Podcasts about new dance

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Gugs Mhlungu speaks with Gregory Maqoma, internationally acclaimed South African choreographer, dancer, and founder of Vuyani Dance Theatre, about his latest work, Genesis, a groundbreaking dance opera that fuses dance, music, and poetry at Joburg Theatre and what audiences can anticipate from it. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

West Coast Swing is more than a dance style — it's a lifestyle for members of West Slope Westies, Durango's nonprofit swing dance community. Known for its fluid, elastic movement and ability to complement almost any genre of music, West Coast Swing has drawn a growing and passionate local following.When the group began outgrowing their rented rooms at the Smiley Building, leadership made a bold decision: find a bigger home and trust the community to fill it. That leap of faith led to the creation of The Durango Collective, a downtown studio that now serves as a shared hub for multiple local dance communities all under one roof. As the group's president describes it, the space was built for people to connect, create and celebrate — and for anyone willing to push through that first moment of vulnerability on the dance floor, joy is waiting on the other side.By Paige SparksThis story is sponsored by Sky Ute Casino Resort and Serious Texas Bar-B-QWatch this story at durangolocal.newsSupport the show

James" Top 5 CliftonStrengths are:  Learner, Intellection, Developer, Context, & Input Julie's Top 5 Cliftonstrengths are: Strategic, Input, Relator, Belief & Arranger  James and Julie are both native Texans and have been married 35 years. They have been on staff with ReachGlobal (mission agency of the Evangelical Free Church of America) for 31 years. They lived and served in Kyiv, Ukraine for 15 years and Budapest, Hungary for 15 years. In August 2025 they relocated back to the USA and live in Austin, Texas. They have two wonderful children, Will (married to Courtney and father of our first grandchild) has lived in Warsaw, Poland for three years serving with International Justice Mission; and Katia (married to Luke) lives in Chicago, Illinois and is in her second year of nursing school. Julie and James both love serving in their local church (wherever they are) and are especially drawn to developing the younger generations in their walks with Jesus. Link to take the CliftonStrengths Assessment Coaching and Workshops with Barbara Culwell Subscribe & Leave a Review on Embrace Your Strengths Interested in Barbara's Cookbook  

A new dance-theater work explores how communities under assault care for themselves. The show is made with — and for — the city's BIPOC LGBTQ+ community. It focuses on the local “Ballroom” scene.

