psychology. In my rotation as a student intern in the clinic, I, through study and practical training, had earned a promotion out of maintenance into the Nursing Department as an assistant.Smart in her white lab coat and dark dress, Dr. Velour introduced the study to three nursing assistant candidates gathered in her office."We start our study with the male body because it is less complex, designed for an important, but momentary role in reproduction," Dr. Velour's word brought a ripple of giggling to the motley group of prospective nursing assistants."This is a business," Dr. Velour expounded, "We have to recruit livestock, groom their bodies, generate interest in purchasers, draw and refine the product and sell it. Initially, our question in dealing with the men, is what makes a man want to `bind his loins' in a cock-blocker, hitch his penis to a machine and discharge his seed into a hitching post? The answer at least initially is curiosity."I chuckled. Ever since I obtained this internship, my husband Jerry has beseeched me to sneak him in to test his equipment. Didn't I put out enough? I lay crunched up like a pretzel, hands bound behind my back with my bra, complaints squelched with panties in my mouth too often to think differently.It was hard to think of Jerry tied docilely to a hitching post at the Clinic to be jerked off. For foreplay, Jerry preferred wrestling me to the ground. Taken by surprise, forced face down, with Jerry strong hands tugging at the waistband of my jeans, I'd spur Jerry on by pleading, "Don't rip my clothes, Jerry. I don't get paid till next week."Was Jerry jealous or afraid my job involved physical contact with other men? No, Jerry was so curious so much so he wanted me to reenact the protocols in sperm extraction."You come to the clinic through different pathways, bringing different experiences to the study. Dr. Velour looked from student to student, "we have Amy, here, a student in Industrial Psychology at the local college. Perhaps with Amy's background in Industrial Psychology, she will develop a clearer idea the motivation of the persons involved in the people involved in the donation process. Amy?""My ugh-experience tells me curiosity is a good hypothesis," I replied. The room filled with chuckling, "Men are always looking for a new spot to anchor their spar in."When the laughter subsided, Dr. Velour pointed out a girl with muscular forearms and legs, "Next, we have Cassie. She's a gymnast who has been working in the gym; Pat," Dr. Velour pointed out a college girl like me, "a participant in our experiment in inducing the mammary glands to produce milk; and Beth," Dr. Velour pointed to a woman in her mid-thirties, "a surrogate.""Regardless of sex, however," Dr. Velour continued, "the brain is the largest sex organ. Oh, the body reacts to physical stimulation and once aroused can control the mind, but the mind creates the expectations in given situations.""Thus, because male body's function in reproduction is limited," Dr. Velour ex

CKLW, 'The Big 8' in Windsor and Detroit. We'll continue touring Dokufunk in Vienna Austria with Wolf Harranth and Jonathan Marks. Adrian Peterson's QSLs are on their way to Australia.

Fresh Fiction's Preston Barta, James Cole Clay and Courtney Howard discuss the latest in entertainment, including what's happening at the cinema and on television. This week's episode features talks about: FILM IF BABES THE STRANGERS: CHAPTER 1 BACK IN BLACK FURIOSA: A MAD MAX SAGA ORPHAN (Scream Factory Blu-ray release) Various film screenings on 35mm TV THE BIG CIGAR (Limited Series on Apple TV+) INTERVIEWS THE BIG CIGAR showrunners Janine Sherman Barrois & Jim Hecht and stars Alessandro Nivola, P.J. Byrne & Tiffany Boone

https://letterboxd.com/needsintro/ mailto:needssomeintroduction@gmail.com   In this episode of 'Need Some Introduction', host Victor delves into the new Apple TV+ science fiction thriller 'Dark Matter', based on Blake Crouch's novel. He compares the series to the book, expressing satisfaction with its faithful adaptation while foreseeing potential filler in the show's long episodes. Victor also discusses the mixed critical reception of 'Dark Matter' and its exploration of alternate lives, a theme resonating in pop culture's recent fascination with multiverses. Additionally, Victor champions 'The Big Door Prize', another Apple TV+ series based on a novel. Despite its low popularity, he praises its exploration of personal destiny and recommends it for its unique storytelling and emotional depth. Victor then discusses his relationship with Blake Crouch's works, recommending other shows like 'Shining Girls', 'Constellation', and discussing the concept of doppelgangers through various recommendations. The episode also includes a 'science corner' where Victor explains quantum superposition and multiverses, providing a deeper understanding of the science behind the concepts explored in 'Dark Matter' and similar narratives. 00:00 Introduction to Dark Matter: A New Sci-Fi Thriller 00:09 Initial Thoughts on Dark Matter and Its Adaptation 01:05 Exploring the Multiverse in Pop Culture 01:32 The Science Behind Dark Matter and Multiverse Theories 01:38 Diving Into The Big Door Prize: An Underrated Gem 02:29 Apple TV Plus and Its Literary Adaptations 08:17 Dark Matter: Breaking Down the First Two Episodes 40:20 Recommendations: Doppelgangers and Alternate Realities 43:26 Science Corner: Understanding Superposition and Multiverses 50:06 Wrapping Up and Looking Ahead

Fresh Fiction's Preston Barta and James Cole Clay are here to bring you the latest updates on what's happening in the world of cinema and television. So, sit back, relax, and tune in! This week's happenings include: FILM THE FALL GUY THE IDEA OF YOU STAR WARS EP. 1: THE PHANTOM MENACE WILDCAT JEANNE DU BARRY CIVIL WAR HARDWARE WARS (MVD Rewind Collection) TV THE BIG DOOR PRIZE (Season 2) revisited INTERVIEWS THE IDEA OF YOU director Michael Showalter THE BIG DOOR PRIZE showrunner David West Read and stars Chris O'Dowd & Josh Segarra

‘I didn't grow up in a place where I was hanging out with screenwriters,” says Melanie Marnich. “I grew up in Duluth, Minnesota. I was a voracious reader and I think that sparked something in me, but I didn't know that that would be a career.” In college, Marnich was a journalism major with an emphasis in advertising. “I would up doing and loving TV and radio commercials.” She loved the job, but felt limited writing in spurts of 30- or 60-seconds. “Then I got the theater bug.” Feeling that she had some of the right instincts but wanting a more formal degree, she went back to graduate school to learn the ins and outs of becoming a playwright. “That was the big leap, going from advertising to being a playwright. But again, after a few years, I felt like there was something more to do.” Following her gut instinct once more, she pursued a career in filmmaking. “Out of the blue, my theater agent sent a play of mine to an agent in LA, who, unbeknownst to me, sent the play to the Showrunner of Big Love.” She went on to write 12 episodes of the hit HBO series. In addition to Big Love, Marnich has credits for My America, The Big C, Low Winter Sun, The Affair, The OA, The Son, A Murder at the End of the World, and Apples Never Fall. “I think it was an extremely necessary path and the right path for me. I think to say that advertising + theater = TV.” “I think if I had gone into TV sooner, I don't think I would have had the tools I needed as a writer to build a career out of it. I think I learned a lot every step of the way and those various versions of storytelling that created in me someone who understood TV and had specific toolkit beneficial for TV.” Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on hundreds of interviews here at Creative Principles. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

