Podcasts about poundbury

In an era when most designers pick a niche, Ben Pentreath is a proud generalist—his work spans everything from housing developments to private homes to a quirky retail operation, Pentreath & Hall. One of his most well-known projects is not a house but an entire village—Poundbury, a planned community in England championed by King Charles. However, Pentreath's work for private clients is also highly celebrated, and he's a regular on industry best-of lists.  On this episode of the podcast, he speaks with host Dennis Scully about the personal tragedy that prompted him to develop a succession plan, why he takes every email inquiry seriously, and why American designers can never quite nail English style.This episode is sponsored by Ernesta and Hickory ChairLINKSBen PentreathPentreath & HallDennis ScullyBusiness of Home

durée : 00:01:37 - Les 80'' - par : Nicolas Demorand - On n'arrive pas bien à savoir si c'est amusant ou très angoissant, utopie ou dystopie... Bienvenue à Poundbury, tout près de Dorchester dans le sud-ouest de l'Angleterre, dans le village idéal du roi Charles.

Ben Murphy is the Estates Director for The Duchy of Cornwall's 130,000 acres, spread across 23 counties.The Duchy earned a reputation for building beautiful places that meet local needs with Poundbury in Dorset, now seen as a blueprint for placemaking by designers, architects and planners all over the world.In this episode of Estate Matters, Ben reveals that the key to the success of Poundbury, and the principles that guide the current development at Nansledan in Cornwall, is engagement with communities, local planning authorities and other stakeholders.

Come with us down to a town called Pound...bury. Poundbury. Yes. Hey! It's King Charles' vision!

Today we talk about tiny trains, model villages, the town of Poundbury, Traitors UK, Secret Hitler, horse poo, Crocodile Dundee, chickens, Russian foxes, animal emotions, dogs, mud and cows. We even briefly mention soil at some points! Is soil good or bad? Should you be pro or anti soil? Is soil Good or Evil? Maybe you'll find out if you listen to the podcast! Maybe you won't! Only one way to find out! Hosted on Acast. See acast.com/privacy for more information.

Léon Krier is a renowned Luxembourgian architect and urban planner, often hailed as the godfather of the New Urbanism and Traditional Urbanism movement. He has been a vocal critic of modernist architecture, advocating instead for a return to traditional, human-scale urban design. Krier's philosophy emphasizes walkable neighborhoods, a mix of housing types, and a harmonious blend of architectural styles that prioritize human interaction over vehicular dominance. One of Krier's most famous projects is Poundbury in England, a model town championed by King Charles, which embodies many of his urban principles. Additionally, Krier's influence can be seen in the design of Ciudad Cayalá in Guatemala, another testament to his vision of creating sustainable and livable urban spaces. His work, writings, and lectures have inspired a generation of architects and urban planners to rethink the way cities are designed and built. Do you want to know more about Léon Krier and his vision? Find his book 'The Architecture of Community' here: https://www.amazon.com/Architecture-Community-Leon-Krier/dp/1597265799 Online lecture: https://www.youtube.com/watch?v=gg6L0uMGIs4 Online lecture 2: https://www.youtube.com/watch?v=CF7PkzgkaLE&t=122s ======== JOIN THE WAITLIST FOR OUR COURSE: https://the-aesthetic-city.ck.page/a2d41beb6f For more information on The Aesthetic City, find our website on https://theaestheticcity.com/ Love what we do? Become a patron! With your help we can grow this platform even further, make more content and hopefully achieve real, lasting impact for more beautiful cities worldwide. Visit our Patreon page here: https://www.patreon.com/the_aesthetic_city?fan_landing=true Subscribe to our YouTube channel: https://www.youtube.com/@the_aesthetic_city  Follow us on X: https://x.com/_Aesthetic_City Instagram: https://www.instagram.com/the.aesthetic.city/ Substack: https://theaestheticcity.substack.com/ Get access to the Aesthetic City Knowledge Base: https://theaestheticcity.lemonsqueezy.com/checkout/buy/18809486-2532-4d91-90fd-f5c62775adec

What on earth is 'Throop'? Find out today! Plus, a tricky situation with a wedding dress, a relocation recommendation and the tale of Poundbury.You can email your questions, thoughts or problems to TheWitteringWhitehalls@gmail.comThis episode contains explicit language and adult themes that may not be suitable for all listeners.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

⁠A is for Architecture's⁠ 108th episode is a conversation with urban designer and President of the Congress for the New Urbanism, Mallory B.E. Baches.  With roots in the works of Jane Jacobs and Lewis Mumford, and later through Leon Krier and Christopher Alexander, the CNU was founded in 1993 as a ‘planning and development approach based on the principles of how cities and towns had been built for the last several centuries: walkable blocks and streets, housing and shopping in close proximity, and accessible public spaces. In other words: New Urbanism focuses on human-scaled urban design.'  The movement's influence has been very wide, underpinning new classical and traditional developments, such as at Brandevoort in Holland, Harbor Town, USA and Poundbury in England. Arguably, recent movements like 15 Minute Cities have their roots in New Urbanist logics too. As such, might New Urbanism best be understood as other modern? You can find Mallory on her personal website, on Instagram, LinkedIn and X too. Thanks for listening. +  Music credits: ⁠Bruno Gillick

Matthew Rice discusses with Ivan six things which should be better known. Matthew Rice paints, writes and runs courses in the summer which utilise his garden, which is the focus of the rest of his time. Over his career he has published 11 books on architecture, designed many millions of mugs for the business he ran with his then wife Emma Bridgewater, and illustrated for Country Life magazine. His interests in architecture have led to a series of charity roles in that area. Matthew grew up in a household of designers and now lives in Oxfordshire where he paints and writes. Matthew Rice, educated at Bedales, studied painting and theatre design at Chelsea and Central Schools of Art, is an honorary doctor of Keele and Staffordshire Universities and is a Fellow of the Society of Antiquaries. Matthew has four children and one grandson. His books include Village Buildings of Britain, Building Norfolk, Rice's Architectural Primer, The Lost City of Stoke-on-Trent, Rice's Church Primer, Oxford, Pat Albeck Queen of the Tea Towel, Rice's Language of Buildings, Venice A Sketchbook Guide and Rome A Sketchbook Guide. During the summer, Matthew runs a variety of painting and gardening courses in addition to opening his garden at his home in west Oxfordshire. Further details are available at www.matthewricewatercolours.co.uk. His 2024 courses include: Tuesday 30th April – Vegetable & Cut Flower Growing Course Wednesday 15th & Thursday 16th May – Botanical Drawing Course Wednesday 29th & Thursday 30th May – Sketchbook Course Wednesday 5th & Thursday 6th June – Sketchbook Course Wednesday 19th & Thursday 20th June – Botanical Drawing Curse Wednesday 10th & Thursday 11th July – Architectural Drawing Course His 2024 Open Garden dates are: Sunday 2nd June, Sunday 21st July an Sunday 8th September. Poundbury https://poundbury.co.uk/ Landmark trust https://www.landmarktrust.org.uk/ Choral evensong https://www.choralevensong.org/uk/ The Grant Museum https://www.ucl.ac.uk/culture/grant-museum-zoology Zinnias https://www.gardenersworld.com/how-to/grow-plants/how-to-grow-zinnias/ Silver Birch https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/british-trees/a-z-of-british-trees/silver-birch/ This podcast is powered by ZenCast.fm