Live Recorded Set from VirtualDJ Radio ClubZone

Fluent Fiction - Hungarian: A New Dance: Embracing Change at Hollókő's Festival Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2025-11-15-08-38-20-hu Story Transcript:Hu: Ahol az őszi levelek színpompás szőnyeget terítenek, és a szél borzolta dombok között meghúzódik a csöndes falu, ott fekszik Hollókő.En: Where the autumn leaves spread a colorful carpet, and among the wind-brushed hills lies the quiet village, there lies Hollókő.Hu: Fehérre meszelt házacskák sorakoznak, piros tetővel, mint a természet festett képeslapján.En: Rows of whitewashed little houses stand with red roofs, like on a nature-painted postcard.Hu: Ez a nap különleges volt, az őszi faluünnep ideje érkezett el, és mindenki Zoltánt várta, hogy elkezdje a táncot.En: This day was special; the autumn village festival time had arrived, and everyone was waiting for Zoltán to start the dance.Hu: Zoltán a világító fehér inget viselte, ő volt az elfogult népzene rajongó, és alig várta, hogy a poroszkáló teret megtöltse tánccal.En: Zoltán wore the shining white shirt, he was a devoted folk music enthusiast, and he could hardly wait to fill the dusty square with dance.Hu: De amikor próbára indult, történt valami.En: But as he set off for practice, something happened.Hu: A lába rosszul lépett a nedves, csúszós avarban, és fájdalom hasított bokájába.En: His foot misstepped on the wet, slippery leaves, and pain shot through his ankle.Hu: „Hogy táncolhatsz most, Zoltán?En: "How can you dance now, Zoltán?"Hu: ” kérdezte magától, de bátorságot gyűjtött, próbálkozott sántikálva újra.En: he asked himself, but he gathered courage, trying again, limping.Hu: Eszter, Zoltán hű támogatója, azonnal ott termett.En: Eszter, Zoltán's loyal supporter, appeared immediately.Hu: Figyelte, ahogy Zoltán próbálja elrejteni sántikálását.En: She watched as Zoltán tried to hide his limping.Hu: „Zoltán, kérlek, pihenj” - kérlelte Eszter.En: "Zoltán, please, rest," Eszter pleaded.Hu: „Nem szabad erőltetned.En: "You shouldn't force it."Hu: ” De Zoltán nem akarta hagyni, hogy egy kis baleset elrontsa a napot.En: But Zoltán didn't want a little accident to ruin the day.Hu: Érezte az elvárásokat, látta a falu mosolygó arcait, mindenki rá várt.En: He felt the expectations, saw the village's smiling faces, everyone was waiting for him.Hu: Mikor a zenészek belekezdtek a játékba, Zoltán lopva próbált a többiek közé keveredni.En: When the musicians started playing, Zoltán tried to sneak into the crowd.Hu: De Eszter résen volt, meglátta őt, és gyengéd, de határozott karjával visszatartotta.En: But Eszter was vigilant, saw him, and with a gentle yet firm arm, held him back.Hu: „Nem Engedlek táncolni” - mondta.En: "I won't let you dance," she said.Hu: „Előbb gyógyulj meg.En: "First, heal.Hu: Nézz csak körül, a tánc nem menekül, viszont te da.En: Just look around; the dance won't escape, but you might.Hu: Vigyáznod kell magadra.En: You need to take care of yourself."Hu: ”Zoltán, csalódott és kissé szégyenkezve, leült a pad szélére.En: Zoltán, disappointed and a bit ashamed, sat down on the edge of a bench.Hu: Nézte, ahogy a többiek táncolnak, hallatta a dobok ritmusát és a csizmák tompa koppanását a földön.En: He watched the others dance, heard the rhythm of the drums and the dull thud of boots on the ground.Hu: Eszter mellette foglalt helyet, intejével megerősítve, hogy vele van mindenben.En: Eszter sat next to him, reassuring with a nod that she was with him through everything.Hu: Az este elmúlt, és Zoltán észrevette, hogy más szemszögből is lehet élvezni a fesztivált.En: The evening passed, and Zoltán realized that the festival could be enjoyed from a different perspective.Hu: Nem ő volt most az, aki vezette a táncot, hanem az, aki élvezettel szemléli a boldog arcokat és a jól ismert mozdulatokat.En: He wasn't the one leading the dance now, but the one watching with pleasure the happy faces and well-known movements.Hu: Elfogadta, hogy most így kell lennie, és élvezte a pillanatot Eszter biztonságos ölelésében.En: He accepted that this is how it had to be and enjoyed the moment in Eszter's safe embrace.Hu: Amikor elcsitult a zene és a lampionok halvány fénye körülbelül körülvette őket, Zoltán és Eszter lassan hazafelé sétáltak.En: When the music calmed down and the faint glow of lanterns surrounded them, Zoltán and Eszter slowly walked home.Hu: Zoltán újat tanult aznap: néha a legnagyobb öröm abban rejlik, hogy engedjük magunkat megtapasztalni másképp is az ünnepet.En: Zoltán learned something new that day: sometimes the greatest joy lies in allowing oneself to experience the celebration differently.Hu: És így, a falu csendes esténye veled őket, Zoltán már tudta, hogy bár nem vezette a táncot, ennek ellenére mégis teljes részese volt az ünneplésnek.En: And so, as the village's quiet evening embraced them, Zoltán already knew that even though he hadn't led the dance, he was still fully a part of the celebration. Vocabulary Words:autumn: őszileaves: levelekcarpet: szőnyegvillage: falufestival: faluünnepenthusiast: rajongóankle: bokalimping: sántikálvapleaded: kérleltevigilant: résenembrace: ölelésexperience: megtapasztalnicelebration: ünnepléslanterns: lampionoksneak: lopvamisstepped: rosszul lépettwet: nedvesslippery: csúszósdevoted: elfogultsupporter: támogatójaperspective: szemszögbőlthud: koppanásreassuring: megnyugtatóallowing: engedjükexpectations: elvárásokgentle: gyengédfirm: határozottheal: gyógyuljdisappointed: csalódottashamed: szégyenkezve

Ever noticed how some artists fall during a performance but instantly turn it into part of the show? This moment of creativity isn't just quick thinking, it's professionalism in motion. Many performers use humor and rhythm to turn accidents into art, keeping the audience engaged and protecting their stage presence.

It's a miracle! No SCR today! DIRT ALERT: Madonna announces new dance album, and it's Project Down and Dirty: THE REVEAL! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Madonna to release new dance album in 2026See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The new dance season is fast approaching in most of North America, and on this week's podcast episode I discuss some things to consider as we head into a new season. Every year, we see an increase in injury rates in the first 6 weeks of a new dance year. This is for a variety of reasons, but some of the most common ones are dancers doing too much too soon, dancers who are coming into the season fatigued and under-recovered from not having a proper off-season, and dancers who are dealing with niggling injuries that haven't been fully dealt with previously.In this episode, we discuss these different scenarios, as well as touch on things we can do to adjust training load to ensure that dancers are gradually progressing into the new season and staying healthy and injury-free.Podcast episodes mention in this episode:Episode 6: Periodization in DanceEpisode 10: Training Load Management for DancersLearn more about Erika Mayall:Follow me on Instagram: @dancephysioerikaLearn more about me on my website: https://www.allegroperformance.comSign up for my newsletter: Click hereSend me an email: hello@allegroperformance.com

Here's the final part of our retrospective focusing on the tracks from the first half of 2025 that have sparked our imagination and set the tone for the rest of the year. The playlist features Silke Eberhard; Nādt Orchestra [pictured], Pasquale Mirra, Alberto Brutti; Cosmic Ear; Jakob Bro; Hayéli. Detailed playlist at https://spinitron.com/RFB/pl/20909612/Mondo-Jazz [from "New Dance" onwards] Happy listening!