In a MASSIVE 9-0 win, the supreme court rules that Trump cannot be removed from ballot. This is a VERY big win, because it shows that even leftist Justices know that Trump is right PLUS: A new poll shows Trump is CRUSHING President Biden in swing states There were many bombshells in Hunter Biden's testimony. Kathy Hochul is giving priority for state jobs to ILLEGALS. --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-josh-m-show/message

The RUNDOWN S4 E34: Hunter Biden Admits His Father, Joe was 'The Big Guy' in Closed Door Testimony SUPPORT CRAIG DELUZ FOR CONGRESS AT https://secure.anedot.com/deluz/contribute Please Support Our Sponsors: HITMAN INDUSTRIES - Visit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.hitmanindustries.net/⁠⁠⁠⁠THE CALIFORNIA REPUBLICAN ASSEMBLY - Visit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://cragop.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠USCOMBATGEAR.COM⁠⁠⁠ - Visit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.uscombatgear.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HAWG HOLSTERS - Visit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.hawgholsters.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/2anewsrundown/message Support this podcast: https://podcasters.spotify.com/pod/show/2anewsrundown/support

On this full, LIVE episode of LARRY, we discuss the BREAKING NEWS of Mitch McConnell's resignation announcement, Joe Biden's surprise visit to Walter Reed Hospital, Hunter's facedown against Republican lawmakers, Fani Willis' impending demise, taxpayer funds to terror related groups, and MUCH, much more! Watch LARRY LIVE — Monday-Thursday at 12PM Eastern EXCLUSIVELY on Rumble: https://rumble.com/c/c-5769468 Find LARRY wherever you get your podcasts! SPOTIFY: https://open.spotify.com/show/7i8F7K4fqIDmqZSIHJNhMh?si=814ce2f8478944c0&nd=1&dlsi=e799ca22e81b456f APPLE: https://podcasts.apple.com/us/podcast/larry/id1730596733 Become a Townhall VIP Member today and use promo code LARRY for 50% off: https://townhall.com/subscribe?tpcc=rmbldescription https://townhall.com/https://www.facebook.com/townhallcom/https://www.instagram.com/townhallmedia/https://twitter.com/townhallcomBecome a Townhall VIP member with promo code "LARRY": https://townhall.com/subscribeSee omnystudio.com/listener for privacy information.

Producer, composer, and podcaster Ian Coss joins Daniel Ford on the show to chat about his podcast "The Big Dig," which dropped this past fall and is presented by GBH News. To learn more about Ian Coss, visit his official website. Writer's Bone is proudly sponsored by The Bookshop: Lou's Literary Line, Libro.fm and Mark Cecil's upcoming novel Bunyan and Henry; Or, the Beautiful Destiny. 

It's a New Year and the Brothers are Back in the Room to Catch up and share what they got up to over the Holidays! From videogames to movies & tabletop games, this episode is a great way to get reacquainted with the Brothers or, if you're new here, it's a great place to start and to join in on the discussion! Stick around to the end where the Brothers share their Take on whether 2023 was the greatest year for gaming to date! Chapters; 0:00 Intro 3:09 The Games we Played! 4:36 God of War Ragnarok : Valhalla Review 10:40 Bramble : The Mountain King Impressions 12:19 Tekken 8 Demo Review 17:16 Tabletop Gaming! 18:17 War of the Ring 23:01 Tomb Raider Board Game 28:04 District 9 Board Game 32:37 There's an MGS Board Game Coming 35:44 The Movies we Watched! 36:10 Godzilla Minus One Review 48:10 Rebel Moon Review 1:02:51 Was 2023 the Best Year for Gaming? 1:13:14 Outro Follow Our Podcast ; Link Tree : https://linktr.ee/TheBrothersTake Facebook : https://www.facebook.com/thebrotherstake Instagram : https://www.instagram.com/TheBrothersTake/ X : https://twitter.com/TheBrothersTake?s=07

The cast of 'The Big Bang Theory' sat down with Stephen after the series finale of their iconic show to talk about their first impressions of each other and their last group scene together. Featuring Jim Parsons, Johnny Galecki, Kaley Cuoco, Kunal Nayyar, Mayim Bialik, Melissa Rauch, and Simon Helberg (Original Air Date: May 16th, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether it's high-speed rail or highway reconstruction, infrastructure projects in the U.S. are often associated with high price tags and lengthy timelines. Perhaps no project captures this better than Boston's Central Artery Tunnel project, more commonly known as the Big Dig. It's the nation's most expensive highway project. And it took more than two decades to plan and build.Ian Coss, host of GBH News' "The Big Dig" joins us to discuss the lessons we can take away from projects like Boston's.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find out how to connect with us by visiting our website.

Sean Fennessey, the brilliant host of 'The Big Picture' podcast & head of content at The Ringer, joins Christina for a great discussion on "writers in crisis"! This character type has been a constant in Hollywood & this year is no exception, with examples like Andrew Haigh's 'All of Us Strangers', Justine Triet's 'Anatomy of a Fall', & Cord Jefferson's 'American Fiction'. On the show Sean & Christina discuss what makes the writer in crisis so fascinating, 2023s many interesting iterations and our 10 favorites historically, from Jack Torrance in 'The Shining', 'Barton Fink', 'Sunset Boulevard' and so many more. Twitter @SeanFennessey @theringer @TheBigPic Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Nocerra, co-author of "The Big Fail: What the Pandemic Revealed About Who America Protects and Who It Leaves Behind," speaks to "Forbes Talks" about his new book, what the U.S. did wrong during the COVID-19 pandemic, former President Trump's role in the failures, and more.Stay ConnectedForbes newsletters: https://newsletters.editorial.forbes.comForbes on Facebook: http://fb.com/forbesForbes Video on Twitter: http://www.twitter.com/forbesForbes Video on Instagram: http://instagram.com/forbesMore From Forbes: http://forbes.comForbes covers the intersection of entrepreneurship, wealth, technology, business and lifestyle with a focus on people and success.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode is presented by Carolina Readiness Supply – The Federalist reports on new evidence released by Congressional investigators showing the path that payments made by Chinese officials made their way into Joe Biden's bank account.  Get exclusive content here!: https://thepetekalinershow.com/See omnystudio.com/listener for privacy information.