Join us as we delve into the rich world of classical architecture with our distinguished guest, Pablo Funes. A seasoned architect hailing from Spain, Pablo has laid his professional roots in London. With an impressive educational background that spans the University of Sevilla and the Universidad Politécnica de Madrid, his journey in architecture has been marked by a noteworthy tenure at Stanhope Gate Architecture, lasting 12 years, before his transition to his present position at Katharine Pooley Design Studio. Apart from his architectural pursuits, Pablo is passionately imparting knowledge in his capacity as the Director of Education at the Classic Planning Institute. There, he mentors student cohorts, illuminating the path through the revered realm of classical planning and the enduring principles of design that have stood the test of time. I had the privilege of first meeting Pablo at the La Table Ronde summer school in Bruges, and our paths crossed once more at this year's IMCL congress in Poundbury. His profound expertise not only resonates with the ethos of The Aesthetic City podcast but also enriches our ongoing dialogue on the pursuit of beauty and timeless urban design. Join us for a conversation that promises to deepen our appreciation for the classical aesthetic that shapes our cities and living spaces. ======= Join the Classic Planning Academy: https://www.classicplanning.org/academy Learn more about the Classic Planning Institute: https://www.classicplanning.org Pablo's Blog: https://otraarquitecturaesposible.blogspot.com/  ======= For more information on The Aesthetic City, find our website on https://theaestheticcity.com/  Love what we do? Become a patron! With your help we can grow this platform even further, make more content and hopefully achieve real, lasting impact for more beautiful cities worldwide.  Visit our Patreon page here: https://www.patreon.com/the_aesthetic_city?fan_landing=true   Subscribe to our YouTube channel: https://www.youtube.com/@the_aesthetic_city   Follow us on X: https://x.com/_Aesthetic_City   Instagram: https://www.instagram.com/the.aesthetic.city/   Substack: https://theaestheticcity.substack.com/   Get access to the Aesthetic City Knowledge Base: https://theaestheticcity.lemonsqueezy.com/checkout/buy/18809486-2532-4d91-90fd-f5c62775adec 

Prepare to be enlightened as we enter the captivating world of sustainability and crafting with best-selling author and countryside expert, Sally Coulthard. Sally breaks the mould with her diverse interests, sharing her journey from her first book about organic living to her exploration of the intersection of people, history, and nature. Let Sally inspire you with her love for practical interests and her belief in the value of being open to learning new skills and absorbing new information. We talk about the loss of craftsmanship in modern buildings. We probe the reasons behind this alarming trend and evaluate the impact of the cost of labor and capitalism on the artistry in today's architecture. We also look at the Poundbury experiment and how it reiterates the importance of creating pleasant spaces - a value we seem to have forgotten. Join us on this enlightening journey as we shed light on the various facets of our built environment.So, why wait? Join us on this captivating exploration of the intimate relationship between us, our surroundings, and the natural world.Episode linksSally's Website - https://www.sallycoulthard.co.uk/Sally Instagram - https://www.instagram.com/salcoulthard/Nettlecombe Craft School - https://www.nettlecombecraftschool.com/BOOK - Biophilia - You + Nature + Home - https://tinyurl.com/yvw5gpydBOOK - How to build a shed - https://tinyurl.com/yray7ahjBOOK - Crafted - https://tinyurl.com/yq4gp3hxBOOK - A Short History of the World According to sheep - https://tinyurl.com/yujxgbonBOOK - The book of the earthworm - https://tinyurl.com/yqwk9xaqGrand Designs  timber frame building- https://www.carpenteroak.com/projects/a-grand-designs-cruciform-house/Gargoyle News story - https://www.bbc.co.uk/news/uk-england-wiltshire-66923628A history of the world in 100 objects - https://tinyurl.com/yugu36w6Lee John Phillips - The Shed Project - https://www.leejohnphillips.co.uk/the-shed-project-1Thomas Hetherwick Radio 4 - https://www.bbc.co.uk/programmes/m001r1b8/episodes/playerSupport the showConnect with me:IG - @jeffreythenaturalbuilderTwitter - @JNaturalBuilderFacebook - JeffreythenaturalbuilderLinkedIn - JeffreythenaturalbuilderSupport this podcast - https://www.patreon.com/buildingsustainability

Léon Krier is a renowned Luxembourgian architect and urban planner, often hailed as the godfather of the New Urbanism and Traditional Urbanism movement. He has been a vocal critic of modernist architecture, advocating instead for a return to traditional, human-scale urban design. Krier's philosophy emphasizes walkable neighborhoods, a mix of housing types, and a harmonious blend of architectural styles that prioritize human interaction over vehicular dominance. One of Krier's most famous projects is Poundbury in England, a model town championed by King Charles, which embodies many of his urban principles. Additionally, Krier's influence can be seen in the design of Ciudad Cayalá in Guatemala, another testament to his vision of creating sustainable and livable urban spaces. His work, writings, and lectures have inspired a generation of architects and urban planners to rethink the way cities are designed and built. Do you want to know more about Léon Krier and his vision? Find his book 'The Architecture of Community' here: https://www.amazon.com/Architecture-Community-Leon-Krier/dp/1597265799 Online lecture: https://www.youtube.com/watch?v=gg6L0uMGIs4 Online lecture 2: https://www.youtube.com/watch?v=CF7PkzgkaLE&t=122s ======== For more information on The Aesthetic City, find our website on https://theaestheticcity.com/ Love what we do? Become a patron! With your help we can grow this platform even further, make more content and hopefully achieve real, lasting impact for more beautiful cities worldwide. Visit our Patreon page here: https://www.patreon.com/the_aesthetic_city?fan_landing=true Subscribe to our YouTube channel: https://www.youtube.com/@the_aesthetic_city  Follow us on X: https://x.com/_Aesthetic_City Instagram: https://www.instagram.com/the.aesthetic.city/ Substack: https://theaestheticcity.substack.com/ Get access to the Aesthetic City Knowledge Base: https://theaestheticcity.lemonsqueezy.com/checkout/buy/18809486-2532-4d91-90fd-f5c62775adec

In this episode of ON CITIES, host Carie Penabad will be speaking with Léon Krier, one of the most provocative architectural and urban thinkers of our time. Krier's career has been a long-standing critique of the legacy of modernist city planning; and his revolutionary theories have changed the discourse of what makes a city successful through a return to traditional principles of architecture and town planning and the creation of community. Do not miss what will surely be a memorable conversation. Tune in Friday, May 26, 2023 at 11:00 AM EST, 8:00 PST on the Voice America Variety Channel https://www.voiceamerica.com/show/4119/on-cities; and find all previous episodes on Spotify, Apple iTunes or your favorite podcast platform.