Some new stuff, some old stuff, some screw ups but its been a while. Hope you enjoy

Welcome to Tembo Sounds – The Culture Radio Show #581, where electronic soul meets Afro-deep vibrations. This episode opens with AVAION & Sofiya Nzau's haunting Wacuka, flows through the deep grooves of Caiiro's iKoro, and lifts off with Deer Jade's Jukurpa and DJ Mbuso's dreamy remix. With powerful voices like Zoe Modiga and global beats from InQfive, Nico Morano, and Cee ElAssaad, this is a journey of rhythm, identity, and elevation. Press play and feel the pulse of the culture!

Graeme Raubenheimer who’s in for CapeTalk’s Sara-Jayne Makwala King, is joined by Allison Hendricks , The CEO and Artistic Director of Dance for All.See omnystudio.com/listener for privacy information.

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Scoot shopped "Airwaves" around the New Orleans TV market for months before the industry collectively shrugged - and then promptly rolled it out on MTV to great success

mark tries out Rob's new dance the tumble.

Raiding The Crates - New Dance Mix by DC RADIO HD

Book an evolution call with Deborah⁠⁠ https://go.dancebusinesslab.com/dance-school-success-plan In this solo episode of The Ultimate Dance Business Podcast, Deborah dives into the importance of making new students and their parents feel welcome in your dance school. Drawing from her own experiences, including attending a business intensive in Fiji, Deborah explores how intimidating it can be to step into a new environment where everyone else seems to know each other. Deborah shares practical strategies to help dance school owners create a warm and inclusive atmosphere for new families, from small touches like signage and welcoming videos to more structured systems like parent ambassadors and orientation events. She emphasizes how these changes can improve retention, build your reputation, and ultimately lead to a thriving dance community. Tune in to discover how you can transform those nerve-wracking first visits into unforgettable five-star experiences that keep students—and their parents—coming back for more! Sparks membership - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancebusinesslab.com/memberships/sparks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ignite membership - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancebusinesslab.com/memberships/ignite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Illuminate membership - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancebusinesslab.com/memberships/illuminate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you love the show and you would like to support then why not buy Deborah a coffee simply head to http://buymeacoffee.com/DeborahL This podcast is produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bloody Vegans Productions⁠⁠⁠⁠⁠⁠

In this episode of The Brilliant Body Podcast, Ali Mezey sits down with renowned dance improviser Kirstie Simson who shares her personal and transformative journey, navigating through the challenges of triple negative breast cancer using the power of somatic awareness and curiosity. She discusses how dance and spoken word became her tools for healing, expression, and resilience. Ali and Kirstie discuss the integration of sustainable bodily practices with conventional medicine, the deep interconnection between personal well-being and the Earth's health, and how non-sexual sensuality can foster deep human connection. Kirstie's inspiring story reflects the power of embodied intelligence and its potential to help individuals face life's challenges with strength and grace. Tune in to hear how her decades-long career, teaching, and performing have shaped her unique perspective on the body, healing, and the vitality of pure improvisation. To be an angel to the podcast, click hereTo read more about the podcast, click hereMORE ALI MEZEY:Website:  www.alimezey.comPersonal Geometry® and the Magic of Mat Work Course information:www.alimezey.com/personal-geometry-foundationsTransgenerational Healing Films: www.constellationarts.comMORE KIRSTIE SIMSON:www.kirstiesimson.comKirstie's YouTubeKirstie's Photos and VideosKIRSTIE'S BIO:Kirstie Simson (UK) has been a continuous explosion in the contemporary dance scene, bringing audiences into contact with the vitality of pure creation in moment after moment of virtuoso improvisation. Called "a force of nature" by the New York Times, she is an award-winning performer and teacher who has "immeasurably enriched and expanded the boundaries of New Dance" according to Time Out Magazine, London. Kirstie is internationally renowned today as an excellent teacher, a captivating performer, and a leading light in the field of Dance Improvisation, with a dance practice that spans over four decades. From 2008 – 2020 Kirstie held a position as a tenured professor in the Department of Dance at the University of Illinois. In August 2020 Kirstie returned to her home base in Wales from where she continues to deepen the investigation of her work, sharing her findings with others around the world. Kirstie is framing her work now, in the light of our uncertain future, as practices that can help us develop resilience in the face of challenge. She uses her own experience of facing a life-threatening health issue as a foundation for her ongoing research into the power of embodied intelligence. LINKS, RESOURCES & INSPIRATION:Findhorn FoundationEmilie ConradThe Fluid Body: Moving Like Water and the Wisdom of Emilie Conrad w/ Marcella BotteroSteve PaxtonRinpoche, also spelled Rimpoche is an honorific term used in the Tibetan language. It literally means "precious one", and may refer to a person, place, or thing—like the words "gem" or "jewel" DEFINITIONS:Image work refers to the process of using mental imagery, visualization, or physical exercises to explore, transform, or integrate personal experiences, emotions, or identities. It's often used in therapeutic, artistic, or spiritual practices to help individuals gain deeper insight into themselves or shift their internal experiences.HELP US SHARE OUR MESSAGEOur resources remain free as part of our mission to awaken people to the boundless potential of our bodies, inviting them to explore the profound knowledge, memory, brilliance & capacity within. By delving into the depths of our bodily intelligence as a healing resource for not just ourselves, but as a part of the larger, global body, we have the potential for meaningful change and experiences as bodies. Join us in this journey of transformation as we redefine our understanding of the human body and its infinite capabilities. While our events remain free, any contributions are deeply appreciated and are seen as a generous gesture of support and encouragement in sharing our messages with the world. ENCOURAGE US!: Donate $5  THE WIND BENEATH OUR WINGS. DONATE $25+ Sharing is free! And so is rating us! These are also incredibly helpful ways you can support us in sharing this transformative information.[From time to time, a word or phrase goes wonky. Please forgive my wandering wifi.]