Matt Hyde OBE, the Chief Executive of Scouts UK, shares his insights on the transformative power of volunteering and the successful initiative "The Big Help Out."   Matt discusses the genesis of the initiative, the challenges faced, and the remarkable results achieved. He emphasizes the importance of fostering cross-sector collaborations, the impact of innovative public engagement campaigns, and the significance of pro-social behaviors in building a cohesive society.   Matt delves into the success of the Big Help Out, which brought together a diverse range of organizations and individuals, engaging millions of participants in various volunteering activities. He highlights the need for continued innovation and inclusivity, stressing the importance of breaking beyond traditional volunteering models and adapting to the changing needs and preferences of volunteers.   The conversation touches upon key learnings from the initiative, including the significance of local community engagement and the value of planting seeds of volunteering in individuals who may not have previously considered it. Matt also shares insights on overcoming skepticism and the importance of balancing feedback with a strong conviction in one's vision.   The episode concludes with an exploration of future plans for the initiative and the potential for continued impact and social change through collaborative efforts.   Key Topics: The genesis of the "Big Help Out" initiative Engaging diverse organizations and individuals in volunteering Navigating challenges and skepticism in driving social change Leveraging cross-sector collaborations and public engagement campaigns Innovating volunteering models and fostering inclusivity Promoting local community engagement and building social cohesion Lessons learned and key takeaways for driving impactful initiatives Thank you for downloading this episode of the Do One Better Podcast. Visit our Knowledge Hub at Lidji.org for information on 200+ case studies and interviews with remarkable leaders in philanthropy, sustainability and social entrepreneurship.   

The Big Myth, a new book co-written by Naomi Oreskes and Erik M. Conway, details the rise of free market capitalism in the 19th century and its long-lasting impact on American democracy. In today's episode, Oreskes speaks with Here & Now's Scott Tong about how Little House on the Prairie, union busting, and Ronald Reagan all played a role in diminishing government regulation – and how the effects of that policy and pop culture campaign can still be seen in today's housing crisis and COVID-19 response.

Welcome to Episode 28 of the podcast, and our new look, feel and SOUND!  Ever feel that you need to constantly be re-inventing yourself; launching something new; feel worn out by the constant pressure of having to be all things to all people, and most of all, tired from the frustration of not truly following your own dreams? In this episode Nicola Wilkes, founder of SSB and the host of the Seriously Stylish Business Podcast, shares why the already highly acclaimed podcast has an upgraded look, and the reason behind the name change is revealed! She invites you to delve deeper as to why we constantly feel the need to reinvent ourselves and why it isn't helping us move forward. She also shares her own thoughts and real-life experience on how to make your biggest goals a reality - even if you fear judgement and worry that without a crystal ball, you can't make that big, bold move. What if I could have it all? What if I gave myself permission to be and do more than I ever dreamed of? And ultimately, if yes, is the answer, WHAT is the question?    What you can expect to hear in this episode of the #SSBPodcast: Just what has been happening sharing what's been happening behind the scenes on her personal growth journey; How you can be on the growth path with her; Just what are we growing through at any one time?  How do we not rush these sometimes really sticky growth paths? And just why are we talking about reinvention?    Want to know more about SSB? Join us for more news at seriouslystylishbusiness for weekly inspiration, personal growth tips and our exclusive female membership: ‘AMBITION' Follow SSB on instagram Follow SSB on Pinterest Follow SSB on LinkedIn Share your thoughts, views and best takeaways from the podcast #SSBPodcast  