In this episode of ON CITIES, host Carie Penabad will be speaking with Léon Krier, one of the most provocative architectural and urban thinkers of our time. Krier's career has been a long-standing critique of the legacy of modernist city planning; and his revolutionary theories have changed the discourse of what makes a city successful through a return to traditional principles of architecture and town planning and the creation of community. Do not miss what will surely be a memorable conversation. Tune in Friday, May 26, 2023 at 11:00 AM EST, 8:00 PST on the Voice America Variety Channel https://www.voiceamerica.com/show/4119/on-cities; and find all previous episodes on Spotify, Apple iTunes or your favorite podcast platform.

Charlotte Cooper is the author of Poundbury: a Queer Tour of Monarchy, published earlier this year by 33 Editions. "One of my bugbears about Poundbury is that it's not an honest place – it's pretending to be something that it isn't. They talk about how green it is, how it is invested in traditional building techniques, but it's also breeze blocks, it's plastic, it's a great place to park your car […] My question is, if you could, what would bring the truth our of Poundbury, what would show it for what it is?"Scaffold is an Architecture Foundation production, hosted by Matthew Blunderfield Hosted on Acast. See acast.com/privacy for more information.

Hello Royal Community, We have had a glorious week of Royal engagements to talk about including:  Prince William launches his new homelessness initiative, homewards. We are asking, Can Prince William end homelessness?  The King and Queen are in Poundbury to unveil a bust of The Late Duke of Edinburgh We talk about the sad new that Sarah, Duchess of York has been diagnosed with breast cancer The Princess Royal opens an Equestrian games in fluent German.  The Royal Ascot fashion is at high-debate but which Royal will you choose to take the win? The Princess of Wales dons her tennis gear for a very sporty meeting with Roger Federer and the ball girls and boys of Wimbledon Plus so much more… Get in touch and let us know whether you think The Prince of Wales can indeed end homelessness with his new initiative, Homewards?  

In this episode of ON CITIES, host Carie Penabad will be speaking with Léon Krier, one of the most provocative architectural and urban thinkers of our time. Krier's career has been a long-standing critique of the legacy of modernist city planning; and his revolutionary theories have changed the discourse of what makes a city successful through a return to traditional principles of architecture and town planning and the creation of community. Do not miss what will surely be a memorable conversation. Tune in Friday, May 26, 2023 at 11:00 AM EST, 8:00 PST on the Voice America Variety Channel https://www.voiceamerica.com/show/4119/on-cities; and find all previous episodes on Spotify, Apple iTunes or your favorite podcast platform.

In this episode of ON CITIES, host Carie Penabad will be speaking with Léon Krier, one of the most provocative architectural and urban thinkers of our time. Krier's career has been a long-standing critique of the legacy of modernist city planning; and his revolutionary theories have changed the discourse of what makes a city successful through a return to traditional principles of architecture and town planning and the creation of community. Do not miss what will surely be a memorable conversation. Tune in Friday, May 26, 2023 at 11:00 AM EST, 8:00 PST on the Voice America Variety Channel https://www.voiceamerica.com/show/4119/on-cities; and find all previous episodes on Spotify, Apple iTunes or your favorite podcast platform.

Pro jedny je posel zmizelých časů, pro druhé vizionář. Zastánce biofarmaření a ochrany životního prostředí vůbec, amatérský malíř, krajinář i historicky první člen královské rodiny, který vystudoval vysokou školu. Tím vším je britský král Karel III. Zhmotněním jeho představ o tom, jak by mělo vypadat ideální místo pro život je městečko Poundbury. Podle jeho představ vyrůstá v hrabství Dorset posledních třicet let.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Au cours de ses six décennies comme prince de Galles, le roi Charles III a acquis de nombreuses propriétés à travers son pays. L'une de ses préférées, c'est le manoir de Highgrove, dans le comté du Gloucestershire, dans le Sud-Ouest anglais. Une résidence où le duc de Cornouailles a mis en place ses grands principes écologiques et architecturaux… De notre correspondante à Londres, On ne se balade pas dans les jardins de Highgrove en toute liberté. Uniquement sur réservation, et accompagné d'un guide – photos interdites. La visite s'ouvre sur la promenade du thym, une grande allée bordée de topiaires aux formes arrondies et élaborées. Rosie Ardington, commissaire d'une exposition dédiée à Highgrove, connaît le domaine par cœur. « La promenade du thym contient 70 espèces de thym », indique Rosie Ardington. « À l'origine, c'était un chemin de gravier, mais Sa Majesté a voulu le rendre plus esthétique : il a mis des pierres, des ardoises. Entre les pierres, il a planté le thym. Il l'a fait tout seul ! Quand vous vous promenez, vous entendez les oiseaux, vous pouvez admirer les magnifiques jardins formels et informels, et sentir le thym que vous écrasez en marchant. » ► À lire aussi : Poundbury, la ville imaginée par le roi Charles III Harmonie géométrique et respect de l'environnement Une dizaine de jardins composent le domaine. Ici : une cabane dans les bois où ont joué les princes Harry et William enfants. Là, une fontaine créée à partir des ruines d'une église voisine. Partout : l'harmonie géométrique chère au souverain et surtout, le respect de l'environnement. « Il y a beaucoup de jardinage biologique », explique Rosie Ardington. « Sa Majesté appelle les moutons les “sabots d'or” : avec leurs sabots, ils font germer les graines et fertilisent le sol. Ils tondent la pelouse aussi ! Dans ce pré, ce sont des gens qui fauchent à la main les herbes ; on n'utilise pas de machine. On laisse beaucoup la nature jardiner », souligne-t-elle. Attraction touristique aux 40 000 visiteurs annuels, la résidence secondaire de Charles et Camilla accueille aussi un centre de formation architectural – un autre des dadas du roi. ► À lire aussi : Royaume-Uni: Charles III modernisera-t-il la monarchie britannique? Durabilité et circuit court Constantine Innemée coordonne l'action de la Fondation du Prince, l'ONG éducative créée par Charles. « Lorsque vous visitez Highgrove, cela vous fait réfléchir : comment vivre en accord avec la nature, que peut-elle nous apprendre et comment incorporer cela au quotidien ? C'est ce qu'apprennent nos étudiants », dit Constantine Innemée, qui poursuit : « Ils peuvent le mettre en pratique en utilisant par exemple du bois local lorsqu'ils créent des meubles, tout simplement. Mais ces principes s'appliquent à des projets plus larges : par exemple, comment utiliser des matériaux locaux à l'échelle d'un lotissement, pour le rendre éco-responsable dès sa construction ? » Des principes de durabilité et de circuit court respectés jusque dans la boutique. « Nous proposons de nombreux produits qui viennent de Highgrove. On a du gin, réalisé avec des plantes de Highgrove, du miel des abeilles de Highgrove », énumère Constantine Innemée. « On a même créé une eau de parfum, fabriquée avec l'essence des tilleuls argentés du jardin. Même si vous allez au restaurant : nous utilisons les produits du potager. » À l'écart du jardin, caché par les cerisiers, le roi s'est construit un sanctuaire pour méditer… Un refuge auquel aucun employé n'a accès.