Today, John jokes about Trump's ever increasing dementia as he makes fun of people passing out at his Town Hall Meeting in Philadelphia then breaks into party mode where he dances like he's a Rock em Sock em Robot for 30 minutes. Then, he interviews Dr. Jemar Tisby who is a historian that studies race, religion, and social movements in the twentieth century. They discuss his new book "The Spirit of Justice: True Stories of Faith, Race, and Resistance". Next, he speaks to award-winning attorney, best-selling author, legal commentator, talk show host and television producer - Areva Martin. They talk about social justice, DEI, and her current show "The Special Report". And then John interviews Brent Booker who is the General President of the Laborers' International Union of North America. They discuss labor unions, the upcoming election, and the fight to Get Out the Vote.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listen live as Harry Hurley fills in for Todd Starnes. Join the conversation by calling 901-260-5926.See omnystudio.com/listener for privacy information.

The Break Room ( MONDAY 7/29/24 ) 6am Hour Includes: 1) Duffy didn't really know what it meant to be a dance dad until he experienced his daughter's first international competition over the weekend. 2) How many of these types of businesses can one shopping mall support? 3) An East Side poacher problem. 

#Eminem #BrandnewDance MUSIX REVIEWS RETURN FOR S9! The Music Critic is training to be a lifeguard for the summer, what trouble could he get himself into? Find out and enjoy the wild ride of S9! ,brand new dance,brand new dance lyrics,brand new dance reaction,eminem,eminem - brand new,eminem - brand new dance,eminem - brand new dance lyrics,eminem 2024 album,eminem 2024 new,eminem album,eminem brand new dance,eminem death of slim shady,eminem houdini,eminem houdini reaction,eminem new,eminem new album,eminem new album 2024,eminem new music,eminem new song,eminem new video,eminem reaction,eminem the death of slim shady,new eminem album