How Kasey used to cheat in high school. Quizzing you on Jason Aldean lyrics. Who's using an Android these days?? Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us on a fascinating journey through time as we explore Bruce Miller's 44-year career in entertainment reporting, filled with on-set experiences from some of the most iconic TV shows and movies. This includes all of the various spinoffs of "Star Trek," the penultimate episode of "M*A*S*H" and beloved sitcoms such as "Cheers," "Frasier," "The Big Bang Theory" and "The Office." We also dive into the realm of TV set design, with stories from the sets of popular shows like "Grey's Anatomy," "The West Wing" and "Parks and Recreation." We also share a few stories about the 1982 film "Annie," which was shot on the campus of Monmouth University, which co-host Terry Lipshetz attended in the 1990s, and the 1978 film "Ice Castles," which included Bruce as one of the many extras. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed & Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, senior producer at Lee and your co-host of a program with Bruce Miller, who we've pulled out of a time capsule this week from reporting. He's been doing entertainment reporting forever with the Sioux City Journal. But he's been everywhere. And we wanted to do a special episode. We are coming up on 44 years, 44 years. Can you believe that? But you know what? I thought it would be fun to talk about something that people always ask me about, which is do you get to actually go to the sets of these things? Do you get to talk to the movie stars? Oh, you're just making all that up, aren't you? Now, after this many years, you can't make it up because it's just too difficult to think about. Wait a minute. Didn't I use that line before? I can't use that line again. You need to have that one on one contact. And that's the thing I think has been the biggest joy of covering entertainment, is actually getting to meet people that you maybe admired at some point or you like their work or you think that they're different than their public persona. So yeah, that's been a really cool thing. And early on in 1980 was the first trip I took to the West Coast for pilot season, whatever you might want to call the new shows. And one of the things that's very common is they'll take you to the sets of various shows so you get a chance to watch them film things. You get a chance to walk around the set and look at all of that kind of fun stuff. You get to interview the actors. It is a really kind of head turning situation the first time you do it. I have been on the set of every Star Trek series except the first one, and I have sat in every captain's chair, which is interesting because all aren't comfortable. I've gotten to see, you know, some big back in the day they were mini series. They weren't limited series, but I've been on the sets of those. I was on the set of The Thorn Birds, which was like a it looked like a working sheep ranch in Australia, but it was actually in California and we had dinner on the porch of the of De Gaeta, which was the name of the the ranch and with the stars. And one of the stars, Rachel Ward, was really upset because one of the producers said that she was in she was a nine in looks and at three and acting up and she got all upset and started walking away from the set of this. And all you could think about is they're not done filming this thing and she's bailing because she doesn't like what the producer said. And they immediately ran after her and tried to smooth over this problem. And it was all happening before our eyes. Well, we were there to have dinner and watch him. She or sheep. So interesting kind of factor there. We went to Charleston for the filming of North and South, if you remember, that was the miniseries. John Jakes had a series of books and it was about the Civil War times and Patrick Swayze was one of the stars. Kirstie Alley was another star, and that we were there for several days and they had dinner with them every night. And they were very, very fun because they would tell you things that you you know, you didn't really it never came out any other way. But they said they had given everybody on the on the miniseries a whole name. So they were different kinds of POWs in this show. Okay. So Patrick Swayze, he because he was a dancer, was called Ho Down, and they went through the whole cast and told us all their different names. And they didn't like Lesley-Ann down who was one of the stars of it. And I said, well, what's what's her whole name? And they said, You got to go over and ask her herself, and she'll tell you what her whole name is. So we went over to Lesley-Ann down and I said, Well, now they said, Everybody has a whole name. What's your whole name? And she says, I'm a whole show. That's a kind of that's a stuff you don't get when you're just normally doing an interview over Zoom, or if you're calling somebody on the phone. But it's very fun to be in that environment and you see them shooting scenes and they'll do it over and over and you think, Wow, they're not never going to finish this thing because it's it's taking so long. And I was fortunate that I was at the last day of MASH. MASH did a big movie for their final episode, but that was not the final episode they shot. They did the episode before that on on the 20th lot. And it was about buried in a time capsule. And they were there and they they did it once and they said, Yeah, we got to do it again. We got to do it again. And so they did it again and the the guy said after that, that was good. That's it. That's the end of MASH. Thank you. And the actors all kind of fell into each other's arms and were crying. And I mean, it was a real emotional moving time and they had huge media coverage. I remember standing near Maria Shriver, who was covering it for NBC, and they said to us, You can take anything you want from the set when you leave. And I happened to be standing in the in the shower. And so I have a bar of soap from MASH. That's my memento from that. But it was it's it's that was such a momentous kind of thing. And even now, when you see it in reruns, it's like, wow, I can't believe I was there when they ended MASH. I sent you a bit of a list of shows that I was kind of interested in, and MASH is on my list because for me as a child, it was one of the first big shows I remember watching now. It started when the show started. I wasn't even born yet, but as it progressed, a great but as it progressed, I grew up watching it either in real time, but also we would see the reruns. My parents would just have the show on. So I remember watching mostly the later episodes, but what a big deal it was on TV to watch that final episode, that movie episode. It was. It was huge. It's up until recently was one of the the most still one of the most watched all time shows ever. You know, often I'll just happen to mention that I was on the set of MASH and you can't believe how this smokes out. People who are just hardcore MASH viewers. Yeah, that show early on when they started putting out DVDs of full seasons of of TV shows, it's one of the first shows that I bought on DVD because it was Watch it all. Yeah, I've I've watched every episode of MASH. Yeah, I love that show. See And for me, it's it's very hard to go back and watch them again. I don't think I'd ever buy a box set. I have box sets, but I, I don't watch them. Yeah, but it's also a little different for you too, because you're watching so much. Well, you're always looking at the next thing you've got to see, just to see, you know, what's happening, what's new, what's next. But yeah, and there there are fun little things. I was on the set of Gray's Anatomy and they had a party there. And in the operating room, they had this body on, you know, on an operating table. And it looked bloody. But what it was, was it was salsa inside the stomach and you could use, you know, there were chips all around it. So that was how they were serving the chips. It's just goofy things like that that happened. If you remember, E.R., E.R. had it looked like a really bad hospital. It looked like the last place you'd want to go because it looked so kind of worn down and everything. And they actually had a an el station outside the thing where they would use it for exteriors. But it basically was George Clooney's basketball court. And you could see where they would play basketball out there when they weren't shooting or weren't doing anything. But inside the the actual operating slash exam room, slash whatever hospital, you could see really great equipment. And what happened was after the show became a success, a lot of these providers would just send them the equipment so that then it was accurate, but it was like state of the art stuff. So that I'm sure that if you went to your own local hospital, you say, Well, now don't you have the XR 732, which they used in E.R. and the Thecable? No, we can't afford that. That's like 5 hours. I think it would be one of those things where people would ask for it or whatever. But it had really great equipment in there. And they said everything was as accurate as they could possibly be. They had a lot of advisors who are medical people who would tell them exactly how to hold things, how to do certain procedures. So they got really pretty good at it. And a lot of times when you have people who are playing doctors on TV, they are expected. A lot of times if somebody collapses on an airplane or whatever, well, come on, you know what to do. And they said it's very intimidating because people expect you to be that doctor, but you're not. But they do. They do learn a few things that might be helpful if they ever need it. So, yeah. And hospital shows are really it's a they're cheap because you can put everybody in scrubs. Oh yeah. And you have a lot of rooms that can be remade to look like another room because aren't all patient rooms the same? They're also. Yeah. And so, but they did have hallways and stuff in terms of something that was real big, like that. West Wing really did have those hallways where they did the walk and talks and they had the Oval Office. The Oval Office was cool to see. There were a lot of fun things. And then if you look closely, one of the the coolest places that I had where we could check out things, Parks and Rec. And I did see a little Sebastian, by the way, I met little Sebastian, the the miniature donkey hockey so thrilled. It was like, you have to see it. There is no star bigger than this. And he was cute. And I somehow I got my picture taken with him, so I was cute. Cool. But if you go inside that city hall, they have pictures and the pictures of past like councilmen, whatever, are people from their staff. So it was fun working on a show. You can easily get a relative's picture on the wall. And theirs was also one of those kind of sets where you walk around it and you felt like you were actually in a building. That's crazy. It's interesting you mentioned with the West Wing because it is a show where there's I mean, it's a Aaron Sorkin, right? So it's a lot of conversation. It's a lot of dialog. So I could only imagine the set being huge for a sense of just you have to do one continuous shot, even if you're just like spiraling through hallways, back and forth and weaving. They make sure that the walls are removable. So if they have to have a camera come in, they can or they shoot them through things. I mean, it's it's very fascinating to watch those kind of shows being put together because it's a different procedure than maybe if you saw a three camera show where you're sitting in the audience, you're just watching things happen. If you watch a show long enough, especially a show that's been on for a very long time, you'll see changes to the set. And I'm not necessarily talking about, you know, they just updated here and there or swap furniture. But sometimes when a show starts working on a shoestring budget, they don't know if it's going to get picked up beyond the pilot. They don't know if it's going to get picked up after season one. And then all of a sudden it's around for eight years and they really start changing up the set. Have you ever gone back to a set that you hit maybe early on during a season one and then you go back a few years later and you're like, Whoa, what has happened here? This is totally different. Sometimes they will shoot on that on an existing set. There have been a lot of shows that because they weren't they didn't want to save money. They didn't want to, you know, so they'll full house. They believe they use that set for a number of different things. So there are ones that they will go back and then when they start their own run they may upgraded or change things. But there is this kind of fear that if you have success and then you change the look, you could be inviting, you know, disaster or Mary Tyler Moore had that because remember how she had that apartment that was supposedly, you know, this whatever, Minneapolis apartment. And then they decided to move her to another place downtown that looked a little more cosmopolitan and whatnot. And they were freaked that if they did move it from one place to another, the show would would suddenly lose its charm. So they made sure to make a big point of her taking her big AM from the old place and putting it in a place of honor, in the new place. But yeah, they don't want to toy with that. But if you do have success, they will upgrade. You know, a lot of times look closely at countertops and kitchens. Yep. Because it's a faux painting that they do that looks like granite. And in granite it's painting. But if they have success, they may get real granite the next time they come around. So if they upgrade this head so it has to be reinforced a little bit. Not too long ago before they ended, I was on the set of This is US, and they had that old house, you know, that the house that they used for the things when the characters were kids. Yeah. Oh my God. It was like walking back into my childhood because they had all of these things that I remembered, the TV sets that were old and yeah, even the kitchen counter where I think wasn't a crockpot that caused a problem and yep, yeah, it was all they had. No crockpot, no crockpot. We don't have that, that kind of, you know. And the Goldbergs, I was on the set of that and it's filled with toys and crap that are, are unique to that era that they do watch it because if you're there visiting they don't want you swiping something because you like a Rubik's cube that you happen to see on a TV show and they will have things marked off or taped off. So you can't walk there if you try or a guard will be standing there. The Big Bang Theory has a comic book, right? And that had real comic books that were expensive. And they did have you could not touch anything. And there you could have your picture taken in there, but you couldn't look at the comic books or, you know, touch any of the statues that they had and all the crap that was in their their apartment. That was real stuff. And but you could I did sit in Sheldon's seat, you know, don't sit in my seat. Oh, and it was cool. It was big. But to see that they had, you know, if you lifted the cushions up, I didn't do this so don't. But they, I think they used it. There was an episode where they actually did put stuff down below and so everything isn't as it seems. There are ways to kind of cheat it so that then if they need to do something like if somebody was to emerge from the bottom of the couch, they would have a hole built and they could pop up from that. So there are things like the Frazier, the the chair that the dad sat in was it looked horrible on TV and you thought, Oh, my God. And it wasn't it wasn't when you saw it in person, they just added duct tape to the outside of it. And the cushions were really comfortable. John Mahoney, who played the dad, said it was like he loved just sitting there because he didn't have to do anything in the chair. But then Frazier also had this artwork that was original. It was not a duplicate or a facsimile of anything. It was real art, and they did not bring it out until the night of shooting, so that when they had an audience there, somebody would hand carry that Kahului bowl or vase or whatever it might be and put it on the set. And then as soon as they were done shooting, they would remove it and put it somewhere else. But they did not leave them out there just in case, because how would you replace it? You couldn't. That's fascinating, because I've always watched, you know, like I watch Frazier and I watch Big Bang Theory in those types of shows I would watch is like, wow, these are really good sets, especially with Big Bang Theory, because they're geeks and they've got all the toys and the other comic book type things, and I don't collect comic books. I never really got into them. But I know what a comic book looks like in when they hold them up on the show. I'm thinking like, Wow, that's that's a really good reproduction, but it's not a real thing. It's there. And I'm sure a lot of the people who work on the show are hardcore geeks like that, and they figure when the show ends, somebody's going to have to get that. I don't know, you know, unless they're just on loan. But I don't think they would be. I think they actually go and buy those. Yeah, but yeah. And so you usually ask the people, now when the show ends, what are you going to take, What do you want? And it's not necessarily the stuff you think Kaley Cuoco from that show had. There was a picture that she said she always stared at and she wanted that because she remembers that's what she'd look at whenever she was sitting in a seat. She was talking to somebody. It was and it was a big nothing picture. It was not something. You go, Oh my God, it's Spider-Man 1952 now. It wasn't anything like that. So there are things that mean something to them but don't necessarily mean anything to the show. I know that there were things on Friends that, you know, were iconic and certain people did get those, but boy, they still talk about it. Now, you say yeah, that she that Jennifer she got that and I'm still mad about it and you know, do they even put it in their house somewhere? Probably not. Yeah. I think somebody took the door or from the set of Seinfeld because it was it was so iconic, you know, like, like Kramer flying through the door. And I don't know who it was. It might it maybe it was Jerry. But I thought one of the big actors walked away with that. Did you ever make it to the set of Everybody Loves Raymond? But any chance I did. I did. They did. But it was like a just a regular house. Did you get to at least sit on the the couch that was covered in or zip zipped up in plastic? Yeah, well, but, you know, I was on Roseanne's couch, too, in case. Oh, yeah, Yeah. Usually they'll let you sit there so that then you can feel like you were at the show or you were part of this show or whatever. And you meander around the sets and you look at things and you see things that you don't see when you're watching, you know, And there and I'm not naming names because but there are actors who don't memorize their lines. And so they'll stash them and they'll have things like there might be magazines on the table, and if you open up the magazine, you might find a script in there that's crazy. So they