REPORTAGE (1/7) - Cette semaine, RTL consacre une série de reportages au Roi Charles III, avec ce lundi, une visite de la ville de Poundbury, qu'il a créée en tant que prince de Galles.

Le roi Charles III sera couronné le 6 mai, huit mois après le décès d'Elizabeth II en septembre 2022. Pendant près de six décennies, l'ancien prince de Galles s'est consacré à de nombreuses causes : défense de l'environnement, harmonie architecturale, intégration des territoires… Toutes ces causes, Charles les a mises en œuvre en créant sa propre ville : Poundbury, dans le sud-ouest de l'Angleterre. Visite guidée de la ville d'un roi. À première vue, Poundbury ressemble à un village anglais traditionnel : de longues rues bordées de petites maisons fleuries, la statue de la reine mère au centre d'une place, un pub… Pourtant, quelques détails attirent l'œil des plus attentifs. Aucun panneau publicitaire ne borde les routes, sur lesquelles aucun marquage n'a été tracé. « Il n'y a pas de bâtiment ultra-moderne ici, décrit Mark Adams, architecte installé à Poundbury depuis une dizaine d'années. Il n'y a pas de câbles, de paraboles, tout est caché sous terre. Il veut que l'apparence de Poundbury reste la même dans les décennies à venir. » « Il », c'est Sa Majesté, Charles III. Alors qu'il était prince de Galles, le nouveau roi a entrepris la construction de sa ville idéale sur ses terres, mitoyennes de la ville de Dorchester, au sud-ouest de l'Angleterre. Poundbury est sortie de terre en 1993 et devrait finir d'être construite à l'horizon 2027. Bâtie sur des principes d'intégration, sans quartiers délimités, la bourgade mêle petits pavillons mitoyens, hôtels de style néo-classique et manoirs géorgiens. « Son projet personnel » Fran Leaper a emménagé dans une grande maison de trois étages au début des années 2000 et s'est tout de suite impliquée dans l'association des résidents. La retraitée a vu la ville s'étendre et prendre forme : « Charles a supervisé le moindre détail de Poundbury. Chaque demande de permis de construire porte les gribouillis du prince. C'est vraiment son projet personnel. » Un projet couronné de succès : 4 000 habitants ont déjà emménagé à Poundbury, mélange de propriétaires, de locataires et de bénéficiaires de logements sociaux. Françoise Ha, elle aussi membre de l'association des résidents, a emménagé il y a cinq ans : « C'est un endroit merveilleux, l'architecture est magnifique. On appartient à une communauté, et il y a de bonnes écoles pour nos trois enfants. » La thérapeute en médecine coréenne loue aussi le fait de pouvoir tout faire à pied. Le lien avec Charles III ? Un bonus : « Ça se voit que les gens qui ont conçu la ville l'ont fait avec attention. » Les habitants ont la royauté timide : à quelques jours du couronnement de Charles III et contrairement au reste du royaume, aucun drapeau n'orne les façades. « Nous sommes représentatifs de la population générale, assure Fran Leaper. Tout le monde ici n'est pas convaincu que Charles était la meilleure personne pour diriger le pays. Nous ne sommes pas différents juste parce que Poundbury appartient au roi. » Faible diversité Dans la ville voisine, pourtant, Poundbury est bien considérée comme le joyau de Sa Majesté. « Moi, je dois attendre une heure pour avoir un bus, déplore Doris, résidente octogénaire de Dorchester, mais eux, ils en ont plein, parce que c'est chez Charles ! » La faible diversité sociale et ethnique, alors que neuf habitants sur dix sont Blancs selon le dernier recensement, n'aide pas à enrayer les rumeurs autour de Poundbury : on y serait snob, privilégié, et surtout, on n'y ferait pas ce qu'on veut. « J'ai entendu dire qu'on ne pouvait pas étendre son linge le dimanche, souffle Doris. Moi, personne ne me dit quand je peux faire ma lessive. » C'est vrai que la vie dans un écrin royal requiert quelques sacrifices. Fran Leaper souligne l'interdiction de remplacer les cadres de fenêtres en bois par des installations plus modernes, en PVC, au nom de l'esthétique : « C'est une négociation récurrente avec le Duché. » La lessive doit être étendue à l'arrière des maisons… L'affichage public est également fortement réglementé. La place de la couronne, tout juste construite, abrite pas moins de six commerces qu'on ne remarque qu'une fois devant la porte. ► À lire aussi : Les finances de la famille royale britannique, l'un des secrets les mieux gardés du Royaume-Uni Françoise Ha a dû composer avec cela en s'installant à Poundbury. « C'est un défi pour se faire connaître des habitants. Il n'y a pas de centre-ville ici, les commerces sont parsemés à travers les rues : vous ne pouvez pas dépendre du fait que les gens vont vous remarquer en passant, il faut avoir votre clientèle. » Cependant, la thérapeute n'est pas entièrement contre cette règle : « Ça fait partie de l'identité de Poundbury. » La quadragénaire n'a encore jamais rencontré Charles. Lorsqu'il était prince de Galles, Son Altesse se rendait environ deux fois par an dans « sa » ville, désormais propriété de son héritier, William. Les habitants en sont sûrs : une visite royale ne sera qu'une question de semaines après le couronnement.