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Dissecting Eminem's "The Death of Slim Shady (Coup De Grâce)"Analytic Dreamz dives deep into Eminem's latest offering, "The Death of Slim Shady (Coup De Grâce). This conceptual album, released July 12th, 2024, promises a complete narrative when listened to front-to-back.Is Slim Shady truly dead? We'll explore Eminem's struggle to shed his infamous persona, a defining element of his career since "The Slim Shady LP."Expect signature Eminem: wordplay acrobatics, edgy humor, and politically charged references. But don't be surprised by introspective moments as he wrestles with his mental state.Key tracks under the microscope:"Renaissance": A critical dissection of recent releases by Kendrick Lamar, Lil Wayne, Kanye West, and Joyner Lucas."Evil": A self-examination of Eminem's troubled past and the source of his darkness."Antichrist": Prepare for controversy – unfiltered commentary on Megan Thee Stallion, Nicki Minaj, and the transgender community."Road Rage": A heated debate on obesity and transgender rights, featuring a clash between Eminem and Slim Shady himself.The emotional core:"Temporary": Featuring his daughter Hailie Jade, this track showcases Eminem's dedication as a father."Somebody Save Me": A powerful apology to his children, reflecting on his struggles with addiction through a reimagining of Jelly Roll's 2020 hit chorus.The album's impact:Preceded by a mock obituary for Slim Shady and haunting graveyard imagery.Early singles, "Houdini" and "Tobey," dominated the Billboard Hot 100.Poised to secure Eminem's 10th consecutive No. 1 solo album on the Billboard 200.This isn't just a new album; it's a journey. Eminem grapples with his legacy, confronts his demons, and delivers powerful messages – all while maintaining his signature lyrical fire.Join Analytic Dreamz as we dissect "The Death of Slim Shady (Coup De Grâce)" and unpack its layers.This segment is perfect for fans of:EminemHip-hop with intricate wordplayConcept albums with a narrative arcArtists tackling social and personal issuesSupport this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect - Segment: The Death of Slim Shady (Coup de Grâce)Fans prepare for a metaphorical death and a new chapter as Eminem's "The Death of Slim Shady (Coup de Grâce)" drops July 12th, 2024.This 19-track album marks a turning point for Eminem. The title and dark, skull-crowned artwork hint at the symbolic demise of his infamous alter ego, Slim Shady. Fans speculate a "rebirth" and "new chapter" for Eminem's sound, fueled by the lead singles "Houdini" and "Tobey" (featuring Big Sean & BabyTron).Deep Dive:Tracklist Breakdown: Look out for "Renaissance," "Habits," "Trouble," and the highly anticipated sequel, "Guilty Conscience 2."Detailed Stats: The album clocks in at 1 hour and 4 minutes, with standout tracks like "Evil," "Lucifer," and "Fuel" potentially revisiting Eminem's signature intensity.Fan Buzz: Pre-orders are soaring, fueled by a viral teaser referencing the "Hawk Tuah" meme.Bonus Insights: Eminem has already surpassed 130,000 RIAA units and 1.3 million song units with his pre-release singles.This segment dives deep into Eminem's highly anticipated "The Death of Slim Shady (Coup de Grâce)," analyzing the concept, fan reactions, and detailed statistics for a comprehensive listener's guide.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

#BrandNewDance #Eminem #TheDeathofslimshady Learn more about your ad choices. Visit megaphone.fm/adchoices

mark n rob learn dance moves

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://justineachambers.com/ https://www.katefranklin.ca/ About Justine: The anchors of Justine A. Chambers movement based practice are found in collaborative creation, close observation, and the idea of choreography as living archive. She is concerned with a choreography of the everyday; with the unintentional dances, as she describes them “that are already there.” She emerges from the Black American Diaspora, bi-racial and a dual citizen. Her practice extends from this continuum, and its entanglements with western contemporary dance and visual art practices. Her recent choreographic projects include: Zephyrs, Heirloom, And then this also, One hundred more, tailfeather, for all of us, it could have been like this, ten thousand times and one hundred more,  Family Dinner, Family Dinner: The Lexicon, Semi-precious: the faceting of a gemstone only appears complete and critical; Enters and Exits and COPY. Chambers' work has been hosted at: Libby Leshgold Gallery at ECUAD, Leonard and Bina Ellen Gallery at Concordia, Contemporary Art Gallery (Vancouver), Sophiensaele (Berlin), Burrard Arts Foundation, Nanaimo Art Gallery, Art Museum at University of Toronto, Morris and Helen Belkin Art Gallery, Cantor Fitzgerald Gallery, Mile Zero Dance Society, Festival of New Dance, Agora de la danse, Canada Dance Festival, Dance in Vancouver, Dance Saskatchewan, Dancing on the Edge Festival, New Dance Horizons, The Roundhouse Community Arts Centre, Vancouver Art Gallery and the Western Front. Chambers is a founding member of project bk, was artist in residence at artist run centre 221A (2017), a selected artist for the  Visiting Dance Artist Program at the National Arts Centre (2019-2020), one of three choreographer's in the Yulanda Faris Choreographer's Program (2017-2018), and associate artist and artist in residence to The Dance Centre (2015-2017), Justine has collaborated on projects with: Digital video artist Josh Hite: COPY: a movement based installation, Incoming, Green Boot Print (The Roundhouse Community Arts Centre, Code Lab and 350.org), Choreography Walk (2015: Vancouver, 2019: Hong Kong, 2019: Vancouver). Choreographer and dancer Laurie Young: One hundred more Visual artist Natalie Purschwitz and sound artist Anju Singh: Co-facilitation of Trackings and Trappings – Summer Institute at Plug In Institute of Contemporary Art Sound artist Elisa Ferrari: EMF Movement Studies.  Visual artist Mike Bourscheid: Idealverein Dance Artist Alexa Solveig Mardon and scholar Peter Dickinson: Our Present Dance Histories Visual artist Evann Siebens:  Homemade Again. Dance artist Claudia Fancello: Light Was The Night: Night Shifting. Musician Ben Brown:  We're Making a Band Visual Artist Brendan Fernandes: The Working Move (The Western Front, The Stedelijk Museum) Contemporary Gamelan Composer Michael Tenzer: Sphinx (Tour of Bali 2013) Visual artist Jen Weih: Stack of Moves (Wrong Waves Festival 2013) Visual artists Marilou Lemmens and Richard Ibghy: Is there anything at all left to do be done at all (Trinity Square Video) Dance artist Deanna Peters: One + the Other (The Cultch and New Dance Horizons) Chambers, Sadira Rodrigues and battery opera's Su Feh Lee co-facilitate the monthly forum The Talking Thinking Dancing Body; a conversation about aesthetics, context and artistic processes. As a dancer, she has worked with a number of choreographers both nationally and abroad. Including: Kate Franklin, ame henderson, sasha ivanochko, battery opera, adelheid dance projects, Company 605, Tara Cheyenne Performance, Oded Graf and Yossi Berg, Wen Wei Dance, Mascall Dance. Chambers teaches at The School for Contemporary Arts at Simon Fraser University, Working Class, Toronto Community Love-In, Modus Operandi Training Program and Ballet BC. Justine is currently engaged as an artistic monitor for the work of Mardon + Mitsuhashi, and Amanda Acorn. Chambers is Max Tyler-Hite's mother.   About Kate:   Kate Franklin was born in North Bay, Ontario. She started dancing at age 5 and got super serious about it at age 10. When she was 13, she left home to attend Quinte Ballet School of Canada in Belleville, Ontario, where she undertook her professional training for the next five years. Now an independent contemporary dance artist, she has spent the past 20 or so years in Toronto/Tkaronto and so-called Vancouver (on the unceded Indigenous territories of the Musqueam, Squamish and Tsleil-Waututh First Nations) wearing almost every "hat" a person can wear in the community, (performer, choreographer, administrator, volunteer, producer, presenter, educator, outside eye, probably a couple other things). She works regularly for local artists Company 605, Justine A. Chambers and Tara Cheyenne Performance, amongst others, as well as being in her eighth season as Associate Artistic Director of four-year post-secondary contemporary dance program Modus Operandi, where she has the responsibility and privilege of teaching a small, dedicated, passionate group of younger dance artists.  Kate has taught Yoga and Pilates mat work in the past.    About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