would you know, they would act like they were reading a magazine when they were actually reading the scripts. Now, in recent years, some of these shows were done not not any big show that you know, but some of these cable ish shows, if you will, they would shoot three episodes in a week. And it was impossible for for the actors to memorize those scripts. So they had huge, big screen TVs like like they were teleprompters that would be behind the characters so they could just read the lines off them. And that's fun to see because you go, Oh, I thought they had to memorize all this stuff. Maybe I could be an actor. I, you know, I would worry about that. But yeah, so it it varies from where you go on the Disney campus, if you will. A lot of those Disney Afternoon shows that you'd watch on the Disney Channel or wherever were nearby each other. And it all got to be real good friends with each other. You know, they all knew Miley Cyrus. They all knew the Jonas Brothers. They all and they hang out together. They were actually friends and did things together. And it's it's amazing to see now, you know, when some of them moved on to other roles and other things, how what part that played for some it was for worse and for some it was better. I was with the Zack and Cody kids, the Sprouse kids deal and I'm blanking, but they took me back to their their dressing room and they show me where they actually studied with a tutor. You know, they have to have so many hours a day with a tutor if you're using a kid and they can only work so many hours a day. Though one of the boys said, you know, truthfully were able to, I think as actors were about a four. We're not that good, but we're trying to make money to get our college people. And so, you know, we buy into this. We see what this is all about. We know and they are far more sophisticated than you think on these kids shows. These are not kids who are, you know, just throwing it out there and wanting to be stars. Some are. They're just because it's a job. Yeah, I the money and both the Sprouse boys did go to college. Now one ended up on Riverdale and they're both working in the business now but it was never the goal that that was that's kind of a byproduct that they still get to work. And I always remember Demi Lovato telling me about kids today. I said, you know what don't they realize about being a young actor on a TV show? And she said they think it's all about the purse. I said, What? And she said, They think that you can have a really expensive purse and they don't realize what you're giving up or what you have to do. And it's not all about the purse. And I thought, well, that that was a very kind of fascinating way to kind of size it all up, because I think fans look at these things and they think it's much more glamorous than it is. It's not sets. Are you doing these huge warehouses, kind of barn facilities where mice can easily be running around? There's not a hesitation there. There's a huge craft services table, but you don't know whose touch that food or where that food's been, you know? So, I mean, there are a lot of things that don't make it seem like, Oh my God, here comes Greta Garbo and Clark Gable walking down the street. Not at all like that. It really is a factory. Yeah, Factory of entertainment. Yeah. And a lot of those Disney ish Nickelodeon, Nick Junior kind of shows to that. Not I'm not saying that the sets don't look good, but you see a lot more artificial grass on the shows, which clearly isn't crass. The production value isn't necessarily is as high as you would expect either. And they would talk about how there's a Disney style at all. But you know, where they have to do kind of those broad gestures and everything. And some of the kids really thought that that was wrong, that they didn't want to do that. And you can see where now they've shifted with some of these shows that they aren't as kind of obvious. Maybe that's a term for, but they are a little more adult and they talk about themes that are more contemporary than they did back in the day. Any shows you've been on because you mentioned Star Trek, some of those shows, especially the SCI fi shows, where there might be a lot of green screens and and other things. Any any one in particular that we watch on TV that looks like, Wow, that is impressive. You know, there's the deck of the enterprise, but you're on the set and you're like, what is this? What is this? This is the most unimpressive thing I've ever seen. Oh, well, Star Trek, The Next Generation. I mean, they had like an area that was basically every planet they visited. So it had parks and things and they just redressed it and put up a different. Yeah. So that that was what you're talking about. The Orville. Do you ever remember the Orville was on Fox for a while? No, I don't. I think it's still going to be honest with me. It was Boeing, but I'm I'm not going to vouch for that. But they had an actual ship that you walked on. You walked through the whole hallways. It seemed like it was the real deal. And that's because Seth Macfarlane, who was producing it, was able to, you know, say, I want the real thing. Okay. And you saw the costumes that were just bizarre. I got to shoot the guns that they they had. And it was like you were actually if it was a an amusement park, that's what it would be like. It was cool. But first of all, a lot of those ones, boy, they cheat a lot of stuff. You know, Star Trek was a real key one. And if you looked at the Paramount that you would say, Well, I think I've seen this place before. What I watch sometimes you'll see buildings that they love to do schools, and it's just the outside of the of the paramount lot. Yeah. Executives place and you go well that's there's no school like that but they'll dress it up and make it seem like it is another one that was like shot at a place. Scrubs okay. Scrubs was in a used to be a hospital and they just took it over and, you know, and there was a bet that they had going on that if anybody would spend time in the in the morgue, they would pay them extra. If they would go do that. But because it had been a hospital, they constantly had people coming in and acting like, I need help, I'm bleeding, can you help me? And they'd have to turn them away and say, no, this is this is not a real hospital. It's a movie set of these. Yeah, yeah, yeah. One's like that. The office was shot in a warehouse kind of situation with offices. It was real offices. So when you see them all sitting around like that, that's how it was. And you could walk around all of their desks, look at everything, and they said that their computers did work and they would do like one did Christmas cards. Mm hmm. Well, they were because they had to be on the set. You couldn't leave. You had to be there. Well, other scenes were shot because you're Mr. Right. Right. You're an actor, but you are also background. So they would do stuff like that or they'd chat to each other on their their screens and act like they were working. Sir, there was the warehouse that was attached to it, and this was out in some industrial area, you know, outside of Los Angeles. It wasn't, you know, there was a fence up and all of that. But the the, the storage area or the loading dock was actually filled with paper. Wow. Yeah. Cool to see. Very cool. You know, And yes, I do have a name, plaque that says I'm assistant to the assistant regional manager or whatever. But yeah, very fun because that I think those kinds of shows make it feel like you actually are. There is a lot of the ones where you're sitting in seats and they will do that If you happen to go to California and you want to see a show shot, there will be tickets available to the public. Now, usually if you go to Universal Studios, they have a ticket box or a counter or whatever that they will let you know which ones are available. Things like game shows have a lot of availability, so you could probably go to prices, right, and sit in the audience. You won't necessarily get picked, but you could go watch something like that. A sitcom could be a little more difficult because they have different nights that they shoot and they will suck up X number of tickets just to hand out. Or if they're really bad, they will hire people to sit in the seats and laugh. Yeah, well, and they say that they used to have prisoners that would come and sit at the. Oh, jeez. 0i1 thing I did meet was paid laughs. Or did you know that they have people who are paid to laugh? Well, I knew there was laugh tracks, but I didn't know there was paid laughs. And these were some of those series that do not have an audience. But the kids need to know when to hold for a laugh. And we had like five or six people honest to God, this was the strangest thing I've ever seen sitting at a table, and they would get her. Her? Oh, well, oh, different kinds of laughs. And then the directors say, Okay, tone it down a little bit here. We don't need that much. And it would it would help the actors learn how to react to this crazy this thing. But yeah, and they would like read they be reading the newspaper. Well, they're laughing or knitting or doing something else. But it was a job and I had paid laughter. I want that. I want to be somebody who's paid to laugh. Can you get me the gig? I'm there with my luck, though I'd be on the the absolute least funny show you can think of. Like, okay, we need you to laugh right now. Oh, my God. And that's the way it is. Yeah. Yeah. It's interesting to see how success changes people, because the first year of friends, nobody knew who they were. And they were very they were more nervous than I was to interview them. And we had, they had given us mugs that said friends on it, you know, those big latte mugs or whatever. Right. Right. And they were so thrilled that the name of the show that they were on was on a mug that they started grabbing up as many as they could. So they at least had a set of them. So here you see these big stars who, you know, went on to make what, millions of dollars serve this series, swiping mugs that were supposed to be swag that was given away to the media. And then when they had the last episode of Friends, we went to this set and they would not let us get down on the set. Isn't that all? They don't have taken anything or didn't want us touching anything. We could not talk one on one with the actors and the boys. It wasn't like it was covered or anything. It was just that's how the world had changed. These were big stars that did not. Unless it was cleared, you were not able to talk to them. And. Yeah, sorry, I don't have time for Bruce Miller. No, I'm not doing some low class person like Iowa. I'm speaking as the one from Iowa. Yes, I believe we have somebody who's serving coffee over here who's from Iowa to talk to him now. One of those kind of. Yeah, but it's for me, it's a fascinating thing to look at the sets and just see stuff close up, how they dress that and how they add all those things has really changed. In the old days, it was very kind of minimal. You wouldn't see much on the counters and stuff and now, boy, they pack this and to make sure that it matches, you know, the others, they'll shoot pictures and everything and make sure that every box is where it needs. And I went to how I met your mother or father, Both mother and father, but father. And it was such a mess on that set. It was like last year, this last year. And I thought, how would you keep track of all that stuff? Because it's just it's like litter, basically. But they, you know, they keep an eye on it. I was on the set of How I Met Your Mother just before it ended, and we were in the bar and I'm not sure what the bar. Claire MacLaren's Yeah, what it is, okay. Gloria Bar set. And we were sitting at the table where the, the group usually sits and Neil Patrick Harris had carved his initials on the table and then he and it had plus D be his husband's name, David Burtka, and drew a heart around it. And I thought that was really cool and the picture of that. But, you know, a little a little thing that you probably didn't know when you were watching it on on TV. Yeah. Because you would never see that. No, it wouldn't show. What's interesting to me too, is because all these shows generally have like real life exterior shots. Right? And I remember taking a trip to Boston and taking a walk to the Bull and Finch Tavern, which is where they shot the exterior shots for Cheers. And the bar inside was kind of used loosely to inspire the look of the real bar. And I remember how cool it was like, Whoa, you know, here's the sign. And at this point, too, they had put up a sign that said Cheers, you know, downstairs because they wanted you to to recognize it. And and they had the seafood restaurant was there, too, that you can walk into. But I remember walking down the steps to cheers and then opening the door. And then how unimpressed I was, because this is just this tiny little, you know, like eight seater of a bar. It's not anything impressive at all. And the real thing was huge. Really huge. Yeah. And it did work. So if you were there visiting, they could make you a drink. Do you know, was there alcohol in them or was it. Well, if there were if they're shooting, you couldn't have alcohol. But when you're there there's out there with alcohol. And I remember sitting in one of the booths that were on the side with the actors, you know, it was funny about Cheers. They sure didn't have faith in that when it started. Right? They did room. They did a room interview where you'd go in the room with the actors and they had just had five actors in the room with one reporter. And you're thinking, well, normally you'd kind of wouldn't you try to maximize size your exposure? Right? And I think we're just trying to blow it off. And then we went to a party on the set of it and we got to sit on Norm's stool and, you know, walk around and look at everything. And it had changed. It had really changed. Once success hit again, you never know what's happened there, but Cheers is fun. But yeah, if you go to the bar, the Cheers bar in Boston, it's not the same. No, no, definitely not any. Any other stories? I have one to share. Once we're ready to wrap, let's come on out. All right. I'm just going on. You got to shut me up. Okay, So I was sort of on the set of the movie. Annie. Do you remember Annie from 1982? Annie. Annie. Dust until come now. Tomorrow. Were you one of the authors? I know. So I went to college at Monmouth University in West Long Branch, New Jersey, and in the University. It's on it's kind of in this old neighborhood in West Long Branch, in the centerpiece of the campus is, I believe now they call it Shadow Lawn Mansion. They used to call it Wilson Hall. They use the mansion as Daddy Warbucks mansion in the movie. So they shot almost the entire movie on location at my college. And I remember taking, you know, before I before I decided on where I was going to go. And you take those campus visits and they bring you on tours and the big selling point at Monmouth at the time and probably still is, was this is where we filmed Danny in the hall, which is Wilson Hall when I was there. It's where the president's office is. It's where the registrar is. There's some classrooms in there, too, is always very cool. You would get a class because they didn't have a ton of classrooms in that building because a lot of them it's a lot of very small rooms. But you would you would go in there and occasionally have a class and it was very cool to have a class there. They would have receptions for, you know, honors students there. I worked in my freshman year. I was tutoring foreign language students who were they were struggling in English and I was helping tutor them. And the tutoring center was in the basement of Wilson Hall. And you would walk on the floor and you could sense there was something hollow beneath it. And it was because the big pool, if you remember the scene, was the pool in Annie. That's where the pool, the pools in the basement of Wilson Hall. But they had covered it over and converted into two classroom space. So yeah, so it was, it was very, very neat. And there is a scene, I think it's early in the movie when they're first bringing Annie to the mansion and you see the car turn down into the gates. But it's one of those scenes where if you look very closely, you could see the dorms across the street, but you wouldn't know it If you're watching the movie. You just see some building in the background. But it's like, oh, there is. There's the dorms, which is crazy. They ask anything, Well, where did you start seeing Hard Knock Life at some point? I did not know, but I did watch. I did actually watch the movie after I went to school there because I it wasn't high on my list of movies to see as a as a child, it didn't quite appeal to me. But once I got there, I watched it. It was it was fun to watch and then see the different locations and think, Oh, LA, you know, I've been there. I had to I had to register for my sophomore year there and I had to go pay a late book fee or something there. And yeah, that was crazy. So that's where we kind of relate to these things, is that we can find the real place that was used and go, What was that for? I know. And if you ever go on the Universal Tour or the Warner Brothers tour, anything, recycle these things all the time. So I, you know, like you, when I was in college, I was in a movie. They needed extras and they said, if you come, you know, maybe you'll get on camera, maybe you won't. It was Ice Castles, Ice Castles with Lin, Holly Johnson and Robby Benson, and it was about a figure skater who lost her sight. And we were supposed to be in the audience watching her. When you realize, Oh my God, she's blind. She can't see where she's skating. And then. Right. And Robby Benson comes out to greet her and everything. Well, I happened to have a camera with me because it you know, if you're not with the camera, are you anybody you need a camera. All, all situations. And these were not cell phone days. This was back in the days of a camera. And so they were they were thrilled that I had my camera there. And if you watch for a millisecond, you will see that I am in the movie Ice Castles because I happen to have a camera and it's me holding my camera. It captured that moment when they discover that she's blind. Wow. Is that not real? But there's my movie. Yeah, well, I don't think we can top anything else now that we know. Now we've done it. It's done it. Okay, well, we're going to do another episode like this sometime because this is fun. I enjoy story time with Bruce. Well, if anybody has shows that they're interested in or want to know about, if they want to drop us a line, we'll be glad to put them on a list and then we'll talk about them. Because like I say, 47 years I've been just about everywhere that you could go unless there was some ban put on people. And no, you can't talk to those people. And maybe I'll tell you my Zendaya story some oh, I want to hear that one. So you can you can reach out those podcasts at least dot net. I check the email regularly and I will screen those emails and we will get back you and talk about it in a later episode. That sounds great. All right, everyone. Well, thanks again for listening to this episode of Streamed & Screened.See omnystudio.com/listener for privacy information.