A lot has changed since the last episode of Born to Rule was released. After Queen Elizabeth's death on September 8, 2022, Prince Charles became King Charles III and thereby fulfilled his destiny. But some things haven't changed – like the relationship between Prince Harry and the rest of the British royal family. Since excerpts from Prince Harry's much anticipated memoir, Spare, became public, the book has made headlines around the world. We're taking a look at the impact of this bombshell book. Keir Simmons sits down with Katie Nicholl, author of The New Royals and royal editor at Vanity Fair, and journalist and royal commentator, Afua Hagan, for a candid conversation about the impact this memoir could have on the reign of King Charles III.

Windsors & Losers is created and produced by Eva Wolchover and Allie Merriam. Our episode was mixed by Kristin Mueller. Special thanks to Jesse Baker, Eric Nuzum, Ian Chillag, Sabrina Farhi, Lee Lawrence, Tom Merriam, and Debbie Merriam. Give us your feedback at WindsorsLosers.com. And please subscribe wherever you get your podcasts.

Who among us can... build their own town? King Charles created an opportunity to flex his untrained architect muscles and create a village, Poundbury, from the ground up. It's taken him more than 30 years, but the results are actually pretty good. Hosts Eva Wolchover and Allie Merriam tee up episode one — out in January! — and introduce themselves and their uniquely American POV on royal commentary. Please subscribe wherever you get your podcasts.

Spain will waste €300 million by putting the clocks back by one hour according to calculations by the Institute for the Diversification and Saving of Energy (IDAE). By abandoning this move from Summer Time to Winter Time, the evenings (when people are more active) would remain lighter for one hour and could ensure a reduction in energy consumption of around 5 per cent. In theory the decision to introduce Summer Time was to give more light to farmers at the height of their sowing and harvesting times but there are two interesting facts about Spain, as during the Civil War, both sides observed different time zones and even today, the Canary Islands are one hour ahead of the rest of Spain. “Car cannibalism” is the latest crime wave to hit England's streets with parked cars being stripped of components overnight. According to a report by broadcaster LBC, cars are being broken into and then stripped of body and engine parts, with Yorkshire and the Midlands said to be worst hit.Most commonly broken into and stripped are Vauxhall Corsas and Toyota Yaris' according to information obtained by the broadcaster. The Bank of England was kept in the dark about the contents of the huge 'mini-Budget' that sent the markets into meltdown, it was revealed today. Deputy governor Jon Cunliffe said officials were not 'fully briefed' in advance about the package of £45billion of tax cuts, as would normally happen. Jessica Baker, 20, has avoided jail after she struck her boyfriend's ex in the head with a stiletto shoe-shaped designer perfume bottle during an ugly row in a Poundbury park . A children's home has been ordered to improve after extraordinary failings saw a manager buying a tattoo gun for one child - which they used to permanently ink another – and staff being slow to stop a young resident making a flamethrower. The centre, which cannot be named but is registered in Leicester, was today revealed to be the site of a series of worrying incidents. At one point – just three months ago – staff were threatened by a child who had made his own weapon to menace them. They had used an aerosol can and a cigarette lighter to fashion a homemade flamethrower. In another troubling incident the home manager bought a tattoo gun for one of the children. They then used it to permanently ink another child, despite the fact both were supposed to be under 2:1 supervision. The director of a cryotherapy firm used by elite Premier League football teams has won more than £20,000 at a tribunal - despite being sacked for installing a cryo-chamber that leaked deadly gases which ‘could have led to fatalities'.David Morris stepped in to fit one of the £80,000 chambers as the company's engineer was unavailable. A lawyer who left a businesswoman feeling suicidal after he sent a video of them having sex to her work colleagues has avoided prison. David West, 38, gained access to the footage when he submitted a digital access request after claiming he was preparing for a defamation case.

As Britain enters a new era with the passing of the Queen, we revisit a previous podcast on the past, tradition and nostalgia. We even make mention of the new King. ------------------------ Do you prefer Rembrandt or Rothko? The Vatican or The Shard? A Georgian terrace or a 1960s housing estate? Ever wondered why we stopped building beautiful old buildings and how architectural modernism came to dominate our skylines? This week we discuss the theory of the Tartarian civilization. It claims that our most ornate buildings are the work of a lost civilization called the Tartarian Empire and attempts to explain the rise of architectural modernism. We set out the theories for and against modernism, deconstruct survivorship bias and new urbanism and discuss a famously anti-modernist town designed by Prince Charles. Nick presents a taxonomy of theories that may explain divergent tastes in architecture and we share our own architectural predilections. A few things we mentioned in this podcast: - Whither Tartaria? astralcodexten.substack.com/p/whither-tartaria - Poundbury en.wikipedia.org/wiki/Poundbury - Celebration, Florida en.wikipedia.org/wiki/Celebration,_Florida - Richard H. Driehaus Architecture Competition www.driehauscompetition.com/en/ - Londoners grow fond of the Shard yougov.co.uk/topics/politics/ar…rs-grow-fond-shard For more information on Aleph Insights visit our website alephinsights.com or to get in touch about our podcast email podcast@alephinsights.com Image: Chris Downer via Wikimedia Commons