* WARNING* Suicide is briefly mentioned in this episode. Guiding New Dance Teachers Hosted by: Anna Harsh Guest Debora Engerman shares her story of how and why she became a Ballet teacher. She offers tips and advice of how new teachers can be more confident and ways to cope with nervousness. Deborah Engerman trained under Wally Saunders in Pikesville, Maryland, from 1977 to 1979, and with the Baltimore Ballet School (formerly the Maryland Ballet School) under the direction of Wendy Robinson from 1979 to 1985, in the RAD (Royal Academy of Dance) tradition. Her classical studies also included training with Petrus Bosman, David Keener, and Christine Hennessy at National Academy of the Arts and Virginia School of the Arts. While pursuing her Bachelor of Arts in International Policy and Management Studies at Dickinson College from 1986 to 1990, she continued her study of classical ballet with the teachers of Central Pennsylvania Youth Ballet. Her dance training includes Vaganova technique, French methodology, Martha Graham technique, and the Dance Education Program at Towson University. She has staged ballets including The Nutcracker and Swan Lake: Act II. For more than three decades, dancers under Engerman's tutelage have gone on to earn professional contracts and danced with companies including American Ballet Theatre, Ballet Inc., Boston Ballet, Complexions Contemporary Ballet, Hubbard Street Dance Chicago, Nashville Ballet, Texture Ballet, Universal Ballet, the Vienna Opera Ballet, the Washington Ballet, and on Broadway. She has also coached dancers for numerous international competitions, such as the Prix de Lausanne, the Varna International Ballet Competition, and Youth America Grand Prix. Her student Adrienne Canterna took the Junior Gold Medal at the 1998 Jackson USA International Ballet Competition. For most of 2010, Engerman toured Europe as ballet mistress for Rock the Ballet, of Sweetbird Productions. Order Anna's Book: https://a.co/d/8QJa4I6 ORDER Let's Talk about Fifth: https://www.amazon.com/Lets-Talk-About-Fifth-Teaching/dp/B0CBT4YCSN/ref=cm_cr_arp_d_pl_foot_top?ie=UTF8 Deborah's website: https://www.deborahengerman.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/anna-harsh/message Support this podcast: https://podcasters.spotify.com/pod/show/anna-harsh/support

‘Illinoise' A new dance musical is making its way to Broadway.