Now, it's about to get interesting. In this episode, Trish Regan reports on the latest developments surrounding Hunter Biden's collapsed plea deal. Judge Maryellen Norieka wants 30 days to reconsider the arrangement - but, Hunter's lawyers say everything is off. Most disturbing is a report that Hunter Biden's lawyers tried to tie a "diversion agreement" into his plea deal - by which Hunter would have been given blanket immunity for a wide range of other potential charges, including illegal foreign lobbying. Meanwhile, many are asking whether President Biden has the ability to pardon his son? Heck, as more comes out, it's possible that 'the big guy' may find himself impeached! CHECK OUT MY MERCH: https://TrishRegan.shop #trish #trishregan #thetrishreganshow #trishreganpodcast #livenews #livestream #liveaction #live #news #newsupdate #breakingnews #breaking #biden #irl #politics #politicalnews #impeachment #HunterBiden Instagram: https://www.instagram.com/trish_regan/ Twitter: https://twitter.com/trish_regan Facebook: https://www.facebook.com/RealTrishRegan #trishregan #trishreganshow #thetrishreganshow #trish #business #finance #financial #economics #economy #financialnews #thefed #recession #inflation      Support the show: https://trishregan.shop/See omnystudio.com/listener for privacy information.

Episode 7 of our Coen Brothers Series is an exciting one because we are discussing one of our favorite films of all time! Watch this wonderful movie before listening because we give away the plot (as ludicrous as it is) and some of the best jokes! Visit our Website Strangeloveofmovies.com and follow us on Instagram @Strangeloveofmedia