Si Isabel II batió todas las marcas de permanencia en el trono, su hijo Carlos ha hecho lo propio con las de heredero. Su condición de futuro -y eterno- rey de Inglaterra solía esgrimirla en sus frecuentes discusiones con su padre, por ver si así se ganaba su respeto. ¿Se lo ganó? No, desde luego, el de sus compañeros de internado, que le hicieron la vida imposible: en parte, por sus orejas de soplillo; sobre todo, por ser el príncipe de Gales. Bullying lo llaman ahora. El afecto en sus primeros años lo buscó y lo encontró en el delantal de las nannies y en el consejo de Lord Mountbatten, su tío. Ya adulto, pero todavía joven, protagonizó una boda que sedujo a una nación entera, salvo a la novia y al novio. Él, Carlos, tenía su cabeza, su corazón y eso en otra mujer, Camilla Parker Bowles, con la que terminaría casándose en segundas nupcias. Se conocieron en los setenta, durante un partido de polo. Nada pudo la cursi de Lady Di contra un flechazo que dura hoy. A Camilla le dedicó su amante el piropo más bizarro del que se tiene registro: quisiera ser tu tampax. Es juego limpio señalar que cuando susurró por teléfono aquellas palabras, no sospechaba Carlos que le estaban grabando. Su faceta pública ha sido otra, muy distinta a la del sátiro en la intimidad, más cercana a la del árbitro de la elegancia, el paleoconservador que clama contra las fealdades del mundo moderno y el defensor de lo orgánico en todos los planos de la vida. Los títulos de Carlos III ocupan varias páginas del Gotha, si bien el gran almanaque de la realeza omite uno: Charles Smith. Es el nombre clave que figura en los archivos de Anderson & Sheppard, su sastrería durante años. De su colección de trajes, solo uno le viene grande: el de monarca constitucional. Qué afición la de este hombre a meterse en camisa de once varas. Debería pesarle el recuerdo de un viejo pariente Battenberg al que la pasión política cegó y perdió: Alfonso XIII. Es tal la propensión de Carlos de Inglaterra a pisar charcos que insinuó prohibir los McDonalds. Para fomentar la alimentación de calidad fundó una marca -Duchy Originals- comercializadora de productos salidos de sus granjas de Cornualla. Otra cruzada del monarca: la declarada contra los excesos de la arquitectura contemporánea. Tampoco aquí Carlos se ha limitado al lamento. Es el inspirador de Poundbury, un pueblito a las afueras de Dorchester pensado a escala humana, no industrial. Ya otro día hablamos de sus rarezas reales: llevar consigo a cualquier lugar un retrete portátil, cambiarse de corbata media docena de veces al día, inspeccionar por sorpresa las cocinas de palacio o armarle la de San Quintín a un sirviente por exceder la medida exacta de pasta de dientes sobre el cepillo. Manías que casan mal con el rasgo principal de su carácter: la paciencia. Se dice, se comenta, se rumorea que ordenó inscribir en su vestidor la leyenda: “sé paciente y resiste”. Carlos Felipe Arturo Jorge ha sido paciente, ha resistido y hoy ya es rey de Inglaterra. Episodio escrito y narrado por Gonzalo Altozano. Sonido: César García. Diseño: Estudio OdZ. Contacto: galtozanogf@gmail.com Twitter: @GonzaloAltozano Instagram: @galtozanogf iVoox, Amazon, Apple, Spotify.

In episode 1334, Jack and Miles are joined by comedian and host of Blake's Takes For God's Sakes, Blake Wexler to discuss... Trump FULLY embracing the Turd ReiQ... King Charles III AKA "The Healer" being bad for the monarchy and much more! LISTEN: Break of Dawn - Skiifall, Badbadnotgood, The Kount, YAMA/SATOSee omnystudio.com/listener for privacy information.

Får Andreas Norlén sitta kvar som talman? Eller blir det någon från SD, nu när de är det största partiet i regeringsunderlaget? Dessutom: Morötter, kungliga käpphästar och traskandet genom Indien. Att vara talman är det högsta ämbete man kan väljas till i Sverige, bara kungen själv är högre i rang. Men hur politiskt viktig är talmannen? Och hur mycket bråkas det om posten i hemlighet? Vi väcker före detta talman Per Westerberg för att fråga om talmansstrider vi minns. Och så frågar vi oss varför Björn Söder så gärna vill göra Villa Bonnier till talmansbostad.Under parollen 'Ena Indien! ' marscherar kongresspartiet genom tolv delstater, trots kritik från politiska motståndare. Vi får besök av Malin Mendel, journalist och SVT:s utsände i Indien, för en uppdatering om hur det går med traskandet.Det handlar också om den nye brittiske kungens favorithobby; arkitektur och samhällsplanering. På sina egna ägor har kung Charles III sedan 20 år byggt det lilla samhället  Poundbury med 4.200 invånare. Ett småskaligt, miljövänligt paradis, där människor från alla klasser blandas, eller en kitschig 1700-talspastisch? Åsikterna går isär. Mats Hultman, universitetslektor i formlära vid Lunds universitet, får berätta vad han tycker om den nye monarkens arkitektoniska ambitioner:- Rätt välgjort, men lite tråkigt. Man försöker bygga en ny stad med småstaden som förebild, men det är rätt svårt att göra från scratch. Programledare: Thomas Nordegren Bisittare: Louise Epstein Producent: Olle Björkman

During her Platinum Jubilee celebration this year, Queen Elizabeth greeted the crowds from the balcony at Buckingham Palace, dressed in bright blue with a cane in hand, at 96 years old… there's no denying change is coming. On her left: William, Kate, and the kids. On her right: Charles and Camilla. The message was clear — this is the future of the monarchy, with Charles at the helm. In our final episode, we're taking a look at what's next for the royal family. From Charles to William to little George, what does a modern monarchy look like? Where do Harry and Meghan fit in? And after 70 years of Queen Elizabeth's reign, is the world ready for King Charles?

The royal family is no stranger to controversy — and Prince Charles has often been at the center of the scandal-du-jour. What happens when he takes on the job of maintaining the monarchy's public image… the one he's been accused of tarnishing over the years? We'll take a look at the more recent scandals Charles has had to manage alongside the Queen – from questions about how some of his charities raise money to his brother Prince Andrew's settlement in a sexual abuse lawsuit, to his son Prince Harry's departure from the Firm. What other challenges might lie ahead for the future king, and how will he manage them?

In 1981, the world watched as Prince Charles married the perfect royal bride: Lady Diana Spencer. Young, beautiful, and stylish, Diana breathed new life into the monarchy. But the fairytale didn't last long. In the years that followed, Diana and Charles's troubled marriage and bitter divorce was a constant in the tabloids, and Diana's death in a car accident in 1997 shook the world. And through it all, Charles gained a reputation as an unfaithful husband to the “people's princess” as he carried on an affair with friend Camilla Parker Bowles. But today, Camilla — once known as the notorious “other woman” — is poised to become Queen Consort when Charles takes the throne. It's a reflection of the changes the monarchy has undergone in the aftermath of the Charles and Diana saga… and the fulfillment of Prince Charles's decades-long quest to have the love of his life accepted by the royal establishment and the British public.

This year, Queen Elizabeth II celebrates her Platinum Jubilee, marking 70 years on the throne. At age 96, the Queen is the longest-reigning monarch in British history, and her eldest son, Prince Charles, has waited longer than any heir presumptive in British history to ascend the throne. Practically no one alive today in the UK can remember a time before the Queen. But as his moment approaches, so does widespread apprehension: Can Prince Charles fill his mother's shoes? Will the people accept him as king? Is there even a place for monarchy in our modern world?

Prince Charles has long been seen as an eccentric - his passion for gardening and watercolor painting combined with his love of the luxurious royal life has given him the reputation of being out-of-touch with the average person. But Charles might also be considered ahead of his time - a long-time environmentalist who's been spearheading initiatives for sustainable living for more than 50 years. Many of the prince's ideas, at first quickly dismissed, have turned out to be prescient. We're taking a deeper look at this complex man. Did he become Prince Charles because of his upbringing or despite it? And how will the Prince Charles that we have come to know evolve into King Charles when he must meet his destiny.