Zoi Florosz díjnyertes filmrendező, aki emellett sokoldalú énekesnő/színésznő/táncosnő is.  Klasszikus zenét a Pécsi Konzervatóriumban, jazz éneket a budapesti Liszt Ferenc Zeneakadémián, valamint zenés színházat az Amerikai Musical és Drámai Akadémián New Yorkban tanult. Zoi tanulmányait a Digital Film Academy-n fejezte be New Yorkban, mint filmrendező.   A filmkészítéstől kezdve a képzőművészeti zenei videókig, táncfilmekig, dokumentumfilmekig, PBS különkiadásokig, rövid- és nagyjátékfilmekig, Zoi dolgozott producerként, rendezőként, operatőrként, vágóként, koreográfusként.  Nagy operatőrcsapatokat is koordinált a világ különböző helyszínein, többkamerás stúdiófelvételeket vezetett, exkluzív interjúkat készített.   Zoi hozta létre a legendás New Dance táncközpont film- és videóosztályát. Group, New Yorkban, ahol film- és videóigazgatóként dolgozott, heti tévéműsorokat készített és szorosan együttműködött a koreográfusokkal.   Zoi tapasztalata, a zene és a tánc iránti szenvedélye és megértése különleges hogyan kell koreografálni a kamerának, hogyan lehet a táncot digitálisan átültetni a zenei és zenei világba. médiába. Imádja a zenei formátumot.   Filmek és díjjak többek között:   GAMETIME -játékfilm, koreográfus/rendezőasszisztens.   BRUSHSTROKES - rövidfilm, rendező, producer, koreográfus. /Díjak - Independent Spirit Award @ Angel Film Awards Monaco International Filmfesztivál, Legjobb független film @ Winter Film Awards NYC   CHILDREN OF THE WIND- crossover klip, rövidfilm, énekesnő/színésznő, Producer, vágó /Díjak - Hivatalos válogatás @AFA Monaco International Film Festival, @Winter Film Awards, @World Peace Initiative - Peace and Tolerance Gala Cannes 2016, @Ciprusi Nemzetközi Filmfesztivál, " Legjobb élő előadás filmzene" díj @Bridges Nemzetközi Filmfesztivál, Athén, Görögország, 2017.   DREAM OF A SHADOW-feature, társproducer, AD, /Díjak- Nostimon Imar díj @Ciprusi Nemzetközi Filmfesztivál, Legjobb filmes alkotás. Production design @Bridges Nemzetközi Filmfesztivál   SYRINX - mobiltelefonos rövidfilm, rendező, DP, vágó, zene. /Díjak-"A legjobb filmzene" @Global Short Film Awards Cannes 2019   BLUE BIRD OF HOPE-cellphone rövidfilm, rendező, DP, vágó, producer. /Díj: "Legjobb dokumentumfilm" @AFA World Peace Initiative Karl Bardosh Humanitárius mobiltelefon kategória, Cannes 2019  

In hour 2 of The Annie Frey Show, Annie is joined by Jim Carafano, Senior Counselor to the President and E.W. Richardson Fellow for International Engagement at The Heritage Foundation to discuss who the Houthis are and how Iran is funding them and why Iran is such a belligerent in the world. Later they discuss the 2024 election.

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone

I began a new solo development dance class last month in preparation for my first-ever solo burlesque show... and that's given me a few ideas for incorporating burlesque choreography and culture into my upcoming romcom novel (Book 8 in the Polyamorous Passions series)!Resources & links mentioned in this episode: Learn more about all of Sagan's books (including the Polyamorous Passions romcom series, Small Town Stilettos, and her business books for solopreneurs) at https://saganmorrow.com/books/ Check out the Babe Maverick Instagram account to follow Sagan's journey as a burleque dancer: https://www.instagram.com/babemaverick Get success & life coaching: https://saganmorrow.com/coaching Tune into Indie Author Weekly on your favourite podcast platform at https://saganmorrow.com/podcast Subscribe, rate, and review this podcast on Apple Podcasts: https://podcasts.apple.com/ca/podcast/indie-author-weekly/id1469586590 Enroll in the Productivity Powerhouse anti-hustle e-course: https://saganmorrow.com/powerhouse Work with Sagan: https://saganmorrow.com/workwithme/ Let's chat about this episode:@Saganlives on Twitter and InstagramHashtag: #IndieAuthorWeeklyEmail: hello@saganmorrow.com Share your thoughts (or submit requests for future episode topics) at https://saganmorrow.com/question Support the show

Join Timmy Trumpet on SINPHONY Radio for Episode 130, where he celebrates new dance music albums. PLUS, Steve Aoki teases a nostalgic collab.

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone

Live Recorded Set from VirtualDJ Radio ClubZone

Rainn Wilson on playing Dwight Schrute on "The Office," writing about how art and spirituality intersect in his new book, “Soul Boom: Why We Need a Spiritual Revolution,” and why he refuses to be cynical. Plus, choreographer Mayumi Lashbrook (26:05) on her new dance piece, “Enemy Lines,” how her grandfather's experience of being forcibly placed into a Japanese Canadian internment camp inspired the performance, and why telling this story has lifted a sense of burden.

Natalie Conley of Stay In Line Barre fitness studio schools Nestor on the new dance craze

Find out who gets a standing O and a pitch clock violation on the same play. High School is starting to compete for the top playoff bracket. New Dance step created.