Garth Brooks announces a new radio station on 6-1-5 day. Plus, BNA announces a new international non-stop flight for later this year.New YouTube Channel - https://www.youtube.com/channel/UCKjWKXfpjtNL0oL2R6MKSxwToday's Sponsors:XPLR Tourshttps://xplrtours.com/Use ND10 for 10% off the History of Nashville Walking TourNash NewsCountry icon Garth Brooks launching Nashville radio station 'The BIG 615' https://fox17.com/news/local/tennessee-country-music-city-sevens-radio-tunein-radio-country-icon-garth-brooks-launching-nashville-radio-station-the-big-615https://tunein.com/radio/The-BIG-615-s323684/Nicoletto's Italian Kitchen closes in Hillsboro Village https://www.bizjournals.com/nashville/news/2023/06/13/nicolettos-italian-kitchen-closes-doors-in-hillsbo.htmlBNA UPDATE Nonstop flights to Cancun coming to Nashville on American Airlineshttps://www.tennessean.com/story/news/local/2023/06/15/nashville-nonstop-flights-cancun-american-airlines-nashville-tn/70324760007/New deal: Nashville Airport strikes 8-year, 50-50 rent deal with airlines to offset costshttps://www.tennessean.com/story/money/2023/06/14/nashville-airport-strikes-50-50-rent-deal-with-airlines-to-offset-costs/70294050007/Metro Nashville files lawsuit against the state over seats on Nashville Airport Authorityhttps://www.wsmv.com/2023/06/12/metro-nashville-files-lawsuit-against-state-over-seats-nashville-airport-authority/Airport runway expansion could displace dozens of South Nashville homeownershttps://www.wsmv.com/2023/06/14/airport-runway-expansion-could-displace-dozens-south-nashville-homeowners/Are proposals in the works to expand the Nashville airport? That's a difficult answer.https://www.newschannel5.com/news/are-proposals-in-the-works-to-expand-the-nashville-airport-thats-a-difficult-answerNashville Daily Artist of the Day Playlisthttps://open.spotify.com/playlist/51eNcUWPg7qtj8KECrbuwx?si=nEfxeOgmTv6rFUyhVUJY9AFollow us @ XPLR NASHWebsite - https://nashvilledailypodcast.com/YouTube Channel - https://www.youtube.com/c/xplrnashInstagram - https://www.instagram.com/xplr.nash/Twitter - https://twitter.com/xplr_nashNASHVILLE & XPLR MERCH - https://www.xplrnash.com/shopMedia and other inquiries please email hello@xplr.life