This year marks Queen Elizabeth II's Platinum Jubilee, her 70th year as Queen of the United Kingdom. As the world prepares to celebrate an icon, the British royal establishment is working quietly behind the scenes to prepare the stage for Prince Charles to replace his mother and become King. It's the moment he was destined for – and at 73, he's been waiting a long time. But as his moment approaches, so does widespread apprehension: Can Prince Charles fill his mother's shoes? Will the people accept him as king? Is there even a place for monarchy in our modern world? In Born to Rule, NBC's Keir Simmons talks to journalists and royal insiders who've followed Prince Charles for decades to help us understand the man who will be king.

“Truth of feature is related to truth of being” - Frank Lloyd Wright What does the building in the dream look like? How does the space make you feel? During dream work and active imagining, I often ask clients these questions. Many times clients lack any formal training in architectural style or the history of design. When I name the specific architectural styles or design traditions present in client's dreams they often draw a blank on the names. When I ask them if the design elements of those styles are present then I get “Oh yeah! The stone had this blocky spiraly pattern.” or “The columns had this simple shape over and over like in [X] movie”. People remember how the spaces they were in made them feel first and the details about those same spaces second. In dreams buildings have a symbolic and metaphorical component. Architects and design professionals will tell you, people don't always consciously notice the space they are in. Yet people unconsciously feel the interiors they inhabit in an intuitive way. “Clean up your house” is one of the early mandates that many cognitive therapists will prescribe to patients under the assumption that their space becoming more orderly in the exterior will reorder their interior cognition. Jung began developing his theory of archetype when he was working with psychotic and impoverished persons that had no exposure to anthropology or mythological theory. Yet Jung observed these persons' psychotic episodes and hallucinatory events often were exact descriptions of ancient Babylonian and Persian mythology. Jung's conclusion was that the images and symbols of unconscious are often “collective” or universal amongst all humans due to their shared evolutionary history. Are there archetypal elements of architecture, in the same way that their primal elements of consciousness? As I said before, when I mention to clients during dream work specific architectural styles; Incan revival, Frank Lloyd Wright, Danish modern; they often draw a blank. Yet when I ask them for details about the structures they have experienced many of the specific details of these styles of design through the psyche in their dream world. Are there archetypal visual patterns that come from our unconscious? Carl Jung thought that the unconscious spoke in symbols through myth and dreams. He saw metaphor as a way that our psyche could tell us deeper truths than language and consciousness alone could contain. It would make sense that the unconscious also speaks through the houses and cities we build to contain our lives. Design itself is a kind of symbol. In the same way that a poem or song can make us feel something that is not present in the literal meaning of its text. Just like a poem is more than a list or a story, architecture is more than creating a structure that won't fall down. Like poetry, the arrangements of structural elements in architecture gesture towards a greater meaning than merely practical purpose. Architecture is meant to impart an emotional story, and sense of structural purpose. The point of a well designed building is to have an effect on our psyche. The interpretation of dreams enriches consciousness to such an extent that it relearns the forgotten language of the instincts. ~Carl Jung, Man and His Symbols, Page 52. The set designer of the 1982 film Bladerunner (Lawrence G. Paull) did an interview once that I found fascinating. Paull explained that the world in the script of Bladerunner lacked any exposition. Paul said he built three sets over each set. In the first set there was high technology overlaid over a previously mechanical world. In the second set people had overlaid the infrastructure for wireless technological revolution over this first tactile-technical world. On the third layer of the set that he built, Paul over lapped vandalism and security devices. The script doesn't tell the audience the history of the world, but the audience intuits the history based on the design of the world. The audience feels the conflicting sense of an optimistic and hopeful world overlain with a cynical and hopeless future. Here the subconscious elements of design are used to tell a story. Our sub-cortical body brains, that Jung described as our unconscious, evolved to feel our deep emotional and intuitive experiences at a level beneath cognition. Being aware of how our environment made us feel at an unconscious level kept us alive through prehistory. Our fight or flight system that helps us to “read the room or “know something in the gut” is the core of this system and the oldest evolutionary piece of our brain, with all other parts developing later. The latest neuroscience indicates that the first thing that our infant brain begins to recognize is the basic structure of the faces around us and then, later, the rooms and spaces those faces inhabit. What is it about these spaces that we are designed to recognize from an evolutionary standpoint? Are there deeply unconscious reactions that design and architecture invoke in us? We have an instinctual reaction to shape and symbol. A dog will bark at a snake shaped stick because the dogs that didn't bark at that shape died. Jung's idea of archetypal postulated that their were structures that underlay consciousness. These structures manifest as psychological patterns that can be observed repeating across history in mythology, politics, and culture. Could they also be found in design? Seldom are the implications of the visual part of archetypes discussed. But yet, aren't the “element and principals of design” the first thing that a pupil learns in art school?” There is a tacit agreement among design professionals that certain forms of design are good or bad in a way that defies any cognitive or intellectual rule. Leon Krier Painting in Post Modern Classicsm Architecture Leon Krier is one architect who has written about the archetypal elements of structures. Krier has written extensively about the patterns and forms in city planning and their effect on our psychology. Krier is an architect, design theorist, and urban planner. He became famous for his work on Seaside, Florida; Poundbury, England; and Ciudad Cayalá in Guatemala. He was influential to the new urbanism movement. Krier works in a postmodern classicist style. His work striped ornamentation, removed extraneous detail and assembled the oldest and most timeless architectural features. You will recognize many design elements in his drawings that have been a part of architecture since the bronze age. “The poet does not excel by inventing new words, but when by particular arrangements of otherwise familiar words, he makes us see ourselves in new ways,” -Leon Krier Krier's architecture is interesting to me as a psychotherapist because his work is in conversation with Jung's ideas and focuses on the psychological reactions that design evokes. Krier felt that the archetypal ideas in architecture were unchanging because they were inborn from the deep psyche. Krier believed that the usage of structure and space should be intuited from design. Much of Krier's work was built around his study of the way that people think and function. Krier was molding the architecture to the person instead of attempting to mold people with architecture. Krier and the new urbanist movement designed space that innately fused with the way that humans historically think, feel and live. This clashed with the modernist ideas present at the beginning of Krier's career. The modernist architects practicing after the middle of the century sought to uproot the structures present in society and transform the way that humans lived through design. In Krier's notes and doodles he expresses contempt for the hubris and revolutionary tendencies of the disciples of Mies van der Rohe and le Corbusier. The debate of tradition vs progress has been raging in architecture for nearly two centuries. ‘In traditional cultures invention, innovation and discovery are means to improve handed-down systems of communication, representation, thinking and building … in Modernist cultures, by contrast, invention, innovation, and discovery are ends in themselves' -Leon Krier Krier is not clinging to tradition and antiquity simple to be anachronistic. Instead Krier is reaching through all of the traditions to find the most fundamental pieces of architecture in their most pure form. Jung's work in psychology was an attempt to find these same primal forms and the roots of what makes us human. Krier's insistence on shaving design elements back to their most time honored and simplest forms make his buildings seem like they sprung from dreams or myth. Krier works in with structural archetypes. His buildings often feel like they exist in both all eras and none. One of Krier's early projects, Atlantis at Tenerife, was never built. However, elements of it informed thousands of projects that Krier and other architects did build over the next decades. Don't these renderings look like the setting of a dream? Perhaps Krier did have an intuitive insight into the forms that lurk in our shared unconscious psyche. In the Dominion of the Dead, Robert Pogue Harrison writes about architecture “Must we change our way of existing before we can change the way we build? Or would changing the way we build change the way we exist?”. Jung observed that our brains are capable of processing information in both an introverted and extroverted way. Our brains are designed to search the world around us for information but also to have our inner and subjective experiences guide us. We are designed to learn about the world around us through the spaces we inhabit, but also through our own inward journeys. In other words, our thinking is a product of our environment while also our environment is a product of our thinking. Both projects must be undertaken simultaneously. We need creativity in our personal interior and cultural exterior worlds to be whole. We need both internal and external creativity to be whole. We need to look for the soul of our collective hummanity dually in the patterns of our ancient history and our ability to transcend that history. The search for the basic structure of the deepest parts of consciousness is something that the field of architecture, like all other creative disciplines, can help us with but not somethings that it can do for us. We can take inspiration from innovation while still recognizing that what makes a design good is how well it resonates with the deepest patterns inborn in our creative human spirit. Humans make mythology in the same way they make architecture. Both The Odyssey and Star Wars are built on the same mythological framework and describe the same inborn heroic process within us. Both are one attempt to tell the same story with in our own ongoing human story. Both are using the same elements to tell the same story, yet both stories are different. We are driven to describe over and over again the patterns and voices, shapes and spaces that we sense from within our own soul. The debate between modernism and traditionalism in design is a flawed one when it assumes only environment or self determines reality. We can neither completely control society through building nor can we find inner peace and natural order while living in a creatively devoid chaotic wasteland. The journey to find and know the self through creativity is both a collective and personal one. It is through discovering how to build that we can find ourselves and through finding ourselves that we discover how to build.