A treasured part of Jase and Al's childhood is lost on Phil, even though he started it! One of Jase's arguments with Miss Kay leads her to give Phil an ultimatum, and Jase invents a new dance that he thinks will really catch on. Zach poses a question about artificial intelligence – a thing that Phil has never heard of. The guys debate why humans feel the need to create things to worship. In the future, personal connections with Jesus and each other will be more important than ever.  In this episode: John 15, verse 1 https://40daysforlife.com — Get your free magazine, podcasts, and updates from 40 Days for Life today "The Blind" hits theaters this fall. Get updates, trailers, behind-the-scenes moments, and special opportunities here: https://theblindmovie.com — Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode features "Love in the Season of New Dance" written by Bo Balder. Published in the March 2023 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/balder_03_23 Support us on Patreon at https://www.patreon.com/join/clarkesworld?

This is a new solo episode with Iana! We often make grand plans but fail on showing up and performing them. Or sometimes we do show up but don't put 100% of our energy into the task. How to make sure that your future New Year resolution list won't transform by the end of January into a simple wish list of dance habits you'd like to have.Show Notes to this episode:Follow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Book recommendation: Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones by James ClearDetails and training materials for the BDE castings are available at www.JoinBDE.comCheck out the next SharQui Instructor Academy beginning January 2nd. Apply at sharqui.com/teachFind information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

In Episode 52, we're sharing 5 fun things we've done this season that have been well received by our customers this season!We created a Calendar Magnet for Performing Company that we handed out during our themed company parent meetings. These are convenient for them to put on their fridge to always have access to the many dates their dancer is committed to throughout the season. We gave it to them during our disco-themed company parent meeting where we also treated them to a coffee bar, goody bags and fun photo ops and prizes for people who dressed up in the theme. Class Hosts - You may have heard us talk about this position we started during covid, but we have learned just how valuable these ladies are, and have hired them again this season. We have 1-2 at each location and they hang out at the front door, and one other area in the studio to help kids and parents navigate the studio, get to their cars, help us craft when we are in crunch time and so much more.New staff photos and headshots, plus new fun headshots for the company dancers. We held a photo shoot that was more fun and on brand for us and the pics look great! And, if you go to our faculty page, it is a fun + fresh update to our old headshots! We also did headshots for all our company dancers during their intensive week and it worked great - they were already scheduled to be here, so it was so much easier to schedule and make happen! These will be going on colorful, fun posters in to hang in the lobby very soon, and we are so excited about having this fresh update for the walls! Monthly Performing Company Update: This is a simple, but colorful and cute, easy to read “newsletter” of sorts. But, it's just the information they need to know with a date or dates attached to it. Dani designs these and she is self-proclaimed to not be a pro in Canva, but she made the template and alters it each month with updated info and sends it out.  We have been creating QR codes for multiple things. For example, we have a QR code for the make-up google form that company members have to fill out when they come in to do a make-up class. Also, if you come in for trial class, there is a QR code that you scan to sign up. On the magnet we did for company, there is a QR code on the magnet that they can use to get to their Company Landing Page - this landing page holds ALL the things they need for company, from their absence tracker and form to their schedules and more!  We hope you find some of these few things we've been doing to also be helpful at your studio!Subscribe & ShareYou are officially invited to subscribe to our podcast, and we would love you to leave us a 5 star rating and review! We'd also love for you to share on social media! Join our (FREE) Confetti CircleRequest to join our private (and FREE) Facebook GroupFollow us on Instagram, Facebook and Pinterest

Tracklist: Nudisco Summer Party - Block & Crown On the Beach - Sean Finn Freeze - Kygo Jenny From The Block - Fyex, DJSM Her Name Is Billie Jean - Block & Crown, Lissat Feeling - Jack Back Deep Down - Kenny Dope, Alok, Ella Eyre, Never Dull Music Sounds Better With You - Alle Farben, Keanu Silva My Feelings For You - Sebastien Drums, Avicii, Mark Knight Every Breath You Take - Simone Vitullo, Seraphiel El Sueno - Hugel, Cumbiafrica Believe - Eli Brown Babarabatiri - Todd Terry, Gypsymen Nothing Gonna Stop This - Truth x Lies, Cloverdale Freakzone - Daniel Steinberg Get Dat - DJ Funk, Gettoblaster Hypnosis - Psychotropic B.O.T.A. (Baddest Of Them All) - Interplanetary Criminal, Eliza Rose

Starring your main host Kei Skyline. Co-hosts Anh-Yong, Marco, and Jey. A comedy podcast show where we take on request from Instagram, Youtube, Facebook, Tiktok, and emails. Not suitable for people under 18. https://linktr.ee/inthegreypodcast Topic/Request : Anh-Yong got to drunk. Jey can curse objects. Weird names for S3X positions. What's Grey Stripper name? Dating inside of your circle. Would you take back your engagement ring after you break it off before the wedding. --- Support this podcast: https://podcasters.spotify.com/pod/show/inthegreypodcast/support