Looking back at Anfernee Simons first season as a full time starter. And looking ahead to his future and the big decision ahead Portland Trail Blazers: Is Ant Part of the rebuilding plan or is he trade fodder in the "The Big Move" for a veteran that fits better next to Damian Lillard. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How did Americans come to believe that markets were the answer to everything? Why don't people trust the government to efficiently allocate resources in a way that creates the greatest good? Who orchestrated this century-long con of the American people? Dr. Naomi Oreskes and Dr. Erik Conway, co-authors of the eye-opening book "Merchants of Doubt", join the show to discuss their new book "The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market." Our conversation only scratches the surface of everything they uncovered while trying to get to the origin of the market fundamentalism myth that has dominated American popular culture for the last 100 years, and how that myth has led to the climate crisis we're facing today. Buy "The Big Myth" Subscribe to our Substack newsletter "The Climate Weekly" As always, follow us @climatepod on Twitter and email us at theclimatepod@gmail.com. Our music is "Gotta Get Up" by The Passion Hifi, check out his music at thepassionhifi.com. Rate, review and subscribe to this podcast on iTunes, Spotify, Stitcher, and more! Subscribe to our new YouTube channel! Join our Facebook group.

President Biden's plan to cancel billions of dollars in student debt will go before the Supreme Court Tuesday. A number of states have sued, citing government overreach. But do they have the right to do that? Danielle Douglas-Gabriel of the Washington Post and professor William Baude join us. Then, Major League Baseball implemented a pitch clock and other new regulations to speed up the game, which have caused some drama in spring training games so far. Washinton Post national baseball writer Chelsea Janes joins us to unpack the changes. And, Americans have long believed that free markets are a fundamental right. The new book "The Big Myth: How American Business Taught Us to Loathe Government and Love the Free Market" explores where that idea came from and its validity. Naomi Oreskes, who co-authored the book with Erik M. Conway, joins us.

Tim, Ian, Luke, & Serge join Candace Owens to discuss Steven Crowder leaking his phone call with Jeremy of The Daily Wire, internet sleuths discovering StopBigCon domain was purchased back in December 2022, Alec Baldwin charged with manslaughter, Al Gore being slammed for his ridiculous comments about the climate, and the EU saying hate speech laws are coming to the US. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graham Hill has worked in the environmental field for more than 20 years. From founding the website Treehugger in 2004 to the creation of The Carbonauts in 2019, he's made it his life mission to better the planet. In this week's episode, he's helping you do the same by sharing what he calls “The Big Six”—the most impactful actions you can take to reduce your carbon footprint. For show notes, visit https://brightly.eco/blog/how-to-reduce-carbon-footprint.

Our new regular weekly series 'The Big Thing' has landed! Each week, the TSS crew will discuss a 'big' soccer topic in the depth that it truly deserves. To start off, Ryan Bailey, Taylor Rockwell, Graham Ruthven and Joe Lowery are here to talk about Chelsea's new American co-owner, Todd Boehly. Why did he buy the club? What can we learn about him from his other sporting interests? How different will Chelsea look going forward? We discuss these questions and much more! Got a topic you'd like us to tackle on The Big Thing? Tweet or email us! Sponsors! Welcome to Wrexham! We are supported by FX's Welcome to Wrexham, which premieres August 24th on FX and will be available to stream on Hulu! Roman! Go to Get Roman.com/TSS today for $10 off your first order! Indochino! Get $50 off any purchase of $399 or more by using promo code 'TSS' at Indochino.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

As a slow drip of salacious developments continue to emerge from Hunter Biden's laptop, Charlie dives a level deeper than most commentators seem willing or able to do, and seeks to expose the most troubling implications of Hunter's foreign business dealings. Could treason be at play? Or what is the appropriate response when you learn that the second most powerful man in the world was selling out his country with the help of his crack-addicted son? Charlie explores all of that, with supporting documents and evidence from within the laptop, in this episode of The Charlie Kirk Show that you do not want to miss.    Learn more about the sponsors who, along with our Supporters and listeners like you, make The Charlie Kirk Show possible: https://charliekirk.com/show-sponsors Support the show: http://www.charliekirk.com/support See omnystudio.com/listener for privacy information.