Do you prefer Rembrandt or Rothko? The Vatican or The Shard? A Georgian terrace or a 1960s housing estate? Ever wondered why we stopped building beautiful old buildings and how architectural modernism came to dominate our skylines? This week we discuss the theory of the Tartarian civilization. It claims that our most ornate buildings are the work of a lost civilization called the Tartarian Empire and attempts to explain the rise of architectural modernism. We set out the theories for and against modernism, deconstruct survivorship bias and new urbanism and discuss a famously anti-modernist town designed by Prince Charles. Nick presents a taxonomy of theories that may explain divergent tastes in architecture and we share our own architectural predilections. A few things we mentioned in this podcast: - Whither Tartaria? https://astralcodexten.substack.com/p/whither-tartaria - Poundbury https://en.wikipedia.org/wiki/Poundbury - Celebration, Florida https://en.wikipedia.org/wiki/Celebration,_Florida - Richard H. Driehaus Architecture Competition https://www.driehauscompetition.com/en/ - Londoners grow fond of the Shard https://yougov.co.uk/topics/politics/articles-reports/2014/04/13/londoners-grow-fond-shard For more information on Aleph Insights visit our website https://alephinsights.com or to get in touch about our podcast email podcast@alephinsights.com Image: Chris Downer via Wikimedia Commons

My guest is Erik Bootsma a classical architect who specializes in ecclesiastical architecture. Erik was trained at the University of Notre Dame School of Architecture, which focuses on traditional forms of architecture. He and I discuss the role and modern degradation of architecture, Russell Kirk on modern architecture, the church wreckovations of the 1960s, and the attempts to return to traditional understandings of sacred space. Plus, we take a look at Prince Charles’s book A Vision of Britain and the Prince’s model city of Poundbury. It’s a packed discussion, and I think you’ll enjoy it.   *NEW* Cultural Debris Patreon - Support the podcast!   Erik Bootsma Website | Twitter "An Architect Reconsiders 'The Architecture of Servitude and Boredom'" "To Resurrect Notre Dame Is a Work of Faith"   Poundbury   Cultural Debris on Twitter Front Porch Republic Archives    

Derek Arden Chats With Guests about Negotiations and Perceptions Coffee Shop Negotiator - Neutral - Reciprocity - Round table not a desk Derek relates why he likes being a coffee shop Negotiator Derek Arden:Story about Barclays fire alarm during training - 25 cups of coffee 10% discount.Porsche coffee cup and numberplatesSubliminal SellingKate Bingham and covid vaccinations perceptionsTim Durkin:US reactions to RoyaltyRoyalty vs CelebrityPerceptions of Meghan and Harry interviewMeghan opportunist using racecardDerek's concern about US Breakfast club reaction to his presentation.Prince Charles visit to imitation Crystal Palace in 1986.Dallas Cowboy cheerleadersTim Ferris podcast - Rabbi Sachs. Great questions.Martin Kearns:Story of Chinese delegation and David Beckham signature.Will Kintish:Story of Masai Manchester United followers.New social media app Clubhouse.Godfrey Lancashire:Prince Charles and Poundbury in Dorset, https://DerekArden.co.uk https://negotiatorspodcast.com/podcasts/ https://www.negotiatorspodcast.com/power-to-persuade/

Vicki is the Managing Director of award-winning Yard Retailers based in Poundbury, Dorchester, in Dorset. Yard has gorgeous clothing, beautiful accessories, gifts and styling for your home. Vicki gave up the corporate life to start her own 'clothes shop' and now believes she has found the balance that feeds her need for 'detail in retail' as well as allowing her to spend more time with her family. Found out more at - http://www.yard.co.uk/ https://www.facebook.com/shopYard https://www.instagram.com/theyardshop/ https://uk.pinterest.com/shopyard/ You can read a transcript of Vicki's interview on http://www.successfulwomen.training/podcast/